Two years ago I read an article on Nora Ephron and in the article she shared that she is a big fan of Pride and Prejudice and when she wrote You’ve Got Mail, she made it a loose adaption of Jane Austen’s novel. I was surprised when I read that as I don’t see the two being that much alike and last year I decided to finally review You’ve Got Mail and determine whether it:
Should be considered an adaption of Pride and Prejudice
Needs to be excluded from the Jane Austen multiverse/canon altogether?
After rewatching You’ve Got Mail I ended up deciding that it is most definitely not an adaption of Pride and Prejudice and I personally don’t feel like it should belong in the Jane Austen canon/multiverse.
But while this film is not a good candidate, what about the film You’ve Got Mail is a remake of? Could The Shop Around the Corner be considered?
The Shop Around the Corner is not lifted from Jane Austen but a Hungarian play, Parfumerie. It has been made adapted many times: The Shop Around the Corner (1940) and You’ve Got Mail (1998) being only two of them. But just because it wasn’t taken specifically from Jane Austen, doesn’t mean it cannot be included in the canon. After all, The 12 Men of Christmasand Love at the Thanksgiving Day Parade aren’t “official” Austen adaptions, but the similarities are close enough that I include them.
Let’s begin with a quick summary of the story of Pride and Prejudice. Pride and Prejudice is about a mother, Mrs. Bennet, wanting to marry off her daughters as quickly as possible, as with their father’s death they will have very little. Two men move to their community that Mrs. Bennet is intent on harpooning, no matter what. One, Mr. Bingley, falls for the elder daughter, Jane, while the other man, Mr. Darcy, is overheard insulting the second daughter, Elizabeth, by Elizabeth herself. (Ouch!) Elizabeth is wounded and when she hears a tale about how horrible Mr. Darcy is from a handsome charming man, she readily believes it. She later discovers there is more to both these men than meets the eye; as the story deals with the concepts of pride and prejudice, first impressions, whether you should be overt in how you feel or play it close to the heart, etc. It has amazing wit and characters.
The Shop Around the Corner takes place in Budapest in the shop Matuschek, and focuses mostly on two of the employees: Alfred Kralik (Jimmy Stewart) and Klara Novak (Margaret Sullavan). Mr. Kralik is Mr. Matuschek’s oldest and best employee, the two often having more of a father-son relationship than a employer-employee. One day they are having a summer sale and a woman, Klara, comes in wanting a job as she has just been let go from her previous one. Mr. Kralik dissuades her from trying as they are not hiring, but Klara manipulates Mr. Matuschek into hiring her (she’s a really good saleswoman.) After this the two are constantly at odds as Klara is rude to Mr. Kralik, makes fun of him, and is always surly. After this treatment, Mr. Kralik does not care for Klara, and treats her with an equally surly, but professional, attitude. Meanwhile, months earlier Mr. Kralik had started writing to an anonymous woman for friendship and to to discuss literature. Over time the two have switched from literary topics to love and have fallen for each other. When Mr. Kralik goes to meet his letter lady, he discovers it is his work nemesis, Klara. When he goes in to see her, Klara dresses him down and Mr. Kralik starts wondering about his behavior. As the two continue to work side by side, Mr. Kralik tries to show Klara another side of him, hoping to win her heart as she has already captured his.
Even though this isn’t a true adaption of Pride and Prejudice, in every way it is so much closer to an adaption then it’s later remake, You’ve Got Mail.
First of all the interactions between the two leads in The Shop Around the Corner, is much more similar to Pride and Prejudice then You’ve Got Mail. In Pride and Prejudice Elizabeth and Mr. Darcy meet at a ball and Elizabeth is very attracted to him, but later dislikes him when he says she is tolerable but not handsome enough for him. Klara also later admits in the film that when she first met Mr. Kralik she was very attracted to him, but changed her mind when he didn’t react to her the way she had hoped. Also like Elizabeth, Klara too believes lies about the male lead’s character, told to her by another employee, Ferencz Vadas.
Mr. Darcy on the other hand, didn’t really think anything of Elizabeth, as he considered all in the area to be below his notice. Later, after spending time with her when Jane is ill at Netherfield he falls for her wit and beauty. With Mr. Kralik when he first meets Klara he doesn’t like her or dislike her, he does try to help her find work by suggesting other places she could try, but he’s mostly preoccupied with his own work. Like Darcy the wit and intelligence is what gets him, as he too falls for his lady through the mind first, this case in her letters.
While there are more things at play in the film the springboard for all their fights seem to be in this moment when Mr. Kralik tries to dissuade her from applying for a job (as they don’t have any openings) while Klara not only manipulates Mr. Matuschek into hiring her, but buying worthless items they later aren’t able to sell (what Mr. Kralik had said from the beginning.)
