Can The Shop Around the Corner Be Considered A Pride and Prejudice Adaption?

Two years ago I read an article on Nora Ephron and in the article she shared that she is a big fan of Pride and Prejudice and when she wrote You’ve Got Mail, she made it a loose adaption of Jane Austen’s novel. I was surprised when I read that as I don’t see the two being that much alike and last year I decided to finally review You’ve Got Mail and determine whether it:

  • Should be considered an adaption of Pride and Prejudice
  • Should be put on my Non-Austen Films for Austen Fans
  • Needs to be excluded from the Jane Austen multiverse/canon altogether?

After rewatching You’ve Got Mail I ended up deciding that it is most definitely not an adaption of Pride and Prejudice and I personally don’t feel like it should belong in the Jane Austen canon/multiverse.

But while this film is not a good candidate, what about the film You’ve Got Mail is a remake of? Could The Shop Around the Corner be considered?

Hmm…?

The Shop Around the Corner is not lifted from Jane Austen but a Hungarian play, Parfumerie. It has been made adapted many times: The Shop Around the Corner (1940) and You’ve Got Mail (1998) being only two of them. But just because it wasn’t taken specifically from Jane Austen, doesn’t mean it cannot be included in the canon. After all, The 12 Men of Christmas and Love at the Thanksgiving Day Parade aren’t “official” Austen adaptions, but the similarities are close enough that I include them.

Let’s begin with a quick summary of the story of Pride and Prejudice. Pride and Prejudice is about a mother, Mrs. Bennet, wanting to marry off her daughters as quickly as possible, as with their father’s death they will have very little. Two men move to their community that Mrs. Bennet is intent on harpooning, no matter what. One, Mr. Bingley, falls for the elder daughter, Jane, while the other man, Mr. Darcy, is overheard insulting the second daughter, Elizabeth, by Elizabeth herself. (Ouch!) Elizabeth is wounded and when she hears a tale about how horrible Mr. Darcy is from a handsome charming man, she readily believes it. She later discovers there is more to both these men than meets the eye; as the story deals with the concepts of pride and prejudice, first impressions, whether you should be overt in how you feel or play it close to the heart, etc. It has amazing wit and characters.

The Shop Around the Corner takes place in Budapest in the shop Matuschek, and focuses mostly on two of the employees: Alfred Kralik (Jimmy Stewart) and Klara Novak (Margaret Sullavan). Mr. Kralik is Mr. Matuschek’s oldest and best employee, the two often having more of a father-son relationship than a employer-employee. One day they are having a summer sale and a woman, Klara, comes in wanting a job as she has just been let go from her previous one. Mr. Kralik dissuades her from trying as they are not hiring, but Klara manipulates Mr. Matuschek into hiring her (she’s a really good saleswoman.) After this the two are constantly at odds as Klara is rude to Mr. Kralik, makes fun of him, and is always surly. After this treatment, Mr. Kralik does not care for Klara, and treats her with an equally surly, but professional, attitude. Meanwhile, months earlier Mr. Kralik had started writing to an anonymous woman for friendship and to to discuss literature. Over time the two have switched from literary topics to love and have fallen for each other. When Mr. Kralik goes to meet his letter lady, he discovers it is his work nemesis, Klara. When he goes in to see her, Klara dresses him down and Mr. Kralik starts wondering about his behavior. As the two continue to work side by side, Mr. Kralik tries to show Klara another side of him, hoping to win her heart as she has already captured his.

How sweet!

Even though this isn’t a true adaption of Pride and Prejudice, in every way it is so much closer to an adaption then it’s later remake, You’ve Got Mail.

First of all the interactions between the two leads in The Shop Around the Corner, is much more similar to Pride and Prejudice then You’ve Got Mail. In Pride and Prejudice Elizabeth and Mr. Darcy meet at a ball and Elizabeth is very attracted to him, but later dislikes him when he says she is tolerable but not handsome enough for him. Klara also later admits in the film that when she first met Mr. Kralik she was very attracted to him, but changed her mind when he didn’t react to her the way she had hoped. Also like Elizabeth, Klara too believes lies about the male lead’s character, told to her by another employee, Ferencz Vadas.

Mr. Darcy on the other hand, didn’t really think anything of Elizabeth, as he considered all in the area to be below his notice. Later, after spending time with her when Jane is ill at Netherfield he falls for her wit and beauty. With Mr. Kralik when he first meets Klara he doesn’t like her or dislike her, he does try to help her find work by suggesting other places she could try, but he’s mostly preoccupied with his own work. Like Darcy the wit and intelligence is what gets him, as he too falls for his lady through the mind first, this case in her letters.

While there are more things at play in the film the springboard for all their fights seem to be in this moment when Mr. Kralik tries to dissuade her from applying for a job (as they don’t have any openings) while Klara not only manipulates Mr. Matuschek into hiring her, but buying worthless items they later aren’t able to sell (what Mr. Kralik had said from the beginning.)

Jimmy Stewart’s character Mr. Kralik is also more like Mr. Darcy than Tom Hanks’ Joe Fox. Joe Fox was cruel, abrasive, insulting, and rude. We see him sweet to his little kid aunt and brother but he never has a place or people he seems to fully relax, like Darcy does with Pemberley and his staff there. In The Shop Around the Corner, Kralik is very decisive, focused, has a tough exterior and can come off cold; but to those who know him, he is has a more relaxed side. We see that with his close friend Pirovitch, and then later when he hears how he is perceived by others from Klara, and tries to be less cold and curt.

Unlike Kathleen, who is not at all like Elizabeth, (having a lack of wit, obstinance, headstrongness, or initiative); Klara is very witty, strong willed, does not shy away from situations or people, is confident, and bold enough to give Mr. Kralik several dressing downs.

I really like the interaction between Mr. Kralik and Klara at the cafe. In the film the two letter writers are supposed to meet up, but Mr. Kralik ends up losing his job (a subplot is that Mr. Matuschek thinks Mr. Kralik is messing around with his wife, but he isn’t). Mr. Kralik isn’t planning on going to see her as he’s feeling depressed, but his friend convinces him to go and when he finds out it is Klara who always makes work unpleasant, he’s not pleased. At the cafe he plans to tell her his identity, her letter lover, but words are thrown around by both and Klara really let’s him know how she feels:

Alfred Kralik: There might be a lot we don’t know about each other. You know, people seldom go to the trouble of scratching the surface of things to find the inner truth.

Klara Novak: Well I really wouldn’t care to scratch your surface, Mr. Kralik, because I know exactly what I’d find. Instead of a heart, a hand-bag. Instead of a soul, a suitcase. And instead of an intellect, a cigarette lighter… which doesn’t work.

Alfred Kralik: Well, that’s very nicely put. Yes, comparing my intellect with a cigarette lighter that doesn’t work. That’s a very interesting mixture of… poetry and meanness.

