An Invisible Man Can Rule the World. Nobody Will See Him Come, Nobody Will See Him Go…He Can Rob, and Wreck, and Kill!: The Invisible Man (1933)

 

An invisible man can rule the world. Nobody will see him come, nobody will see him go. He can hear every secret. He can rob, and wreck, and kill!

Choosing a movie to open and close is hard-very, very hard. My drama teacher always told us the opening, before intermission, after intermission, and the closing are the most important-basically the opening and closing are what people remember. If you goof, make a mistake, or something doesn’t quite go right-they will forgive. As long as the begining is good and the end is powerful. That’s a lot of pressure.

Hmmm…

I was very unsure what to do-

Hmmm….

But then I had an idea. I read the book The Invisible Man and did not like it. I had never seen the film-in fact it is the only classic Universal Film I have yet to review.

Idea!

That being the case, it is the perfect one to end on. Will it be as good as the other classic films? Will it be better than the book? Will it be worse? Hmmm…?

On with the review!

When screenwriter R.C. Sherriff came to Hollywood to write this film, he asked the staff at Universal for a copy of the H.G. Wells novel he was supposed to be adapting. They didn’t have one; all they had were 14 “treatments” done by previous writers on the project, including one set in Czarist Russia and another set on Mars. Sherriff eventually found a copy of the novel in a secondhand bookstore, read it, thought it would make an excellent picture as it stood, and wrote a script that was a closer adaptation of the book.

What?

But there is one thing they did to help-they gave him a girlfriend. Having a girlfriend is very important to this character who otherwise is crazy, cruel, maniacal, evil, etc. The girlfriend humanizes him-when they are together we see there is more to him-another softer side, he isn’t just a monster.

So everyone wanted Boris Karloff to play the lead-but he turned it down as the character isn’t really on screen. The director overheard Claude Rains auditioning for another part and thought he was perfect. Rains had never been in a film before this, only stage acting, and did it perfectly as his voice was clear-even in all the costuming.

So let’s do the review:

A stranger arrives in the snow to the small village of Iping. All stop when they see how strange he looks-dressed in much heavier clothing than one would even in the cold. He wants a room.

They are more of a summer place, but agree to give him a room to sleep and an extra room-for his experiments.

The townspeople are wary of him-after all what innocent person covers themselves and tries to obscure thier identity. When the owner’s wife brings Griffin his dinner she sees that half of Griffin’s face is GONE!!

They didn’t have the technology we have today, so in order to make Rains invisible they dressed him in a full black bodysuit and placed him in front of a black screen.

Elsewhere, Dr. Cranley (Henry Travers) is woking in his laboratory. Dr. Cranely is Griffin’s mentor and his daughter Flora (Gloria Stuart) was engaged to him. Both are puzzled by his disappearance, and Flora is extremely worried about him, as she hasn’t heard from him in over a month. Dr. Arthur Kemp-Griffin’s friend and the other worker in Dr. Cranely’s lab, has also had zero word. And because Griffin was always working in secret, none know even what he was doing, so no clues where to find him.

A week later, Griffin is still at the inn working trying to find his way “back”. The only one who goes into the rooms is Jenny, the innkeeper’s wife. She doesn’t want Grifffin here-she wants him gone as his rooms are a mess, he is incredibly mean, and just creepy.

When they try to get him out, Griffin refuses and tosses the innkeeper down the stairs. They call the police. Constable Jaffers (E.E. Clive) comes to arrest him, but then Griffin does what no one expected.

Griffin attacks the men guarding the door and then takes off.

So this where I have a problem in the book. All the other classic monsters had something that made you feel for them. The Phantom? Thrown out because disfigured, abused, mistreated, used, and people have tried to kill him because he is ugly. Finds a girl who he thinks loves him but doesn’t care a fig about him-you understand why he goes all crazy. Dr. Frankenstein wants to help humanity, believes he knows better than God, but learns his harsh lesson. His monster is just trying t make it but people are afraid and trying to kill him. In Bride of Frankenstein? Frankenstein wants to live his life but blackmailed into creating another monster. Frankenstein’s monster just wants love. The Mummy is crazy and bad, but his main goal is to bring his love back to life. Dracula is an evil monster, but very charming. The Wolf man, poor guy just trying to reconnect with his dad, grieve his brother, and take over family business-wrong place wrong time. The Creature from the Black Lagoon? Just wants love.

Griffin is not charming, he’s not trying to help people, he’s not looking for love. He’s a wackadoo murderer-evil, insane, cold, etc.

Dr. Cranely and Kemp go through Griffin’s stuff to try and find clues to where he is. They do find a list of drugs, one being monocaine, which destroys everything and turns whatever creature that gets into it-insane.

You’re crazy!
Crazy, am I? We’ll see whether I’m crazy or not.

Griffin goes to Kemp as he needs help. He threatens him and blackmails him into being his errand boy. Griffin and Kemp discuss what happened and Griffin tells him he started working his experiments five years ago. He threatens Kemp to get his notes for him so that he can create the antidote.

The Chief Detective starts investigating and questioning people. Meanwhile, Kemp and Griffin head to the inn to get the notes. Griffin gets his stuff and attacks the Detective, killing him. This causes more panic and hysteria.

The police murder has lit a fire under them and they begin searching for Griffin. They start looking 20 miles in all directions and more and more volunteers join in. At 10:30pm  radio broadcast goes out and warns everyone that it isn’t a hoax. A reward for £1000.00 is offered.

Dr. Kemp is worried and calls Dr. Cranely to tell him about Griffin and warns him that Griffin has gone crazy. Dr. Cranely tells Kemp to take care to keep him there and that he will be there the next day. Kemp calls the police to tell them Griffin is in his house. Griffin becomes enraged at him for telling in him.

Flora goes to see Griffin and here we have a shred of humanity as he softens toward her and we see a sliver of the man he was-the one Flora fell in love with. But then he is gone and only the crazed killer remains.

One who has created this invisibility and wants to auction it off to the highest bidder.

While they are talking the police arrive. Griffin escapes and flees, but not before he tells Kemp he will murder him at 10:00 pm. The police come up with a plan as to how they will catch him. They will use Kemp as bait, but Kemp doesn’t like that idea. He takes off in his car but Griffin is already waiting there. He ties him up and pushes Kemp and the car off the cliff.

Griffin stays in a barn that night and a farmer spots the hay moving and calls the police. They decide to burn down the barn and follow the Invisible Man’s footprints on the snow to take aim. He’s hit and as he does his body is revealed slowly.

I thought it was pretty good, but let’s be honest it wouldn’t be nearly as good if it wasn’t for Claude Rains.

The thing that is mindblowing is the special effects. Really good for 1933. So there we go I have reviewed all of the Universal Classic Monster Films!

There we go. All 31 posts finished! Yay!

I hope you all have a fantastic and safe Halloween!

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Mr. Hyde Versus the Werewolf: Dr. Jekyll Versus the Werewolf (1972)

For more Claude Rains, go to Even a Man Pure of Heart: The Wolf Man (1941)

For more mad scientists, go to Nowhere to Hyde: Scooby-Doo Where Are You? (1970)

We’re Mad Scientists. We’re Monsters: Avengers, Age of Ultron (2015)

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“We’re mad scientists. We’re monsters.”

So I know many of you see this film on this list and are probably thinking to yourself:

Whattheheck

Why would I put an action/adventure, superhero film on my list of horror films? Well I’m including it because of this reason: 1) You have two, not one, TWO scientists who create two, not one, but TWO creatures.

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So I’m sure you all who have been following me know how much I liked The Avengers film that came out two years ago.

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Not me, that’s for sure.

I loved this film and thought it was the best superhero film. It covers a team, but each character was given their own moment to shine. It had great dialogue, amazing scenes, and was just altogether fantastic.

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Now as for the sequel? How did I feel about it.

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I thought it was horrible!!!!!

EW!

And it sucks because I was jazzed about this film. James Spader? Love him in everything! Our dream team, the Avengers? Awesome! Having some X-Men characters finally in it and teasing with a full on cross over? YES!

excited

But then is sucked.

You ruined it!!!!

You ruined it!!!!

And believe me, my opinions based on this film isn’t just from one viewing. I saw it at the midnight showing, I saw it in 3-D the Sunday after with my nephew, and then my friend and I went and saw in June after seeing Jurassic World. Each time I saw it, the more I thought it was just done poorly, 2015’s Godzilla (which strangely, the same actors who were husband and wife in that movie are the Maximoff twins in this one.)

So this is going to be a slightly different review, I will give a brief synopsis and then go on to list why I didn’t like this film.

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So the film starts with the Avengers taking down what they believe is the last cell of HYDRA out in a small Eastern European country. They are also after the scepter Loki had in the first film. They believe they have accomplished it when they run into two “enhanced creatures” or whatever they call them, Wanda/Scarlet Witch and Pietro/Quicksilver Maximoff. Wanda has the power to manipulate reality, while Pietro can run at super fast speeds.

Marvel's Avengers: Age Of Ultron Quicksilver/Pietro Maximoff (Aaron Taylor-Johnson) and Scarlet Witch/Wanda Maximoff (Elizabeth Olsen) Ph: Jay Maidment ©Marvel 2015

Wanda uses her powers to cloud each Avengers mind and mess with their ability to think, espechially Tony Stark. After the defeat, of everyone, (except the Maximoff twins), the team returns home to the tower in New York to have a party and celebrate the end of the Avengers.

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Tony convinces Thor to allow him to study the scepter, believing he can use it to create a robot that will be able to save humanity and keep it safe. He convinces Bruce Banner to assist him. See here is where we have the Frankenstein parallels.

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In Frankenstein, Dr. Frankenstein believed that his work could save humanity: it could bring about immortality, he could save people who’s limbs were lost reanimating dead limbs; etc. Instead he creates a creature, that immediately tries to destroy him. It also has a goal in mind and tries to force Frankenstein into playing his games and doing what he wants. Frankenstein realizes his mistake in trying to take God’s place and create something he has no control over, but it is too late. His creature has decided to destroy not only him, but everything he loves.

With Tony, he believed that his work could save humanity: it would protect them from aliens and any threat too large for humans to handle. Instead he creates a creature, Ultron, that immediately tries to destroy him. It also has a goal in mind and tries to force Tony into playing his games and doing what he wants. Tony realizes his mistake, but it is too late. His creature has decided to destroy not only him, but everything he loves.

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The team has discord and seems to be falling apart, when after a brief pastoral retreat they come back in the game and go after Ultron. They steal the machine he was going to use to create the perfect body, with Tony comes up with a second idea. Use Ultron’s plan, but instead of Ultron, input his best friend/butler, J.A.R.V.I.S.

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So here we have The Bride of Frankenstein parallels.

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In the Bride of Frankenstein, Frankenstein has realized his mistake. Never again will he ever make another creature, but instead be satisfied with what he has already accomplished. Then an old friend, ), comes around and convinces him to make another creature, to be the opposite and balance out the first. Now while Frankenstein knows it is wrong, and has seen how out of control things could get with his first creation, he decides to do it again creating a bride for the creature.

So in this Bruce Banner has realized his mistake in assiting in creating Ultron. Never again will he ever make another creature, but instead be satisfied with what he has already accomplished. But then Tony starts wheedling him, insisting and convincing him to make another creature, to be the opposite and balance out the first. Now while Bruce knows it is wrong, and has seen how out of control things could get with his first creation, he decides to do it again creating a yin to Ultron’s yang, Vision.

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So after the create Vision, they go after Ultron, ending back where the film started; but this time with Vision, Scarlet Witch, & Quicksilver (Wanda and Pietro both choosing to go with the Avengers than Ultron).

The fight to save the world, losing an avenger in the process. Back in New York, the old has gone it’s own way and a new Avenger team is born.

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Now on to the issues.

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1) What an Opening, “What” as in “What is Going On?”

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The first scene was all over the place, in a ton of slow motion, and unrealistically packed with action that I thought they were pulling a Toy Story 2 and it was a video game.

Say What

I mean come on, in that one scene they are practically posing for the camera.

It might have been the drugs I was on for my ear infection, but yeah I legitamitely thought it was some kind of tease, that is how horribly fake looking that beginning is. It didn’t feel like it was happening, but as if you were watching a bad community play. I mean I saw several times where Black Widow should have been shot but “wasn’t”. The fighting in the first one was much better.

Also no context as to what it going on, why are they after Loki’s scepter? Where did it go after the first Avengers film? Now some people might say “if you watch the TV show you’ll know”, but that’s not what a sequel is about. A sequel is created to enhance characters or events from the first film/book, having a progression from the previous to the next. Not suddenly throw everything at you with you like I don’t know what is going on.

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2) Slow Mo needs to Go No Mo’

Stop stop it now!

Honestly Joss Wheedon, the ’90s called, they want their special effects back. But seriously, waaaaaaay tooo much. It looks horrible, it is distracting, and just takes your viewer out of the right state of mind.

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3) Calling Someone Out for Cursing Worth Talking About, But Create an Evil Robot and That’s Just a Moment Thing

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Seriously. This a running joke for everyone, it keeps rearing its ugly head throughout the film. But Tony? They are mad for a nanosecond, and then they move on. Really guys? Really? The Robot is definitely worse and worth discussing.

And he doesn’t make just one thing, but TWO! TWO!!!!!

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4) Enhanced Not Mutated

Marvel's Avengers: Age Of Ultron Quicksilver/Pietro Maximoff (Aaron Taylor-Johnson) and Scarlet Witch/Wanda Maximoff (Elizabeth Olsen) Ph: Jay Maidment ©Marvel 2015

I don’t know who’s idea it was to not make them mutants and the children of Magneto, but that was beyond stupid.

THEY ARE MUTANTS NOT ENHANCED MUTANTS!!!!!! And they are Magneto’s children.

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5) Clintasha or Brutasha?

So I did not like Black Widow and Hulk together. I really wanted it to be Black Widow and Hawkeye.

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Now I might not have minded the whole Brutasha if it weren’t for the fact that it came out of left field. Natasha does go get him in the first Avengers film, but that’s all we see of their interactions. There is nothing to suggest anything romantic, and no chemistry between them,  but yet we are expected they are considering running away together?

Girl Please

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6) Visions…I Guess?

What! Mark Wahlberg that's weird

So what is up with the visions that Scarlet Witch makes. They never really explain her powers in the film so is it magic? Really the future? What?

They also don’t make any sense. For Tony it is his fear, and a bit of the future. Black Widow, a hidden memory, Thor a fear/vision. Captain America? How does what he sees relate to anything?

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7) Tony Pop Culture Allergy?

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So unlike Captain America, Thor, Black Widow, etc. Tony is a HUGE pop culture junkie. Yet when he creates artifical life, he doesn’t even consider how things could go horribly wrong. Wouldn’t he have seen Jurassic Park, 2001: A Space Odyssey, Frankenstein, The Terminator, I Robot, etc? Espechially as three that I just listed involve bad robots? Wouldn’t that make him pause, at least for a moment.

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8) I Leeloo Ultron Robot

The part when Ultron awoke and then starts researching to figure out his purpose and what he’s supposed to do made me think if The Fifth Element.

Ultron’s breakdown around his objective is also very similar to V.I.C.K.I., in I Robot, when she starts killing mankind to save mankind.


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9)Massive Iron Man Vs. Hulk

I feel like someone thought of this and then wrote the script around it. I know everyone thought it was super cool, but I actually thought it was kind of a worthless scene.

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10) Green Acres is the Place to Be

So the whole crew go out to Clint’s farm so that they can regroup and figure out a new plan. To me it seems like a ripoff from the Teenage Mutant Ninja Turtles (1990), when they go to upstate New York to heal and refigure out what to do.

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11) Motorcycle Mama Knows NO Bounds of Gravity

When Ultron tosses the ground at Black Widow and she is able to not only stop in time but turn so she isn’t hurt.

Really?

Really?

Impossible and dumb thing to do. Just no, no.

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12) Copying Captain Underpants

So there was this book series in the early 2000s, Captain Underpants, about two kids, George and Harold, who hypnotize their principal into thinking he is their comic book creation, Captain Underpants.

In the sequel, Attack of the Talking Toilets, George and Harold use the nerdy kid’s  science fair project, a 3D printer, and accidentally bring a giant toilet and his toilet army to life.

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When Captain America isn’t able to stop them, they then create a Giant Robot to battle and destroy the toilets.

Avengers: Age of Ultron is like the same exact plot. Just switch out toilets for Ultron & the robots, and Giant Robot for Vision.

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13) A Death That Didn’t Need to Happen

So people have been complaining that no one really dies in a superhero film, they always come back to life again. This coupled with Joss Wheedon liking to make us cry, meant he was going to kill someone and he killed Pietro.

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That is the stupidest thing I have ever heard. The man has SUPER SPEED!!!! You really think he wouldn’t be able to just move around the bullets in time?

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I mean for once Fox did a better job than Disney.

Just so much awesome.

And if they are going to kill him, why not save him in the Stargate cradle thing? Hawkeye used it. And why does he, Cho, and Coulson get to survive?

You know why, because he is just being a pain, like Wes Craven when he killed Randy but let Dewey survive. And you know what Wheedon? Because that was so stupid, I’m going to ignore it.

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Let’s face it, we all know how it should have ended:

So no banner as I couldn’t find a pic that worked right. Instead I’m going to end with those who criticize films best:

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to A Giant Metal Man: The Iron Giant (1995)

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For more on The Avengers, go to Avengers Assemble!

For more evil robots, go to She’s Been Totally Different…Like Stepford: Ted, Buffy the Vampire Slayer (1997)

For more mad scientists, go to Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

For more Frankenstein, go to It’s Alive, It’s ALIVE!: Frankenstein (1931)

For more on The Bride of Frankenstein, go to I Want Friend Like Me: The Bride of Frankenstein (1935)

For more on sequels, go to It’s Happening Again, Isn’t It?: Scream 2 (1997)

For more How It Should Have Ended, go to I’ll Be Back: The Terminator (1984)

For more CinemaSins, go to Let Them Fight: Godzilla (2014)

 

Monster Mash

So during Horrorfest, there comes a time when my non-blogging life gets full and I just don’t have time to write a full film or TV episode review. There’s just not enough hours in the day. If only I had a time machine.

Back to the future Doc Marty Dolorean time machine

The first year I did a post where I dressed up the actors who played Austen Heroes in costumes.

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To read go to A Halloween Hello from the Austen Men.

In Horrorfest II, a did a post on an artist who mixed classic horror films with Disney characters.

Finally a mate that can live with me in my lagoon.

Finally a mate that can live with me in my lagoon.

To read that, go to Disnified Horror.

In Horrorfest III I did a post on 100 of my favorite lines from horror films.

Horror Films

To read that, go to Part X: The Movie List That Would Not Die!

And this is this year’s post.

Now I know what you are thinking? So early in Horrorfest? Well, yes. You see I was going to review all the films in a series on the last four Thursdays in October, but I changed my mind. So while I’m tweaking Horrorfest IV, I leave you with this awesome, non-film/TV episode review post.

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So I was in Barnes and Nobles, looking in their non-book film, board games, toys, etc. section when I spotted this:

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I was sooooo excited! CLASSIC HORROR FILM ACTION FIGURES!!!!!!!!!!!!

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I was so stoked that I spent like an hour combing through and looking at every doll they had, trying to make a complete set.

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So we have the monster from Frankenstein,

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And how could he be complete without his bride?

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I kept searching for the Phantom or the Wolf Man but couldn’t seem to find them.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

It seemed like a majority of their horror figures were Frankenstein’s monster and his bride. But then I finally found this:

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And the King of the Horror flicks himself,

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But still no Phantom or Wolf Man.

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I was ready to call it quits. I mean I had been searching for them in a cloud of Frankenstein related monsters. A crowd was watching me thinking I was crazy as I exclaimed in delight over my action figures. I guess it wasn’t meant to be.

Noo!

Noo!

But then I spotted him:

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No Wolf Man though. But how awesome are these?

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I know super awesome! I just love them.

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So I know, different from our usual posting, tomorrow we will be back on schedule. I promise. And just because it totally goes and I absolutely love this song, I’m going to end on this:

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to That Place…There’s Queer Things Goes On There: Jamaica Inn (1935)

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To read my review of Frankenstein, go to It’s Alive, it’s ALIVE!: Frankenstein (1931)

For my review of The Bride of Frankenstein, go to I Want Friend Like Me: The Bride of Frankenstein (1935)

For my review of The Creature from the Black Lagoon, go to There are Many Strange Legends in the Amazon: The Creature from the Black Lagoon (1954)

For my review of Dracula, go to I Bid You Welcome: Dracula (1931)

And for my review of The Phantom of the Opera, go to Feast Your Eyes on My Accursed Ugliness: The Phantom of the Opera (1925)

Even a Man Pure of Heart: The Wolf Man (1941)

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“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the OperaFrankenstein,  The Bride of FrankensteinThe MummyDracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankensteinor The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb. Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

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So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

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  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

Mal_huh Whoa Wow

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

Ahhh!

 

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

dun-dun-duuuun

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

Say What

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

confused

Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

Wolf Man 1941 5

The gypsy woman, Maleva reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

 

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce  for Henry Hull in Werewolf of London Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

wolfman

That night the Wolf Man attacks a grave-digger, Richardson.

wolfman-strangle

The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The night Larry as the Wolf Man steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

the_wolf_man_1941_larry_is_talking_to_gwen

He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

Tom-Hanks-Saying-Really

YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

princess Bride Victim to classic blunder Vizzini

DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

The_Wolf_Man_4Crying

Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

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So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

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But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

John_Talbot_vs._the_Wolf_Man

The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

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Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

right in the feels broken heart

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

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So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

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For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare

Horrorfest Hangover


Horrorfest has ended. 😦 I am actually very sad that it is over. I thought I’d be a bit relieved to have the pressure of posting everyday be over, but I actually kind of miss it. I toyed with the idea of doing a Thank-o-Rama: the 4 Thursdays of Thanksgiving and posting a fav TV episode or movie that revolves/has Thanksgiving in it (I had to include TV Shows as I can only think of three movies with Thanksgiving; Holiday Inn, A Charlie Brown Thanksgiving, and Miracle on 34th Street. Holiday Inn and Miracle on 34th Street don’t even really count since they are Christmas movies.) Then I thought of doing War Writings: 11 Days to Honor Armed Forces for Veteran’s Day, but I thought it would be far too soon to commit myself to another everyday project. I need to take a momentary breather.

WakeUpNoThankYou

I am considering doing something like The 12 Posts of Christmas and something like Lovetales: 14 Fun-filled Romances for Valentines Day. Also Viva Mexico: Cinco dias de los Chicanos for Cinco de Mayo. I’m still working on the actual titles for these. I thought about doing Pot o’ Gold: Seven Irish Tales for St. Patrick’s Day because I don’t think I can think of 17. The only films I could think of that I have seen that revolve around Irish people/Irish flavor are Rudy (Notre Dame, the Fighting Irish), Luck of the Irish, Gangs of New York, Far and Away, A Leprechaun’s Christmas (doesn’t really count as it is a Christmas movie), The Fighter, and Under the Waterfall. That’s exactly seven.

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Doing this whole project was completely different than I expected. I planned to do posts for all the Universal Monster Movies ; like The Mummy, The Wolf Man, Creature from the Black Lagoon, Dracula, Frankenstein, The Bride of Frankenstein and Phantom of the Opera; along with all their remakes, to you know compare and contrast, but I just ran out of posts to finish them all. I also really wanted to do posts on Alfred Hitchcock’s movies, like The Birds, Psycho, Rebecca, and Strangers on a Train; but also wasn’t able to get to them. I really, really, really wanted to do Vincent Price films; like House on Haunted Hill, The Tomb of Ligeia, The Pit and the Pendulem, etc.

what-not-to-say-to-broken-hearted-girl-3what went wrong holiday

I noticed that a lot of posts I chose to do really depended on how much time I was able to devote a day to a post; along with what I was in the mood for to write about. Sometimes I started a post, but never finished it as I wasn’t in the right mood.

I also wrote posts on films I just happened to watch at the time like Perfect Stranger, Aliens in the Attic, Hallowe’en Party, The Black Cauldronand The Cabinet of Dr. Caligarithose were not films I had seen before or planned to write a post on. They just kind of happened along the way. Well I hope you enjoyed them as much as I did making them.

I’d like to know which were your faves are so vote, vote, vote! If you are unsure which to pick then why don’t you pop over and start at the beginning. Also I’d like to know what you wish I had posted on. Just leave a comment at the bottom of the page! 😀

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For more on Horrorfest, go to Horrorfest II: The Oddities of October

Or check out my leatest Horrorfest postings, Horrorfest III: The Revenge

I Want Friend Like Me: The Bride of Frankenstein (1935)

“You, make man… like me? No. Woman… friend for you.  Woman… Friend… Wife.”

So this is the sequel to Frankenstein  and I think a much better film.

Yes Mickey you were right

Yes Mickey you were right

I know I say I don’t like sequels as much as the original, but there are always a few that I think are better.

So this movie almost wasn’t created as director James Whale originally did not want to do a sequel to Frankenstein. Universal considered producing a sequel without Whale’s involvement, but after 4 years of constant badgering, Whale agreed to do the film. And I’m so happy he did, or else we would be without this wonderful masterpiece.

The-Bride-of-Frankenstein-006

To be honest, this isn’t a true “sequel.” It actually is the second half of the the book Frankenstein, instead of an individual and separate story.

The reason I like this better than the first one is that Frankenstein is creepier, as he is demanding and using his strength and stature to frighten others.

Frankenstein

You also have a creepier Henry, as he is fighting with himself on whether or not to create more monsters. We see that he doesn’t wish to populate the world with these creatures-but at the same time he is lured by the thrill of creating more, and showing off his genius.

Victor Moritz: You're crazy!  Henry Frankenstein: Crazy, am I? We'll see whether I'm crazy or not.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

But I’m getting ahead of myself.

So the film starts off  a little different from the other one. Here we have Elsa Lanchester portraying Mary Shelley and telling the next chapter of the story at a party.

Let me tell you a story

Let me tell you a story

The next chapter picks up exactly where the other film ended.

Grab your torches and sharpen your pitchforks!

The villagers had driven the monster to the windmill and believed they killed him. They take Henry back home where he is nursed to health by his fiancé Elizabeth.

Castle

However, we see that the creature has not been killed. He escaped the fire by getting into the water under the mill. He kills some people as he escapes into the wilderness.

Meanwhile, Henry’s old mentor,  Doctor Septimus Pretorius, comes to visit him. He brings along his creations to show Henry. Dr. Pretorius had created miniature people: a miniature queen, king, archbishop, devil, ballerina and mermaid. While Henry had vowed to never create another monster again, seeing these creatures spikes his interest.

Meanwhile, the monster has run off into the woods and has tried to find a place to belong. He attempts to befriend a shepherdess and a group of gypsies, but both reject him.

He finally runs into a hermit and has a tender scene with the two becoming “fast friends”.

I love this scene and sometimes say things like “Friend good, such and such bad”, etc in my daily life! 😀 It’s a pretty touching scene. After all:

friends

But even this does not last forever as searchers looking for the monster, come upon the two and chase the creature away. He eventually comes upon Dr. Pretorius who promises him “friendship” and that he will create a mate for him.

“The Monster: You, make man… like me?
Dr. Pretorius: No. Woman… friend for you
The Monster: Woman… Friend… Wife…”

Dr. Pretorius approaches the newly married Frankensteins and tries to get Henry to help him create a mate for the monster. Henry, having once again realized the horror of his past creation, in no way will ever create another creature. That’s all fine and good, but Dr. Pretorius doesn’t agree. He wants a mate and is determined to force Henry to create one. He gets the creature to kidnap Elizabeth, her being the exact leverage to force Henry to create another monster.

The Monster: I *love* dead… hate living.

Henry seeing that he has no alternative, prepares to create a women from the dead. We see as Henry struggles with his morals, creating a better tension than in the first film. As I stated earlier, he doesn’t want to create another creature as he knows the horrors the other committed along with the fact that the two might mate and reproduce, populating the world with living dead.

Clive, Colin (Frankenstein)_02

But Henry is excited at the same time. Once again he can use his theories and science to create. He will be able to say he “created” life, not once but twice! This is hard for him to turn away from.

Of course nothing goes perfectly according to plan. Henry creates the woman, but can he control it?

Elsa Lanchaster is amazing! I love the way she turns about, almost birdlike. She actually based her performance on swans; saying that, “they’re really very nasty creatures”. She was only 5’4″ but for the role they placed her on stilts so she was  7′ tall. The bandages were placed so tightly on her that she was unable to move and had to be carried about the studio, much like Olivia Newton-John in Grease. Her hair and outfit are amazing, and now such a classic figure in horror film history, just like her predecessor the Monster. Her amazing ‘do was held in place by a wired horsehair cage.

They introduce her to her “mate”, but when has any woman liked it when people pick out their mates?

The monster is furious at this rejection and destroys the lab killing all who are in it. The only people who escape are Elizabeth and Henry. Frankenstein realized what they had and allowed them to leave unharmed.

“The Monster: [Speaking to Frankenstein and Elizabeth] Go you live… [turning to Dr.Pretorius] You stay we belong dead.”

It’s a great movie. I highly recommend it to anyone into the classic horror films.

That’s todays fearsome post! More to come! Only 7 days left ’till Halloween! Who’s excited?

Here’s poster I made for my cover page on facebook in honor of Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to Someone Very Special

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For more on the Bride of Frankenstein, go to A Monster Race

For more on Frankenstein, go to It’s Alive, It’s ALIVE!

For more classic horror films, go to I Bid You Welcome

For more monster movies, go to Grimwood Ghouls’ Gym Teacher

For more films based on books, go to Quite a Horror Story

For more sequels, go to Just Follow the Screams

For more on Frank Peretti, go to Part IX: Adventures in Movie Lines

For more of my fav quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper

It’s Alive, it’s ALIVE!: Frankenstein (1931)

Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!

What horror movie countdown would be complete without the film Frankenstein

Frankenstein is an amazing film that tells the story of when one man tries to be more than he is; he tries to be God. It is based on the novel, Frankenstein, by Mary Shelley (FYI: A much better writer than her husband)

Edward Van Sloan: How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We’re about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now is your chance to, uh… Well, we’ve warned you. 

I have always loved this film, but I think The Bride of Frankenstein is much better. I will get more into why that is later.

This movie is terrifying as we see a Frankenstein becomes consumed with creating this being. He won’t listen to anyone else and his behavior frightening his friends, family, and fiancé.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

Let me just clarify for everyone out there that the name Frankenstein alludes to Victor Frankenstein, the mad doctor who creates the Monster. For some reason they changed his name to Henry in this film. In the film his best friend’s name is Victor, while in the book it is Henry. Go figure. The Monster is never called by a name other than Monster, Creature, or something similar. It’s like  The Creature from the Black Lagoon or The Thing from Another World, no proper names are given.

Anyways, he is helped out by a hunchback named Fritz

Not Igor, FRITZ!

The hunchback named Igor who helps mad scientists isn’t from the original Frankenstein, but comes from one of the sequels, Son of Frankenstein, where his name was Ygor; later translated to Igor.

Anyways, Fritz is the one who makes the mistake of stealing the criminal brain.

My Bad

 

So Frankenstein starts getting ready to bring his monster to life. In the novel, Shelley never tells us how it is done; Frankenstein never wanted to share the details of the experiment for fear that someone would create their own living dead. With nothing to go off of, the writers and directors decided to use lightening, and therefore changeing film culture and film history as this is referenced and parodied in so many films and TV shows.

Clive, Colin (Frankenstein)_02

“Henry Frankenstein: Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!
Victor Moritz: Henry – In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God!”

Frankenstein is so intent on proving everyone wrong, so focused on completing everything that he never stops to think whether he should do this. This is an interesting question posed; how far is too far?

So Frankenstein is able to create his monster:

Played by the very amazing Boris Karloff; extraordinary actor. He almost didn’t play this part as they originally offered it to Bela Lugosi who turned it down. I’m glad it was Karloff, because as much as I love Lugosi, no one could have done this better.

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The green makeup that is such a part of the Frankenstein figure was used because it gave Karloff a deadlike pallor of skin. Now it has become such a strong part of culture, we see the green-skinned, bolted monster every October.

After the Monster is created, we see this innocentlike creature. He is afraid of fire and tries to attack Fritz who brings a torch by him. All bystanders fear for their lives and chain the Creature up in the dungeon. Frankenstein and his friend Victor leave and discuss the best way to euthanize him. Unbeknownst to them Fritz is stupidly taunting the creature with a torch; causing the Monster to reach out and kill him.

When Victor and Frankenstein return; they see Fritz’s dead body on the floor, and have to run away from the Monster as it tries to attack them too. Frankenstein prepares a shot to kill him, and Victor gives it him. With all his problems solved, Frankenstein leaves to prepare for his wedding, and Victor begins to dissect the Creature. Unfortunately, the Monster didn’t die; but was only knocked out. He kills Victor and then escapes, running amuck in the countryside.

He runs into a little girl, who is nice and shows him the flowers she is picking up.

She shows him how flowers float in the river, which Frankenstein ultimately does to the little girl. Thinking that if he tosses the girl in the water she will float; he ends up ultimately drowning her.

Little Maria: See how mine floats.
[the Monster picks her up]
Little Maria: No, you’re hurting me! No!”

The farmer finds his daughter’s floating corpse and goes to pieces. He starts hunting down the monster; searching everywhere to find the fiend.

Frankenstein, happily preapering for his wedding is brought news of Victor’s death. He goes out searching for the monster along with the peasants who have their torches and pitchforks at the ready.

Grab your torches and sharpen your pitchforks!

Eventually Frankenstein tracks the monster down and is prepared to destroy him.

However the Monster knocks him out and carries him off to the windmill where he throws him off. Luckily, Frankenstein is caught by a vane and saved from death. There some peasants carry him home while others destroy the mill and kill the monster. Or do they?

Frankenstein gets home, where we see that he is safe and sound and in the arms of his Elizabeth dear.

After I watched the film a gazillion times, I read the novel and found it to be much more horrifying than the movie. In the book Frankenstein isn’t this bumbling creature, completely innocent and doesn’t understand things; but a criminal mastermind. Having learned to read and talk before he died; he is able to after some time remember how to do this and begins becoming more “human”. The one thing that he never regains is compassion, kindness, etc; all the caring emotions that make us who we are. He has no empathy or sympathy, believing that he was shown nothing but hatred and cruelty so he must show this to all.

wouttruth

What they take from this and use in the sequel, The Bride of Frankenstein, is his want of a mate; his desire to have one like him to spend his life with. He threatens to destroy everyone that Frankenstein holds dear if he does give in to his demands. Frankenstein goes through a constant struggle with himself; knowing that he cannot risk creating another creature being made and mating along with the first. He realizes his mistakes at creating such a thing far too late. The monster doesn’t like hearing no and kills all Frankenstein loves. There is no sweet guy, accidentally killing someone like Lenny in Of Mice and Men, but this is a true psychopath fully aware of the crimes he is committing. Not only is the creature a serial killer, but he has become so intelligent that he is able to plant evidence so that people think someone else is the murderer. He kills Frankenstein’s brother William, and plants a locket on William’s nanny so that she is also killed. Then he kills Henry, Frankenstein’s friend, planting evidence so Frankenstein is arrested. He also kills Elizabeth, Frankenstein’s wife, making it seem once again that Frankenstein is the killer. With all those that he loves dead, Baron Frankenstein dies as well.   After everything is gone from him; Frankenstein devotes his life to hunting down what he created and destroying it.

It’s a great book, I suggest reading it and watching the film.

There’s a classic terror for your Tuesday! More to come!

I almost forgot to mention this. Unlike The Mummy, Dracula, or The Wolfman; Frankenstein has never had a major motion, globally shown, sent to all theaters, remake. However that is all about to change as Guillermo del Toro is planning one, and hoping that it will be coming out soon. To read more up on it go here. We shall have to wait and see what happens and how it turns out.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When Potatoes Go Bad

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For more on Frankenstein, go to A Monster Race

For more on Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Jurassic Park, go to Life Finds a Way

For more on the living dead, go to A Tale So Strange It Must Be True

For more on mad scientists, go to A Very Scary Story

For more universal films, go to Universal’s Classic Monster Movies

For more of my fav quotes, go to Insults