Jimmy Stewart’s character Mr. Kralik is also more like Mr. Darcy than Tom Hanks’ Joe Fox. Joe Fox was cruel, abrasive, insulting, and rude. We see him sweet to his little kid aunt and brother but he never has a place or people he seems to fully relax, like Darcy does with Pemberley and his staff there. In The Shop Around the Corner, Kralik is very decisive, focused, has a tough exterior and can come off cold; but to those who know him, he is has a more relaxed side. We see that with his close friend Pirovitch, and then later when he hears how he is perceived by others from Klara, and tries to be less cold and curt.
Unlike Kathleen, who is not at all like Elizabeth, (having a lack of wit, obstinance, headstrongness, or initiative); Klara is very witty, strong willed, does not shy away from situations or people, is confident, and bold enough to give Mr. Kralik several dressing downs.
I really like the interaction between Mr. Kralik and Klara at the cafe. In the film the two letter writers are supposed to meet up, but Mr. Kralik ends up losing his job (a subplot is that Mr. Matuschek thinks Mr. Kralik is messing around with his wife, but he isn’t). Mr. Kralik isn’t planning on going to see her as he’s feeling depressed, but his friend convinces him to go and when he finds out it is Klara who always makes work unpleasant, he’s not pleased. At the cafe he plans to tell her his identity, her letter lover, but words are thrown around by both and Klara really let’s him know how she feels:
Alfred Kralik: There might be a lot we don’t know about each other. You know, people seldom go to the trouble of scratching the surface of things to find the inner truth.
Klara Novak: Well I really wouldn’t care to scratch your surface, Mr. Kralik, because I know exactly what I’d find. Instead of a heart, a hand-bag. Instead of a soul, a suitcase. And instead of an intellect, a cigarette lighter… which doesn’t work.
Alfred Kralik: Well, that’s very nicely put. Yes, comparing my intellect with a cigarette lighter that doesn’t work. That’s a very interesting mixture of… poetry and meanness.
The Shop Around the Corner (1940)
After hearing this, Mr. Kralik takes time to self reflect and realizes that he wants to change how he is perceived by others. Now he has no plans to see Klara again, as he’s been fired, and is not quite sure what to do with the letter writing issue (as it appears she can’t stand him). However, when Mr. Matuschek discovers that he was wrong and a different employee was sleeping with his wife, he becomes so disheartened about everything that he planned to kil himself. Mr. Matuschek is stopped by Pepe the errand boy, and decides to step back from the to recuperate, calling Mr. Kralik, and hiring him back to take over the store. Now Mr. Kralik takes what was said to him by Klara and tries to be be not so cold and distant, while at the same time he also doesn’t try to show off and convince Klara or show her he’s changed-he just makes those changes.
This is much more similar to Mr. Darcy and the way he reacts to Elizabeth’s words. Mr. Darcy too took what was said, improved himself, and also never planned to interact with Elizabeth again. They only cross paths by accident and then later when he goes to support Bingley. When Bingley and Jane are engaged and he is invited to the Bennet’s home and card parties, he never tries to show off that she should be with him, he doesn’t try to take her aside, etc. He respects her wishes and only approaches her again after Lady Catherine’s rude visit and Elizabeth’s lack of promise not to marry him causes him to hope again. But even then, he tells her still cares but if she doesn’t feel that way he understands and will never speak of the matter again.
In contrast, Joe Fox is nothing like Mr, Darcy or Mr. Kralik as he not only makes it his mission to constantly run into Kathleen, but also uses his online persona and in-person persona to manipulate her.
Klara sees this change in him and realizes that she was misjudging him; and at the same time she does her own self reflection and realizes that she didn’t treat him as well as she could and a lot of their issues were caused by both sides.
So while it’s not a perfect adaption, I feel this one definitely is more of an adaption of Pride and Prejudice than You’ve Got Mail.
But while it is better than You’ve Got Mail, should it be considered a Jane Austen adaption?
After careful consideration I think not. It was very close, but it’s missing something else to really put it in the Pride and Prejudice camp. I will, however, highly recommend it for any Jane Austen fan and it will be going on my list of Non-Austen Films for Austen Fans due to its similarities and because it is an amazing film. I love it so much, I have to watch it every December at least once.
It is so romantic and I just adore how they falling in love over letters. I cannot recommend this film more. You are guaranteed to not only enjoy it but want to keep watching it again and again.
So do you agree or disagree? Let me know in the comments below!
You have thirteen hours in which to solve the labyrinth, before your baby brother becomes one of us… forever.
Labyrinth is one of my friend’s favorite movies. The first time she wanted us to watch it, years and years ago, I was like I don’t think I’m going to like this movie.
Yep, I was 100% wrong as I Loved it!
This movie is a ton of fun and is one of my favorites. I can always watch it.
It is such a great film and stars the amazing David Bowie and Jennifer Connelly.
Did you know Jim Henson originally wanted Sting to play Jareth the Goblin King? He only picked David Bowie because his kids loved him. This makes me think of Nightmare on Elm Street and the decision to cast Johnny Depp. Good thing Henson listened to his kids. I love Sting, but David Bowie was perfect in this role.
