My friend always knows the type of shows that I like, so when she suggested this cartoon, Over the Garden Wall, I was down to watch it.
The show follows stepbrothers Wirt (Elijah Wood) and Greg who were out walking in the forest and are lost. As they are trying to figure out how to get home they come across a woodsman (Christopher Lloyd) who tries to help them. He warns them of “the beast” and directs them the way to go. As they try to get home they come upon all kinds of fantastical and spooky people/creatures; and the woodsman himself might not be as helpful as they originally thought. In this world where anything could happen who can you trust? Everything in the show is cute and sweet with an undertone of something sinister.
“Hard Times at the Huskin’ Bee” is the second episode of the series and the two brothers have been wandering in the direction the woodsman pointed out when Greg finds a bird trapped in a bramble bush. She’s a talking bird, Beatrice (Melanie Lynskey), who they met briefly in the previous episode and as Greg saved her, she is now a member of their party.
Beatrice wants to take them to Adelaide the lady of the forest to help them, but Wirt sees a sign to Pottsfield and decides to go in that direction.
When they arrive they find an empty village and only turkeys in the houses. They continue walking through the creepy village, and I’m like if this was me I would go running and screaming from it, I’ve seen plenty of films and read enough books to know things are not going to go well.
They hear music coming from the barn and head over there to ask for directions. When they get to the barn they find these pumpkin straw/scarecrow humanoids running about. Wirt feels safe as he think they are wearing costumes and not real pumpkins.
One girl sees Wirt and comments “aren’t you a little ripe still to be here?”
This whole thing would send me reeling, but the boys don’t leave yet. They do get freaked out when they see a gigantic pumpkin and realize that these aren’t just people having a regular festival, something fantastical and grim is going on here.
When they try to leave they are stopped and have to be punished….
I was thinking that they were goin to try and smash them, but instead they force Greg, Wirt, and Beatrice to do community service.
Beatrice is still trying to get the kids to leave as she doesn’t trust these pumpkin villagers and is really worried that they have something more sinister planned; especially after the two brothers are digging holes that are the perfect dimensions and depth to be a grave.
The pumpkin people come to check to see if they are finished and Beatrice has Wirt stall them while she tries to pick the locks.
Wirt tells them he found rocks when digging so it took longer, and then continues to ramble. When Wirt sees Beatrice and Greg running away without him, he gives up and is prepared to meet his doom.
But out of the hole comes skeletons who do not attack him but put on pumpkins and straw. It turns out they never planned to hurt the brothers, they just needed some help getting their friends.
The pumpkins tell the brothers they can stay as long as they want to, but they decline as they are both determined to get home.
I really enjoyed this, it’s the perfect blend of cute, spooky, and grim; with a fairy tale feel. I highly recommend it.
“My name is Salmon, like the fish. First name: Susie. I was 14 years old, when I was murdered, on December 6, 1973. I was here for a moment. And then I was gone.”
So when this film came out in 2009, I really wanted to see but couldn’t find anyone to come with. Nobody seemed interested, and those that were had already seen it. I decided that I would wait to watch it until after I had read the book it was based on.
So that happened much later than I thought it would. At first everyone wanted to read it so it was hard to get a copy, and then I got busy reading other things.
Anyways, so last month I went to a library book sale and discovered The Lovely Bones on sale for 50¢. Never being one to turn down a deal I bought it and immediately read it. It was different than I thought it would be as we learn the identity of the murder immediately. It was still a suspenseful book and interesting as we see how Susie Salmon’s disappearance affects her and the rest of her family. The other really interesting thing about this book is it really shows the changes that have come along since the ’70s regarding how police work and the forensics that we have. Not to mention criminal profiling.
So, back to the film. While the book is more of a suspense/horror/drama; but the film is mostly a drama with veins of suspense. The film was pretty good although they had to make a lot of changes. Mostly it had to do with cutting as the book is really long and spans about 10 years. The film only covers about a year-18 months. But the film was pretty good otherwise, and I recommend it.
So as mentioned earlier, Susie Salmon is a fourteen year old girl who gets murdered. At first she is presumed missing, and the police begin to investigate. The film details how her disappearance and lack of closure affect her family-father, mother, sister, brother, and grandma; along with friends and the community.
So this is what made the film great.
1. The Artistry/Cinematography
The film is mostly in wide angle shots and they are set up beautifully. As the film is told in flashbacks or from the viewpoint of the spirit of Susie; it works really well. Not only are the regular shots extremely beautiful; but the scenes of heaven/limbo are extremely amazing and artistic. You really get the feeling that you are in a a place created by a child’s mind (as it is supposed to be what Susie wants).
