A Family Affair

So I already did a post on the opening line of Sense and Sensibility, you should go here if you want to check that out. So Sense and Sensibility is far different from Pride & Prejudice. In Pride & Prejudice we have a basic introduction to the family-5 daughters, and their mother’s need to marry them off.

Sense and Sensibility is a little different.

We get a big family entanglement of who’s who in the family and who’s inheriting. It can be a bit much.

It’s not as bad as Love Actually or He’s Just NOT Into You, but it is pretty knotted. But lucky for you all, that’s what I’m here for. I shall untangle it for you.

So it’s always about the property and land right?

And in this case it’s the same. But the one in question here is Norland Park, belonging to Mr. Dashwood.

Now Mr. Dashwood was a confirmed bachleor, and shared his house with his sister who managed everything for him. Both of them grew older, and Miss Dashwood died. Mr. Dashwood found himself alone and didn’t enjoy it. So he decided to invite his nephew, Mr. Henry Dashwood.

Now Henry is where things become a bit more complicated. Henry has two families.

Now I don’t mean that he was married to two women at the same time, this isn’t Sister Wives. And he wasn’t a conman either. He was a widower who remarried. This might not sound too complicated right now (I mean with how high the divorce rates are today, things are far more complicated,) but it does cause some legal issues I’ll get into later.)

So we have Mr. Dashwood’s first family. This includes his son John, horrible daughter-in-law Fanny,

and awful grandson.

I hate these people. Absolutely HATE THEM.

But more on that later.

And his second family consists of the new Mrs. Dashwood, Elinor, Marianne, and Margaret.

So here we are.

John being older and married was the one that didn’t move into the family homestead. But he and his family visited all the time. The three girls however, joined Old Mr. Dashwood. They take good care of him and greatly amuse him in his old age.

Only one problem.

Ugh

One thing my drama director always told us:

“Never work with kids or animals. They’ll steal the show.”

It’s true. Kids and animals are too cute, and they don’t even try. They’ll do something that will cause all others to be overlooked.

And here it’s no different.

Yes, the little spoiled brat steals away all the love of his grandfather.

“…this child, who, in occasional visits with his father and mother at Norland, had so far gained the affections of his uncle. by such attractions as are by no means unusual in children of two or three years old, an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters.”

Duh!

 

Yep, just another case of those who slaved and cared being pushed aside for something “cuter”.

Ugh

So the old Mr. Dashwood dies. And leaves things unpleasant. He entails all his money and estate to his grandnephew.

Entailment!

Replace Rothbart with entailment

Entailment sucks!!!!!!!

Entailment was something that was done a lot in the 18th-20th centuries. All the money, property, the whole shebang was entailed to the next male heir. So this is good and bad. It means that Henry will have everything, but only for as long as he is alive. When he dies it will be passed on to John, and then to the kid. This means that the female Dashwoods will receive nothing. The old Mr. Dashwood gave them £1000, but that won’t be near enough for them to marry well.

So I’m sure you are wondering about Mr. Henry Dashwood. I mean he doesn’t have to entail his personal money. Or Mrs. Dashwood’s money. Right?

 Well you’re half-right. He wouldn’t have to if he had any. Yep, you see Mr. Dashwood has no money.

He had status and married wealthy. His first wife had a fortune!

Unfortunately, she died.

And left all her money to her only child, John.

When he remarries it’s for love and his second wife is poor. They have only £7000. (I’m not sure if that’s a year or what, but it’s not enough for taking care of his family long-term).

And then he hopes to get the inheritance, but winds up with basically nothing.

To rub salt further in the wound, John doesn’t even need the money. You see John not only has all that dough from his mom, but when he married he increased his net worth tenfold.

Yep, he’s rolling in dough.

So the Dashwoods got the shaft.

But then Henry decides maybe it’s not such a bad thing after all. He is not an old man, he’s still has plenty of years left in him and he could start setting money aside to take care of his family. After all it’s not like he is going to die any day.

For more on Sense and Sensibility, go to A Sense of Sense and Sensibility

For more on the Dashwood family, go to Opening With…

For more on how entailment sucks, go to Fantastic Fantasies

For more on Gone With the Wind, go to At the End of the Rainbow

The Past of a Man: Under Capricorn (1949)

“The past of a man it is something.”

Now this is an Alfred Hitchcock film that is not as well known or talked about, for various reasons. A lot of people think the story is too melodramatic, and others don’t like it because certain elements resemble Rebecca and Gaslight. However, the reason why most people at the time hated it was it came out right after the news of Ingrid Bergman’s affair with Roberto Rossellini, the impeding divorce of her husband Dr. Petter Aron Lindström, and the birth of her twins by Rossellini. (To read more on that go here.) I on the other hand really liked this movie as I love:

1. Alfred Hitchcock
2. Ingrid Bergman
3. Joseph Cotten

Really now, how can you ever think this was horrible?

The title “Under Capricorn” references the Tropic of Capricorn, which bisects Australia. As you can tell now that I’ve explained the title, the film is set in Sydney, Australia during the 19th century.

So before we get into the film, we need to touch on the background history. In the 18th-19th century, England tried to discover a better way to deal with the mass amount of criminal activity and overcrowding jail cells. One thing that England did was hanging. However, people began to get upset about that. Some of the crimes were not really all that bad, but yet people were being given the death penalty. In order to have a harsh punishment, less-crowded jails, and less death-transportation became the way to go. Originally convicts were sent America, but with our revolution in 1776, that option was no longer possible. In the 1780s they started sending people to New South Wales, but with the Napoleonic wars, more labor was needed and they stopped the transportation.

After the war, problems arose again and they turned their attention to Australia. Between 1788-1868, they estimate about 165,000 people were sent Australia from a sentence that was usually 3 years to life (average was 7-14 years). Most people who were sent over were guilty of poaching, arson, robbery, and murder.

They were usually sent to extremely remote areas to prevent escape and discourage any attempt at returning. While it was allowed for people to return after they served their sentence, most people wouldn’t. More often than not they would create a better life in Australia. Typically, criminals would change their names, get land, farm, and create a brand new life for themselves.

This ended in the 1860s, although it had started to drop off by the 1830s. Most of the areas that were for “convicts”, began to become real towns and attracted better emigrants. (Most of this info came from the Victorian Crime and Punishment website, if you would like to check it out)

Now back to the story.

So it is 1831 in Sydney, Australia. Sydney is still a frontier with most of the population being ex-convicts. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare (Michael Wilding).

It’s one of those guys!

So Charles is hoping that he will make a fortune out here in Australia. While there he meets the gruff Samson Flusky. Samson is a convict that had been transported from Ireland out to Australia to serve his time, for murder.

But now he is a successful buisnessman. He owns a lot of land and makes a lot of dough. He is highly respected in the community.

Anyways, so Samson has now reached the legal limit of land he can purchase and needs to look to new ways in order to expand his business. He wants Charles to purchase the land and sell it to Samson, guaranteeing a good profit.

Charles is intrigued by the prospect and agree to the invitation of dining at Samson’s house. While there, he has a pleasant surprise. He knows Samson’s wife, Lady Henrietta (Ingrid Bergman).

She was friends with Charles’ sister but now has encountered a lot of problems. She is an alcoholic and shunned by society as she is seen to be crazy.

Sam decides to invite Charles to visit as much as he wants, hoping it will help bring his wife out of her current depression.

Now Charles has always had a crush on Henrietta and is confused at her crazed behavior and decline. He asks his uncle about what happened to her. Lady Henrietta was the daughter of one of the fine Irish gentry. To the surprise of everyone, she ran off with one of the handsome stable boys, Samson, to elope in England. Lady Henrietta’s brother went after them and was killed by Samson. Instead of the noose, Samson decided to go to Australia.

Lady Henrietta followed him to Australia and waited seven years for the term to end. After Samson served his years, he was different. He wanted to be rich and to buy everything, but that was never enough. Henrietta was extremely unhappy and began drinking.

Now unbeknownst to all, Samson’s housekeeper Milly has a crush on him.

She has been running the house and secretly feeding Lady Henrietta alcohol. She is hoping that Henrietta will kill herself, leaving Samson all to Milly.

Charles decides to help try and restore Henrietta’s confidence. At Sam’s urging, he moves into their home. But that’s not all he’s interested in. He has always found Henrietta to be attractive, and now she is vulnerable and needy. He begins to pursue her.

Charles’ work has been going great. In fact, Henrietta gains enough courage to try and take the power back from Milly and put her in her proper place as housekeeper, not wife. Milly turns things around and Henrietta runs up to her room and locks herself in. Charles goes in to talk to her and Milly sees them. She tries to use it to her advantage, telling Sam all kinds of lies about their behavior. This angers Sam, who kicks her right out of the house. (Sam you rock! I always had a soft spot for Sam. I don’t know if it was because he was played by Joseph Cotten or because he just seems like a great guy who has been mistreated.)

Henrietta is doing much better, and improving more and more each day. In fact she is doing so well, that when she receives an invitation to the Governor’s Ball, she is eager to go. They all get ready, but Sam decides to not go after all. He had purchased a ruby necklace for her, but after overhearing how Henrietta and Charles don’t consider ruby to be the right accessory, he decides not to give it to her. You see Sam has enjoyed having Charles there as he has helped his wife, but at the same time it has been upsetting. With the two together, it makes him realize just how different he and Henrietta are. He thought it could be different in Australia, but sees that moving to a new place hasn’t really changed societal rules.  Sam thinks the rest of the ball will be the same, and that he’ll be too out of his element or that he’ll embarrass himself. He decides to stay home.

Sad and lonely

At the ball, Henrietta stuns everyone as they all adore her. And more importantly, Henrietta has a great time.

Back at the house, Milly has returned.

Milly asks for forgiveness and her job back but also starts talking smack about Henrietta. She tells Samson exaggerated stories of what has been going on between Henrietta and Charles. The two had shared only one kiss, and everything had been instigated by Charles. Milly, on the other hand, insists that Henrietta is the one that has been carrying on and that it has gone much, much further. To further push the issue and him, she tells him that Henrietta is of a different class than her and Samson, and those people do things non-aristocrats could never get away with.

I mean seriously this girl is a major jerk.

You just need to understand that he loves his wife and back the heck away from him. You- you-

At first Samson shrugs it off. Charles is younger than Henrietta and more concerned about clothing than anything else. But that evil woman Milly keeps pushing him, and when she mentions the differation in classes, that’s where he snaps.

Sam goes to the ball, makes a scene, and humiliates Henrietta in front of everyone

She returns home, weeping and half-crazed.

Sad and lonely

Charles runs after her and tries to help her. He tells her to leave Sam, but Henrietta can’t. She tells Charles that she deeply loves her husband and is bound to him. You see, Sam didn’t shoot her brother, she did.

Yep, that’s right. Sam has never killed anyone. Henrietta fell in love with Sam as he was kind and handsome. Can you blame her? He’s one attractive man.

The two wanted to marry, but it was impossible as Samson was a much lower class than Henrietta. So the ran off to England, but her brother followed them. Her brother tried to kill Samson, but missed and the two struggled. Henrietta took the gun and shot her brother so he wouldn’t kill Samson. Samson took the blame as he didn’t want her to suffer in  jail.

Unfortunately, that didm’t actually help. Henrietta couldn’t stay at home, and couldn’t leave Samson by himself so she followed him to Australia. Not only has she been dealing with the guilt of killing her brother, but the guilt of allowing Samson to rot in prison for her deeds. To further this, when Samson came out of prison he was a changed person. This lead to even greater guilt and drove Henrietta to the bottle. No wonder she’s been going crazy.

Now even though Henrietta admits this to him, Charles doesn’t really believe her. He thinks it is just her way of trying to protect the man she loves.

When Samson sees Charles in his house with Henrietta, he becomes incensed  for the betrayal and kicks Charles out.

Charles steals Sam’s horse and takes off. While riding, the horse breaks its leg, causing Charles to have s a really bad fall. He reluctantly returns to the house and relays the news. Samson goes for his gun to “shoot the horse”, but Charles believes he is going to kill him, as he has “killed” before. The two struggle over the gun and during the conflict, Charles is shot.

With Samson’s past, he is immediately thrown into prison, to either rot for good or be hanged. Henrietta tries to save him and tells the Attorney General the truth. That Samson has never killed anyone, she did it. This presents a serious problem for Samson. The only way he can get out of his predicament is if he corroborates Henrietta’s story, but then she will be sent back to Ireland to stand trial and imprisonment. If he says his wife is lying, then he will be killed. The Governor is really pushing a conviction as he wants someone to be punished for trying to harm his nephew. The AG gives Samson twenty-four hours to decide.

A no win situation

Back at the house the evil Milly sees the perfect oppurtunity to get Sam. She tries to poison Henrietta and plants a shrunken head on her bed to further scare her. Fortunately, she is discovered and ousted.

Good-bye

Meanwhile Charles has recovered from his wound and vouches for Samson, telling everyone that it was an accident.

Charles is put on a ship back to Ireland, and Samson and Henrietta are now happy. Henrietta has been freed from the poisonous Milly and finally from the guilt of what she did to her brother and Samson. Samson is better as he finally knows that Henrietta truly loves him and that he didn’t destroy her life.

All in all, this film really teaches you one thing:

Yep, sometimes you just need to move on.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For to the previous post, go to Werewolves Roam Among Us.

For more on Alfred Hitchcock, go to Horrorfest III: The Revenge

For more on Joseph Cotten, go to You Think You Know Something, Don’t You?

For more on Ingrid Bergman, go to I’ll Always Be There When You Need Me

For more on the Victorian Period, go to Redone Done Right