David Bowie as Jareth the Goblin King is supposed to be the villain of the film, but at the same time he channels the teenage dream/ideal of a man. I don’t know if it is his Bad Boy nature, his awesome mix of leather jacket/fantasy coat, his ‘80’s glam rock hair, or just the David Bowie of it all; but he’s amazing and every scene with him is a treasure. He makes every girls’ heart beat every time he enters the frame.
But I’m not only reviewing this film because it is a favorite and fits for Halloween, but also because it is a:
Yes, this film reminds me a lot of Jane Austen, which I will share why at the end of the review.
So our story begins with teenager Sarah, who is out at the park acting out a scene from her favorite book, The Labyrinth. Unfortunately, she keeps forgetting the last line. only to realize she also forgot how late it is.
Sarah: Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City to take back the child that you have stolen. For my will is as strong as yours, and my kingdom is as great…[thunder rumbles] For my will is as strong as yours, my kingdom as great…D***. [pulls the Labyrinth book out of her pocket] I can never remember that line. [reads] You have no power over me.
She has to run home and take care of her baby brother (half brother) who she dislikes, as her stepmother (who she hates) and father are going out that night. I always thought Sarah’s mother died, but after some googling, it turns out that Sarah’s mother was an actress who left her family for another man. As Sarah doesn’t have her mom present to be angry with, she has directed all that toward her stepmother and little brother.
Sarah is doubly angry as not only did she not get to finish recreating her favorite book, but she has to babysit while her parents are out, and she discovered one of her stuffed animals was taken and put in Toby’s room. Her teen angst has hit an all time high and she erupts, wishing her brother would be taken away by the Goblin King.
The goblins listen and do take him. When Sarah realizes that Toby is gone, she screams out that she wants him back and Jareth, the Goblin King, makes a deal with her. I always thought that Jareth saw something different about herself, a worthy opponent to face off with. She will have 13 hours to solve the labyrinth-if she does she gets the baby, if she fails he becomes a goblin forever.
Sarah begins her journey and believes she can outsmart the labyrinth and the Goblin King, but quickly things are not exactly like the stories she grew up reading. Her plan to leave a mark of the places she traveled fails, she solves the logic puzzle but falls down a hole with grabby hands, encounters fairies who bite, etc. She eventually finds Hoggle, a troll, who agrees to help her in exchange for her bracelet.
But Hoggle is working for Jareth and is supposed to lead her away, so she will lose. However, Sarah not only uses her cunning to get him to help, but Hoggle begins to like her too. This is something Jareth is none too pleased about.
Jareth: Ah, what have we here?
Hoggle: Oh, uh, nothin’.
Jareth: [removing his disguise at the last second] Nothing? Nothing? NOTHING? Nothing, tra la la?
That’s one of my favorite parts of this film. It is just so silly yet fits. Sarah then sasses Jareth and ends up losing time from her quest. Yep, not the best idea but Sarah will not give up. That’s another reason why this film is such a great one to watch. Sarah is your typical teen and she can be dramatic, whimsy, and at times can be whiny (like most teens), but she’s also a dreadful determined woman who will not stop until she accomplishes what she is setting out to do. She feels very real and is someone you can root for. I love this exchange between her and Jareth:
Sarah: That’s not fair!
Jareth: You say that so often, I wonder what your basis for comparison is?
After their encounter, Sarah sees a Wiseman who she exchanges a ring for-but doesn’t get that much wisdom in return. They continue on and Sarah ends up adding to their party when she saves Ludo, a creature that can call rocks. Ludo is so cute and sweet, I definitely would want him on my questing team.
After this she enters the forest, having been separated from Ludo and Hoggle and encounters the creepiest things ever and the true villains of this story: the Fierys. I hate these things as they seriously creeped me out when I first watched it, and I still struggle with watching this scene. Ugh, they need to just go to die with those creatures for Fraggke Rock, they creeped me out too.
But Sarah is able to defeat these monsters and is reunited with Hoggle who saves her. But not for long as Hoggle has met with the Goblin King who wants Hoggle to ensure that Sarah does not defeat him. Hoggle has been given a peach that will put Sarah to sleep and he must do it or else he will be cursed to live in the Bog of Eternal Stench.
After they are reunited they find themselves in the Bog of Eternal Stench, the only way out a bridge protected by a fox like soldier. I love this characters of Sir Didymus and his noble steed the sheepdog named Ambrosius. These characters are absolute fun.
Like in most fairy stories and legends the bridge cannot be crossed, but Sarah outwits him.
Sarah: Okay, let’s handle this thing logically. What exactly have you sworn?
Didymus: I have sworn with my life’s blood, none shall pass this way without *my* permission!
Sarah: Well… May we have your permission?
Didymus: Well I, uh… I… that is, uh… hm… Yes?
