I Knew She Was Too Good to Be True. Always So Eager to Work Overtime, Never Made a Mistake…She Seemed So Nice. So Efficient.: Marnie (1964)

I knew she was too good to be true. Always so eager to work overtime, never made a mistake. Always pulling her skirt down over her knees as though they were a – national treasure. She seemed so nice. So efficient.

It wouldn’t be Horrofest if we didn’t have our annual Alfred Hitchcock pick! Now as you may know from previous posts, I love Alfred Hitchcock movies. I like that he has a variety of characters from all kinds of backgrounds and motivations, but typically they are just an average person who is caught up in an abnormal circumstance.

The use of lighting and shots in every film are always amazing:

Rebecca (1940)

Hitchcock also always knew how to pick a story-choosing one that is well done, mysterious, suspenseful, and adding in his own special macabre tendencies.

Now I love almost every film of his, but there are two of his films that I absolutely hate: Vertigo and Marnie.

Last year I reviewed Vertigo, and thought that this year I would review the other, Marnie (1964).

Marnie (1964) stars Tippi Hedrun, someone who had an intense and complicated relationship with Alfred Hitchcock. In their previous film, The Birds, Alfred Hitchcock was obsessed with Tippi Hedren and controlled her, he wouldn’t let anyone talk to her-unless they were filming, and just was plan awful to her, abusing her. She tried to talk to the studio heads but he was such a money maker they refused to do anything.

Originally this film was supposed to be for Grace Kelly, but she turned it down as the content wasn’t seen as something that the Queen of Monaco should be involved with. Hedrun was given the part instead and her tumultuous relationship with Hitchcock continued. When she later refused Hitchcock, he blackballed her. (If you would like to know more I really recommend reading Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto) I do feel like this particular material appealed to Hitchcock as he acts similar to the main hero, Mark Rutland, especially with the lusting after a cool blonde (what Grace Kelly was often described as). Like Vertigo I really think Hitchcock was working through his own feelings of lust and loss for Grace Kelly as she left him and Hollywood for Monaco, forever being untouchable.

This was also the only Alfred Hitchcock film Sean Connery was in, although I think it was terrible decision. Apparently the story is that Connery had concerns that he would be typecasted as a spy after being in James Bond. When his company, Eon, asked what he wanted to do, Connery said that he wished to work with Alfred Hitchcock, which Eon arranged. Hitchcock and Connery got along well during filming and Connery was quoting saying that he was happy with the movie, “with certain reservations.” Uh, I have a ton of reservations. This movie is terrible.

The worst!

Mark Rutland, (Sean Connery) a wealthy widower who owns a publishing company, and meets with Sidney Strutt on tax business. While there he spots a beautiful brunette, Marion Holland/Marnie Edgar (Tippi Hedrun). Marion has no references, but she was gorgeous and charming and Strutt was hoping to take her out so he hired her. Not long after this event, she flees with nearly $10,000 from Stutt’s safe.

When Mark returns he discovers Strutt furious at the theft. Meanwhile, Marnie has fled to Baltimore where she takes care of her mother and boards her horse, Forio.

Some months later a blonde applies for a job at Mark’s company; even though her name is “Mary Taylor”, she is a dead ringer for the brunette at Strutt’s company. With no references and suspecting her of theft, Mark hires her. Now why would he do that? Well, Mark never wanted to take over the family business, he wanted to be a zoologist and studied accordingly. He sees Mary/Marnie as a challenge, an animal he can study and eventually capture. The imagery is really strong and annoying. I think because it was Sean Connery people didn’t think it was problematic, like how Rod Taylor’s character in The Glass Bottom Boat is truly terrible, but it’s all brushed over because it’s Rod Taylor.

The two end up dating, and Mark, plus us the viewer, discover that Mary/Marnie is afraid of thunderstorms, has bad dreams, and the color red freaks her out and causes her to have an “episode.”

Not long after they begun dating, Marnie steals money from Mark’s company and takes off; with Mark tracking her down and blackmailing her to marry him. All pretense is gone and she now goes by her birth name Marnie. Yep, this film is going from bad to worse!

