The Adventure of the Sinister Scenario: Ellery Queen (1976)

 

So it is time for our annual Vincent Price film or TV episode.

I love Vincent Price and I can’t resist anything he is in. I was trying to decide on a film or TV episode, but this Ellery Queen episode intrigued me as I needed to fill a Friday TV show spot, because this episode looked fun, and I couldn’t resist adding another Sleuth to my “mysterious” year.

Mystery, you say?

So I have never read an Ellery Queen mystery or watched this TV show-but I do know who Ellery Queen is. In the Leverage episode “10 Little Grifters” Nate dresses up as him and the first time I saw that episode I had to look up who Ellery Queen is. Ellery Queen is actually similar to Diagnosis Murder, but backwards. Inspector Richard Queen is a renowned detective and his son a famous crime writer, who helps his father solve the really tough cases. (Like how Steve Sloan is a detective and his doctor father, Dr. Mark Sloan, solves all his tough cases).

So I found this episode on youtube and it was a lot of fun watching it as it had the original commercials that it aired with. So enough about that, let’s get started.

It has an old CREST commercial, I can’t believe these girls are fighting over which toothpaste to use. I wouldn’t care what my friends would want. I don’t think I even know what brand they use.

The episode starts off with them filming a scene from an Ellery Queen murder mystery- like how most end, when the director yells cut. The director is played by Vincent Price, I’d know his voice anywhere. I’d listen to him read a phonebook.

The Vincent Price, director Michael Raynor, isn’t happy and I don’t blame him. The guy playing Ellery Queen stinks, like he’s the literal worst. Meanwhile Ellery Queen and his dad are watching and are not impressed. They changed his story and dialogue. I feel you Ellery, Hollywood has ruined many things I love as well.

Vincent Price yells at everyone and is just at the end of his rope, and I hope he isn’t the one who is murdered. I’ll be disappointed if he’s in it for only a second.

Please, oh please! from Death Comes to Pemberley

OMGosh the guy playing Ellery Queen in the movie, Gilbert Mallory (Troy Donahue), is a serious jerk and diva. He’s going to die. I just know it! Too bad Michael Raynor can’t fire him as he owns part of the film and has a lot of power. It’d be great if he died.

Mallory meets the real Queen and is incredibly rude to him. What a jerk!

Mallory is cruel to the publicist and rewrote his script to steal lines from others-he’s totally going to be murdered.

So both the Queens are extremely disappointed in the experience. Inspector Queen expected glitz and glamour-but the studio is a really low budget one and doesn’t have the perks like the big studios. Ellery is upset that he didn’t get an updated script, all the changes are a surprise and an unwelcome one.

The publicist tries to console him and tells him he never gets the script changes either. How a guy can promote something without fully knowing what he is promoting is beyond me.

A lady interrupts them when she comes driving up to see Mallory-I’m assuming she’s the diva’s wife. She is and she is on set to keep her eyes on her husband, her husband who is involved with one of the actresses, Pamela, on set. Man, Mallory is digging his grave-someone is going to kill him, but who?

So the prop man unlocks the locker and grabs the prop gun, but leaves it open. Hmm…interesting,

Oh, I bet that this will be like that Psych episode Lights, Camera…Homicido where the man was murdered when the prop was switched out with a real knife. Mallory will probably be shot by the prop gun and really be shot as the gun will no longer be filled with blank but real bullets.

Pamela (the actress Mallory is sleeping with) shoots Mallory and closes her eyes when she does it. I don’t think she did that the first time. Almost as if…hmmm.

Hmm…is it her?

So she shoots him and all are happy with how Mallory died, as it finally looks real…but when he doesn’t get up, it turns out that he was…murdered. Shot by real bullets.

Ellery and Inspector are investigating which makes the local cops angry as they can’t stand these guys “butting in”. The Queens try to tell him about Mrs. Mallory-her threat of a final good-bye and that she didn’t leave when she said she did as her purse is still on set. There’s no way she would have left without it.

Hmm…

The head of the investigation, Captain Blake comes and it turns out that he and Inspector Queen are good friends who go way back. He makes the Lt. who was complaining earlier have them be a part. Haha!

They find Mrs. Mallory and she proclaims her innocence. She cries and says she loved her husband and would never kill him, and even if she wanted to she wouldn’t have had access to the prop box. She insists she only came back to talk to him as she no longer was upset. Hmmm…Her husband’s company had half the money in it-she probably could get access to the props. And did she really came back to talk to him? Or kill him?

Hmm…

Inspector Queen leaves to find the home of Dorothy Lamour and Ellery finds a note on his script telling him to talk to Al in special effects. He heads over there and it turns out Al has disappeared.

Ellery shows one of the other SFX guys his note and they find Al, who happens to be a fan and wants Ellery’s help. He insists that he put in six blanks this morning and never touched the gun again to reload it. He thinks someone got to the gun and put the real bullets in. He came in to work that morning and was loading the gun and received a phone call. With the phone being on the other end of the lot he ran over there, and it turned out that there was no one on the line. That’s the only time someone could have planted them.

His reason for hiding and not sharing this with the police? His sister was script girl on one of Mallory’s other pictures and he was afraid it would give him a motive, as Mallory dropped her and as she is “just a kid” it broke her heart. Ellery urges him to talk to the cops and they will treat him right.

In the next scene Al is in handcuffs. Yes, it turns out he had threatened Mallory, a fact he forgot to share with Ellery.

Lt. Smary Jerk Attitude gleefully tells Ellery what they discovered. He really hates Ellery.

The next commercials are pretty boring although one is for the Chicago Fire Festival. What is that?

Anyways, back to the show. The Queens are invited to a scrumptious brunch by Director Raynor. Inspector is mad as he wants to do some touristy things, but hey scrumptious brunch with Vincent Price, I mean Raynor, will have almost all your suspects and the gossip.

The big question in the air is whether or not the picture will go forward. And no one is quite sure. The Publicist for the film wants to get the stuntman Mike to be moved up to the lead, but Raynor isn’t interested in an “unknown”. This seems weird to be as you think the publicist would know better than to suggest that-their relationship seems weird.

The actor playing Inspector Queen in the movie goes to Raynor and tries to get him to reverse some of the changes Mallory made, but Raynor isn’t interested in dealing with it at the moment.

Hmmm…

Pamela isn’t too sad about the possibility of canceling the film as she will be able to get the part she really wanted in another film, a part that came her way after she signed the contracts for this film. Meanwhile, Mrs. Mallory is angry and starts pointing the finger at Raynor- telling Inspector Queen that her husband planned to fire him, but was killed first

Pamela also encourages them to look over Raynor’s gun collection as he’s a hunter and has a ton of guns that range from all types and decades. Ellery is super interested, but his father is done and ready to leave.

With that attitude I’m not surprised Ellery is the famous crimesolver in the family.

The actor playing the Inspector runs after the two and tells them something he just remembered. Originally Mallory had been wearing a real bulletproof vest but it was changed by Al, the prop man. If he had still had it on at the time then he would be alive today.

They go through the prop memos and find that Raynor was the one who asked for a bulletproof vest and that he wanted a simulated one instead. Raynor explains that Mallory hated the vest as he thought it made him look fat. Raynor tried to change his mind, but no dice, and he instead gave in. To some that may seem like a lame excuse, but the way this diva was, I believe it. The change was discussed off set with only Pamela being the one to hear if it.

Hmm…

Ellery is trying to figure it out who the killer is and starts reading over the scripts (the original and changed one)

The guy who plays Inspector Queen is always popping up and pointing fingers. I’m starting to wonder if it is going to be him as he always just “happens” to be there. He reveals that the end shooting scene changed from the original because the director requested it. It would save $200 to have Mallory be on the phone and shot by Pamela than to crash through a window by a stuntman.

But Ellery has discovered something very interesting, in the original writing, if real bullets were placed in the gun it would be harder to kill him on target, but in the new script-with the proximity, no way they could miss killing Mallory.