They are able to escape the Bog with help from Ludo who can speak to the rocks. From here they enter an enchanted forest and Sarah, as she has been in the Labyrinth for hours, says she is hungry. Hoggle gives her the enchanted peach and instantly regrets it and runs away ashamed at his cowardice.
Sarah wakes up in a dream, a ball with the romantic song As the World Falls Down.She is almost distracted from her quest, but when she hears the clock she proves herself to not be any ordinary girl and escapes by waking up with a Junk lady who returns her home. This quest wasn’t real, just another dream and she has now awakened. Film over.
I know, it’s too easy and too simple. And Sarah knows it, she is truly a worthy opponent for Jareth.
The Junk Lady: What’s the matter, my dear, don’t you like your toys?
Sarah: [comes to her senses] It’s all junk!
The Junk Lady: [picks up a music box] Well, what about this? This is not junk, eh?
Sarah: [smashes music box] Yes, it is! [Sarah’s room crumbles without her notice] I have to save Toby!
Sarah wakes up and goes with Didymus and Ludo to the Goblin City. Hoggle joins them and apologizes and they fight the Goblins and more as they continue to fight.
Then we have one of the best scenes when Sarah has to face off against Jareth. First Jareth comes out of the shadows, intense music playing as he does. I love the way the scene is fuzzy at the corners to give it that dreamlike quality! Oh yes, it’s fantastic! The pacing and the dialogue is just great too!
The way Jareth pleads with Sarah tempting her almost convincing her- but props to Sarah, she knows better what makes a healthy relationship than most people-refusing his charm and promises. And the thing I love the most, Sarah not being able remember the lines “you have no power over me” is so powerful. Such few and simple words, but at times can be so hard for people to say and believe. But finally she does, declares it to the Goblin King, and wins the Labyrinth.
Sarah: Give me the child.
Jareth: Sarah, beware. I have been generous up ’til now. I can be cruel.
Sarah: Generous? What have you done that’s generous?
Jareth: *Everything*! Everything that you wanted I have done. You asked that the child be taken. I took him. You cowered before me, I was frightening. I have reordered time. I have turned the world upside down, and I have done it all for *you*! I am exhausted from living up to your expectations. Isn’t that generous?
Sarah: Through dangers untold. And hardships unnumbered. I have fought my way here to the castle; beyond the goblin city, to take back the child that you have stolen. My will is as strong as yours, and my kingdom as great…
Jareth: Stop! Look what I’m offering you. Your dreams.
Sarah: My kingdom as great… my kingdom as great… damn, I can never remember that line.
Jareth: I ask for so little. Just fear me. Love me. Do as I ask, and I shall be your slave.
Sarah: You have no power over me! YOU have no power over ME! [the clock chimes 13:00 at that moment. Defeated, Jareth sends Sarah and Toby back to the real world where the clock finishes chiming midnight]
She defeats him and goes home. At first going to say goodbye to her fantasies, dreams, and childhood-but deciding to not give it up just yet!
Ludo: [in the mirror] Goodbye, Sarah.
Didymus: And remember, fair maiden, should you need us…
Hoggle: Yes, should you need us, for any reason at all…
Sarah: I need you, Hoggle.
Hoggle: You do?
Sarah: [nods] I don’t know why, but every now and again in my life – for no reason at all – I need you. All of you.
Hoggle: You do? Well… WHY DIDN’T YOU SAY SO?
[Sarah] spins around and sees them all in her room, including the goblins. She hugs them all, and a huge party begins]
I love this film and I think the more you watch it the more you see, relate to, and love. I also really appreciate that they didn’t end this with a romance but friendship, that’s not something that is not really done all that often.
Another thing I like about this movie is that it is similar to Total Recall, in that the film lets you decide whether this really happened to Sarah or if it is all in her mind. In her room we see the characters that surface later in the film: a stuffed animal that looks like Sir Didymus on her dresser, a doll that looks like Ludo on the shelves next to her door, a Firey doll on a shelves next to her bed, bookends with Goblins reminiscent of Hoggle on her dresser, a figurine of Jareth on the right hand side of her desk, newspaper clippings of Sarah’s famous actress mom with another man (David Bowie), the dress that she wears in the ballroom scene is on the woman in her music box, a wooden maze game which looks like the Labyrinth is on her desk, and a copy of the famous picture by M.C. Escher which is used in the final confrontation with Jareth. So the question is did the Goblin King use these elements in his creations to give Sarah a fair chance, borrowing items similar to her surroundings which is sometimes done in fairy stories, did he choose her because he wanted a worthy opponent, does the Labyrinth change itself to Whomever enters, or is this all a teen angst dream. You decide.
So why do I consider this a Non-Austen Film for Austen Fans? First of all we have the character of Sarah being one who loves to read, and live in a fantasy world; which reminds me of both Marianne Dashwood and Catherine Morland. Both Marianne and Catherine love to read and are dreamers. All three characters are also very sweet, kind, naive, and innocent.