The Shop Around the Corner (1940)

After hearing this, Mr. Kralik takes time to self reflect and realizes that he wants to change how he is perceived by others. Now he has no plans to see Klara again, as he’s been fired, and is not quite sure what to do with the letter writing issue (as it appears she can’t stand him). However, when Mr. Matuschek discovers that he was wrong and a different employee was sleeping with his wife, he becomes so disheartened about everything that he planned to kil himself. Mr. Matuschek is stopped by Pepe the errand boy, and decides to step back from the to recuperate, calling Mr. Kralik, and hiring him back to take over the store. Now Mr. Kralik takes what was said to him by Klara and tries to be be not so cold and distant, while at the same time he also doesn’t try to show off and convince Klara or show her he’s changed-he just makes those changes.

This is much more similar to Mr. Darcy and the way he reacts to Elizabeth’s words. Mr. Darcy too took what was said, improved himself, and also never planned to interact with Elizabeth again. They only cross paths by accident and then later when he goes to support Bingley. When Bingley and Jane are engaged and he is invited to the Bennet’s home and card parties, he never tries to show off that she should be with him, he doesn’t try to take her aside, etc. He respects her wishes and only approaches her again after Lady Catherine’s rude visit and Elizabeth’s lack of promise not to marry him causes him to hope again. But even then, he tells her still cares but if she doesn’t feel that way he understands and will never speak of the matter again.

In contrast, Joe Fox is nothing like Mr, Darcy or Mr. Kralik as he not only makes it his mission to constantly run into Kathleen, but also uses his online persona and in-person persona to manipulate her.

Klara sees this change in him and realizes that she was misjudging him; and at the same time she does her own self reflection and realizes that she didn’t treat him as well as she could and a lot of their issues were caused by both sides.

So while it’s not a perfect adaption, I feel this one definitely is more of an adaption of Pride and Prejudice than You’ve Got Mail.

But while it is better than You’ve Got Mail, should it be considered a Jane Austen adaption?

After careful consideration I think not. It was very close, but it’s missing something else to really put it in the Pride and Prejudice camp. I will, however, highly recommend it for any Jane Austen fan and it will be going on my list of Non-Austen Films for Austen Fans due to its similarities and because it is an amazing film. I love it so much, I have to watch it every December at least once.

It is so romantic and I just adore how they falling in love over letters. I cannot recommend this film more. You are guaranteed to not only enjoy it but want to keep watching it again and again.

Audiobook

So do you agree or disagree? Let me know in the comments below!

For more Non-Austen Films for Austen Fans, go to You Have Thirteen Hours in Which to Solve the Labyrinth, Before Your Baby Brother Becomes One of Us…Forever.: Labyrinth (1986)

For more Jane Austen Christmas adaptions, go to Is You’ve Got Mail Really an Adaption of Pride and Prejudice?

For more on Pride and Prejudice, go to Pride and Prejudice: The Game

For more Pride and Prejudice film adaptions, go to Dear William

You Have Thirteen Hours in Which to Solve the Labyrinth, Before Your Baby Brother Becomes One of Us…Forever.: Labyrinth (1986)

You have thirteen hours in which to solve the labyrinth, before your baby brother becomes one of us… forever.

Labyrinth is one of my friend’s favorite movies. The first time she wanted us to watch it, years and years ago, I was like I don’t think I’m going to like this movie.

Majorly

Yep, I was 100% wrong as I Loved it!

This movie is a ton of fun and is one of my favorites. I can always watch it.

It is such a great film and stars the amazing David Bowie and Jennifer Connelly.

Did you know Jim Henson originally wanted Sting to play Jareth the Goblin King? He only picked David Bowie because his kids loved him. This makes me think of Nightmare on Elm Street and the decision to cast Johnny Depp. Good thing Henson listened to his kids. I love Sting, but David Bowie was perfect in this role.

David Bowie as Jareth the Goblin King is supposed to be the villain of the film, but at the same time he channels the teenage dream/ideal of a man. I don’t know if it is his Bad Boy nature, his awesome mix of leather jacket/fantasy coat, his ‘80’s glam rock hair, or just the David Bowie of it all; but he’s amazing and every scene with him is a treasure. He makes every girls’ heart beat every time he enters the frame.

But I’m not only reviewing this film because it is a favorite and fits for Halloween, but also because it is a:

Yes, this film reminds me a lot of Jane Austen, which I will share why at the end of the review.

So our story begins with teenager Sarah, who is out at the park acting out a scene from her favorite book, The Labyrinth. Unfortunately, she keeps forgetting the last line. only to realize she also forgot how late it is.

Sarah: Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City to take back the child that you have stolen. For my will is as strong as yours, and my kingdom is as great…[thunder rumbles] For my will is as strong as yours, my kingdom as great…D***. [pulls the Labyrinth book out of her pocket] I can never remember that line. [reads] You have no power over me.

She has to run home and take care of her baby brother (half brother) who she dislikes, as her stepmother (who she hates) and father are going out that night. I always thought Sarah’s mother died, but after some googling, it turns out that Sarah’s mother was an actress who left her family for another man. As Sarah doesn’t have her mom present to be angry with, she has directed all that toward her stepmother and little brother.

Sarah is doubly angry as not only did she not get to finish recreating her favorite book, but she has to babysit while her parents are out, and she discovered one of her stuffed animals was taken and put in Toby’s room. Her teen angst has hit an all time high and she erupts, wishing her brother would be taken away by the Goblin King.

The goblins listen and do take him. When Sarah realizes that Toby is gone, she screams out that she wants him back and Jareth, the Goblin King, makes a deal with her. I always thought that Jareth saw something different about herself, a worthy opponent to face off with. She will have 13 hours to solve the labyrinth-if she does she gets the baby, if she fails he becomes a goblin forever.

Sarah begins her journey and believes she can outsmart the labyrinth and the Goblin King, but quickly things are not exactly like the stories she grew up reading. Her plan to leave a mark of the places she traveled fails, she solves the logic puzzle but falls down a hole with grabby hands, encounters fairies who bite, etc. She eventually finds Hoggle, a troll, who agrees to help her in exchange for her bracelet.

But Hoggle is working for Jareth and is supposed to lead her away, so she will lose. However, Sarah not only uses her cunning to get him to help, but Hoggle begins to like her too. This is something Jareth is none too pleased about.

Jareth: Ah, what have we here?

Hoggle: Oh, uh, nothin’.

Jareth: [removing his disguise at the last second] Nothing? Nothing? NOTHING? Nothing, tra la la?

That’s one of my favorite parts of this film. It is just so silly yet fits. Sarah then sasses Jareth and ends up losing time from her quest. Yep, not the best idea but Sarah will not give up. That’s another reason why this film is such a great one to watch. Sarah is your typical teen and she can be dramatic, whimsy, and at times can be whiny (like most teens), but she’s also a dreadful determined woman who will not stop until she accomplishes what she is setting out to do. She feels very real and is someone you can root for. I love this exchange between her and Jareth:

Sarah: That’s not fair!

Jareth: You say that so often, I wonder what your basis for comparison is?

After their encounter, Sarah sees a Wiseman who she exchanges a ring for-but doesn’t get that much wisdom in return. They continue on and Sarah ends up adding to their party when she saves Ludo, a creature that can call rocks. Ludo is so cute and sweet, I definitely would want him on my questing team.

After this she enters the forest, having been separated from Ludo and Hoggle and encounters the creepiest things ever and the true villains of this story: the Fierys. I hate these things as they seriously creeped me out when I first watched it, and I still struggle with watching this scene. Ugh, they need to just go to die with those creatures for Fraggke Rock, they creeped me out too.

