A Book Considered Too Dangerous to Keep: The Magician’s Nephew, Midsomer Murders (2008)

He lists some well-known Medieval texts. Then the page is torn. The next page is missing. He saw a man burned at the stake, along with a book…a book considered too dangerous to keep. 

So this year it has been hard selecting TV episodes. I had quite a few I was going to cover, trying to decided between Grimm and Supernatural, but then I thought I have already choosen an episoide from both those TV shows. It is time to select one from a show I haven’t covered yet. So I settled on Midsomer Murders.

Midsomer Murders is a Britsh TV series based off a book series of the same name. How their Department of Criminal Investigations (DCI) teams works is that they have a county in which they travel all over investigating, similar to the Sheriff’s department. Tom Barnaby (John Nettles) is head of the Midsomer unit and is extremely intelligent and excellent at his job. The series is still ongoing, but I stopped watching after Tom Barnaby retired.

How each episode works is someone is murdered, of course. Tom and his assistant, (in this episode Tom has currently been working with his third assistant, Ben Jones, and who I think is the best of the bunch) and they go around meeting different people and we are told their back stories. Typically more than one person dies, with Barnaby & Jones figuring out who the killer is, connecting every dot, and solving the crime.

So Halloween night is approaching. Everyone is getting ready, including a coven of witches who are currently bringing another woman into the fold.

As part of the ceremony, people around the woman entering hold an knife, arrow, axe, and sword. They also call up demons to their Temple of Thoth.

The next day, the coven leader, Ernest Balliol is watching an interview of Aloysius Wilmington on his new book. Back in the ’70s, Aloysius was a leader of The Temple of Thoth and claimed to have The Book of Thoth. He lead a huge group of witches and warlocks. However, in his new book he claims everything was a lie. He took a bunch of different ancient religions, cut and paste them, and combined it with drugs, sex & rock ‘n roll.

He also goes on to call everyone who has ever followed him to be a gullible and stupid idiot.

Ernest is incensed, telling his wife Estelle he will never be able to get over what Aloysius says,at least not until he is dead.

Meanwhile, someone has taken poison off of poison dart frogs, broken into the community hall and tampered with a magic box. Who would do this and why?

Aloysius’ nephew Simon, has been working in the library on Aloysius’ estate. Everything will eventually go to him, so he is in charge of deciding which books need to be fixed and which need to be rid of. There are all kinds of books from Wilmingtons through the ages, along with strange ones that Aloysius bought in his youth.

What Aloysius doesn’t know, is that Simon is looking for the famed Book of Thoth.

He needs it to pay back a debt to Hugo Cartwright. Simon used to work for Hugo’s antique bookshop, but stole money to feed his drug habit. Now he is clean, but Hugo is blackmailing him to steal books from his uncle for him to sell, telling him the only way to make his tab clear, is if he can find the book.

And he’s not the only one who wants it. Ernest also is after the book desiring it to make him more powerful, so he has his daughter Isolde romance Simon, and convince him to hand it over. She too wants the book, but for a different reason. She wants to use it for her mentally unstable mother, who is convinced that she is possessed by demons. So far, Simon has yet to find it, but the pressure is definitely on.

The next day, Ernest decides to confront Aloysius  about what he said on TV. Aloysius  continues stating that Ernest is an idiot.

And Ernest becomes so angry he charges at Aloysius’ car, breaking the open door.

Meanwhile, it turns out that the girl who was just brought in the coven is Christine, the caretaker of Isolde and her brother Tristan’s mother Rosemary. As I have said before Rosemary is completely mad, believing that she is possessed with demons. She went through the coven ceremony over thirty years ago and it completely took her over the edge, haunting her. Christine only “joined” the coven so she could see what the ceremony was like, and better understand what ails Rosemary.

Christine is in love with Tristan, but he only focuses on his mother and job as a lawyer.

That day is the day for the magic show, the one the Midsomer Magic Circle puts on every year. The members are Aloysius, Hugo, Jean Wildacre, Anton Thorneycraft, and Felicity Brand. They are doing a wonderful job when it is time for the assistant to go into the Cabinet of Death!.

While Aloysius is getting everything set up, Jean tells Hugo she knows what he and Simon are doing. He tells her to watch out, poking her big nose in everything will get her into trouble one day.

Jean goes in, and they close the cabinet. When Aloysius goes to open it up, he finds her dead.

Tom and Ben are on the case.

They investigate and discover that the blades have been tampered with. Instead of retreating back, someone stuffed them with wood so they would stay out, killing Jean. But that wouldn’t have been enough to kill her, so they run a tox screen and discover she was killed from the poison of the poison dart frogs.

They also find the hilt of a knife in the cabinet.

No one knows why someone would murder Jean, everyone seems to love her. When they question about the cabinet, everyone tells them they performed it three times, and nothing went wrong.

Tom goes to Aloysius and ask him abut the knife hilt they found. He tells them it is a ceremonial knife. He gives Barnaby a book, detailing the other objects used: an arrow, sword, and axe.

Meanwhile, Ben has been questioning the rest of the Magic Circle, and discovered that Anton and Felicity did not go to the bar with the others after rehearsal, like they told him they did. When they put a little pressure on them, it turns out that the two love Gilbert and Sullivan, meeting secretly (as Anton’s wife would be very upset) to sing show tunes together.

They aren’t murderers.

The next day, Isolde is doing inventory when she notices certain ceremonial things are missing. Her father tells her not to worry and sends her after Simon, to put some pressure on him to get that book.

Meanwhile, while Aloysius is at church, Hugo decides to head to the Wilmington estate and threaten Simon. Simon wants to stop everything, but Hugo tells him that not only will he reveal everything to Aloysius, but also tell the police that he had motive to kill Jean.

