Those Aren’t Men They Are the Living Dead: White Zombie (1932)

We could have been killed. Worse than that we could have been caught. 

By those men?  Those aren’t men they are the living dead!

So zombie films have been extremely popular the last few years, they have encountered many changes; but they all owe it to this movie. Yes this is the first full length feature film about Zombies. Instead of biting or disease; this man makes Zombies through Voodoo, poison, drugs, and his eyes!

I first became aware of this film when I watched 50 Greatest Horror Classics Collection. I know that I have been reviewing films I didn’t like these past few days, so here we go with one I do.

Now one things that this film doesn’t really do, is explain exactly how he does the zombie-fying and mind control. This was explained in the sequel, Revolt of the Zombies (1936)

This film has a very interesting background. The film was thought lost until found in the 1960s, there it went a serious court battle as multiple people fought for ownership.

It only took eleven days to film but it was such a hit when it premiered. It did so well, that Lugosi regretted taking a salary instead of a percentage.

Vat have I done?

Well I think that is enough talking about it, shall we move on to the review?

So the film starts off with a young couple, Neil Parker and his fiancé Madeline Short. They have just arrived in the West Indies. Neil has a job out there and went for Madeline. They planned to marry as soon as they touched the port, but they meet Charles Beaumont who presented them with a better job offer, and they are headed to his house and to be married tonight.

If only they knew what was coming.

As they are driving in the buggy, they come upon a funeral in the middle of the road.

It sounds strange, but they do that so people don’t dig them up and use them with voodoo, or turn them into zombies, the living dead.

Then “Murder” Legendre, Bela Lugosi, come upon them with his group of Zombies. He steals Madeline’s scarf, and stares at her with his creepy eyes.

The driver, fearful, takes off at the speed of light.

“Neil Parker: We could have been killed.

Driver: Worse than that we could have been caught!

Madeline Short: By those men?

Driver: Those aren’t men they are the living dead. Zombies!

The driver warns them they should leave, but the couple are suspicious of zombies actually existing. Yet at the at the same time:

They are startled when they come upon the minister, having arrived at the Beaumont mansion for their wedding. They ask about zombies, and the minister, Dr. Bruner,  says he has been a missionary there for over thirty years and he has seen a lot of strange things occur.

Hmm…

 

They tell Dr. Bruner about what happened, meeting Beaumont on the boat, the job, etc. The Dr. thinks this is very odd.

Something strange is going on

This Beaumont they describe is nothing like the selfish, pushy, take over man that he knows. Everything about their situation smells bad, and he warns the couple to leave as soon as possible.

 

That makes TWO warnings! They need to leave!

And run fast

When the couple arrives, Mr. Beaumont doesn’t want to see them.

But then he changes his mind.

Okay this behavior means that there is something else going on here with Beaumont.

The butler agrees it is for the best to approach them as the minister is questioning why Beaumont is being so kind. He greets them but then has to leave while everyone prepares for the upcoming wedding.

Madeline is getting ready when she looks out the window and sees Beaumont get into a buggy with a man. When we zoom there, the man is emotionless, glazed over, dead eyes, a zombie!

Mr. Beaumont reaches a work area and sees 20 or 30 of these same walking dead. All empty eyed, slaves, and ZOMBIES!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Legendre greets Mr. Beaumont and puts out his hand, but is ignored as Beaumont sees him as “beneath” him. Legendre then explains about his little operation: about how the dead don’t care about long hours, breaks, food, money, etc. He tries to sell the idea to Beaumont, but business is not on his mind. Instead his mind is on Madeleine.

He desperate to have her and is trying to get Legendre to stop the wedding. He thinks that if he took her away for a while she would change her mind. But Legendre does not think that will work, women will not forget so soon.

Beaumont pleads with him to do something, anything!

I must have her!

Legendre says that he has one way to do it..all Beaumont has to do is give her a tiny bit of this potion in her drink or on a flower and it will enable him to have what he desires.

Beaumont doesn’t want to do it that way but Legendre tells him that is impossible, there is no other choice.

That might Madeline is getting ready for her wedding, the church is all decorated. Mr. Beaumont walks her down the aisle pleading with her to marry him instead of her fiancé. Madeline kindly refuses.

