Time for You to Awaken, Master. Time for You to Go Out: The Return of the Vampire (1943)

“Time for you to awaken, Master. Time for you to go out.”

So last year I was lamenting that I couldn’t think of any films I wanted to open Horrofest with from the 1950s as that was the year I was going to start with. I mentioned some films I really wanted to do, but both came out in the 1940s.

So as this year it is time to start off with a 1940s film, I was like why not do one of the ones I mentioned in last year’s post? I already reviewed Rebecca last year, so I chose The Return of the Vampire. 

I loooove this movie!

I saw it year ago on TCM and it has stayed with me my whole life. You know a movie is good when it hooks you years ago and you stay hooked.

The film was just so engaging and has beautiful cinematography. Plus it also has Bela Lugosi! You cannot go wrong with him in anything, let alone in a Vampire flick. I just love him.

So this film was actually supposed to be a Dracula sequel, but Universal threatened to sue Columbia Studios so they changed it to The Return of the Vampire and instead of Count Dracula, we have Armand Tesla.

We start this film during WWI with a vampire Armand Tesla (Bela Lugosi) stalking the streets of London and using the war as a cover-who cares about people suffering from anemia and a few deaths when there is a war on?!

But someone does, Lady Jane Ainsley (Frieda Inescort) and her colleague Professor Walter Saunders (Gilbert Emery) run a clinic and are baffled by the anemia.

Hmm…

Tesla is furious and uses his slave, a werewolf formally known as Andreas Obry, and the two break into the clinic. When he can’t finish his off his former victim he decides to make Saunders pay and goes after his granddaughter.

Professor Saunders, meanwhile, has concluded that the victim was attacked by a vampire. The victim dies and when Saunders goes home he sees a man feasting on his granddaughter. The vampire flees and Saunders saves his granddaughter Nikki (Nina Foch) by giving her a blood transfusion. While her life is saved for now, she will always be in danger. The vampire will continue to search for her to finish the job, and he will also be able to control her.

Professor Saunders and Lady Jane search for the Vampire in order to stake it and kill it.

From Buffy the Vampire Slayer (1992)

They search out the local cemetery in order to search out the Vampire. They are both attacked by a werewolf who is being controlled by the Vampire-but once they stake the vampire the werewolf returns to his normal form of Andreas Obry.

Wow!

Professor Saunders and Lady Jane know that the only way to keep a vampire dead is make sure the stake isn’t removed from the heart-remove the stake revive the vampire. They bury the coffin and make sure it is well hidden.

Time moves forward and the year is now 1942. Nikki has fully recovered from her experience, having no knowledge of the attack and is engaged to Lady Jane’s son John (Roland Varno). Andreas Obry has recovered from his experience and has become an assistant to Lady Jane.

You know thinking about this movie in 2020 it is really cool that the Vampire hunter/Doctor is a woman. I mean you wouldn’t expect it in the 1940s, and you certainly don’t see it in modern vampire stories (except Buffy the Vampire Slayer), but she basically is Van Helsing. Not the Hugh Jackman version, but the original one from the 1930s.

Of course what comes to mind is Jane the Vampire Hunter:

So Professor Saunders has passed way and Lady Jane decides to share about the vampire with Scotland Yard detective Sir Fredrick Fleet (Miles Mander) . He doesn’t take her seriously, but he does take the murder of a man seriously. He wanted to arrest Lady Jane, but she convinces him to check the body. If it is a regular man, he will be decomposed. If a vampire-his body will not have aged a day.

Stay the same age forever…

Lady Jane is going to show Sir Fleet but then a bombing raid occurs. One of the bombs hits the cemetery and a lot of bodies are dug up and two gravediggers are set to put all to right. When they come across Tesla’s body they find the stake in the heart and feel bad for the man. They pull it out and the Vampire returns!

The first thing Tesla does is contact his slave telepathically as he will need his help in moving the coffin and such. He calls to his former slave and werewolf Andreas.