Hugo storms out and doesn’t realize he is being watched by Isolde. That night he receives three ceremonial arrows. He’s next!

The next day, Tom and Ben head over to the magic shop. Ernest doesn’t want to give them any records, stating he is a priest and they should be confidential. He calls Tristian who tells him he has to comply, giving the records needed and showing them to be little help. The only orders for the knife have been online, and no place near Midsomer, a dead end.

Simon has urgently been searching when he’s found a manuscript. It isn’t the book, but may lead to it.

Simon Wilmington: The writer was a monk, working for the Inquisition in the 16th century. Hw was in charge of books that the Catholic Church had prohibited. 

Isolde Balliol: Books about magic?

Simon Wilmington: He lists some Medieval texts. Then the page is torn. The next page is missing. He saw a man burned at the stake, along with a book, before he wrote this. A book considered too dangerous to keep. 

Later Isolde goes to see Hugo, and warns him to stay far away from the book.

Tom has been reading book Aloysius gave him, and sees that Aloysius spent time in South America, living with the Native Americans and learning their ways of capturing the poison dart frogs. Could he be the murderer?

That night Hugo is walking home after drinking in the pub. He trips in the alley, falling on glass and bleeding.

#2

They find Hugo’s body, same poison as Jean.

Meanwhile, Simon finds a book in which the pages feel strange. When he opens up the page, he finds three pages hidden inside. They are pieces of the New Testament William Tyndale printed.

What a find! Aloysius is pleased, but Isolde most certainly won’t be.

That night, Aloysius is thinking about everything that has happened, with the murders and ceremonial items left behind. He figures out that it is involving the ritual that he made up, the initiation one.

Aloysius Wilmington: It was one of those daft Temple of Thoth ceremonies that I’d invented. Part of the initiation ritual. North is the knife, South is the arrow, West is the axe, and East was the sword.

It turns out that they were all there the night Mrs. Balliol was initiated. Jean had the knife and Hugo the arrow. He has more, so Tom plans to go over to his place the next day. Too bad the killer has something else in mind.

Yes, that night Aloysius  hears a noise outside. Thinking it is Simon, he goes out, spots an axe on the ground and is murdered.

#3

Tom and Ben go there and find his notes, trying to piece it together.

Jean was north and had the knife during the ritual, that is why there was a knife found at the scene. Hugo was south which was the arrow, West was the axe and where Aloysius was. E must me Mrs. Balloil, but why was she out of the circle? And who is “R”?

They question Simon and he reveals the book stealing. He tells them he never killed anyone and about the new book he found.

Anton goes to Tom and reveals that he saw someone the night Hugo was murdered. He saw Isolde there. Did she kill him? She did threaten him.

They try to find her, but she is not home. They hurry to see Simon.

Isolde has confronted Simon. She is yelling at him for keeping the book from her. She slept with someone she doesn’t even like for nothing. Simon yells at her that the book doesn’t exist. He shows her the Tyndale manuscript and she becomes enraged that all her work and killing Hugo was over a BIBLE! She throws it in the fire. Simon tries to get it, but Isolde grabs the fireplace poker and starts beating him, she is arrested by Ben and Tom just in time.

Back at Tristian’s. His mother is being taken away, to be locked up once more. He is very upset, nothing Christine can say or do will make him feel better.

Tom and Ben have started to question Isolde.

She claims to have used magic to kill Hugo, but did nothing to the others. Ben goes to the house to check her room, making her father Ernest angry as he goes for Tristan’s help. There Ben finds nothing, but a picture of her and a poison dart frog. He brings it back and they find out that on her trip to South America, Tristan accompanied her. She also reveals that Estelle is her step-mother and she was after the book to heal her mother, Rosemary.

So that means Rosemary is “R”, then who is E? Isolde tells them her father Ernest. And if Isolde isn’t killing them, that leaves only one other to avenge their mother…Tristan. And where did Ernest go, the last one needed to be killed? To see Tristan.

They rush over to try and save him.

Ernest has gone to see Tristan who has knocked him out with a shovel. He tied him up and placed him in the backyard, cutting shallow cuts for the frogs to stick their poison in. Before he can do it, in comes Ben and Tom, Ben knocking him down; and accidentally into the frog’s glass cages. Tristian is killed by the very thing he has been using for justice.

The next night is Halloween, and Ernest has seen how Thoth has torn apart his family, turning his back on the coven and leaving.

Tom and Joyce are throwing the party, Tom trying to have a happy Halloween amid all this craziness.

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to There’ll Be Somebody With My Name…But She Won’t Be Me!: The Stepford Wives (1975)

For more on Midsomer Murders, go to Please Excuse My Dear Fan Lady

For more on witches, go to What Have You Done to Him?: Rosemary’s Baby (1968)

For more mysteries, go to There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

For more books turned into TV series, go to A Haunting We Will Go: The Hardy Boy and Nancy Drew Mysteries (1977)

Because I Am Mad, I Hate You. Because I Am Mad, I Have Betrayed You: Gaslight (1944)

…Because I am mad, I hate you. Because I am mad, I have betrayed you. And because I’m mad, I’m rejoicing in my heart, without a shred of pity, without a shred of regret, watching you go with glory in my heart!

So last year I reviewed the Alfred Hitchcock film Under Capricorn. In the post, I mentioned how it wasn’t widely received or enjoyed by critics and audiences, one of the reasons being its similarity to this Gaslight (1944), and because it starred two of the same actors; Ingrid Bergman and Joseph Cotten. I personally like Under Capricorn better, but let’s take a look at this film.