Sarah shares even more similarities with Marianne as both are young in spirit. Sarah still plays with dolls and stuffed animals and Marianne believes she knows all about love and life from the poems she reads.
Both girls have also been betrayed by people they love, Sarah having her mom leave the family and now having a new mother and brother, while Marianne’s father fails to protect his daughters by planning for their future; along with her having a brother that broke his promise to protect and care for her and her sisters.
Both Marianne and Sarah are also extremely emotional and act on their feelings, expecting others to be as honest as them. Sarah never considers that Hoggle could be deceitful or someone she shouldn’t trust, even after he tells her (and Jareth) that he is planning on sending her back to the beginning. Marianne never considers that Mr. Willoughby could not be as earnest in his affections or even that her lack of fortune might be something that could cause a roadblock in their relationship.
Sarah, Marianne, and Catherine all fits
go on a journey that teaches them about themselves and help them grow and mature. For Sarah she learns to love and care for her brother and not to speak out in such haste, Marianne is taught to not always act on her emotions and feelings but use sense as well, and Catherine learns to not always trust everyone and to use caution instead of imagination.
A fantastic film with wonderful imagery, amazing songs, and just a lovely storyline. It’s a film you can’t help but love and watch again and again.
Some friends and I went axe throwing a few weeks ago and dressed up as fantasy characters. I was going to be the Goblin King, but my niece pointed out that I looked like Sarah. So of course I had to dress up as her. I couldn’t find the vest she wears and had to with what I did have. Pretty close right?
“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”
The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).
When I was plotting out what filmto start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.
Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.
I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.
Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.
Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.
Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.
David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.
Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.
You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.
Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.
I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.
The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.
“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.
The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.
In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.
Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.
Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.
Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.
We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.
Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.
Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.
Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.
Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.
Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.
Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.
Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.
With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…
Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star.
As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.
Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?
Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.
Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?
Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!
The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.
Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.
Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.
Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.
Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?
The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.
Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.
Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.
Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.
Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.
Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)
The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…
Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.
Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.
Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.
Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!
Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?
Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.
The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.
Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.
The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.
At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.
Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.
Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.
Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.
Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.
That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.
Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.
Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.
Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.
Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.
Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.
We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.
So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.
So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!
So after you watch every single version of Jane Austen movies, what do you have to watch next?
Hmm…I don’t know!
That’s why I started this list, to have non-Austen films that Austen fans can enjoy.
I can’t stop watching!
Here we go with:
So lately Amazon has been horrible in their recommendations, they have bee listing off films and TV shows I have zero interest in.
I was scrolling through the list of recommendations and I saw this ’80s jukebox (songs that are not by the same artist or band) and I had to watch it. I love anything ’80s!
Taylor (Hannah Arterton) is from England vacationing in Italy before she starts University. While on her vacation she met a handsome Italian man, Raf (Giulio Berruti) and the two fall in love.
Raf wanted her to stay with him, and logical, practical, always sensible Taylor thought about it. After all her friend Elena (Leona Lewis) fell in love and is staying. But as tempted as she is, she can’t and instead says goes home-singing Holiday.
Three years later Taylor has just graduated from University and is called by her sister Madison (Annabel Scholey) to join her for vacation in Italy. Taylor arrives in the same place she had vacationed years earlier, Puglia. Taylor is pleased to be spending time with her sister as she’s been so busy with school. She also is looking for some girl time as her sister has finally broken up with her horrible boyfriend Doug, they have been on and off for the past five years.
She arrives and finds their family friend Lil there too and the biggest surprise of her life-her sister has only been there a few weeks and has fallen in love, along with being engaged to be married to an Italian guy, and is going to be married in two days.
This isn’t the first time Madison has made a horrible decision regarding men and love as she is extremely romantic, emotional, and always going with what feels right in her heart.
Madison will not be swayed, espechially after Lil drops that Taylor had a lover in Italy. Madison is surprised her sensible sister could ever have a fling as she has never dated anyone, this “Italian guy” must really be special if he is the only one to ever touch her heart. Madison tells Taylor that they will have dinner with her guy, and she, after singing Venus, goes to get ready.
Taylor starts to the beach and runs into her friend Elena and Raf’s friends. She wants to see Raf, but her friend’s warn her that things are different now. She doesn’t stay but searches the beach for Raf, singing How Will I Know. When she reaches Raf he’s mad. He asked her to stay, and she left him brokenhearted.
The two are starting to talk with Madison comes over and introduces her fiancé Raf to Taylor.
Both Raf and Taylor are in shock. Raf never put it together as she and her sister look nothing alike, Taylor is a super common name, they have only been together for weeks so he hasn’t met her family until now. Taylor is just stunned.
Dinner that night is an awkward affair for Raf and Taylor, but Madison is full of happiness for all those she loves to be together. She then sings The Power of Love.
Raf is not pleased with this turn of events and wants to tell Madison right away. He doesn’t want any secrets, but Taylor convinces him to keep it secret as it will only hurt her sister and might break them up and damage the relationship with her sister.