But Sarah is able to defeat these monsters and is reunited with Hoggle who saves her. But not for long as Hoggle has met with the Goblin King who wants Hoggle to ensure that Sarah does not defeat him. Hoggle has been given a peach that will put Sarah to sleep and he must do it or else he will be cursed to live in the Bog of Eternal Stench.

After they are reunited they find themselves in the Bog of Eternal Stench, the only way out a bridge protected by a fox like soldier. I love this characters of Sir Didymus and his noble steed the sheepdog named Ambrosius. These characters are absolute fun.

Like in most fairy stories and legends the bridge cannot be crossed, but Sarah outwits him.

Sarah: Okay, let’s handle this thing logically. What exactly have you sworn?

Didymus: I have sworn with my life’s blood, none shall pass this way without *my* permission!

Sarah: Well… May we have your permission?

Didymus: Well I, uh… I… that is, uh… hm… Yes?

They are able to escape the Bog with help from Ludo who can speak to the rocks. From here they enter an enchanted forest and Sarah, as she has been in the Labyrinth for hours, says she is hungry. Hoggle gives her the enchanted peach and instantly regrets it and runs away ashamed at his cowardice.

Sarah wakes up in a dream, a ball with the romantic song As the World Falls Down. She is almost distracted from her quest, but when she hears the clock she proves herself to not be any ordinary girl and escapes by waking up with a Junk lady who returns her home. This quest wasn’t real, just another dream and she has now awakened. Film over.

I know, it’s too easy and too simple. And Sarah knows it, she is truly a worthy opponent for Jareth.

The Junk Lady: What’s the matter, my dear, don’t you like your toys?

Sarah: [comes to her senses] It’s all junk!

The Junk Lady: [picks up a music box] Well, what about this? This is not junk, eh?

Sarah: [smashes music box] Yes, it is! [Sarah’s room crumbles without her notice] I have to save Toby!

Sarah wakes up and goes with Didymus and Ludo to the Goblin City. Hoggle joins them and apologizes and they fight the Goblins and more as they continue to fight.

Sarah has reached where she needs to be, but finds herself in a more challenging test of skills. She has to find Toby who has been hidden from her. This scene is fantastic as I love they way they filmed and set up the scene. Just amazing!

Then we have one of the best scenes when Sarah has to face off against Jareth. First Jareth comes out of the shadows, intense music playing as he does. I love the way the scene is fuzzy at the corners to give it that dreamlike quality! Oh yes, it’s fantastic! The pacing and the dialogue is just great too!

The way Jareth pleads with Sarah tempting her almost convincing her- but props to Sarah, she knows better what makes a healthy relationship than most people-refusing his charm and promises. And the thing I love the most, Sarah not being able remember the lines “you have no power over me” is so powerful. Such few and simple words, but at times can be so hard for people to say and believe. But finally she does, declares it to the Goblin King, and wins the Labyrinth.


Sarah: Give me the child.

Jareth: Sarah, beware. I have been generous up ’til now. I can be cruel.

Sarah: Generous? What have you done that’s generous?

Jareth: *Everything*! Everything that you wanted I have done. You asked that the child be taken. I took him. You cowered before me, I was frightening. I have reordered time. I have turned the world upside down, and I have done it all for *you*! I am exhausted from living up to your expectations. Isn’t that generous?

Sarah: Through dangers untold. And hardships unnumbered. I have fought my way here to the castle; beyond the goblin city, to take back the child that you have stolen. My will is as strong as yours, and my kingdom as great…

Jareth: Stop! Look what I’m offering you. Your dreams.

Sarah: My kingdom as great… my kingdom as great… damn, I can never remember that line.

Jareth: I ask for so little. Just fear me. Love me. Do as I ask, and I shall be your slave.

Sarah: You have no power over me! YOU have no power over ME! [the clock chimes 13:00 at that moment. Defeated, Jareth sends Sarah and Toby back to the real world where the clock finishes chiming midnight]

The best scene! A must watch!

She defeats him and goes home. At first going to say goodbye to her fantasies, dreams, and childhood-but deciding to not give it up just yet!

Ludo: [in the mirror] Goodbye, Sarah.

Didymus: And remember, fair maiden, should you need us…

Hoggle: Yes, should you need us, for any reason at all…

Sarah: I need you, Hoggle.

Hoggle: You do?

Sarah: [nods] I don’t know why, but every now and again in my life – for no reason at all – I need you. All of you.

Hoggle: You do? Well… WHY DIDN’T YOU SAY SO?

[Sarah] spins around and sees them all in her room, including the goblins. She hugs them all, and a huge party begins]

I love this film and I think the more you watch it the more you see, relate to, and love. I also really appreciate that they didn’t end this with a romance but friendship, that’s not something that is not really done all that often.

Another thing I like about this movie is that it is similar to Total Recall, in that the film lets you decide whether this really happened to Sarah or if it is all in her mind. In her room we see the characters that surface later in the film: a stuffed animal that looks like Sir Didymus on her dresser, a doll that looks like Ludo on the shelves next to her door, a Firey doll on a shelves next to her bed, bookends with Goblins reminiscent of Hoggle on her dresser, a figurine of Jareth on the right hand side of her desk, newspaper clippings of Sarah’s famous actress mom with another man (David Bowie), the dress that she wears in the ballroom scene is on the woman in her music box, a wooden maze game which looks like the Labyrinth is on her desk, and a copy of the famous picture by M.C. Escher which is used in the final confrontation with Jareth. So the question is did the Goblin King use these elements in his creations to give Sarah a fair chance, borrowing items similar to her surroundings which is sometimes done in fairy stories, did he choose her because he wanted a worthy opponent, does the Labyrinth change itself to Whomever enters, or is this all a teen angst dream. You decide.

So why do I consider this a Non-Austen Film for Austen Fans? First of all we have the character of Sarah being one who loves to read, and live in a fantasy world; which reminds me of both Marianne Dashwood and Catherine Morland. Both Marianne and Catherine love to read and are dreamers. All three characters are also very sweet, kind, naive, and innocent.

Sarah shares even more similarities with Marianne as both are young in spirit. Sarah still plays with dolls and stuffed animals and Marianne believes she knows all about love and life from the poems she reads.

Both girls have also been betrayed by people they love, Sarah having her mom leave the family and now having a new mother and brother, while Marianne’s father fails to protect his daughters by planning for their future; along with her having a brother that broke his promise to protect and care for her and her sisters.

Both Marianne and Sarah are also extremely emotional and act on their feelings, expecting others to be as honest as them. Sarah never considers that Hoggle could be deceitful or someone she shouldn’t trust, even after he tells her (and Jareth) that he is planning on sending her back to the beginning. Marianne never considers that Mr. Willoughby could not be as earnest in his affections or even that her lack of fortune might be something that could cause a roadblock in their relationship.

Sarah, Marianne, and Catherine all fits

go on a journey that teaches them about themselves and help them grow and mature. For Sarah she learns to love and care for her brother and not to speak out in such haste, Marianne is taught to not always act on her emotions and feelings but use sense as well, and Catherine learns to not always trust everyone and to use caution instead of imagination.

