I mean he is a hypochondriac who never eats anything rich as it is bad for the digustion. So not me.
He won’t go out and pick strawberries, he is always nagging and worrying, freaks out over the littlest storm, just not me.
But then I reread the book…
And something jumped out at me:
“Mr. Woodhouse was fond of society in his own way. He liked very much to have his friends come to see him…his horror of late hours, and large dinner-parties, made him unfit for any acquaintance but such as would visit him on his own terms.”
Mr. Woodhouse is an introvert, just like me. And some of the stuff he does, I do too.
First of all I don’t really care for big parties.
I always feel awkward and unsure of what to do. Either I end up at the food table:
Or with children…
They just seem easier to relate to I guess.
I’m still a kid on the inside.
I mean if I don’t have a close friend there or if they have left or are too busy talking to someone else I feel awkward and uncomfortable.
Usually I stay as long as I feel is polite and then get out of there.
Getting out of here
If it is a small group or people I know well, I feel much more secure.
Like Mr. Woodhouse I like my group of friends that I know well, not a large group. Plans must be made ahead of time as well. I hate when someone just pops over. Usually I am a mess or I am in the middle of something and find it hard to leave.
Yes, the life of an introvert:
It’s not that I don’t like people, it is just that sometimes I need my time and space.
And other days I want to hang, but I just need time to prepare myself for a party.
“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
In their proper place, the depths.”
So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.
So this film takes place in a future far away . In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.
Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?
Why yes, yes I do think so.
Well I don’t care.
So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?
Spongebob would be disappointed in you.
When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.
I like it!
Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.
They got lots of pleasures, alright.
Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.
Maria, leader of the Rebellion
He then follows her down to the workers’ realm.
Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.
He runs to report to his father:
Sorry had to do it
Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.
On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.
Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)
Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).
Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]
Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch.
Its a pretty freaky scene, and totally creeps Frederson out.
Understandable, as it would freak me out too. It did. It still does.
Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.
Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.
Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.
The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.
Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!
So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.
Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.
Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.
I’m sure you all knew I was going to make this connection.
Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.
I mean seriously, what were you thinking?
Freder freaks out and drops into a delirious state of mind.
False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.
Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.
The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.
Grab your torches and sharpen your pitchforks!
The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!
Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.
Grab your torches and sharpen your pitchforks!
They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.
But then when she burns away, she is revealed to be the robot.
Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.
This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.
We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out!
So I love this movie so much! It came out during the period of remakes of 1970s horror films, you had Dracula 2000, The Exorcism of Emily Rose (2005), The Wicker Man (2006), The Texas Chainsaw Massacre (2003), Carrie (2002), The Omen (2006), The Hills Have Eyes (2006), Dawn of the Dead (2004), Halloween (2007), and Invasion (2007).
I thought it was a great remake, although I’ve never seen the original. And as the trailer revels the climatic ending I don’t feel bad about doing so either.
So the film starts off a police cleanup as a baby-sitter and the kids she had been watching were ripped to shreds.
Then we cut to out protagonist Jill who is practicing track. She is suffering from a supremo of bad days. Her times are all off and she needs to improve her speed. Part of the reason she is sucking so much is that she is distracted by her broken heart.
It turns out that her boyfriend and best friend hooked up! What jerks!
And she is grounded because she went over the mins on her phone. Remember, back in the day when every cellphone plan had min limits, and everyone was going over them all the time?
She really wants to go to the bonfire party, but the only place she is allowed to go is to babysit.
Yep, the money from the job is supposed to be enough to cover the cost of the phone bill. They must be paying her an awful lot of money.
To further her punishment, she can’t have her own car but has to be dropped off by her dad and then dropped off by the couple when they return from their night. Now this is a pretty sweet baby-sitting job. It is for a rich family, who lets you eat anything in the house, watch things on their massive TV, getting paid lots of money, and you don’t even have to look after the kiddos as they’re sick.
Only one problem, she is in the freakin’ middle of nowhere. But it is a beautiful house!
It has a so many glass windows and such, it also has an inside garden/aviary thing.
Now my home has a whole wall of windows, so when I first watched this with my friends we were all freaked out during the…well I’ll save that for later.
So Jill doesn’t have much to do as the kids are sick and knocked out upstairs. The maid is there, but will be leaving shortly after she finishes her rounds. The couple have an older son who attends college and he may or may not be coming back to visit, but if he does he’ll crash in the guest house in their backyard.
Seems easy enough
So Jill gets ready for a night o’ fun. She eats popsicles and tries on jewelry and clothes.
Everything is fun and games until Jill begins to receive anonymous and annoying phone calls.
Voice of the Stranger: Have you checked the children?
Jill Johnson: What
[Stranger hangs up. Jill runs and checks on the children. Comes back downstairs]
Jill Johnson: [phone rings] Hello?
Voice of the Stranger: [pauses] How were the children?
At this point in the film if you look hard enough you can actually see him watching her through the window while she is walking around and talking to her on the phone.
In between she gets some creepy calls from her ex’s friends. She gets even more calls, but then one turns out to be her ex-friend Tiffany. Tiff the big, bad, boyfriend stealer.
Tiff comes and tries to fix things between them, with Jill feeling lukewarm about the whole thing. She kicks Tiff out, who tries to leave but can’t as a tree blocks her path. A tree that wasn’t there earlier. That means only one thing, bye-bye Tiff.
The calls continue getting even creepier.
Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.
Voice of the Stranger: This isn’t Tiffany.
Jill Johnson: Who is this?
Voice of the Stranger: [pause] Who is this?
Jill Johnson: Cody?
Voice of the Stranger: Who’s Cody?
Jill Johnson: You better cut this out!
[stranger hangs up]
Now for the most part Jill is pretty smart girl. She calls the police and tries to get them to trace the call and get rid of her stalker. She keeps the security system on at all times. When she sees a light go on in the guest house, she thinks it might be the son and tries to get him to come back with her to help.
She turns the security system off and runs down to the guest house to get the son. When she gets in there, she discovers that there is no one there.
Jill concludes that it must have been the maid, going over here to clean and then left after she completed the job. She runs back to the house, causing the security system to go off. She gets a call from the company, but tells them that it is only her. She must have only thought she turned the system off.
She continues to get more calls from “the Stranger”, telling her that he can see her.
Jill Johnson: He can see me!
Officer Burroughs: Sorry?
Jill Johnson: It’s Jill, the girl who called before about the man who keeps on calling.
Officer Burroughs: What’s going on?
Jill Johnson: He called me again.
Officer Burroughs: What did he say?
Jill Johnson: He’s out there, he’s outside, he’s watching me through the windows.
Officer Burroughs: Did you see him?
Jill Johnson: No, but I know he can see me, because I went upstairs…
Officer Burroughs: Okay, take a deep breath, where’s the house keeper?
Jill Johnson: I don’t know, I saw her purse and the keys but I can’t find her.
Officer Burroughs: The house locked up?
Jill Johnson: Yes.
Officer Burroughs: Alarm system?
Jill Johnson: It’s on.
Officer Burroughs: Okay, you’re safe inside that house. If he wanted to break in, he wouldn’t be calling.
Jill Johnson: But he must want something!
Officer Burroughs: Listen to me, Miss, it’s just some a****** trying to hassle you.
So when my friends and I were watching this film, we were in the living room which has a whole wall made entirely out of windows, similar to the house in the film. There is also a window behind the TV. As we were watching this part, something hit our window.
Our cat had jumped up on the fence outside and hit the window with her tail. We were just so into the film that we were creeped out.
So back to the film. So Jill keeps trying to talk to “the Stranger” so the police can trace the calls. It is so creepy, it was like when that crazy girl kept calling/texting me last spring.
Jill Johnson: [On phone] You really scared me, if that’s what you wanted. Is that what you wanted?
Yep this is me. Every time there is a song I love, I sing EVERYTHING. This is especially true in
Yep, another My Chemical Romance post!
So this song is off their album Danger Days: The True Lives of the Fabulous Killjoys, and like all MCR albums, follows a story rather than just being individual songs. It took over a year to create the album, and the band wrote over 36 songs, not of all they kept. This story is set in the year 2019, a post-apocalypticCalifornia. There are a few willing to stand up to the tyrants, these rebel forces called Killjoys, of which MCR is a part of. The music videos and songs reference a lot of films, such as Blade Runner, Terminator 2: Judgement Day, Mad Max, The Karate Kid, Dredd/Judge Dredd etc.
Each band member has an alter-ego Gerard Way being Party Poison”, Ray Toro is Jet Star, Frank Iero is Fun Ghoul, and Mikey Way is Kobra Kid. All of which look really hot in their rebel wear/masks. There is just something to be said for vigilantes who wear masks. 🙂
The guide for the Killjoys is a pirate radio DJ named Dr. Death Defying who is voiced by Steve Montano. The music video of ‘”Na Na Na” shows the Killjoys’ daily lives until Korse (the evil corporation) defeats them and captures The Girl, in which a later song they have to go rescue her back.
Now the lyrics and video are just AMAZING! The music just gets you pumped!
I think it is one of their best works yet.
The future is bulletproof
The aftermath is secondary
It’s time to do it now and do it loud
Killjoys, make some noise
Drugs, gimme drugs, gimme drugs
I don’t need it but I’ll sell what you got
Take the cash and I’ll keep it
Eight legs to the wall, hit the gas, kill ’em all
And we crawl, and we crawl, and we crawl
You be my detonator
Love, gimme love, gimme love
I don’t need it but I’ll take what I want from your heart
And I’ll keep it in a bag, in a box
Put an X on the floor
Gimme more, gimme more, gimme more
Shut up and sing it with me
From mall security
To every enemy
We’re on your property
Standing in V-formation
Let’s blow an artery
Eat plastic surgery
Keep your apology
Give us more detonation
(More, gimme more, gimme more)
Oh, let me tell you ’bout the sad man
Shut up and let me see your jazz hands
Remember when you were a madman
Thought you was Batman
And hit the party with a gas can
Kiss me you animal
You run the company
F*** like a Kennedy
I think we’d rather be
Burning your information
Let’s blow an artery
Eat plastic surgery
Keep your apology
Give us more detonation
And right here, right now
All the way in Battery City
The little children raised their open filthy palms
Like tiny daggers up to heaven
And all the juvie halls
And the Ritalin rats ask angels
Made from neon and fucking garbage
Scream out “What will save us?”
And the sky opened up
Everybody wants to change the world
Everybody wants to change the world
But no one, no one wants to die
Wanna try, wanna try, wanna try, wanna try, wanna try now
I’ll be your detonator
Make no apology
It’s death or victory
On my authority
Crash and burn
Young and loaded
Drop like a bulletshell
Dress like a sleeper cell
I’d rather go to hell
Than be in purgatory
Cut my hair
Gag and bore me
Pull this pin
Let this world explode