So I wrote the outline of this review on March 21, 2020, back when we were all first told to quarantine because of the COVID-19 virus.
Every time they said the words “quarantine”, “shelter in place”, and seeing the lack of people driving at 6pm-made me think of this movie-as essentially the world was “standing still” (although there is still a line at Starbucks and the McDonald’s drive thru.)
While watching the movie there are quite a few things people say, that if you just replace the spaceman/alien with virus it actually applies. Their hysteria, the anger at the government, how each country reacts differently in what they do-but all panicking.
I first saw this movie on TCM or AMC, I can’t remember which, during one summer vacation. I remember it had to be summer because I was home that day and the movie channel had set the film to play so that it lined up with the 12:00 power going out at 12:00pm that day.
I really loved it the film, and of course later bought my own DVD of it. When the new one came out I watched it and was severely disappointed. The story just didn’t work as he came to help the planet-as humans needed to change or they would be destroyed-but to me it just didn’t work. This one makes a lot more sense.
It is 1951 and everything is normal until a flying saucer comes flying across the sky and lands in Washington D.C.
People all over the world are listening to the news and panicking!
To increase the sense of reality, some of the most famous broadcast journalists of the time were hired to do cameos as themselves. These included Gabriel Heatter, H.V. Kaltenborn, Drew Pearson and Elmer Davis. I had to look this up as the only one I recognized was Elmer Davis.
Meanwhile, out of the saucer comes a spaceman and a giant robot. Of course the military are there and they freak out about it, shooting him and getting their guns blasted by the robot, Gort.
The robot Gort was played by a 7ft. tall doorman, cast only for his height. He looks impressive next to Michael Rennie (the actor playing the spaceman) as Rennie is quite tall (6’4)
The Day the Earth Stood Still
The spaceman’s name is Klaatu and he leaves Gort and the spaceship behind when the army takes him to the hospital. He has a humanoid like body, is over 100 years old, and heals quickly from gunshot fire.
The studio originally wanted a big name to play Klaatu, but was later convinced by the director to use Rennie, a relatively unknown actor at the time. I think Rennie was perfect as he was taller than any other man in the film, he has a voice that shows strength and power without being overbearing, and he is able to convey so much in slight movements. No one else could have done as great a job.
The army tries to break into the spaceship and destroy the robot, but nothing they have is strong enough.
Klaatu wants to meet with all the world leaders as he has a very important message, but unfortunately people are not so willing. Russia will only come to the summit if it is in Russia, England won’t unless it is in England, and so on and so on. I don’t know why they don’t do it in the United Nations building in NYC but whatever-world leaders just can’t get their act together.
Klaatu also wants to see the people-the ordinary ones-but the government won’t let him out. Just like in Escape from Planet of the Apes-the government control everything because they are afraid.
Klaatu waits until night and sneaks out-he gets some clothes, a briefcase, and finds a room to rent-going by the name “Carpenter”.
In the boarding house, the boarders are all crowded around the TV and are scared, watching about the escaped spaceman. When Michael Rennie comes into the room all shadowed and tall, he does look creepy. Especially with his height and the fact he doesn’t say anything right away.
Like something out of a horror film, it makes you think of the panic people get so quickly-like The Monsters on Maple Street or the COVID-19 panic (you remember the sanitizer and wipes hoarding).
The boarders are nice but worried and freaked out.
George Barley: Why doesn’t the government do something, that’s what I’d like to know.
Mr. Krull: What can they do, they’re only people just like us.
George Barley: People my foot, they’re democrats.
People complaining about the politicians running things? Doesn’t look like things have changed much.
Helen (Patricia Neal) is the mother of Bobby and before the spaceman visited she and her boyfriend, Tom Stevens (Hugh Marlowe), were supposed to go on a day trip. She wants to take Bobby along as she doesn’t have anyone to watch him- as everyone is prepping for the end of the world.
Now Tom is the worst guy ever. He doesn’t want Bobby to go on their trip and when the new boarder, who NO ONE knows ANYTHING about wants to watch Bobby he is like sure let’s go.
Dump Tom. Seriously, this new guy could be a pedophile, molester, or just crazy -you have no clue who he is. And if your boyfriend is willing to pass your child off to the first person he meets, dump him! He’s obviously not a good boyfriend or stepfather material.
Of course they say yes, so innocent in the 1950s, and Bobby and Klaatu go check out the sites. Bobby takes him to the Lincoln Memorial, Arlington Cemetery, etc-which is fine, but watching this as an adult I think it is a little odd. Like wouldn’t a kid want to show him something they think is cool? I mean he looks like he is 10, wouldn’t there be something more kid-friendly he wants to go to? An amusement park?
He does mention the movies in which Klaatu wants to treat him, but Klaatu only has diamonds-the currency of his people. He trades the diamond for Bobby’s $2 so he can pay for the movie tickets.
When he trades the two dollars for the diamond, Bobby says:
Bobby: Let’s not tell mom about this.
Klaatu: Why not?
Bobby: She doesn’t like me to steal from people.
This kid is hilarious and adorable.
Klaatu and Bobby also go check out the spaceship, where we get this great line that sums up my feelings regarding people’s extreme reactions to COVID-19-you know buying mass quantities and hoarding them, spraying themselves with Lysol, etc.
Reporter: I suppose you are just as scared as the rest of us.
Klaatu: In a different way, perhaps. I am fearful when I see people substituting fear for reason.
Klaatu asks Bobby who is the greatest man on Earth today, Bobby says the spaceman, and I’m surprised he didn’t say a baseball player or superhero, If someone had asked me question at Bobby’s age I would have said Spider-Man.
After Bobby thinks about it, he picks his mother’s boss, Professor Barnhardt and they stop at his house. He’s out, but Klaatu solves part of an equation-as his calling card, and the two head home.
Later that evening Helen comes back and Tom proposes to her. Ugh.
Ugh, this guy.
She wants to think about it, but he wants her to answer now as he has to go to Chicago Monday. Like triple UGh! this guy is the worst Helen! I know it is hard for a single mom but you can do so much better. Tom continues to be a total jerk as he gets all jealous and angry about them making a big deal over how sweet Carpenter/Klaatu was to take Bobby out. Oh so now you are all protective, asking “what do you know about him”. It didn’t matter when you wanted to take off with your girl but now it is an issue? You ARE THE WORST.
As the film progresses Helen and Klaatu are starting to become friends but you can tell there are deeper feelings stirring underneath the surface. They apparently filmed more of them talking and showing those feelings develop, but had to cut it. I think what the film has, portrayed their relationship beautifully in the way Helen and Klaatu look at each other-their voice inflection, the slight touches between them. I always thought they fell for each other, but just couldn’t be together.
Goverment agents come and fetch Klaatu to see Professor Barnhardt and he reveals who he is and that his mission is of the upmost importance. Barnhardt wants to help him and he will have all kinds of scientists from round the world come, but he worries that even seeing him and hearing they won’t believe. He asks him to do something to show the power-but something in which people won’t be hurt.
Hmm…
That night Klaatu returns to the boarding house, borrowing a flashlight from Bobby. He goes to bed and Bobby goes up too, as his mom leaving to go out with ugh Tim. BLEH!
I hate him basically
As Bobby is heading to bed he sees Klaatu turning the light off-that sparks Bobby’s attention as Klaatu told Bobby that he needed a flashlight because the lightbulb in his room went out. Bobby decides to follow him and watches as he heads down to the spaceship and goes inside.
Bobby runs home and into his mother who is upset about him not being in bed. He tries to tell her about the spaceman, but she and Tom don’t believe him.Tom goes upstairs to prove Klaatu is there, but when he goes to the room it is empty. He pokes around-not cool Tim, not cool-and finds a diamond. He brings it down and goes on about how he doesn’t like Klaatu, he is trouble, a robber, etc. Oh, but you trusted him to watch Bobby! What a jerk! DUMP Him!!!!!
This dude, ugh!
First of all-why would you assume he is a thief and not a diamond salesman or he could just own a diamond as some people do? I mean the US was in a housing crisis after WWII maybe he has money and is staying at the boarding house until he finds a house of his own? Huh?
Secondly, where was this protectiveness earlier when you were throwing the kid at him since you didn’t want to be bothered by having a child along on your romantic weekend? EH!!??
You jerk!
Yeah, he’s a real jerk Helen-let him go.
The next day Klaatu speaks to Bobby and realizing that he has figured out who he is, he goes to see Helen so that she can keep the secret until he has the summit with the scientists.
Meanwhile, Tom took the diamond to have it appraised and it is declared to be something out of this world. Tom is excited as he sees fame, glory, and dollar signs.
Klaatu has tracked Helen down and the two become trapped in an elevator as Klaatu’s plan has gone into effect. From 12-12:30 everything electrical stops (except planes in flight, hospitals, etc)-no phones, no cars, no anything-making it the day the Earth stood still.
When we had those huge summer storms that resulted in California burning, the power went out for the whole day and it made me think of this part of the film.
As they are traped in the elevator, Klaatu tells Helen who he is and the importance of the meeting. She agrees to help him-he is going to stay at the boarding house until it is time to meet-while she tries to track down Tom, and convinces him keep quiet.
Tom however does not want to keep quiet and has decided to call the army. Helen tries to tell him they need the summit for the safety of their world, but he doesn’t care.
Helen: What about the rest of the world?
Tom: I don’t care about the rest of the world! [Seeing her shocked expression] You’ll feel different when you read about me in the papers.
Good job Helen. You know you should be thankful for this as if Klaatu hadn’t come into your lives you probably would have married this horrible human being.
Klaatu and Helen go away from the boarding house as it is no longer safe and head to Professor Barnhardt’s house. Klaatu cautions her that if anything should happen to him, she must go to Gort and tell him “Klaatu barada nikto!”
Klaatu of course gets shot by the military, as we fear what we do not understand and often shoot first in these movies. And Helen hurries to the spaceship.
When she gets there Gort destroys two guards and then carries her into the spaceship. I hate the posters that showcase this as the illustration looks nothing like the actress. In the posters they always have her in a sweetheart pink dress which is nothing like what Neal actually wears as Helen. I mean she has her nice dress from work, but it is just an average dress with a high collar.
Seriously!
Gort goes off and gets Klaatu bringing him to the spaceship and back to life.
[Klaatu is revived by Gort after being fatally shot]
Helen: I – I thought you were…
Klaatu: I was.
Helen: You mean… he has the power of life and death?
Klaatu: No. That power is reserved to the Almighty Spirit. This technique, in some cases, can restore life for a limited period.
Helen: But… how long?
Klaatu: You mean how long will I live? That no one can tell.
Klaatu then gives his speech before he, the spaceship, and Gort are all whisked away.
Klaatu: I am leaving soon, and you will forgive me if I speak bluntly. The universe grows smaller every day, and the threat of aggression by any group, anywhere, can no longer be tolerated…I came here to give you these facts. It is no concern of ours how you run your own planet, but if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer. The decision rests with you.
Powerful way to end a film. I’m sure after WWII this really resonated with a lot of people. I, of course enjoy it, and hope you all did too.
So last year, I did a ’80s film to start off Horrorfest V, so I decided that I needed to review a ’70s film to start us off. So the first post, I feel, is one of the most important ones during Horrorfest. I need a film I absolutely love to watch-
So I tried to think what horror, thriller, mystery, etc.; that I absolutely love. What’s one of my favorite ’70s horror films?
Jaws!
Oh wait, I already reviewed that one.
What’s another ’70s film I absolutely love? Oh, I know!
The Stepford Wives!
Wait I reviewed that one too.
So what to do? I started looking through what films came out in the ’70s, but nothing stood out at me until I saw this:
AMC, back when it was an actual movie channel instead of giving in to being just like any other network, used to do something special called Fear Fridays.
Originally they started showing films at 7, then it was moved back to 8, then 9, then 10, then 11, then 12, then 1, and finally 2. Yes, 2 in the morning!
What?
And they still called it Fear Friday! Even though it was on Saturday! Fear Friday on a Saturday???!!!
Sorry, I digress. So they would just show horror films all night, and I saw some fantastic ones and some pretty rotten ones-but either way it made Friday fun.
One night at 12 this film came on and it immediately captured my attention with its fantastic beginning. We don’t start by showing actors’ names, or anything like that. Instead we start with this:
This film is a detective story – in which you are the detective. The question is not “Who is the murderer?”, but “Who is the werewolf?” After all the clues have been shown, you will get a chance to give your answer. Watch for The Werewolf Break.
You know how much I love a mystery!!
Ready for any case
So millionaire Tom Newcliffe (Calvin Lockhart) has spent his time training to be the best hunter, building the most unescapable housing complex, etc. Why? He wants to capture a werewolf.
He has hunted everything possible in the world, and this is the last one on his list.
But there is only one problem: a werewolf only manifests at night with the moon. How will he find a werewolf when most of the day they appear as a regular person.
Hmm…
He has that covered. He has been tracking people and invited four people to his mansion for the weekend-five that he believes are possible werewolves. His plan is to wait until they transform and then kill them.
Here are his suspects:
1) Arthur Bennington (Charles Gray): Diplomat who had members of his cabinet disappear suspiciously.
2) Jan Gilmore (Michael Gambon): A famous pianist who while on tour, the cities he played in had horrible killings where their throats were slashed.
3) Davina Gilmore (Ciaran Madden): Jan’s wife in who travels with him, but on a separate occasion a dinner party she attended had a horrifying murder.
4) Paul Foote (Tom Chadbon): An artist who has recently been released from prison. He started out as a medical student, but was involved with a group that each ate a piece of human flesh.
5) Professor Lundgren (Peter Cushing): A professor of archeology and Lycanthropy. Is he so knowledgeable because he’s interested or because he is one.
Which one could it be? That’s up to Tom, his assistant Pavel, and you to determine. Will you figure it out?
I loved this movie so much, I can’t say anything more. In fact, I was told to go to bed, pretended I did, and snuck out to finish watching and see if I had guessed the werewolf correctly.
I thought it was a great time and even went on to searching the internet to add it to my collection. Definitely worth watching for Halloween.
So you know how I do a banner for every movie for my personal facebook, none for this one. I couldn’t find a big enough picture that captured the film.
Dracula. Dracula: not myth, nor ravings of a mad Irish novelist, oh no. He’s real, I assure you.
A long time ago, AMC used to do Fear Fridays. Every friday night at 8 they would show a horror film, and not stop until early Saturday morning. But then they pushed it back to 9, then 10, then 11, then 12, then 1 am, then 2 am; still calling it Fear Friday although it was actually Saturday morning. And then they just stopped doing it, which deeply saddened me as I saw many a good, creepy film those Friday nights.
Why did it end?
This however, wasn’t one of those good movies.
My sister and I saw this on one of those Friday nights and I hated this film. I thought it was dumb, stupid, boring, made no sense and couldn’t hold a candle to Bela Lugosi in Dracula (1931). And I vowed to never see it ever again.
Last week, my friend and I were having a horror film marathon. We saw Once Bitten and then were in the mood for a more serious film. She was going through the list and wanted to see Dracula 2000 as she has never seen it before. I was like
She then asked me what the film was about, if I could give her a summary, and I tried to tell her…
Uhhhhhhh
But I couldn’t remember. The only thing I could think of was that it had Johnny Lee Miller (who played Mr. Knightley in Emma (2009) and Edmund Bertram in Mansfield Park (1999) as the regular person thrust in the adventure (the only character I liked); Gerald Butler as Dracula (the reason I watched it the first time) but he was so young that it didn’t even look like him and I hated his character; a weird scene in the record store; and that I hated it. Why did I hate it, I couldn’t remember. The movie must have been so horrible I just wiped it from my memory banks.
Since I couldn’t remember it, and thought maybe I was too harsh a judge, we decided to watch it and see if it was different this go round.
I HATED IT!
I thought it was horrible and stupid. So you know what that means! A countdown!!! Yes, let’s go over everything I liked (barely anything) to everything I hated (practically everything!)
Synopsis:
The film is supposed to be Dracula set in modern times rather than 1831, so the year is 2000. In London, Matthew Van Helsing (Abraham’s descendent) has an antique store in which he is training Simon (Johnny Lee Miller). That night everyone but Matthew goes home, and unbeknownst to him his secretary Solina is part of a ring of thieves that breaks into his vault. They find nothing in there but crosses and a coffin, taking it as it must be valuable.
But something terrible lurks inside.
When Matthew discovers the theft, he goes after them, leaving Simon to watch over the business. However, Simon is worried about his mentor and follows him instead.
The thieves open the coffin and reveal that it is Dracula (Gerald Butler) who turns them all into vampires.
Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them. Van Helsing: Doing them? Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: “Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!” Van Helsing: What did he want you to do? Renfield: That which has already been done! [giggles sinisterly]
He then heads to New Orleans, LA. There lives Mary Heller, a devout Catholic, who has had strange dreams/visions her whole life but they seem worse now than ever before. She keeps seeing this man, unsure of who he is, but us viewers know him as Dracula.
Simon and Matthew team up and try to destroy the new vampires, Simon originally shocked but after being attacked admits they are real. Matthew then reveals his secret, he is really Abraham Van Helsing, the Van Helsing.
[Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]
When he discovered nothing worked to kill Dracula, he imprisoned him in a coffin and took his blood to keep him young as he continued to try to find a way to destroy him. He was married and they had a daughter Mary, and in her blood is Dracula’s blood. When he told his wife the whole story, she left him and took his daughter to America.
Dracula has lost his male vampires, but has three wives: Solina, the secretary; Valerie, a news reporter; and Lucy, Mary’s best friend. Simon and Helsing split up to look for Mary, Helsing being killed by Dracula and the wives at Mary’s house. Simon finds Mary and they escape, only for Mary to be captured later. Simon tries to help her; but is no match for all the vampires.
Before Dracula turns Mary into a vampire, he reveals that he is Judas Iscariot and that is why he hates silver and crosses. He tried to hang himself, but the “rope broke” and God turned him into a vampire.
I know. He turns Mary into a vampire, but I guess her already vampire blood counteracts it as she is not his slave.
She saves Simon, kills Dracula, and decides to continue the family business (although if she killed Dracula it is over) turning into a female Blade, kinda-sorta.
So What Was Good?
There was only one thing I liked in this entire film, and that was Johnny Lee Miller’s character, Simon.
Simon was extremely likable because he was just a regular person thrown into this situation and trying to make sense of it. All his reactions are spot on to when he thinks people are crazy to finally becoming a butt-kicking vampire hunter. He is kind, compassionate, caring, intelligent, and extremely witty.
Marcus: [Simon produces a cross] Sorry sport. I’m an atheist.
Simon Sheppard: [a dagger pops out of the cross’ base] God loves you anyway.
The other thing I like about him was how he represented the everyman or everywoman. Here is a guy who has read old inscriptions, heard stories, studied antique weaponry, etc; but studying and hearing it is much different than having to use it, have the myths be real, and be expected to hunt down vampires. He tries his best as he discovers this new reality, and even though he makes mistakes, all is forgiven as he is us, the viewer, in a sense. I thought he was fun and the best thought out thing in the film.
I like it!
So What Was Bad?
Everything else. Seriously, I mean it. The rest of the film was absolutely horrid.
1) Too Many Stars
Like Scre4m it is hard to focus on a plot of a film when you are being hit right and left with people who are really famous. In every scene it felt more like a game of “Which Star Will Pop Up Next” rather than watching a film about Dracula. I mean we have Shane West, Christopher Plummer, Johnny Lee Miller, Omar Epps, Nathan Fillion, Vitamin C, etc. When casting you really have to be careful and not have too many recognizable people, or else your audience will be going bug-eyed.
2) For a Dracula film there isn’t a lot of Dracula in it.
Dracula is supposed to be about Dracula; but Dracula actually has a small role in this film. And unlike previous films, Dracula wasn’t even played by a big star with top billing; instead they choose Gerald Butler who had very little on his acting resume at the time this film was made. To me that is incredibly strange as he is the main character, THE TITLE CHARACTER. He should be the star, the biggest personality. Instead Dracula has very little dialogue and spends most of his time just creepily staring at people.
He’s creepin’ in your windows. He’s starin’ at your people.
I didn’t like that, not one bit. As much as I disliked Bram Stoker’s Dracula, and I did a lot, at least that one knew what to focus on,DRACULA! It was a weird decision made by the writers, and a bad one.
3) Mary, Mary Quite Boring
Mary was so boring! I mean it what a yawnfest. All she did was cower, snivel, and act as if she was going to have a breakdown. Her character was bland and completely underdeveloped other than “good”, “Catholic”, and “British”. Now don’t get me wrong, the breakdown character can work but only in films where it is about psychological damage, like Rebecca, Gaslight or Under Capricorn, not a monster movie. In this type of film that kind of behavior is boring!
4) Taking Blood to Live Longer, Yet He Doesn’t Become a Vampire
In the book Dracula, the way to have someone become a vampire is to give them vampire blood. In this film Van Helsing keeps transfusing vampire blood into his body to live longer, but doesn’t become a vampire. That makes zero sense! If you ingest vampire blood you are a vampire. Pure and simple.
5) Dracula is Judas
Yes. It turns out the reason Dracula hates silver, crosses, bibles, Christianity, etc…is because he is Judas.
Why would God turn him into a vampire? Why would God create a being that cannot be killed but kill his people making their souls unable to move on? That is just unbelievably dumb.
I mean if the devil was the one who did it, it would still be really dumb, but make a lil’ more sense.
So yes it was dumb, incredibly dumb. Just stupid and horribly boring. My advice? Just skip it.
And after we finished the film, I asked my friend “What do you think of it?” Her response:
How do you kill a fangirl? Well there are quite a few ways: Let’s see…1) Kill off their favorite characters/have them leave the series
Noooooooooo!!!!!!!
2) Have the wrong people end up together.
3) Stop writing/take show off the air, especially if it ends without a finale
4)When the character changes, does things they never would do
5) When they start repeating the same things over and over
6) Season Finale/Last book that just ends, without tying everything up
I could go on, but that’s not what this post is really about. Instead it is one of my fandom posts, about the fandoms I am in.
So here we go!
Mighty Morphin’ Power Rangers
POWER RANGERS!!!! HECK YEAH!
Growing up the Power Rangers were awesome! Regular kids chosen to fight aliens and protect the earth, transforming into the Power Rangers and riding in robots called Zords.
My friends and I used to act out the adventures in the TV show, along with creating our own. My favorite was Kimberly, the pink ranger.
And I loved Tommy the Green Ranger/Gold Ranger. He first starts off as bad, recruited to destroy the Rangers, but then redeems himself. He ends up losing his powers, and the Green Ranger is gone, coming back as the extremely awesome Gold Ranger. Not only was Tommy the best fighter, with the coolest weapons (eventually becoming the leader) but he was also super hot. I had such a crush on him.
They made a movie, The Mighty Morphin’ Power Rangers: The Movie, were they had to fight a creature so terrible, Ivan Ooze, he takes down Zordon. I just loved that movie so much as a kid. I used to watch it over and over again.
I had the whole film memorized and we used to act it out all the time. In fact I remember getting in trouble once with a parent for dismantling the brooms so that one of us could have the noise sticks that Dulcea uses.
I watched Power Rangers up until Power Rangers: Mystic Force. When Kimberly and Jason left and they brought in Cat, it went down hill for me. The other seasons were alright, but the only one that was any good being Dino Thunder because they brought Tommy back.
I heard they are doing a movie reuniting most of the original cast and I hope they do!
The Partridge Family
So if you just read these fandom posts, you probably think I am some immortal being a teen in the ’70s as well as the ’90s; from all these ’70s shows I used to watch. Nope, I’m not a time traveler or vampire, I loved TV LAND, yep I used to watch it back when they showed old TV shows.
This show stared Shirley Jones as Shirley Partridge, widowed mother of five. When her kids want to try a record deal, she goes along and before you know it, they are a hit. They get a manager, a bus, and go touring all over the country.
This show also starred David Cassidy, Jones’ stepson, as the eldest child and heartthrob.
I used to watch it every day and knew all the songs by The Partridge Family by heart. In fact this show had such a huge impact on me, that when I saw David Cassidy was going to be in a new musical series, Ruby & The Rockits. It was horrible writing, but I suffered through for my childhood nostalgia.
The Rocky Series
Aw Rocky. How I love you, and all your films. Well, except Creed as I have yet to see it. I started watching these films one 4th of July weekend when AMC had a marathon. I watched one, then another and another and another.
And I loved them. Sylvester Stallone did a great job with this series.
Rocky (1976)
So let my start by wishing this film a very happy anniversary as it will be turning 40 on November 21st.
So the film Rocky was Slyvester Stallone’s first film. He was struggling as an actor, homeless, only having $106, and had even sold his dog. When the company was interested he wouldn’t give the script up until they agreed to have him as the star. They declined, but when they couldn’t get the script, they finally agreed.
It was shot in 28 days and had an extremely little budget. Stars had to share rooms, they filmed the street scenes guerilla style and with no permits or extras. Most of the wardrobe was furnished by the actors, and ones purchased were wrong. The lack of money for extras, caused them to rewrite some scenes and make due.
But not only was it nominated for Best Actor, Best Actress, Best Supporting Actor, Best Screenplay, Best Sound, & Best Original Song; and won Best Picture, Best Director, & Best Film Editing: but it was the highest grossing film of the year. Not bad Stallone, not bad.
So Rocky is the story of Robert “Rocky” Balboa, a man who dreams of becoming a boxer star, going the distance, but has yet to get his chance. He works as an enforcer for a loan shark, but is too nice a guy to actually “enforce”. Everything changes when boxing star Apollo Creed decides that he wants to box an ordinary joe, giving a nobody the chance to be a somebody, and choosing Rocky. While Rocky works out for the chance of a lifetime, he dates his best friend’s sister, Adrian, becoming one of the sweetest couples in film history.
This story is not only amazing uplifting, as everyone can connect to a man trying to achieve his dreams, it has some truly poetic and realistic scenes. Besides the ice-skating with Adrian, and running up the steps of the Philadelphia Art Museum (so great it gets parodied again and again), but the fact that Stallone choose to have Rocky loose the fight; showing his achievements in trying to be the true victory is truly poignant and fantastic.
This also had the incredible song, Gonna Fly Now written by Bill Conti as it’s theme. How can you not be inspired when listening to that?
Rocky II
After the first film, Apollo is angry at the way that Rocky held his own against him in the match. Apollo demands a rematch, as he wants to peove that he is the true champ, Rocky just a fluke. Meanwhile, since the fight Rocky has been boosted in popularity. He doesn’t want to fight Apollo again, but due to his goading and Rocky’s lack of money, he agrees. Can he truly go the distance? Can he be a contender?
Rocky III
This is the first of the film series to have a Survivor song in it, this one of course having the amazing Eye of the Tiger.
So it has been three years since Rocky II. Since then Rocky has had successful fights and an increase in wealth for him and his family. As they are unveiling a statue of him, he gets called out by Clubber Lang, played by Mr. T. When Rocky questions Mickey, he discovers that Clubber Lang’s accusations were correct. His fights were handpicked to protect him. Rocky doesn’t want to fight Lang, but when he pushes Mickey and causes him to have a heart attack, dying, Rocky knows he has no other chance then to avenge Mickey’s death. He asks Apollo Creed to train him, and the two team up to get that “eye of the tiger” back.
Rocky IV
Ivan Drago (Dolph Lungren) is a 6’5 Russian Boxer brought to America to promote the U.S.S.R.’s superiority. They throw out a challenge that he can beat anyone, and Apollo agrees to an exhibition match. Apollo arrives with a huge show stopping number done by James Brown. Drago doesn’t take this match as “just an exhibition” and kills Creed. With his best friend dead, Rocky decides he must avenge his death, traveling to Russia to fight Drago there.
Rocky V
After the fight with Drago, Rocky decides to retire from boxing. He had some permanent damage from the fight, and to add to the bad news he lost all his money due to a bad accountant. Rocky turns to training boxers, taking in a young guy off the street, Tommy Gunn. He helps him, and as Gunn starts moving up the ranks he catches the eye of another manager and leaves Rocky behind. Rocky is upset at the betryal, but Adraian tells him that Gunn is not worth it, as he doesn’t have any real heart. Gunn decides the only way to prove his true mettle is to take down Rocky. He tries to get him to fight, but Rocky won’t. When Gunn takes a sock at Paulie, Rocky changes his mind and starts training to cut him down.
Rocky Balboa (Rocky VI)
The sixth film takes place 20 years after the fifth film. One of the reasons Stallone decided to make this film, was that many people were dissatisfied with the ending of Rocky V, as it didn’t have a true wrap up to the series. In this Rocky is a widower, with an Italian resturant. He is in deep grief over the death of Adrian and has a struggling relationship with his son who wishes to be not known as Rocky’s son or have any connection to boxing. He reunites with grown up “Little Marie” from Rocky (1976). Meanwhile ESPN has done a Deadliest Warrior type show in which they analyze boxers from past, running the stats, victories, and teaming them up with present boxers. When Rocky wins against Mason “The Line” Dixon, Dixon gets enraged and Rocky decides to take up boxing again. This prompts the fight of fights as the two head off.
A lot of people didn’t like this film, but I thought it was a cute shout out to the fans. I loved the way they decided to conclude it. If Rocky had lost the fight, it would have been horrible as no one wants to see an older man get beat up. And if Rocky had won, it would have been unbelievable. Having a tie was not only a call back to the first film’s idea that victory was in trying to achieve your dreams, but also a way to appease all.
As I wrote before I have yet to watch Creed, but I will hit on that when I watch it.
Scooby-Doo
I LOVED SCOOBY-DOO
I used to watch Scooby-Doo, Where Are You?, 13 Ghosts of Scooby-Doo,A Pup Named Scooby-Doo, The New Scooby-Doo Movies (in which Scooby-Doo meets the Harlarm Globetrotters, Cher, Sonny Bono, Batman, Robin, Josie & the Pussycats, etc.), The New Scooby-Doo, & What’s New Scooby-Doo.
My favorite of course was Scooby-Doo, Where Are You?. I used to watch the show all the time and had four birthday parties be Scooby-Doo themed. I had a huge collection of Scooby-Doo toys, from my own mystery machine and multiple Scooby-Doos; to a clock, clothes, books, and almost anything else you can think of.
I also was a fan of the Scooby-Doo films. I loved Scooby-Doo and the Ghoul School, Scooby-Doo and the Reluctant Werewolf, Scooby-Doo Meets the Boo Brothers, Scooby-Doo! in Arabian Nights, Scooby-Doo on Zombie Island, Scooby-Doo and the Alien Invaders, Scooby-Doo and the Cyber Chase, etc.
I saw the two Scooby-Doo theatrical films and thought they were okay. The first had an alright storyline, but I didn’t like the thought of “real monsters” and felt they didn’t capture the heart of the show. Besides Freddie Prinze Jr. as Fred Jones and Sarah Michelle Geller as Daphne, I was sorely disappointed.
So let’s talk about the characters:
Fred Jones
Fred Jones was the leader of the teen group. He was always eager to get involved in a mystery and was a keen observer. His take charge attitude always made him be the one to figure out a plan to catch the cause of the crime, although Scooby or Shaggy’s antics would usually mess them up. He was the “straight man of the group” the one who complimented the crazy antics of Scooby and Shaggy, along with being the rock of the group.
Daphne Blake
Daphne Blake is often thought of as the beautiful socialite who was only interested in looks and getting kidnapped. That is not true! While Daphne tends to be the one that got captured, if anyone gets kidnapped, it didn’t happen in every episode. She was also ntelligent, proving her worth in solving the crimes, alongside Fred and Velma.
*Fun Fact*-The Mystery Machine was actually Daphne’s 16th Birthday present. Why Fred is the one driving, I don’t know.
Velma Dinkley
Velma is the brain of the group, being the researcher and the one to find the final clue that ties everything together. Unlike Daphne, she is a more comedic character; having puns and great sarcastic wit. She also was always losing her glasses, struggling to see; they usually found by whatever creature they are hunting or her searching for them causing that creature to trip over her.
Norville “Shaggy” Rogers
Now contrary to popular belief, Shaggy is not a drug addict. The creators of the show were trying to hit every group when they made the show; Fred the jock, Daphne the princess, Velma the brain, etc. As Shaggy can’t be the criminal, because they are solving crimes, they wanted him to be the type of new culture coming out that “surfer-“hey man”-hippieish-type-dude”. Shaggy is a sweet guy that is interested in food and music. He is a scaredy-cat, never wanting to get involved with monsters or criminals, but always there in the final stretch. He and Scooby played the comedic roles, always accidentally getting involved with something, accidentally bringing new evidence to light, or accidentally catching the criminals.
Scooby-Doo
Scooby-Doo was adopted by Shaggy and is “his” dog, but in reality Scooby doesn’t even consider himself a dog as he is so advanced. Scooby can talk, think, and loves to eat. He often steals somebody’s meal, typically Shaggy. Scooby is a total coward, but in the end will come through for his friends, as long as he is given a Scooby snack. He assists Shaggy with the comedy, helping them accidentally foil any plans made by the criminals. He and Shaggy are the only characters to appear in every TV show & film.
It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?
So this Horrorfest IV, we are doing something different. For Horrorfest (the original) we ended on Halloween (of course) as we had looked at the big 3 of horror film producing sequels: Friday the 13th, Nightmare on Elm Street, & Halloween. On Horrorfest II, we had to cut our reviews in half due to my schedule and ending with a film that takes place on Halloween (along with our yearly Stephen King film review), Children of the Corn. And of course I don’t think anything will top last years “theme” of Werewolves, starting with The Wolf Man (1941)and ending with it’s remake The Wolfman (2010). This year I decided it was time to finally review one of my favorite films, the one I have been talking about again and again, Psycho (1960).
I love this film, in fact it was one of my early introductions to the ultimate, obsessive, fangirling that I would do over Alfred Hitchcock.
My first film was The Birds. I loved it and knew I wanted to see everything he made. That second film that completely made me in love with his works, was Psycho (1960).
The first time I saw this film was on AMC. When they were announcing the line up, they played this song.
So whenever I hear this song I think of the film, and vice-a-versa.
So if you are wondering if this is going to be an extremely long post all about how much I love this film, like my review of Jaws, then you are right. I love this film so let’s get started.
**Spoiler Alert**
(Although this movie is fifty-five years old, so if you haven’t seen it already, then shame on you)
This year marks the 55th anniversary of Psycho, and select theaters brought it back. And as I was lucky that mine did, I immediately bought tickets and went to see it.
Alfred Hitchcock’s Psycho (1960) is remarkable for many things. It is considered his first horror film, and while not the first slasher film in history, it is the first American slasher film, influencing countless director’s and movies.
While many adore this film today, it had quite a few problems getting it off the ground in 1960. Alfred Hitchcock read the novel Psycho, by Robert Bloch, and immediately saw the benefits of turning this into a film. Unfortunately, Paramount Pictures did not. They cut the budget down to $800,000, hoping that Hitchcock would stop this idea of making a “dirty”, “smut” film; but he would not be deterred. Hitchcock used more of Universal to make the film, which is why in the end they won the rights.
Oh yeah
Instead Hitchcock gave up his usual pay, taking over 30% of the profits on sales. As the film did amazingly well in theaters he made a bundle.
Hitchcock bought the book for $9,000 anonymously, and then went on to buy up every book out there to try and keep the ending a secret. He used most of the crew from his show Alfred Hitchcock Presents, and made everyone promise to keep the film as secret as possible. He didn’t tell any the ending until filming, a technique that would be copied in other films, like the Screamfranchise.
To begin with how different this film was, let’s start with the trailer. It was over six minutes long, much longer than any trailer made then or now.
But it was great and gets you pumped for the film.
So the first thing we are introduced is to is the credits, with the famous score.
The music just drags you in sending shivers down your spine.
Now the actors we see on here, we all know today, but at the time the only real famous person was Janet “Scream Queen” Leigh. Part of this was due to the cut budget of Hitchcock, but he also wanted a different style and to use unknowns instead of huge stars.
Prior to this movie Anthony Perkins was being groomed to being a big star. In 1953, he debuted in The Actress and in 1956, Friendly Persuasion, won him best supporting actor. That all changed with Psycho. After this movie he became famous, but also typecasted.
Vera Miles was in a few things but also hadn’t been cemented as a “Star”. Alfred Hitchcock liked her looks, and more, planning on giving her the lead in Vertigo (1958), but when she became pregnant and had to drop out, he couldn’t stand her. He thought she did it on purpose and was upset that she made him recast. The only ever worked together on this film.
Before Psycho, John Gavin was known for the remake in Imitation of Life (1959). Psycho made him famous (along with Spartacus).
Anyways, back to the film!
So we are introduced to the city of Phoenix, Arizona; where our film takes place, December 11th. I had never realized this until I saw the film this most recent time, but I don’t recall ever seeing any Christmas decorations anywhere. Not in the homes of the characters or offices. Supposedly the reason why it was set in December was because of the Christmas decorations in Phoenix but I didn’t spot any. I’ll just have to look again. But you know what that means? That this can be a Christmas film! I smell a new tradition!!!!
So the film opens with Marion Crane (Janet Leigh) and Samuel Loomis (John Gavin) in bed together. Sam is half naked baring his chest and Marion is in her bra and slip.
Yeah, something like this is not shocking for today (I mean look at Game of Thrones) but you didn’t see anything like this after the motion picture code association (MPAA) was created. We saw plenty in the late 1960s early 1970s when the code lost its fierce control. But in 1960, oh ho ho. This was super raunchy!
This part always makes me sad as all Marion wants is to be married to Sam. Sam, however, wants to wait a few years. He is still paying his ex-wife alimony, paying off his father’s debts, and lives over the hardware store he owns in Fairvale, CA.
Now Fairvale doesn’t exist, as it was all shot on the Universal backlot or in a soundstage. I originally thought it took place in Fairfield CA as they sound the same and that would make a lot of sense. But in a later scene I saw a map of Shasta County, so I think that Fairvale is supposed to be Redding.
Then again I could be wrong.
So Sam does not want to be married for a few years, and it horrible to be leading her on like that with weekend trips every now and then; stolen lunch hours. That is not a complete relationship. Marion hates it as she wants to be a respectable woman.
Marion Crane: Oh, we can see each other. We can even have dinner but respectably in my house with my mother’s picture on the mantel and my sister helping me broil a big steak for three.
Sam Loomis: And after the steak, do we send Sister to the movies? Turn mama’s picture to the wall?
Sam tells her that them marrying now is a bad idea, but Marion doesn’t care. She would do it all for him. He jokes that maybe she should move on, but when she agrees he quickly is worried. They part on good terms, making plans for the next visit. Neither are incandescently happy, but that’s love.
Marion heads back to work at the real estate agency. As she comes through the doors, you can spot Alfred Hitchcock in a cowboy hat standing outside the window. Hitchcock knew people would spend the whole film searching for him, so he wanted it out of the way as soon as possible.
Back at the Agency, Marion checks in with her associate secretary, Caroline (played by Pat Hitchcock, Alfred’s daughter). Caroline is married, which makes Marion feel as if everyone in the world is married but her.
In walks her boss, Mr. Lowery, and their new client, Tom Cassidy, a rich oilman. He is paying $40,000, in cash, to buy his daughter a house for her and her soon-to-be husband.
Tom Cassidy: I’m buying this house for my baby’s wedding present. Forty thousand dollars, cash! Now, that’s… not buying happiness. That’s just… buying off unhappiness [waves money in front of Marion] I never carry more than I can afford to lose! Count ’em.
Caroline: I declare!
Tom Cassidy: [staring at Marion] I don’t! That’s how I get to keep it!
He then goes on to flirt with Marion, disgustingly.
Cassidy then makes a comment about Mr. Lowery being able to afford air conditioning. Can you imagine being in Arizona without air conditioning? It would drive ANY person insane!
Marion is asked to take the money to the bank, while the boss and Mr. Cassidy get their drink on. Marion has a headache, and asks to go home after she drops the money off, her boss lets her and she heads on her way.
The next shot we see is the money on Marion’s bed, next to a suitcase.
What a great shot, Hitchcock defintely knows his stuff.
So yes Marian stole $40,000. That would be around $350,000 today. That’s a lot of money.
On one hand you kind of understand Marion. She is so tired of her life, all she wants is to be with Sam, now and always. She thinks she can take the money, pay his debt, and they can live happily ever after. But she is not thinking clearly, what about when they discover the money is gone? They will know it is her.
She decides to drive to see Sam. When she gets stopped at a light who should she see but her boss!!!
This is when the score starts up again, heightening the intensity!
Marian is driving, but starts to fall asleep. She pulls off on the side of the road.
She is awakened the next day by a CHP officer (California Highway Patrol) . Now this police officer is very scary. He is wearing sunglasses and never takes them off, giving him almost a robotic look. Super creepy as you can’t see the expression on his face or his eyes.
Now Marion doesn’t help her case as she acts super suspicious, being cold, curt, and trying to take off.
You can see here that Marion is not a rule breaker. She’s always been a good girl, and as this is her first time breaking the rules she is doing poorly at “being bad”.
The CHP follow her, but turns off in Gorman, CA while she continues to Bakersfield. There, she decides to change cars. The salesman is so sweet, and adorable, but as Marian is in such a hurry, he starts to wonder about her too.
This is not good Marion, as if anyone is to come later and ask questions about you, you would be remembered. Not only for acting weird, but also because it’s Janet Leigh.
As she is there, up comes the CHP. Too bad Marion looks as good as she does, the cop could spot her right away.
Marion buys a newspaper, looking for news of the stolen money but is relieved to find nothing. It is too early for that, but you understand how scared she is.
As she is looking at the cars I can’t help but notice that, man those cars are dirt cheap. $957 for a 3 year old car? I wish they were that cheap now.
Anyways, the cop continues to watch her from across the street. This only makes Marion more nervous and suspicious sounding. In fact the car salesman starts to wonder if she is trying to get rid of a stolen car.
The paperwork is completed, Marion paying $700 of the $40,000 and trading in her car. She then takes off, only to be stopped because she forgot her luggae in her haste. This gives the cop plenty of time to see her plates.
Poor Marion, she’s not a master criminal mind.
She heads off, but as she drives all she can hear in her head how terribly everything has gone and how it will all blow up in her face in the end.
All she can do is keep driving, hanging on to the hope that when she gets with Sam everything will be okay.
Unfortunately, it begins to rain and Marian being from Arizonia, doesn’t know how to drive in Northern California winter rains. So she has to pull over at the nearby motel she finds.
The property consists of a giant Victorian mansion on the hill, with twelve rooms down the way. The house was designed after Edward Hopper’s painting, House by the Railroad, it wasn’t supposed to be creepy but a part of early Americana. But as we only really see the house at night, except for once at the end, and because if the events that later transpire; this all looks uber creepy.
After the fire occurred on the Universal backlot (the same one that destroyed Back to the Future’s clock tower), this building and the motel was declared a historic landmark and can never be destroyed or taken done (unless by a non-human disaster). Isn’t that great, that will be there forever!
We are then introduced to Norman Bates, son of the motel owner, and played by Anthony Perkins.
When I saw Norman I was like whoa!!!! That guy is hot!!!!!
So cute with his boyish charm. He looks as if he is in his early twenties (was actually 27) and just utterly adorable. Perkins was chosen for being a gentle, stammering, handsome young man: the ultimate all-American boy next door. You just want to give him a hug. At one point during the filming, Perkins asked Hitchcock if playing Norman Bates would be a bad career move and Hitchcock told him it might be. He was right as it killed his career, but he was just too perfect as Norman, the movie would not have worked without him.
Anyways, so Norman tells Marion that he can give her a room, and that there is a diner up the way, right outside of Fairvale, which is only 15 miles away.
15 miles!!! If only it hadn’t rained, she’d be with Sam right now.
Marion signs in under a false name, Marie Samuels, and says she is from Los Angeles. After careful consideration, Norman gives her key #1.
He takes her into the room and shows her around the closet, desk with stationary, bathroom etc. When it comes to the bed, he actually stumbles over the words, being too bashful.
He’s so young, and adorable. He has such a sweet little boy smile, so adorable. Those things are fatal to me as they just make me smile in return. I let down all my defenses.
So Norman knows Marion is hungry and probably does not want to travel out in the storm coming down, so he offers to make her dinner, sandwiches, and have her come down to the house. Marian agrees.
After he leaves, Marion looks around the room for a place to hide the money. Where should she put it that’s not obvious? Where?
Hmm…
She finally settles on hiding the cash in the newspaper. As she waits for Norman to finish making the sandwich, she overhears Norman and his mother yelling in the house.
Norma Bates: No! I tell you no! I won’t have you bringing some young girl in for supper! By candlelight, I suppose, in the cheap, erotic fashion of young men with cheap, erotic minds!
Norman Bates: Mother, please…!
Norma Bates: And then what? After supper? Music? Whispers?
Norman Bates: Mother, she’s just a stranger. She’s hungry, and it’s raining out!
Norma Bates: “Mother, she’s just a stranger”! As if men don’t desire strangers! As if… ohh, I refuse to speak of disgusting things, because they disgust me! You understand, boy? Go on, go tell her she’ll not be appeasing her ugly appetite with MY food… or my son! Or do I have tell her because you don’t have the guts! Huh, boy? You have the guts, boy?
Norman Bates: Shut up! Shut up!
Man his mother is horrible. She is evil and cruel, treating him like he’s a little boy instead of a grown man. Mean old woman, I wonder if she was abusive in other ways than emotional/verbal. There are some deep issues here.
Norman takes off down to the motel bringing the sandwiches. Marion reveals that she heard everything, and Norman offers for them to eat here instead. Marian moves aside so that he can come in the room, but he can’t. He sees the bed in the room, and stops.
It makes him too uncomfortable, so he ends up inviting her into his office, and then the parlor.
Here is where we see a lot of Norman’s issues. His mother has cuckholded him so that he is still a child in many ways, but at the same time a grown man with grown man like interests. He likes Marian but also a bit freaked as well. Marion on the other hand is a grown woman and not squeamish about sharing a room to eat, even though the major feature is the bed.
Boy/Man Child
They go into the parlor which is full of birds, taxidermied ones. Now this used to always freak me out, but after working in a museum last year and being around a lot of taxidermied animals it’s not that bad. Did you catch that not as bad,meaning it is still creepy.
So while he and Marian are back in the parlor he tries hard to be “adult”, but keeps stammering as he hasn’t ever entertained anyone before.
Norman Bates: You-you eat like a bird.
Marion Crane: [Looking around at the stuffed birds while eating] And you’d know, of course.
Norman Bates: No, not really. Anyway, I hear the expression ‘eats like a bird’ – it-it’s really a [stammers] fals-fals-fals-falsity. Because birds really eat a tremendous lot. But -I-I don’t really know anything about birds. My hobby is stuffing things. You know – taxidermy.
The two then discuss Norman’s mother.
It turns out that Norman’s father died when he was only five years old and his mother had to raise him all on her own. She met a man and when she found out her boyfriend was married, became broken. He mentions something interesting here, that this guy could have made mother do “anything”. Maybe get rid of him or kick him out even? Hmm……..
The conversation moves on:
So this saying was actually used first in the film The Awful Truth starring Irene Dunne and Cary Grant. In it Irene is about to complete her divorce to Cary and marry a mamby-pamby mamma’s boy, who when Irene leaves him, goes off with his mom as after all “A boy’s best friend is his mother.” It of course was made famous by Psycho.
Marian tries to give helpful advice, but Norman is not in agreement.
In that moment we see something lurking below that boyish charm and sweet face. Something dark.
You may notice the theme of “mother issues” in this film. Norman and his mom have serious issues, which may extend to her not only being emotionally abusive but physically as well. Possibly molestation, but we are not sure. Hitchcock himself had a lot of issues with his own mother, her forcing him to stand at the foot of her bed for hours as punishment. The screenwriter, was currently in therapy for his own issues with his mother when he wrote this script. And Anthony Perkins also had mother issues and an early life eerily similar to Norman’s. His father died when he was five, and he also was raised by a controlling and cruel woman.
Freaky
They end their talk and Marian tells him she needs to go to bed as she has a long drive back to Phionex. She also gives him her real name. He says goodnight and double checks the book seeing that she lied.
Marian heads next door, and Norman doesn’t leave yet. Instead he decides to take a look at Marian changing.
You know I have seen this movie like a million times and on the big screen is the first time I have ever noticed the painting that Norman uses to hide the hole he peeks through, it is Susannah and the Elders by Giovan Battista Tiepolo. The story of Susannah and the Elders is that Susannah is a young and beautiful woman. She sends her attendents away as she takes a bath, and two voyeuristic elders, watch and lust after her. They try to blackmail her into having sex with them, saying they will lie that she was meeting a lover. When she refuses, they try to put Susannah to death, but the prophet Daniel intervenes and saves her. It works with the whole voyeuristic theme the film has going.
Looking at that I notice there are a lot of naked women paintings and scultptures in the house. Who picked these? Norman? Unlikely. His mother? Even unlikelier. The lover? Most likely. But weird that his mother would allow such things.
Norman heads back to the house and is about to go upstairs, but stops. Where was he going before? To see his mother? Go to bed? He heads to the kitchen instead and thinks.
After speaking to Norman, Marian has a change of heart. She decides to head home and turn herself in, hoping they will be lenient. She does a few sums, and determines that she has $39300 left. As she rips it up and dumps it down the toilet and decides to take a shower.
This short scene involving the toilet took forever to get approved. In fact, this is the first american film to show a toilet in a movie.
Weird
I notice as she shuts the bathroom door, there is NO lock on the door.
She goes to take the shower and we have the scariest and one of the best scenes ever!
So intense and scary!!! I mean think of it, the shower os the most vulnerable place you could be at. You are naked, and have nothing to cover yourself up, nothing to use to defend yourself. In fact Janet Leigh said she was so freaked out when she saw herself murdered, that she never took a shower again. Opting only for baths.
There are tons of myths surrounding this shower scene and I am going to set the record straight. So the filming of this scene took a whole week to get it just how perfectionist Alfred Hitchcock wanted it, this was 1/4 of the total time it took to make the entire film.
Janet Leigh filmed most of this scene. She wore pasties to cover her privates, but the warm water from the shower melted them, and Alfred Hitchcock kept on filming. She did have a stunt double, who did some nudes, and she was sadly murdered the same way in real life as shown on screen.
And whoa this was a huge move to make. Killing the most famous person off? This was not done at the time, not at all.
When Norman discovers his mother covered in blood, he runs down to check on Marion. He finds her dead and freaks out, almost becoming sick.
He looks all around trying to compose himself, when he decides to put her body and belongings in the trunk of her car and cleans up the bathroom. He puts all her belongings in it, but forgets the newspaper. A car drives up, which surprises him, so much that he looks back in the room and grabs the paper. He then takes the car to the swamp to dump.
I just love that moment when it doesn’t go down right away and he freaks out. What will he do if it doesn’t sink. But it does, and he is relieved. The end.
A week later, Sam is sitting in his office writing a letter to Marian. On the small screen they have always shown this too quickly for me to read the whole thing. This time I was able to see everything and in the letter, Sam apologizes to Marian and says he doesn’t want to wait a few years but wants to marry her now.
If only he had asked her sooner! If only she had waited a week. If only, if only, if only. 😦
Lila comes in and introduces herself to Sam. She questions him about Marion and whether he and her were in it together, but Sam has no idea what’s going on.
Private Investigator Arbogast comes on the scene. He was hired by Mr. Lowrey and Cassidy to find Marion, hoping she would give the money back and that they wouldn’t have to bring in the police.
Sam denies knowing where Marion is, and Arbogast tells him that he will find Marion, one way or another.
He goes around asking at ever motel, hotel, and boarding house in the area. Each one says no. He spots the Bates Motel, and goes in to speak with Norman.
Norman is sitting on the porch eating Kandy Korn, as it says on his candy bag. Where’s he getting this in December? I guess it could have been leftover from Halloween. This was Norman’s personal touch, to add even more of a boyish charm.
Arbogast interrogates Norman, and I notice Norman speaks in a lot of clichés and metaphors. It’s probably due to him being only with his mother and never with peers.
He starts to clean the rooms, but skips door number one. He knows what went in that room and doesn’t want to think about it.
Arbogast follows and looks up at the house. He sees a figure, and questions Norman again. At first Norman says no one is there, but then says that it is his mother. Arbogast thinks Norman is hiding Marian, and infers that she seduced him, which angers Norman.
Milton Arbogast: Now, if this Marion Crane were here… you wouldn’t be hiding her would you?
Norman Bates: No.
Milton Arbogast: Not even if she paid you?
Norman Bates: No.
Milton Arbogast: All right, then lets say for the sake of argument that she needed your help and that she made you out to be a fool in helping her…
Norman Bates: Well, I’m not a fool. And I’m not capable of being fooled! Not even by a woman.
Milton Arbogast: I mean no slur on your manhood.
Norman Bates: She might have fooled me, but she didn’t fool my mother.
Norman is angry. Arbogast wants to speak to his mother, but Norman says no. As Norman is angry his face is put in more shadow and he loses that boyish charm and innocence, looking much darker.
Creepy!
Arbogast starts to head back to Lila and Sam, but stops and calls Lila from a phone booth. He tells her what Norman said, that Marion was here and then left, but it doesn’t feel right.
He decides to go back to speak to Mrs. Bates, promising to be back in an hour. As he drives back to the motel, we see Norman there. Arbogast starts up to the house going through the back and leaving the door open, checking the front and bottom floor. When he can’t find anything, he heads upstairs. As he walks up, he gets attacked.
Dead.
#2
Back at the store, Lila and Sam are waiting for Arbogast. It has been hours and he hasn’t shown, with Lila getting really impatient.
She is determined to head down to the motel to find out if her sister was there. Sam tells her to wait while he calls, but she is heading out the door. Sam stops her and agrees, he will go and look for Arbogast and she should stay here in case he returns.
All I can think is, man Lila is intense in what she wants. If she had been the one dating Sam, then she would have been married a long time ago.
Sam gets there but can’t find Arbogast or Norman anywhere. We see Norman by the swamp. Yep, dumping another body and car. Whoa, Norman really stepped into it this time. If it weren’t for the money, they wouldn’t be lookingthis intensely for her.
When Sam gets back and finds out that Arbogast still hasn’t returned, he and Lila head to the Sheriff’s house. They tell the Sheriff everything, but he doesn’t really seem to take them seriously.
Sheriff Al Chambers: Your detective told you he couldn’t come right back because he was goin’ to question Norman Bates’ mother. Right?
Lila Crane: Yes.
Sheriff Al Chambers: Norman Bates’ mother has been dead and buried in Greenlawn Cenetery for the past ten years!
Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.
Sheriff Al Chambers: ‘Tain’t only local history, Sam. It’s the only case of murder and suicide on Fairvale ledgers.
Sam Loomis: You mean the old woman I saw tonight wasn’t Mrs. Bates?
Sheriff Al Chambers: Now wait a minute, Sam, are you *sure* you saw an old woman?
Sam Loomis: Yes! In the house behind the motel! I called and I pounded, but she just ignored me!
Sheriff Al Chambers: You mean to tell me you saw Norman Bates’ mother?
Lila Crane: It had to be – because Arbogast said so too. And the young man wouldn’t let him see her because she was too ill.
Sheriff Al Chambers: Well, if the woman up there is Mrs. Bates… who’s that woman buried out in Greenlawn Cemetery?
SHE’S DEAD??????!!!!!!!!!!!
Ten years? Ten years dead?
And if she’s not dead but in the house, who’s in the cemetery?
Norman knows that there will be more people coming. They came for Marion, and they will follow Arbogast as well. So he moves his mother to the fruit cellar to hide.
Norman Bates: Now mother, I’m going to uh, bring something up…
Norma Bates: Haha… I am sorry, boy, but you do manage to look ludicrous when you give me orders.
Norman Bates: Please, mother.
Norma Bates: No! I will not hide in the fruit cellar! Ha! You think I’m fruity, huh? I’m staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!
Norman Bates: They’ll come now, mother! He came after the girl, and now someone will come after him. Please mother, it’s just for a few days, just for a few days so they won’t find you!
Norma Bates: “Just for a few days”? In that dark, dank fruit cellar? No! You hid me there once, boy, and you’ll not do it again, not ever again; now get out! I told you to get out, boy.
Norman Bates: I’ll carry you, mother.
Norma Bates: Norman! What do you think you’re doing? Don’t you touch me, don’t! NORMAN! Put me down, put me down, I can walk on my own…
This is probably the first time he has ever stood up to his mother in his life.
The next day, Lila and Sam head over to the church to go over to the Bates residence with the sheriff. To their surprise, the sheriff has already gone, and found nothing.
Lila and Sam are unsatisfied and decide to go over there themselves. They check in as man and wife, and hide out in their room until the coast is clear.
The two sneak into room one, where they search every inch to find any trace of Marian. In the bathroom, they discover a slip of paper in Marian’s handwriting. Lila is excited, but Sam dashes that by telling her it doesn’t really help as Norman admitted that she came there. They need proof of what occurred next.
They decide to split up, with Sam distracting Norman, while Lila questions the mother. As Sam walks out, it turns out Norman is standing in the doorway of the office.
He must have heard them, I mean right? Right?
Anyways, Sam distracts him as Lila heads up the hill.
All I can think is that what the Sheriff said to them did not seem to register. He and his wife say that the mother is dead. Do they think it is a lie? She faked her death? She never died? Another body is in the casket?
As Lila looks upstairs, she spots the mother’s room. It has a deep indentation in the bed, creepy mirrors everywhere, brass hands, etc.
She goes into another room and sees that it is Norman. And the bedroom is weird. It is itty-bitty. In a giant house, why would he be given a room the size of a cell?
All he has is baby toys, and they all look sad. Like I seriously think he was abused as a child. Look at his doll. The rabbit that sits on the bed with him. Why would an almost 30 year old man sleep with a stuffed animal, unless he was abused as a child.
The music he listens to is Beethoven’s Eroica. I used to think it was used because it was a letter away from Erotica, but after looking into the backstory, it was written for Napoleon, and supposed to signify all a man is, powerful, brave, strong; what Norman wished to be.
She then spots a book with no title. I always wondered what the book signified, and discovered that books then that were pornographic were published titleless.
This whole scene in the room is supposed to show the duality of Norman, a grown man, but still a child in so many, many ways.
Norman realizes that Sam has been distracting him, and knocks him out, then running for home. Lila spots Norman coming, and hides in the downstairs. That’s when she notices the fruit cellar and heads down.
When she gets there we have one of the best reveals ever!
So the sheriff takes him down to the jail, an they call in the psychiatrist to find out what was going on.
Dr. Fred Richmond: No. I got the whole story – but not from Norman. I got it – from his mother. Norman Bates no longer exists. He only half-existed to begin with. And now, the other half has taken over. Probably for all time.
Lila Crane: Did he kill my sister?
Dr. Fred Richmond: Yes, – and no.
Dr. Fred Richmond: Now to understand it the way I understood it, hearing it from the mother… that is, from the mother half of Norman’s mind… you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man… and it seemed to Norman that she ‘threw him over’ for this man. Now that pushed him over the line and he killed ’em both. Matricide is probably the most unbearable crime of all… most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn’t enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild. [Points finger at Lila Crane] When he met your sister, he was touched by her… aroused by her. He wanted her. That set off the ‘jealous mother’ and ‘mother killed the girl’! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!
Sam asks about the clothes, definitely weirded out by seeing Norman in that getup. And I agree, he was totally creepy looking.
Officer: He’s a tranvestite!
Dr. Fred Richmond: Ah, not exactly. A man who dresses in women’s clothing in order to achieve a sexual change, or satisfaction, is a transvestite. But in Norman’s case, he was simply doing everything possible to keep alive the illusion of his mother being alive. And when reality came too close, when danger or desire threatened that illusion – he dressed up, even to a cheap wig he bought. He’d walk about the house, sit in her chair, speak in her voice. He tried to be his mother! And, uh… now he is. [pause] Now, that’s what I meant when I said I got the story from the mother. You see, when the mind houses two personalities, there’s always a conflict, a battle. In Norman’s case, the battle is over… and the dominant personality has won.
Sheriff Al Chambers: And the forty thousand dollars? Who got that?
Dr. Fred Richmond: The swamp. These were crimes of passion, not profit.
Everyone’s like:
It wasn’t about the money at all? Yes folks, that is this film’s MacGuffin. A MacGuffin is something that the characters search for or aspire for, but in the end, has nothing really to do with the actual plot.
This last scene is my favorite as it is soooo creepy.
That moment when he smiles, it sends shivers down my spine.
So Mrs. Bates is evil. Pure evil. She was abusive to Norman throughout his life, and now throwing him under the bus. Pure evil.
So before we en I thought I would include some thoughts I had about Norman now that I’ve revealed the “truth” about him
1)When Norman chooses the parlor over the bedroom, I wonder if the Norman side “knew” it was best not to get to close as it might awaken mother sooner and “she” might do something drastic?
2)When he gets angry about institutionalizing his mother is it the dutiful son Norman that is angry, or his “mother”?
3) When Norman tells Marion he can’t leave, if he does then his mother will die all over again. Poor Norman, stuck in an endless cycle of abuse.
4) When Norman sees that Marion gave a false name in the book, do you think that “mother” found her an easier person to kill as no one was likely to connect that Marie Samuels to anyone? Do you think it made her more suspicious of her character?
5)I wonder if Marion had stayed up later with Norman would that have changed things? Would “Mother” have failed to come out? Or would she have come out earlier?
They are nothing with any real answer, but just something to ponder on and ask your cinephile friends.
I know you guys know that this post isn’t going to end. Like Jaws, I have a LOT to say. So in Universal Studios, when I took the backlot tour, they showed us a scene from Psycho. As they have declared the site historical, they also decided to have someone act out a scene from the movie every time a tram goes by. And it is awesome!
And so ends another Horrorfest. I know it has been crazy this year, as personal issues made me fall behind in posting. In fact, by the time this airs I still might not have caught up. However, what I was able to do was a lot of fun, and I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.
![Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them. Van Helsing: Doing them? Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: "Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!" Van Helsing: What did he want you to do? Renfield: That which has already been done! [giggles sinisterly]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images-39.jpeg?w=474)
![Count Dracula: Van Helsing. [Van Helsing turns to face Count Dracula] Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country. Van Helsing: I prefer to remain and protect those whom you would destroy. Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived. Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life. Count Dracula: If she dies by day. But I shall see that she dies by night. Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart. Count Dracula: Come here. [Dracula raises his hand to hypnotise Van Helsing] Count Dracula: Come here...Your will is strong, Van Helsing. [Van Helsing reaches out for his crucifix as Dracula looms toward him] Count Dracula: More wolfbane? Van Helsing: More effective than wolfbane, Count. Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images21.jpeg?w=474)
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