So the movie is based on a play, and a remake of the film that came out four years prior to this one. It won an Oscar for best set design, best actress, and critical praise for all actors.
This is a historical fiction film, taking place at the turn of the 20th century. The name of the film comes from the gaslights used in houses; back then lights in London houses had gas flames, and when you lit one light, it reduced the gas supply to the other lights in the house causing them to dim.

Renowned opera singer, Alice Alquist, is strangled to death in her London home, No. 9 Thornton Square. The thief is searching for her famed emeralds, but is interrupted and flees. Paula Alquist (Ingrid Bergman), Alice’s niece,  has been living with her aunt ever since her parents died. She finds the body and becomes completely traumatized.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Paula moves to Italy, where she studies music, following in the footsteps of her aunt.

Ten years later, Paula confesses to her voice teacher, Maestro Guardi, that she has finally been able to move past the traumatic event and has fallen in love.

Maestro doesn’t want to lose his most talented student, but he also wants Paula to be happy, and encourages her to follow her heart.

She does and accepts the proposal of the handsome Gregory Anton (Charles Boyer), a pianist she has only known two weeks.

During their honeymoon, Gregory tells Paula he has always dreamed of living in a fashionable London square. Anxious to please her hubby, she suggests that they move into her aunt’s old house that she inherited.

Something bad is going to go down. I can just feel it.

When they move in Paula begins to have nightmares about what she saw before.

Gregory tells her that it will help if they remove everything that belonged to her aunt up into the attic, sealing it up. But then strange things start happening.

The gaslight flames keep going down, although no other lights nearby are being used. Why are they dimming!!

Never a good sign.

And what is making that strange noise in the sealed attic. Gregory doesn’t hear anything at all, doesn’t notice any lights, and Paula begins thinking she might be going crazy!

One day Paula discovers a note to her aunt dated two days before her murder, from a Sergius Bauer. He begged to see Paula’s aunt, very intensely. She shows it to Gregory who becomes upset over the whole thing and quickly silences Paula.

It is clear there is more to this man than his charming, suave, and handsome personality.

Meanwhile, Paula continues to hear things even though Gregory and the servants say that they hear nothing. Paula starts questioning herself, and becomes more insecure every day.

To make matters worse, Gregory has hired a saucy, young, maid Nancy. She is played by Angela Lansbury in her first film role. This maid is rude and cruel to Paula, making her feel worse and even crazier. Nancy is also making a ploy for Gregory.

Nancy Oliver: Gonna work on your tunes again tonight, sir? You’re always working, aren’t you?

Gregory Anton: Yes. What are you doing with your evening out?

Nancy Oliver: Oh, I’m going to a music hall… [starts to sing ‘Up in a balloon’]

Gregory Anton: I’ve never been to an English music hall.

Nancy Oliver: Oh, you don’t know what you’ve missed, sir…

Gregory Anton: And whom are you going to the music hall with?

Nancy Oliver: A gentleman friend, sir.

Gregory Anton: Oh, now you know, Nancy, don’t you, that gentlemen friends are sometimes inclined to take liberties with young ladies.

Nancy Oliver: Oh no, sir, not with me. I can take care of myself – when I want to.

Gregory Anton: You know, Nancy, it strikes me that you’re not at all the kind of girl that your mistress should have for a housemaid.

Nancy Oliver: [flirtatiously] No, sir? She’s not the only one in the house – is she?

Paula’s life is quickly becoming worse and worse.

Three months later, Paula and Gregory are going to go to a Tower of London tour. Gregory gives her a brooch that once belonged to his grandmother. He warns her to be careful, as the clasp is broken, and not to lose it. Paula puts it in her purse, but while they are at the tour she starts to worry that she lost it. When she checks the purse, it is gone!

While looking at the crown jewels exhibit, she is approached by a Brian Cameron. In the original play and film, this character was stout and elderly. However, that didn’t suit Hollywood, so instead they made him the young and very attractive Joseph Cotten.

Brian greets her very warmly as he recognizes her, being a huge fan of her aunt. Gregory doesn’t like Brian and questions Paula about him, but she insists that she has never met him before.

That night Paula confesses about losing the brooch, and Gregory yells at her “forgetfulness” that is running rampant. It seems that Paula is always forgetting things and hearing things that aren’t there.

That night Paula sees the gaslights dimming again, and also hears noises that sound like footprints.

Why is this happening to her? Why is she going losing her mind??!!

Two months later, Brian comes around Thornton Square. He is curious about Paula as he has never seen her at any parties or events, even though they run in the same social circles.

He goes to question Paula’s neighbor, when he notices Paula about to leave the house. Before she can go out, she is bullied by Nancy to stay in. It is clear who thinks they are the “real” mistress of the house.

It turns out that Brian is more than a music lover, he works for Scotland Yard.

He goes to the office and starts looking into the case file on Alice Alquist’s murder. Alice was given some amazing jewels from a secret admirer, all which are missing now. Did the thief manage to get them all? Or did Alice hide them very well?

Brian is convinced that Paula is in danger, and assigns a detective to watch over her house.

Meanwhile, Paula is convinced that the maid is trying to get rid of her. She tries to talk about this with Gregory, but he thinks she is just paranoid.

Brian poses as the neighbor’s nephew I order to explain him being around her neighborhood so often. He tries to see Paula, but Gregory refuses. Paula is shocked at his behavior, why is he being so rude?

Her mood quickly changes when Gregory tells her that he is taking her to the theater. However, before they leave Gregory accuses Paula of taking a painting down when Paula has no memory of doing any such thing.

Gregory finds the painting on the stairs, and tells her that this is the third time she has done it. She is getting worse.

Noooooooooo!!!!!!!

Paula shares about the noises she has been hearing and Gregory tells her she is too unwell to go out. Now Paula is stuck at home and scared that she might get sent away to a mental institution.

Gregory decided to leave for his music studio, while Paula is home alone and again hears the strange noises.

Why is this happening?!!

Brian is invited to a piano concert at Lord and Lady Dalroy hoping to run into Paula as he knows they were also invited. But Gregory refused, as he believes Paula is too sick. Paula is furious and tells him she wants to go and will go without him. Gregory doesn’t “trust” her on her own and decides to accompany her.

When they get to the concert, Gregory tells Paula that his watch is missing. Paula ends up finding it in her purse, even though she knows she never put it in there, and this causes a huge scene with Gregory deciding to take her home.

When they reach the house, Paula says that all her problems began when she found that letter to her Aunt from Sergius Bauer. Gregory tells her he has no idea what she is talking about as no such letter exists.

Is she crazy? Or is there someone trying to make her think she is crazy?

Gregory yells at Paula, telling her she is going as crazy as her mother. He informs her that as she is going insane, he has already arranged for two doctors to examine and treat her.

Noooooooooo!!!!!!!

Gregory leaves, and when he does Brian and another officer follow him, but lose him in the London fog.

Inside the townhouse, Paula hears the footsteps again and asks the cook if she hears anything. The cook says no, and this just reenforces to Paula that she is insane!

Back on the streets, Brian has been watching  the house and figured out that when Gregory leaves, he doesn’t go to his music studio but into the deserted No. 5 townhouse and crosses the roof into the attic of No. 9.

The next night, Brian waits until Gregory has left the house, and then goes in to see Paula, trying to convince her she is sane.

Upstairs, Gregory is in the attic tearing everything apart as he is searching for something.

Downstairs, Brian forces Gregory’s desk opens and finds that Gregory’s gun is missing. Paula also finds the note that Gregory told her “didn’t exist.”

They compare the letter to Gregory’s writing, and Brian figures out that Gregory is Sergius Bauer, the man he suspected killed Paula’s aunt. Bauer/Gregory was searching for the jewels and couldn’t find them, having to leave that night, and resurfacing to marry Paula in order to gain access to the jewels.

Upstairs, Gregory has finally found the jewels in an opera costume. When the gaslights pick up, Brian knows it is time to get out of there. He takes off and then goes up through No. 5 to the attic.

Gregory comes downstairs and finds his desk broken. He yells at Paula, but is interrupted by Brian who has come through the attic with the destroyed costume.

Gregory Anton: I knew from the first moment I saw you that you were dangerous to me.

Brian Cameron: I knew from the first moment I saw you that you were dangerous to her.

Gregory rushes upstairs and the two fight. A gunshot rings out!

Paula runs upstairs to see what happened. There she finds Gregory tied up in a chair.

And we have what I think is the best scene in the movie.

Brian comes to take him away.

Gregory Anton: I don’t ask you to understand me. Between us all the time were those jewels, like a fire – a fire in my brain that separated us – those jewels which I wanted all my life. I don’t know why… Goodbye, Paula.

Brian consoles Paula, telling her he will always be around if she needs him.

He definitely went beyond his duty.

This film isn’t bad and Ingrid Bergman worked hard on her character; actually going to a mental hospital and studying people suffering from different issues. However, I feel her delivery in Under Capricorn was much stronger than this one.

Otherwise, it is not a bad film and a pretty good thriller. And  in  case  you  were  wondering, the psychological term ”gaslight/gaslighting” does come from this story. 

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to A Man Without a Face: The Bat (1959)

For more Ingrid Bergman, go to The Past of a Man: Under Capricorn (1949)

For more on Joseph Cotten, go to You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

For more on Angela Lansbury, go to If Only It Was the Picture Who Was To Grow Old, and I Remain Young: The Picture of Dorian Gray (1945)

For more on husbands that are more than what they seem, go to She Cries in the Night: The Screaming Skull (1958)

For more historical fiction films, go to That Place…There’s Queer Things Goes On There: Jamaica Inn (1939)

For more remakes, go to There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

For more films based on plays, go to I Do Think You Are Confused, Mrs. Bowman: Dangerous Crossing (1953)

The Past of a Man: Under Capricorn (1949)

“The past of a man it is something.”

Now this is an Alfred Hitchcock film that is not as well known or talked about, for various reasons. A lot of people think the story is too melodramatic, and others don’t like it because certain elements resemble Rebecca and Gaslight. However, the reason why most people at the time hated it was it came out right after the news of Ingrid Bergman’s affair with Roberto Rossellini, the impeding divorce of her husband Dr. Petter Aron Lindström, and the birth of her twins by Rossellini. (To read more on that go here.) I on the other hand really liked this movie as I love:

1. Alfred Hitchcock
2. Ingrid Bergman
3. Joseph Cotten

Really now, how can you ever think this was horrible?

The title “Under Capricorn” references the Tropic of Capricorn, which bisects Australia. As you can tell now that I’ve explained the title, the film is set in Sydney, Australia during the 19th century.

So before we get into the film, we need to touch on the background history. In the 18th-19th century, England tried to discover a better way to deal with the mass amount of criminal activity and overcrowding jail cells. One thing that England did was hanging. However, people began to get upset about that. Some of the crimes were not really all that bad, but yet people were being given the death penalty. In order to have a harsh punishment, less-crowded jails, and less death-transportation became the way to go. Originally convicts were sent America, but with our revolution in 1776, that option was no longer possible. In the 1780s they started sending people to New South Wales, but with the Napoleonic wars, more labor was needed and they stopped the transportation.

After the war, problems arose again and they turned their attention to Australia. Between 1788-1868, they estimate about 165,000 people were sent Australia from a sentence that was usually 3 years to life (average was 7-14 years). Most people who were sent over were guilty of poaching, arson, robbery, and murder.

They were usually sent to extremely remote areas to prevent escape and discourage any attempt at returning. While it was allowed for people to return after they served their sentence, most people wouldn’t. More often than not they would create a better life in Australia. Typically, criminals would change their names, get land, farm, and create a brand new life for themselves.

This ended in the 1860s, although it had started to drop off by the 1830s. Most of the areas that were for “convicts”, began to become real towns and attracted better emigrants. (Most of this info came from the Victorian Crime and Punishment website, if you would like to check it out)

Now back to the story.

So it is 1831 in Sydney, Australia. Sydney is still a frontier with most of the population being ex-convicts. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare (Michael Wilding).

It’s one of those guys!

So Charles is hoping that he will make a fortune out here in Australia. While there he meets the gruff Samson Flusky. Samson is a convict that had been transported from Ireland out to Australia to serve his time, for murder.

But now he is a successful buisnessman. He owns a lot of land and makes a lot of dough. He is highly respected in the community.

Anyways, so Samson has now reached the legal limit of land he can purchase and needs to look to new ways in order to expand his business. He wants Charles to purchase the land and sell it to Samson, guaranteeing a good profit.

Charles is intrigued by the prospect and agree to the invitation of dining at Samson’s house. While there, he has a pleasant surprise. He knows Samson’s wife, Lady Henrietta (Ingrid Bergman).

She was friends with Charles’ sister but now has encountered a lot of problems. She is an alcoholic and shunned by society as she is seen to be crazy.

Sam decides to invite Charles to visit as much as he wants, hoping it will help bring his wife out of her current depression.

Now Charles has always had a crush on Henrietta and is confused at her crazed behavior and decline. He asks his uncle about what happened to her. Lady Henrietta was the daughter of one of the fine Irish gentry. To the surprise of everyone, she ran off with one of the handsome stable boys, Samson, to elope in England. Lady Henrietta’s brother went after them and was killed by Samson. Instead of the noose, Samson decided to go to Australia.

Lady Henrietta followed him to Australia and waited seven years for the term to end. After Samson served his years, he was different. He wanted to be rich and to buy everything, but that was never enough. Henrietta was extremely unhappy and began drinking.

Now unbeknownst to all, Samson’s housekeeper Milly has a crush on him.

She has been running the house and secretly feeding Lady Henrietta alcohol. She is hoping that Henrietta will kill herself, leaving Samson all to Milly.

Charles decides to help try and restore Henrietta’s confidence. At Sam’s urging, he moves into their home. But that’s not all he’s interested in. He has always found Henrietta to be attractive, and now she is vulnerable and needy. He begins to pursue her.

Charles’ work has been going great. In fact, Henrietta gains enough courage to try and take the power back from Milly and put her in her proper place as housekeeper, not wife. Milly turns things around and Henrietta runs up to her room and locks herself in. Charles goes in to talk to her and Milly sees them. She tries to use it to her advantage, telling Sam all kinds of lies about their behavior. This angers Sam, who kicks her right out of the house. (Sam you rock! I always had a soft spot for Sam. I don’t know if it was because he was played by Joseph Cotten or because he just seems like a great guy who has been mistreated.)

Henrietta is doing much better, and improving more and more each day. In fact she is doing so well, that when she receives an invitation to the Governor’s Ball, she is eager to go. They all get ready, but Sam decides to not go after all. He had purchased a ruby necklace for her, but after overhearing how Henrietta and Charles don’t consider ruby to be the right accessory, he decides not to give it to her. You see Sam has enjoyed having Charles there as he has helped his wife, but at the same time it has been upsetting. With the two together, it makes him realize just how different he and Henrietta are. He thought it could be different in Australia, but sees that moving to a new place hasn’t really changed societal rules.  Sam thinks the rest of the ball will be the same, and that he’ll be too out of his element or that he’ll embarrass himself. He decides to stay home.

Sad and lonely

At the ball, Henrietta stuns everyone as they all adore her. And more importantly, Henrietta has a great time.

Back at the house, Milly has returned.

Milly asks for forgiveness and her job back but also starts talking smack about Henrietta. She tells Samson exaggerated stories of what has been going on between Henrietta and Charles. The two had shared only one kiss, and everything had been instigated by Charles. Milly, on the other hand, insists that Henrietta is the one that has been carrying on and that it has gone much, much further. To further push the issue and him, she tells him that Henrietta is of a different class than her and Samson, and those people do things non-aristocrats could never get away with.

I mean seriously this girl is a major jerk.

You just need to understand that he loves his wife and back the heck away from him. You- you-

At first Samson shrugs it off. Charles is younger than Henrietta and more concerned about clothing than anything else. But that evil woman Milly keeps pushing him, and when she mentions the differation in classes, that’s where he snaps.

Sam goes to the ball, makes a scene, and humiliates Henrietta in front of everyone

She returns home, weeping and half-crazed.

Sad and lonely

Charles runs after her and tries to help her. He tells her to leave Sam, but Henrietta can’t. She tells Charles that she deeply loves her husband and is bound to him. You see, Sam didn’t shoot her brother, she did.

Yep, that’s right. Sam has never killed anyone. Henrietta fell in love with Sam as he was kind and handsome. Can you blame her? He’s one attractive man.

The two wanted to marry, but it was impossible as Samson was a much lower class than Henrietta. So the ran off to England, but her brother followed them. Her brother tried to kill Samson, but missed and the two struggled. Henrietta took the gun and shot her brother so he wouldn’t kill Samson. Samson took the blame as he didn’t want her to suffer in  jail.

Unfortunately, that didm’t actually help. Henrietta couldn’t stay at home, and couldn’t leave Samson by himself so she followed him to Australia. Not only has she been dealing with the guilt of killing her brother, but the guilt of allowing Samson to rot in prison for her deeds. To further this, when Samson came out of prison he was a changed person. This lead to even greater guilt and drove Henrietta to the bottle. No wonder she’s been going crazy.

Now even though Henrietta admits this to him, Charles doesn’t really believe her. He thinks it is just her way of trying to protect the man she loves.

When Samson sees Charles in his house with Henrietta, he becomes incensed  for the betrayal and kicks Charles out.

Charles steals Sam’s horse and takes off. While riding, the horse breaks its leg, causing Charles to have s a really bad fall. He reluctantly returns to the house and relays the news. Samson goes for his gun to “shoot the horse”, but Charles believes he is going to kill him, as he has “killed” before. The two struggle over the gun and during the conflict, Charles is shot.

With Samson’s past, he is immediately thrown into prison, to either rot for good or be hanged. Henrietta tries to save him and tells the Attorney General the truth. That Samson has never killed anyone, she did it. This presents a serious problem for Samson. The only way he can get out of his predicament is if he corroborates Henrietta’s story, but then she will be sent back to Ireland to stand trial and imprisonment. If he says his wife is lying, then he will be killed. The Governor is really pushing a conviction as he wants someone to be punished for trying to harm his nephew. The AG gives Samson twenty-four hours to decide.

A no win situation

Back at the house the evil Milly sees the perfect oppurtunity to get Sam. She tries to poison Henrietta and plants a shrunken head on her bed to further scare her. Fortunately, she is discovered and ousted.

Good-bye

Meanwhile Charles has recovered from his wound and vouches for Samson, telling everyone that it was an accident.

Charles is put on a ship back to Ireland, and Samson and Henrietta are now happy. Henrietta has been freed from the poisonous Milly and finally from the guilt of what she did to her brother and Samson. Samson is better as he finally knows that Henrietta truly loves him and that he didn’t destroy her life.

All in all, this film really teaches you one thing:

Yep, sometimes you just need to move on.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For to the previous post, go to Werewolves Roam Among Us.

For more on Alfred Hitchcock, go to Horrorfest III: The Revenge

For more on Joseph Cotten, go to You Think You Know Something, Don’t You?

For more on Ingrid Bergman, go to I’ll Always Be There When You Need Me

For more on the Victorian Period, go to Redone Done Right

Keep Clear Of the Moor. Beware the Moon: An American Werewolf in London (1981)

Keep clear of the moor. Beware the moon, lads.

This movie has been referenced in so many books and films that I had been dying to watch it. I wanted to see why everyone loved. So this past Friday the 13th, I decided to watch it and The Wolf Man (1941) as it was a full moon. But when I saw it, I found it was HORRIBLE!!!! One of the worst films ever!! On par with Attack of the Killer Tomatoes and The Beast of Yucca Flats. 

The main character, David, is so bland and hardly developed that I don’t even care if he becomes a werewolf or not. He also acts crazy all the freakin’ time. In The Wolf Man (1941), Larry thinks he’s crazy, realizes that he’s not, and then tries to stop turning into a werewolf and hurting others. David on the other hand seems to revel in the crazy, and doesn’t seem sad at all that his friend is dead as he is enjoying Nurse Price, etc. While The Wolf Man  is sad and tragic, this was just boring and…more boring.

It took over an hour to see David turn! Over an hour! This movie is an hour and a half and I don’t want to have to sit through an hour of crazy David and naked David and have no werewolf!

This is like Godzilla (2014)!!!! If I’m watching a monster movie, I want to see that monster mentioned in the title! The Wolf Man (1941), has a wolf right away, as Bela is a werewolf, and then we see Larry turn at the half hour mark. That’s how its done people!!

They really should have changed the title of the film to David Naughton, My Naked Body, as that is really what this film is about. We see more nudity and sex than we do a werewolf, which is super disappointing.

I mean seriously, what were you thinking?

I felt like Dracula in Scooby-Doo and the Reluctant Werewolf.

I started a M&M eating game. For every time David was naked I would eat an M&M. My stomach started hurting barely in.

 I have to admit I am getting ahead of myself. Lets go back to the beginning and go through some of the issues.

So for those of you who haven’t seen the film, Jack and David are Americans backpacking through Europe after they have just graduated from college. They are lost in the moors and come upon a pub called the Slaughtered Lamb.

I think the name is a message to steer away.

[Side Note: the pub is based on a real one that was destroyed years ago. After the film, they opened one up in New York.]

So as the two are walking towards the pub, David tells Jack knock-knock jokes. And I kid you not, he doesn’t get them.

Like who doesn’t understand knock-knock jokes? I mean three-year old children understand that concept. How did Jack even graduate? And more importantly, why did they even include that in the film?

And why would you ever enter a place called the Slaughtered Lamb? It just doesn’t sound like there will be anything good there. I’m with Jack on that one, you should’ve passed on it David.

Bad things happen when you don’t listen

So they go into the Slaughtered Lamb, Jack sees a pentagram and candles on the wall and he begins telling David all kinds of trivia from The Wolf Man (1941).

The two end up getting kicked out of the pub and start wandering the moor, when a werewolf attacks.

It attacks Jack and David takes off running.

Yep he takes off. You horrible man, you let your friend die! How could you??!! He was trying to help you and when the wolf attacks him you just RUN OFF???!!!

See Hook agrees with me.

So David ends up in the hospital with a “wolf” bite while Jack ends up in the morgue.

Your fault!

And that’s when Nurse Price enters the picture.

Ugh. Hate her.

Nurse Price is crazy and a skank. Now I don’t like to call women that, but she plays with David’s junk to get him to eat! I’m serious!!!

She must have a thing for sick/crazy guys.

Plus she is just annoying in how she acts. Nurse Price calls Mark Twain Samuel Clemens when she is reading A Connecticut Yankee in King Arthur’s Court I know that is his real name, but who actually goes around using it? NOBODY! Everyone calls him Mark Twain. And I know the director is trying to draw parallels between the stories, but no movie, no.

The only similarity between the two is an American in Britain. NOTHING ELSE!

David doesn’t have the most fun in the hospital. He sees dead Jack and actually talk to him (weird scene). Jack tells David he is going to be a werewolf and he believes it. David is eventually allowed to check out as his bite is not serious. Nurse Price invites David back to her place and tells him she wants to be with him. She says “I don’t really bring strange men home…I’ve only been with seven men, of which three were one-night stands”

Sounds like you do bring strange men home since that is about half the men you’ve slept with, and David will make that four out of eight.

All I can think is how many were people presumed to be crazy (as at this point she thinks David is just imbalanced as he says he is a werewolf)? I mean she’s like Sam Winchester over here. (She actually is as he slept with a werewolf. And a demon. Dated another demon, and was involved with some other monsters.)

So as Nurse Price and David head back to her flat (apartment) they comment on how high the price of all food is. I’m like,

You paid like £5 for a bag of groceries. I wish food was that cheap.

Why? Why!

Anyways so we have a second visit from Jack and to be honest, this film is more about the Leprechaun (1993)/Rumpelstiltskin from Once Upon a Time Zombie Ghost Jack, than it is about a werewolf.

The next day after Jack and Nurse Price had sex, she leaves for work and twin girls with a dog come upon Jack. The girls’ dog barks at him and they both laugh like crazy and walk off.

What? I know they are trying to reference The Wolf Man (1941) how the dog can sense he is a wolf (Gwen’s fiance Frank, his dog does this). But what was up with the twin girls? Did they think after The Shinning (1980) that the only way to do a creepy film was to have weird twin girls?

And are they honestly going to included every song that uses the word moon? We’ve already had Blue Moon and Bad Moon Rising, I am now half-expecting Moon River to be played next.

And we get the cliche #56,  “person pretends in the mirror to be the monster they later turn into”.

Ugh

So we switch to the hospital and get a second round of this bratty little boy who says no all the time (he was in the first hospital scene). He’s even more annoying the second time around that I am actually hoping he does get eaten.

Die, die, die!

The transformation scene was okay.

So the next day David wakes up in the zoo naked with the wolves. Now that doesn’t make much sense to me, if you are a wild werewolf, why would you go put yourself in a cage? You’re free! It would make way more sense if he woke up in the park instead.

So David tries to get arrested, “to protect others”, and that was kind of funny because the bobby (cop) won’t consider it until he starts insulting the Queen, Winston Churchill, and Shakespeare. But he is so rude to nurse Price. Telling her to shut up and leave him alone:

He then tells Nurse Price he loves her, and she’s like woah Ted Moseby, slow down. I Love You? Really after one night? Woah, you don’t even know her. Besides she’s crazy. You don’t want to date crazy.

David then runs off to call his family and tell them he cares about them before he kills himself, but can only reach his 10-year old sister as everyone else is out. All I can think is, 1) David was attacked by a werewolf  or “wolf” as the doctors are calling it and 2) his best friend has been killed! How are his parents not in London right now trying to see if he’s okay? Their son could have been killed!!

See Hook agrees with me.

So David tries to kill himself but can’t go through with it. Now all I can think is, haven’t you seen The Wolf Man (1941), I mean I assume you did as you were telling the nurse about it. Well don’t you remember, a werewolf can only be killed by silver? Slitting your wrists doesn’t work.

So stupid

So after that David sees Jack outside a porno film movie house and goes in after him. All I can think is, you’re worried about killing people and you go see a porno? Really?

And don’t give me, that’s where zombie Jack was at and he needed to speak to him. Before that we saw that Jack came to David wherever he went (hospital, Nurse Price’s flat, etc); he could find himself a quiet place and Jack would totally follow him there.

Plus what us up with the film they are watching? A guy and girl are getting it on and a second guy comes marching in the room yelling “You promised you wouldn’t do this again!” The first guy says “No, I didn’t.” The second guy answers, “I’m talking to her.” The women replies, “I don’t know you.” The second guy gets really embarrassed, says “Oh”, and leaves.

What the heck was the point of that? And immediately after, Jack says “great movie”. I know you are super horny Jack, but no, no, no, no ,no, no, no, no. That is horrible, horrible, horrible.

After this I couldn’t stomach anymore. It wasn’t scary. There was barely an werewolf. It was pretty much a huge mess. I’ll take The Wolf Man (1941) any day.

No no no no no

And here I will leave with more werewolf than we see in the film.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to You Will Die in Seven Days

For more on An American Werewolf in London, go to Pink Elephants

For more on werewolves, go to Unleash the Savage Instincts That Lie Within

For more on Scooby-Doo and the Reluctant Werewolf, go to A Monster Race

For more modern remakes, go to Let Them Fight

For more on monsters, go to What Is This Thing?

For more on Supernatural, go to Happily Ever Aftermath

For more on How I Met Your Mother, go to I’ll Be Back

I’ll Be Back: The Terminator (1984)

I’ll be back!

So The Terminator is one of the best Horror-ScFi films ever! It is also one of the best Sci-fi films ever! It is one of the best ’80s films ever! It is one of the best Arnold Schwarzenegger films ever! It is one of my all-time favorote films!

I think it is incredibly awesome! Did you know the initial draft for the movie was sold to James Cameron’s wife, Gale Anne Hurd for the price of $1 only.

So the film starts off in May 12, 1984 (We just celebrated it’s 30th anniversary. That’s why I had to review it) with two beings from the year 2029  (we have 15 years left! I’m going to be alive then, woah!!!) Anyways, one is the Terminator T-800 Model 101, the cyborg assassin who is there to hunt down Sarah Connor and take her out before she can get pregnant and give birth to the father of the future resistance and the only threat to computer control. I just love this opening scene as you see how BA and hardcore the Terminator is.

Arnold Schwarzenegger originally wanted to play Kyle Reese. But James Cameron had a different idea and saw Schwarzenegger in the title role of The Terminator. After all as Cameron told Schwarzenegger, “This movie is not about the hero. It’s about The Terminator”. Just like Barney said:

The second person is Kyle Reese, sent by Sarah’s son to protect her. I love this actor as I just think he is so cute! And its funny, because everything I see him in I always think of him as Kyle Reese.

Anyways, so as Reese is tracking him down, the Terminator is looking for Sarah. He starts going through the telephone book and just mowing down every Sarah he runs into.

Arnold Schwarzenegger worked with guns everyday for a month to prepare for the role; the first two weeks of filming he practiced weapons stripping and reassembly blindfolded until the motions were automatic, like a machine. He spent hours at the shooting range, practicing with different weapons without blinking or looking at them when reloading or cocking; he also had to be ambidextrous. He practiced different moves up to 50 times.

Meanwhile, Sarah is unknowingly is going on with her normal life. She makes plans to go out to the club, while her friend is going to hang out at home with her boyfriend. When Sarah’s out she sees a news report on the TV about Sarah Conner’s being murdered and calls her friend at home to warn her. Unfortunately, she’s just missed her. She has already been terminated.

I know, i know

The Terminator hears her message and tracks her down there. Before he can kill her, Reese makes it in time and knocks the Terminator down.

Back off bot!

Of course he hasn’t actually killed him, as that is extremely hard to do, but he has managed to buy him and Sarah enough time to take off.

As the two are driving off, Kyle tells Sarah about the future. In the year 2015 (NEXT YEAR!!!), Skynet, a computer defense system, will become self aware and begin a nuclear war against the humans. Sarah’s unborn son, John, is the one who will lead the rebellion against the machines and is the only chance for humankind. With the resistance on the verge of victory, Skynet sent a terminator back. A Terminator is a being with a metal endoskeleton covered  by a layer of living tissue, so that he looks more humanlike and harder to determine as cyborg.

Sarah is so freaked out that she doesn’t know how to make heads or tails of the whole issue. She doesn’t have very much time, as the Terminator has caught up with them and is chasing them down in a truck. Their two cars crash and the police show up.

The Terminator goes off to heal himself, and it is an uber crazy scene!

They take Reese into custody as they think that he purposely killed a man (the Terminator). They interrogate him, but think that he is crazy as they cannot find any proof that the Terminator exists. While Sarah is making a statement, we have one of the best and most quoted scenes of all time. 🙂

“The Terminator: I’ll be back.”–The Terminator (1984)

 

Sorry about that. I’m back on track now. So While the Terminator marches in and starts killing all sorts of people, Kyle and Sarah escape.

They flee to a cheap motel where Sarah questions Kyle more about why he was picked to go on this dangerous mission as he can never return home. Reese tells her he volunteered. John had a picture of her and Kyle fell in love looking at it and hearing about her. He didn’t care if he couldn’t go back as it was worth it to be with her. Sarah is touched by his words and the two have sex.

Look at that hunky man

The next day Reese takes off to get supplies and leaves Sarah alone in the motel. She calls her mom to let her know she is okay. That would be great…except that her mom is already dead and the woman she is talking to is actually the Terminator mimicking the voice. Than Sarah does the stupidest thing, she gives her “mom” the phone number of the place she is at. Why would you do that when there is a killer on the loose Sarah? Why? You know he already knows who you and is hunting you down.

So Kyle comes back and teaches Sarah everything she needs to know about creating her own weapons out of common products. While the two are having this sweet scene, the Terminator has tracked them down. Luckily, the dog belonging to the motel’s owner starts barking, warning Reese.

The two get involved in a second car chase in which Kyle throws pipe bombs at the Terminator to try and stop him. Reese is wounded and the momentarily stop the Terminator, burning off all his flesh.

He chases the two into a nearby factory. This part is pretty cool, as Sarah takes control of the situation, giving us a preview to how BA she will be in the sequel.

Reese attacks the Terminator, but realizes he doesn’t have much time left, as he’s wounded too bad. He stuffs a bomb into the Terminator’s stomach, the explosion killing Reese and severely injuroing the Terminator. It continues to try and take Sarah down, who leads it to a hydraulic press and crushes it. The only thing that survives is an arm.

Sarah is later taken out of the factory by an ambulance as Kyle’s body is taken away and buried.

Months later a pregnant Sarah is traveling through Mexico and is recording audio tapes for John when he’s older. This is where we are introduced to the amazing Terminator paradox. John is 20 years older than his father. Sarah is like 45 years older than her child’s father. Plus John has to care for Kyle Reese and make sure he survives until he can send him back or else he won’t be born. Crazy! Makes your head spin.

And if you want the really abbreviated version, go to 30 Second Bunnies

Now even though I absolutely love this movie, I will say that How It Should Have Ended did a pretty good job.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to What’s Your Favorite Scary Movie?

For more on The Terminator, go to My Favorite Movie Lines

For more on Linda Hamilton, go to He Who Walks Behind the Rows

For more cyborgs, go to In Their Proper Place

For more on a resistance group, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on ’80s films, go to The Anniversary of Its Formation

For more films that spanned sequels, go to Just Follow the Screams

For more on How I Met Your Mother, go to Fashionably Postworthy