I am not a spy. I just read books! We read everything that’s published in the world. And we… we feed the plots – dirty tricks, codes – into a computer, and the computer checks against actual CIA plans and operations. I look for leaks, I look for new ideas… We read adventures and novels and journals.
We watched this film in a class I was a teacher’s assistant for, America at the Movies. Some of you might not feel that isn’t a mystery but more of a political drama, but au contraire, this film won the Mystery Writers of America’s 1976 Edgar Award for Best Motion Picture Screenplay. So it counts!
To all you haters
I loved this film. You have a movie that centers on reading books
And stars Robert Redford!
The film starts out with Joe Turner (Redford) just doing day to day “office work”. Turner works at the American Literacy Historical Society-preserving the books that are important to the culture and history of our times.
Just kidding-that is the cover story. In reality Turner works for the CIA, codename Condor. His division reads mystery and spy novels looking for secret messages, plots, concepts, ideas, etc. It’s an easy job, pretty much all you do is read all day. Sounds perfect to me!
Turner reads one novel and submits it to CIA headquarters as the book has a few questionable elements and has been translated into many languages.
One day Turner steps out to get lunch for the staff. While he is gone, armed men enter the building and promptly kill the six staffers on duty. When Turner arrives, he discovers the dead bodies.
Scared, Turner follows protocol and reports in, giving codename “Condor”. He is supposed to meet his head of department, but it all turns out to be a trap. Now Turner is in a cat-and-mouse game, trying to outwit the CIA and assassins.
I love this as it is so similar to The 39 Steps or other Alfred Hitchcock films. Just normal guy, doesn’t really know what is going on and gets caught up in this big huge adventure.
The only thing we are missing is a beautiful blonde.
Enter, Kathy Hale (Faye Dunaway), a woman he encounters by chance that he forces to take him to her home and keeps her hostage, using her apartment as a hiding place.
What a jerk
This doesn’t last as the man after him, Joubert, discovers his hiding spot and sends the hitman after him. Turner does manage to overcome the hitman disguised as a mailman. He gets a name and address of Leonard Atwood, Director of Operations of the Middle East and why the killings happened.
Joe Turner: What does Operations care about a bunch of damn books? A book in Dutch. A book out of Venezuela. Mystery stories in Arabic.
Joe Turner: What the hell is so important about…[He stops as he sees the connection] Oil fields. Oil. That’s it, isn’t it? This whole damn thing was about oil! Wasn’t it? Wasn’t it?
Atwood: Yes, it was.
The book was fictional, but hit too close the truth and the story had to be eliminated, and those who had read it. Joubert comes on the scene and kills Atwood, the head of the CIA determining that he is too much of a liability. They have decided to let Turner “go” for his ingenuity-but will they really? Joubert warns Turner it will never be over. Just like in The Godfather, he gives him notice of how the hit will go down.
Joe Turner: I’d like to go back to New York.
Joubert: You have not much future there. It will happen this way. You may be walking. Maybe the first sunny day of the spring. And a car will slow beside you, and a door will open, and someone you know, maybe even trust, will get out of the car. And he will smile, a becoming smile. But he will leave open the door of the car and offer to give you a lift.
Turner meets with CIA operative Higgins in public-Times Square. Higgins talks more about the “plan” Turner stumbled on.
Joe Turner: Do we have plans to invade the Middle East?
Higgins: Are you crazy?
Joe Turner: Am I?
Higgins: Look, Turner…
Joe Turner: Do we have plans?
Higgins: No, absolutely not. We have games. That’s all. We play games. ‘What if?’ ‘How many men?’ ‘What would it take?’ ‘Is there a cheaper way to destabilize a regime?’ That’s what we’re paid to do.
Joe Turner: Supposing I hadn’t stumbled onto a plan; say, nobody had?
Higgins: Different ballgame… the fact is, there was nothing wrong with the plan. No, the plan was alright; the plan would’ve worked!
Turner wants out and has insurance to protect himself. He gave The Wall Street Journal the whole story-anything happens to him it is published…or will it?
Higgins: Hey, Turner! How do you know they’ll print it? You can take a walk. But how far if they don’t print it?
Joe Turner: They’ll print it.
Higgins: How do you know?
It is a powerhouse of an ending. Is Turner safe? Will he be protected? Or will he be living his life always looking over his shoulder?
We will never know. That’s the beauty of its creepiness.
“They say that when I die, the case will die. They say it will be like a book I close. But the book, it will never close…”
So this is a film that I have been wanting to see for a really long time and finally was able to. It is on Amazon Instant Watch currently, so I would totally suggest checking it out if you have that.
Check it out
So this film was an amazing thriller. I have to say that I thought I had everything figured out, but in the end I was really thrown by James Patterson.
So the film is based on the book of the same name, and is the first of the Alex Cross detective series.
So the film starts off with Alex Cross, played by the amazing Morgan Freeman, trying to take down a serial rapist and killer. His partner, Tracie, is currently undercover and trying to see if Jim Galloway, the guy they’ve been tailing, is their supposed guy. Everything is running smoothly, until Galloway discovers that Tracie is a cop. He then tries to hurt her, causing her to hit him, the car to spin out of control, and go over the Virginia Falls.
Alex is brokenhearted.
Fast forward a year. Here we have little Megan Rose, a senator’s daughter, who is going to school. It seems to be just an average until…but its not. It is very different as her Charles Lindbergh obsessed computer science teacher, Mr. Soneji, kidnaps her.
The secret service who watches the kids of political parents discover the kidnapping and go looking for her, calling in the FBI.
Meanwhile, Alex Cross is watching news on TV when he receives a phone call. It is the killer!
Yes, just like When a Stranger Calls, the killer is interested in a game of cat and mouse. Soneji wants Alex to get involved in the case so that he can have the fame of not only outsmarting the detective but be widely written about in all the papers. He leaves Megan’s shoe in Alex’s mailbox, prompting him to immediately join the case. There he teams up with Jezzie, Megan’s security detail, to try and track this kidnapper down.
Now I won’t say anymore, because I really do not want to give away the ending, it was so awesome. But I will leave you with reasons why I truly enjoyed this film.
1. Morgan Freeman
Now you’re all probably think, no duh. (Am I right?) And sure it is a no brainer. Morgan Freeman is an absolutely wonderful actor and really connects to you in this role. You feel his pain when he loses his partner, the reluctance to take on a new one, and the drive he has to find this girl, no matter what the cost. He’s lovable, tough, no-nonsense, and the guy you pretty much wish you had backing you up.
2. Megan Rose
Megan is the little girl kidnapped and she’s no push over. This girl is pretty B.A. as she constantly comes up with ways to try and escape to get back to her parents. I love that she is not only super smart, but incredibly persistent stopping at nothing to gain her freedom.
3. Twist Ending
Now the ending is great, it was an amazing twist. It was one of those that when you each the end you see all the little hints that were headed your way and it all makes sense, vis a vis Perfect Stranger.
So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:
What’s your favorite scary movie?
So I really loved this movie. I have to say that I was originally disappointed in Wes Craven as Nightmare on Elm Streettotally tanked. This film was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.
So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.
However, it quickly turns serious as the caller threatens Casey that he is going to kill her and her boyfriend, Steve.
But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.
“Phone Voice: Name the killer in Friday the 13th.
Casey: Jason! Jason! Jason!
Phone Voice: I’m sorry. That’s the wrong answer!
Casey: No, it’s not. No it’s not. It was Jason.
Phone Voice: Afraid not. No way.
Casey: Listen, it was Jason! I saw that movie 20 g******* times!
Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.
Casey: [Weeping] You tricked me.
Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”
Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.
And thus the body count begins…
So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss), is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.
The next day, the town Woodsboro is just ravaged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.
Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.
As to be expected she is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters crawling all over town and school, the memories of the past year come flooding back.
One of her other big issues is her boyfriend Billy Loomis.
Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frightening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get ”together”. What a freak!
(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)
The two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands Sidney needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.
To top off the already bad day, Sidney’s father has to go out of town, leaving Sidney all alone in a big house.
Yep, gonna make When a Stranger Calls references all night.
Sidney makes plans to meet up with Tatum and stay at her place, but falls asleep at home when Tatum is late picking her up. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.
“Sidney Prescott: Can you see me right now? Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.
Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.
Sidney Prescott: F*** you, you cretin!”
Soon the killer comes in her house and she has to run away from him and try to get the police there before she is victim #3. Billy shows up, climbing through her window saving her; that is until Sidney sees that he has a cellphone and freaks out, having the police cart him away.
So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983). As I lived in that area when I attended college, I’ve been there.
Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him on. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a over year, is back and won’t let up.
“Gale: There she is! Sidney, hi, what happened? Are you alright?
Tatum: She’s not answering any questions alright. Just leave us alone.
Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?
Gale: That’s right.
Sidney Prescott: So how’s the book?
Gale: Oh it’ll be out later this year.
Sidney Prescott: Oh, I’ll look for it.
Gale: I’ll send you a copy.
[Sidney turns around a punches Gale in the face]”
Also at the school we have a little Wes Craven easter egg, as he plays the janitor and dresses in a Freddy Krueger sweater.
The principal (Henry Winkler) decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #3.
The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script where no one was murdered and they decided that they needed another victim.
Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!
At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.
Meanwhile downstairs Tatum goes off to the garage to get more beer and is attacked by the killer. This garage scene is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remember when I was a kid I thought the garage would close on me too; however, they design garage doors specfically to not do that. In fact, they have a certain radius that if someone was to walk within that circle the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.
Back in the living room, Randy is giving a rundown on how to survive a horror film, (* are the rules that are given by the killer).
You will not survive if you have sex
You will not survive if you do drugs or drinks
You will not survive if you say “I’ll be right back.”
Everyone is a suspect
*You will not survive if you ask “Who’s there.”*
*You will not survive if you go out to investigate a strange noise*
While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.
Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind. The killer comes out and starts attacking.
One of the best scenes is the scene is when a drunk Randy is watching Halloween and telling Jamie Lee Curtis’ character to turn around while the killer is behind him (Randy). He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him.
So Kenny and Dewey fall victim to his knife.
Victim #5 & 6
After Sidney and Billy are done having sex and have changed back into their clothes the killer charges in and stabs Billy (#7), while Sidney manages to run away and finds Tatum’s body.
As she continues running she runs in the path of Gale who was fleeing the killer in her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy (#8) and stands up.
Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.
Billy: Corn Syrup, just like in the real movies.
Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom (the real first victim) to everyone else.
“Sidney Prescott: Why? Why did you kill my mother?
Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?
Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.
Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?
Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”
Yep, and not only that, but the two planned the whole thing out so that her father would take the blame, making it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They kidnapped her father and brought him out of hiding for their final act. Billy and Stu planned that original attack on Sidney (when Billy was arrested) to make any second arrest look false and questionable.
Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.
Sidney and her father have disappeared.
Stu: Oh, s***.
Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?
Stu: I don’t know, Billy, but I’m hurtin’, man!
Yep, just like they say in Dial M for Murder, you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
So here Stu and Billy find themselves completely off script, and unsure…
[the phone rings]
Stu: Should I let the machine get it?
Billy: [answers it] Hello?
Sidney Prescott: Are you alone in the house?
Billy: B****! You b****, where the f*** are you?
Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**! [Stu is slowly collapsing to the floor] Billy: Find her, you dips***! Get up! Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man! Billy: [Billy gives Stu the phone] Talk to her. Talk to her. Stu: Hello? Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them? Stu: Peer pressure. I’m far too sensitive. Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother! Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”
Now the game of cat and mouse has changed with the hunted becoming the hunters.
In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive (only 5 victims).
So that was Scream one of the best horror-parodies ever made.
This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased was the use of caller ID and made such phone harassment much harder to do. Although not for me.
The other thing I realized in this film is that I am soooooo Randy.
I also realized that just like in The Cable Guy, I’m only a few steps away from the crazy.
Well, that’s Scream. Tune in next Saturday for Scream 2.
We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out!
So I love this movie so much! It came out during the period of remakes of 1970s horror films, you had Dracula 2000, The Exorcism of Emily Rose (2005), The Wicker Man (2006), The Texas Chainsaw Massacre (2003), Carrie (2002), The Omen (2006), The Hills Have Eyes (2006), Dawn of the Dead (2004), Halloween (2007), and Invasion (2007).
I thought it was a great remake, although I’ve never seen the original. And as the trailer revels the climatic ending I don’t feel bad about doing so either.
So the film starts off a police cleanup as a baby-sitter and the kids she had been watching were ripped to shreds.
Then we cut to out protagonist Jill who is practicing track. She is suffering from a supremo of bad days. Her times are all off and she needs to improve her speed. Part of the reason she is sucking so much is that she is distracted by her broken heart.
It turns out that her boyfriend and best friend hooked up! What jerks!
And she is grounded because she went over the mins on her phone. Remember, back in the day when every cellphone plan had min limits, and everyone was going over them all the time?
She really wants to go to the bonfire party, but the only place she is allowed to go is to babysit.
Yep, the money from the job is supposed to be enough to cover the cost of the phone bill. They must be paying her an awful lot of money.
To further her punishment, she can’t have her own car but has to be dropped off by her dad and then dropped off by the couple when they return from their night. Now this is a pretty sweet baby-sitting job. It is for a rich family, who lets you eat anything in the house, watch things on their massive TV, getting paid lots of money, and you don’t even have to look after the kiddos as they’re sick.
Only one problem, she is in the freakin’ middle of nowhere. But it is a beautiful house!
It has a so many glass windows and such, it also has an inside garden/aviary thing.
Now my home has a whole wall of windows, so when I first watched this with my friends we were all freaked out during the…well I’ll save that for later.
So Jill doesn’t have much to do as the kids are sick and knocked out upstairs. The maid is there, but will be leaving shortly after she finishes her rounds. The couple have an older son who attends college and he may or may not be coming back to visit, but if he does he’ll crash in the guest house in their backyard.
Seems easy enough
So Jill gets ready for a night o’ fun. She eats popsicles and tries on jewelry and clothes.
Everything is fun and games until Jill begins to receive anonymous and annoying phone calls.
Voice of the Stranger: Have you checked the children?
Jill Johnson: What
[Stranger hangs up. Jill runs and checks on the children. Comes back downstairs]
Jill Johnson: [phone rings] Hello?
Voice of the Stranger: [pauses] How were the children?
At this point in the film if you look hard enough you can actually see him watching her through the window while she is walking around and talking to her on the phone.
In between she gets some creepy calls from her ex’s friends. She gets even more calls, but then one turns out to be her ex-friend Tiffany. Tiff the big, bad, boyfriend stealer.
Tiff comes and tries to fix things between them, with Jill feeling lukewarm about the whole thing. She kicks Tiff out, who tries to leave but can’t as a tree blocks her path. A tree that wasn’t there earlier. That means only one thing, bye-bye Tiff.
The calls continue getting even creepier.
Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.
Voice of the Stranger: This isn’t Tiffany.
Jill Johnson: Who is this?
Voice of the Stranger: [pause] Who is this?
Jill Johnson: Cody?
Voice of the Stranger: Who’s Cody?
Jill Johnson: You better cut this out!
[stranger hangs up]
Now for the most part Jill is pretty smart girl. She calls the police and tries to get them to trace the call and get rid of her stalker. She keeps the security system on at all times. When she sees a light go on in the guest house, she thinks it might be the son and tries to get him to come back with her to help.
She turns the security system off and runs down to the guest house to get the son. When she gets in there, she discovers that there is no one there.
Jill concludes that it must have been the maid, going over here to clean and then left after she completed the job. She runs back to the house, causing the security system to go off. She gets a call from the company, but tells them that it is only her. She must have only thought she turned the system off.
She continues to get more calls from “the Stranger”, telling her that he can see her.
Jill Johnson: He can see me!
Officer Burroughs: Sorry?
Jill Johnson: It’s Jill, the girl who called before about the man who keeps on calling.
Officer Burroughs: What’s going on?
Jill Johnson: He called me again.
Officer Burroughs: What did he say?
Jill Johnson: He’s out there, he’s outside, he’s watching me through the windows.
Officer Burroughs: Did you see him?
Jill Johnson: No, but I know he can see me, because I went upstairs…
Officer Burroughs: Okay, take a deep breath, where’s the house keeper?
Jill Johnson: I don’t know, I saw her purse and the keys but I can’t find her.
Officer Burroughs: The house locked up?
Jill Johnson: Yes.
Officer Burroughs: Alarm system?
Jill Johnson: It’s on.
Officer Burroughs: Okay, you’re safe inside that house. If he wanted to break in, he wouldn’t be calling.
Jill Johnson: But he must want something!
Officer Burroughs: Listen to me, Miss, it’s just some a****** trying to hassle you.
So when my friends and I were watching this film, we were in the living room which has a whole wall made entirely out of windows, similar to the house in the film. There is also a window behind the TV. As we were watching this part, something hit our window.
Our cat had jumped up on the fence outside and hit the window with her tail. We were just so into the film that we were creeped out.
So back to the film. So Jill keeps trying to talk to “the Stranger” so the police can trace the calls. It is so creepy, it was like when that crazy girl kept calling/texting me last spring.
Jill Johnson: [On phone] You really scared me, if that’s what you wanted. Is that what you wanted?