Everyone has those books. They are something you read and felt so connected to it has become a part of your soul.
For more bookish posts, go to Not a Priority
For more book best friends, go to When I’m Reading
Everyone has those books. They are something you read and felt so connected to it has become a part of your soul.
For more bookish posts, go to Not a Priority
For more book best friends, go to When I’m Reading
So often we feel like the world we live in will never reach our expectations, and we will be stuck in lacklusterness.
And in one particular department? Relationships.
Sometimes you reach the point where you feel you will be alone forever. That you will never meet anyone who will be your perfect match.
But don’t despair.
Yep. Just hold on, your person is out there. It may take a while until you meet them, but you will find them. Just wait!
And just to end this on a jazzy note:
For more on being alone, go to Crazy Book Lady
For more Jane Austen quotes, go to Be It Ever So Humble
For more quotes, go to What is in a Name?
Yep, the fictional world can be so much better than the real one. Especially in a certain department:
After reading certain books, watching some shows, viewing my favorite movies; no real man can compare.
I mean its like:
And you know what:
This is probably why I’m going to end up alone.
Oh, well. At least I’ll have my books to keep me company.
For more on the fictional men I’m in love with, go to Old Fandoms and New Fancies
For more bookish posts, go to Sleep is Not Important
For more quotes, go to All That Glitters Is Not Gold
So I already did a post on the opening line of Sense and Sensibility, you should go here if you want to check that out. So Sense and Sensibility is far different from Pride & Prejudice. In Pride & Prejudice we have a basic introduction to the family-5 daughters, and their mother’s need to marry them off.
Sense and Sensibility is a little different.
We get a big family entanglement of who’s who in the family and who’s inheriting. It can be a bit much.
It’s not as bad as Love Actually or He’s Just NOT Into You, but it is pretty knotted. But lucky for you all, that’s what I’m here for. I shall untangle it for you.
So it’s always about the property and land right?
And in this case it’s the same. But the one in question here is Norland Park, belonging to Mr. Dashwood.
Now Mr. Dashwood was a confirmed bachleor, and shared his house with his sister who managed everything for him. Both of them grew older, and Miss Dashwood died. Mr. Dashwood found himself alone and didn’t enjoy it. So he decided to invite his nephew, Mr. Henry Dashwood.
Now Henry is where things become a bit more complicated. Henry has two families.
Now I don’t mean that he was married to two women at the same time, this isn’t Sister Wives. And he wasn’t a conman either. He was a widower who remarried. This might not sound too complicated right now (I mean with how high the divorce rates are today, things are far more complicated,) but it does cause some legal issues I’ll get into later.)
So we have Mr. Dashwood’s first family. This includes his son John, horrible daughter-in-law Fanny,
and awful grandson.
I hate these people. Absolutely HATE THEM.
But more on that later.
And his second family consists of the new Mrs. Dashwood, Elinor, Marianne, and Margaret.
So here we are.
John being older and married was the one that didn’t move into the family homestead. But he and his family visited all the time. The three girls however, joined Old Mr. Dashwood. They take good care of him and greatly amuse him in his old age.
Only one problem.
One thing my drama director always told us:
“Never work with kids or animals. They’ll steal the show.”
It’s true. Kids and animals are too cute, and they don’t even try. They’ll do something that will cause all others to be overlooked.
And here it’s no different.
Yes, the little spoiled brat steals away all the love of his grandfather.
“…this child, who, in occasional visits with his father and mother at Norland, had so far gained the affections of his uncle. by such attractions as are by no means unusual in children of two or three years old, an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters.”
Yep, just another case of those who slaved and cared being pushed aside for something “cuter”.
So the old Mr. Dashwood dies. And leaves things unpleasant. He entails all his money and estate to his grandnephew.
Entailment was something that was done a lot in the 18th-20th centuries. All the money, property, the whole shebang was entailed to the next male heir. So this is good and bad. It means that Henry will have everything, but only for as long as he is alive. When he dies it will be passed on to John, and then to the kid. This means that the female Dashwoods will receive nothing. The old Mr. Dashwood gave them £1000, but that won’t be near enough for them to marry well.
So I’m sure you are wondering about Mr. Henry Dashwood. I mean he doesn’t have to entail his personal money. Or Mrs. Dashwood’s money. Right?
Well you’re half-right. He wouldn’t have to if he had any. Yep, you see Mr. Dashwood has no money.
He had status and married wealthy. His first wife had a fortune!
Unfortunately, she died.
And left all her money to her only child, John.
When he remarries it’s for love and his second wife is poor. They have only £7000. (I’m not sure if that’s a year or what, but it’s not enough for taking care of his family long-term).
And then he hopes to get the inheritance, but winds up with basically nothing.
To rub salt further in the wound, John doesn’t even need the money. You see John not only has all that dough from his mom, but when he married he increased his net worth tenfold.
Yep, he’s rolling in dough.
So the Dashwoods got the shaft.
But then Henry decides maybe it’s not such a bad thing after all. He is not an old man, he’s still has plenty of years left in him and he could start setting money aside to take care of his family. After all it’s not like he is going to die any day.
For more on Sense and Sensibility, go to A Sense of Sense and Sensibility
For more on the Dashwood family, go to Opening With…
For more on how entailment sucks, go to Fantastic Fantasies
For more on Gone With the Wind, go to At the End of the Rainbow
So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:
What’s your favorite scary movie?