The next day is the day before the wedding and Madison has a whole list of things that need to be taken care of-asking her maid of honor and sister to do it with Raf. Raf and Taylor do not want to spend anytime together, but do everything-people commenting that they are an adorable couple and it makes them both upset as feelings surface and they end up spending the whole time arguing.
Meanwhile, Madison ran into her ex-boyfriend Doug (Greg Wise) who is a horrible player of a man. He wants her to get back with him, but she refuses as she is getting married. The two sing “Don’t You Want Me Baby” but Doug convinces her to have one last dinner with him to say goodbye.
Back and the villa, Raf and Taylor return, having argued about how much they loathe each other and they run into Madison. She is happy that everything has worked out and asks if Taylor wants to bring the only man she ever loved, her Italian lover from three years ago. Raf is stunned as he thought Taylor saw him as a check off her summer list, all these years he didn’t realize she cared as deeply as he did.
He leaves, and Taylor and Madison talk. Flowers arrive from Doug and when Taylor questions Madison she just laughs it off as a farewell dinner with Doug. No big deal.
Taylor feels otherwise, but Madison is stubborn and unconvinced. While Madison gets ready for her date and hen party/bachelorette party and Taylor and friends all go to the Tomato festival. They are supposed to throw tomatoes at each other and this scene gets hilarious fast as Taylor and Raf angrily sing Walking on Sunshine at each other. But even though they are upset, a little spark is kindled.
They go to the beach to clean up and Taylor sings about her feelings and how much she still cares with Eternal Flame. She kisses Raf and then after realizing what she has done, runs off.
Madison and Doug have an extremely romantic dinner in the Coliseum. But while it is everything she has ever wanted, Madison realizes that no-she doesn’t want Doug. This part, the wooing, the chase is what he does well but the commitment boyfriend part-not so much. She wants more.
She heads back home to get to her hen party/bacheleorette party when she runs into Raf and Taylor talking. Madison quickly puts together that the Italian guy from Taylor’s past is Raf. She is shocked, but Taylor quickly shares that yes he was, and that Raf wanted to tell but she convinced him not to. She is sorry that she was pulled along by the memories and kissed him b-but she does not have feelings for him anymore.
Madison loves and trusts her sister so the girls get dressed up like Tina Turner and Madonna and the boys like Boy George. They go out singing Girls Just Wanna Have Fun/The Wild Boys. After the night out Taylor realizes she does love Raf and leaves for the airport-as she can’t stay and cause trouble between her sister and him. She loves her sister more and wants her to be happy.
Meanwhile, after the party, Doug is waiting at the villa to try and seduce Madison by singing Faith. Madison tries to fight him off, almost gives in, and is surprised by a proposal by Doug.
Lil went to the airport with some pilots she met and discovers that Taylor there. Lil convinces Taylor to come back as she is the only family that Madison has, and she needs to be there. They hurry to White Wedding.
Taylor does come, but the groom is missing as one of his friends drunkenly taped him to a tree. He does get there and the wedding goes on, with Doug trying to object to it and being ignored.
They are going to say I Do, when Madison actually stops the wedding. She realizes that she doesn’t know who she is-she came to Italy to get over a love and just went right into another relationship. She turns him down as she doesn’t love him, but loves love. She cares for him but realizes that someone else truly is in love with him.
Raf is furiously heartbroken. First one girl rejects him, and after three years he opens himself to love another girl, who rejects him.
Taylor decides to finally take a chance and goes after him-telling him she has loved him for the last three years and wish she never left him in Turn Back Time.
We end on a happy note with Raf and Taylor reunited, Doug after Madison but she choosing to be single and figure out what she wants, Elena and Enrico discover they are going to hve a baby, and Lil and Mikey together with Wake Me Up Before You Go-Go.
So in a lot of ways it feels like this movie was copying Mama Mia. We don’t know a lot about the characters-whos is the younger or older (I’m assuming Madison is older), what Taylor was studying in school, what Madison does/why she is in Italy, etc. But the story was cute and the music is awesome as I like the songs.
But why do I recommend it for Jane Austen fans?
The first thing it made me think of was Sense and Sensibility. We might not know a lot about Taylor, but all the characters comment and allude that Taylor is the logical, responsible, and practical one. She never lets loose, she is never one to take chances or risks, only does what is a sure thing. She had a fling in Italy on her holiday and the guy asked her to stay with him, and she thought about it-but she knew she could never do it as it isn’t sensible or practical. Of course she needed to go back to her real life and university. The rest of the film she plays it the same way until the very end when she realizes she does want to open her heart-she does want to take a risk and fall in love-not knowing if it will work out-she throws all that aside and takes a leap.