Armand Tesla: [Offscreen, as Andreas walks in the woods] Andreas! [Andreas can’t locate the source] Andreas!

Andreas Obry: [Suddenly seeing Tesla] You! You have no power over me! That was ended many years ago! I’m no longer your slave! Dr. Ainsley has cleansed me of all the evil you forced upon me! You can’t bring it back! You can’t! I won’t let you! I won’t!

Armand Tesla: You’re a fool, Andreas! A complete, utter fool! Your fate is to be what you are – as mine is to be what I am… your Master! [In a commanding tone] Come here!

Andreas Obry: I won’t! [He moans]

Armand Tesla: [Commandingly] Look at me, Andreas! [There is a closeup of Tesla’s eyes] Look at me!

Andreas Obry: [after Andreas undergoes a metamorphosis into a werewolf] Andreas, come here! [Subserviently] Master, you have returned.

This is a fantastic scene, as you see Andreas really trying! He really, really wants to believe it is true that has overcome this. Looking at this as an adult it resonates so well as you have met people trying to overcome things, thinking they have, but then something happens and they are right back at the bottom again-addiction, toxic relationships, etc. It is extremely well done and poor, poor Andreas.

Now that Andreas is controlled by Tesla he sets him out for his first mission protect the coffin and find him a new identity. Andreas comes across a scientist recently escaped from a concentration camp, Hugo Bruckner. Dr. Hugo Bruckner was freed by help of the Resistance, something Lady Jane is a part of, and will be working with her. Man this vampire is extremely evil to murder a concentration camp survivor.

Tesla takes on the identity and slips into the Ainsleys’ and Nikki’s life. Some of you might wonder why Lady Jane doesn’t recognize him, but she only fought him that one time over twenty years ago, and at night in a foggy cemetery.

Lady Jane is throwing Nikki and her son an engagement party. Sir Fleet shows up and Lady Jane takes the Professor Saunder’s manuscript and locks it up, not wanting Nikki to ever find out about what happened. Tesla/Bruckner shows up, is introduced, and given free reign of Lady Jane’s office and laboratory. He uses this time to steal Saunders’ manuscript, the one Sir Fleet read. All are charmed by him except Sir Fleet, as he feels something is not quite right.

The next night the manuscript is somehow left in Nikki’s room and she reads it and finds out the truth. The Tesla calls to her…and the next day she has been drained of blood! Oh no!

Then they… then my mom made me stop watching it.

I know I was soooooo invested. What happens next? Will Nikki be alright? How will they defeat Tesla? I don’t recall exactly how old I was but this was well before google and we didn’t have TiVo or any blank tapes I could use to record, although my mother wouldn’t have let me as we were leaving the house and they weren’t going to leave the TV on with no one home. So I had to scan the newspaper and TV guide until it was on TV again.

So after she was drained of blood they transfused her. She survives but as we saw in The Horror of Dracula last year, that can only last so long. They need to find this vampire and kill it!

Stake through the heart.

Lady Jane starts to investigate and questions the grave robbers when the body cannot be found. She and Fleet also search Bruckner’s room and discovers the mirrors are all set down and a ring that she recalls from Tesla.

Fleet had had Andreas followed ad he was seen trying to change into a werewolf and found with Bruckner’s effects, his real effects.

Meanwhile, Nikki and John are attacked and Nikki starts to believe she has been transformed into a vampire. She pleads with John to stay away as she doesn’t want to hurt him. But you know these men in this old classic horror films-it doesn’t matter they are staying in this relationship and with the girl. How guys aren’t like that now? Most guys I know would be out in no time at all.

In reality, Tesla has been feeding. Tesla attacks Lady Jane, but she carries a cross and uses it to deflect him.

Wow!

So there are two amazing things I noticed about this scene. First can we just stop and appreciate that Lady Jane has a giant organ. Man, you are a girl after my own heart. I can’t play the organ but if I had money I would want a giant one and learn how to play it. Then I could be my own version of The Phantom of the Opera. 

Second-I love how in this scene she seems so meek and mild-and then bam-she’s got the cross and she flings it out at him. Lady Jane is awesome!

That’s awesome

Later that night Tesla calls Nikki to him again and she and Andreas answer the call. Meanwhile, Lady Jane ad Sir Fleet have decided to follow them. They come upon them in the cemetery but a raid interrupts their pursuit, although Fleet shoots Andreas, mortally wounding him. Andreas begs his master to save him, but Tesla coldly refuses.

Andreas Obry: Heal me, Master. I am hurt!

Armand Tesla: What is that to me?

This was so exciting when I watched it. First of all I really wanted to know what happened after waiting so long. Secondly this scene has the vampire, the damsel, bombs, a gun-you just didn’t know what would happen next!

Tesla leaving Andreas to die is the wake to reality he needs. He grabs a nearby cross and thrusts it at Tesla, coming between him and his victim-Nikki. A bomb hits and the sun comes up, melting Tesla to nothing.

Wow!

This is one of the first films to show a vampire disintegrating like this. It was actually censored in England for being too graphic. Oh, 1940s-if you saw the stuff we have today, although I have to say it was pretty yuck.

Of course Nikki and John get their happy ending, and Lady Jane stays awesome.

It was fantastic! I just loved it and you know who else would have if she existed-Catherine Morland.

You know it.

Please note that this is being said sarcastically.

So that’s our start with Horrorfest IX what else will it bring? Who knows! I start every year off with a plan but you know how that goes-anything can happen! Stay Spooky people!

For more Vampire films, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For more Bela Lugosi, go to We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

For more WWII, go to Catherine Morland’s Reading List: The Distant Hours

Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

I just love him:

Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Then the Phantom carries her off underground into his home.

Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

Had our heart broken:

Been betrayed by someone we thought cared about us?

Or felt we hadn’t received the recognition we deserved?

What else can I say?

Why yes I do!

Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

Dracula. Not Myth, Nor Ravings of a Mad Irish Novelist, Oh No, He’s Real: Dracula 2000 (2000)

Dracula. Dracula: not myth, nor ravings of a mad Irish novelist, oh no. He’s real, I assure you.

A long time ago, AMC used to do Fear Fridays. Every friday night at 8 they would show a horror film, and not stop until early Saturday morning. But then they pushed it back to 9, then 10, then 11, then 12, then 1 am, then 2 am; still calling it Fear Friday although it was actually Saturday morning. And then they just stopped doing it, which deeply saddened me as I saw many a good, creepy film those Friday nights.

Why did it end?

This however, wasn’t one of those good movies.

My sister and I saw this on one of those Friday nights and I hated this film. I thought it was dumb, stupid, boring, made no sense and couldn’t hold a candle to Bela Lugosi in Dracula (1931). And I vowed to never see it ever again.

Last week, my friend and I were having a horror film marathon. We saw Once Bitten and then were in the mood for a more serious film. She was going through the list and wanted to see Dracula 2000 as she has never seen it before. I was like

She then asked me what the film was about, if I could give her a summary, and I tried to tell her…

Uhhhhhhh

But I couldn’t remember. The only thing I could think of was that it had Johnny Lee Miller (who played Mr. Knightley in Emma (2009) and Edmund Bertram in Mansfield Park (1999) as the regular person thrust in the adventure (the only character I liked); Gerald Butler as Dracula (the reason I watched it the first time) but he was so young that it didn’t even look like him and I hated his character; a weird scene in the record store; and that I hated it. Why did I hate it, I couldn’t remember. The movie must have been so horrible I just wiped it from my memory banks.

Since I couldn’t remember it, and thought maybe I was too harsh a judge, we decided to watch it and see if it was different this go round.

I HATED IT!

I thought it was horrible and stupid. So you know what that means! A countdown!!! Yes, let’s go over everything I liked (barely anything) to everything I hated (practically everything!)

Synopsis:

The film is supposed to be Dracula set in modern times rather than 1831, so the year is 2000. In London, Matthew Van Helsing (Abraham’s descendent) has an antique store in which he is training Simon (Johnny Lee Miller). That night everyone but Matthew goes home, and unbeknownst to him his secretary Solina is part of a ring of thieves that breaks into his vault. They find nothing in there but crosses and a coffin, taking it as it must be valuable.

But something terrible lurks inside.

When Matthew discovers the theft, he goes after them, leaving Simon to watch over the business. However, Simon is worried about his mentor and follows him instead.

The thieves open the coffin and reveal that it is Dracula (Gerald Butler) who turns them all into vampires.

Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them.
Van Helsing: Doing them?
Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: “Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!”
Van Helsing: What did he want you to do?
Renfield: That which has already been done!
[giggles sinisterly]

He then heads to New Orleans, LA. There lives Mary Heller, a devout Catholic, who has had strange dreams/visions her whole life but they seem worse now than ever before. She keeps seeing this man, unsure of who he is, but us viewers know him as Dracula.

Simon and Matthew team up and try to destroy the new vampires, Simon originally shocked but after being attacked admits they are real. Matthew then reveals his secret, he is really Abraham Van Helsing, the Van Helsing.

[Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

When he discovered nothing worked to kill Dracula, he imprisoned him in a coffin and took his blood to keep him young as he continued to try to find a way to destroy him. He was married and they had a daughter Mary, and in her blood is Dracula’s blood. When he told his wife the whole story, she left him and took his daughter to America.

Dracula has lost his male vampires, but has three wives: Solina, the secretary; Valerie, a news reporter; and Lucy, Mary’s best friend. Simon and Helsing split up to look for Mary, Helsing being killed by Dracula and the wives at Mary’s house. Simon finds Mary and they escape, only for Mary to be captured later. Simon tries to help her; but is no match for all the vampires.

Before Dracula turns Mary into a vampire, he reveals that he is Judas Iscariot and that is why he hates silver and crosses. He tried to hang himself, but the “rope broke” and God turned him into a vampire.

I know. He turns Mary into a vampire, but I guess her already vampire blood counteracts it as she is not his slave.

She saves Simon, kills Dracula, and decides to continue the family business (although if she killed Dracula it is over) turning into a female Blade, kinda-sorta.

So What Was Good?

There was only one thing I liked in this entire film, and that was Johnny Lee Miller’s character, Simon.

Simon was extremely likable because he was just a regular person thrown into this situation and trying to make sense of it. All his reactions are spot on to when he thinks people are crazy to finally becoming a butt-kicking vampire hunter. He is kind, compassionate, caring, intelligent, and extremely witty.

Marcus: [Simon produces a cross] Sorry sport. I’m an atheist.

Simon Sheppard: [a dagger pops out of the cross’ base] God loves you anyway.

The other thing I like about him was how he represented the everyman or everywoman. Here is a guy who has read old inscriptions, heard stories, studied antique weaponry, etc; but studying and hearing it is much different than having to use it, have the myths be real, and be expected to hunt down vampires. He tries his best as he discovers this new reality, and even though he makes mistakes, all is forgiven as he is us, the viewer, in a sense. I thought he was fun and the best thought out thing in the film.

I like it!

So What Was Bad?

Everything else. Seriously, I mean it. The rest of the film was absolutely horrid.

1) Too Many Stars

Like Scre4m it is hard to focus on a plot of a film when you are being hit right and left with people who are really famous. In every scene it felt more like a game of “Which Star Will Pop Up Next” rather than watching a film about Dracula. I mean we have Shane West, Christopher Plummer, Johnny Lee Miller, Omar Epps, Nathan Fillion, Vitamin C, etc. When casting you really have to be careful and not have too many recognizable people, or else your audience will be going bug-eyed.

2) For a Dracula film there isn’t a lot of Dracula in it.

Dracula is supposed to be about Dracula; but Dracula actually has a small role in this film. And unlike previous films, Dracula wasn’t even played by a big star with top billing; instead they choose Gerald Butler who had very little on his acting resume at the time this film was made. To me that is incredibly strange as he is the main character, THE TITLE CHARACTER. He should be the star, the biggest personality. Instead Dracula has very little dialogue and spends most of his time just creepily staring at people.

He’s creepin’ in your windows. He’s starin’ at your people.

I didn’t like that, not one bit. As much as I disliked Bram Stoker’s Dracula, and I did a lot, at least that one knew what to focus on, DRACULA! It was a weird decision made by the writers, and a bad one.

3) Mary, Mary Quite Boring

Mary was so boring! I mean it what a yawnfest. All she did was cower, snivel, and act as if she was going to have a breakdown. Her character was bland and completely underdeveloped other than “good”, “Catholic”, and “British”. Now don’t get me wrong, the breakdown character can work but only in films where it is about psychological damage, like Rebecca, Gaslight or Under Capricorn, not a monster movie. In this type of film that kind of behavior is boring!

4) Taking Blood to Live Longer, Yet He Doesn’t Become a Vampire

In the book Dracula, the way to have someone become a vampire is to give them vampire blood. In this film Van Helsing keeps transfusing vampire blood into his body to live longer, but doesn’t become a vampire. That makes zero sense! If you ingest vampire blood you are a vampire. Pure and simple.

5) Dracula is Judas

Yes. It turns out the reason Dracula hates silver, crosses, bibles, Christianity, etc…is because he is Judas.

Why would God turn him into a vampire? Why would God create a being that cannot be killed but kill his people making their souls unable to move on? That is just unbelievably dumb.

I mean if the devil was the one who did it, it would still be really dumb, but make a lil’ more sense.

So yes it was dumb, incredibly dumb. Just stupid and horribly boring. My advice? Just skip it.

And after we finished the film, I asked my friend “What do you think of it?” Her response:

You as in the film

So there you go, not just me.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to I’m…a Werewolf: Teen Wolf (1985)

For more Dracula, go to We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

For more vampire films, go to I Don’t Want to Be a Vampire. I’m a Day Person: Once Bitten (1985)

For more on Judas Iscariot, go to The Arrest

For more modern remakes, go to Heroes are Not Born, They’re Created: Teenage Mutant Ninja Turtles (2014)

For more sucky remakes, go to Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

For more Gerald Butler, go to Pot o’ Gold: 17 Irish Heroes

Tired With a Capital T

Yes, GISHWHES is over and I’m back to blogging.

This year had some fun and crazy items to do. I did seven days of happiness, making a different person happy with a kind act every day. That was a lot of fun.

Went prospecting in a public fountain. And my friend and I played badminton in the mall food court for 30 mins without anyone even noticing. Everyone was too busy on their phones.

Then we had to wear white and get red wine poured on us from a two story building.

I taped coupons to five items in the store to help someone out, a coupon fairy.

I made postcards for William Shatner wishing he has joined us in GISHWHES.

Made a mural all about the wonderful Honeybees and what they do for us.

Did five chores for a mom who is overworked (in honor of Mr. Rogers). Serenaded a store employee who is overworked with a musical instrument I made myself.

Dressed up a a Jedi and went to get a root beer float at a ’50s diner.

I turned 15 people into robots! (their facebook pics).

I put a compilation of our team pics together, representing where we were from. I even used The Brady Bunch font for our names. (I hope they notice and give extra points!) For the people who didn’t give a photo I had to replace them with Misha Collins.

And I “buried” a person in popcorn in box (for the coffin, I couldn’t get a real one) in a mausoleum.

And I did this all between my regular three jobs and donating my Saturday to a children’s free backpack fair. There was a lot more I wanted to do, but just ran out of time.

Bacb

And that being said I am now tired. Tired with a capital T, which rhymes with P, which stands for pooped out.

But it was worth it. It was nice taking a week out and having this big adventure, doing all kinds of things you wouldn’t normally do.

But now back to regular things like laundry, bills, repairs, cleaning, etc. You know all those things I ignored last week. That is…after a long nap…or reading.

For more on GISHWHES, go to GISHWHES Girl

For more Misha Collins, go to You Can’t Have Just One!