A fantastic film with wonderful imagery, amazing songs, and just a lovely storyline. It’s a film you can’t help but love and watch again and again.

Some friends and I went axe throwing a few weeks ago and dressed up as fantasy characters. I was going to be the Goblin King, but my niece pointed out that I looked like Sarah. So of course I had to dress up as her. I couldn’t find the vest she wears and had to with what I did have. Pretty close right?

And of course the Facebook cover photo!

For more on Labyrinth, go to A Dog’s Life: Chinese New Year

For more Non-Austen Films for Austen Fans, go to No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

For more David Bowie, go to Changes, Turn and Face the Strange

For more ‘80s films go to, Something’s Out There and It’s Killing People! And If It’s Monsters, Nobody’s Going to Do a Thing About it Except Us!: The Monster Squad (1987)

No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”

The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).

When I was plotting out what film to start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.

Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.

I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.

Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.

And speaking of Jane Austen, this film is a double feature as not only is it one I would recommend for Jane Austen fans, an Non-Austen Film for Austen fans:

It is also has a spot on Catherine Morland’s Viewing List as this gothic film is one that Catherine would have loved!

Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.

Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.

David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.

Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.

You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.

Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.

I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.

The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.

From Twin Peaks

“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.

The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.

In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.

Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.

From House on Haunted Hill

Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.

Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.

We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.

Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.

Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.

Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.

Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.

Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.

Don’t mess with me!

Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.

Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.

With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…

Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star. 

As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.

Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?

Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.

Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?

Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!

Soooo cute!!!!

The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.

Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.

Wow!

Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.

Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.

Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?

The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.

Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.

Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.

Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.

Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.

Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)

The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…

Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.

Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.

Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.

Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!

From Laura

Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?

Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.

The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.

Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.

The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.

At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.

Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.

Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.

Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.

Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.

That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.

Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.

Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.

Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.

Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.

Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.

We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.

So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.

So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!

The usual Facebook cover I make. 🙂

For more on Wuthering Heights, go to Shame Book Tag

For more Laurence Olivier, go to Last Night I Dreamt I Went to Manderley Again: Rebecca (1940)

For more gothic films, go to Are You Prepared to Encounter All of Its Horrors?…Let’s Just Say That All Houses Have Their Secrets, and Northanger is No Exception.: Northanger Abbey (2007)

For more on Catherine Morland’s Viewing List, go to He’s Married to a Corpse. He Has a Corpse Bride!: Corpse Bride (2005)

For more Non-Austen Films for Austen Fans, Walking on Sunshine (2014)

Non-Austen Films for Austen Fans: Walking on Sunshine (2014)

So after you watch every single version of Jane Austen movies, what do you have to watch next?

Hmm…I don’t know!

That’s why I started this list, to have non-Austen films that Austen fans can enjoy.

I can’t stop watching!

Here we go with:

So lately Amazon has been horrible in their recommendations, they have bee listing off films and TV shows I have zero interest in.

I was scrolling through the list of recommendations and I saw this ’80s jukebox (songs that are not by the same artist or band) and I had to watch it. I love anything ’80s!

Taylor (Hannah Arterton) is from England vacationing in Italy before she starts University. While on her vacation she met a handsome Italian man, Raf (Giulio Berruti) and the two fall in love.

Raf wanted her to stay with him, and logical, practical, always sensible Taylor thought about it. After all her friend Elena (Leona Lewis) fell in love and is staying. But as tempted as she is, she can’t and instead says goes home-singing Holiday.

Three years later Taylor has just graduated from University and is called by her sister Madison (Annabel Scholey) to join her for vacation in Italy. Taylor arrives in the same place she had vacationed years earlier, Puglia. Taylor is pleased to be spending time with her sister as she’s been so busy with school. She also is looking for some girl time as her sister has finally broken up with her horrible boyfriend Doug, they have been on and off for the past five years.

She arrives and finds their family friend Lil there too and the biggest surprise of her life-her sister has only been there a few weeks and has fallen in love, along with being engaged to be married to an Italian guy, and is going to be married in two days.

This isn’t the first time Madison has made a horrible decision regarding men and love as she is extremely romantic, emotional, and always going with what feels right in her heart.

Madison will not be swayed, espechially after Lil drops that Taylor had a lover in Italy. Madison is surprised her sensible sister could ever have a fling as she has never dated anyone, this “Italian guy” must really be special if he is the only one to ever touch her heart. Madison tells Taylor that they will have dinner with her guy, and she, after singing Venusgoes to get ready.

Taylor starts to the beach and runs into her friend Elena and Raf’s friends. She wants to see Raf, but her friend’s warn her that things are different now. She doesn’t stay but searches the beach for Raf, singing How Will I Know. When she reaches Raf he’s mad. He asked her to stay, and she left him brokenhearted.

The two are starting to talk with Madison comes over and introduces her fiancé Raf to Taylor. 

Both Raf and Taylor are in shock. Raf never put it together as she and her sister look nothing alike, Taylor is a super common name, they have only been together for weeks so he hasn’t met her family until now. Taylor is just stunned.

Dinner that night is an awkward affair for Raf and Taylor, but Madison is full of happiness for all those she loves to be together. She then sings The Power of Love

Raf is not pleased with this turn of events and wants to tell Madison right away. He doesn’t want any secrets, but Taylor convinces him to keep it secret as it will only hurt her sister and might break them up and damage the relationship with her sister.

The next day is the day before the wedding and Madison has a whole list of things that need to be taken care of-asking her maid of honor and sister to do it with Raf. Raf and Taylor do not want to spend anytime together, but do everything-people commenting that they are an adorable couple and it makes them both upset as feelings surface and they end up spending the whole time arguing.

Meanwhile, Madison ran into her ex-boyfriend Doug (Greg Wise) who is a horrible player of a man. He wants her to get back with him, but she refuses as she is getting married. The two sing “Don’t You Want Me Baby” but Doug convinces her to have one last dinner with him to say goodbye.

Back and the villa, Raf and Taylor return, having argued about how much they loathe each other and they run into Madison. She is happy that everything has worked out and asks if Taylor wants to bring the only man she ever loved, her Italian lover from three years ago. Raf is stunned as he thought Taylor saw him as a check off her summer list, all these years he didn’t realize she cared as deeply as he did.

Hmm…

He leaves, and Taylor and Madison talk. Flowers arrive from Doug and when Taylor questions Madison she just laughs it off as a farewell dinner with Doug. No big deal.

Taylor feels otherwise, but Madison is stubborn and unconvinced. While Madison gets ready for her date and hen party/bachelorette party and Taylor and friends all go to the Tomato festival. They are supposed to throw tomatoes at each other and this scene gets hilarious fast as Taylor and Raf angrily sing Walking on Sunshine at each other. But even though they are upset, a little spark is kindled.

They go to the beach to clean up and Taylor sings about her feelings and how much she still cares with Eternal FlameShe kisses Raf and then after realizing what she has done, runs off.

Uh oh

Madison and Doug have an extremely romantic dinner in the Coliseum. But while it is everything she has ever wanted, Madison realizes that no-she doesn’t want Doug. This part, the wooing, the chase is what he does well but the commitment boyfriend part-not so much. She wants more.