Madison on the other hand is such a Marianne. She is emotional, is in love with love, and doesn’t make the best decisions when it comes to men. Taylor lists off her past relationships and Madison is just a romantic and can’t resist L’amore. Before Raf she was perviously dating a rascally rogue (played by Greg Wise [who was Willoughby in Sense and Sensibility (1995]). I mean she hardly knows Raf, but loves him and is getting married. I like that they made Madison not dumb as they often do (a smart sister and pretty sister) but she was just hopeful and trusting-things that Marianne also shared. I liked how we saw her progression of character as she decides she doesn’t need to throw herself into another relationship, but to figure out who and what exactly she wants.
Madison in the end has learned to temper her feelings and use sense, while Taylor to open herself up and release her sensibilities.
One thing the movie did really was show the way the death of their mother affected the girls. While the loss of their mother made Madison search for love and ultimately be a little too desperate in her search for happiness, Taylor has become more closed off to love as she doesn’t want to lose anyone. While the characters of Elinor and Marianne were formed to events prior to their father’s death, it made me wonder if that affected Marianne in her pursuit of love. Maybe Marianne wouldn’t have thrown herself so hard at Willoughby if they had their father around, maybe she wouldn’t have been so overtly searching for love if she didn’t have a hole from her loss.
The other thing I liked about this was that I thought it also echoed the sisterly love and devotion we see in Sense and Sensibility and Pride and Prejudice. Both the Bennets and Dashwoods care about their sisters and will keep secrets to protect them, nurse them, do anything they can for them. In this Taylor wants to protect her sister and have her be happy, so she doesn’t tell her the truth about how she feels for Raf. She goes to the wedding to be there for her sister, even though watching her love marry someone else is more painful than anything. At the church steps Madison gets cold feet, but Taylor just encourages and supports her. Madison shows the same love and devotion when she refuses Raf, knowing they would have a wonderful happy life together-but he’d have a better one with Taylor his true love.
This film also made me think of Persuasion. In Persuasion, Anne Elliot and Frederick Wentworth fell in love and were engaged, but Anne ended it as she was persuaded it wasn’t a good decision. They are young, he’s going off to war, he could die, her father wouldn’t like it or help her, etc. Years later, she has never married and Frederick has returned-a captain and is hurt over the past. They are put together in situations and it can be very awkward. In fact, the awkward tension the dinner table in Walking on Sunshine made me think of the scenes when they are thrown together in Persuasion. Not to mention seeing the person you love into someone else.
That last scene of Raf and Taylor singing Turn Back Time, I wish someone would recut Persuasion with it because it was perfect. In Persuasion, Captain Wentworth realizes he was a fool and still loves Anne, has only loved her, and writes her a beautiful love letter. In this Taylor does what she said she would never do-she sings her love for Raf from the rooftops.
Strong Woman Bong Soon is a Korean drama, Him-Ssen Yeo-ja Do Bong-Soon, that I just love and am thoroughly depressed that it is only one season and over.
The best thing about this film is that it is fun, dramatic, deals with the ideas of superheroes in a realistic way along with being entertaining and fun. I’m so tired of American TV being so serious, broody, and depressing. I wish we had more mixed shows-like Psych was a cop drama, but also a comedy. Or how Boy Meets World was silly and light-hearted but dealt with serious issues.
So Bong Soon (Bo-Young Park) is a 27-year old twin sister, (her brother Bong Ki is studying to be a doctor) living in Korea, and trying to find a job.
She wants to be a video game designer and create a game based on her but is having a hard time getting and keeping a job.
Why does she want a game designed after her? Well she’s special, she has super strength.
It all started back with her great-great-great grandma. She had super strength, but when she used it to hurt innocent people, she lost her ability and gained leprosy. The super strength was passed through all the women in her family, but if they use it to hurt innocent people they would lose it and reap the consequences.
Bong Soon’s mother, Hwang Jin-yi, used her power to compete in the olympics for Korea, which was okay. But when she used it to shake down people and to make money, she lost her ability as well.
Bong Soon has inherited the power and has been afraid to do anything with it as she doesn’t want to abuse it or lose it. She lives her life trying to hide her abilities and be fragile as she doesn’t want to hurt an innocent, lose it, or be seen as a freak, and because her crush says he likes delicate girls.
Pretending all the time…
Yes, Bong Soon has been in love with her brother Bong Ki’s best friend has Guk Du (a police detective) since she was a child. He has a girlfriend though.
So there are three story lines in this show:
Don’t mess with me!
The area Bong Soon lives in has gangsters trying to take over and redevelop the area. They have been harassing people and Bong-Soon’s mom wants to get involved with them as she wants to make money even though innocent people are getting hurt.
Mr. Ahn (Hyung-shik Park), creator of the video game company Ainsoft, spends most of his days alone. He is haunted by a memory of a girl, who he believes to be a guardian spirit, that saved him years back. He goes into work twice a week and spends the rest of him time alone, playing video games and designing new ones. He is currently being blackmailed to give up all intentions of inheriting his father’s company or else he will lose Ainsoft.
Meanwhile, there is a creepy guy obsessed with the fairytale Bluebeard and His Seven Wives lurking in the Dubong area. He is intent on abducting seven women to be his “brides” and has built a secret prison under his garage where he keeps his victims. Guk Doo is one of the police working on the case.
Ready for any case
All these stories intersect when one day Bong Soon is bicycling when she encounters some gangsters assaulting an old man who is driving a group of daycare kids. She is harassed when Mr. Ahn comes upon them. He calls the police, but before they get there Bong Soon takes them out.
They all go to the police station, where the gangsters are pressing charges against Bong Soon, but Mr. Ahn rescues her by going on how ludicrous the idea is of 5’2 petite Bong Soon beating up all these gangsters.
Bong Soon isn’t interested and dresses down Mr. Ahn. Then she rides off on her bike. Mr. Ahn is extremely interested and tracks her down, offering to hire her as his bodyguard. She thinks it is a crazy idea, but agrees when she hears how much he is offering to pay her.
Mr. Ahn and Bong Soon team up to stop the blackmailer-using his brain and tech, and her strength and compassion. Mr. Ahn even starts training her to help her control her power and be ready for anything.
As Mr. Ahn spends so much time with her, he starts to really enjoy spending that time with her, falling head over heels. But he has to convince Bong-Soon he is serious and that the rumors of him being gay are false.
Meanwhile, the gangsters are extremely embarrassed over her having bested them and they try to go after her, but each time they just end up in the hospital. It turns out that these same gangsters are involved in the blackmail as well.
Bong Soon becomes involved with the kidnapping case when she goes to the hospital to visit Mr. Gong (who’s tailbone she accidentally fractured) and witnesses the kidnapper disguised as a doctor kidnapping one of his victims. She runs into him a few more times and Guk-Doo tries to place her in his care and watch for her, having her stay with Mr. Ahn (which he likes, but Guk-Doo doesn’t).
One night she and her best friend (who is visiting) are making stew, her friend going out to get some tofu. One her way back she is attacked by the kidnapper. Bong-Soon, worried that her friend is taking a too long, comes upon them and saves her.
After her friend thanks her for saving her, Bong-Soon starts thinking about all the other people out there that might need help, and decides to go after the kidnapper.
This kidnapper becomes her supervillain as he is intent on taking her down. He is the perfect foil for Bong Soon-Bong Soon is perky and sweet, he is dark and demented. Bong-Soon is short and petite, he is tall and built. He hates women and enjoys torturing them, she is strong, powerful and is going to find and stop him.
Will Bong-Soon win over Guk-Doo? Or realize that Mr. Ahn is the best guy there is. Will they stop the blackmailer or will Mr. Ahn be destroyed? Will they defeat the gangsters? Or will they take down Bong-Soon? Will Bong-Soon stop the kidnapper? Or will he outsmart her and force her to loose her powers?
Trust me, watch this and you’ll love it. It is so cute and pay attention-they repeat certain things. And oh that ending-so adorable!
So now on to the other reason why I wanted to review this show:
Yes, it reminds me a lot of Jane Austen.
First we have Bong-Soon. She is sweet and innocent like Catherine Morland, passionate like Marianne Dashwood, witty like Elizabeth Bennet, romantic like Anne Elliot, and logical like Elinor Dashwood. She’s got a bit of everyone in her and it is great.
Or Mr. Ahn
That leads us to Mr. Ahn. When we first meet him he is closed off and rude, Bong-Soon and him not having a great relationship to start with. She is upset over her pride being hurt, and he wants nothing to do with anyone. We then discover he has a truly painful and heartbreaking backstory.
Like Mr. Tilney, he is sarcastic, fun, and outright hilarious. He end up helping train Bong-Soon, guiding her like Mr. Knightley. He even gets a horrible video of Bong-Soon taken down, to help her-just like Mr. Darcy. He’s also rich like Mr. Darcy and makes me think of him in a few other ways:
Or like how once he gets feelings for her he tries to be cool, but can’t hold it in.
Their relationship is just adorable and I think all Jane Austen fans will love it and them.
We then have the most Jane Austen character of them all Bong-Soon’s mother. She seriously could give Mrs. Bennet a run for her money. She goes to the temple and prays for the marriage of her daughter, even going to see a fortune teller to get a special something to get Bong-Soon and Mr. Ahn hitched. She doesn’t even care about the rumors of him being gay, she wants her daughter to marry the handsome man and his money. One night Mr. Ahn asks Bong-Soon to stay with him after he was attacked earlier in the day. Guk-Doo comes in trying to get her to leave as he doesn’t want them staying together as he thinks Mr. Ahn is trying to take advantage of Bong-Soon (and he doesn’t know that Bong-Soon is his bodyguard or super strong). Guk-Doo calls her mom, and she eagerly thrusts her daughter at him-Just like when Mrs. Bennet tries to make Jane sick to stay with Mr. Bingley.
Like that is soo Mrs. Bennet.
Trust me, check this out as it is an AMAZING show!