There’s Nothing Out There. Nothing in the Mist: The Mist (2007)

David, there’s nothing out there. Nothing in the mist.

So The Mist was an okay movie. I thought it was doing really good and totally creepy until the end. The end was totally screwed up as the director had to go and change the story. What a loser!

So this is based on a story by Stephen King. And I know y’all know that a Horrorfest would not be complete without one. It is also not a complete rip-off of The Fog (the new or old film), as everyone thinks it is. There are quite a lot similarities, but they are extremely different in the motive and what the “monster” that is attacking is. In the different versions of The Fog, the creatures are it is supernatural, while in The Mist…well, you’ll see.

So the film starts the day after a huge thunderstorm has hit a little town (of course) in Maine (the usual). A thick, unnatural mist starts to descend on the town, and at first they don’t realize that something far more sinister is lurking within it.

So, that day David Drayton (Thomas Jane), a graphic artist, decides to go to the local grocery store to buy supplies, bringing his eight-year-old son, Billy (Nathan Gamble), and his neighbor, Brent Norton (Andre Braugher) along. You know, just a normal average day.

So while they are at the store, another storm comes and hits the the town. This time it severely engulfs the area in a thick mist. (Whenever I bike to work early in the morning I always think about this movie and The Fog.)

They do notice something very strange. It seems as if there is a plethora of military roaming about the area.

That’s strange

When they get to the supermarket, they find it packed with people stocking up. A military policeman, goes after the soldiers in the supermarket, telling them to pack it up as their leave is over and they need to head out. Everything is normal until a local townsperson runs into the store covered in blood.

He begins screaming that there is something out there in the mist, killing and attacking people. People go to look out the windows to see what is out there, but the mist is so thick that they are unable to spot anything.

Several people rush, out and everyone hears their screams…then nothing.

The decide to seal the doors in order to keep “everything” out. One woman is worried about her children and decides to risk trying to go home. She asks for someone to accompany her, but no one volunteers.

She leaves and we never see her again.

So as you can guess, just like Night of the Living Dead, this film becomes more of a survivor story/deconstruction of humanity than an actual monster movie. You have a group of people trying to survive in a confinied area and while some rise to the challenge, others do not. This film has all the usual Stephen King clichés, like an deeply religious psychotic person who wants to kill/punish all who tries to control every one.

Of course

It couldn’t be a Stephen King film without it.

At one point the group tries to go check on their clogged generator. A couple men go to open the loading dock door to see what the issue is when large tentacles come reaching out and kill them.

This is just the beginning in monster attacks, as they face giant insect, pterodactyl -like creatures, and many more.

In a raid for medicine vis-à-vis The Day After Tomorrow, they run into the military supervisor from earlier hanging from a gigantic spider web. He tells them to question the men in the store for the true backstory of the mist.

In the end it turns out that military are to blame as they opened a portal to another world.

Yes. In an ending as disappointing as Indiana Jones and the Crystal Skull aliens just leaving. (Although the worse is yet to come.)

Eventually the section of the group that is run by the psychotic women, has increased that it outnumbers the other group lead by David. As she tries to get Billy to be a sacrificed, David’s team decides to leave, risking the unknown.

They are able to score a car and the group drive as far as the SUV will take them. They take stock of their options and decide it is better to end their lives, rather than be torn apart by whatever the things are. David shoots everybody in the car, including his son. Right before he turns the gun on himself, a military tank comes charging through proclaiming that they have defeated the monsters.

Yes. Yes. He has just killed his child and everyone when he didn’t need to.

Now I could forgive everything else. The stupid plotholes, the crazy clichés, the other dimension monsters, ANYTHING; but that ending? Really? Really? It’s just dumb.

Duh!

Did you guys have to that? It is so horrible! First of all as he murdered his child when he didn’t need to. And secondly, it is extremely anti-climatic! I mean come on, it would have been so much better if they just had them driving off, no one knowing what will happen to them or whether they will survive. You know, like how it ended in the book?!

Yep you guys really messed up there.

