Just what is this thing? Chaos, chaos in the flesh.
Phantoms is a 1998 film that is based on the book by Dean Koontz. The story is very creepy, and I was surprised at how well the film was done. I thought it was going to be done in a very stupid, silly way; but it was the essence of creepiness. The only thing I didn’t care for was Liev Schreiber, I felt that he didn’t portray the character very well in the beginning. I wouldn’t have chosen Rose McGowan either, but she did surprisingly well. I loved Ben Affleck as the sexy Sheriff and love interest. I love Ben Affleck though, I mean who doesn’t? They changed the film from the book, as expected, but the changes do not destroy the film, thank goodness. If you’d like to watch the film go here. So the film starts out with Dr. Jennifer Pailey bringing her trouble-making sister Lisa to live with her. They are hoping the change of scenery will help straighten her out as she was involved with gang members in Los Angelas.
I want to go back to LA
When they reach the town, it is empty. Like really empty. There is no one out and about even though they are in a ski town, in the middle of winter with great snow.
They continue on home. When Jennifer gets there she finds her housekeeper dead. All the life had been sucked out of her and she looks burned.
The girls are widely freaked and decided to head to the sheriff’s. But there is one problem, their car won’t work.
Oh no!
The girls hurry on to the sheriff’s office where they find a deputy, burned and blackened. He appears to have shot his gun at something, but they don’t find any traces of it, except shells. Dr. Jennifer grabs a gun and the two run off to the bakery, as it is getting dark and they are really freaked out. They head to the baker’s, running quickly as they hear sounds as if someone is following them. When they get there the oven goes off revealing severed heads!
AAAAAAAAAAAAAHHHHH!!!!!!
The girls are completely grossed out and confused when the Sheriff (who ex-FBI) finds them.
Hello Sexy!
With him are his two deputies Steve Shanning (Nicky Katt) and Stuart Wargle (Liev Shreiber) have come to investigate. They decide the best thing to do is go to the sheriff’s department, and just when they do every single horn, siren, whistle, bell, etc. goes off and then suddenly stops. The only lights left on are down on the Candleglow Inn up the street.
They check it out and see that only four guests are registered. The Sheriff and Stu go upstairs, while the girls stay behind with deputy Steve.
While the sheriff is upstairs he goes into a room and starts looking through an opening in a closet. When he does he sees a vision of a young boy with a gun, which disappers. You see when the Sheriff was FBI he accidentally shot a boy, which made him quit and turn to small town life.
Aw! Look at his face. 😦
Stu goes in the other room and finds a beautiful, dead woman. He sits next to her and puts his hand up her leg…
What a perv!
Then the Sheriff walks in. He lets it go, even though he is severely grossed out as he knows what Stu was doing, but he needs every man he can get as he has no idea what the situation is.
The Sheriff has Stu watch the hall as he continues checking things out. Stu comes on to Lisa who tells him flat out no, she is not digging that.
Dr. Jennifer joins the Sheriff and they discover that a bathroom locked from the inside (that has no other windows or doors) is empty, with something written on the mirror in lipstick. The writing says “Dr. Timothy Flyte–The Ancient Enemy“.
The two have no idea who Dr. Flyte is but intend on finding out. In another empty room they find a bunch of metal objects like jewelry, buttons, watches, gold teeth, a pacemaker, etc.; concluding that this thing, whatever it is strips a person completely of everything, if it chooses.
EW!
They go back into the lobby to regroup and figure out their next step. But then they suddenly hear a woman crying out “Help me!” and Deputy Steve rushes out to save her. The Sheriff follows him, but when he gets outside all that is left of Steve is his shoes and a gun.
They head back to the Sheriff’s office and put the dead deputy in a body bag. They then call for help–military, Dr. Flyte, anybody, but the line was so bad they don’t know whether or not it went through.
Bryce and Stu go through the dept. and pull out all their ammunition getting ready for–whatever the thing is that is trying to attack them. The lights go out and the creature takes on a Alien/The Thing (1982) feel. The next thing you know, Stu is dead.
Too be honest, good riddance. He was a creep and I didn’t like him.
They also put Stu in a body bag and wait out the night.
We then switch to another part of the country- Dr. Flyte. Dr. Flyte (Peter O’Toole) is a tabloid worker in New York City. He used to a professor at Oxford, but they let him go as they felt his writings were “too silly”.
Two FBI agents ask him to go to the small, winter, town of Snowfield to help solve what the “thing” is.
Back in Snowfield the three survivors are trying to figure out what to do next. Lisa tries to take a nap while the Sheriff tells Dr. Jen about how the monster called up the incident with the young boy. The two are interrupted when Lisa asks the Sherif to walk with her to the bathroom. He checks it and finds it clear. Lisa begins to smoke when she hears a squealing noise coming out of the drain.
She checks out the bathroom stalls (much like Scream) and finds the Deputy Stu there!
In the book the “Phantom thing” was more like the Blob from The Blob (1958); although it could take on the shape of other things, or create small phantom pieces of itself. In the film, however, the “Phantom” embodies the form of Stu, which is understandable from a filmmaker point of view. It doesn’t copying The Blob at all, as I mentioned earlier copying The Thing. Just like The Thing, the “phantom” takes on the appearance of something. This wasn’t a horrible decision as I bet it was easier to film. They also did a lot of blackout or limited lighting when the creature was in its true form, which allowed it to remain creepy as your imagination creates it. The director of It(1990) should have used the same technique, it would have been a better film.
I didn’t really care for Liev Schreiber, and thought he could have been much creepier. Instead he just comes off as a pervert. This film has actually ruined him for me in all other films. When I watch Kate & Leopold, Scream, Scream 2, Scream 3, Lee Daniel’s the Butler, or X-Men Origins: Wolverine; I keep expecting him to do something perverted to all the women.
Yes I am
Anyways, back to the story. So the Sheriff goes into the bathroom and can’t find anything. They go down to check the body bags, but both are empty.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Meanwhile Dr. Flyte is on route to Snowfield with military General Leland Copperfield, some mobile labs, an armored strike van, etc–all ready to take on whatever the “thing” is. They ask Dr. Flyte about “the Ancient Enemy”. Dr. Flyte explains that there were creatures, he calls “Ancient Enemy” who are amoeboidshapeshifters. This Ancient Enemy rarely feeds, but when it does, the effects are devastating and it was theorized that the Enemy either caused or aided in the extinction of the dinosaurs, the destruction of the Mayan civilization, Roanoke disappearance, the missing army of Nanking, China in 1939, etc. And the town appears to have been built on the home of one of these “Ancient Enemies”.
The group arrives to Snowfield and the three survivors come to meet the army. The next thing you know, “the thing” has taken out almost the whole team using its shape-shifting qualities and the pipes/sewers. Now these scenes are pretty intense. I was watching them and screaming and my roommates were all, are you ok? I highly recommend watching this film.
General Copperfield is last of the military to be killed; as a pair of oily black tentacles seeps up through the pavement, penetrates his hazmat suit, and smothers him.
[Note: From The Mist]
This leaves Dr. Flyte, Sheriff Bryce, Jenny, and Lisa as the remaining survivors..
He’s dead but the “Phantom” uses his body as a mouthpiece and begins speaking to the crowd.
“My Flesh. Study it. Write the gospel. But do not try to leave. Witnesses to the Miracle.”
The body then falls to the ground and an oily black substance comes out along with a gecko, of which the group is supposed to get a sample of. Dr. Flyte begins to analyze the sample, coming to the conclusion it has lived in the depths of the earth for eons, growing to immense size, and absorbing knowledge from its prey. It can separate off parts of Itself to send as drones, warriors, phantoms, etc.–having them assume the shapes of anything or anyone It has absorbed; even of people or monsters from memories and dreams.With these, It has manipulated Bryce, Jenny, and Lisa into bringing Dr. Flyte here, to be Its prophet, and to write Its gospel. For It has begun to think of Itself as God–or the Devil. Indestructible. All-Powerful. Immortal. Unstoppable.
This is bad. Very bad.
Dr. Flyte’s analysis reveals that It is similar to oil and if they are able to make the same kind of bacteria that eats away at oil spills, they may just have a chance at stopping it. They create cultures and prepare for the final battle.
Dr. Flyte goes out and calls to the creature.
He tells It that he needs to see all of it in order to write Its “gospel”. He says that the others are creating a weapon against It, that they don’t believe in It like he does. It appears first as a single person, but then becomes all 400 residents of the town, merging and melding into one swirling mass, which resolves Itself into an immense, hideous, upright millipede.
The Sheriff, Jenny and Lisa run and fire the guns loaded with the bacteria culture into It. This causes It to scream. Jenny and Lisa run for shelter into the nearby deputy’s office, to reload their guns but are pursued by a drone of Deputy Stu.
Deputy Wargle: Oh, you’ve got some guns, ladies, you wouldn’t shoot an unarmed man, would you? [both women cock shotguns and point them at him] That’s a dumb question.
They empty their shotguns into him, knocking him down, and blowing away huge chunks of his legs and arms. Tentacles shoot out of his arm and leg stumps. The girls run away and and he follows, but is killed by Dr. Jen as she shoots him with the last of the culture.
The bigger entity is falling apart and the Sheriff follows the last of It down into the sewer, finding him face to face with the boy that he killed. He hesitates, and while he does so, a tentacle shoots out of the boy’s mouth, and knocks him down. His gun with the culture is stolen by It. It pulls the vials out and starts taunting the Sheriff. In response to It’s mockings the Sheriff pulls out his gun and shoots the vials, causing the bacteria to spread all over.
With one final ear-shattering scream It is gone, and Bryce makes his way back to the others. As a helicopter arrives to rescue them, Dr. Flyte announces to the others that the Entity has won after all: It wanted him to tell the world, and that’s just what he’s going to do. Everything seems to end well, or well enough. Dr. Flyte has his story and will win back his prestige; Sheriff Bryce is no longer traumatized about killing the boy; Dr. Jen and Sheriff Bryce have found each other; and Lisa and Dr. Jen have bonded. Sounds as perfect an ending you can get for a horror film.
Uh, uh uh. Not quite yet!
We switch to a scene in a bar where Dr. Flyte is in TV talking about It and how it may still be out there waiting. One of the guys in the bar turns to his companion and says its a lot of hooey. A strange laugh is heard and at the end of the bar is Deputy Stu Wrangle, showing that It is still alive.
So it really was a good film, and I’m telling you the scenes with the creature are super creepy!!! You’ll love them if you love scary movies!
So unlike the other facebook cover pages I have made (and you should have guessed by now that practically every post has one) I made two for this one as the first one wasn’t working out right. Here’s the second one for those of you interested.
“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
In their proper place, the depths.”
So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.
So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.
Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).
Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?
Why yes, yes I do think so.
Well I don’t care.
So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?
Spongebob would be disappointed in you.
When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.
I like it!
Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.
They got lots of pleasures, alright.
Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.
Maria, leader of the Rebellion
He then follows her down to the workers’ realm.
Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.
AAAAAAAHHH!!!!!!!!!!!
He runs to report to his father:
Sorry had to do it
Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.
On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.
Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)
Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).
Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]
Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch.
Its a pretty freaky scene, and totally creeps Frederson out.
Understandable, as it would freak me out too. It did. It still does.
Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.
Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.
Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.
The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.
Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!
So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.
Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.
Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.
I’m sure you all knew I was going to make this connection.
Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.
I mean seriously, what were you thinking?
Freder freaks out and drops into a delirious state of mind.
Poor guy!
False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.
Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.
The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.
Grab your torches and sharpen your pitchforks!
The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!
Noooooooooo!!!!!!!
Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.
Grab your torches and sharpen your pitchforks!
They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.
Noooooooooo!!!!!!!
But then when she burns away, she is revealed to be the robot.
Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.
This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.
That said, there is one other little thing I want to clear up. Anastasia is not a disney movie. I REPEAT! ANASTASIA IS NOT A DISNEY MOVIE! DISNEY DID NOT MAKE THIS MOVIE!!! It was 20th Century Fox! FOX MADE IT! FOX! FOX! FOX! FOX! It just urks me how people call it a Disneymovie because it IS NOT A DISNEY MOVIE!
So the film begins in 1916 Russia, where the Czar is giving a party. His mother, the Dowager Empress (Angela Lansbury) is visiting from France. She and his youngest daughter, have a close connection and the Dowager gives her a secret music box and a locket that is a key, that have the saying “Together in Paris”. The ball is interrupted by their “holy man” Rasputin (he was a real creepo) played by Christopher Lloyd. Rasputin is mad at the Romanovs for trying to banish him, and has sold his soul to brung destruction on all of them. The Dowager and Anastasia are saved by a kitchen boy, who sneaks them out through a secret passage. They run for a train, but Anastasia trips and is left behind.
Fast forward ten years, the Dowager Empress has put out notice of a heavy reward to anyone who can bring her, her granddaughter. Dimitri (John Cusack), the kitchen boy, is all grown up and has been having tryouts to find someone to play Anastasia so he can get the money and be gone from Russia forever. He and his partner, Vladimir, an ex member of the Royal Court, both have the knowhow to get it done. Dimitri also has the music box.
Meanwhile, Anya (Anastasia), played by Meg Ryan, has been living with amnesia in an orphanage. Now being of age, she is being sent out to work. Instead of following the directions given to her, she decides to follow a stray dog she found and head to St. Petersburg and ultimately, Paris.
The two meet up in the old Romanov palace as Dimitri and Vladmir have gone there to lick their wounds, no applicants worked out, and Anya wants to get papers from Dimitri to get out of Russia. They notice her similarities to Tsarina Alexandra and offers it as a potential way to find her family, not telling her about the money (you know that old cliché). They board the train and are on there way
Meanwhile, Rasputin is rotting in Purgatory, as he can’t go off to hell until all the Romonavs are dead, and can’t go topside because he lost his glass vial of evil I guess (I’m not sure what its real name is), is lost. Bartok, his pet bat has found the vial and goes down telling him about Anastasia’s “rebirth”. Rasputin goes up to kill her.
Back on the train, Anya and Dimitri feel a little something for each other but are mean to each other not wanting to admit it. They have to move to the baggage cart as things have changed under Stalin. While there, Rasputin attacks and they have to switch to a boat. Rasputin attacks them, and Dimitri saves her. They eventually reach Paris, and Anya passes all the tests, solidifying it when she answers that she was saved by a kitchen boy. Dimitri hears this and knows that she is the real deal. The only issue is, the Dowager has decreed to see no one again. They decide to surprise her at the opera, Dimitri deciding to let her go and to do everything he could to help her connect to her family. Dimitri’s scheme has reached the Dowager’s ears and she really lays into him, with Anya overhearing. Anya is pissed that Dimitri lied to her and runs off to her hotel room. Dimtri then drives the Dowager over there and the two talk and are united. They have a ball to welcome her back, with Vladmir being reinsteated and honored with medals. The Dowager offers Dimitri the money, but he refuses (sound like someone you know?) and takes off. That night, Rasputin attacks Anya, Dimitri returns, and they defeat Rasputin. The two elope and run off, Anya telling her grandmother that she will see her again soon.
Most Romantic Moment:
Just like 10 Things I Hate About You it was hard to choose the “most romantic moment” as it was chock full, but I can only pick one.
So Dmitri has left. He could have told Anya what he did for her when she was a kid. He could tell her that he was the one who saved her as a child. He could have told her that he figured out she was Anastasia and tried to help her at the Opera to get in to see the Dowager. He could have told her that he made sure that the two had a chance to talk because he wanted to reunite her with her family. He could have told her he didn’t take the money. Instead, he wanted to make her dreams come true. She made him want to reform his conman ways.
But Dmitri has no illusions. Even if he changed his ways, he knows nothing will happen between them.
So he leaves. He leaves because he knows that she needs more than he can give, she needs someone better. (Sound like someone else we know?)
Meanwhile, back at the ball Anastasia is being attacked by Rasputin. He has her down, and just when you think its over, Dimitri comes running in to save the day.
Yes! HE CAME BACK TO BE WITH HER! Even though it doesn’t make any sense. Even though coming back might not change anything, he DOES IT ANYWAY! Even though there is no guarantee that they will get together. Even though he knows she still might be angry with him and kick him to the curb. It doesn’t matter. He loves her so much he has to tell her how he feels. That’s so romantic!
So romantic!
And in the case of true love, coming back always works out.
I know I say I don’t like sequels as much as the original, but there are always a few that I think are better.
So this movie almost wasn’t created as director James Whale originally did not want to do a sequel to Frankenstein. Universal considered producing a sequel without Whale’s involvement, but after 4 years of constant badgering, Whale agreed to do the film. And I’m so happy he did, or else we would be without this wonderful masterpiece.
To be honest, this isn’t a true “sequel.” It actually is the second half of the the book Frankenstein, instead of an individual and separate story.
The reason I like this better than the first one is that Frankenstein is creepier, as he is demanding and using his strength and stature to frighten others.
You also have a creepier Henry, as he is fighting with himself on whether or not to create more monsters. We see that he doesn’t wish to populate the world with these creatures-but at the same time he is lured by the thrill of creating more, and showing off his genius.
Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.
But I’m getting ahead of myself.
So the film starts off a little different from the other one. Here we have Elsa Lanchester portraying Mary Shelley and telling the next chapter of the story at a party.
Let me tell you a story
The next chapter picks up exactly where the other film ended.
Grab your torches and sharpen your pitchforks!
The villagers had driven the monster to the windmill and believed they killed him. They take Henry back home where he is nursed to health by his fiancé Elizabeth.
However, we see that the creature has not been killed. He escaped the fire by getting into the water under the mill. He kills some people as he escapes into the wilderness.
Meanwhile, Henry’s old mentor, Doctor Septimus Pretorius, comes to visit him. He brings along his creations to show Henry. Dr. Pretorius had created miniature people: a miniature queen, king, archbishop, devil, ballerina and mermaid. While Henry had vowed to never create another monster again, seeing these creatures spikes his interest.
Meanwhile, the monster has run off into the woods and has tried to find a place to belong. He attempts to befriend a shepherdess and a group of gypsies, but both reject him.
He finally runs into a hermit and has a tender scene with the two becoming “fast friends”.
I love this scene and sometimes say things like “Friend good, such and such bad”, etc in my daily life! 😀 It’s a pretty touching scene. After all:
But even this does not last forever as searchers looking for the monster, come upon the two and chase the creature away. He eventually comes upon Dr. Pretorius who promises him “friendship” and that he will create a mate for him.
“The Monster: You, make man… like me? Dr. Pretorius: No. Woman… friend for you The Monster: Woman… Friend… Wife…”
Dr. Pretorius approaches the newly married Frankensteins and tries to get Henry to help him create a mate for the monster. Henry, having once again realized the horror of his past creation, in no way will ever create another creature. That’s all fine and good, but Dr. Pretorius doesn’t agree. He wants a mate and is determined to force Henry to create one. He gets the creature to kidnap Elizabeth, her being the exact leverage to force Henry to create another monster.
The Monster: I *love* dead… hate living.
Henry seeing that he has no alternative, prepares to create a women from the dead. We see as Henry struggles with his morals, creating a better tension than in the first film. As I stated earlier, he doesn’t want to create another creature as he knows the horrors the other committed along with the fact that the two might mate and reproduce, populating the world with living dead.
But Henry is excited at the same time. Once again he can use his theories and science to create. He will be able to say he “created” life, not once but twice! This is hard for him to turn away from.
Of course nothing goes perfectly according to plan. Henry creates the woman, but can he control it?
Elsa Lanchaster is amazing! I love the way she turns about, almost birdlike. She actually based her performance on swans; saying that, “they’re really very nasty creatures”. She was only 5’4″ but for the role they placed her on stilts so she was 7′ tall. The bandages were placed so tightly on her that she was unable to move and had to be carried about the studio, much like Olivia Newton-John in Grease. Her hair and outfit are amazing, and now such a classic figure in horror film history, just like her predecessor the Monster. Her amazing ‘do was held in place by a wired horsehair cage.
They introduce her to her “mate”, but when has any woman liked it when people pick out their mates?
The monster is furious at this rejection and destroys the lab killing all who are in it. The only people who escape are Elizabeth and Henry. Frankenstein realized what they had and allowed them to leave unharmed.
“The Monster: [Speaking to Frankenstein and Elizabeth] Go you live… [turning to Dr.Pretorius] You stay we belong dead.”
It’s a great movie. I highly recommend it to anyone into the classic horror films.
That’s todays fearsome post! More to come! Only 7 days left ’till Halloween! Who’s excited?
Here’s poster I made for my cover page on facebook in honor of Halloween. Hope ya love it.
![[Note: From The Mist]](https://janeaustenrunsmylife.files.wordpress.com/2014/10/the-mist-2007-05.jpg)
![Deputy Wargle: Oh, you've got some guns, ladies, you wouldn't shoot an unarmed man, would you? [both women cock shotguns and point them at him] Deputy Wargle: That's a dumb question.](https://janeaustenrunsmylife.files.wordpress.com/2014/10/600px-phantoms-ithaca-1.jpg)
janeaustenrunsmylife 