For more on joining GISHWHES click on this link.

First Impressions

So let’s talk about Mr. Darcy’s first meeting. He made several mistakes.

Yes, you did. You made a ton of blunders that really led to you demise in the public’s eye.

So we see that when Darcy is first introduced as being one hot guy.

“Mr. Darcy soon drew the attention of the room by his fine, tall person, handsome features, noble mein, and…having ten thousand a year…the ladies declared he was much handsomer than Mr. Bingley, and he was looked at with great admiration…”

That is until he showed how prideful he is

“[Mr. Darcy] was looked at with great admiration for about half the evening, till his manners gave a disgust which turned the tide of his popularity; for he was discovered to be proud; to be above his company, and above being pleased; and not all his large estate in Derbyshire could save him…”

1. Not Dancing

Now I am not big on dancing, I’m like William H. Macy in Wild Hogs

But to people in Regency era dancing was an important thing. As a woman to be dancing it spoke of your beauty and possibility of marriage. Therefore Darcy giving a huge slight on the town  and the women as he danced with no one. It was like saying no one there was good enough for him.

It also told everyone that they had no chance at all at gaining his heart as

“To be found of dancing was a certain step toward falling in love…”

Not good Mr. Darcy, not good at all.

Ouch

But in his defense he only knows a few people, and it can be hard to dance in front of strangers, especially if you are dancing with a stranger.

“You know how I detest it [dancing], unless I am particularly acquainted with my partner.”

I know I couldn’t do it. Mr. Bingley tries to introduce him to people, but Darcy just shuts him down. True it sounds rude, but I believe that Darcy is just socially awkward.

2. Pride

Yep, Darcy comes off as a regular tool, the way he acts above everybody else.

“he was discovered to be proud; to be above his company, and above being pleased…”

He only dances two dances, one with Mrs. Hurst (Bingley’s sister) and Miss Caroline Bingley. He also only talked to the people within his party, declining to be introduced to anyone else.

“His character was decided. He was the proudest, most disagreeable man in the world, and everybody hoped he would never come there again.”

Good riddance

However, I’m going to play devil’s advocate here. It can be hard when you are in a new area. Sometimes you can come off being ruder than you mean to be.

I used to be like that a lot. People would tell me they thought I was a snob before, and glad that they were mistaken. I never realized that my self-consciousness was giving off that kind of vibe. In fact I feel bad for Darcy, as for him it was the same way. He never realizes the way he may portray himself or the attitude he gives off until Elizabeth tells him.

3. Slighting Elizabeth

Ooooh Darcy, this is where you really dig yourself into a hole.

“She is tolerable, but not handsome enough to tempt me.”

Ouch

Sorry Darcy, I have nothing to say to defend you. You said such a cruel thing and she tells her friend and family. Her mother spreads the story around and Darcy, you’re coffin is sealed.

Good riddance

 

So this clearly shows that we need to watch our actions and how we present ourselves to people. First impressions last a long time and take forever to overcome.

Also that even though Darcy is hot and rich, its personality that will always win over as everyone was willing to forget trying to win his heart, once they felt his personality was a huge zero.

Yep personality will always win out:

And it’s a good thing for us that Darcy has a beautiful soul to go with his body. It just takes a bit of time for us and Elizabeth to see it.

For more on Mr. Darcy, go to It’s All Jane Austen’s Fault

For more on Pride and Prejudice, go to Just Can’t Get a Break

For more on Elizabeth Bennet, go to How to Catch a Man

For more on first impressions, go to Happy Birthday Pride & Prejudice

For more on Regency Era, go to Definitely Not Mr. Darcy

For more on tall, dark, and handsome men; go to Gone Forever

For more on Maya Angelou, go to A Woman’s Heart

For more of my favorite quotes, go to Food, Food, Food!

For more on Wild Hogs, go to Part VIII: The Little Movie Lines List

For more on George of the Jungle, go to Episode VI: Return of the Favorite Movie Lines’ List