See ya!

He promises to stop, after one last thing, giving her a rose. Madeline accepts, but little does she know that rose has been tainted with poison and will bring only death!

Madeline takes the hand of her love and the ceremony to twine them begins, but out in the courtyard Legendre lurks getting ready his magic.

He takes the scarf he stole from her earlier, and wraps it around a wax candle. He looks like the devil with his beard and eyebrows.

Creepy!

He carves the wax candle, quickly creating the figure of a woman. And then he stares with his eyes…

They all toast and are happy.

Neil Parker [Jokingly to Madeline] “Gypsy read my fortune.”

She looks into his cup and says “i see happiness, love, I see…” But then she sees Lugosi, with fiery demon eyes in her cup…

AAAAAAAAHHH!!!!!!!!!!!!!!!

She then says “I see death”

Immediately she falls down, and we see Lugosi’s eyes, knowing he is controlling her body and spirit.

A funeral is held and Madeline is to be buried.

Neil goes to a bar to drink, upset, heartbroken and seeing her everywhere. All are happy while he is the one in utter misfortune.

Her apparition appears to him, but he can’t reach her.

That night Beaumont and Legendre are in the graveyard and they see zombies! Legendre isn’t surprised as they are his slaves. Many have fought against his spells, but Legendre overpowered them all and controls them.

The zombies remove Madeline’s casket from the tomb. Just then they hear her husband, drunk, trying to approach the tomb screaming out her name. The zombies quickly take her away to conduct the ceremony elsewhere.

Neil finds the grave empty and is distraught.

Dr. Bruner explains that there are two ways this could happen.

1. Her bones were taken away to be used in a ceremony by some natives on the island.
2. Or she is not dead.

Neil is in shock! Not dead? But he saw her! The doctor said!

The minster agrees but he has seen so many strange things on the island, it could be possible!

Neil thinks the idea of her being murdered so someone can steal her body is ridiculous. But then Dr. Bruner tries to explain that she isn’t really dead, but instead a type of parlor trick with drugs to make her appear dead.

WOW

But Neil doesn’t listen.

Come on, LISTEN TO THIS MAN! If you had in the beginning you never would have gotten in this mess.

Seriously

So Dr. Bruner explains about a type of drug that produces a deathlike sleep, only to have them “awaken later” and be a zombie, one of the “living dead. I knew about this as I had seen it before in The Four Feathers, and read about how historically some witch doctors would do this. Because of that, I figured out a majority of Sherlock Holmes (2009).

They figure out that Beaumont must be the one behind this. Neil wants to take him to the authorities, but the minister reminds him they have no proof. Besides she died. No one would believe Beaumont pretended to kill her.

Beaumont has what he wanted and has desired or does he? He has the beautiful body of Madeline but something is missing from her. Her spirit.

She is an empty tomb, a shell of who she was, and it is driving Beaumont crazy!!!

He gives her the finest things money can buy, all that she could desire, but nothing changes in her eyes or look. Beaumont realizes his mistake and that he made a bad decision. He thought that just having her would be enough, but in reality he has nothing.

Beaumont begs Legendre to bring Madeline back. Legendre warns that Madeline won’t be happy as he just tried to control her. In fact she will most likely be furious. But Beaumont doesn’t care, he needs her. Legendre promises to bring her back and then the two have a toast. Don’t drink, it is a trap!!!!

After the drink, Lugosi reveals that he has done the same to Beaumont which he did to Madeline. He does not want to bring her back, as he has other plans for her,ones that Beaumont might not agree to.

Beaumont tries to get his butler to help him, but it is too late, he is under Legendre’s control as well.

The zombies come and carry the butler away, tossing him off the cliff, and all that is left is Beaumont and Legendre.

Dr. Bruner takes Neil to see the witch doctor.

Weird, right? He’s a minister. Doesn’t that go against what he represents?

Anyways, there they pick up a guide to take them up the mountain and to where Beaumont is housing Madeline. But Neil won’t listen.

That guy

Neil is trying to climb up the mountain but isn’t doing too well, he’s sick from a tropical disease or hangover.