She heads back home to get to her hen party/bacheleorette party when she runs into Raf and Taylor talking. Madison quickly puts together that the Italian guy from Taylor’s past is Raf. She is shocked, but Taylor quickly shares that yes he was, and that Raf wanted to tell but she convinced him not to. She is sorry that she was pulled along by the memories and kissed him b-but she does not have feelings for him anymore.

Really Taylor?

Madison loves and trusts her sister so the girls get dressed up like Tina Turner and Madonna and the boys like Boy George. They go out singing  Girls Just Wanna Have Fun/The Wild Boys. After the night out Taylor realizes she does love Raf and leaves for the airport-as she can’t stay and cause trouble between her sister and him. She loves her sister more and wants her to be happy.

Meanwhile, after the party, Doug is waiting at the villa to try and seduce Madison by singing FaithMadison tries to fight him off, almost gives in, and is surprised by a proposal by Doug.

Wow!

Lil went to the airport with some pilots she met and discovers that Taylor there. Lil convinces Taylor to come back as she is the only family that Madison has, and she needs to be there. They hurry to White Wedding

Taylor does come, but the groom is missing as one of his friends drunkenly taped him to a tree. He does get there and the wedding goes on, with Doug trying to object to it and being ignored.

They are going to say I Do, when Madison actually stops the wedding. She realizes that she doesn’t know who she is-she came to Italy to get over a love and just went right into another relationship. She turns him down as she doesn’t love him, but loves love.  She cares for him but realizes that someone else truly is in love with him.

Raf is furiously heartbroken. First one girl rejects him, and after three years he opens himself to love another girl, who rejects him.

Taylor decides to finally take a chance and goes after him-telling him she has loved him for the last three years and wish she never left him in Turn Back Time.

We end on a happy note with Raf and Taylor reunited, Doug after Madison but she choosing to be single and figure out what she wants, Elena and Enrico discover they are going to hve a baby, and Lil and Mikey together with Wake Me Up Before You Go-Go.

So in a lot of ways it feels like this movie was copying Mama Mia. We don’t know a lot about the characters-whos is the younger or older (I’m assuming Madison is older), what Taylor was studying in school, what Madison does/why she is in Italy, etc. But the story was cute and the music is awesome as I like the songs.

But why do I recommend it for Jane Austen fans?

Hmm…

The first thing it made me think of was Sense and Sensibility. We might not know a lot about Taylor, but all the characters comment and allude that Taylor is the logical, responsible, and practical one. She never lets loose, she is never one to take chances or risks, only does what is a sure thing. She had a fling in Italy on her holiday and the guy asked her to stay with him, and she thought about it-but she knew she could never do it as it isn’t sensible or practical. Of course she needed to go back to her real life and university. The rest of the film she plays it the same way until the very end when she realizes she does want to open her heart-she does want to take a risk and fall in love-not knowing if it will work out-she throws all that aside and takes a leap.

Madison on the other hand is such a Marianne. She is emotional, is in love with love, and doesn’t make the best decisions when it comes to men. Taylor lists off her past relationships and Madison is just a romantic and can’t resist L’amore. Before Raf she was perviously dating a rascally rogue (played by Greg Wise [who was Willoughby in Sense and Sensibility (1995]). I mean she hardly knows Raf, but loves him and is getting married. I like that they made Madison not dumb as they often do (a smart sister and pretty sister) but she was just hopeful and trusting-things that Marianne also shared. I liked how we saw her progression of character as she decides she doesn’t need to throw herself into another relationship, but to figure out who and what exactly she wants.

Madison in the end has learned to temper her feelings and use sense, while Taylor to open herself up and release her sensibilities.

One thing the movie did really was show the way the death of their mother affected the girls. While the loss of their mother made Madison search for love and ultimately be a little too desperate in her search for happiness, Taylor has become more closed off to love as she doesn’t want to lose anyone. While the characters of Elinor and Marianne were formed to events prior to their father’s death, it made me wonder if that affected Marianne in her pursuit of love. Maybe Marianne wouldn’t have thrown herself so hard at Willoughby if they had their father around, maybe she wouldn’t have been so overtly searching for love if she didn’t have a hole from her loss.

The other thing I liked about this was that I thought it also echoed the sisterly love and devotion we see in Sense and Sensibility and Pride and Prejudice. Both the Bennets and Dashwoods care about their sisters and will keep secrets to protect them, nurse them, do anything they can for them. In this Taylor wants to protect her sister and have her be happy, so she doesn’t tell her the truth about how she feels for Raf. She goes to the wedding to be there for her sister, even though watching her love marry someone else is more painful than anything. At the church steps Madison gets cold feet, but Taylor just encourages and supports her. Madison shows the same love and devotion when she refuses Raf, knowing they would have a wonderful happy life together-but he’d have a better one with Taylor his true love.

This film also made me think of Persuasion. In Persuasion, Anne Elliot and Frederick Wentworth fell in love and were engaged, but Anne ended it as she was persuaded it wasn’t a good decision. They are young, he’s going off to war, he could die, her father wouldn’t like it or help her, etc. Years later, she has never married and Frederick has returned-a captain and is hurt over the past. They are put together in situations and it can be very awkward. In fact, the awkward tension the dinner table in Walking on Sunshine made me think of the scenes when they are thrown together in Persuasion. Not to mention seeing the person you love into someone else.

That last scene of Raf and Taylor singing Turn Back Time, I wish someone would recut Persuasion with it because it was perfect. In Persuasion, Captain Wentworth realizes he was a fool and still loves Anne, has only loved her, and writes her a beautiful love letter. In this Taylor does what she said she would never do-she sings her love for Raf from the rooftops.

If interested, this film is on Amazon Prime. 

For more Non-Austen Films for Austen Fans, go to Super Power Girl, Blackmail, Gangsters, and a Serial Kidnapper: Strong Woman Bong Soon (2017)

For more ’80s music, go to Darcy’s ’80’s Power Song

For more Greg Wise, go to Sense and Sensibility (1995)

For more musicals, go to Pride & Prejudice: A New Musical

Last Night I Dreamt I Went to Manderley Again: Rebecca (1940)

It is time for our annual Alfred Hitchcock film!

Last night I dreamed I went to Manderly…

So one camping trip I was talking to my cousin who worked at Universal Studios about movies. She promised to send me shirt from The Mummy: Tomb of the Dragon Emperor, as I had liked the other The Mummy movies (which she never did. Still upset about that). We then moved to my favorite director Alfred Hitchcock. She had seen his films too and asked about which was my favorite. At the time, it was The Birds, and she told me hers was Rebecca. I hadn’t seen Rebecca yet, so as soon as I could get my hands on a copy, I watched it.

It has Laurence Olivier in it who I just love, and of course is who I consider the original Mr. Darcy.

It also has Joan Fontaine in it who I had loved in The Women and did great in Suspicion. Not to mention one of the creepiest housekeepers (although she’s on par with Milly from Under Capricorn). And of course it has George Sanders, who has one of the best voices-he oozes sarcasm, sophistication, and meanness, I don’t know how else to put it. Most of you will recognize him from All About Eve and the original Shere Khan from The Jungle Book. 