So awful

To complicate matters, Mark’s sister-in-law is in love with Mark (with Mark of course being completely oblivious) and is highly suspicious of Marnie keeping a very close eye on her.

They go on their honeymoon and Mark wants to sleep with her even though Marnie has zero interest. He rapes her, believing that he can change her from frigid to passionate. So yes, when I say this film is really awful and truly terrible I absolutely mean it. Why would anyone want to play this character? Why would the studio allow it?! I mean they don’t show the rape but you know what happened.

Seriously!

The next morning Marnie tries to kill herself and Mark is like “gee why you did you do that?” Hello, you raped her!

Mark ends up saving her. (But does he really save her?)

Lil spies on Mark believing that if she can discredit Marnie and then Mark will choose her, it’s like girl you are so delusional. He didn’t want you after his sister died, he will NEVER pick you.

Lil does overhear that Marnie’s mother is still alive (Marnie told Mark that she was dead) and overhears the couple talking about Strutt. Lil invites Strutt and his wife over to the house for dinner and it blows up in her face as Mark is still very much in “love” with his wife. (He calls it love, but it is definitely NOT love.)

Mark wants Marnie to love him and brings her horse to live with them. Things go okay as Mark tries to pay back all the people Marnie stole from, and doesn’t rape her again. One day they are doing a fox hunt when Marnie is first set off by a red outfit and then her horse is injured when she is making a jump. With her horse wounded she grabs a gun from a neighbor and puts the horse out of its misery.

She has an attack at seeing the blood and freaks out trying to steal from Mark but can’t. She’s in a slightly comatose state when Mark takes her to Baltimore to confront her mother and issues.

It turns out that Marnie’s mother was a prostitute and once when she was a little girl she was having a nightmare. One of Marnie’s mother’s clients tried to help and Marnie’s mother thought he was molesting Marnie. Bernice attacked him but was injured by the man. Marnie woke up and tried to help, killing the man she saw hurting her mother. The sight of his blood caused her hatred/fear of the color red, and the connection of sex and death caused her to have issues with intimacy.

Hmmm…

The film ends “happily” with Marnie ready for help and they going off together although I don’t think this relationship will last. Mark thinks blackmail and rape is okay, he’s a truly terrible person. Like I have no words to describe how vile he is.

I wish it ended with him dying.

I HATE this character!

With the content of this film, I will end on this:

I Am a Survivor of Domestic Violence and I Know Help is Out There:

Are you being abused?

It’s abuse when someone who should care about you does or says things that hurt you or make you feel afraid, helpless or worthless. Here are only a few examples:

  • Slapping, hitting, punching, choking, grabbing, shoving, kicking you or your kids, your pets
  • Threatening you, your kids, friends, family or pets
  • Hitting, kicking, slamming walls, doors, furniture, possessions
  • Forcing you to have sex
  • Calling you names, swearing at you, yelling
  • Controlling all the money, even money you earn
  • Blaming you or your kids for everything
  • Putting you down, making you feel like nothing you do is ever good enough
  • Treating you like a servant or slave
  • Controlling where you go, what you do, what you wear
  • Controlling who you see, who you talk to
  • Humiliating you in front of other people
  • Refusing to let you leave the relationship

It can also look like the below cycle 

If you are in danger call 911, a local hotline, or the U.S. National Domestic Violence Hotline at 1-800-799-7233 and TTY 1-800-787-3224.

For more Alfred Hitchcock films, go to One Final Thing I Have to Do… and Then I’ll Be Free of the Past.: Vertigo (1958)

For more Tippi Hedrun, go to It’s the End of the World: The Birds (1963)

For more thieves, go to A Legendary Jewel Goes Missing, A Country Manor Full Of Secretive People, Which Guest is the Thief?: The Moonstone (2016)

Happy Halloween Darlings: Horrorfest IX

It’s that time of the year again! Time for another Horrorfest, 31 days of horror, mystery, monsters, etc.

So I started Horrorfest back when I first began blogging. I was trying to figure out what I wanted to do with it, the direction I wanted to go in. Since I like to watch scary movies every day in October, I decided to review them, and I had so much I fun I continued every year.

I know some people aren’t interested in it or would think it has nothing to do with my blog’s title, but you know who would love it and be so into horror films?

When I started this, I used a lot of stills from the movies I was reviewing and ended up with a a bunch of photos I couldn’t reuse for future posts. Since then I try to add less, unless I think I can use it for future posts or that it is crucial to the story. Instead I reuse old photos and I try to caption each photo with what film it came from, but at times I forget.

from Clueless

Over the years I have established a set of rules and annual films categories.

Rules are there must be at least one film or TV show episode:

  • From every decade (1930s-2020s)
  • At least one Alfred Hitchcock
  • At least one animated film
  • One made by Disney
  • One Stephen King film
  • One made by Tim Burton
  • One starring Vincent Price
  • And one in some way is Jane Austen related

The Jane Austen one is the hardest to do, although two years ago I had several. There was the Non-Austen Films for Austen Fans  Alta MarAKA High Seas, “Death By Persuasion” from Midsomer Murders, Rebecca, and Strong Woman Bong Soonalong with the film that led to Sense and Sensibility (1995) being made-Dead Again

Two years ago I finally reviewed Northanger Abbey (2007), which started a new tradition, #CelebrateHalloweenwithNorthangerAbbey, something I will be continuing every year! So be sure to join me!

Another tradition I added a few years ago is dressing Jane up in costume every year. Last year I did Jane as a Ghostbusters.

This year I did Jane as Batgirl but I’m not 100% happy about it. Hope you all enjoy it though.

Well, I hope you enjoy this year’s picks-so far we have ghosts, monsters, gothic tales, vampires, mummies, and more!

For the original Horrorfest, go to I Don’t Belong in the World: Carnival of Souls (1962)

For Horrorfest II, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

For Horrorfest III, go to Even a Man Pure of Heart: The Wolf Man (1941)

For Horrorfest IV, go to You Cannot Conquer It. It has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For Horrorfest V, go to Who You Gonna Call?: Ghostbusters (1984)

For Horrorfest VI, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For Horrorfest VII, go to It’s the End of the World: The Birds (1963)

For Horrorfest VIII, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For Horrorfest IX, go to Time for You to Awaken, Master. Time for You to Go Out: The Return of the Vampire (1943)

For Horrofest XI, go to No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

One Final Thing I Have to Do… and Then I’ll Be Free of the Past.: Vertigo (1958)

One final thing I have to do… and then I’ll be free of the past.”

It’s time for our annual Alfred Hitchcock pick! I was actually planning on doing another film, but things happened, as they do, and I switched it out with this movie.

Now as you may know from previous posts, I love Alfred Hitchcock movies. I like that he has a variety of characters from all kinds of backgrounds and motivations, but typically they are just an average person who is caught up in an abnormal circumstance.

The use of lighting and shots is always amazing:

He also always knew how to pick a story-choosing one that is well done, mysterious, suspenseful, and adding his special macabre tendencies.

Now I love almost every film of his, there are only a few that I would watch once and that is good enough for me. And with those films, even though I don’t love them or feel a need to watch again and again I can still appreciate the direction he was going in. But there are two of his films that I hate: Vertigo and Marnie.

Both of those films have a man who is our protagonist and “hero”, who horribly mistreats and abuses the woman he “loves”. While Marnie has the interesting plot of why Marnie (Tippi Hedrun) does what she does, a twist that is leads to understanding her character; I still cannot stand Sean Connery’s character or the fact we are supposed to want them to be together when he not only blackmails Marnie into marrying him, but rapes her.

But we aren’t talking about that film today. We are talking about the other Alfred Hitchcock film I hate: Vertigo.

A lot of people claim this is Hitchcock’s best work but I wholeheartedly disagree as I think a lot of his other films could easily knock this film out as they have better pacing, a better storyline, and I think the actors and actresses did just as fine a job or better.

For me I really, really don’t like the storyline. How this film came to be was that Hitchcock really liked the book She Who Was No More, by the writing team of Boileau-Narcejac, but lost out to Henri-Georges Clouzet. When the book this film was based on, From Among the Dead, came out-he immediately went to bid for it. Im going to give a quick summary and then I will share what it is about this particular film that I cannot stand.

The film starts off with our main character John “Scottie” Ferguson (Jimmy Stewart), a cop who has left the police as he has severe fear of heights that caused him to let a criminal get away. His best friend, Midge (Barbara Bel Geddes), is in love with him but he doesn’t care for her and at time can be quite rude and cruel to her. He reveals that an old friend of theirs reached out o him, wanting to meet up.

Scotty goes to see his friend, Gavin Elster, who tells Scotty about his wife and how she is acting strange. He wants to pay Scotty to watch over her and find out what is going on. Scotty does, witnesses Madeleine (Kim Novak) doing a lot of strange things, falls in love with his he (even though it is his friend’s wife), but Madeline can’t be with him as she is possessed by her ancestor and has to kill herself.

Scotty you need to back off. This girl needs help-not a relationship.

Madeleine goes to the mission bell tower and throws herself off, Scotty is heartbroken at losing her (even though he has only known her for a very small, small, amount of time.

So the pacing of this film is extremely slow, especially as it is obvious that this is not a ghost story as Hitchcock never does that. I knew from the first time she tried to kill herself this isn’t the whole story. Either she faked her death, her husband got a body double so he could kill her, she got a body double to get her husband arrested or something, but no ghosts or demon possession.

I also can’t get behind a main character who is in love with another who is not in a clear state of mind. I mean it would be different if he loved her before, this was a traumatic event that caused this momentary break from reality, etc. But he just met this woman and he’s attracted to a person who believes they are possessed by their dead relative and keeps trying to kill themselves as something inside them wants to die. If you can’t handle a normal relationship with a mostly well adjusted person like Midge (she does paint herself like the dead woman so only mostly well adjusted), and instead your ideal type is unavailable, not in a good mental or emotional stare, and in a state of depression; you clearly need to see a counselor and figure out some things.

Scotty becomes depressed, has a breakdown ( I would argue he was already having one) and goes to a sanitarium. When he has “recovered” keeps thinking he sees Madeleine everywhere and runs into a woman that looks so much like her. The woman, Judy Barton (Kim Novak), starts dating him even though he makes it clear repeatedly that he is only interested in her because she looked like the girl he really loved. I’m like girl no! Run away! Run far away from this situation!

He then makes her change everything about her remaking the woman he really loves, although not really as he didn’t even “know” her, other than she was out of her mind and pretty. Everything about Judy must go until she is more and more like Madeleine. He even makes her dye her hair so she can be an exact replica.

Judy: If I let you change me, will that do it? If I do what you tell me, will you love me?

Scottie: Yes. Yes.

Judy: All right. All right then, I’ll do it. I don’t care anymore about me

Again so, so, so, so, so, many red flags. But does Judy leave? No, poor Judy continues to stay in this abuse and acquiesce to everything he asks because she loves him, and mistakenly believes he loves her too.

One of the worst parts for me is when he forces her to change her hair.

Judy: Couldn’t you like me, just me the way I am? When we first started out, it was so good; w-we had fun. And… and then you started in on the clothes. Well, I’ll wear the darn clothes if you want me to, if, if you’ll just, just like me.

Scottie: Judy, please, it can’t matter to you.

Judy: Oh, no!

Scottie: The color of your hair…

I hate this scene with the fury of a thousand suns as not only is completely wiping out her identity to become his perfect woman, but he went for the hair. A girl’s hair is more than hair, it is a part of their identity, a mark of their femininity, a connection to their culture and family, etc. I have never met a woman who did not care about her hair, it might not be her sole focus, they make cut it short or shave their head, but there is no way they don’t “care”.

It turns out that Judy and the Madeleine he met are actually the same person. His friend Gavin wanted to kill his wife for the insurance money and hired a double to make everyone think she was crazy and wanting to kill herself. He then hire Scotty to follow her as he needed a witness of her behavior and mental state; along with choosing Scotty as he knew with his fear of heights he won’t be able to follow her up the bell tower to stop her. Judy wants to tell him the truth, but doesn’t know how. He eventually figures it out when he sees the necklace Madeleine wore, the one that belonged to the relative possessing her. Judy spills and Scotty decides they must go back to the tower to right this wrong.

They do and Scotty throws her off the bell tower, killing her.

Critic and film analyst call this film a “story of a man who develops a romantic obsession with the image of an enigmatic woman…” but that is not what this is. It is a story of a man who is NOT romantic, and is obsessive, controlling, and abusing a woman. He insists he loves her, but he doesn’t love either woman, he just wants to control them. He actually follows the cycle below with Judy.

I also believe Hitchcock was really working through some feelings when making this film. Alfred Hitchcock married and stayed married to his wife, but he became in “love” with Ingrid Bergman after working with her. He used to make passes at her, was extremely coarse and sexually harassing her. He even spread a story that she got him into a bedroom at a party and demanded he have sex with her, but she always insisted it wasn’t true (and I believe her). But Ingrid was unattainable, at least until she divorced her husband for another man, and not just any man another director! And one she had a child with. I think Madeline represents Ingrid Bergman, a married woman he wanted and believed wanted him but couldn’t be together. That line Madeline says about how they can’t be together because someone within her won’t allow it, I think that is supposed to represent Ingrid Bergman’s pregnancy. Madeleine dies, and in a way Ingrid Bergman died as she left Hollywood.

After Bergman he turned his obsession to Grace Kelly, treating her the same way he treated Bergman. But she left him too, in 1956 she married the prince of Monaco and too left Hollywood. The the year before this film came out, in 1958, Ingrid Bergman left her husband and married another director, but that director was not Alfred Hitchcock. I think he had a lot of anger as these women he “obsessed over” but couldn’t have. Grace Kelly being Judy, a creation that betrayed him (marrying and leaving Hollywood) and too had to die in order for him to start again.

Which he does as Alfred Hitchcock then truly became Scotty as he found a new girl, another “Judy”, as he was obsessed with Tippi Hedren and controlled everything about her. He wouldn’t let anyone talk to her-unless they were filming, and abused her. She tried to talk to the studio heads but he was such a money maker they refused to do anything. And when she refused him, he blackballed her. Too bad she wasn’t able to have justice. If you would like to know more I really recommend reading Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto. Just like the horrible way Scotty treats Judy trying to make her his picture of a perfect woman, until he has no need of her, so Hitchcock treated Hedrun.

So I think this falling for a woman that can’t be with you and trying to recreate that creation only to have it not be with you again-plus the fact that the lead murders her something not seen in his previous films, most of the male leads are wrongly accused, or in Rebecca have a moral loophole. I think he was acting out his anger and passion that he felt toward the rejection/losing these women.

I think Midge is Alma, the woman that puts up with witnessing this destructive behavior and is their for the person, even though they don’t really deserve it.

And before you start thinking I’m too conspiracy with this thought one of people credited with the screenplay is Samuel A. Taylor who never read the original novel, but only was given Hitchcock’s outline of the story. So the plot we have comes solely from what Hitchcock wanted it to say.

Hmmm…

I also don’t like that our lead murders someone, this is something not seen in his previous films, as most of the male leads are wrongly accused, or as in Rebecca have a moral loophole. I think Hitchcock was acting out his anger and passion that he felt toward the rejection/losing these women.

With the content of this film, I will end on this:

I Am a Survivor of Domestic Violence and I Know Help is Out There:

Are you being abused?

It’s abuse when someone who should care about you does or says things that hurt you or make you feel afraid, helpless or worthless. Here are only a few examples:

  • Slapping, hitting, punching, choking, grabbing, shoving, kicking you or your kids, your pets
  • Threatening you, your kids, friends, family or pets
  • Hitting, kicking, slamming walls, doors, furniture, possessions
  • Forcing you to have sex
  • Calling you names, swearing at you, yelling
  • Controlling all the money, even money you earn
  • Blaming you or your kids for everything
  • Putting you down, making you feel like nothing you do is ever good enough
  • Treating you like a servant or slave
  • Controlling where you go, what you do, what you wear
  • Controlling who you see, who you talk to
  • Humiliating you in front of other people
  • Refusing to let you leave the relationship

It can also look like the below cycle

If you are in danger call 911, a local hotline, or the U.S. National Domestic Violence Hotline at 1-800-799-7233 and TTY 1-800-787-3224.

Horrofest X: Have Yourself a Haunted Halloween

It’s that time of the year again! Time for another Horrorfest, 31 days of horror, mystery, monsters, etc.

So I started Horrorfest back when I first began blogging. I was trying to figure out what I wanted to do with it, the direction I wanted to go in. Since I like to watch scary movies every day in October, I decided to review them, and I had so much I fun I continued every year.

I know some people aren’t interested in it or would think it has nothing to do with my blog’s title, but you know who would love it and be so into horror films?

When I started this, I used a lot of stills from the movies I was reviewing and ended up with a a bunch of photos I couldn’t reuse for future posts. Since then I try to add less, unless I think I can use it for future posts or that it is crucial to the story. Instead I reuse old photos and I try to caption each photo with what film it came from, but at times I forget.

Over the years I have established a set of rules and annual films categories.

Rules are there must be at list one film or TV show episode:

  • From every decade (1930s-2020s)
  • by Alfred Hitchcock
  • Is animated
  • made by Disney
  • by Stephen King
  • by Tim Burton
  • starring Vincent Price
  • And is in some way Jane Austen related

The Jane Austen one is the hardest to do, although two years ago I had several. There was the Non-Austen Films for Austen Fans Alta Mar AKA High Seas,Death By Persuasion” from Midsomer Murders, Rebecca, and Strong Woman Bong Soon; along with the film that led to Sense and Sensibility (1995) being made-Dead Again.

Last year we had several films with Jane Austen Bingos (actors from Jane Austen productions spotted in another film), and I finally reviewed Northanger Abbey (2007), one of my favorite Jane Austen adaptions. I also started a new tradition, #CelebrateHalloweenwithNorthangerAbbey, something I will be continuing this year! So be sure to join me!

Another tradition I added a few years ago is dressing Jane up in costume every year. Last year I did Jane the Vampire Slayer to go with my review of Return of the Vampire (1943).

This year I decided to make Jane a Ghostbusters.

Well, I hope you enjoy this year’s picks-so far we have vampires, zombies, aliens, mysteries, monsters, gothic stories, film noir, and more!

For the original Horrorfest, go to I Don’t Belong in the World: Carnival of Souls (1962)

For Horrorfest II, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

For Horrorfest III, go to Even a Man Pure of Heart: The Wolf Man (1941)

For Horrorfest IV, go to You Cannot Conquer It. It has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For Horrorfest V, go to Who You Gonna Call?: Ghostbusters (1984)

For Horrorfest VI, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For Horrorfest VII, go to It’s the End of the World: The Birds (1963)

For Horrorfest VIII, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For Horrorfest IX, go to Time for You to Awaken, Master. Time for You to Go Out: The Return of the Vampire (1943)

Murder She Hoped: Raising Hope (2013)

I am a big fan of Raising Hope. I love the characters, the storyline, and just find it fun and hilarious. I especially love the ’80s references.

I LOVE the '80s

I LOVE the ’80s

The show is about James Bon Jovi “Jimmy” Chance, who is in his early twenties and a slacker. He left school before graduating, works for his dad, and spends most of his time getting drunk with his friends.

Truth be told I don't

About life.

His mom and dad, Burt and Virginia, had him when they were 15 and have made a lot of mistakes over the years in raising him as they have no clue in what they are doing. All live with Virginia’s grandmother, Maw Maw, in her house. Maw Maw suffers from dementia and they have to care for her as she swings in and out.

Carnival of Souls Don't know real

Everything changes when Jimmy has a one night stand with a woman who turns out to be a serial killer. She is sentenced with the death penalty but before she dies she gives birth to a daughter, this little girl being given to Jimmy to raise.

What?!

What?!

So now they all band together to try and raise this girl, with three of the adults having no clue about children and one who is not in her right mind.

spockstartrekidon'tknowokayiguesmovingongo

Throw in some other great characters: Sabrina, rich girl trying to “make it on her own” as a grocery clerk; Barney, the dorky but heart of gold store manager; Frank, a strange coworker; an evil cousin Delilah; and more.

Supernaturaldean whinchester shrug smile oh well

Will Jimmy be able to raise her right? Or will he make the same mistakes as his parents?

This was the first episode I saw as my friend knew I would love it. This episode is fantastic as it is a homage to Alfred Hitchcock’s Rear Window:

So as this takes place in the last season-I’ll do a quick wrap up. Jimmy had a gigantic crush on Sabrina and after the previous seasons of his being friends with her, them dating, they ended up getting married and moved into Sabrina’s grandma’s house. Since then Burt and Virginia have stayed with Maw Maw taking care of her.

Unfortunately, I can’t rewatch this episode as it is on Hulu and I don’t have that streaming service. So we will be going off my memory.

Hmm…?

In this episode, Burt and Virginia have new back fence neighbors and are super excited as they haven’t had any for years. They call that the “weirdo” house as no one stays very long-they are there for not that long and then gone. The meet them and the guy Gary seems like a lot of fun to Burt as he wants another best friend, and Virginia is happy to have people who she can talk to and borrow sugar from. Virginia also gets her hair done cheap at the local senior citizen home and gets it done in ’50s styles mimicking Grace Kelly’s style as Lisa. They are also doing themed weeks at her work (she cleans houses), and her dress looks just like the one in Rear Window.

So in this episode, they have started taking walks after dinner around their neighborhood. All the people they see are based off the different neighbors in Rear Window. A dancer, pianist, married couple who are sleeping outside on a mattress, etc.

IT’S TRUE!!!!

As Burt is walking, he trips on a root and falls breaking his leg. He’s stuck in a wheelchair-just like Jimmy Stewart’s character.

That night they have the back fence neighbors over for dinner. Gary is all smiles, creepy smiles and Gina is acting really strange. She is worried, keeps flubbing answers saying the wrong thing-Gary correcting her. It’s so weird-something is clearly not right in this marriage.

Hmm…

Gary likes to thumb wrestle and really enjoys facing off with Burt. Burt enjoyed his company but he is done-they go home and Virginia enjoys being with Gina but Burt feels like something is clearly not right there.

Hmm…

The next day Virginia tries to borrow a cup of sugar but Gina tells them they don’t have any. Her husband comes back and starts acting weird giving them packages. He asks if they wouldn’t mind holding them and of course the Chances say no.

That night the hear yelling and something crashing. They are both afraid something happened and call the police. The police won’t come because the Chances have called too many times-birds were attacking them (The Birds), thought a murderer in the house (Psycho), etc. and instead they send a member of their auxiliary force-Barney-their friend and the manager of the grocery store.

He has a tooth ache and mimics Jimmy Stewart’s voice as he talks. He tells them they are overreacting and that Gary and the wife are fine.

Barney leaves and the two decide they were just overreacting.  They continue to collect Gary’s packages but then Burt sees that the wife isn’t there, instead it is another lady. He starts getting curious and looks through he packages finding an axe and jewelry engraved with “Carla”. They begin to believe that Gary killed his wife and is trying to be with this lady-Carla.

They start investigating, using an old toy of Jimmy’s Miss Suzy Snoop. The telescope used for spying mimics the telephoto lens used by Jimmy Stewart’s character, Jeff.

They want to investigate and try to enlist Jimmy and Sabrina, but while Jimmy is into it-Sabrina is done and takes him and Hope home.

The parents keep snooping and it is a really great episode with a twist ending I don’t want to ruin for you.

This is a great episode and even some of the shots are done to mimic Rear Window. It really is a delight to any Hitchcock fan.

TV episode

For more Raising Hope, go to I Only Care That You Succeed: How I Met Your Mullet, Raising Hope (2014)

For more Alfred Hitchcock, go to One Day You’ll See Something You Shouldn’t: Rear Window (1954)