Is Christine the Ultimate Femme Fatale?

As this is Noir November #Noirvember, I thought it was no better time to talk about one of the top classic femme fatale.

I hate Christine, I think she was a horrid little urgh.

And I don’t use that lightly. First we see her all upset at Raul for being rude and condemning Erik

“Why do you condemn a man who you have never seen, whom no one knows about and whom you yourself know nothing?” (pg. 104)

But then she’s like I’m so scared of him. Aaah! She makes him sound evil, even though the story is hardly anything.

She heard this wonderful voice and begs him to teach her.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears, Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!!

What???!!!

She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.”

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Poor guy

And she goes on about being captured by a madman and held prisoner, BUT he treats her well. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there.

“For he sang. And I listened…and stayed!” (pg. 125)

Seriously?

So she falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

Wow

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

But Christine is not happy. She wants out. She is angry with the Phantom, even though she is packed with beautiful gifts. All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

Seriously

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted.She can’t live well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off. 

She tells Raoul this as each visit “increased her horror.”

Now what’s really interesting is after Christine has told her tale, Raoul asks her:

“You are frightened…but do you love me? If Erik were good-looking, would you love me, Christine?” (pg. 132)

Hmm…

And what does Christine say? Does she say NEVER, I don’t love him I LOVE YOU? No. Does she say that Erik is a horrible person, and she could never love him? No. Now what does she say?

“She rose in her turn, and put her two trembling arms round the young man’s neck and said: ‘Oh my betrothed of a day, if I did not love you, I would not give you my lips! Take them, for the first time and the last.” (pg. 132)

You see that!!! You see that!!! SHE NEVER ANSWERS THE QUESTION!!!! And you know why???!!! Because the answer is NO! She don’t love you Raoul, she’s using you just as she used Erik. She could have easily answered she loved you, but instead she deflected the question and gave you a kiss. I hate when people do that, urgh!

Let me tell you something, if you ever are having a serious and deep conversation with someone and they deflect you with a kiss, hug, sex, whatever, you need to get out of that relationship because they are not serious about you. Should’ve seen it Raoul, except you were to busy focusing on that kiss that you missed it.

Meanwhile, Christine, the little actress starts playing Erik to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abraod. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling and a loser when they consider what their arch rival’s is feeling?

See Erik isn’t the monster, Christine is! She just goes and destroys two men’s lives-never thinking about them or how it affect them; all she cares is about her self.

Yeah, that’s why I hate Christine Daaé.

For more on The Phantom of the Opera, go to President of the “I Don’t Like Raoul Fanclub”

For more on Christine Daaé, go to Le Fantôme de l’Opéra

For more femme fatales, go to That Girl is Poison

Emma (1996) AKA the Kate Beckinsale Version

So when I say I’ll be reviewing Emma (1996), most people think about this:

I however will be talking about this:

So this film follows the book of Emma pretty accurately. It doesn’t have everything, of course, as it is only a hour and 47 minutes, but it does a good job. So how I am going to do this review is a bit different, instead of looking at the storyline I am going to review how the characters were portrayed and the set design.

Set

So let’s look at the indoor set featured above. Now I know that A&E Television was trying to go for a more realistic feel, but heads up movie writers; if we cannot see the action happening then you need to skip “accurate” for enjoyable. Nobody wants to spend their money on something that can’t tell them what is happening.

I agree that the chiaruscuro and candlelight is a nice effect, but not worth it. It is like when you watch Onegin and you have those scenes where you have no clue what anything looks like. Good thing for Ralph Fiennes’ amazing voice.

The rooms also lacked any pizazz or beauty.

The outdoors were extremely lovely, and kudus to the screenwriters who show how the servants had to carry every component of the picnic up the hill for their Box Hill little party. That was great.

Costumes

So while Emma (1996) aka Gwyneth Paltrow Version had this absolutely beautiful and stunning costumes, this version’s ones were so boring. I mean even Catherine had better things  than what the very rich Emma wore in this.

And “poor” Elizabeth also wore more attractive and beautiful garments.

These ones were just too plain and not befitting someone as important as Emma. I mean even her ball gown was boring.

Mr. & Mrs. Weston

So in the book Miss Taylor turned Mrs. Weston was Emma’s governess, but in reality her confidant and best friend. While they don’t spend as much time together, with her married, in a new home, and concentrating on her new family; still they are buds. In this we hardly ever see Mrs. Weston and I can’t recall a scene in which she talks to Emma, except to warn her about Frank and Jane’s upcoming marriage. Great job there A&E turning her whole character into a little blimp in the story.

Mr. Weston also hardly has any scenes or interactions in this film, which is a complete shame as he is a incredibly cool guy.

Harriet Smith

This is one area where the film was fantastic. I have not seen a portrayal of Harriet Smith as fantastic as the one done by Samantha Morton.

Wow

In this she doesn’t play Harriet as the empty flower pot or the kind-hearted klutz; instead Morton focused on the aspect of Harriet’s unknown parentage and ran with it in her presentation of the character. Before I watched this film, I never thought of what Harriet went through not knowing who her parents were. I mean if you think of how people treated those who were in a slightly lower class, but respectable (like the Bennets in Pride & Prejudice) imagine how they would treat someone who is unknown. When someone would not claim their child as their own, it typically meant an illegitimate birth, usually the mistress. So those girls in school were most likely not interested in becoming besties with Harriet, or having anything at all to do with her.

Aw

This completely explains why Harriet is so eager to do everything Emma says. After so long of being alone; family-less and friendless, she finally has someone who cares about her and will do whatever she can to keep it.

I have to say one of the best scenes is when Emma is chattering away about how Harriet’s father must be an important gentleman and you see Harriet looking down, brokenhearted saying something like I hope so.

The way she acts around Robert is also just adorable. You can tell she is crazy about him, but also scared. Scared of being abandoned again, rejected by her friend Emma, and making the wrong decision as she has no family to guide her.

Great job Morten.

And I truly mean it

Jane Fairfax

Jane Fairfax is Emma’s character foil. While Emma doesn’t play piano well, paints okay, doesn’t read, has a meager education as she isn’t into studies, enjoys meddling, can be rude or snobby, and likes to do what she wants without thinking of others; Jane is the opposite. Jane is a superb piano player, an excellent painter, enjoys reading, has a high level of education, enjoys privacy, is kind, compassionate, and considerate of others. A regular Goofus and Gallant, (J.K. I love Emma). This is one of the reasons why Emma dislikes Jane, as she is envious of what she has accomplished.

However, in this film they didn’t show that at all. Emma dislikes Jane, but we hardly see them react or why Emma is so jealous. We don’t hear others praise Jane, and the conversation when Emma is pumping Jane for information wasn’t intriguing.

This Jane hardly even seemed there, she wasn’t a very intriguing nemesis.

Mr. & Mrs. Elton

So Mr. & Mrs. Elton are some of the villians in the novel and film. Mr. Elton proposes to Emma and when she refuses him he is extremely rude to her and Harriet; going out of town and picking out a shrew of a woman to be his wife.

In this depiction they didn’t have as much of a role. We see them for the crucial scenes of Elton proposing, them cutting Harriet, and so and so.

I didn’t like their depiction as they are supposed to be more hatable. You are supposed to extremely dislike them and want bad things to befall them.

Mr. Frank Churchill

Frank Churchill is also supposed to be the villian in the book. At first he seems like a nice, sweet guy, courting Emma; but in reality he is a major jerk. He ignores his father, ignores his real fiancé, and leads Emma on.

The Frank Churchill wasn’t quite as sleazy as he should have been, in my opinion, but he did a good job. He had a painted on smile and gave off an air of insincerity; which worked really great. This actor did a great job and I give him a ten.

Mr. George Knightley

I thought this was the worst depiction of Mr. Knightley. Where to start? Well first of all his hair. Why did they pick that particular hairstyle? It looks too mulletish and makes him have the appearance of a receding hairline.

My biggest issue with Mark Strong as Knightley is that he is just too brooding to be Knightley. Knightley is older, but still relaxed enough to be best friend with Emma and joke around with her. He is serious but can also have fun.

Strong as Knightley is just brooding all the time and whenever he talks his eyes flash and he practically yells in anger. He makes me think of the Beast in Beauty and the Beast the way he reacts to everything and everyone.

I thought Strong made the character too dark, he would have been better as a Darcy than a Knightley.

I also didn’t like the scene of him with baby Emma, that was a little too weird. And the scene he announces his proposal he sounds as of he is yelling at everyone as if he is planning to destroy them all.

Emma Woodhouse

I really hated this version of Emma. I thought Beckinsale was a horrible actor, just kind of staring off into space and being blank and like a piece of wood.

If she wasn’t being totally deadpan she had this creepy expression on her face like she wanted to devour everyone like a female praying mantis.

I thought it was horribly bland and boring.

Ending conclusion:

I thought the way the characters were portrayed was boring, the transitions weird, and the film all around mediocre. There was no fun to it and the actors talked as if they were being paid an extra bonus if they could finish their lines in under three seconds.

For more on Emma, go to Clear Eyes. Full Hearts. Can’t Lose: Superbowl 50

For more Emma adaptations, go to Mr. Knightley’s Diary

For more Jane Austen films, go to I Don’t Want You Far From Me: Sense and Sensibility (1995)

For more Jane Austen adaptations, go to The Confession of Fitzwilliam Darcy

These Shoes Were Made for Walking

I like shoes. I didn’t used to but as I grew older I appreciated and collected more. So you all know how I feel about boots.

I love them, especially cowgirl boots.

But as I have already talked about them, let’s move onto my second favorite type of foot wear. High heels.

Being 5’3, life can be hard.

One thing that makes it better are high heels. Not only for their added height, but their beauty and the way they make you look amazing.

They make you look absolutely fabulous.

So my advice ladies:

For more on high heels, go to The Little Moreland

For more on Marilyn Monroe, go to Musical Madness

For more on Coco Chanel, go to Inner Beauty

For more on fashion, go to A Real Life Saver

For more quotes, go to I Hate Those Kind of People

Todays post comes from the Jack Frost Christmas special.

In the film Jack Frost falls in love with a beautiful peasant girl. This winter he is given the opportunity to be human and win her heart, sealing the deal to remain human if he gets a home, a horse, and a bag of gold.

This song, Just What I Always Wanted, takes place during the Christmas he spends with the people. Since no one has any money, they just give empty boxes to each other pretending it is their dream gift.

The song is cute, adorable, and incredibly catchy.

For more on Jack Frost, go to the 25 Films of Christmas

For more Christmas carols, go to A Very Merry Star Wars Christmas

Inner Beauty

For more on Coco Chanel, go to You Only Get One

For more quotes, go to Growing Up is Hard to Do

For our first of 25 carols, I am choosing It’s Beginning to Look a Lot Like Christmas. I picked this mostly as it is true: Christmas decorations, wrapping, presents, trees; everything can be seen everywhere!

This song was written in 1951 by Meredith Wilson and has been covered numerous times, my choice being the fantastic Bing Crosby.

For more Bing Crosby, go to Pot o’ Gold: 17 Irish Heroes

For more Christmas carols, go to O Christmas Tree, O Christmas Tree

Small and Proud

I have little boobs. I’m a small person, in every direction, but you know what. I am okay with that.

But I hate how it seems as if it is near impossible to buy a non-push up bra these days. I know I have little boobs and I’m proud. With me what you see is what you get. Aren’t there others out there proud and wanting to show their real side? Why can’t we accept reality instead of trying to make women some unporportionate fantasy?

If you are a small girl, be proud! Little boobs rock!

You don’t need pads, push-ups, or any extras to be beautiful. You already are, my small boobed sisters!

For more musings of me, go to A Spot of Trouble

For more on beauty, go to Heart and Soul

For more Last Kiss Comics, go to Only a Woman: Queen of Outer Space (1958)