Anyways, as they continue, you hear the vulture, the pet of Legendre; looming overhead, always watching. It reminds me of Maleficent’s bird in Sleeping Beauty.

Neil and Dr, Bruner argue over whether he should climb the mountain, Dr. Bruner thinking he is too sick too. Then they see Madeline looking over the balcony.

Neli calls out to Madeline hoping to reach her, but she still remains in her zombie state.

Beaumont has completely had a breakdown. No longer the powerful one, he too appears in a trance, the guilt of everything weighing down on him.

Legendre gave him a special type of poison, he is awake but in a trance and can’t talk, can’t move, a slave and awake inside knowing what he is going through and feeling it.

The shots and angles of this are beautiful. From framing Lugosi in the cross architecture, the stairs, etc. There is some beautiful, early, cinematography at play here.

So Lugosi sees Neil creeping up the stairs, but he is not really looking like a threat, as he is practically unconscious. Lugosi takes his hands and tries to work his spells on him, with his eyes, the third eye.

Madeliene wakes up from her bed and in a trance begins ro walk down thestairs. Searching, searching for what?

Madeline being framed in a cross architecture while wearing cross on her dress is almost a virginal sacrifice. Beaumont sees Madeline and wants to help but has no control over his body. She takes a knife from the table.

Legendre wants her to stab her husband Neil. She approaches him and is about to stab him when she stops. Something has come over her and she is unsure, but then Legendre’s eyes they call, her to do it,

She is just about to stab Neil when she is stopped by a person grabbing her arm and removing the knife.

A person dressed in black, who is it?

Legendre continues to try and control her but it does not work. She runs and Neil chases after her.

She runs to the hillside and looks over the water about to jump but stopped by Neil. He is happy to have her but Madeline remains motionless. Legendre comes followed by his zombie army.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Neil has a gun and shoots at the zombies but it doesn’t stop them or produce blood, as they are already dead.

The minster was the man in black! He smacks Lugosi in the head stopping him. All his zombies throw themselves over the cliff, as control is momentarily lost and they wish to remain dead! Madeline wakes up, the control has ended.

And all is good.

But no Legendre awakens, he is not one to be easily thwarted and begins to exact his control.

Neil and the minster chase after  him, but are stopped when he throws some magic dust, burning their eyes.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Beaumont creeps dow the steps, and we only see his shadow. He knocks Legendre over the cliff, his vulture/spirit guide thing going too.

Madeline is awaken and reunited with her love.

And the bride and groom get to go off and have their honeymoon.

A great film. You should definitely check it out.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to What I Think You Will Think…You are Fully Under My Control: Jesse James Meets Frankenstein’s Daughter (1966)

For more zombie brides, go to He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

For more Bela Lugosi, go to I Bid You Welcome: Dracula (1931)

For more zombie films, go to Say Something Human: Warm Bodies (2013)

For more on The 50 Greatest Horror Classics, go to A Man Without a Face: The Bat (1959)

A Man Without a Face: The Bat (1959)

“One of his victims who lived for a moment after she was found described the Bat as a man without a face.”

So every year I talk about how great Vincent Price is and how he has made truly amazing films in which he plays a terrifying, horrifying, and thrilling person.

The past three years I just haven’t gotten around to reviewing any of his famous works (although I did review Laura last year.) So this year I decided it was time to finally review one of his horror-suspense films. So prepare yourself for:

As I present to you The Bat!

So this is another film off the 50 Greatest Horror Classics Collection, like The Screaming Skull, Night of the Living Dead, etc. This film is based on a play written by Mary Roberts Rineheart. Now I’m not a huge fan of this author, I find her boring, but if Vincent Price is in it, it must be good.

So we  begin our story looking at a beautiful mansion, The Oaks.

Here mystery writer Cornelia van Gorder is staying while she works on her newest novel. But the events that occur here are more mysterious and terrible than anything Cornelia has ever written.

Cornelia van Gorder: As an author I write tales of mystery and murder, but the things that have happened in this house are far more fantastic than any book I’ve ever had published.

Right away we are sucked in. What happened?

So Cornelia is having a hard time keeping her servants. There was a killer called “The Bat”, who was murdering people. There is a rumor that he is back and on the prowl.

Cornelia van Gorder: Why? What does it say about the Bat?

Lizzie Allen: His specialty seems to be killing women, my goodness, two of them in one night, all his victims died the same way, like their throats had been ripped open with steel claws.

Cornelia van Gorder: That’s charming, I’ll have to try it some time. [Lizzie stares at her weird]  In a book.

I guess he’s the pre-Freddy Kruegar.

To make things even worse, he has been releasing rabid bats into the community.

Now Cornelia doesn’t care if the servants are too scared to work there as she thinks the whole thing is silly. If everyone leaves, she’ll just replace them. She and her assistant Lizzie leave to run some errands.

When they reach the bank they meet a very surprised Victor Bailey, vice president to the bank. John Fleming, the bank president and owner of The Oaks, said he would never let the place.

Cornelia tells them that Mark was the one who actually rented it to them. They then meet Victor’s wife, Dale, who used to be his secretary. Lt. Andy Anderson also comes in and is introduced to Cornelia. Lt. Andy is on the bank board. Interesting…I didn’t think cops that much money.

So Cornelia and Lizzie go off to do what they came to do. Suddenly Victor comes back extremely upset and takes aside Lt. Andy and Dale. It turns out the bank been looted over $1 million worth of securities!

AAAAAAAAHHH!!!!!!!!!!!!!!!

But who could do this? Only Victor and Mr. Flemming have the keys!

Victor wants to call him, but can’t as he is on vacation with his best friend, Dr. Malcolm Wells, on a huting trip on the deep woods with no phone.

So then we switch to another scene of two men in a cabin. They are John Flemming and Dr. Malcolm (Vincent  Price).

John asks the doctor:

John Fleming: Doctor.

Dr. Malcolm Wells: Yes, John?

John Fleming: What would you do for half a million dollars?

Dr. Malcolm Wells: Anything short of murder.

John Fleming: Why not murder?

Dr. Malcolm Wells: Too messy.

John Fleming: Too great a risk?

Dr. Malcolm Wells: For half a million, yes.

John Fleming: I pinched a million from the bank.

Yes John is the culprit. He embezzled $1 million dollars from the bank, framed Victor, and know is in the stage of how to disappear without anyone realizing he was the thief and hid all the money in his house. And that’s where the Doctor comes in.

John Flemming: I have a weak heart. What if you called and said I died, and then ship my body back. We don’t need an open casket.

Dr. Malcolm Wells: Where do we get a body?

John Flemming: We’ll provide one. We could kill Sam our guide. He’s a hermit and no one would care.

Dr. Malcolm Flemming: The local undertaker would know.

John Flemming: Not if we mess up his face.

Dr. Malcolm Flemming: Why do all this if you set up Bailey?

John Flemming: The jury might acquit. I am a logical suspect, and could try to disappear, but it is safer if I am dead.

Dr. Malcolm isn’t really feeling it, but John threatens he will kill him if he says no. Better for him to say yes and get a part of the money. While the two are talking, the woods catch on fire. John goes to investigate and when he turns around he sees Dr. Malcolm with a gun.

John Flemming: Doctor, we need to get out the back way. 

[Turns around and sees Dr. Malcolm pointing a gun at him]

Dr. Malcolm Wells: We will, as soon as I provide that body we’ve been talking about.

So back at the Oaks, Cornelia is trying to play solitaire but the lights keep flickering.

Never a good sign.

Lizzie comes in with the newspaper. Victor Bailey arrested for embezzlement, John Fleming is  dead, and Dr. Malcolm brings the body back to put in tomb this Friday.

Meanwhile, creepy things have been going on at the Oaks.

Lizzie Allen: This is his house, and ever since he [John Flemming] died, some funny things have happened here.

Cornelia van Gorder: For instance?

Lizzie Allen: The housekeeper, the cook and the butler said that they heard strange noises at night, and the upstairs maid swore she met a man without a face coming up the back stairs.

Cornelia van Gorder: Oh so that’s why they quit and left me to run this place without a staff.

Lizzie Allen: They didn’t tell you, Miss Gordy, but the truth is they were scared to stay.

Cornelia van Gorder: Why? What does it say about the Bat?

Lizzie Allen: His specialty seems to be killing women, my goodness, two of them in one night, all his victims died the same way, like their throats had been ripped open with steel claws.

Creepy!

So the two ladies are the only ones at home. They have a chauffeur, but he is gone for the night. To make matters worse, it is super windy and in an old house everything seems to rustle, move, and go bump in the night.

Lizzie Allen: [The wind is banging a shutter against the house] That ain’t nothing, just something bumping against the house. [Wind blows a door open and closed] That’s just the wind banging the door, pay no attention to it. Listen to this, ‘One of his victims who lived for a moment after she was found described the Bat as a man without a face’. Honestly, Miss Gordy, I think that woman was exaggerating. [A tapestry blows against an open window] That’s just the taphestry at the top of the stairs.

Cornelia van Gorder: I know, I know, I’ve heard it before on a windy night [Tapestry clinks a shaking suit of armor] That sounds as if someone were on the stairs, I know there isn’t, at least there shouldn’t be.

Lizzie Allen: Them’s just the noises you hear in any old house on a windy night.

Even though it’s probably nothing:

So while the two go upstairs and continue talking, we see a man at the front door, opening it and sticking his clawed hand in.

They see it, lock the door and run upstairs calling the police. They think they are safe, but little do they know the Bat has cut a hole in the glass on the door and has come inside.

The officers are on there way, but Cornelia and Lizzie take extra measure. They not only lock the doors, but push all the furniture against the door. They think they are safe, but the transom over the door has no lock, or way for them to keep it closed. Cornelia decides to put something in front of it, that way if someone tries to come through there, they will set off her booby trap.

The two women are scared and decide to share the room that night. Lizzie goes to get her night items, but doesn’t know that the Bat is creeping outside her door.

Luckily lightening flashes and shows the shadow:

Causing Lizzie to run back inside the room.

The police finally call back, saying they see nothing outside her house. She tells them he is inside now and shouts that she has a gun and is not afraid to use (she doesn’t really. Just trying to scare the Bat.)

The police search everywhere, but find nothing.

Where did he go?

They go on guard outside, and the women try to sleep, but are having an extremely hard time.

Meanwhile, the Bat has opened the transom and released a bat into the room. It lands on Lizzie biting her, and then flying into the closet.

Lizzie is freaked!

AAAAAAAAHHH!!!!!!!!!!!!!!!

So just knows she is going to get rabies and die.

Noooooooooo!!!!!!!

They call Dr. Malcolm, but the answering service can’t get a hold of him. They promise to keep trying and if still can’t will send another doctor.

Meanwhile, Dr. Malcolm is home. He is in his lab working on some experiments. He is studying and testing bats.

But is he trying to study the bats to find a cure? Or is he trying to find a way to kill the women and get the million dollars John stole?

Unbeknownst to the doctor, Lt. Andy is creeping around his house. He touches his car to see if it is hot from a recent drive, looks through the windows, etc.

He’s creepin’ in your windows. He’s starin’ at your people.

While he is watching him, the service finally gets through and reaches the doctor. He puts the bat away and heads out to help.

While he is gone the Detective breaks into office, and looks around. He opens the window shades sees a bat. Does this mean he is the Bat?

So it looks like they are trying to say that Dr. Malcolm is the Bat, but I don’t think he is the one as it is too obvious.

So the doctor goes to the house and examines Lizzy, asking for the bat to examine and see if it is rabid.

Dr. Malcolm Wells: Pity you are in this house. I don’t want to alarm you, but so many unexplainable things happen here. It has an apprehension of disaster.

He looks at the bat, but it is not rabid. He places him in his doctor bag and makes plans to return the next day. He starts to leave but sees someone, who’s there?

But it is just Lt. Andy. Should we sigh in relief or be afraid? Could he be the Bat?

Lt. Andy asks a lots of questions.

Lt. Andy Anderson: How did a Bat get in?

Dr. Malcolm Wells: There are lots of ways for bats to get in a house

Lt. Andy Anderson: Well you should know.

What is he implying? A Bat lover? Or The Bat?!!!

The Detective notices the cut glass on the door and figures that must be how the bat got in.

Dr. Malcolm Wells: I phoned twice, weren’t you there Andy?

Lt. Andy Anderson: No, but they called me. I have a man patrolling outside.

Dr. Malcolm Wells: No one inside, Andy?

Lt. Andy Anderson: Why should there be?

That is a weird answer. There is a crazy man who tried to get in the house twice!!! There should be more policeman, not less.

So I definitely think it is not Vincent Price, as it is too obvious. From what little I have read of Mary Roberts Rineheart is she tells you a mystery, giving you limited knowledge so she can do some big reveal at the end.

Really?

In my personal expertise in film watching, Vincent Price is far too perfect to be the Bat. My money is on Lt. Andy or the nephew we have heard so much about, but have yet to see.

Hmm…

So the Lt. is quite sure that the Bat is not in the house as he suspects it is Dr. Malcolm, but decides to put someone in the house anyway.

The next day the Lt. goes to see Mark Flemming, John’s nephew. He has just bought all new office furniture. Is he squandering his inheritance? Nope he hasn’t received it yet. The Lt. finds that strange as he left the whole fortune to Mark? But it turns out that the whole fortune is missing. What happened to it?

Lt. Andy needs to find the missing million dollars.  All his money was in the securities stolen, if he can’t find the money, he’s out everything. He suspects John Flemming, even though the only fingerprints on it was Victors Bailey’s. To the Lt., he knows John is wily enough to plant everything. Besides the secretary has some new evidence she will give at trial.

At the Oaks the next day, there is quite a party. The secretary is there, getting a book from Cornelia. Dale Bailey is also there, hoping they might figure out a way to save him. The Dr. also comes to check on Lizzie.

Cornelia has her chauffeur back and has a new employee, John’s old housekeeper Mrs. Patterson.

They start discussing who took the money, and Cornelia believes it was John who did it. Judy agrees as she saw something that made her suspect him. Cornelia suspects that if John were the one to do it, he would hide all the money in the house. There must be some secret room or safe.

Hmm…

They need the blueprints to look it up. Dale decides to call Mark and ask if he has any blueprints. Mark was speaking with Lt. Andy, and when he hears Dale ask for the blueprints, he knows she is after the loot. Mark promises to come over that night and look for the blueprints in the house, also promising to call the Lt. if he does find them.

That night the women  are having dinner when Mark comes over and lets himself in.

Weird. He was invited to the house so why is he sneaking around like a criminal. That means, he doesn’t want the girls to know he is there. He doesn’t want to share the blueprints, he wants them all to himself. But as he heads straight to the secret wall/compartment that holds them, the Bat starts creeping behind him.

Mark finds blueprint, but the Bat kills him before he can ever make a sound. The Bat has the blueprints, but hears the women coming, and moves the clock in front of the compartment. He then takes off before the women spot him.

The women go to the room, where they hear the clock working, even though it hasn’t in ten years. Dale looks at it and notices that there os a door behind the clock. They move the clock and open the door to find…

They call police, the Lt. isn’t there. They call him in his car and he goes on his way. The Doctor also heads out there, and finds that the body has been dead for half an hour. The bell rings, and it is Warner the Chauffeur/Butler. He had to use the front door as he lost his keys.

The Lt. question all the staff  and doesn’t trust Warner, as they have met before. Where or when cannot remember, but will eventually.

So who knew Mark was coming  the Lt. Andy, Warner, Judy, Dale, Lizzie, & Dr. Malcolm Hmm…

So that night all the women go to their rooms. Lt Andy promises to stay and protect them. But what if he is the Bat?

AAAAAAAAHHH!!!!!!!!!!!!!!!

The Lt. promises they will be safe with him. Yeah right! No one is safe from the Bat!!

Warner is watching the police and doctor as they head to the door. Could it be because he is the Bat?

hmm…

The Dr. leaves, with the Lt. staying until the windows and doors are good, then promising to return in the morning.

WHY???? WHY???? If he knows the Bat has been coming around, why would he do that.

That night the Bat goes into the house. He cuts all the wires for the phones, making sure no calls will be made. He goes into a room being used for storage, the women have all their suitcases and trunks in there. He starts banging on the walls, hammering them to find the opening.

Meanwhile, the women all hear the noises which freaks them out. Cornelia tries to call the police but the phone won’t work.

Meanwhile, Dale has decided she is going to investigate what that noise is. Her roommate Judy is trying to stop her, but Dale wants to save her husband, so she goes upstairs to look.

She goes to the room and tries to look inside, the Bat hiding behind the door. He pulls and tosses her in, running downstairs were Judy is, knocking her out of the way and down the stairs. Cornelia tosses something at his head, beaning him on the way out.

Judy is dead.

The Lt. comes back and heads straight for Judy.

Noooooooooo!!!!!!!

They ask him where he went as he was, and he said he was following someone out the back.

They go looking for everyone, and can’t find Warner. He comes inside and says he was following the Lt. to help him, getting brained and knocked out. Was he?

It turns out that the Lt. finally remembers where he saw him before. On a circular for wanted men. Warner claims he was tried and found innocent. Just as they are talking, the Dr. shows up.  All three suspects in one area. But which one?

They ask the doctor what he is doing back here, and he tells them he was in a car accident, and his wheel fell off in the ditch. He came to get help, as his head is bleeding. Hmm…?

We go back to Cornelia dictating the story. The next night she decided she was going to pursue this mystery alone. She saw the police downstairs asleep, and heads up to the room where the Bat was w0rking on the walls. All I can think is why didn’t they try open it up in the daytime?

While she goes up, we spot Warner walking around downstairs.

Meanwhile, The Bat is in the Doctor’s lab. He is leaving suicide note, planning on killing the Doc and lying all the blame on him. But just as he finishes, who should show up but the Doctor, who doesn’t take kindly to this plan. He threatens the Bat. It looks like the Doctor will be murdering him like he did John. The Bat races toward him and the two begin fighting. The Doctor is shot accidentally, Bat leaves having completed mission. I knew it wasn’t him.

Aw that’s sad, I liked the doctor, because I love Vincent Price. Too bad. 😦

Noooooooooo!!!!!!!

That night, Lizzie wakes up looking for Corelia but can’t find her anywhere. She rushes downstairs and wakes the police officer up, looks like he’d been slipped a mickey tp be knocked out. She wakes up the housekeeper and asks her to fetch Warner.

WE NEED TO FIND CORNELIA!!!

So Cornelia is locked up in a secret room. The officer calls Lt. Andy but they are looking for him to investigate the murder of the Doctor. And it turns out that Warner is missing! Down to two! Who could it be???

They finally find Cornelia who is currently fainting from lack of air. When they get inside the Cop finds the control panel on wall and  a safe. But just then the garage catches on fire!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The detective wants to put it out, but Cornelia says to let it burn.

Cornelia van Gorder: Can’t you see that fire was set to get us out of the house?

Detective Davenport: Out of the hou… are you talking about the…

Cornelia van Gorder: Yes, yes, I’m talking about the Bat! Now that the lights are out, he’ll think his trick has worked, and we’ve gone, here’ll be here in a minute.

Detective Davenport: So will Lieutenant Anderson.

Cornelia van Gorder: I hope so but the Bat will be here first, and he’ll KILL AGAIN if we get in his way… we’ve got to be as clever as he is!

They wait in room, when the Bat comes creeping in door. The officer gets knocked out and the Bat is about to shoot the women, when he is shot in the back by someone…who?

It is Warner!!! He saved them!!! Yay, I liked him.

And we see the Bat was the Lt. after all. He did it so he could get his money back. The only question I have, was he the orginal murdering Bat? Or was that a persona he choose to throw suspicion off himself? I guess we won’t ever know.

Whoops! Almost forgot the banner/facebook cover/mini poster:

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

For more on Vincent Price, go to Murder is My Favorite Crime: Laura (1944)

For more on the 50 Greatest Horror Classics Collection, go to She Cries in the Night: The Screaming Skull (1958)

For more films based on plays, go to I Do Think You Are Confused, Mrs. Bowman: Dangerous Crossing (1953)