Monster Movie: Supernatural (2008)

“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

So this episode takes place in season 4. There have been a lot of angst and sadness

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

A couple is making out in a car when a werewolf comes upon them and attacks.

The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

But then finds himself overpowered by the vampire

The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Nope you heard my correctly

Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

And why not take a pizza break? Pizza is awesome.

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

In Their Proper Place: Metropolis (1927)

“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?

In their proper place, the depths.”

So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.

So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.

Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).

Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?

Why yes, yes I do think so.

Well I don’t care.

So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?

Spongebob would be disappointed in you.

When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.

I like it!

Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.

They got lots of pleasures, alright.

Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.

Maria, leader of the Rebellion

He then follows her down to the workers’ realm.

Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.

AAAAAAAHHH!!!!!!!!!!!

He runs to report to his father:

Sorry had to do it

Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.

On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.

Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)

Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).

Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]

Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch. 

Its a pretty freaky scene, and totally creeps Frederson out.

Understandable, as it would freak me out too. It did. It still does.

Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.

Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.

Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.

The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.

Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!

So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.

from The Cabinet of Dr. Caligari

Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.

Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.

I’m sure you all knew I was going to make this connection.

Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.

I mean seriously, what were you thinking?

Freder freaks out and drops into a delirious state of mind.

 

Poor guy!

False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.

Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.

The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.

Grab your torches and sharpen your pitchforks!

The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!

Noooooooooo!!!!!!!

Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.

Grab your torches and sharpen your pitchforks!

They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.

Noooooooooo!!!!!!!

But then when she burns away, she is revealed to be the robot.

Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.

This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.  

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to It’s Coming From Inside the House

For more on Metropolis (1927), go to Viva La Révolution

For more on dystopian futures, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on mad scientists, go to A Halloween Hello From the Austen Men

For more on creating a monster, go to I Want Friend Like Me

For more on Harry Potter, go to Fashionably Postworthy

For more of my favorite quotes, go to Horrorfest III: The Revenge