Susie is played by Saoirse Ronan and does a really great job at being a fourteen year old kid. She really makes you believe it as she is shy when a boy likes her, sassy and trying to “rebel” against parents, showing she is moving toward becoming more adult, while at the same time still being very much a kid. You really feel for her as she wants to move on to heaven and a better life, but doesn’t want to leave her family or the boy she cared for.
3. Mark Wahlberg as Jack Salmon
Mark Wahlberg plays Jack Salmon the father who we adore and wouldn’t mind having. Jack is a caring father that has a really close bond to his children, often being the one they go to as their mother (Rachel Weisz) resents the life she lives. He has an incredibly close bond with Susie, not only because she is the oldest, but they have a lot in common. In fact, she is the only one who enjoys the model ship building he does. When he loses her, he falls apart trying to discover who the murderer is. He also works overtime trying to be there for his other kids. He never gives up, as he can’t just have his daughter disappear. Even when his wife leaves, he continues trying to care for his family and preserve his daughter’s memory. He faces the issue and problems straight on, while his wife runs away. When his wife comes back, he welcomes her back with open arms as he never stopped loving her. He is an amazing father, and you really feel for him and everything he goes through. What makes this performance even more amazing was that Wahlberg only joined the crew a day before filming actually started, knowing next to nothing about the story.
4. Stanley Tucci as Mr. Harvey
Stanley Tucci deserved his oscar nomination and should have won for his performance.I mean anyone who could go from this
definitely deserves an Oscar.
Every time we see him chills run up and down my spine, he is soooooooooo creepy.
Just what is this thing? Chaos, chaos in the flesh.
Phantoms is a 1998 film that is based on the book by Dean Koontz. The story is very creepy, and I was surprised at how well the film was done. I thought it was going to be done in a very stupid, silly way; but it was the essence of creepiness. The only thing I didn’t care for was Liev Schreiber, I felt that he didn’t portray the character very well in the beginning. I wouldn’t have chosen Rose McGowan either, but she did surprisingly well. I loved Ben Affleck as the sexy Sheriff and love interest. I love Ben Affleck though, I mean who doesn’t? They changed the film from the book, as expected, but the changes do not destroy the film, thank goodness. If you’d like to watch the film go here. So the film starts out with Dr. Jennifer Pailey bringing her trouble-making sister Lisa to live with her. They are hoping the change of scenery will help straighten her out as she was involved with gang members in Los Angelas.
I want to go back to LA
When they reach the town, it is empty. Like really empty. There is no one out and about even though they are in a ski town, in the middle of winter with great snow.
They continue on home. When Jennifer gets there she finds her housekeeper dead. All the life had been sucked out of her and she looks burned.
The girls are widely freaked and decided to head to the sheriff’s. But there is one problem, their car won’t work.
The girls hurry on to the sheriff’s office where they find a deputy, burned and blackened. He appears to have shot his gun at something, but they don’t find any traces of it, except shells. Dr. Jennifer grabs a gun and the two run off to the bakery, as it is getting dark and they are really freaked out. They head to the baker’s, running quickly as they hear sounds as if someone is following them. When they get there the oven goes off revealing severed heads!
The girls are completely grossed out and confused when the Sheriff (who ex-FBI) finds them.
With him are his two deputies Steve Shanning (Nicky Katt) and Stuart Wargle (Liev Shreiber) have come to investigate. They decide the best thing to do is go to the sheriff’s department, and just when they do every single horn, siren, whistle, bell, etc. goes off and then suddenly stops. The only lights left on are down on the Candleglow Inn up the street.
They check it out and see that only four guests are registered. The Sheriff and Stu go upstairs, while the girls stay behind with deputy Steve.
While the sheriff is upstairs he goes into a room and starts looking through an opening in a closet. When he does he sees a vision of a young boy with a gun, which disappers. You see when the Sheriff was FBI he accidentally shot a boy, which made him quit and turn to small town life.
Aw! Look at his face. 😦
Stu goes in the other room and finds a beautiful, dead woman. He sits next to her and puts his hand up her leg…
What a perv!
Then the Sheriff walks in. He lets it go, even though he is severely grossed out as he knows what Stu was doing, but he needs every man he can get as he has no idea what the situation is.
The Sheriff has Stu watch the hall as he continues checking things out. Stu comes on to Lisa who tells him flat out no, she is not digging that.
Dr. Jennifer joins the Sheriff and they discover that a bathroom locked from the inside (that has no other windows or doors) is empty, with something written on the mirror in lipstick. The writing says “Dr. Timothy Flyte–The Ancient Enemy“.
The two have no idea who Dr. Flyte is but intend on finding out. In another empty room they find a bunch of metal objects like jewelry, buttons, watches, gold teeth, a pacemaker, etc.; concluding that this thing, whatever it is strips a person completely of everything, if it chooses.
They go back into the lobby to regroup and figure out their next step. But then they suddenly hear a woman crying out “Help me!” and Deputy Steve rushes out to save her. The Sheriff follows him, but when he gets outside all that is left of Steve is his shoes and a gun.
They head back to the Sheriff’s office and put the dead deputy in a body bag. They then call for help–military, Dr. Flyte, anybody, but the line was so bad they don’t know whether or not it went through.
Bryce and Stu go through the dept. and pull out all their ammunition getting ready for–whatever the thing is that is trying to attack them. The lights go out and the creature takes on a Alien/The Thing (1982) feel. The next thing you know, Stu is dead.
Too be honest, good riddance. He was a creep and I didn’t like him.
They also put Stu in a body bag and wait out the night.
We then switch to another part of the country- Dr. Flyte. Dr. Flyte (Peter O’Toole) is a tabloid worker in New York City. He used to a professor at Oxford, but they let him go as they felt his writings were “too silly”.
Two FBI agents ask him to go to the small, winter, town of Snowfield to help solve what the “thing” is.
Back in Snowfield the three survivors are trying to figure out what to do next. Lisa tries to take a nap while the Sheriff tells Dr. Jen about how the monster called up the incident with the young boy. The two are interrupted when Lisa asks the Sherif to walk with her to the bathroom. He checks it and finds it clear. Lisa begins to smoke when she hears a squealing noise coming out of the drain.
She checks out the bathroom stalls (much like Scream) and finds the Deputy Stu there!
In the book the “Phantom thing” was more like the Blob from The Blob (1958); although it could take on the shape of other things, or create small phantom pieces of itself. In the film, however, the “Phantom” embodies the form of Stu, which is understandable from a filmmaker point of view. It doesn’t copying The Blob at all, as I mentioned earlier copying The Thing. Just like The Thing, the “phantom” takes on the appearance of something. This wasn’t a horrible decision as I bet it was easier to film. They also did a lot of blackout or limited lighting when the creature was in its true form, which allowed it to remain creepy as your imagination creates it. The director of It(1990) should have used the same technique, it would have been a better film.
I didn’t really care for Liev Schreiber, and thought he could have been much creepier. Instead he just comes off as a pervert. This film has actually ruined him for me in all other films. When I watch Kate & Leopold, Scream, Scream 2, Scream 3, Lee Daniel’s the Butler, or X-Men Origins: Wolverine; I keep expecting him to do something perverted to all the women.
Yes I am
Anyways, back to the story. So the Sheriff goes into the bathroom and can’t find anything. They go down to check the body bags, but both are empty.
Meanwhile Dr. Flyte is on route to Snowfield with military General Leland Copperfield, some mobile labs, an armored strike van, etc–all ready to take on whatever the “thing” is. They ask Dr. Flyte about “the Ancient Enemy”. Dr. Flyte explains that there were creatures, he calls “Ancient Enemy” who are amoeboidshapeshifters. This Ancient Enemy rarely feeds, but when it does, the effects are devastating and it was theorized that the Enemy either caused or aided in the extinction of the dinosaurs, the destruction of the Mayan civilization, Roanoke disappearance, the missing army of Nanking, China in 1939, etc. And the town appears to have been built on the home of one of these “Ancient Enemies”.
The group arrives to Snowfield and the three survivors come to meet the army. The next thing you know, “the thing” has taken out almost the whole team using its shape-shifting qualities and the pipes/sewers. Now these scenes are pretty intense. I was watching them and screaming and my roommates were all, are you ok? I highly recommend watching this film.
General Copperfield is last of the military to be killed; as a pair of oily black tentacles seeps up through the pavement, penetrates his hazmat suit, and smothers him.
[Note: From The Mist]
This leaves Dr. Flyte, Sheriff Bryce, Jenny, and Lisa as the remaining survivors..
He’s dead but the “Phantom” uses his body as a mouthpiece and begins speaking to the crowd.
“My Flesh. Study it. Write the gospel. But do not try to leave. Witnesses to the Miracle.”
The body then falls to the ground and an oily black substance comes out along with a gecko, of which the group is supposed to get a sample of. Dr. Flyte begins to analyze the sample, coming to the conclusion it has lived in the depths of the earth for eons, growing to immense size, and absorbing knowledge from its prey. It can separate off parts of Itself to send as drones, warriors, phantoms, etc.–having them assume the shapes of anything or anyone It has absorbed; even of people or monsters from memories and dreams.With these, It has manipulated Bryce, Jenny, and Lisa into bringing Dr. Flyte here, to be Its prophet, and to write Its gospel. For It has begun to think of Itself as God–or the Devil. Indestructible. All-Powerful. Immortal. Unstoppable.
This is bad. Very bad.
Dr. Flyte’s analysis reveals that It is similar to oil and if they are able to make the same kind of bacteria that eats away at oil spills, they may just have a chance at stopping it. They create cultures and prepare for the final battle.
Dr. Flyte goes out and calls to the creature.
He tells It that he needs to see all of it in order to write Its “gospel”. He says that the others are creating a weapon against It, that they don’t believe in It like he does. It appears first as a single person, but then becomes all 400 residents of the town, merging and melding into one swirling mass, which resolves Itself into an immense, hideous, upright millipede.
The Sheriff, Jenny and Lisa run and fire the guns loaded with the bacteria culture into It. This causes It to scream. Jenny and Lisa run for shelter into the nearby deputy’s office, to reload their guns but are pursued by a drone of Deputy Stu.
Deputy Wargle: Oh, you’ve got some guns, ladies, you wouldn’t shoot an unarmed man, would you? [both women cock shotguns and point them at him] That’s a dumb question.
They empty their shotguns into him, knocking him down, and blowing away huge chunks of his legs and arms. Tentacles shoot out of his arm and leg stumps. The girls run away and and he follows, but is killed by Dr. Jen as she shoots him with the last of the culture.
The bigger entity is falling apart and the Sheriff follows the last of It down into the sewer, finding him face to face with the boy that he killed. He hesitates, and while he does so, a tentacle shoots out of the boy’s mouth, and knocks him down. His gun with the culture is stolen by It. It pulls the vials out and starts taunting the Sheriff. In response to It’s mockings the Sheriff pulls out his gun and shoots the vials, causing the bacteria to spread all over.
With one final ear-shattering scream It is gone, and Bryce makes his way back to the others. As a helicopter arrives to rescue them, Dr. Flyte announces to the others that the Entity has won after all: It wanted him to tell the world, and that’s just what he’s going to do. Everything seems to end well, or well enough. Dr. Flyte has his story and will win back his prestige; Sheriff Bryce is no longer traumatized about killing the boy; Dr. Jen and Sheriff Bryce have found each other; and Lisa and Dr. Jen have bonded. Sounds as perfect an ending you can get for a horror film.
Uh, uh uh. Not quite yet!
We switch to a scene in a bar where Dr. Flyte is in TV talking about It and how it may still be out there waiting. One of the guys in the bar turns to his companion and says its a lot of hooey. A strange laugh is heard and at the end of the bar is Deputy Stu Wrangle, showing that It is still alive.
So it really was a good film, and I’m telling you the scenes with the creature are super creepy!!! You’ll love them if you love scary movies!
So unlike the other facebook cover pages I have made (and you should have guessed by now that practically every post has one) I made two for this one as the first one wasn’t working out right. Here’s the second one for those of you interested.
So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:
What’s your favorite scary movie?
So I really loved this movie. I have to say that I was originally disappointed in Wes Craven as Nightmare on Elm Streettotally tanked. This film was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.
So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.
However, it quickly turns serious as the caller threatens Casey that he is going to kill her and her boyfriend, Steve.
But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.
“Phone Voice: Name the killer in Friday the 13th.
Casey: Jason! Jason! Jason!
Phone Voice: I’m sorry. That’s the wrong answer!
Casey: No, it’s not. No it’s not. It was Jason.
Phone Voice: Afraid not. No way.
Casey: Listen, it was Jason! I saw that movie 20 g******* times!
Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.
Casey: [Weeping] You tricked me.
Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”
Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.
And thus the body count begins…
So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss), is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.
The next day, the town Woodsboro is just ravaged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.
Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.
As to be expected she is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters crawling all over town and school, the memories of the past year come flooding back.
One of her other big issues is her boyfriend Billy Loomis.
Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frightening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get ”together”. What a freak!
(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)
The two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands Sidney needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.
To top off the already bad day, Sidney’s father has to go out of town, leaving Sidney all alone in a big house.
Yep, gonna make When a Stranger Calls references all night.
Sidney makes plans to meet up with Tatum and stay at her place, but falls asleep at home when Tatum is late picking her up. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.
“Sidney Prescott: Can you see me right now? Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.
Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.
Sidney Prescott: F*** you, you cretin!”
Soon the killer comes in her house and she has to run away from him and try to get the police there before she is victim #3. Billy shows up, climbing through her window saving her; that is until Sidney sees that he has a cellphone and freaks out, having the police cart him away.
So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983). As I lived in that area when I attended college, I’ve been there.
Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him on. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a over year, is back and won’t let up.
“Gale: There she is! Sidney, hi, what happened? Are you alright?
Tatum: She’s not answering any questions alright. Just leave us alone.
Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?
Gale: That’s right.
Sidney Prescott: So how’s the book?
Gale: Oh it’ll be out later this year.
Sidney Prescott: Oh, I’ll look for it.
Gale: I’ll send you a copy.
[Sidney turns around a punches Gale in the face]”
Also at the school we have a little Wes Craven easter egg, as he plays the janitor and dresses in a Freddy Krueger sweater.
The principal (Henry Winkler) decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #3.
The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script where no one was murdered and they decided that they needed another victim.
Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!
At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.
Meanwhile downstairs Tatum goes off to the garage to get more beer and is attacked by the killer. This garage scene is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remember when I was a kid I thought the garage would close on me too; however, they design garage doors specfically to not do that. In fact, they have a certain radius that if someone was to walk within that circle the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.
Back in the living room, Randy is giving a rundown on how to survive a horror film, (* are the rules that are given by the killer).
You will not survive if you have sex
You will not survive if you do drugs or drinks
You will not survive if you say “I’ll be right back.”
Everyone is a suspect
*You will not survive if you ask “Who’s there.”*
*You will not survive if you go out to investigate a strange noise*
While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.
Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind. The killer comes out and starts attacking.
One of the best scenes is the scene is when a drunk Randy is watching Halloween and telling Jamie Lee Curtis’ character to turn around while the killer is behind him (Randy). He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him.
So Kenny and Dewey fall victim to his knife.
Victim #5 & 6
After Sidney and Billy are done having sex and have changed back into their clothes the killer charges in and stabs Billy (#7), while Sidney manages to run away and finds Tatum’s body.
As she continues running she runs in the path of Gale who was fleeing the killer in her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy (#8) and stands up.
Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.
Billy: Corn Syrup, just like in the real movies.
Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom (the real first victim) to everyone else.
“Sidney Prescott: Why? Why did you kill my mother?
Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?
Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.
Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?
Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”
Yep, and not only that, but the two planned the whole thing out so that her father would take the blame, making it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They kidnapped her father and brought him out of hiding for their final act. Billy and Stu planned that original attack on Sidney (when Billy was arrested) to make any second arrest look false and questionable.
Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.
Sidney and her father have disappeared.
Stu: Oh, s***.
Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?
Stu: I don’t know, Billy, but I’m hurtin’, man!
Yep, just like they say in Dial M for Murder, you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
So here Stu and Billy find themselves completely off script, and unsure…
[the phone rings]
Stu: Should I let the machine get it?
Billy: [answers it] Hello?
Sidney Prescott: Are you alone in the house?
Billy: B****! You b****, where the f*** are you?
Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**! [Stu is slowly collapsing to the floor] Billy: Find her, you dips***! Get up! Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man! Billy: [Billy gives Stu the phone] Talk to her. Talk to her. Stu: Hello? Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them? Stu: Peer pressure. I’m far too sensitive. Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother! Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”
Now the game of cat and mouse has changed with the hunted becoming the hunters.
In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive (only 5 victims).
So that was Scream one of the best horror-parodies ever made.
This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased was the use of caller ID and made such phone harassment much harder to do. Although not for me.
The other thing I realized in this film is that I am soooooo Randy.
I also realized that just like in The Cable Guy, I’m only a few steps away from the crazy.
Well, that’s Scream. Tune in next Saturday for Scream 2.
“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
In their proper place, the depths.”
So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.
So this film takes place in a future far away . In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.
Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?
Why yes, yes I do think so.
Well I don’t care.
So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?
Spongebob would be disappointed in you.
When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.
I like it!
Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.
They got lots of pleasures, alright.
Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.
Maria, leader of the Rebellion
He then follows her down to the workers’ realm.
Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.
He runs to report to his father:
Sorry had to do it
Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.
On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.
Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)
Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).
Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]
Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch.
Its a pretty freaky scene, and totally creeps Frederson out.
Understandable, as it would freak me out too. It did. It still does.
Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.
Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.
Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.
The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.
Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!
So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.
Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.
Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.
I’m sure you all knew I was going to make this connection.
Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.
I mean seriously, what were you thinking?
Freder freaks out and drops into a delirious state of mind.
False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.
Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.
The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.
Grab your torches and sharpen your pitchforks!
The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!
Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.
Grab your torches and sharpen your pitchforks!
They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.
But then when she burns away, she is revealed to be the robot.
Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.
This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.