In Their Proper Place: Metropolis (1927)

“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?

In their proper place, the depths.”

So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.

So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.

Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).

Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?

Why yes, yes I do think so.

Well I don’t care.

So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?

Spongebob would be disappointed in you.

When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.

I like it!

Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.

They got lots of pleasures, alright.

Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.

Maria, leader of the Rebellion

He then follows her down to the workers’ realm.

Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.

AAAAAAAHHH!!!!!!!!!!!

He runs to report to his father:

Sorry had to do it

Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.

On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.

Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)

Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).

Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]

Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch. 

Its a pretty freaky scene, and totally creeps Frederson out.

Understandable, as it would freak me out too. It did. It still does.

Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.

Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.

Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.

The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.

Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!

So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.

from The Cabinet of Dr. Caligari

Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.

Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.

I’m sure you all knew I was going to make this connection.

Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.

I mean seriously, what were you thinking?

Freder freaks out and drops into a delirious state of mind.

 

Poor guy!

False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.

Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.

The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.

Grab your torches and sharpen your pitchforks!

The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!

Noooooooooo!!!!!!!

Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.

Grab your torches and sharpen your pitchforks!

They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.

Noooooooooo!!!!!!!

But then when she burns away, she is revealed to be the robot.

Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.

This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.  

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to It’s Coming From Inside the House

For more on Metropolis (1927), go to Viva La Révolution

For more on dystopian futures, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on mad scientists, go to A Halloween Hello From the Austen Men

For more on creating a monster, go to I Want Friend Like Me

For more on Harry Potter, go to Fashionably Postworthy

For more of my favorite quotes, go to Horrorfest III: The Revenge

It’s Coming From Inside the House: When A Stranger Calls (2006)

We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out!

So I love this movie so much! It came out during the period of remakes of 1970s horror films, you had Dracula 2000, The Exorcism of Emily Rose (2005), The Wicker Man (2006), The Texas Chainsaw Massacre (2003), Carrie (2002), The Omen (2006), The Hills Have Eyes (2006), Dawn of the Dead (2004), Halloween (2007), and Invasion (2007). 

I thought it was a great remake, although I’ve never seen the original. And as the trailer revels the climatic ending I don’t feel bad about doing so either.

So the film starts off a police cleanup as a baby-sitter and the kids she had been watching were ripped to shreds.

 Then we cut to out protagonist Jill who is practicing track. She is suffering from a supremo of bad days. Her times are all off and she needs to improve her speed. Part of the reason she is sucking so much is that she is distracted by her broken heart.

It turns out that her boyfriend and best friend hooked up! What jerks!

And she is grounded because she went over the mins on her phone. Remember, back in the day when every cellphone plan had min limits, and everyone was going over them all the time?

Oops!

She really wants to go to the bonfire party, but the only place she is allowed to go is to babysit.

Yep, the money from the job is supposed to be enough to cover the cost of the phone bill. They must be paying her an awful lot of money.

To further her punishment, she can’t have her own car but has to be dropped off by her dad and then dropped off by the couple when they return from their night. Now this is a pretty sweet baby-sitting job. It is for a rich family, who lets you eat anything in the house, watch things on their massive TV, getting paid lots of money, and you don’t even have to look after the kiddos as they’re sick.

Only one problem, she is in the freakin’ middle of nowhere. But it is a beautiful house!

It has a so many glass windows and such, it also has an inside garden/aviary thing.

Now my home has a whole wall of windows, so when I first watched this with my friends we were all freaked out during the…well I’ll save that for later.

So Jill doesn’t have much to do as the kids are sick and knocked out upstairs. The maid is there, but will be leaving shortly after she finishes her rounds. The couple have an older son who attends college and he may or may not be coming back to visit, but if he does he’ll crash in the guest house in their backyard.

Seems easy enough

So Jill gets ready for a night o’ fun. She eats popsicles and tries on jewelry and clothes.

Everything is fun and games until Jill begins to receive anonymous and annoying phone calls.

Jill Johnson: [phone rings] Hello? [no answer] [sighs] Mandrakis Residence.

Voice of the Stranger: Have you checked the children?

Jill Johnson: What

[Stranger hangs up. Jill runs and checks on the children. Comes back downstairs]

Jill Johnson: [phone rings] Hello?

Voice of the Stranger: [pauses] How were the children?

At this point in the film if you look hard enough you can actually see him watching her through the window while she is walking around and talking to her on the phone.

In between she gets some creepy calls from her ex’s friends. She gets even more calls, but then one turns out to be her ex-friend Tiffany. Tiff the big, bad, boyfriend stealer.

Tiff comes and tries to fix things between them, with Jill feeling lukewarm about the whole thing. She kicks Tiff out, who tries to leave but can’t as a tree blocks her path. A tree that wasn’t there earlier. That means only one thing, bye-bye Tiff.

Goodbye now!

 

The calls continue getting even creepier.

Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.

Voice of the Stranger: This isn’t Tiffany.

Jill Johnson: Who is this?

Voice of the Stranger: [pause] Who is this?

Jill Johnson: Cody?

Voice of the Stranger: Who’s Cody?

Jill Johnson: You better cut this out!

[stranger hangs up]

Now for the most part Jill is pretty smart girl. She calls the police and tries to get them to trace the call and get rid of her stalker. She keeps the security system on at all times. When she sees a light go on in the guest house, she thinks it might be the son and tries to get him to come back with her to help.

She turns the security system off and runs down to the guest house to get the son. When she gets in there, she discovers that there is no one there.

Jill concludes that it must have been the maid, going over here to clean and then left after she completed the job. She runs back to the house, causing the security system to go off. She gets a call from the company, but tells them that it is only her. She must have only thought she turned the system off.

She continues to get more calls from “the Stranger”, telling her that he can see her.

Oh Crap!

Jill Johnson: He can see me!

Officer Burroughs: Sorry?

Jill Johnson: It’s Jill, the girl who called before about the man who keeps on calling.

Officer Burroughs: What’s going on?

Jill Johnson: He called me again.

Officer Burroughs: What did he say?

Jill Johnson: He’s out there, he’s outside, he’s watching me through the windows.

Officer Burroughs: Did you see him?

Jill Johnson: No, but I know he can see me, because I went upstairs…

Officer Burroughs: Okay, take a deep breath, where’s the house keeper?

Jill Johnson: I don’t know, I saw her purse and the keys but I can’t find her.

Officer Burroughs: The house locked up?

Jill Johnson: Yes.

Officer Burroughs: Alarm system?

Jill Johnson: It’s on.

Officer Burroughs: Okay, you’re safe inside that house. If he wanted to break in, he wouldn’t be calling.

Jill Johnson: But he must want something!

Officer Burroughs: Listen to me, Miss, it’s just some a****** trying to hassle you.

So when my friends and I were watching this film, we were in the living room which has a whole wall made entirely out of windows, similar to the house in the film. There is also a window behind the TV. As we were watching this part, something hit our window.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Our cat had jumped up on the fence outside and hit the window with her tail. We were just so into the film that we were creeped out.

So back to the film. So Jill keeps trying to talk to “the Stranger” so the police can trace the calls. It is so creepy, it was like when that crazy girl kept calling/texting me last spring.

Jill Johnson: [On phone] You really scared me, if that’s what you wanted. Is that what you wanted?

Voice of the Stranger: No.

Jill Johnson: What do you want?

Voice of the Stranger: Your blood all over me.

As gross and creepy and Nightmare in Elm Street’s Freddy Kreugar.

EW!

That’s when everything starts to fall apart.

AAAAAAAAAAAAAAAAHHH!!!!!!!!!!!!!!!

Besides Tiff, Jill also finds the body of the housemaid. She tries to help save the children, but end up getting in a deadly fight with “the Stranger”.

Save the Children!!!!

Jill is awesome how she takes down the stranger, totally kicking butt.

Kudos for carrying the crowbar

The cops come and capture the killer and cart him off, taking Jill with them to be looked at.

The ending is great, with its nod to Friday the 13th. Check it out, it is an amazing film!

The creepiest thing about this film is how the guy watches her and how he gets in the house and does the whole cat and mouse game. It is such a creeptastic film.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For more on When a Stranger Calls, go to Do You Know Where Alex Is?

For more on psychopathic killers, go to Everyone’s Entitled to One Good Scare

For more great remakes, go to Redone Done Right

How I Differ From Others

 

Yep I love The Phantom of the Opera and if I could visit anywhere I would totally love to go to his underground lair and hang out in his home with his awesome music.

What can I say? After all I am a:

For more on The Phantom of the Opera, go to Feast Your Eyes on My Accursed Ugliness

For more on my fangirling, go to Sadness Is…

For more non-Austen films, go to Pizza Power

I Want Friend Like Me: The Bride of Frankenstein (1935)

“You, make man… like me? No. Woman… friend for you.  Woman… Friend… Wife.”

So this is the sequel to Frankenstein  and I think a much better film.

Yes Mickey you were right

I know I say I don’t like sequels as much as the original, but there are always a few that I think are better.

So this movie almost wasn’t created as director James Whale originally did not want to do a sequel to Frankenstein. Universal considered producing a sequel without Whale’s involvement, but after 4 years of constant badgering, Whale agreed to do the film. And I’m so happy he did, or else we would be without this wonderful masterpiece.

To be honest, this isn’t a true “sequel.” It actually is the second half of the the book Frankenstein, instead of an individual and separate story.

The reason I like this better than the first one is that Frankenstein is creepier, as he is demanding and using his strength and stature to frighten others.

You also have a creepier Henry, as he is fighting with himself on whether or not to create more monsters. We see that he doesn’t wish to populate the world with these creatures-but at the same time he is lured by the thrill of creating more, and showing off his genius.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

But I’m getting ahead of myself.

So the film starts off  a little different from the other one. Here we have Elsa Lanchester portraying Mary Shelley and telling the next chapter of the story at a party.

Let me tell you a story

The next chapter picks up exactly where the other film ended.

Grab your torches and sharpen your pitchforks!

The villagers had driven the monster to the windmill and believed they killed him. They take Henry back home where he is nursed to health by his fiancé Elizabeth.

However, we see that the creature has not been killed. He escaped the fire by getting into the water under the mill. He kills some people as he escapes into the wilderness.

Meanwhile, Henry’s old mentor,  Doctor Septimus Pretorius, comes to visit him. He brings along his creations to show Henry. Dr. Pretorius had created miniature people: a miniature queen, king, archbishop, devil, ballerina and mermaid. While Henry had vowed to never create another monster again, seeing these creatures spikes his interest.

Meanwhile, the monster has run off into the woods and has tried to find a place to belong. He attempts to befriend a shepherdess and a group of gypsies, but both reject him.

He finally runs into a hermit and has a tender scene with the two becoming “fast friends”.

I love this scene and sometimes say things like “Friend good, such and such bad”, etc in my daily life! 😀 It’s a pretty touching scene. After all:

But even this does not last forever as searchers looking for the monster, come upon the two and chase the creature away. He eventually comes upon Dr. Pretorius who promises him “friendship” and that he will create a mate for him.

“The Monster: You, make man… like me?
Dr. Pretorius: No. Woman… friend for you
The Monster: Woman… Friend… Wife…”

Dr. Pretorius approaches the newly married Frankensteins and tries to get Henry to help him create a mate for the monster. Henry, having once again realized the horror of his past creation, in no way will ever create another creature. That’s all fine and good, but Dr. Pretorius doesn’t agree. He wants a mate and is determined to force Henry to create one. He gets the creature to kidnap Elizabeth, her being the exact leverage to force Henry to create another monster.

The Monster: I *love* dead… hate living.

Henry seeing that he has no alternative, prepares to create a women from the dead. We see as Henry struggles with his morals, creating a better tension than in the first film. As I stated earlier, he doesn’t want to create another creature as he knows the horrors the other committed along with the fact that the two might mate and reproduce, populating the world with living dead.

But Henry is excited at the same time. Once again he can use his theories and science to create. He will be able to say he “created” life, not once but twice! This is hard for him to turn away from.

Of course nothing goes perfectly according to plan. Henry creates the woman, but can he control it?

Elsa Lanchaster is amazing! I love the way she turns about, almost birdlike. She actually based her performance on swans; saying that, “they’re really very nasty creatures”. She was only 5’4″ but for the role they placed her on stilts so she was  7′ tall. The bandages were placed so tightly on her that she was unable to move and had to be carried about the studio, much like Olivia Newton-John in Grease. Her hair and outfit are amazing, and now such a classic figure in horror film history, just like her predecessor the Monster. Her amazing ‘do was held in place by a wired horsehair cage.

They introduce her to her “mate”, but when has any woman liked it when people pick out their mates?

The monster is furious at this rejection and destroys the lab killing all who are in it. The only people who escape are Elizabeth and Henry. Frankenstein realized what they had and allowed them to leave unharmed.

“The Monster: [Speaking to Frankenstein and Elizabeth] Go you live… [turning to Dr.Pretorius] You stay we belong dead.”

It’s a great movie. I highly recommend it to anyone into the classic horror films.

That’s todays fearsome post! More to come! Only 7 days left ’till Halloween! Who’s excited?

Here’s poster I made for my cover page on facebook in honor of Halloween. Hope ya love it.

To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to Someone Very Special

For more on the Bride of Frankenstein, go to A Monster Race

For more on Frankenstein, go to It’s Alive, It’s ALIVE!

For more classic horror films, go to I Bid You Welcome

For more monster movies, go to Grimwood Ghouls’ Gym Teacher

For more films based on books, go to Quite a Horror Story

For more sequels, go to Just Follow the Screams

For more on Frank Peretti, go to Part IX: Adventures in Movie Lines

For more of my fav quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper