So I first came across this film on Amazon Instant Watch, I marked it to be added to my watchlist in the hopes of seeing it soon. However, my watchlist is like my to-read list, I add more than I see.
Oh, well
Then one day some friends and I were hanging out trying to decide what to watch, but in the mood for something suspenseful but something none of us had ever seen before.
We were going through the list when I spotted:
Now the description wasn’t very…thorough. I thought the film was that this group of people are having a party, someone gets brained, and then they have to figure out who the murderer is.
Well we watched the trailer and I discovered that was not it at all, it was a very different story.
But having seen that, it just made me want to watch it more.
So we start off the film with our protagonist, Jack.
Jack is from a well-to-do family and is a writer. Jack loves the past, eschewing all modern technology and lifestyles. He has a old fashioned phone, record player, etc. No matter what anyone says, he will not be convinced to take hold of a cell phone, CD player, etc.
Jack is also having an affair with his cousin Frank’s wife: Vera.
What jerks
While Vera does not (and has not ever) loved her husband, she will not leave him-instead getting what she wants from that relationship:
And stepping out with other men.The two spend time together and then she leaves for work.
After she goes, Jack calls up his cousin Frank, uncle (not Frank’s father) Major Burns, Vera, and good friend Inspector Marcus Evans to invite them over that night for a a small get together to play games.
Hmm…
But when he calls each person, he gives them a different times to come. All agree except Inspector Evans as he might not be able to make it until later.
So it is clear that Jack has something in mind, some game, but what is he playing at?
Hmm…
The first to arrive is Frank.
Frank is a very kind, thoughtful, sweet, easily manipulated, and an insecure guy. You know the sweetest guy ever but never feels he is good enough and tries all he can to be even sweeter and kinder. It is easy to see how a shark like Vera could capture him.
So sad
But when Frank arrives it is clear that he is the center of the “game” Jack is playing. Jack tells Frank his wife is having an affair, giving him details (but of course leaving himself out of the equation). The rest of the night becomes a game of cat and mouse as Jack continues to try and see how far he can push Frank, hoping to have him kill Vera; and in front of the rest of the party guests.
Can he create the perfect murder of killing someone, but being unconnected in the crime by not having a motive yet also not being the one to have done the deed?
hmm…
This Rope inspired setup wouldn’t be complete without someone for Jack to declare victory over. In Jack’s case his Rupert Cadell is his uncle, Major Burns.
Major Burns has always been able to outsmart, outmaneuver, outthink, and outdo Jack in every game they have played-whether physical or philosophical. Jack secretly hates him, but knows that if he pulls off this murder, it won’t really feel like winning unless he can pull the wool over Major Burn’s eyes. Plus Major Burn will be the perfect witness at Frank’s trial, if Frank does the deed.
The night starts off according to plan with Frank’s arrival, the dropping of the bomb (letting him know of the affair), the perfectly worded comments, and the pièce de résistance: placing a large heavy candlestick on the table (the perfect weapon).
But things don’t go exactly as planned. First, Vera arrived early and upsets some of Jack’s planned maneuvers, and Inspector Evans fails to show up. Yes, Jack has quickly discovered the fault of planning the perfect murder:
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always. (Dial M for Murder)
But Jack decides to salvage his plan and continues to try and see if his idea of the perfect murder will succeed.
I thought this film was amazing and I strongly recommend anyone interested in thrillers or suspense films to check it out.
The director was clearly influenced by Alfred Hitchcock, with many parts of the film alluding to some of Hitchcock’s famous films, but at the same time not feeling overdone, a cliché, or blatant copying.
The musical score builds just the right amount of tension, so that you can feel what the characters are feeling, but doesn’t give away what will be happening next.
Everything about the film just worked perfectly. The spacing of the film and character stories, the limited characters and their emotions, reactions, and energy were all just spot on. The angles and shots built the intimacy of the moment, making you feel as if you were a part of the room instead of a voyeur. And the ending I thought was a spectacular twist. If you are able to, I would check it out today.
And our banner (the first one I’ve been able to make so far):
Sorry, sorry, for the messy posting and the lack of posting. I have just been so excited for Horrorfest and trying to get everything ready in between work and all my other commitments.
So October is upon us, and while:
October is the penultimate.
So what do I have planned for you this year? Every year has had something extra planned, beyond just reviewing horror film. In Horrorfest (2012), I reviewed what I call the Big Three in remakes & sequels, Friday the 13th (1980), Nightmare on Elm Street (1984), and Halloween (1978).
I see more sequels and remakes coming in the future.
The year after that, Horrorfest II: Return of the Terror and Woe, I posted on the odd days of October. I also reviewed all three Jurassic Park films: Jurassic Park, The Lost World, and Jurassic Park III.
It was great
Then last year, Horrorfest III: The Revenge was the best Horrorfest I have ever done. I was able to get it halfway completed, before October 1st even came around. Last year I did a Werewolf theme: I started with The Wolf Man (1941) and ended with The Wolfman (2010), and making nine out of the thirty-one reviews Werewolf related.
I even finally got around to reviewing a Vincent Price film,Laura (1944)
So what do I have planned for this year? Well you’ll just have to wait to find out.
After all:
So stay tuned for 31 days of terror, woe, mystery, murder, monsters, mad scientists, vampires, witches, robots, stalkers, serial killers, and much, much more!
Well here we are with part three of my fangirl posts. As shown above, I am obsessed with quite a few things and fangirl over them hard core. To make this easier on me and you, I have decided to break this up into a series of posts, with each fandom listed alphabetically. For post one, go to Fanning All Over the Place. For post two, go to Simply Fantastic.
Alfred Hitchcock
Alfred Hitchcock is my favorite absolute favorite director. I just love how the man thinks and what he creates. He is a true genius. Now I know he has some serious issues, like the way he treated the women he worked with, (especially Vera Miles and poor, poor Tipi Hedren); but that doesn’t change the fact that he was a true revolutionary. He not only created the psychological thriller genre, blending horror and mystery; but the first slasher horror genre, and influenced millions of writers and directors. Oh his works are just glorious. I’ve seen nearly every film he’s ever made and I just love him and all his work.
This past year I reviewed three of his films for Horrorfest III and that is just the beginning. I hope to one day completely review every film he has ever done. For those of you who don’t know him, here is a short list of my favorites (that I recommend watching): Blackmail (1929), The 39 Steps (1935), The Lady Vanishes (1938), Rebecca (1940), Suspicion (1941), Shadow of a Doubt (1942), Lifeboat (1944), Spellbound (1945), Rope (1948), Under Capricorn (1949), Strangers on a Train (1950), Dial “M” for Murder (1954), Rear Window (1954), To Catch a Thief (1955), The Trouble With Harry (1955), North by Northwest (1959), Psycho (1960), The Birds (1963), Torn Curtain (1966), and Frenzy (1972)
Besides films you also have his TV show, Alfred Hitchcock Presents in which he picked some of the greatest writers of the day, for example Ray Bradbury. And as mentioned before many great actors were on his show: such as Claude Rains, Vincent Price, Joseph Cotten, etc. In fact, one of Steve McQueen’s early gigs was on that TV show. The show was similar The Twilight Zone, but unlike that show, you never knew if things would turn out good or bad for the main characters.
He is an amazing artist, using film as his medium, and I strongly recommend checking out anything that has his name on it.
Ah this show. How I love thee. Every Wednesday I would watch the new episode. It was set on stone. At least until my sophomore year at college, when classes I needed to take got in the way. 😦 Teachers just don’t understand.
So when I saw previews for this show, I was like I so gotta watch this. And for three reasons.
1) I was deeply interested in behavioral analysis. I mean you have just read how obsessed I was with Alfred Hitchcock. This show is logically the next step. In fact when I first went to college I studied psychology, hoping to work for the FBI one day. However, I hated the psychology classes as we kept having to talk about ourselves. I ended up switching to history as I wanted to talk about other people. I still love this show and what they do very much.
2) Thomas Gibson
So Handsome!!!
Yep, if you have read my This Isn’t Love, This is Ectasy, post you know that I just find this man incredibly attractive. A fan from Dharma and Greg to Flintstones Viva Rock Vegas to Criminal Minds– I’ve got to watch them all. 🙂
Thomas Gibson plays the leader of the unit, Aaron “Hotch” Hotchner.
3) Inigo Montoya
Just kidding. It’s not Inigo Montoya, but the actor who played him, Mandy Patinkin. He plays the amazingly smart agent Jason Gideon.Patinkin left the show, as he felt the content was too dark, and was replaced by FBI Agent David Rossi. Rossi is okay, but Gideon was much better.
So the FBI unit is comprised of the leader Agent Hotchner and Gideon who I have already talked about. There is also Elle Greenaway, Cuban and the sexual predator profiler. She only lasts for the first season as she gets shot during a case, and after that can’t really deal with the stresses of the FBI. We have Derek Morgan (played by the very handsome Shermar Moore) and appears to be the standard tough guy, ex-athlethe, charming, ladies’ man-but you find out there is far more to him than what appears at first glance. Spencer Reid is a super genius and the youngest member of the unit. He is only 22 in the first episode but already has three PhDs, two BAs, and has a photographic memory. Reid is utterly adorable.
And you just can’t help but love him. Now Agent Hotch is the leader but Agent Jennifer “J.J.” Jareau is the liasion between the FBI and the town they move into to help out. She’s sweet, kind, adorable; and when the show dropped her the fans revolted, bringing her back. Rounding the team out is Penelope Garcia, the computer whiz and as quirky adorable as NCIS‘ Abby.
Now we head out to the character I hate. Emily Prentiss.
She’s brought in to replace Greenaway after she leaves the BAU. She’s the daughter of a special agent and is too good. They make the character just too much that she is unreal and annoying. She knows like forty different languages and can speak them flawlessly, she used to work for Interpol, she is so “beautiful” that no guy can keep from asking her out, etc. It’s just too much. But one of the worse things about her, was when she first joined the show she would make fun of Reid.
Reid is an adorable puppy. Anyone who is cruel to him has no soul.
But besides her, the show is amazing, the characters and storylines are truly great and I highly recommend it to anyone.
CSI
CSI was a revolutionary show. It brought back the cop drama, but instead focusing on the forensic side of the investigations. Of course the show isn’t completely realistic as they immediately get lab results and always manage to find their killer in a day or two. But the show was really good as the characters and storylines worked really well.
So if Wednesday was reserved for Criminal Minds I would typically spend my Fridays with AMC watching reruns of CSI.
Yep, they’re pretty exciting.
So the orginal show was just CSI and took place in Las Vegas, Nevada. Now besides some great storylines, the real reason this show was so awesome was Dr. Gilbert “Gil” Grissom played by William Peterson. He’s a forensic entomologist and was just great. He was always cool and collected, no matter how tense the situation got. He was also always a wiseguy (in wit and sarcasm). When he left, the show ended for me. It was just not the same. The show has gone through a lot of upheaval this past year; losing their original characters, bringing in more and causing it to just not be for me anymore.
With the extreme popularity of CSI the producers decided to do a spin-off and create the same show in a different location. What was born was CSI:Miami. Now many people don’t like this, but I admit it. It was my favorite of the CSI franchise. It had some silly moments and silly characters, but I loved it most. My favorite character was Ryan Wolfe played by Jonathan Togo. He came in after one of the team members was killed. His beginnings are hard as the crew are still hurt over the death of their colleague and aren’t exactly warm to to him. He’s smart, detailed, funny, and hot. What more could you want?
You also have the lead detective Horatio Caine, who is a very smart man, but more loved for his hilarious puns.
And the third character I enjoyed, Eric Delko. He is the Derek Morgan of this show; strong, athletic, hot. He’s just a fun guy and I was one of the many fans upset with his death and happy when he overcame it and came back into the show.
Like CSI this show went through a lot of dropping and adding characters and I stopped watching.
With the popularity of CSI and CSI: Miami, the producers decided to try again and created CSI: NY, but I never got into this version. It just didn’t appeal to me.
Now before I stop talking about this show, there is one more awesome thing that I have to mention. One of the most awesome things about this show is that they chose to use The Who songs for each show’s theme. CSI used Who Are You, CSI: Miami used Won’t Get Fooled Again, and CSI: NY used Baba O’Riley.
Danosaurs
This Youtube star is Dan from Danisnotonfire. It is a hilarious show as Dan just highlights funny moments and the awkwardness of his life.
Not to mention being entertaining, he is also really cute and has an English accent! Definitely a win. His videos are all amazing, so I’m just going to post one of my favs, but I definitely suggest checking all his stuff out.
Deathbats
So if you have read some of my previous posts, you might already be aware of my Avenged Sevenfold obsession. It all started when my loser ex and I first started dating. He was obsessed with the band. He gave me one CD to listen to, but not the others; having promised to make “the perfect” playlist, burn CDs, and mail me care packages. Of course he never did. In fact he never sent me anything but I sent him stuff. Rude, huh.
Anyways, when we broke up I was sad and decided that I was going to check out a bunch of Avenged Sevenfold CDs and listen to their music. I did and I became OBSESSED with them.
Now some of you may be asking, is the band really that good? Well I think so. I love the musical choices they make. One of my favorite things is that they are always trying something new and different, but it still remains uniquely them.
One thing I absolutely love is M. Shadows’ voice. It isn’t what mainstream would say is great, but totally works with the music created by the band. He’s also pretty hot.
You also have Synyster Gates who is the attractive guitarist and an amazing musician.
And Zachy Vengence. Killer name, killer looks, and killer talent. The trifecta!
So here are a few of my favorite songs. I’ll only name a few so I don’t overwhelm you all. So some of my top, top favorites are: Unbound, Almost Easy, A Little Piece of Heaven, Seize the Day, Dear God, Flash of the Blade, Walk, Afterlife, Hail to the King, Nightmare, Welcome to the Family, Buried Alive, and So Far Away. There are plenty more to talk about, but that’s all for now.
So I am a HUGE Disney fan. I grew up on the films, TV shows, characters, etc. I am SUPER obsessed with it.
I could go on and on about my favorite Disney things, but you know what? I’ve already done that. This summer I devoted all of June to 30 posts on Disney. I covered some of my favorite animated features, Disney Original Movies (DCOMs), Disney live action films, Disney songs, etc. To read more on it, check out 30 Day Challenge: Disney Edition. I’m thinking of doing it again as there is just so much Disney wonder and fantastica that needs to be covered.
One thing’s for sure, I’ll never be to old for it.
So Downton Abbey? How do I describe this phenomenon? Hmm….
Just kidding, it is nowhere near as confusing as that.
So this show came out a few years ago and my mother wanted to watch the TV show, not me. She had been a fan of the series Upstairs, Downstairs, what Downton Abbey is a remake of. Both series chronicle the lives of the wealthy upstairs along with the servants downstairs. It didn’t sound that interesting to me, but my mom really wanted me to watch it. I did and fell in love with. Every Sunday night became tea and Downton Abbey.
When the winter break ended and I returned to college, I got all my friends into it as well.
At first they were like, “will I like this?” and I was like:
They quickly became fans as well.
So the first season begins with the sinking of the Titanic in 1912 and ends with the start of WWI in 1914. The second season picks up in WWI and ends 1919. The third season picks up in the same year and moves on into the 1920s.
So the manorhouse is Downton Abbey in England where the Crawley family live. Robert Crawley, Earl Grantham, and lord of the manor; Cora Crawley, his American wife; and their three daughters Mary, Edith, and Sybil. Robert’s mother, Dowager Countess Violet Crawley, doesn’t live there but visits most days.
The Dowager is amazingly funny and witty. She is a snob, but her snobbery is sometimes due to her naiveté of what lower classes do and go through. She is hilarious as her one-liners are amazing. She is practically everybody’s favorite character.
Lord Grantham (Robert) is pretty traditional and takes the jobs of running the estate very seriously. Lady Cora clashes with the Dowager Countess and at many times finds herself at odds as she is not English, so she “doesn’t understand” things.
Then we have the three daughters. First is Mary who is the eldest and a whiney, spoiled brat. However, as the series progresses she does change as her circumstances cause her to realize how awful she is being and what she wants to be. As the series progresses you start to love her.
Next in line is Edith. Edith is a whiny brat as well. She is always jealous of her older sister’s beauty and attention. This causes her to constantly fight and find ways to ruin things for Mary, of which all end up troublesome for her.
And last is Sybil, who in my opinion is the best character of all. She is kind, considerate, sweet, funny, beautiful, and a real revolutionary. She wears a Middle Eastern outfit with pantaloons for her coming-out-party, gets involved with protests, meetings, radical theories, becomes an army nurse, and doesn’t care about someone’s station or name. She’s awesome.
The series starts out with the Titanic sinking. On the Titanic was Mary’s first cousin and fiancé. Everyone in the Crawley family is upset because the estate is entailed, and with the cousin and his brother killed, no one knows to whom the estate goes next.
Let me back up a minute. Entailment was something that was done a lot in England. All the money, property, i.e. the whole estate was entailed to the next male heir. Yep, and as we see the Crawleys have three girls. They had never worried about entailment as they always planned to have Mary married off to the cousin and none of the family would have to worry.
Now they have to discover the next male heir and hope to God that they can marry him off to their eldest daughter.
Enter Matthew Crawley
Matthew Crawley is a lawyer and discovers that he is next to inherit and will become Lord Grantham, have a seat in Parliament, and own a large estate. He is flabbergasted at this, as he is just your average person. In fact he wants to refuse it, but gets talked into accepting it. The Dowager Countess and Lady Cora try to get Mary and Matthew together. Mary finds Matthew “too low class” and tries to get a rich man interested in her. Unfortunately, very few men are interested in a girl who’s fortune is entailed. Lady Cora and Lord Grantham are also trying to get Cora’s fortune/dowry out of the entailment. Edith is trying to foil all of Mary’s plans while at the same time trying her best to catch a rich man or hook Matthew. Sybil is Sybil. Matthew falls for Mary and tries to win her heart, but Mary has some issues to overcome before considering marriage to Matthew. At one point Cora becomes pregnant and we wonder if she may have a son and solve the whole problem. Murder, mystery, scheming, drama, and comedy galore! Of course before things can truly be resolved, WWI breaks out, changing everyone’s life as they know it.
Season 2 starts right out in WWI and portrays it as accurately as possible. Matthew finds himself in the trenches with some of the servants from Downton. Downton gets set up as a hospital for soldiers. Sybil is a nurse. Lord Grantham wants to fight but isn’t allowed to. And the series continues in keeping the drama, comedy, romance, and action. I won’t reveal any more or season three and four for those of you who haven’t checked it out and are interested.
Let me just say that if PBS really wanted money, this is all they would have to do.
Now that is the upstairs, let’s take a look downstairs.
We have Mr. Carson the Butler who runs the whole downstairs. He is stuck in his ways, but a truly lovable stick-in-the-mud.
Then there is Mrs. Hughes the head housekeeper. She runs the kitchen staff. She is no-nonsense and buisnesslike, but always has a soft spot and helps others.
Then we have Mr. Bates head valet (pronounced the English val-let not French va-lay). He is introduced to the household in episode one to the ire of the footman Thomas Barrow. Thomas thought that he would be the one to elevate in status and is upset at being passed over. Thomas tries to make life hard for Mr. Bates and turn everyone against him. Mr. Bates falls for Anna and the two have one of the best romances. They actually weren’t supposed to stay together, but the fans called for them. Power to the fans. Mr. Bates also has a lot of mystery and drama surrounding him.
Mrs. O’Brien is the lady’s maid and a cruel and calculating woman. She is a major snoop and always rooting out gossip.
She only cares about her best interest and causes some serious problems for the family. She leaves after a secret she has comes out.
Anna is the sweetest, kindest, woman ever. She is one of the best characters, and I absolutely love her and Mr. Bates together. She is the head housemaid and Lady Mary’s confidant, often helping her out of some pretty bad scrapes. When Lady Mary marries, Anna is elevated to Lady’s maid.
Thomas Barrowis the under-butler and he is a mean, horrible, cruel, bully. He picks on other footman and staff members, plays with girl’s hearts, spreads rumors, steals, etc. He leaves the household and goes off to war, which softens him a bit. After the war ends, he finds himself falling back into his old ways. He has a huge secret that is only known to a few.
William Mason is one of the kindest and most adorable footman ever, but leaves in the second season. He has a crush on the assistant cook, Daisy who doesn’t deserve him.
Alfred Nugent joins the household after William leaves. He is brought in to be a love triangle between Daisy and Ivy, but he’s very boring and bland.
Jimmy Kent is brought in and increases that love triangle to rhombus as his good looks, charm, and easygoing manner wins all the ladies’ hearts.
Moseley was Matthew’s butler and was supposed to go with him to war, but failed his exam. He moves into the Crawley manor when he can’t find himself another job as a butler. You see during and after the War, many families find themselves not having the money they once had. When he comes into the Crawley household, it is a little awkward as his function is a bit fuzzy.
Mrs. Patmore is the no-nonsense cook and an awesome character. She hilarious, sarcastic, and always hitting the nail on the head.
She has this one great storyline in which she starts going blind and is afraid to tell anyone. She thinks that if they find out then she will be fired and what will she do next? Cooking is all she knows and cares about. When the Crawleys discover this, they actually pay for an operation to fix her eyes.
Daisy is my least favorite character. Ugh, she annoys me. She is in love with Thomas because she thinks his bullying is a sign of manliness. She never gets the hint that he is not interested in her, unless he can torment sweet William who has a crush on her. She uses William to try to make Thomas jealous, which instead only hurts William more. She falls for Alfred, who doesn’t care a fig for her. Her biggest role in the series is really just complaining. She complains ALL THE TIME. And like the teenage girl “this unfair” “I never get what I want” kind of complaining. I always just want her to shut up!
Ivy is new and her only thing that defines her character is that she is a “modern” girl not afraid to let someone know that she likes them. Translation: She’s pretty fast.
Now the last character I’m going to talk about is Tom Branson who is in the middle of the upstairs and downstairs.
Branson is the Irish chauffer. He is very interested in politics and Sybil. Yes, we have an mixed class romance. Now at first I didn’t like him as he was hotheaded, believed his opinions were the only right ones, wants to violently achieve Irish independence, etc. However, once he and Sybil ran off and eloped, he began to grow on me. After some traumatizing events, his personality changes as this personal destruction makes him realize that violence to achieve one’s goals is not the way. What else is really great is his friendship with Matthew, as the two really understand each other and trying to figure out your place. In fact his storyline if trying to see which “floor” he belongs in is really powerful.
So after all that I bet you are wondering what else can be said about Downton Abbey? Well I found that Petula Clark did a really great job of sharing it, (that is of you make a few small changes):
When you’re alone and life is making you lonely you can always watch Downtown Abbey. When you’ve got worries all the noise and the hurry seems to help I know, watch Downtown Abbey. You can forget all your troubles, forget all your cares so watchDowntown Abbey. Things will be great when you’re watching Downtown Abbey. No finer place for sure. Downtown Abbey; everything’s waiting for you. Things will be great when you’re watching Downtown Abbey. Don’t wait a minute more watch Downtown Abbey.
So this year’s Horrorfest was very, very different. After last year’s issues, I started writing this in May. This was the first time I have ever fully planned out a Horrorfest, as I had all the films picked and almost all finished by September.
So for the past two years, you have heard me say how I haven’t been able to complete all of Universal’s Classic Monster Films. Well I finally did it. Wooot!!!
Once I wrote that post, I was so excited. You see, I felt I really couldn’t do a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. And I did. I decided to end Horrorfest with The Wolfman (2010). But then I decided to take it one step further. About every five episodes has a werewolf in it. It was a howling good time.
I also decided to do When a Stranger Calls, because of the phone harassment I had experienced. I took this one step further by doing all four of the Scream films, along with the Alfred Hitchcock film Dial “M” for Murder.
Speaking of Alfred Hitchcock, after hearing me complain for two years about trying to review one of his films, I have reviewed not one, not two, but three Alfred Hitchcock films. I was only planning on doing Under Capricorn, because I was planning on talking about Samson Flunky for St. Patrick’s Day 2015. I ended up doing Shadow of a Doubt as it just entered my mind and Dial “M” for Murder. Still haven’t gotten around to Psycho. Well, there’s always next year.
So every year I mention wanting to do Vincent Price films; like House on Haunted Hill. The Tomb of Ligeia, The Pit and the Pendulum, etc. I didn’t get around to any of those famous Vincent Price films, but I did do a film with him in it. I went over Laura (1944), which is when he is really young.
So I hope you all enjoyed it! I did. But then everyday to me is October.
So I usually put in a poll to see what you all you like, but I decided that I don’t care. I liked them all. Instead I’m just going to list them below for some of you who might have missed them.
Do you really believe in the perfect murder? Mmm, yes, absolutely.
So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.
Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.
Dial “M” For Murder is one of his highly known films (although not as known as Vertigo or Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title A Perfect Murder. It starred Michael Douglas, Gwyneth Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.
This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s Rear Window and To Catch a Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn, quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!) And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.
This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942). In this film Cummings plays an important role, but a smaller one than his earlier collaboration.
This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.
So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.
Oops!
Well here we go!
So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the start.
So we have a couple, Tony Wendice (Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.
As the film starts out we have Margot and Mark in a very cozy embrace.
“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I’ve been waiting for that.
Margot Mary Wendice: I haven’t told him anything about us.”
Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.
Mark has a completely different reaction to the news.
He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.
Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old cliché, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.
Photo from Saboteur
That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.
Tony Wendice: How do you go about writing a detective story?
Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.
Tony Wendice: Oh, is that how you do it? It’s interesting.
Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?
Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.
Tony Wendice: Hmm.
Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”
Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home. After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.
After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.
“Tony Wendice: One thousand pounds in cash.
C.A. Swann: For a murder?
Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”
Tony then goes on to tell Swann a story.
Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.
He wanted to kill Mark.
He then moved to the idea of murdering his wife. But things changed…
“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.
C.A. Swann: Well? What did you see?
Tony Wendice: I saw you.”
Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.
He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.
He reveals his perfect plan.
“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.
C.A. Swann: The fifth step?
Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”
His wife will answer the phone, and then Swann can strangle her and leave through the french windows.
Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.
But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.
“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.
Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.
Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”
Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.
Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.
That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.
However, back at the party, things aren’t quite going as planned.
Stupid, stupid
Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.
He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.
But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.
Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.
Tony tells her to touch nothing and wait for him. He’s on his way over.
As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.
He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.
Hmm…
The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.
Except thing are not quite perfect. There are quite a few things Tony didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.
So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.
Months later, on the night before Margot’s execution, Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.
Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.
Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?
Hmm…
Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.
This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.
Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and this is what it said:
By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.
So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.
But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.
The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.
Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs and finds the key, giving himself away.
Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.
Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?
Margot Mary Wendice: Yes, I could do with something.
Tony Wendice: Mark?
Mark Halliday: So could I.
Tony Wendice: I suppose you’re still on duty, Inspector.
It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.
You forgot the first rule of remakes, Jill. Don’t f*** with the original!
If only Wes had followed his own advice.
I wish they hadn’t messed with the original. This movie sucked.
Just plain horrible. You see this all happened because everyone wanted to make another film after Scream 3. Wes told them he wouldn’t, unless the script was as good as the original film. Unfortunately, those dunderheads thought that meant they needed to do a horrible remake of the first amazing film.
For those of you just tuning in, this is the last of our Screamtastic Saturdays. Every Saturday this month I reviewed one of the Scream films. To read about them before you start this one, go to Scream, Scream 2, Scream 3.
Now as you can tell I didn’t enjoy this one. As I watched this film I took a lot of notes on my feelings, A LOT. I’m just going to write them verbatim.
So let’s get started on this travesty…
I don’t wanna
So the film starts out with two girls (Lucy Hale and Shenae Grimes) hanging out discussing horror films and stuff. One of them has a facebook stalker. It turns out to be ghostface who stabs and kills them both.
Ghostface attacks!
Victims 1&2
But wait…
It turns out that its not real. It is the opening scene from the film Stab 6 that two girls are watching. (Anna Paquin and Kristen Bell).
So that’s the first problem of this film. It was so dripped in big name actors that it was impossible to get into. I mean the original had famous actors too, but this was tooooo jam packed. It’s too much, far too much.
So Anna Paquin talks too much during the movie that Kristen Bell kills her.
I know Kristen Bell? Whatever.
Body #3
Just kidding
Yep, it’s just another fakeout. It’s Stab 7 that Julie from Friday Night Lights, I mean Jenny (Aimee Teagarden) and her friend Marnie are watching. After that Jenny goes upstairs to get something, and instead prank calls her friend. The “real” Ghostface comes in and kills Marnie, with Jenny right behind her.
Victim 4 & 5
And here we have another garage scene that is improbable. I’m telling you, any automatic garage door will not be able to kill someone. They design the mechanisms so that if there is something underneath them, it will cause them to be incapable of being squished.
Duh!
And the other problem with this scene is the fact that having two fakeouts was too many. After the two psych-outs, I was not attached to the characters as I was just expecting them to die. It wasn’t scary, mysterious, funny, or good. It was just bad. Bad, bad, bad. Plain ol’ lazy writing. Come on Wes, you’re better than this. This is reverting back not evolving.
So this film, and the first scene, take place 10 years after “The Woodsboro Massacre” or the amazing phenomenon known as Scream. Deputy Dewey is now Sheriff and married to Gale Weathers. Gale has stopped reporting and turned to writing fiction. Sidney has written a book on her experiences and is on tour. In fact, she has just arrived in Woodsboro. And Randy is dead.
Noooooooooo!!!!!!!
Still not over that.
We then see the horrible Emma Roberts getting picked up for school. I hate Emma Roberts. She has no talent whatsoever. She always seems as if she is acting, so I never believe that she is whatever “character” she is playing. She’s like a block of wood. I think she is secretly a robot as she never gives any emotion. None whatsoever. She’s proof that just because one family member has talent, doesn’t mean the rest do.
I bet she is the killer. She’s all I hate Sidney. Blah, blah blah…
Anyways, Jill (Emma Roberts) is being picked up by her friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe). Now who are these girls trying to fool? There is no way these girls are in high school they look sooo OLD.
I mean Roberts could pass for 19 at the youngest, but Panettiere and Jaffe? They are clearly are late 20s heading for their thirties. I’m looking it up now…let’s see…Roberts was 20 at the time, Panettiere was 22, and Jaffee was also 22. Okay so they weren’t as old as I thought they were, although they look it. I mean it’s laughable how they think they could pass off people so old as high school students.
Jill and Olivia receive texts from Jenny and Marnie, even though they aren’t close friends or anything…and the two girls are dead (although no one has discovers it yet. Speaking of which where were the parents during all of this? Why weren’t they with their kid? How come it took someone so long to discover the body? Come on now!)
Wes also has a love affair in this film with fake jumps. It’s like every five seconds. Seriously, just stop.
At the station Sheriff Dewey gets called on the scene and I notice something here Wes. Yes…yes…it appears that Dewey no longer suffers from a limp. I see, I see. Dewey gets to be limp free WHILE RANDY IS DEAD??!!
Never letting that one go. Moving on.
So Sheriff Dewey is called on the scene and he knows, he just knows
RIP Randy! Love you forever!!!!!!!
So as Sheriff Dewey is looking around, one of his deputies calls him Sheriff Riley. And I was like Whaaaaaaat????? Dewey has a last name?
Sorry. Back to the film.
So then we zoom to the high school were we have Hollywood’s version of high school students. You know horribly unrealistic and clichéd to the farthest ranges of the imagination. Because in Hollywood:
Yep, enter super nerd who has a computer hooked up to his headphones so he can blog every moment of his life.
Really Wes? Have you been to a school and seen real nerds? They don’t dress like that or do that? I mean when Ned’s Declassified did the Nerd has camera/computer hooked up to their glasses they did it to spoof. They weren’t trying to portray the nerd/online/blogger culture. You fail. Big time.
Duh!
So then we enter douche boy, Jill’s ex-boyfriend. I mean this is some serious deja vu as he ex is a total creep. I guess douche dating runs in the family.
So during homeroom, everyone’s cellphones buzz with the news. I’m just like, why wasn’t the school notified? When I was in high school we had two deaths. One was a car crash, the other an overdose and the teachers were all immediatey notified before the friends even found out. Same thing in college when a guy committed suicide, and another guy jumped off his balconey as he was high and had a bad trip. Although in college they sent emails and texts to the students, while in high school they told us.
At the bookstore, Sidney is reading an excerpt from her book when Sheriff Dewey comes marching in. He interrupts the signing as they are tracking the phone that placed the calls. They discover it in the back of Sidney’s rental, along with bloody handprints.
Back at the station, Sheriff Dewey s dealing with a lot. Gale comes down as her old investigative spirit is still alive. She encounters a huge prob though. Dewey’s deputy, Deputy Judy, has a mondo crush on Dewey. But Gale, she’s not having any of that.
I love that Gale is still kickin’ butt.
So Sheriff Dewey decides to put Sidney on 24-hour police protection, and all I can think is do you remember what happend last time? Yeah, it did not end well.
You know what almost everyone in this film has drunk the kool-aid. I know that Wes wanted to provide a wide range of “suspects” (totally obvious Jill and Culkin brother/crazy film nerd guy). But he makes everyone seem CRAZY!!! Jill’s ex, the deputy, and that’s not all. Let’s add Sidney’s publicist who delights in the murders because it will sell more books. She actually hopes more will occur. And then we have Sidney’s aunt Kate. “Nobody cares about the fact that it was MY sister that was killed or what I’VE been going through.
So at this point in the film I’m starting to wonder what happened to Patrick Dempsey? AKA Detective Mark Kincaid. I guess he was too busy being a doctor or maid of honor. Let’s see…Yes to doctor, no to maid of honor. He was trying to protect a bank teller and working with Decepticons. I wish they had given us a clue as why they didn’t stay together. I liked Mark.
Later that evening, Sidney goes to talk to Jill and you know what..how come we have never heard of this aunt and niece before? I mean they have lived in the town their whole life and not once was concerned with Sidney? Like why didn’t she stay with her aunt when he dad was out of town? This Wes, is why you do not try and remake a good thing. Just leave well enough alone.
So Sidney goes in to talk to Jill and sees her creep ex climbing in her window trying to talk to her. He’s extra creepy and weird calling himself “the ninja”. Who nicknames themselves? He is also a total control freak and won’t listen to “no”. What a jerk.
That night Kirby comes over and she and Jill are watching scary movies. Kirby gets a call from Ghostface that he’s hiding in the closet. She decides to be stupid and looks around, finding no one. Like this guy KILLED people. Maybe you should CALL THE POLICE!!!!
The voice says that he never stated which closet he was in.
Now the house next door is Olivia’s who is home alone (of course). The police offered to walk her to her home but she refused and like the stupid caricatures they are, they agreed. I just realized that policeman in the Scream films are pretty stupid. Dewey and Mark being the exception. I mean SHE RECIEVED A DEATH THREAT FROM GHOSTFACE EARLIER!!!! WHY IS NO ONE PROTECTING HER!!! So of course, Ghostface is in her closet and kills her.
Victim 6
And her friends just watch.
Seriously, they DO NOTHING BUT WATCH THEIR FRIEND GET SLICED APART. Scream! Call the police!!! Do something!!!!
Sid hears it and rushes over to help. Now Sid I love you, but couldn’t you have brought a weapon with you? How do you expect to save the girl if you have nothing. I mean come on, grab a bat, frying pan, knife, SOMETHING!!!
Sid does manage to take him down as she rules! But when the cops come he’s disappeared? Who is he Michael Myers? How does he move so fast? I mean they did the same thing in Scream 2.
Why weren’t the cops able to find him? WHY DOES EVERYONE SUCK??? THIS MOVIE IS HORRIBLE, HORRIBLE I TELL YOU!!! CRAVEN YOU HAVE DISAPPOINTED ME AGAIN! IT’S LIKE NIGHTMARE ON ELM STREET ALL FREAKIN’ OVER AGAIN!!!
Not happy, not happy at all
Gale seduces the two nerds to get them to help her. At first I thought it was funny, but the more I think about it, it’s creepy. I know on Cougar Townyou are always with younger men, but this is a 47 year old woman hitting on 17 year olds.
PR girl is the devil. I am sorry but the way she gushes about the killings, she needs help.
So after she leaves from visiting Sidney in the hospital (minor cut) she runs into Ghostface and is killed.
Victim #7
Now to be honest its her own fault as she really shouldn’t be walking around at night by herself with a killer on the loose. And what’s really stupid was that she was by her car. Just get in and drive away, run him over. Instead she tries to run. DUMB DUMB DUMB DUMB. I mean come on, you were sitting inside the car! Why would you ever take off?
You know what I just realized. so far the killer has only murdered women. What’s up with that? In the other films it was always equal. How come you’re just killing women Wes? Huh? Why? You know what else? In every film we have couples who are murdered first. Scream– Steve and Casey, Scream 2– Boyfriend and Jada Pinket-Smith, & Scream 3– Cotton’s girlfriend and Cotton. But in this one its only been girls. There’s a formula!
But now, we only have females murdered. What happened Wes, did you have a woman break your heart so now you are releasing your anger on females?
And you know what’s really depressing about this film is that it lost everything. It isn’t a horror parody and a horror film at the same time; It’s just sad and boring. You can tell from the beginning who the killers are (Jill & Charlie [Culkin brother super nerd]). It’s just a recycled plot. A poorly recycled one too.
I mean each previous Scream brought something new and fresh.
Scream
Parody of the Horror film Genre while still being a great horror film
Twist ending with two killers, and one being the boyfriend.
Obsession with horror films and trying to create their own
Revenge because his mother left.
Scream 2
Parody of sequel films and horror sequels
Debates issue if whether horror films turn people into killers
Twist ending where you think it is the boyfriend murdering, but really ex’s mom
Female serial killer
Scream 3
Parody of trilogy films
Twist ending with mother’s secret early life + half brother
Single killer this time
All the survivors end in a couple-Dewey & Gale, Mark & Sid
Scre4m
Recycled plot
Pop culture of the day inserted but it feels more like an old man trying to be “hip” and failing than avant-garde.
They waited far too long to make this film. It should have come sooner.
So the next day Gale gets Sidney to come speak at the film club at the high school. In return for this, the two geek boys Charlie (the Culkin brother) and his friend blogger- headphones, Robbie, will help her out. Gale thinks the new Ghostface is copying the murders, but the nerd twins point out that it is a remake “as only remakes are being made these days.” Tru dat. In 2011 alone there was Silent House, Gnomeo & Juliet, The Green Hornet, The Roommate, The Mechanic, Just Go With It, Unknown, Jane Eyre, Winnie the Pooh, Arthur, X-Men: First Class, Rise of the Planet of the Apes, Fright Night, Conan the Barbarian, Real Steel, Straw Dogs, The Thing, Footloose, The Muppets, and The Sitter.
The kids tell Gale & Sidney that if the killer wants to make it intense and new he is going to record the murders. That’s not new, it’s been happening for quite so time now. Just another ripoff.
They decide the next place he will strike is the annual Stab-a-thon. Now you have a killer running about and you refuse to stop your party? Definteky Charlie. He’s the killer. I mean come on, any smart person would be like nope, let’s stop this so people don’t die.
So a bunch of the kids dress up in Ghostface masks which is incredibly stupid. I mean you have a KILLER IN THE GHOSTFACE MASK? Why is everyone so STUPID.
Ugh
Gale goes there just like in the first film and hooks up some “secret cameras”. The cameras get covered up and Gale calls Dewey before she goes into take care of them. Now the smart thing would be to just wait as it is obvious that Ghostface is the one doing it, but whatever! I mean like even if you feel like you HAVE to go, why not be extra cautious and take a weapon! I mean, come on now people. She goes and is stabbed by the killer, however, she’s Gale so she just has to go to hospital. That’s cause Gale is awesome.
I just want this film to be over. It is that painful.
So I am liking nobody in this film. Like every character is crazy or stupid. The only exceptions are Gale, Sid, Dewey, and Aimee Teagarden’s character as she tried to run away. Even though I think Emma Roberts is the killer I want her to get stabbed so I won’t have to see her face again this film and hear her horrible acting voice.
Duh!
So back at the house Sidney sees something outside. She goes to take a look at it instead of CALLING THE POLICE! Come on Sid, you’re better than that.
So the cops outside Kate/Jill/Sid’s residence are all comedic and talking about movie cops. They say that cops are what you never want to be as they are always “getting it” in films. Uh, not true! What about Dirty Harry? Ain’t nobody taking down Clint Eastwood. Or what about Patrick Dempsey in Scream 3, I mean Wes you freakin’ made that film. Witness? Harrison Ford always dominates! Sidney Poitier In the Heat of the Night or They Call Me, Mr. Tibbs! Mark Wahlberg in The Departed? Die Hard?
Besides why would the black cop be worried that since he is a cop he’s going to killed? He’s got bigger worries, he’s a minority. He’s going to get killed for that. The only horror films I’ve ever seen where the minority doesn’t get killed first and makes it to the end would be Night of the Living Dead and Aliens vs. Predator.
They both get killed.
Victim #8 & 9
I was actually happy about that as they were annoying.
So someone in this film finally wises up, as Sid grabs a knife to protect her. Ghostface comes and attacks. Yawn! Knew it was going to happen. There is NOTHING original in this film, NOTHING!!!! Wes you have failed, fAILED FAILED FAILED!!!!!!!!!!!
So Kate also gets killed, she was stabbed through a door.
Is it over yet? Is the film done yet? Boo. There’s still 30 mins left! UGH, UGH, BLEH! I would stop watching like a did with An American Werewolf in London, but I promised full reviews of every Scream film and I can’t go back on that.
So Sidney escapes. She starts to head next door to protect Jill.
Next door we have Jill, Kirby, Robbie, & Charlie watching horror films.
So why don’t any of these kids feel remorse for the murdered people? I mean in Scream the main characters weren’t close to Steve and Casey (except Stu) so I could see where it didn’t make the biggest impact. But Sid started feeling when it was Tatum, Dewey, Gale, etc. In Scream 2, the girl in the film class was sad about her friend that was murdered in the movie theater and everyone is heartbroken over Randy.
Noooooooooo!!!!!!!
Then in Scream 3 Cotton’s death, and while the characters didn’t know the movie stars, they were still sad to see them killed. I mean Olivia was their friend as she was MURDERED!!! And you know how they react? Jill in her monotone voice is fine and doesn’t say anything. Kirby goes to the Stab-a-thon in sa freakin’ ghostface mask. A GHOSTFACE MASK! I mean your friend was MURDERED, MUREDERED! And you are wearing the thing that killer wore to murder to your friend. Something is wrong with you all.
And you know what, that is the problem with this film. In the other versions you believed the actors were the characters. You believed them. In this film every character except for the 3 survivors are so fake. They have any real emotions. They don’t have any real reactions. They are like robots or something.
Why is everyone dumb in this movie? This movie is horrible and stupid! Dumb, dumb, dumb, dumb! OMG! it’s LIKE HE WANTS TO MAKE A SUCKY VERSION OF AN AMAZING FILM! WHY WOULD HE DO THAT? WHY? WHY? WHO GAVE HIM THE MONEY. You all should be held accountable for this!!!!
Is this too crazy?
This is film is a HUGE DISAPPOINTMENT! BIG MISTAKE!!!!!!!!!!!!!!!!!!
So the group is hanging out. Trevor comes over as he says Jill invited him. She tells them that is impossible as her phone has been missing. Jill goes upstairs and Trevor follows her. While he is gone, Robbie gets drunk and heads outside for another blog post. When he does this we have the only real scare in the film. He runs into a plant. That’s it folks, so far the plant has been the most scariest and original thing in this travesty. And that’s not even that original.
Back inside, Kirby is trying to seduce Charlie in the most horrible and painful way. It hurt to watch this scene. It was awkward, it was stupid, and it would never happen that way in real life.
You know what I’m wondering now? Where are the parents? Come on now, is Jill the only one in town with a parent? They are completely absent! At least in Scream they explaned it. Casey’s parents were out having dinner. Mr. Prescott was going out of town. Mrs. Riley (Dewey & Tatum’s mom) is a single parent. Stu’s parents don’t care and are out of town all the time. Mr. Loomis works late hours and has recently become a single parent. I get that, although they should have done a better job. Scream 2, in college parents aren’t there., although I’m really surprised not one of them came down to check on their kids. Scream 3 all are adults. But these kids have no parents anywhere, nor do they give an explanation except for Olivia She mentions that her mom works late. Its like this whole film is in an alternate dimension where reality plays no part at all. I mean I know its a movie, but explain! Movie EXPLAIN!!!
So this film is far too predictable. You know Robbie who is hanging outside is going to be killed first, then Kirby, then Trevor, and then Charlie. It is soooo obvious.
This is horrible. Why am I watching this? Why?
So Robbie of course is killed, and too his shock as he thinks being gay will save him. I thought that was a weird thing to say. I mean, I can’t think of horror films where a gay person always survive. I mean technically he’s in the minority category and we all know that minorities hardly ever make it to the end of a horror film.
Victim #11
Before Kirby and Charlie could get it on, Trevor comes downstairs. He couldn’t find Jill upstairs. He and Charlie head to the kitchen, leaving Kirby alone in the living room. Jill comes from downstairs, now how the heck was she there? (I mean obvs to me she’s the killer, but why doesn’t anyone else think that weird?) Sidney runs into the house to warn everyone. IT WOULD HAVE BEEN NICE IF YOU HAD CALLED THE POLICE FOR BACKUP. Kirby goes down to the basement, while Jill and Sidney go upstairs. Jill hides under the bed.
That is the worse place to hide. Beds and closets are always checked first.
Sidney comes down to the basement with Kirby and they see Charlie. He wants them to let him in, but Kirby is unsure whether or not she can trust him. Ghostface grabs him and ties him to a chair. Ghostface then calls Kirby.
The two are going to play a game. Kirby wins, Charlie is free.
The Voice: I hear you like horror movies, Kirby. But do you like them as much as him? Forget watching Stab, instead you get to live it.
Kirby Reed: No. No, no, no, no. He’s the expert. It’s not me.
The Voice: Warm up question: Jason’s weapon?
Kirby Reed: Uh,it’s a machete.
The Voice: There. You see? You do know the genre. Michael Myers?
Kirby Reed: Uh, butcher knife.
The Voice: Leatherface?
Kirby Reed: [crying] Chainsaw! Please!
The Voice: Just ask Sidney if you need some help. Freddy Krueger?
Kirby Reed: Razor-hands.
The Voice: Name the movie that started the slasher craze: Halloween, Texas Chainsaw Massacre, Last House on the Left or Psycho?
Kirby Reed: Psycho.
The Voice: None of the above! Peeping Tom, 1960, directed by Michael Powell. First movie to ever put the audience in the killer’s POV.
Kirby Reed: Wait. No, no, no. Please, just ask me one more question. Just one more.
The Voice: Alright, Kirby, then it’s time for your last chance. Name the remake of the groundbreaking horror movie in which the vill…
Kirby Reed: Halloween, uh, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, uh, Last House on the Left, Friday the 13th, A Nightmare On Elm Street, My Bloody Valentine, When A Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right? Right?
[silence]
Kirby Reed: I got it right. I was fucking right. [goes outside; unties Charlie] Don’t worry, Charlie. I f****** won. I won. He tried to beat me but I f****** won.
Charlie Walker:[holding knife] Kirby? This is is making a move! [stabs her] Four years of class together and you notice me now? You stupid b****! It’s too late! Shhh, I know. It doesn’t happen as fast as it does in the movies, I know.
[finishes stabbing her and drops her; runs away]
Yep Kirby is dead.
Victim #12
And Charlie was the killer. Totally obvious.
Duh!
So deputy Judy comes into play as she discovers Kate’s body and the dead cops. She heads over to Kirby’s house to check on everyone. I still want to punch her crazy-obsessed with Dewey face.
Does that make me a bad person?
So Sidney is being chased by Charlie and manages to escape him heading for the door. But Sid, don’t forget, except for Scream 3 there are always two killers. And as she heads for the door…boom Jill stabs her.
Now if Wes wanted to make this really unique. He should have down a group of female killers. It is rare, but does happen. Olivia, Kirby, and Jill. Or deputy Judy. She could be doing all these murders just so she could kill Gale and get Sheriff Dewey. Or he could have not tried making a remake. That would have been fantastic!.
So the two totally obvious killers start revealing the reasoning behind it. Jill was always jealous of her cousin’s fame. And as Emma Roberts…I mean Jill has no talent, she figures this is the quickest way to make her famous.
Jill Roberts: My friends? What world are you living in? I don’t need friends. I need fans. Don’t you get it? This has never been about killing you? It’s about becoming you. I mean, for f***’s sake, my own mother had to die, no great loss there, so I could stay true to the original. That’s sick, right? Well, sick is the new sane. You had your 15 minutes, now I want mine! I mean, what am I supposed to do? Go to college? Grad school? Work? Look around. We all live in public now, we’re all on the Internet. How do you think people become famous any more? You don’t have to achieve anything. You just gotta have f***** up-s*** happen to you. So you have to die, Sid. Those are the rules. New movie, new franchise. There’s only room for one lead, and let’s face it, your ingenue days, they’re over.
Charlie was her new boyfriend that was helping her do this. They plan to have Trevor take the fall for it, stabbing themselves, but shooting him to make it look like “self-defense”. Charlie is happy that the “geek will get the girl”, but Jill tells him sorry and kills him.
Victim #13
You know what I just realized. They never clean the knife. Ever. With all those kids having sex and the amount of diseases that abound, now all I can think is how they’ve been spreading so much to people. They’ve all probably got Chlamydia or something.
Also WHERE ARE THE POLICE!!!??? I mean deputy Judy was right next door!!!
So then Jill kills Trevor and Sidney.
Victim #14 &15
After that she starts taking care of the evidence. Planting the knife/gun. Beating /mutilating herself. Even ripping hair out and putting it in Trevor’s hand.
When the police finally come, they discover her and name her the sole survivor. They cart her off to the hospital. In the hospital Dewey visit Jill, who is all smiles. I have to say nobody is freaked out by the fact she doesn’t care that her best friends, mother, and cousin have all been brutally murdered???!!! Someone ship her off to the psycho ward. That girl is crazy!
Jill tells Dewey that maybe she and Gale can write about the murders as they have matching wounds. Dewey tells her that Sidney might be able to also help, as she is going to recover.
Yep, looks like we have Dial “M” for Murder all over again.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
You can’t plan everything sweetheart.
So Jill gets out of her bed and charges down to ICU to get to Sidney.
That is impossible. There is no way she would be able to get across the hospital as they are jam packed with people. Especially ICU. Most ICU units actually are protected by some kind of card swipe or button so that only certain people can go in. There’s no way she’d be able to get to Sidney.
Dewey goes to see Gale, and as he mentions Jill’s comments they both realize that the information about her stabs were not released to the public. There is no way she could have known where Gale was stabbed, unless she had done it herself.
Dewey runs down to get to Sidney, and sees Jill trying to kill her. Sidney is doing a great job as she is Awesome! Sid you rule! Jill does have an upper hand as she tries to hurt Sidney in her stab wounds. Dewey is trying to help, but gets knocked out by a bedpan. Gale and Deputy Judy also come in, but Jill stole Dewey’s gun and threatens killing Dewey to get Deputy Judy’s gun. After the gun is passed, she shoots Deputy Judy in the chest.
Victim #15
Jill is threatening all and planning on killing them but this is very stupid. She already framed Trevor and gave a statement. How is she going to explain the other dead bodies? Who can she pin the murder of Sidney, Gale, Deputy Judy, and Sheriff Dewey on. Not going to work.
Jill plans in killing Gale next, as Sidney’s wounds have reopened and she seems to be the lesser threat. She is about to when Sidney shocks her with the defibrillator.
So I strongly contemplated whether or not I wanted to include this in my Horrorfest. It isn’t really a horror film but more of a mystery thriller, even better defined as a film-noir. I really wanted to include it but, since it wasn’t a real “horror film” I wasn’t sure if I should. But then I had a moment of clarity.
This is my blog. I can do whatever I want!
So I decided I would.
So this actually started out as a play and then was turned into a novel. Otto Preminger saw it as the perfect thing to turn into a film. It is known to be one of the best Film-Noir films along with one of the best mystery-thriller films of all time. AFI ranked it #4 on their list of the 10 greatest mystery films.
This film is also famous for Gene Tierney’s portrayal of Laura. This helped give her title of “Film-Noir Queen”.
So anyways, on to the film.
So it starts off with New York City police Detective Mark McPherson (Dana Andrews).
He is investigating the death of the beautiful, successful, advertising executive Laura Hunt. Laura was murdered by a shotgun blast to the face.
Det. McPherson starts investigating and finds himself with multiple murder suspects and motives.
1) Waldo Lybecker
Waldo (Clifton Webb) is a famous columnist and he was the one who actually discovered Laura. She tried to get him to advertise something for him, and faster than you could say Pygmalion, he takes her under his wing and tries to change her and “improve” her.
“Waldo Lydecker: She was quick to seize upon anything that would improve her mind or her appearance. Laura had innate breeding, but she deferred to my judgment and taste. I selected a more attractive hairdress for her. I taught her what clothes were more becoming to her. Through me, she met everyone: The famous and the infamous. Her youth and beauty, her poise and charm of manner captivated them all. She had warmth, vitality. She had authentic magnetism. Wherever we went, she stood out. Men admired her; women envied her. She became as famous as Waldo Lydecker’s walking stick and his white carnation.”
But it goes a little more than that. Waldo becomes obsessed with Laura.
Yep. He is in love with her and wants to be the only man. Every time some other guy came around he would find a way to criticize them and demean them. The two broke it off, but Laura was very upset with him.
Laura started dating another guy, Shelby Carpenter. No matter what Waldo said, Laura wouldn’t listen to him. In fact she decided to marry him.
Noooooooooo!!!!!!!
Yep he was angry. Extremely upset about losing Laura to someone he thought was so unworthy? Angry enough to kill?
Hmm…
2) Shelby Carpenter
Shelby (played by Vincent Price) comes from great stock, has expensive tastes, and loves the high life. Only one problem, he has no money. None at all. Instead he has to use to his charms to court rich, older women and have them pay for his expenses. In fact he had found a real great giver in Ann Treadwell (Judith Anderson). That is until he met the very charismatic Laura. Not only is she the perfect cash cow to support him, but young and beautiful. Who could ask for anything more?
“Shelby Carpenter: I knew there was something on my mind. Ah yes, will you dine with me tomorrow night?
Laura Hunt: Yes.
Shelby Carpenter: No, it’s not that – it’s the next night. And what about three weeks from tonight? And all the nights in between?
Laura Hunt: Shelby, you talk as if I had no other engagements!
Shelby Carpenter: And two months from now? And the month after that?
Laura Hunt: What about next year?
Shelby Carpenter: Oh, that’s all settled. What about breakfast?
Laura Hunt: What about dancing?
Shelby Carpenter: What about lunch? Beautiful lunches, day after day after day?”
The two starting dating and she gave him a job, one of which he didn’t have to do too much work. The two become engaged and all is well.
Or is it?
It turns out that Laura wasn’t the only person Shelby was seeing. He was going around with a lot of poor models. Rumor has it that Laura found out and was not happy…could he have killed her? If she was about to leave him high and dry, he might have become incensed and murdered her?
3) Ann Treadwell
Ann Treadwell is the rich older aunt of Laura. She and Shelby had been in a relationship for a long time. She knew what he was, but that was what she wanted.
When he left her for Laura, she was furious that her niece stole him away. Furious enough to kill?
Sound suspicious
As Det. McPherson continues to delve into the clues and motives…he learns more and more about Laura. As he learns more and more he starts falling for Laura as well.
One night Det. McPherson is at Laura’s apartment looking at her painting and trying to figure out the mystery, along with Laura. Why does she draw him to her?
When suddenly somebody comes crashing through.
It’s Laura!!!
But wait…
But if that’s Laura? Who is…?
Who is the dead body?
They find out that the murdered girl is one of the models, Diane Redfern. The same model that Shelby was involved with.
Yep this leads Mark with another suspect…Laura
4) Laura Hunt
So we’ve heard how Laura rose from nothing to being the top girl. She was beautiful, smart, classy, etc. All women envined her and all men wanted her.
But then the guy she loves and is supposed to marry is running around with a model!!! Cheating on her!!!!
She knew Diane was in love with Shelby, and she knew Shelby only cared about her money. She knew Shelby was taking models to her house and she could have gone after them and shot her for trying to mess with her man.
Or she could be so angry at Shelby for cheating on him that she prepared a way to take care of him.
Instead of killing him, she could have killed Diane to make it look like Shelby and make him pay!
Does it seem too far-fetched? Well she wasn’t at the cabin when the cops looked that weekend. Her response “I was talking a walk.” She didn’t see the newspapers and come back saying she was alive? Or hear it on the radio? Her response: I don’t get a newspaper and my radio is broken.” Did anyone see you there? “Nobody”.
901)”Dr. Ross Jennings: Respect is fine, but actually I’ve always wanted to be feared.”–Arachnophobia (1990)
902)”Cathy Brenner: He [Mitch] has a client now who shot his wife in the head six times. Six times! Can you imagine it? I mean, even twice would be overdoing it, don’t you think?”–The Birds (1963)
903) “Brody: You’re gonna need a bigger boat.”–Jaws (1975)
904)”Madeleine: Here I was born, and there I died. It was only a moment for you; you took no notice.”–Vertigo (1958)
905)”Roger Thornhill: I didn’t realize you were an art collector. I thought you just collected corpses.”–North by Northwest (1959)
906)”Roderick Fitzgerald: [narration] They call them the haunted shores, these stretches of Devonshire and Cornwall and Ireland which rear up against the westward ocean. Mists gather here… and sea fog… and eerie stories…”–The Uninvited (1944)
907)”Prof. Gerald Deemer: The history of medicine is the history of the unusual.”–Tarantula (1955)
908)”Earl Bassett: Run for it? Running’s not a plan! Running’s what you do, once a plan fails!”–Tremors (1990)
909)”Steve Andrews: How do you get people to protect themselves from something they don’t believe in?”–The Blob (1959)
910)”Mary Shelley: It’s a perfect night for mystery and horror. The air itself is filled with monsters.”–The Bride of Frankenstein (1935)
911)”Harrison Hill: A very famous man once said that sincerity is everything. Once you learn to fake that, the rest is easy.”–Perfect Stranger (2007)
912) “Johnny: They’re coming to get you, Barbara.” –Night of the Living Dead (1968)
913)”Dr. Frankenstein: I am going to turn you into a mindless zombie. Have you ever seen a mindless zombie?
Alvin Seville: Are you kidding? I live in Hollywood!”–Alvin and the Chipmunks Meet Frankenstein (1999)
914)”Burt Robeson: I spy, with my lttle eye, something that starts with C.
Vicky: Corn.”–Children of the Corn (1984)
915)”Stephanie ‘Steve’ Clayton: You make it sound so creepy.
Dr. Matt Hastings: The unknown always is.”–Tarantula (1955)
1616)”Carl Denham: And now, ladies and gentlemen, before I tell you any more, I’m going to show you the greatest thing your eyes have ever beheld. He was a king and a god in the world he knew, but now he comes to civilization merely a captive- a show to gratify your curiosity. Ladies and gentlemen, look at Kong, the Eighth Wonder of the World.”–King Kong (1933)
917) “Ro: It’s a world where you *think* actions have no consequence, where guilt is cloaked by anonymity, where there are no fingerprints. An invisible universe filled with strangers, interconnected online and disconnected in life. It will steal your secrets, corrupt your dreams, and co-opt your identity. Because in this world, where you can be anything you want, any *one* you want, you just might lose sight of who you are.”–Perfect Stranger (2007)
918)”Fred Krueger: I’m your boyfriend now, Nancy.”–Nightmare on Elm Street (1984)
EW!
919) “Burt: Any religion without love and compassion is false! It’s a lie!”-Children of the Corn (1984)
920)”Debbie Jellinsky: I don’t wanna hurt anybody. I don’t enjoy hurting anybody. I don’t like guns, or bombs, or electric chairs. But sometimes people just won’t listen. And so, I have to use persuasion. And slides. [Showing slide pictures] My parents, Sharon and Dave. Generous, doting, or *were they*? All I ever wanted was a Ballerina Barbie. In her pretty pink tutu. My birthday. [the slide shows her as a child, smiling and opening a gift] I was 10, and do you know what they got me? *Malibu* Barbie.
Morticia: Malibu Barbie.
Gomez: The nightmare.
Morticia: The nerve.
Debbie Jellinsky: [flicks to the next slide of her throwing a bared-teeth temper tantrum] That’s not what I wanted! That’s not who I was. I was a *ballerina*, graceful, delicate! They had to go. [the next slide shot shows a burning house].
Bad things happen when you don’t listen
921)”The Monster: Alone: bad. Friend: good!”–The Bride of Frankenstein (1935)
922)”Dr. Jekyll: I have no soul. I’m beyond the pale. I’m one of the living dead!”–Dr. Jekyll and Mr. Hyde (1931)
923) “Alice: The boy. Is he dead, too?
Tierney: Who?
Alice: The boy. Jason.
Tierney: Jason?
Alice: In the lake, the one – the one who attacked me – the one who pulled me underneath the water.
Tierney: Ma’am, we didn’t find any boy.
Alice: But – then he’s still out there.”–Friday the 13th (1980)
924)”Hooper: I’m not going to waste my time arguing with a man who’s lining up to be a hot lunch.”–Jaws (1975)
925)”Walter Chang: Earl. Here’s some swiss cheese and some bullets.”–Tremors (1990)
926)”Morticia: Wednesday’s at that very special age when a girl has only one thing on her mind.
Ellen: Boys?
Wednesday: Homicide.”–The Addams’ Family Values (1993)
927)”The Monster: [Speaking to Frankenstein and Elizabeth] Go you live [turning to Dr.Pretorius] You stay we belong dead.”–The Bride of Frankenstein (1935)
928)”Simon: Aren’t you afraid this will rot your brain?
Alvin: Too late.”–Alvin and the Chipmunks Meet the Wolfman (2000)
929)”Quint: But it’s not gonna be pleasant. I value my neck a lot more than three thousand bucks, chief. I’ll find him for three, but I’ll catch him, and kill him, for ten. But you’ve gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don’t want no volunteers, I don’t want no mates, there’s just too many captains on this island. $10,000 for me by myself. For that you get the head, the tail, the whole d*** thing.”–Jaws (1975)
930)”Children: One, two, Freddy’s coming for you. Three, four, better lock your door. Five, six, grab your crucifix. Seven, eight, gonna stay up late. Nine, ten, never sleep again.”–Nightmare on Elm Street (1984)
931)”Police Lieutenant: Well, Denham, the airplanes got him.
Carl Denham: Oh no, it wasn’t the airplanes. It was beauty killed the beast.”–King Kong (1933)
932)”Morticia: [confronting Debbie in her house] You have gone too far. You have married Fester, you have destroyed his spirit, you have taken him from us. All that I could forgive. But Debbie…
Debbie Jellinsky: What?
Morticia: …pastels?”–The Addams’ Family Values (1993)
933)”Lucas: I can tell you something about this place. The boys around here call it “The Black Lagoon”; a paradise. Only they say nobody has ever come back to prove it.”–The Creature from the Black Lagoon (1954)
934)”Angela Dodson: I guess God has a plan for all of us.”–Constantine (2005)
935)”Brody: I used to hate the water…
Hooper: I can’t imagine why.”–Jaws (1975)
936)”Steve Karnes: I feel Admiral, what we’re facing is a marine animal of tremendous size and strength.
Admiral Summers: Do you mean to believe that a whale could’ve smashed through steel plates so high above the water line?
Steve Karnes: I didn’t say a whale.
Professor James Bickford: Behemoth?
Steve Karnes: That’s as good a name as any for now.”–The Giant Behemoth (1959)
1637)”Wednesday: [as an Pocahontas ad-libbing during a Thanksgiving play] Wait!
Amanda: What?
Wednesday: We cannot break bread with you.
Amanda: Huh? Becky, what’s going on?
Becky: [whispered] Wednesday!
Wednesday: You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, you will play golf, and enjoy hot hors d’oeuvres. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They have said, “Do not trust the Pilgrims, especially Sarah Miller.”
Amanda: Gary, she’s changing the words.
Wednesday: And for all these reasons I have decided to scalp you and burn your village to the ground.–The Addams’ Family Values (1993)
938)”Mr. Hyde: So, you’re the great Van Helsing.
Van Helsing: And you’re a deranged psychopath.
Mr. Hyde: We all have our little problems.”–Van Helsing (2004)
939)”Angela Dodson: Well, this has been real educational, but… I don’t believe in the devil.
John Constantine: You should. He believes in you.”–Constantine (2005)
940)”Hooper: Ha, ha – they’re all gonna die.”–Jaws (1975)
941) “Nancy: Whatever you do don’t fall asleep.”–Nightmare on Elm Street (1984)
942)”Burt: [about the Bible] What, did you rewrite the whole thing, or just the parts that don’t suit your needs?”–Children of the Corn (1984)
943)Frank Whemple: Had to! Science, you know. Well after we’d worked among her things, I felt as if I’d known her. But when we got the wrappings off, and I saw her face… you’ll think me silly, but I sort of fell in love with her.
Helen Grosvenor: Do you have to open graves to find girls to fall in love with?”–The Mummy (1932)
944)”Mr. Hyde: Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?”–Dr. Jekyll and Mr. Hyde (1931)
945)”Officer Burroughs: Jill, Jill. We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out! Jill?”–When a Stranger Calls (2006)
946)Anna Valerious: I think if you’re going to kill somebody, kill them! Don’t stand around talking about it!”–Van Helsing (2004)
947)”Bill: Sweetheart, you can’t buy the necessities of life with cookies.”–Edward Scissorhands (1990)
948)”Richard Hannay: Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story.
Annabella Smith: That’s exactly what it is.”–The 39 Steps (1935)
949″Jenny Williams: Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.”–The Wolf Man (1941)
950)”Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.
Voice of the Stranger: This isn’t Tiffany.”–When a Stranger Calls (2006)
Oh Crap!
951)”Van Helsing: My life… my job… my curse… is to vanquish evil.”–Van Helsing (2004)
952)”Mary Henry: It’s funny… the world is so different in the daylight. In the dark, your fantasies get so out of hand. But in the daylight everything falls back into place again.”–Carnival of Souls (1962)
953) “Tony Wendice: [to Mark] People don’t commit murder on credit.”–Dial “M” for Murder (1954)
954)Sheriff Watson: And this bullet stuck among the hymns, eh? Well, I’m not surprised Mr. Hannay. Some of those hymns are terrible hard to get through.”–The 39 Steps (1935)
955)”Hannibal Lecter: [on telephone] I do wish we could chat longer, but… I’m having an old friend for dinner. Bye.
Clarice Starling: Dr. Lecter?… Dr. Lecter?… Dr. Lecter?… Dr. Lecter?…”–The Silence of the Lambs (1991)
956)”Doctor Muller: Burn the scroll, man. Burn it! It was through you this horror came into existence.”–The Mummy (1932)
957)”Minister: You cannot live in isolation from the human race, you know.”–Carnival of Souls (1962)
958)”Morticia: [to Gomez] I’m just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.”–The Addams’ Family Values (1993)
959)”Steve Karnes: [solemnly] One thing is sure. Something has happened here that isn’t in the book. Something came out of the ocean and now has gone back into.”–The Giant Behemoth (1959)
960)”Sheriff Leigh Brackett: It’s Halloween, everyone’s entitled to one good scare.”–Halloween (1979)
961)”Hannibal Lecter: Well, Clarice – have the lambs stopped screaming?”–Silence of the Lambs (1991)
962)”Gomez: [to Fester] You’ll meet someone. Someone very special. Someone who won’t press charges.”–The Addams’ Family (1993)
963)”Tom Trevethan: From the sea… burning, like fire!
John: What was it?
Tom Trevethan: Behemoth!”–The Giant Behemoth (1959)
964)”Verden Fell: The eyes, they confound me. There’s a blankness, a mindless sort of malice in some Egyptian. They do not readily yield up the mystery.”–The Tomb of Ligeia (1964)
965)”Don Nicholas Medina: You will die in agony. Die!”–The Pit and the Pendulum (1961)
966)”Chip Douglas: You know what the trouble about real life is? There’s no danger music.”–The Cable Guy (1996)
967)”Debbie Jellinsky: [meeting Gomez] Isn’t he a lady killer!
Gomez: Acquitted.”–The Addams’ Family Values (1993)
968)”Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.”–The Wolf Man (1941)
969)”Fred Wilson: Lights! Camera! Kong!”–King Kong (1976)
970)”Hannibal Lecter: A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti.”-Silence of the Lambs (1991)
971)” Morticia: My baby is ill, and my husband is dying. Oh Mama, what shall I do?
Grandma: Well, you have a black dress.”–The Addams’ Family Values (1993)
972) “R: [voice-over, introducing M] This is my best friend. By best friend, I mean we occasionally grunt and stare awkwardly at each other. We even have almost conversations sometimes.”–Warm Bodies (2013)
973)”Doctor Lloyd: I believe a man lost in the mazes of his own mind may imagine that he’s anything.”–The Wolf Man (1941)
974)”Beni: [after a shipwreck] Hey, O’Connell! It looks to me like I’ve got all the horses!
Rick: Hey, Beni! Looks to me like you’re on the wrong side of the river!”–The Mummy (1999)
975)”Jame “Buffalo Bill” Gumb: It rubs the lotion on its skin or else it gets the hose again.”–Silence of the Lambs (1991)
976)”Gomez: [at the police station after asking to arrest Debbie. *Shouting*] Has the planet gone mad? My brother, passion’s hostage. I seek justice – denied! I shall not submit! I shall conquer! I shall rise! My name is Gomez Addams, and I have seen evil! [Grandma waves Pubert in the air] I have seen horror! [Lurch waves]I have seen the unholy maggots which feast in the dark recesses of the human soul!
Morticia: They’re at camp.
Gomez: I have seen all this, officer. But until today, I had never seen… *you*!
Desk sergeant: Hook him, book him, cook him. *Now*!
978)”Sir John Talbot: You policemen are always in such a hurry. As if dead men didn’t have all eternity.”–The Wolf Man (1941)
979)”Evelyn: [Upon opening the tomb] I’ve dreamt about this since I was a little girl.
Rick: You dream about dead guys?”–The Mummy (1999)
980)”Evelyn: No harm ever came from opening a chest
Rick: Yeah, right, and no harm ever came from reading a book. You remember how that one went?”–The Mummy Returns (2001)
981)”Debbie Jellinsky: My first husband, the heart surgeon. All day long, coronaries, transplants.
Grandma: What about your needs?
Debbie Jellinsky: “Sorry about dinner, Deb. The Pope has a cold.” [the next slide shows a shadow of an axe on the wall heading towards the Surgeon]
Grandma: An axe! That takes me back.”–The Addams’ Family (1993)
982)”R: [voice-over] Don’t be creepy. Don’t be creepy. Don’t be creepy.”–Warm Bodies (2013)
983)”Larry Talbot: It isn’t a wolf… it’s a werewolf!”–The Wolf Man (1941)
84)”Mort: [voiceover] ‘I know I can do it,’ Todd Downey said, helping himself to another ear of corn from the steaming bowl. ‘I’m sure that in time, every bit of her will be gone and her death will be a mystery… even to me.”–Secret Window (2004)
985)”Evelyn: Look, I… I may not be an explorer, or an adventurer, or a treasure-seeker, or a gunfighter, Mr. O’Connell, but I am proud of what I am.
Rick: And what is that?
Evelyn: I… am a librarian.”–The Mummy (1999)
986)”Rick: [witnessing Imhotep’s resurrection] You know, a couple of years ago, this would have seemed really strange to me.”–The Mummy Returns (2001)
987)”Debbie Jellinsky: Husband number two. The senator. He loved his state, he loved his country!
Grandma: What about Debbie?
Debbie Jellinsky: “Sorry Debbie, no Mercedes this year. We have to set an example.” Oh yeah? Set this![the next slide shows car headlights heading towards the Senator in panic]”–The Addams’ Family (1993)
988)”Rick: Are you sure you want to be playing around with this thing?
Evelyn: It’s just a book. No harm ever came from reading a book.”–The Mummy (1999)
89)”Mort: You know, the only thing that matters is the ending. It’s the most important part of the story, the ending. And this one… is very good. This one’s perfect.”–Secret Window (2004)
990)”R: [voice-over] They call these guys Bonies. They don’t bother us much, but they’ll eat anything with a heartbeat. I mean, I will too, but at least I’m conflicted about it.”–Warm Bodies (2013)
991)”Ardeth Bay: There is a fine line between coincidence and fate.”–The Mummy Returns (2001)
992)”Debbie Jellinsky: But with your looks, your charm… women must follow you everywhere!
Uncle Fester: Store detectives.”–Addams’ Family Values (1993)
993)”Dorian Gray: If only it was the picture who was to grow old, and I remain young. There’s nothing in the world I wouldn’t give for that. Yes, I would give even my soul for it.”–The Picture of Dorian Gray (1945)
Ivan Le Lorraine Albright’s famous painting of the decayed Dorian Gray – which took approximately one year to complete – is now owned by the Art Institute of Chicago, where it has been on display for many years.
994)”Mort: I don’t respond well to intimidation. Makes me feel *icky*.”–Secret Window (2004)
95)”Norville ‘Shaggy’ Rogers: [as two female zombies approach him and Scooby-Doo] Like… we’re not looking for any ghoul-friends, are we, Scooby?”–Scooby-Doo on Zombie Island (1998)
996)”John Proctor: Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them you have hanged! How may I live without my name? I have given you my soul; leave me my name!”–The Crucible (1996)
997)”Rick: I only gamble with my life, never my money.”–The Mummy (1999)
998)”Ardeth Bay: If a man does not embrace his past, he has no future.”–The Mummy Returns (2001)
999)”Morticia: Children, do you think we love the baby more than we love you?
Wednesday, Pugsley: Yes.
Morticia: Do you think that when a new baby arrives, one of the other children has to die?
Wednesday, Pugsley: Yes.
Grandma: Well, that’s just not true. [sighs] Not anymore.”–The Addams’ Family Values (1993)
100)”Daphne Blake: What I need is a real, live ghost.
Velma Dinkley: That’s an oxymoron, Daph.”–Scooby-Doo on Zombie Island (1998)
So this Horrorfest, I am going to be doing something a little different. We are going to have “Screamtastic Saturdays”. Every Saturday in October going to be on a different Scream movie. So let’s kick it off with:
What’s your favorite scary movie?
*Spolier Alert*
So I really loved this movie. I have to say that Wes Craven as one of the horror kings totally tanked on Nightmare on Elm Street. This was by far, much better. One of the coolest things about this film is that it is a parody of horror films, while still being its own horror film.
So the beginning starts off with Drew Barrymore cooking popcorn and preparing for a fun night in watching scary movies with her boyfriend. Just like When A Stranger Calls, she receives a strange phone call and is at first into it, thinking it is just a joke.
However, it slowly turns as the caller threatens Casey that he is going to kill her and her boyfriend.
But she has a chance at being saved, all she has to do is answer who was the killer in Friday the 13th.
“Phone Voice: Name the killer in Friday the 13th.
Casey: Jason! Jason! Jason!
Phone Voice: I’m sorry. That’s the wrong answer!
Casey: No, it’s not. No it’s not. It was Jason.
Phone Voice: Afraid not. No way.
Casey: Listen, it was Jason! I saw that movie 20 g******* times!
Phone Voice: Then you should know that Jason’s mother, Mrs. Voorhees was the original killer. Jason didn’t show up until the sequel. I’m afraid that was a wrong answer.
Casey: [Weeping] You tricked me.
Phone Voice: Lucky for you there’s a bonus round, but poor Steve… I’m afraid he’s OUT!”
So Steve is murdered and Casey runs throughout the house trying to get away from the killer. Of which she doesn’t make it out and finds herself victim #1.
And thus the body count begins…
So the killing of Drew Barrymore holds two significant things. One, she was one the most famous actress in the film, and was killed first. This was supposed to be a homage to Alfred Hitchcock’s Psycho (1960), in which the most famous actress of the film, Janet Leigh, was only in the movie for a short while before she was killed. This was also supposed to be a parody of Craven’s film Nightmare on Elm Street, when the first character we meet, Tina (played by Amanda Wyss),is killed. Craven also had his character Casey wear white just like Tina in Nightmare on Elm Street.
The next day, the town Woodsboro is just ravanged by reporters who are eager to find out more about this murder, especially since it occurred almost exactly a year after their little town experienced a murder just as gruesome. The murder of Maureen Prescott by Cotton Weary.
Meanwhile, Sidney Prescott (Neve Campbell) is trying to cope with everything that is going on.
She is having a really hard time with the anniversary of her mother’s death. When she hears about the murders and sees the reporters it brings the mess of the past year back to her. The memories just come flooding back.
AAAAAAAAAAAAAAAAAHHHH!!!!!!!!!!!
One of her other big issues is her boyfriend Billy Loomis.
Okay, I just have to go off on a tangent here: Billy is sooooooooooooo creepy looking. When I first saw this I was like he is toooootally the killer. I mean LOOK AT HIM! He has killer written alllll over him. Those eyes, they are super frigtening. And the way he talks? He tells Sidney that he was watching Silence of the Lambs and that made him think of her and want to come over and get funky. What a freak!
(BTW it is another Psycho reference. Billy Loomis is a homage to Sam Loomis, Marion Crane’s boyfriend in Psycho; and Dr. Sam Loomis in Halloween.)
Anyways, so the two have been having issues since Sidney’s mom died. She was so traumatized by the event that she has isolated herself and found it hard to let anyone in again. Her best friend Tatum is cool with it as she understands she needs time to grieve, but Billy has been having a hard time backtracking from third base to the benches. Ladies, let me just say that if any guy ever tries to pressure into having sex when you aren’t ready, junk punch him and run away. You don’t need that loser in your life.
That day her father has to go out of town, leaving Sidney all alone in a big house.
Yep, gonna make When a Stranger Calls references all night.
She makes plans to meet up with Tatum and stay at her place, but falls asleep. Tatum is late picking her up as her cheerleading practice went way over. While Sidney is waiting she gets a phone call from the killer who starts harassing her. And she stupidly calls throughout the house trying to find him.
“Sidney Prescott: Can you see me right now? Ah, okay. [puts a finger in her nose] What am I doing? Huh? Huh? What am I doing? Hello? [takes finger out] Nice try, Randy. Tell Tatum to hurry up, okay? Bye now.
Ghostface: IF YOU HANG UP ON ME, YOU’LL DIE JUST LIKE YOUR MOTHER! Do you want to die, Sidney? Your mother sure didn’t.
Sidney Prescott: F*** you, you cretin!”
Soon the killer comes in her house and she has to run away from him and try to get the police there. Billy shows up, climbing through her window. Sidney sees that he has a cellphone and freaks out, having the police cart him away.
So there are a couple places that were filmed in Santa Rosa, CA. One was the bathroom scene in which Sidney is attacked, the other is Tatum’s house which is right across the street from the house used in Pollyanna (1960). It is also across the street from the house used in Alfred Hitchcock’s Shadow of a Doubt (1943). The house in the opening scene was next door to the house used in Cujo (1983).
Sidney spends the night at Tatum’s house and the next day is completely crazy. Billy was released as they had nothing to hold him. And they still are unable to find her father as he never checked into his hotel. Plus Gale Weathers, a reporter who has been harassing her for a year, and all the other reporters are driving her crazy!
“Gale: There she is! Sidney, hi, what happened? Are you alright?
Tatum: She’s not answering any questions alright. Just leave us alone.
Sidney Prescott: No, no Tatum it’s OK. She’s just doing her job, right Gale?
Gale: That’s right.
Sidney Prescott: So how’s the book?
Gale: Oh it’ll be out later this year.
Sidney Prescott: Oh, I’ll look for it.
Gale: I’ll send you a copy.
[Sidney turns around a punches Gale in the face]”
Also at the school we have a little Wes Craven easter egg, as he dresses up as a janitor in a Freddy Krueger sweater.
So the principal decides to suspend school until further notice as it is just too risky for the students. After they all have left, he finds himself joining the body count as well, victim #2.
The death of the principal was actually added to the film late into production. Bob Weinstein noticed there were 30 pgs in the script were nobody died and they decided that they needed another victim.
AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!
Billy’s friend Stu decides to throw a party and have all the kids in school come. I don’t understand why anyone’s parents would allow their kids to go out like that with A FREAKIN’ KILLER ON THE LOOSE. Come on people, Parent!!
At the party, the kids are chillin’, drinking beer, watching horror films, etc. Billy and Sidney go upstairs and talk, resulting in the two having sex.
Meanwhile downstairs everyone is chillin’ while Tatum goes off to the garage to get more beer. The scene in the garage is the only weak link in the film. First of all when Tatum walks over to the garage door and it almost closes on her, that would never happen. My dad is a contractor and I remeber when I was a kid I thought the garage would close on me too. However, they design garage doors specfically to not do that. In fact they have a certain radius that if someone was to walk within that radius the door would stop. And come on she IS IN A FREAKIN’ GARAGE!!! Do you know how many weapons there are in that thing? She passes over a hoe, rake, and a shovel! You see all kinds of tools throughout their fight too. She could easly find something to attack him and win. Although I do have to give props to Wes for allowing Tatum to to put up such a great fight.
Victim #3
Back in the living room, Randy is giving a rundown on how to survive a horror film, (* are the rules that are given by the killer).
You will not survive if you have sex
You will not survive if you do drugs or drinks
You will not survive if you say “I’ll be right back.”
Everyone is a suspect
*You will not survive if you ask “Who’s there.”*
*You will not survive if you go out to investigate a strange noise*
While all this is going on, Gale and Tatum’s brother Officer Dewey, have been spying on the party. Gale has snuck a camera into the party, so that she can view everything from her van. She and Dewey both take a break though, “walking off” together where they come upon Sidney’s father’s abandoned car.
Everyone back at the party gets the news that the principal is dead and had been strung up on the football field. Almost everyone leaves; with just Randy, Sidney, Billy, Stu, and Gale’s cameraman Kenny (in the van) staying behind .The killer comes out and starts attacking.
One of the best scenes is the scene where a drunk Randy is telling Jamie Lee Curtis in Halloween to turn around while the killer is behind him. He constantly repeats, “Jamie, turn around. Turn around, Jamie!” as the killer is slowly creeping up behind him. The actor who plays Randy is also named Jamie (Jamie Kennedy) and the killer was currently behind him. This is also the only scene in which the killer is actually one of the actors. Skeet Ulrich had asked specifically if he could wear the costume for one scene.
So Kenny and Dewey fall victim to his knife.
Victim #4&5
After Sidney and Billy are done having sex and have placed their clothes back on the killer charges in and stabs Billy. Sidney manages to run away and finds Tatum’s body.
As she continues running away she ends up getting in the way of Gale who was fleeing the killer from her van. Gale swerves to miss Sidney and crashes, getting knocked out. Sidney goes back to the house, taking the gun from the dying Dewey. She runs into Randy and Stu and is unsure who is the killer. She then runs into a wounded Billy and gives him the gun. Billy immediately shoots Randy and stands up.
Yep, Billy isn’t injured at all. In fact, it was all a ploy he is the real killer.
Billy: Corn Syrup, just like in the real movies.
Yep, the whole time Billy and Stu have been the killers. From Sidney’s mom to everyone else.
“Sidney Prescott: Why? Why did you kill my mother?
Billy: Why? WHY! You hear that Stu? I think she wants a motive. Well I don’t really believe in motives Sid, I mean did Norman Bates have a motive?
Stu: No.
Billy: Did we ever find out why Hannibal Lecter like to eat people? DON’T THINK SO! See it’s a lot more scarier when there’s no motive, Sid. We did your Mom a favor, Sid. That woman was a slut-bag whore who flashed her s*** all over town like she was Sharon Stone or somethin’.
Stu: Yeah, we put her out of her misery, ’cause let’s face Sidney, your mother was no Sharon Stone,hmm?
Billy: Is that motive enough for you? How about this? Your slut mother was f****** my father and she’s the reason my mom moved out and abandoned me. [Sid looks astonished] How’s that for a motive? Maternal abandonment causes serious deviant behaviour. It certainly f***** you up. It made you have sex with a psychopath.”
Yep, and not only that the planned the whole thing out so that her father would take the blame, make it look like he had a mental breakdown on the anniversary of his wife’s death and started killing people. They had kidnapped him and bring him out for their final act. Billy and Stu planned that attack on Sidney to make any second arrest look false and questionable.
Of course their plan will not be complete until they make themselves look like victims. Stu stabs Billy, and Billy stabs Stu. While the two are monologing and arguing they have seemed to forget one important thing.
Sidney and her father have disappeared.
“Stu: S***…
Billy: What?
Stu: Oh, s***.
Billy: [They go into the kitchen to find Sidney and Mr. Prescott gone] Where are they? Where are they?
Stu: I don’t know, Billy, but I’m hurtin’, man!
Yep, just like they say in Dial M for Murder (1954), you can never plan the perfect murder. What sounds good on paper can never transfer to real life, because in real life there are just too many things that can go wrong.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
So here Stu and Billy find themselves completely off script, and unsure…
[the phone rings]
Stu: Should I let the machine get it?
Billy: [answers it] Hello?
Sidney Prescott: Are you alone in the house?
Billy: B****! You b****, where the f*** are you?
Sidney Prescott: Not so fast, we’re going to play a little game. It’s called: Guess who just called the police and reported your sorry motherf******* a**!
[Stu is slowly collapsing to the floor]
Billy: Find her, you dips***! Get up!
Stu: I can’t, Billy. You already cut me too deep. I think I’m dying here, man!
Billy: [Billy gives Stu the phone] Talk to her. Talk to her.
Stu: Hello?
Sidney Prescott: Ah, Stu, Stu, Stu… What’s your motive? Billy’s got one. The police are on their way. What are you going to tell them?
Stu: Peer pressure. I’m far too sensitive.
Billy:[Billy takes the phone back] I’m going to rip you up, b****, just like your f****** mother!
Sidney Prescott: You’ve gotta find me first, you pansy-a** momma’s boy!”
Now the game of cat and mouse has changed with the hunted becoming the hunters.
In the end Gale, Sidney, Dewey, Mr. Prescott, and Randy survive.
So that was Scream one of the best horror-parodies ever made. For more fun check out Scream in 30 sec with bunnies. And How It Should Have Ended
This film really brought back the slasher genre, as after this slasher remakes and slasher film numbers escalated. It also brought up the debate on whether or not violence in movies affected people and caused them to become more violent? The most important thing is that this film increased the use of caller ID and made such phone harassment much harder. Although not for me.
The other thing I realized in this film is that I am soooooo Randy.
I also realized that just like The Cable Guy, I’m only a few steps away from the crazy.
Well, that’s Scream. Tune in next Saturday for Scream 2.
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![Oh Crap! [Note: Pic from When a Stranger Calls not Phantoms]](https://janeaustenrunsmylife.files.wordpress.com/2014/04/unknown1.jpeg)