So I have been struggling whether to review the movie or the book first, as both perfect for Catherine Morland. She would be all over this book and film. After a lot of deliberation, I decided to do the film as I saw it first.

I wanted this to be the first movie of Horrorfest VIII, but I couldn’t use it as this year I needed to start it off with a 1950s film. So if I can’t start it, then I will end it with this gothic film-an Alfred Hitchcock film that Catherine Morland would go ape over.

So this film has some interesting “drama” behind the scenes.

This is going to get good…

Laurence Olivier was married to Vivian Leigh at the time and really wanted her to be in the film. I’m sure most of you have heard of his high standards from My Week with MarilynHe did not like Joan Fotaine, which made her nervous and worried-something Alfred Hitchcock loved to capitalize on. Move aside Stanley Kubrick, this is the original.

The film is based on the book by Daphne du Maurier. Both producer David O. Selznick and director Alfred Hitchcock were control freaks liked to be in control of their films-and when I say control I mean every aspect. So there was some serious issues between them. Selznick barred Hitchock from all writing while he banned Selznick from set.

Fight, fight, fight!

This was also the only film by Alfred Hitchcock that won an Oscar.

ONLY ONE? That’s sad!

So this film is rrreeeeeeeaaaaaallllllllyyyyyyyyy different from his other work as it starts off very slow, a romance, but then stuff gets real!

As it’s not like his other works, it’s not for everybody. All though we all know who’d be fangirling over it, that’s right-Catherine Morland.

So the film starts off bright (O’Selznick), then gets dark, gothic, foreboding woods (Hitchcock)

Oh, my favorite! Anything like that gets me excited, my Catherine Morland heart starts pumping.

Last night I dreamt I went to Manderly, Oh My Goodness-I love this opening with the language, it grabs you right away.

It is sucking me in!!!!!!!!

It grabs you right away-the secret, solemn, gothic, and foreboding Northanger Abbey Manderly.

So we go back in time to the south of France, a handsome man is about to jump off the cliff, but stopped by a woman. Who is this handsome man? Why he is played by Laurence Olivier.

Our heroine, who’s name is never given but played by Joan Fontaine, is a lady’s companion to an annoying woman, Edith Hopper.

The handsome man comes over and it is Maxim de Winter-Hopper treats our heroine like crap, but he is interested in her youthful beauty and kindness. Hopper tries to grill him, but he manages to move the conversation away from him.

Well-played!

Oh my goodness Mrs. Hopper, she’s AWFUL!!!!!!! Our poor heroine. Hopper dresses her down to remember her place, and to not speak to anyone above her.

It turns out that Mr. de Winter is a widower, gossip shared by Miss Hopper-he was madly in love with his wife and has been despondent ever since.

One morning our heroine was going to eat lunch alone, but Mr. de Winter spots her and invites her to his table. She is so young in spirit-clumsy, awkward, unsure, childlike.

Joan Fontaine is so cute and she has a sad back story in this. Mother died when she was young and she lived with father who died last year. Having no money and no place to live, is now a companion to a horrible women. She is just so kind and sweet and adorable-you feel so bad for her.

Maxim de Winter is handsome, charming, and he is captivated by our heroine’s honesty and naiveté. Maxim is a man who carries weariness in his soul. He takes her out where she planned to sketch.

They talk and she shares how she once went to Cornwall and saw this beautiful house on it, called Manderly. That just happens to be Maxim’s house. He talks about it and you can feel the weight if sadness coming on him.

Joan is so cute just talking on and on, Maxim takes her aback.

Going back to her room the heroine overhears her sick client talking bout Maxim de Winter. She goes on and on about how he was crazy about his beautiful wife. She drowned sailing a few years ago.

As our heroine’s boss is still sick she has free time and goes to have a tennis lesson, but gets interrupted by Maxim who takes her out. Soon everyday they are out together. Her client, Edith Van Hopper, is after Mr. de Winter, and has no clue that her companion is falling in love with him. She tries to get our heroine to stay and keep her occupied while she is sick, but…

Our heroine is so adorable-dreaming, wishing, hopeful. Youth and innocence brimming!

But it is all over too soon. After today the nurse is going and she needs her companion by her side day and night. Our heroine is despondent over this as she doesn’t want her time with Maxim to end.

Maxim is handsome and charming, but something about him isn’t quite right. There is a deep wound to him, but what?

One day they are out and our heroine wants to know why he picked her over the other women, he could have anyone-someone older, sophisticated, classy, etc. He tells her he enjoys her company, but as he says it, he says it a little harsh and our heroine becomes upset, but then he kindly tells her to call him by his first name. And later sends her flowers.

Mrs. Van Hopper receives a letter about her daughter becoming engaged and they must leave for America ASAP. But no, what about Maxim!!! Our heroine tries to reach him, but no avail. This is it. Her fairytale is over. She rushes back to her room to reach him one last time, but doesn’t get a chance. Her boss comes and it is goodbye.

She tries one more time but he’s in the shower. NOOOOO!

But our heroine wont give up. She runs up to his room as a last ditch effort. Maxim is surprised, but our heroine tells him she needed to say goodbye.

Maxim “proposes”. He basically asks her “do you prefer New York or Manderly?” Gosh, these classic English dudes need to earn better proposals.

Maxim trying to figure out where it all went wrong.

She thinks he wants a secretary. That always cracks me up. He tells her, I’m asking you to marry me. Well, you can’t blame her-your proposal sucked! A girl wants romance!

Seriously

Our heroine is so in shock she falls into a chair. She doesn’t think they should marry as she is too far beneath him. He says I guess you don’t love me, and she spills her heart out. So young, so sweet.

He asks her to pour him coffee, and that he takes it with two lumps of sugar in coffee and tea. This scene reminds me of the film The Clock. These two strangers spend the day together, marry, and then he will be shipped out the next day-and at the end she has to ask him all the little details as they realize they know zero about each other.

I love how Maxim reveals how to Mrs. Van Hopper that they are going to be married. But Mrs. Hopper is such a toad and continues to boss our heroine around, trying to keep her on “her place.” She asks to speak to our heroine alone for a few minutes, and as soon as Maxim is gone she berates our heroine and acts like she is a floozy.

Ugh! Really!

She continues to berate her that she can’t be the mistress of Manderly and she’ll fail as she is no lady. She continues going on saying things like Maxim doesn’t love her, he went crazy after his wife died, and it still looks like he is. This lady!

The two marry in a small ceremony at the courthouse and Maxim is a much different person. Lighter, happy, in love-bright and shining just as our heroine.

So cute!!

They are so cute! But Hitchcock fans all know-it won’t last..

They have their honeymoon and go to Manderly, the place from the beginning. As they head in our heroine has a shiver. All seems bright, but that shiver and the rain-are major clues that unhappiness and coldness lie ahead.

Horrifying!

They arrive and our heroine meets the household and Mrs. Danvers (Judith Anderson) the housekeeper from Hell. She is such a creep! Our heroine is so nervous and shy and no match for Mrs. Danvers who acts as if she is the wife and our heroine is a servant.

And one is Mrs. Danvers

Maxim had them moved to the East Wing, not the West where he used to live with Rebecca. Our heroine is so nice and tries to work things out with Mrs. Danvers, but she’s a cold stone hearted woman. Ugh.

This house is so beautiful, but so empty, cold and creepy. Our heroine goes to check out the West Wing where he lived with Rebecca but it is locked and forbidden.

Whenever I watch this film it reminds me of The Tomb of Ligeia, with the creepy dead wife, handsome husband who has been all alone in a creepy house. Thinking of that also makes me think of Jane Eyre. Geez-classic English literature is full of handsome rich men with creepy first wives.

The next day our heroine meets Crawley the manager of the estates. Maxim and Crawley leave her to go about their business and casually drops that his sister and husband are coming to visit. With that news our heroine is lost and nervous as what to do-like a child almost. Like DUDE!!!!!

This is how I always imagined Cinderella or other characters that marry someone super wealthy must feel like the next day when they are like this is not at all what I’m used to. I typically am serving others how do I get used to being served?

She’s lost and confused in the house and everyone is looking down on her as she knows nothing while the first Mrs. de Winter was such a lady.

Mrs. Danvers comes to get her approval on lunches, but even though she is asking, the power is all in Mrs. Danvers. She looms over her like she could squash her.

Our heroine is in the morning room to write letters, but she has no one to write to. She looks through Rebecca’s address book and finds addresses for a marquis, a viscount, etc. Another proof of her inadequacy.

She overhears Beatrice, Maxim’s sister, talking about her. Beatrice tells it straight. She lets her know that Mrs. Danvers adored Rebecca too and will probably treat her horrid at first. Ouch, all loved Rebecca.

YEEEEES!!!!!!

At dinner the brother-in-law asks lots of questions and is disappointed as our herione doesn’t ride, doesn’t dance, doesn’t sail and isn’t at all like Rebecca. Beatrice makes her feel even more insecure about her hair, her clothes, etc.

Not at all like Rebecca at all. Not sophisticated, not elegant, not fashionable

So everyone hints about what happened to Rebecca, but no one has said the whole thing! My curiosity is going crazy!!

They go out walking with the dog and he wants to go to the cove, but Maxim doesn’t want to. That’s where her boat was held. Maxim doesn’t like to go near her boat. But our heroine follows the dog and finds a cottage with a creepy sailor. The cottage is eerie too, it causes our heroine to go into shock seeing it.

She manages to tie up the dog and tries to look for Maxim who is waiting at the top. He’s upset and angry. But why? What is he upset about?

He doesn’t want her to go in the cottage or go near it. She needs to stay away as it too is forbidden! Maxim regrets coming back to Manderly and he is right, he should have stayed far away.

Our heroine starts to cry and Maxim’s storm passes. He apologizes but it was at this moment I started to think there was more to this story. He doesn’t act like a man who loved his wife and was despondent over her death-in fact he seems angry. But not like despondent over her angry at her death.

Hmmm…

Our heroine has so many questions, but Maxim doesn’t want to talk. She helps Crawley with getting some work done and starts probing for answers. Why is the cottage going to squat? Why are Rebecca’s things in there? What happened to her?

Hmm…

Crawley answers that she went sailing and the boat capsized and she drowned. They found her body when it surfaced. Crawley is extremely upset, was he in love with her?

Our heroine apologizes but she needs to know. She needs to know what happened and who she is being constantly compared to.

Crawley tries to reassure her, but no dice. She already was a shy, insecure girl and this has made it much, much worse.

Our heroine tries to be more like Rebecca by buying a black elegant dress and putting her hair up, but Maxim laughs. Seriously! Dude!

They watch their honeymoon film and they were so cute. So happy! But they are interrupted when the Butler addresses Maxim about a household issue. A servant is accused of stealing a china figure that our heroine broke and hid. Maxim is such a man and does not read what the subtext is, and who is the real mistress of the house. He makes her tell Mrs. Danvers. She is so scared of everyone looking down on her. He thinks she should just be mistress if the house, he clearly does not get it.

One of the best scenes is when they are watching the honeymoon film in the dark and the shadows make him see almost crazed and scary-we can only see half of his face.

It reminds me of that whole thing when you only see half a face-one looks evil one looks nice.

But the lights flick on and whatever we saw on his face in the dark is gone. It is just the handsome Maxim. He starts to wonder if they should be together, if he isn’t ruining her life bringing her to Manderly and all its gothic air and soul crushing.

Our poor heroine, she thinks she is at fault, but she doesn’t know where the real trouble lies. There is a dark cloud in Maxim-dark and depressed perfectly contrasted with the bright happy self on the film.

The next day Maxim leaves for London. No you fool don’t leave her alone with Mrs Danvers the maid from hell who hates her!!!!!!!!!

She’s lonely without Maxim, but as she looks out the window she sees a light on the West Wing! But no one uses it…ghost????

Ahhh!

She starts to head over there but is interrupted when she hears Mrs. Danvers speaking to a gentleman with a amazing voice- it’s Shere Khan, I mean Mr. Jack Favell (George Sands). Mrs. Danvers is sneaking him in, why?

Hmmm

He is smarmy and sarcastic, making our heroine nervous and skittish.  Why is he here? Not for anything good.

He leaves and asks our heroine to not mention him to Maxim. As he leaves he leaves a parting shot that he was Rebecca’s favorite cousin. Why did he come? What are he and Mrs. Danvers planning?

What’s going on?

I just love these camera angles of this giant house dwarfing our heroine. She looks so small and insignificant.

So like Catherine Morland and Belle from Beauty and the Beast she can no longer resist the forbidden wing! She must go in and look at “the room.” It is still in perfect tiptop shape. No dust, nothing out of place as if she stepped away and will be back any moment to take her rightful place. Very Psycho!

 

Mrs. Danvers interrupts our heroine and is downright cold and cruel showing off how great Rebecca was, her fancy fashionable clothes, her stylish and elegant ways, Lording over our heroine making her feel like crap, like a bug to be squashed. Trying to show how Maxim will never love our heroine.

OUCH, ouch ouch. Some women physically fight, most women fight this way with words and emotions. Every time I see this the scene it is just dreadful to watch, so painful, so hurtful. It’s not like other films-but horrible how each item, each moment in the room cuts our heroine stabbing her psychologically and emotionally. Every word a poisonous arrow full of toxins. Rebecca’s ghost her-soul lives in that house tormenting our heroine.

Mrs. Danvers starts talking about the sea air and I’m totally convinced she’s trying to hypnotize our heroine to kill herself. No doubt.

Our poor heroine is having like a complete breakdown, Rs everywhere, everything Rebecca.

Going mad!

But our heroine has a little but of gumption in her. She orders Mrs. Danvers to get rid of all these things. When Mrs. Danvers questions her, she staunchly tells her I Am Mrs. de Winter–I love it! You go our heroine.

Maxim comes home and she throws herself at him so happy he is home. She wants to throw the annual costume ball to prove to everyone that she can be Mrs. de Winter.

She wants to have a stunning costume to out-Rebecca Rebecca. Mrs. Danvers suggests that she look at her family portraits. Ugh I hate this!!! Why would you trust her???? Mrs. Danvers points out a woman’s portrait and our heroine runs with it. To be honest, I always skip this part as I can’t handle her humiliation. It’s too painful.

I can’t look.

Well things go as expected, it turns out it was a portrait of Rebecca that she copied for her costume.

The night is cut short when a ship runs aground the sand. Everyone wants to help, our heroine getting changed and running out after Maxim

She searches for Maxim and finds Crawley who gives shocking news. A diver going after the ship found another one-Rebecca’s boat! Oh no, any shred of happiness will be lost with the grief that is to come. Or is there to be grief? I’m not convinced.

Hmmm?

Our heroine feels drawn to the cottage and finds Maxim hiding there. She thinks Maxim will hate her, but he’s not even thinking about the ball-it feels like years ago since the discovery of the boat.

Our heroine thinks it’s her, that any happiness of marriage is over. He tells her it is too late for them. They have lost their chance of happiness now! The thing he dreaded has happened!

What thing? Rebecca has won? What, what do you mean!!! What are you saying??!!!

Tell ME!!!!!

Maxim then reveals that he knew the boat was down there. Not only that, but knew that her body was in the boat.

The woman buried in the family crypt was not Rebecca. He identified it but knew it wasn’t Rebecca.

What??? How do you know??

Because he put her there- OMGOOOOOOOOOOOOOOOOOOOOD

First time I watched this I was in shock. I suspected not everything was happy, sunshine rainbows between them?!! But he killed her?

Is it wrong that I still like him?

Our heroine tells her that she loves him and it doesn’t matter.  She tells him how insecure she was and how she felt every time he compared her to Rebecca and she was always wanting.

But then he drops the biggest bomb ever!!!!

He NEVER LOVEd REBECCA!!!!!!???

I’m sorry, but what????

HE HATED HER! She was beautiful and enchanting. They married-she seemed perfect and accomplished. She had breeding, brains, and beauty. But then after the wedding he discovered she neither loved him, cared about him, wasn’t moral or faithful, etc. On their honeymoon he discovered the beast he married. I know what that is like…that described my own marriage.

She played the part so well, he would look the fool to divorce her-I know how that feels too. Thank goodness I got over that. Poor guy-he should have gotten an annulment.

Rebecca got involved with many people and hurt many, bring them to her flat in London and cottage by the sea. She spent a ton of time with Favell. Those two are “just” cousins?

One night he was done and went to talk to Rebecca. She looked ill, and told him basically that she was pregnant but it wasn’t his child. They were never together and he would never have a child. Her kid with another man would inherit his home and money and grow and continue the de Winter line. She continued to pick at him and he struck her. She smiled, tripped, and fell knocking herself out. She died.

He didn’t kill her but was afraid no one would believe him and then decided to sink the boat with her body.

Soooooooo even though he shares all that I believe him and feel for him. Especially as I know exactly what that is like.

Horrifying!

Maxim is out of it-but our heroine has grown up, She takes control of the situation and supports him and encourages him.

Like I know what he did was bad but I really like him and our heroine and I want them to be together. Is that bad? He’s not really a hero.

Events go into motion and they make Maxim ID the body and question about the other one. No one is upset over it, it happens all the time where the grieving mistake especially a body that has been in the water. Unfortunately there will be another inquest-ugh.

No one thinks any foul play really happened, it is just routine.

Now that we have had this ordeal, our heroine has grown-the youth and innocence is gone- and we have a powerful character who looks to have aged in the last scene, and is in command of herself, powerful, not taking gruff or slight from any servant or person.

Our heroine goes to Maxim to try and get him to control his temper and not fly off the handle at the inquest. She knows they can overcome anything together. Aw, they are so cute together!!! Melodramatic, brooding, adoring, etc. I really like Maxim, and this couple.

They kiss in front of the fire, the flame of their love growing stronger.

So cute!!

Everything is going well at the inquest until the first thing to cause trouble is when the boatyard man inspected the boat and discovered the holes that caused the flooding were made from the inside of the boat. The death was no accident! It was suicide…or Murder!

Mr. de Winter is then to be questioned. He answers sarcastically ad angry-not making friends with the court. He gets badgered and starts losing it, when our heroine faints and stops the proceedings. She’s getting to be cunning! I like her more and more.

Wow!

They head to the car to have lunch. Aw, I love how Maxim cares for her. Ugh lunch is interrupted by Jack Favell. He and Maxim can’t stand each other and the tension is thick. He steals some of their food and tries to blackmail them.

Bad luck is never ending!

I can’t stand him (although I love his voice and how he pronounces words) Favell reveals that he received a note from Rebecca that will tip the balance from suicide to murder. He tells them he will destroy the letter and drop it all for payment.

Maxim leaves to the nearby inn, getting a private room, so they can talk business. He calls Colonel Julian, in charge of the inquest, and asks him to join them as well. He reveals the blackmailing scheme to the Colonel. They read the letter to Favell, that he and Rebecca were to meet, but the note doesn’t really tip it either way.

She mentions going to the doctor and she had an important thing to tell him. That could be bad or good news. Favell insults our heroine and Maxim gives him a great big wallop. YES!!!

The Colonel questions what is the motive for murder? If Maxim killed her? Favell calls Mrs. Danvers to reveal the motive.

She refuses as she wants to protect Rebecca’s reputation, but when she hears that Maxim might have killed her she reveals the doctor’s name. Favell insists that Rebecca was going to have his child, and that Maxim killed her over it.

What?

Favell leaves, not caring what destruction, embarrassment, hurt, or pain he causes in his path. Our heroine returns home, while maxim stays to hear the end. They go to find the Dr, Dr. Baker and question him. So was she pregnant?!!!

There was no Mrs de Winter he met with. It turns out she used an assumed name. Mr. Baker reveals that the problem for Mrs. de Winter was that she had cancer. Nothing could be done for her but death.

She LIED! No pregnancy! She did that on purpose!!!! She wanted to upset Mr. de Winter! She wanted him to kill her. She was a truly horrible person and I’m glad she is dead.

What a horrible, horrid person.

Favell calls Danvers and tells her what happened.

That’s not good.

Crawly and Maxim drive home, with Maxim speeding like a maniac. Something doesn’t feel right! Something is wrong! But what?!!!

Back at the house our heroine is waiting up for Maxim, but eventually succumbs to sleep. Mrs. Danvers skulks around like the demon she is.

That’s not good.

As they drive up they notice the sky is lit! But it is too early-OMG a FIRE!!!!! Manderly is on fire!!!!!!!

 

But our heroine?!!! What about her? She’s okay.

No need to guess who did it-Mrs. Danvers the housekeeper from Hell.

Worst housekeepers ever: Mrs. Danvers from Rebecca, Milly from Under Capricornand Nancy Oliver from Gaslight.

Anyone else I should add?

We then fade out to the embroidered pillow R burning too. Finally the demon is gone. Rebecca has been destroyed, our characters can find happiness. If you really think about it, that’s some Winchester stuff right there.

So that end another Horrorfest!!! I hope you all enjoyed it!

I hope you all have a fantastic and safe Halloween!

In other news this is my 1200th post!!!

For the 1100th post, go to Carrot Oatmeal Muffins

For the 1000th post, go to Most Romantic Moment In Real Life