See Hook agrees with me.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Past of a Man

For more on Stephen King, go to He Who Walks Behind the Rows

For more films based on books, go to You’re Gonna Need a Bigger Boat

For more quotes, go to Part X: The Movie List That Would Not Die

In Their Proper Place: Metropolis (1927)

“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?

In their proper place, the depths.”

So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.

So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.

Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).

Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?

Why yes, yes I do think so.

Well I don’t care.

So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?

Spongebob would be disappointed in you.

When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.

I like it!

Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.

They got lots of pleasures, alright.

Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.

Maria, leader of the Rebellion

He then follows her down to the workers’ realm.

Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.

AAAAAAAHHH!!!!!!!!!!!

He runs to report to his father:

Sorry had to do it

Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.

On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.

Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)

Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).

Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]

Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch. 

Its a pretty freaky scene, and totally creeps Frederson out.

Understandable, as it would freak me out too. It did. It still does.

Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.

Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.

Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.

The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.

Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!

So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.

from The Cabinet of Dr. Caligari

Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.

Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.

I’m sure you all knew I was going to make this connection.

Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.

I mean seriously, what were you thinking?

Freder freaks out and drops into a delirious state of mind.

 

Poor guy!

False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.

Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.

The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.

Grab your torches and sharpen your pitchforks!

The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!

Noooooooooo!!!!!!!

Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.

Grab your torches and sharpen your pitchforks!

They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.

Noooooooooo!!!!!!!

But then when she burns away, she is revealed to be the robot.

Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.

This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.  

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to It’s Coming From Inside the House

For more on Metropolis (1927), go to Viva La Révolution

For more on dystopian futures, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on mad scientists, go to A Halloween Hello From the Austen Men

For more on creating a monster, go to I Want Friend Like Me

For more on Harry Potter, go to Fashionably Postworthy

For more of my favorite quotes, go to Horrorfest III: The Revenge

They’re Coming To Get You Barbara: Night of the Living Dead (1968)

 They’re coming for you, Barbara! 

This is such an amazing film! George A. Romero is truly an amazing screenplay writer and director.

I actually saw the sequel first, Return of the Living Dead, on AMC’s old Friday Fright Nights, but d wasn’t able to watch the original  film until much later. The sequel is no where as  creepy as this one, and the only watchable sequel in my opinion.

One of the things that makes this film so revolutionary and a cult classic is that it is one of the first films about zombies to depict them as actual living dead and not mind control, like in White Zombie or Revolt of the Zombies. It also has the zombies being created by radiation instead of being controlled by the “third eye”.

I also love how the zombies are true zombies and not any of these super soldiers they make them to be now. The zombies are living dead, so they move slow as their flesh is rotting. They are also destroyed by fire or a shot to the head.

It’s a great zombie film!

The film begins with Barbara and her brother, Johnny, going to a cemetery to put flowers on their father’s grave. While they are there, Johnny starts teasing his sister; trying to freak her out. He sees a man approaching and pretends that it is a “ghoul” after her.

The man turns out to be a zombie attacks Barbara. Johnny tries to help her, but hits his head on a gravestone. Barbara runs away from the zombie chasing her, and holes up in a farmhouse.

Now Barbara is extremely freaked out, but even though she is traumatized she doesn’t just sit around but  searches for a knife to protect herself. She ends up being joined by another, Ben, who stops at the house when his car runs out of gas.

Ben is the best character in the film as he dies everything he can to keep them safe. By this time Barbara is pretty much incoherent as she has gone into complete shock.

They are later joined by others trying to escape these zombie attacks. The film switches from being just a horror film, to being a survival film. We see what everyone’s true characters are as they show how they act in intense situations.

The movie is fantastic and has a completely unexpected ending.

It is a wonderfully done film, with complex characters, definitely worth watching! And because of a mistake it is public domain and can be viewed on almost any streaming site along with YouTube.

That’s it for this fearsome Friday! More posts to come! 5 days ’till Halloween!

Here’s a poster/cover photo I made for my facebook as part of my Halloween countdown

To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to From the Sea Burning With Fire

For more on zombies, go to When Potatoes Go Bad

For more on monster movies, go to I Want Friend Like Me

For more films that spanned sequels, go to Someone Very Special