They ask Raynor about it who changed it and he answers he thought the clear shooting looked better and was cheaper, a win win. They are interrupted when Sonny Miller arrives on set to replace Mallory and everyone seems overjoyed to have him.

They begin shootong the car chase scene and switch Miller out for the stuntman Mike. I can’t help but feel something bad will happen.

Everything is going great until the car won’t stop and Mike goes crashing down the hillside.

We are back from commercials (a really weird Raisin Bran one) and it turns out the brakeline was cut-Mike is dead. So was the killer after Mallory, Sonny Miller, Mike the stuntman, or trying to stop the picture?

Hmm…

So the last one seems the most likely and the Queens start looking at Pamela since she is the only one who wanted to get out of the picture. She insists she has no reason for sabotage as RKO is waiting to do the picture until she is finished here. The Inspector insists that it isn’t a real alibi as she could have done the cutting of the brake line before she got word from RKO. Pamela insists there is no way as she doesn’t know anything about cars.

Ellery points out to his aggravated father that both murders were filmed, so they actually have an advantage as the review them for clues.

Ellery watches them and sees something? What? We can’t find out until he has rounded up the suspects.

Lt. Smarmy Jerk (I can’t remember his name and don’t really care to look it up) thinks Pamela did it as her face is cold blooded in the film of her shooting. Raynor defends her as being an actress and the Lt. says she’s not that good. LOL, I was thinking the same thing. Since he thinks she did it we all know that which means she didn’t.

Scene 231 is the clue. Ellery lists off the suspects:

  • Pamela, the actress who wanted out of the picture
  • The man playing Inspector Queen who’s lines were stolen by Mallory, maybe with Mallory (and Miller) gone the movie could be about him.
  • Mrs. Mallory, her husband was cheating on her and she never liked this picture-wants to pull the plug
  • Director Michael Raynor, he hated Mallory and wanted a different actor but Mallory had too much money involved-why he would try and stall the picture is uncertain, maybe it is a smokescreen to get them to look elsewhere
  • The Publicist, Mallory was cruel to him and he promoted Mike the stuntman (which is a odd relationship) also trying to kill Mike as a smokescreen?
  • Al the SFX guy-he hated Mallory but doesn’t have a reason for Mike.

Ellery gathers everyone up and here we go…

Elleey acts out the original scene from his script, Ellery going to the window and through it. A stunt is involved in the original scene so there would have been a stunt double-the stuntman would have been shot at. Mike was always supposed to be shot, the killer was always after the stuntman.

I KNOW WHO IT IS! You guys remember back at brunch the stuntman kept trying to get the publicist to get him get the part. Their interaction was weird as a good stuntman can have some power, but nothing like what Mike seemed to hold over the publicist. He must have something on him to make him do that. Earlier when Ellery complained about not being made aware of the changes to his story, the publicist complained that he isn’t told anything either. That means that he didn’t know about the scene being changed from the window and set up a murder using the original story.

Another mystery solved!

The last film the publicist worked on the actress had a nervous breakdown and was doing drugs to get through. Her drug dealer was jailed but the publicist needed to keep her going. She died from an overdose and Mike knew he supplied her with the pills and threatened him with the police if he didn’t do what he wanted.

Ellery and his dad exit set to do some conventional Hollywood plans.

That was interesting and enjoyable. Although it did make me think of Diagnosis Murder  (although I think that father and son pair had a better relationship.) I might check out some of the other episodes in the future.

For more Vincent Price, go to To All the Ghouls I’ve Loved Before: The 13 Ghosts of Scooby-Doo (1985)

For more detectives, go to What are you? I’m Batman: Batman (1989)

For more mysteries, go to Why Miss Fisher the Movie Flopped for Me: Miss Fisher and the Crypt of Tears (2020)

For more that feature crime writers, go to The Perfect Murder: Dial “M” for Murder (1954)

For more TV episodes reviews, go to Who Kidnapped the Girls’ Soccer Stars?: North Mammon, Criminal Minds (2006)

The Perfect Murder: Dial “M” for Murder (1954)

Dial M For Murder

Do you really believe in the perfect murder? Mmm, yes, absolutely.

So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.

Double double yay

Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.

Awesome

Dial “M” For Murder is one of his highly known films (although not as known as Vertigo or Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title A Perfect Murder. It starred Michael Douglas, Gwyneth Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.

MeanGirls I know right!

This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s Rear Window and To Catch a Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn,  quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!) And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.

Mal_huh Whoa Wow

This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942).  In this film Cummings plays an important role, but a smaller one than his earlier collaboration.

This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.

So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as  you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.

Oops!

Oops!

Well here we go!

DialM1954-WB-still

So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the start.

So we have a couple, Tony Wendice (Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.

keanu Whoa

As the film starts out we have Margot and Mark in a very cozy embrace.

BMW Kiss

“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.

Mark Halliday: Yes, I’ve been waiting for that.

Margot Mary Wendice: I haven’t told him anything about us.”

Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.

Mark has a completely different reaction to the news.

whoCares

He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.

dial-m-for-murder-1954

Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old cliché, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.

Saboteur

Photo from Saboteur

That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.

Tony Wendice: How do you go about writing a detective story?

Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.

Tony Wendice: Oh, is that how you do it? It’s interesting.

Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?

Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.

Tony Wendice: Hmm.

Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”

Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home. After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.

dial m for murder

After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.

Say What

“Tony Wendice: One thousand pounds in cash.

C.A. Swann: For a murder?

Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”

Tony then goes on to tell Swann a story.

dial-m-for-murder-1954-alfred-hitchcock-cummings-milland-plan-murder

Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.

800__shadow_of_a_doubt_blu-ray_04_intense stare angry upset mad creep

He wanted to kill Mark.

dialMforMurder Killer Hate

He then moved to the idea of murdering his wife. But things changed…

“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.

C.A. Swann: Well? What did you see?

Tony Wendice: I saw you.”

Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.

He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.

He reveals his perfect plan.

“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.

C.A. Swann: The fifth step?

Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”

His wife will answer the phone, and then Swann can strangle her and leave through the french windows.

perfect plan

Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.

thats-how-its-done

But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.

“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.

Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.

Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”

dial M for murder

Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.

Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.

That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.

However, back at the party, things aren’t quite going as planned.

Stupid, stupid

Stupid, stupid

Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.

What!

He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.

dial-m for murder strangle grace kelly

But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.

Mal_huh Whoa Wow

Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.

I don't know what to do

Tony tells her to touch nothing and wait for him. He’s on his way over.

As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.

Its-so-crazy it just mightwork

He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.

Everyone's a suspect!

Hmm…

The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.

perfect plan

Except thing are not quite perfect.  There are quite a few things Tony didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.

I don't know what to do

So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.

Months later, on the night before Margot’s execution,  Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.

Dial M for murder mark, tony, inspector hubble

Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.

What!

Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?

Everyone's a suspect!

Hmm…

Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.

princess Bride Victim to classic blunder Vizzini

This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.

hold-up-wait-a-minute-let-me-put-some-pimpin-in-it

Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and  this is what it said:

By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.

So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.

TheEnd_Title_2

But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.

John Williams (Chief Inspector Hubbard) Dial M for Murder (1954)

The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.

perfect plan

Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs and finds the key, giving himself away.

dun-dun-duuuun

Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.

Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?

Margot Mary Wendice: Yes, I could do with something.

Tony Wendice: Mark?

Mark Halliday: So could I.

Tony Wendice: I suppose you’re still on duty, Inspector.

TheEnd_Title_2

It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.

1954dialmformurder

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to What Have We Done to Each Other?

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For more on Dial “M” for Murder, go to Part X: The Movie List That Would Not Die

For more on Alfred Hitchcock, go to The Past of a Man

For more on blackmail, go to Secrets are Great, Unless You Get Caught

For more films based on a play, go to Murder is My Favorite Crime