So I really loved this movie. I have to say that I was originally disappointed in Wes Craven as Nightmare on Elm Streettotally tanked. This film was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.
So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.
However, it quickly turns serious as the caller threatens Casey that he is going to kill her and her boyfriend, Steve.
But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.
“Phone Voice: Name the killer in Friday the 13th.
Casey: Jason! Jason! Jason!
Phone Voice: I’m sorry. That’s the wrong answer!
Casey: No, it’s not. No it’s not. It was Jason.
Phone Voice: Afraid not. No way.
Casey: Listen, it was Jason! I saw that movie 20 g******* times!
Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.
Casey: [Weeping] You tricked me.
Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”
Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.
And thus the body count begins…
So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss), is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.
The next day, the town Woodsboro is just ravaged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.
Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.
As to be expected she is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters crawling all over town and school, the memories of the past year come flooding back.
One of her other big issues is her boyfriend Billy Loomis.
Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frightening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get ”together”. What a freak!
(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)
The two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands Sidney needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.
To top off the already bad day, Sidney’s father has to go out of town, leaving Sidney all alone in a big house.
Sidney makes plans to meet up with Tatum and stay at her place, but falls asleep at home when Tatum is late picking her up. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.
“Sidney Prescott: Can you see me right now? Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.
Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.
Sidney Prescott: F*** you, you cretin!”
Soon the killer comes in her house and she has to run away from him and try to get the police there before she is victim #3. Billy shows up, climbing through her window saving her; that is until Sidney sees that he has a cellphone and freaks out, having the police cart him away.
So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983). As I lived in that area when I attended college, I’ve been there.
Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him on. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a over year, is back and won’t let up.
“Gale: There she is! Sidney, hi, what happened? Are you alright?
Tatum: She’s not answering any questions alright. Just leave us alone.
Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?
Gale: That’s right.
Sidney Prescott: So how’s the book?
Gale: Oh it’ll be out later this year.
Sidney Prescott: Oh, I’ll look for it.
Gale: I’ll send you a copy.
[Sidney turns around a punches Gale in the face]”
Also at the school we have a little Wes Craven easter egg, as he plays the janitor and dresses in a Freddy Krueger sweater.
The principal (Henry Winkler) decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #3.
The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script where no one was murdered and they decided that they needed another victim.
Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!
At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.
Meanwhile downstairs Tatum goes off to the garage to get more beer and is attacked by the killer. This garage scene is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remember when I was a kid I thought the garage would close on me too; however, they design garage doors specfically to not do that. In fact, they have a certain radius that if someone was to walk within that circle the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.
Back in the living room, Randy is giving a rundown on how to survive a horror film, (* are the rules that are given by the killer).
While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.
Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind. The killer comes out and starts attacking.
One of the best scenes is the scene is when a drunk Randy is watching Halloween and telling Jamie Lee Curtis’ character to turn around while the killer is behind him (Randy). He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him.
So Kenny and Dewey fall victim to his knife.
After Sidney and Billy are done having sex and have changed back into their clothes the killer charges in and stabs Billy (#7), while Sidney manages to run away and finds Tatum’s body.
As she continues running she runs in the path of Gale who was fleeing the killer in her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy (#8) and stands up.
Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.
Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom (the real first victim) to everyone else.
“Sidney Prescott: Why? Why did you kill my mother?
Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?
Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.
Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?
Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”
Yep, and not only that, but the two planned the whole thing out so that her father would take the blame, making it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They kidnapped her father and brought him out of hiding for their final act. Billy and Stu planned that original attack on Sidney (when Billy was arrested) to make any second arrest look false and questionable.
Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.
Sidney and her father have disappeared.
Stu: Oh, s***.
Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?
Stu: I don’t know, Billy, but I’m hurtin’, man!
Yep, just like they say in Dial M for Murder, you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
So here Stu and Billy find themselves completely off script, and unsure…
[the phone rings]
Stu: Should I let the machine get it?
Billy: [answers it] Hello?
Sidney Prescott: Are you alone in the house?
Billy: B****! You b****, where the f*** are you?
Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**!
[Stu is slowly collapsing to the floor]
Billy: Find her, you dips***! Get up!
Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man!
Billy: [Billy gives Stu the phone] Talk to her. Talk to her.
Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them?
Stu: Peer pressure. I’m far too sensitive.
Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother!
Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”
Now the game of cat and mouse has changed with the hunted becoming the hunters.
In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive (only 5 victims).
So that was Scream one of the best horror-parodies ever made.
This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased was the use of caller ID and made such phone harassment much harder to do. Although not for me.
The other thing I realized in this film is that I am soooooo Randy.
I also realized that just like in The Cable Guy, I’m only a few steps away from the crazy.
Well, that’s Scream. Tune in next Saturday for Scream 2.
To start Horrorfest III from the beginning, go to Even a Man Pure of Heart
To go to the previous post, go to In Their Proper Place
For more on Scream, go to When Horror Doesn’t Stay on the Screen
For more on Wes Craven, go to Krueger Town
For more on phone harrasment, go to It’s Coming From Inside the House
For more films influenced by Alfred Hitchcock, go to Everyone’s Entitled to One Good Scare
For more on serial killers, go to Hello? Is There a Killer in My Kitchen?
For more on slasher films, go to Camp Blood
For more films that spanned numerous sequels, go to He Who Walks Behind the Rows