One Hot Date

For more book-filled posts, go to Things I Want

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Oh What A Night

When I read this comic it kind of made me think of the song Shut Up and Dance. It also made me think of the song December, 1963 (Oh What A Night) by Frankie Valli & the Four Seasons.

I am a huge fan of Frankie Valli and this one of my favorite songs by the group. Whenever I hear a chord or lyric I just start bursting out singing.

The song was originally supposed to be titles December 5th  1933 and about the repealing of Prohibition; but Frankie Vallie made them change it. He thought a song about nostalgic memories of a beautiful girl once met was a much stronger premise. And I agree, the memory aspect makes this song so much better and more enjoyable.

The song was written Bob Gaudio about the meeting and courtship of his wife Judy Parker.

How romantic

Oh, what a night, late December back in ’63

What a very special time for me
As I remember what a night!
Oh what a night,
You know I didn’t even know her name
But I was never gonna be the same
What a lady, what a night!
Oh, I got a funny feeling when she walked in the room

And I, as I recall it ended much too soon
Oh what a night,
Hypnotizing, mesmerizing me
She was everything I dreamed she’d be
Sweet surrender, what a night!
I felt a rush like a rolling ball of thunder
Spinning my head around and taking my body under
(Oh what a night!)
Oh, I got a funny feeling when she walked in the room
And I, as I recall it ended much too soon
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night,
Why’d it take so long to see the light?
Seemed so wrong, but now it seems so right
What a lady, what a night!
I felt a rush like a rolling ball of thunder
Spinning my head around and taking my body under

(Oh what a night!)
I felt a rush like a rolling ball of thunder
Spinning my head around and taking my body under
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit
Oh what a night! Doo dit doo dit dit doo dit doo dit dit

For more Frankie Valli, go to You’re Just Too Good to Be True: 10 Things I Hate About You (1999)

For more of my music, go to T.N.T.

I’m Putting You First: How to Steal a Million (1966)

Most Romantic Moment #10

So I’ve mentioned before how this film was one I had been searching for, for a long, loong time. When I was young I watched a movie about stealing art that took place in France, but couldn’t remember the title, just the one scene. I was pointed toward To Catch a Thief, but it wasn’t how I remembered the film.

I figured I just had faulty memory and was done with it.

Over ten years later, I decided to watch this movie as I love Audrey Hepburn and Peter O’Toole. As I started watching it, I had this sense of deja vu, but I was certain I’d never seen it before. It wasn’t until they played the one scene that I realized this was the movie I had been thinking of the whole time.

Finally!

This is an absolutely hysterical heist film. Audrey plays Nicole Bonnet, daughter of a forger and leading citizen of Paris. She has been trying to get him to stop to no avail.

Parents

One night, she catches a bungling burglar, Simon Dermott (Peter O’Toole), who is more than what he seems. He likes her and tries to date her; but she wants nothing to do with him.

Meanwhile, her father has allowed the museum to take the famed Cellini‘s Aphrodite (a forgery done by Nicole’s grandfather) for an exhibition. After he has signed off the museum paperwork, he discovers that the museum will be testing the statue in order to insure it.

Both Nicole and her father know that such tests will show that it is a fake and bring ruin to both Bonnets. In order to stop it, Nicole hires Simon to steal it for her, using one  incredibly crazy scheme.

Most Romantic Moment: I’ll Protect You and Your Family

*Spoilers*

So the most romantic moment comes at the end of the film. Simon and Nicole have successfully stolen the sculpture and Simon is hiding it.

Simon Dermott: [about the Cellini Venus] Oh! She’s fine. She’s wrapped up in one of my old shirts, just as snug as could be. I rocked her to sleep in my arms last night.

He takes Nicole out to dinner, and reveals that he isn’t an art thief. He is actually a private detective who specializes in art forgery; finding the criminals and gathering evidence that will send them to prison.

Yeah not good for Nicole or her father. But because he loves Nicole he decides to not prosecute her father, (as long as he promises to not make or sell any more forgeries).

How romantic

This is HUGE! It is his job! If word got out he would be in big trouble, and probably end up in prison for obstruction or accessory charges.

But for a man who has never settled and was only focused on work; he decided to put the girl he loved and her happiness first.

To start Romance is in the Air: Part IV from the beginning, go to I Can’t Pretend, I Have to Be: Casual Sex? (1988)

For the previous post, go to You’re Sad So I’m Making This Day Extra Special: The Bikini in the Soup, Bones (2011)

For more Audrey Hepburn, go to Heart and Soul

For more Peter OToole, go to What is This Thing: Phantoms (1998)

For more heist films, go to I’m Here for You: The Italian Job (2003)

For more private detectives, go to I Don’t Care What You Think, She’s My Girl: A Trip to the Dentist, Veronica Mars (2005)

I’m Going Down the Tubes: Making the Grade (1984)

Most Romantic Moment #5

Making the Grade (1984)

So this was a movie I came upon when I read a countdown list on best back-to-school films. I saw that it starred Judd Nelson and I was very intrigued, as I love Judd Nelson. I have to say that on a whole I thought this movie was okay. Judd Nelson was awesome and hot as always.

I mean I love him in The Breakfast Club, but you can’t go wrong with a well-dressed man.

However, I didn’t like his friends as I felt they were just using him to a) defend them, b) make them popular, and c) to pick his brain about how to date and interact with girls. I ABSOLUTELY hated the girl who becomes his girlfriend. She was a rich snob and horrible girl, who was trying to be more accepting of the lower classes, as she is dating a man who has “new money”. Gross. What a jerk.

Anyways, so let me get to the synopsis. Palmer (Dana Olsen), is a lazy, rich boy. He’s been kicked out of over 7 schools, yes 7, and finds himself at his father’s limit. If he doesn’t finish college this year, than no trust fund, no allowance, no anything; he’ll be forced to get a real job.

Eddie is living on the street, and trying to make ends meet. He owes a bookie a ton of money and has no way to pay it back. He flees for his life and runs into Palmer and his problem. Palmer agrees to pay all of Eddie’s expenses and a $10,000 bonus if he pretends to be Palmer and graduates for him.

Now Eddie isn’t exactly the Ralph Lauren type. He actually does great academically, but the “upper crust” social skills are nothing like he’s used to. However, everyone but the prep trio; Bif, Skip, and Bland; enjoys the changes he starts making as he shakes the campus up.

Eddie falls for the daughter of the school founders, Tracey Hoover (Joanna Lee), and begins trying to romance her away from Bif, fascinating her with his breakdancing and “normal everyday” person attitude.

Problems arise when Dice, the bookie, tracks Eddie down and tells him that he’ll have to pay all his winnings to him. Muffy, Palmer’s girlfriend, keeps showing up and causing issues with Tracey. Palmer himself comes back from Europe, and chills on campus, his partying and attitude causing issues for Eddie. Bif tries to destroy Eddie and Tracey’s romance and the headmaster tries to kick Eddie out. To top it off, Eddie finds himself becoming a mega-preppie jerk and losing who he is.

*************Most Romantic Moment*************

So about halfway through the movie Eddie and Tracey have been dating and are a thing. Muffy comes traipsing by and causes Tracey to become jealous. Muffy thinks Eddie is “Bif” Palmer’s friend and keeps coming to visit Palmer, finding herself hanging out with “Bif”. After Palmer comes back and dumps Muffy, she goes to see “Bif” and ask him for help. Unfortunately, at that same time Tracey has arrived with a silver platter of food (I guess rich people’s version of a picnic? I’m not sure), and sees Eddie and Muffy walking off together. Bif comes up to Tracey and insinuates that Eddie and Muffy have been hanging out a lot and doing more than that. Tracey storms off, determined to never speak to Eddie again.

Eddie of course, has no idea why Tracey won’t talk to him anymore, as he keeps calling her and calling her. He decides to go on the offensive and and delivers tons of flowers, of all different types. But that doesn’t work.

Eddie then goes to plan B.

He sends her a TV with his picture and the words “I’m going down the tubes without you”. Isn’t that adorable!!!! I just find it incredibly cute and original. I mean it’s no holding the boom box over the head by John Cusack, but it is still incredibly amazing. I just love it! It may not be what most people consider romantic, but this has got to be the best “sorry” ever.

To start Romance is in the Air: Part III, go to I Can See Your Beauty: The Breakfast Club (1985)

For the previous post, go to Short But Sweet: Up (2009)

For more of the ’80s, go to In Love With the ’80s (Pink Tux to the Prom)

For more on Judd Nelson, go to When Everything is Going Your Way

How Can This Be?

No joke this just happened the other day and I’m like

NOOOOOOOOOOOOOOOOOOOOO!!!!!!!

My friend told me that she hated Star Wars. I just cannot comprehend how that is even possible?

Yeah I don’t understand it either

I convinced her to give the original films a try. After all, if a person doesn’t like Star Wars they can still be your friend. I can’t imagine if that was someone I wanted to date. You don’t like Star Wars? Then see ya!

Or guy in my case

After all:

If your significant other doesn’t understand that simple concept, dump them. There are plenty more out there who understand the finer things in life.

For more on Star Wars, go to Part IX: Adventures in Movie Lines

For more scenes of my everyday life, go to Why Did the Chicken Cross the Road?

Remember, Remember The 5th of November

So today is Guy Fawkes Day and you know what that means…

So this something I actually have to thank my ex-boyfriend for. He may have been a cheating scumbag that at times I really want to punch in the face (or kick in the junk)

But he did introduce me to some great music, V for Vendetta, and The Sandman Chronicles.

As it is the 5th of November, it is time to honor it and V. V is amazing. First of all he’s played by Hugo Weaving.

I know, what an amazing actor!!! He has some serious fighter skills!

This was my first date with my ex and all I could do was swoon over him. V, that is not my ex.

Besides being an epic fighter, he’s a man with a message and something to fight for.

Now do I agree with everything he does? No. He never should have cut Evey’s hair. A girl’s hair is more than hair, it is a part of their identity, a mark of their femininity. What he did was just wrong there.

See Hook agrees with me.

But you can’t help but be swayed by him. He is so eloquent!

In fact, I became so enthralled that I actually wrote a song about the film from V to Evey. I composed it as I was biking to school and was unable to write it down. Sadly, by the time I got to class I couldn’t remember much. This is about all I can recall:

“I cut off all your hair,

But I swear to you I care

Because I’ve got a vendetta to win your heart

(Win your heart) (Win your heart)”

Silly huh? But what’s a fangirl to do?

So today I have a proposition for you all. Now none of you under obligation:

So last year my friend Benita, who is also a huge V fan, and I were discussing the film. She suggested that we should tag walls with Vs on November 5th to honor him. I thought that was a great idea, but didn’t want to get in trouble for vandalism. I thought we should do it in chalk, as it washes off, but that’s when I came up with a better idea!

But I thought what could make this 5th of November really special would be if we would post this picture on our facebook walls.

And then on 5 of our friends’ walls asking them to do the same. If we all work together we can cover the world!!! Think about it!

And never forget:

For more on dystopian futures, go to In Their Proper Place

For more on hot masked men, go to I’m Batman!

For more on Hugo Weaving, go to Beast or Man

For more films based on books, go to What Have We Done to Each Other?

For more on Lylod Alexander, go to A Hidden Wonder

For more of my favorite quotes, go to There’s Nothing Out There. Nothing in the Mist

Beast or Man: The Wolfman (2010)

There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?

So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th & Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.

This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.

Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.

With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.

I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all  and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).

So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.

I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.

AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!

I ticked off the months, but then in October I discovered it wasn’t out in theaters.

Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.

But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.

I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.

So moving on to the review.

So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.

He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.

When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.

Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.

I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.

There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.

Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.

This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.

Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.

Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.

Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.

So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.

Where were you the night in question?

That night is a full moon

Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.

But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.

Grab your torches and sharpen your pitchforks!

As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.

And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.

Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.

Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.

And he gets bitten.

Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.

Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.

And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.

Every time!

But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.

I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a  horror film? That’s just boring.

But I guess that’s just they way it is these days.

So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?

Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.

Weird

He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that  good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.

Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.

Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.

But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.

Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?

Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?

Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.

Weird

As Laurence turns to go inside, he becomes…The Wolfman!

Now this was worth the price of admission. These transformation scenes are awesome!!!

Freakin’ sweet!

So now that he is a wolfman, he does what they all do. Ravage the countryside.

The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”

Noooooooooo!!!!!!!

How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.

Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.

Can you imagine?

And oh joy, he also gets electroshock therapy.

While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.

Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.

Except, it was more than “imagining” he actually became a werewolf and began attacking things.

That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!

Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.

It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time

But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.

But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.

Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.

Omg what a–

He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.

After he finishes his story he leaves, intent on never returning.

He deserves another punch.

That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!

This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.

Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

Freakin’ AWESOME

Totally fangirl over that.

Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!

The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.

Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.

Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.

Noo!

Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.

Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.

Sir John Talbot: You have me at a disadvantage. It makes me happy.

Lawrence Talbot: What does?

Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?

Lawrence Talbot: No, it’s hell.

Sir John is a freak. He needs help. Serious help.

Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.

So after Laurence burns and decapiitates his father, Gwen walks into the house.

AAAAAAAAHHH!!!!!!!!!!!!!!!

NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!

The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.

He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.

Grab your torches and sharpen your pitchforks!

While he is concentrated on them, Gwen shoots him through the heart.

Noo!

Laurence changes back to his human form, and before he dies thanks Gwen for saving him.

Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?

Gwen Conliffe: [crying] I’m sorry…

Lawrence Talbot: It had to be this way.

Gwen Conliffe: I’m sorry.

Lawrence Talbot: [he holds her hand] Thank you. [Dies]

The posse and an injured inspector arrive just as Laurence dies.

So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.

But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.

And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Perfect Murder

For more on werewolves, go to Werewolves Roam Among Us

For more monster movies, go to There’s Nothing Out There. Nothing in the Mist

For more on 19th century England, go to The Past of a Man

For more on insane asylum, go to I Bid You Welcome

For more remakes, go to Don’t F*** With the Original

Monster Movie: Supernatural (2008)

“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

So this episode takes place in season 4. There have been a lot of angst and sadness

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

A couple is making out in a car when a werewolf comes upon them and attacks.

The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

But then finds himself overpowered by the vampire

The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Nope you heard my correctly

Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

And why not take a pizza break? Pizza is awesome.

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

“You think you know something, don’t you? You think you’re the clever little girl who knows something. There’s so much you don’t know, so much. What do you know, really? You’re just an ordinary little girl, living in an ordinary little town. You wake up every morning of your life and you know perfectly well that there’s nothing in the world to trouble you. You go through your ordinary little day, and at night you sleep your untroubled ordinary little sleep, filled with peaceful stupid dreams. And I brought you nightmares.”

So for my first Alfred Hitchcock film, I am going to review Shadow of a Doubt. This really surprised me as I never thought this would have been the first, (I was sure it would be Psycho). But I had such an urge to talk about it, that I had to follow it. Now this has never been considered one of Hitchcock’s greats, in fact it bombed at the office, but it was both Alfred Hitchcock’s and Teresa Wright’s favorite film.

I actually have a personal connection to this film myself. I used to go to college near Santa Rosa and one day for film class we were going to watch a psychological film. The one we chose wouldn’t work and I suggested that we had to watch an Alfred Hitchcock film, specifically Shadow of a Doubt. I had this urge and was pushing the film so hard, even though it is not one of my favorite Hitchcock films. It was only when we watched it, that I remembered that it was set and filmed in Santa Rosa. In fact, I have been to all the areas the film was set in.

So the film is supposed to be about a happy town, full of normal American people, but underneath this lies something horrible. This kind of thing was what David Lynch ended up doing and becoming famous for in his film Blue Velvet and TV series Twin Peaks.

So the film starts off with the extremely handsome Joseph Cotten, lying on a bed. His name is Charlie Oakley.

His landlady knocks on the door and tells him that there are two men looking for him. Charlie quickly packs some things up, gathers his money, and takes off. He makes plans to get out of the East coast, going heading to California to visit his sister Emma in Santa Rosa.

In Santa Rosa, we meet Charlie 2 (Teresa Wright), named after her Uncle Charlie. (From now on I’m going to say Charlie for Teresa Wright and Uncle Charlie for Joseph Cotten as otherwise it will be too confusing.) Anyways, Charlie has been complaining that life is boring. Nothing interesting ever happens in life.

She finds out that her Uncle Charlie is coming and is ecstatic. The two of them have always shared a special bond. Out of everyone in their family, she feels that Charlie is the only one who really gets her.

Uncle Charlie greets the family and not only bring life into the house but gifts. Charlie gets the most special gift of all, an emerald ring. Charlie notices an engraving of intials on the inside and asks Uncle Charlie what they stand for. He doesn’t know and blames the jeweler for selling him an old ring instead of a new one.

Sound suspicious

He keeps trying to push Charlie to let him get it re-engraved, but she refuses. At dinner, Emma is humming this song. It has been stuck in her head all day and she can’t remember what it is called. She asks around to everyone else, and her husband Joseph says that it is The Merry Widow Waltz. When Uncle Charlie hears this, he is startled and spills his wine.

After dinner, Joseph’s friend comes over. Now this is an interesting subplot. The two of them are huge mystery fans and are constantly trying to create the perfect murder. This subplot always makes me laugh and it reminds me of a friend and I. We are always talking about the best way to kill someone and get away with it. I always go with the Secret Window way.

“Joseph Newton: We’re not talking about killing people. Herb’s talking about killing me and I’m talking about killing him.”

In fact, they remind me of Randy from Scream except with actual murders, than horror films.

They determine one of the best ways to kill someone is to disguise the murder as a suicide.

The next day, Uncle Charlie is reading the paper, when he sees a story that upsets him. He rips the page with the story on it, and turns it into a house for the kids, hiding the ripped story in his pocket. Ann and Roger think it’s are cool, but they have to dismantle it as their father hasn’t had a chance to look at the paper.

Charlie saw him hiding the torn pages and starts teasing her Uncle. She grabs them out of his pocket and tries to put them together. But before she can, Uncle Charlie gets angry and pushes her away. She becomes frightened, but Uncle Charlie consoles her,  telling her that it was a bad story about a friend.

Soon after, two men approach the family and let them know they have been chosen to be the feature family for a census agency on “typical American family-ness”. They will be coming to interview them and photograph their average lives.

Emma is really excited as Uncle Charlie will now be a part of the featured story. She tells Charlie about how she only has one photo of him. It was when he was a little boy, before he got in a horrible accident. After he recovered from the accident he never was the same again. Often getting into trouble.

Uncle Charlie says he will be staying in town for a while, and then begins acting strangely. At the bank he deposits forty thousand dollars in cash and makes all these jokes about the bank and Joseph (Charlie’s dad) embezzling funds. He also extremely avoids the census takers. He thinks they are up to something. Whenever they come to the house, he always leaves and won’t answer any questions.

When his picture gets taken, he becomes extremely angry and demands for the negative roll.

The younger of the two census workers, (Macdonald Carey), asks Charlie to be his guide of the town, and she agrees only to please her mother. When he gets her alone he tells her that he isn’t a census taker, but that instead he is Detective Jack Graham and that he is with the FBI. They are investigating “The Merry Widow Murderer”, a man who romances widows and murders them taking their money. He tells her that that they have two suspects. One of which is her Uncle Charlie.

Noooooooooo!!!!!!!

The next day Charlie is still reeling from the news and sleeps all day. She doesn’t want to believe her Uncle Charlie is capable of murder. However, she can’t help thinking about his suspicious behavior.

Sound suspicious

Charlie gets even more freaked out when Uncle Charlie gives a rant on widows.

“Uncle Charlie: The cities are full of women, middle-aged widows, husbands, dead, husbands who’ve spent their lives making fortunes, working and working. And then they die and leave their money to their wives, their silly wives. And what do the wives do, these useless women? You see them in the hotels, the best hotels, every day by the thousands, drinking the money, eating the money, losing the money at bridge, playing all day and all night, smelling of money, proud of their jewelry but of nothing else, horrible, faded, fat, greedy women… Are they human or are they fat, wheezing animals, hmm? And what happens to animals when they get too fat and too old?”

Charlie suffers a breakdown as she can’t handle the thought that her Uncle is a murderer. That coupled with her father and Herb’s constant murder talk, ugh she just needs to get away. Uncle Charlie follows her and takes her to a bar to talk.

At the bar, he confronts her suspicions and tells her that he is considered for “The Merry Widow Murderer”, but it isn’t him. It is just a coincidence.

Yes I am

Charlie listens, but something doesn’t sit right with her. She still feels suspicious. She sneaks into Uncle Charlie’s room to try and figure out what article he had ripped up.

She can’t put the pieces back together, and instead heads to the library. She convinces the librarian to let her search the papers and discovers that “The Merry Widow Murderer” killed a famous entertainer. She notices that the initials of the woman match the ring Uncle Charlie gave her.

She goes to her uncle to confront him, and he asks her not to say anything. She agrees to wait as she knows it will hurt her mother.

Meanwhile, Jack is pushing Charlie to give him info on her Uncle, but she won’t say a thing. They sent the photo of Uncle Charlie back East but haven’t heard whether or not he is the guy the are actually after. The other suspect they were considering was killed fleeing from the police and many believe he is the murderer.

After this news, Jack goes to Charlie and tells her that he likes her. And that he would like to date her, maybe even marry her one day.

I know. He has been nice, but he never even seemed to show that he was that interested in her. He totally pulls a Mr. Darcy, completely dropping that bomb out of the blue.

Uncle Charlie is all smiles and it seems like everything is fine, but Charlie can’t shake an uneasy feeling.

This doesn’t feel right.

Soon Charlie suffers from an accident. As she is coming down the stairs one of the steps falls through causing her to fall. She checks later but can’t tell of any tampering.

Oh what a horrible accident.

Now these are some of the best scenes in the film. In the beginning you aren’t sure if Uncle Charlie is doing anything, whether they are accidents or not. I mean could he really be so cold-blooded as to kill his own niece?

Uncle Charlie is asked to give a public lecture and the whole family is going to go hear him speak. There isn’t enough room for them to go in one car, so they decide to send most in a taxi, with the Charlies going in the car. Charlie gets trapped in her garage with the car going. She calls for help, but the music Uncle Charlie is playing overpowers her screams.

Luckily, Herb is coming by as he does everyday and hears her, freeing her.

The next day, Uncle Charlie decides that he is leaving. Everyone but Charlie is sad to see him go. As he gets on the train we see that he won’t be traveling alone, but a rich widow from the town. Every one comes on board to check out the train, with Uncle Charlie gets Charlie to stay longer to talk. The train starts going while she is on it. She tries to run off, but Uncle Charlie tries to push her off the train onto the track of an oncoming one.

The two struggle and Charlie manages to overpower him, knocking him off the train.

There is a funeral for Uncle Charlie and Jack comes back. Charlie tells him the truth and why she kept it hidden from him. Together they resolve to keep Uncle Charlie’s crimes a secret.

You have to see this film. The story is great, the acting amazing, and the cinematography is just beautiful.

 

 

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to It’s Happening Again, Isn’t It?

For more on Alfred Hitchcock, go to Horrorfest III: The Revenge

For more classic cinema, go to Feast Your Eyes On My Accursed Ugliness

For more serial killers, go to What’s Your Favorite Scary Movie?

For more psychological thrillers, go to A Deliciously Creepy Tale

For more of my favorite quotes, go to Happily Ever Aftermath

For more on Twin Peaks, go to Food, Food, Food!

Even a Man Pure of Heart: The Wolf Man (1941)

“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the Opera, Frankenstein,  The Bride of Frankenstein, The Mummy, Dracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.; looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankenstein, or The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb. Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

“Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright“

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

 

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

The gypsy woman, Maleva,  reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

 

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce  for Henry Hull in Werewolf of London.  Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

That night the Wolf Man attacks a grave-digger, Richardson.

The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The nigh as Larry as the Wolf Man  steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

“Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare