I Call A Do-Over

28) Something You Regret

So one thing that I regret…I try not to dwell too much on the past and wish for do-overs. After all we only have one life:

But if I had to pick one thing…hmmm…I know just what it is. Time to go back to 2009!

So when I was in high school I did theater. Yep, I was  theater geek.

I did musicals and plays. It was a lot of fun and taught me a lot of skills for public speaking and presenting. If only employers appreciated it.

So one play I was in, a made a BIG mistake. In fact it is one thing I regret and wish I could do-over.

So I’ve done a post in the past on how I have had some guys like me who I don’t like. Most of them were a bit creepy in the fact that they were extremely clingy and always trying to be next to me.

Now I had one guy who was my friend, but like we found out in When Harry Met Sally that’s a hard thing to do, and he liked me. I wasn’t interested in him as we were too similar in our personalities. It would have turned out very bad.

So we both tried out for the school play, as we both enjoyed the theater, and won some of the lead roles.

The only problem? Our characters were in a relationship.

So as our characters were together, Patrick, my friend, started to blend fiction with reality and started thinking we were together.

Just kidding. He wasn’t that intense.

Anyways, he started acting really possessive. He  started to treat it like we were together; trying to plan out dates and didn’t like me talking to other guys. This started to make me really mad.

This made me very upset. I didn’t like the way he was treating me, so I did the only thing I could think of. I spoke to the director.

I told him what was happening and asked him if he could speak to him on it. Tell him he noticed that he was taking the play a little bit farther then he should. I told him I needed help because it was making so uncomfortable and hurting my ability to perform well. He said he would talk to him.

I was so happy that everything would work out. The next day however, I the director told me that he decided not to say anything as he thought anything he said would harm Patrick’s performance.

I was so upset. And I continued to be uncomfortable. Unfortunately, this really hurt my acting as my scenes with him weren’t as good as they should have been.

I just couldn’t add to his fantasy that we were “really together”, when we weren’t.

I wasn’t horrible, as lucky for me our characters, while in a relationship, were having some problems.  So I was okay…

But not fantastic like I could have been. In fact, that director was so mad at me, that he never worked with me again.

Now I am more mature and to able deal with such an issue, I realize that I was actually the whiner in this. If I could do it again I would do it much differently. I would have just ignored his attentions, and continued acting well.

But unfortunately I was a teenager, and we all know that teenagers do not have the best common sense.

Oh, well. It was a mistake, but we just have to move on and learn from it.

To start the 30 Day Challenge from the beginning, go to Musical Madness

For more stories from my life, go to Winner, Winner, Chicken Dinner

The Perfect Murder: Dial “M” for Murder (1954)

Do you really believe in the perfect murder? Mmm, yes, absolutely.

So after years of his absence from my Horrorfest countdowns, I have finally included Alfred Hitchcock in not one, not two, but three posts.

Alfred Hitchcock is my favorite director. He was influential in creating new ways of filming psychological thrillers, he is often credited for creating the true horror genre/slasher film with Psycho (1960), and was just a pure cinematic genius. He is just amazing.

Dial “M” For Murder is one of his highly known films (although not as known as Vertigo or Psycho). It has been referenced or parodied in countless films and TV shows. In the ’90s they even remade the film under the title A Perfect Murder. It starred Michael Douglas, Gwyneth Paltrow, and Viggo Mortenson; but it wasn’t nearly as good.

This film also started Hitchcock’s filming relationship with Grace Kelly. This film was crucial in her career as it made her stand out not only to Alfred Hitchcock but other directors as well, a huge step to becoming a permanent leading lady. After this film she starred in Hitchcock’s Rear Window and To Catch a Thief. Hitchcock was impressed with her ideas and thoughts on the script in how a woman would act (especially regarding clothing), that after this film he allowed her to make all her own wardrobe decisions. She, like Audrey Hepburn,  quickly became known for her style and class. But that wasn’t the only thing that Hitchcock found attractive, he really liked her and fell for her; but she wouldn’t give him the time of day, (romantically that is). (For more information on Hitchcock and his leading ladies, I strongly suggest the book Spellbound by Beauty by Donald Spoto. It’s an amazing read!) And sadly she had to retire from acting at an early age as she married the Prince of Monaco. However short a career, it was an amazing one.

This film also reunited Hitchcock and Robert Cummings, who had starred in an earlier film, Saboteur (1942).  In this film Cummings plays an important role, but a smaller one than his earlier collaboration.

This film is also the only Hitchcock film to ever be shot in 3-D. In the 1950s, 3-D was super popular, so popular that some people came up with the idea of Smell-O-Vision to beat it (I’m serious!). Hitchcock didn’t want to shoot in 3-D, but until the late 1960s, studios had a lot more pull and Warner Bros. wanted it. Hitchcock obliged, although it did cause a few issues for him as he had to rework his known style to incorporate what 3-D was able to accomplish at the time.

So the film is based on the play of the same name Frederick Knott, and he also helped write the screenplay. It is set in England and as  you can guess from the poster, the phone plays a huge role in this film as well. That really seems to be a theme this month. I swear that wasn’t planned.

Oops!

Well here we go!

So before I start the film, let me give you the background on the characters. Now as you watch the film things are revealed to you, but it’s easier for me to give them at the start.

So we have a couple, Tony Wendice (Ray Milland) and his wife Margot (Grace Kelly). Tony was a huge tennis star and met Margot when he was competing. She comes from a very wealthy family. The two were married and Margot convinced him to give up competing as she didn’t like him being away. He complied and now sells sports equipment. However, as he no longer is the dashing tennis star, she lost interest in him and had an affair with Mark Halliday (Robert Cummings) an American Crime writer.

As the film starts out we have Margot and Mark in a very cozy embrace.

“Margot Mary Wendice: Let me get you another drink. Mark, before Tony comes I ought to explain something.

Mark Halliday: Yes, I’ve been waiting for that.

Margot Mary Wendice: I haven’t told him anything about us.”

Margot tells Mark that she burned all his letters, except one. That one was stolen by a blackmailer who demanded payment, but he never picked up the money or returned the letter. She is worried that her husband will find out.

Mark has a completely different reaction to the news.

He wants them to tell Tony all about the affair so that Margot can get a divorce and the two can marry. Margot doesn’t want to as “she feels bad” about hurting “Tony’s feelings”.

Now I’m no expert, but if the person doesn’t want to break up the relationship, it seems to me that they want, to quote an old cliché, “have their cake and eat it too.” I think Margot likes the respectability of her marriage and doesn’t want the divorce scandel, but at the same time is heavily intrigued by Mark. And who can blame her? Robert Cummings is a looker.

Photo from Saboteur

That night Tony is introduced to Mark, him being Margot’s “friend”. The two discuss Mark’s profession.

Tony Wendice: How do you go about writing a detective story?

Mark Halliday: Well, you forget detection and concentrate on crime. Crime’s the thing. And then you imagine you’re going to steal something or murder somebody.

Tony Wendice: Oh, is that how you do it? It’s interesting.

Mark Halliday: Yes, I usually put myself in the criminal’s shoes and then I keep asking myself, uh, what do I do next?

Margot Mary Wendice: Do you really believe in the perfect murder?

Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.

Tony Wendice: Oh? Why not?

Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.

Tony Wendice: Hmm.

Mark Halliday: No, I’m afraid my murders would be something like my bridge: I’d make some stupid mistake and never realize it until I found everybody was looking at me.”

Tony invites Mark to join him for a tennis party, and Mark agrees. Its all men, so Margot will be staying home. After a bit more pleasantries Margot and Mark leave to go out “as friends” to a theatre show that Tony didn’t want to see, while Tony stays home to “work” on some stuff.

After they leave, he calls up an old friend. Swann (going by the name Captain Lesgate) from his old Cambridge days. He brings him there under false pretenses of wanting to purchase a vehicle from him. He then tells Swann that he wants him to murder his wife.

“Tony Wendice: One thousand pounds in cash.

C.A. Swann: For a murder?

Tony Wendice: For a few minutes work, that’s all it is. And no risk, I guarantee.”

Tony then goes on to tell Swann a story.

Tony only married Margot for her money, and it really injures his pride to see her cheating on him and tossing him over like an old shoe. He followed her one day and discovered the affair.

He wanted to kill Mark.

He then moved to the idea of murdering his wife. But things changed…

“Tony Wendice: It’s funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn’t seen something that changed my mind.

C.A. Swann: Well? What did you see?

Tony Wendice: I saw you.”

Back in the day, Swann was always getting into trouble for all kinds of stuff, and it struck Tony that he could commit the perfect murder. He then began extensive planning. He has been collecting £1000 over the year, under the guise of racetrack betting, etc.; compiling the money for such a purpose.

He even went to great lengths to get one of the letters from Mark and pretended to blackmail her. With Mark back in town he has set up the whole scenario on how to murder her even planning to use Mark as an alibi, as being the husband he will be the first suspect. All he needs is someone to do it for him. He has a lot of information on Swann’s background (as he has been tracking him) and uses it to blackmail him into completing his murderous plot. And he has to do it tomorrow.

He reveals his perfect plan.

“Tony Wendice: At exactly three minutes to eleven, you’ll enter the house through the street door. You’ll find the key to this door under the stair carpet here.

C.A. Swann: The fifth step?

Tony Wendice: That’s the one. Go straight to the window, and hide behind the curtains. At exactly eleven o’clock, I shall go to the telephone in the hotel to call my boss. I shall dial the wrong number. This number. That’s all I shall do.”

His wife will answer the phone, and then Swann can strangle her and leave through the french windows.

Swann agrees to the plot as he feels he has no other choice in the matter. Tony is estatic as everything seems to be going along perfectly.

But then things start falling apart. Margot doesn’t want to stay home. She is thinking of going out to dinner and seeing a movie. Mark thinks it’s a great idea but Tony convinces her to stay home.

“Margot Mary Wendice: Don’t make me stay home. You know how I hate doing nothing.

Tony Wendice: Doing nothing? Why there are hundreds of things you can do. Have you written to Peggy, thanking her for the weekend? And what about those clippings? It’s an ideal opportunity.

Margot Mary Wendice: Well I like that. You two go gallivanting while I stay home and do those boring clippings.”

Before Tony leaves, he stills Margot’s key from her bag and puts it in the marked hiding place. Keeping his key in his pocket, he and Mark leave for the party.

Back at the home, Margot has been working hard on her scrapbooking. She eventually goes to bed, putting everything away…at least almost everything. She actually forgets the scissors and leaves them by the phone.

That night everything starts being put into motion. Swann enters the place the same way that Tony planned it out. He leaves the key under the stair and hides behind the curtains waiting for the phone.

However, back at the party, things aren’t quite going as planned.

Stupid, stupid

Tony’s watch stops and he has to ask for the time, finding out that it is actually past 11:00.

He hurries to the pay phone and makes the call, hoping that everything else goes accordingly. Margot gets up to answer the phone. As she is talking, Swann reaches out to strangle her.

But instead of overpowering her like he’s supposed to, Margot ends up getting him. As the two are struggling, she reaches for something…anything to stop him. She ends up grabbing the scissors and stabbing him with them, completely killing him.

Margot is a mess and is freakin’ out. I can’t blame her, someone is trying to murder you and you kill them.

Tony tells her to touch nothing and wait for him. He’s on his way over.

As he heads over Tony freaks out. His plans have failed. But then something comes to him. A new plan, a way to fix things.

He decides to make it look like Swann was blackmailing Margot and that she murdered him rather than self-defense. He calls the police and sends Margot to bed. He then plants Mark’s letter in Swann’s coat, takes the key and puts it back in Margot’s handbag, and burns the scarf that Swann was going to use, replacing it with Margot’s stocking. He then tells Margot to make sure she doesn’t tell the police that he told her not to call the police. He’s worried how it might make her look. However, Tony is plotting very well, and the police begin to strongly suspect her.

Hmm…

The police figure out that Swann did not come through the French Windows. He must have come through the hall, as it rained the night before. If he had come through the garden there would be muddy footprints. Inspector Hubbard (John Williams) strongly suspects Margot and believes her to be the killer. We cut to a scene showing Margot on trial amd sentenced to be hanged.

Except thing are not quite perfect.  There are quite a few things Tony didn’t plan. One of which was getting rid of the money. As Tony mentioned, he’s been drawing a lot of money out of his bank every week, pretending to spend it on racehorses. He had planned to give it to Swann, but now is at a loss. He can’t put it back in the bank as there would be too many questions. He can’t keep it, if the police find it, it’s all over for him.

So he tries to spend it all. Unbeknowest to him, the police are watching him very carefully. And they notice this.

Months later, on the night before Margot’s execution,  Mark comes to speak to Tony. He tells him that instead of letting Margot die, he should say that he tried to murder her. That he hired Swann. This will give him some jail time but save Margot’s life. Tony does not want to do that.

Inspector Hubbard comes back to the flat to question Tony some more about the money he’s been spending. Mark hears this and starts searching, finding the briefcase full of money.

Tony thinks of a lie quickly and says that this was the money Margot had to give to Swann, but then changed her mind and killed him. The Inspector listens and takes his comment as fact…or does he?

Hmm…

Now, if Tony was really smart he would have made up a different lie. I would have said that I realized there was nothing between me and Margot and was planning on leaving her. However, I knew that I wouldn’t get much money in the divorce (he signed a prenup), so I’ve been taking some money out, bit by bit. When the murder happened, I knew it would come to light and was afraid that it might put me in a bad light or under suspicion. I mean its not the perfect excuse, but at least it shows he wasn’t going to kill her as why remove money when he was planning on getting it all. But he doesn’t think that way.

This makes the inspector highly suspicious of Tony and he steals the key from Margot’s purse, intent on sneaking in and investigating.

Hold on, that is illegal. He doesn’t have a search warrant or permission to be searching the house. Anything he finds will be immaterial and thrown out of court. I looked it up and  this is what it said:

By the laws of England, every invasion of private property, be it ever so minute, is a trespass.No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.

So technically, anything he finds can not be used in a court of law. That’s it, Tony is allowed to go free.

But of course this is a movie, and things go differently. Inspector Hubble discovers that the key in the purse does not work on the front door. He instead finds it under the stair carpet. This gives him the great idea of creating a little trick to discover if Tony is the true killer.

The Inspector visits Tony and steals his raincoat, leaving his own, therefore taking Tony’s key. He calls the station and asks them to release Margot. She immediately returns home, but finds out that her key won’t work. Hubbard watches her and discovers that she does not know the key is under the stairs. The Inspector let’s her in and gets a policeman to take the bag back to the station. They then begin to wait for Tony.

Tony comes home from his errands and finds that he can’t get inside. His coat belongs to Inspector Hubble and he has the wrong key. When Tony discovers his key doesn’t fit, he goes down to the station to get Margot’s bag. When that key doesn’t fit, he looks under under the stairs and finds the key, giving himself away.

Tony enters and figures out they caught him. Being the gentleman he is, he doesn’t fight them. He knows when he has been defeated.

Tony Wendice: [pouring a drink] As you said Mark, it might work out on paper, but congratulations, Inspector. Oh, by the way… How about you, Margot?

Margot Mary Wendice: Yes, I could do with something.

Tony Wendice: Mark?

Mark Halliday: So could I.

Tony Wendice: I suppose you’re still on duty, Inspector.

It;s a great movie, despite the small legality issue, but otherwise an amazing film. I definitely recommend it.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to What Have We Done to Each Other?

For more on Dial “M” for Murder, go to Part X: The Movie List That Would Not Die

For more on Alfred Hitchcock, go to The Past of a Man

For more on blackmail, go to Secrets are Great, Unless You Get Caught

For more films based on a play, go to Murder is My Favorite Crime

What Have We Done to Each Other?: Gone Girl (2014)

What are you thinking? What are you feeling? What have we done to each other? What will we do?

So I am just stating here and now that I will not reveal the end of this movie. It is a great piece of work, with an amazing twist that you must see or read (the book) for yourself. Since it is still out in theaters I do not want to ruin anything for the potential viewer. That being said:

So the book this film is based on came out in 2012 and I was really intrigued by it. I added it to my to-read list and planned on getting around to it. But you readers know how that is.

So yeah, I hadn’t gotten around to it. However, that all changed this summer. I told you in a previous post that I journeyed out to Wyoming for an internship. There wasn’t a lot to do in the town, and the other interns and I mostly hung out on the weekends. We talked about what there was to do, which was mostly reading or netflixing. (I don’t have netflix so I Amazon Instant Watch or putlocker things). Anyways, one of the interns, Gwen, hadn’t brought anything with her and was asking about where to purchase books. I had brought my kindle and was fine (until it broke). I told her the library was out as I had found out to get a card I would have to pay $20.

Then I remembered! There was a bookstore in town called “The Newstand“. But shortly after we arrived it went out of business.

Yep. I think the only place left in town you could to get books were the Walgreens or the Walmart. They had two thrift stores in town, one was only clothes, the other furniture. It was very different from anyplace I’d lived before.

Anyways, so one week Gwen starts talking about this book she just bought (I don’t know where. Now that I think about it, I’m not sure I ever asked her.) She told us it was Gone Girl. Immediately I was intrigued as I had really wanted to borrow it. I asked for the book and finished it in one day. It was that good.

The book is a mystery/suspense/horror. The way it is told is really interesting as it goes back and forth between the present and the past. In the present Nick Dunne’s is trying to figure out and cope with his wife Amy’s disappearance. The past is revealed to us through Amy’s journal, as she details the everything prior to her disappearance. It was an interesting book as it has the same unsettling qualities as Catcher in the Rye or Alias Grace. In Catcher in the Rye, the main character, Holden Caulfield, admits to the reader that he is a liar, leaving one unsure of what in the book is real, and what is a child’s fantasy. Margaret Atwood, author of Alias Grace, does a similar thing in her novel. There are no quotations marks put around the dialogue, leaving the reader very uncertain as to what was said and what was only in the character’s minds. Just like Holden,  Grace Marks leaves us wondering if she is really telling the truth?

Gone Girl isn’t exactly written that way, but it does have some similarities. With Nick, he is described as being somewhat of an a***hole (his word not mine) and having a face that makes himself always look as if he is lying. He is too good looking and charming that you don’t want to trust him (the characters joke that his chin causes you to not trust him.) As you read his accounts you start wondering if there is more than he is telling the reader. You feel as if he is hiding something from you, even though it is told in first person. It makes you wonder what is he hiding? What are his secrets?

And then you have Amy. Everything we hear is from what she wrote in a journal. But is it the truth? After all a journal is where you release your emotions. Sometimes you exaggerate or write things down that you would never do, just because it helps destress you. As I mentioned before it is a release. Besides that you don’t write everything down in a journal. After all, that is a lot of work. Most of the time you write down the things that made you upset or happy; never giving the whole picture but a moment. Just a moment. It’s selective in memory. So that begs the question: how much of it can we take as fact? How much is fiction?

So one day I was at the movie theater watching Expendables III. The film finished and I contemplated sneaking in to see another film, but unfortunately the theater I was at was very small (four screens) and the ticket seller and I had had an actual conversation, so he would remember me. Along with that, my “California-ness” showed very strongly as everyone told that I looked very “different” from Wyoming girls.

Yeah I don’t understand it either

So instead I called a cab for a ride home and waited around until it came. As I was waiting, I started watching the screen that showed trailers for upcoming films. I saw one for The Equalizer, but it didn’t really strike me as a “must-see”. After that the trailer for Gone Girl came up.

I didn’t even know that they were turning the book into a film!!! Fantastic!!! Then I saw the cast list. As you know from an earlier post, I love Ben Affleck. I knew he would be a perfect Nick. Rosamund Pike was great as Jane in Pride and Prejudice (2005) and I was interested to see how she would do this role. I thought Neil Patrick Harris was a great choice as Amy’s ex, as everything I have ever seen him in he has conquered. The only thing I was unsure about was Tyler Perry. But to be honest, any time I see him not playing Madea, it’s a little strange. Anyways, I became excited for the film and couldn’t wait to see it.

And as I mentioned before it was pretty incredible.

Take note Hollywood

What was great about the film was that they followed the book pretty consistently. There are a few changes, but not enough to make you want to string up the director by his thumbs. On a whole the changes didn’t really hurt the film at all. I thought it was amazing how they handled the flashbacks, narrations, and journal entries. I would definitely read the book along with the movie as it has more detail and little things that can’t transfer over to film. I do give one warning though. If you want to be surprised DO NOT READ THE BOOK. The book has this amazing twist, about halfway through, and a killer end. It was a great shock when you read it, but not so much the second time encountering it on the screen. I mean you already know it, so while the rest of the audience is oohing and ahhing over it, you’re just chilling there thinking, knew it.

So if you truly, truly want to be surprised. I would wait to read the book until after seeing the film.

So I’m just going to do a partial review, as I really, really don’t want to spoil too much for anybody.

Nick Dunne

It is the day of the Dunne’s five-year anniversary. And Nick is not very happy.

You see life hasn’t been a bed of roses for the Dunnes. Nick is from a little town; North Carthage, Missouri. He went to college and moved to New York, and began writing for a magazine. He met Amy at a party and the two later married…but bliss did not last long. He lost his job due to downsizing as the economy tanked. His father is crazy and in a home where he constantly escapes from. And his mother was diagnosed with breast cancer. Immediately, hearing the news of his mother, he and Amy move back to his hometown much to her displeasure.

Now the relationship was already strained, but after moving to Missouri it becomes much worse. Amy is a New Yorker born and bred and doesn’t do well with places that are not New York.

That particular morning, Nick heads over to the bar that he bought with his twin sister Margot, and the two contemplate what would be a good anniversary present. 5 years is wood, “and there’s nothing good from that.” When Nick heads home, he receives the biggest shock of his life.

His house is a mess and his wife is missing.

He can’t find her and doesn’t know where she might be. He calls the police and later, her parents. They team up and begin commercials, signs, news reports, trying to find Amy. Ben Affleck did an amazing job at this role.

But some people don’t think that he’s quite so innocent. Some suspect he might have killed her. Things become espechially sticky when they discover the broken in area was staged, and a lot of blood was spilled and then cleaned up afterwards. Did he have something to do with his wife’s disappearance? Did he kill her? Is he innocent? If he is innocent, than what happened to her? Where can she be?

Amy Dunne

We are first introduced to Amy through her journal. Amy is the daughter of authors. Her parents wrote the best-selling series called Amazing Amy. Their main character is perfect and excels at every hobby. Especially things that Amy has failed at. Amy resents the books, but they have made her famous and a major spot in the limelight.

Amy is beautiful, charming, witty, etc. The “perfect” woman.

She writes personality quizzes for magazines for a living. I know some of you out there might think that’s a bit strange, but let’s face it…she has a major trust fund. She meets Nick at a “writer” party one night, and after that the two are hooked. They get married and have a few great years, but things start going downhill once Nick loses his job. He becomes someone that she doesn’t know.

She hates Missouri. Nick thrives, but it makes her feel like she is choking. Then things in the marriage start to get even worse…Or does it? Is Nick really as cruel as Amy paints him? Or are the writings in the journal just the exaggerations of an unhappy, displaced person?

Did Amy leave by her own choice? Or was she taken by force? But most importantly, where is Amy?

The supporting characters are just as great as Affleck and Pike. Carrie Coon is perfect as Margot as she is really able to capture twin sister needling brother, and being supremely protective of him. Kim Dickens is an amazing Detective Rhonda Boney, the homicide officer assigned to the case. She seems all midwestern, laid-back, easygoing, charm; but she has a real brain in her head and is highly observant. Neil Patrick Harris steals scenes, as he plays Desi Collings, Amy’s ex and possible kidnapper. And then we have Tyler Perry, rounding out the cast as Tanner Bolt. I never would have picked him for the part as he is radically different, but he does a great job as being one of those shark lawyers after the big-name cases.

And is has an awesome twist that I will not reveal as you all should definitely watch/read for yourself.

Where is Amy? What Happened to Her? Visit Your Local Theater to Find Out.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to There’s Nothing Out There. Nothing in the Mist

For more on Ben Affleck, go to What is This Thing?

For more on films based on books, go to You’re Gonna Need a Bigger Boat

For more twist endings, go to Don’t F*** With the Original

For more book-filled posts, go to I Was Here For A Moment. And Then I Was Gone

For more of my favorite quotes, go to Part X: The Movie List That Would Not Die

There’s Nothing Out There. Nothing in the Mist: The Mist (2007)

David, there’s nothing out there. Nothing in the mist.

So The Mist was an okay movie. I thought it was doing really good and totally creepy until the end. The end was totally screwed up as the director had to go and change the story. What a loser!

So this is based on a story by Stephen King. And I know y’all know that a Horrorfest would not be complete without one. It is also not a complete rip-off of The Fog (the new or old film), as everyone thinks it is. There are quite a lot similarities, but they are extremely different in the motive and what the “monster” that is attacking is. In the different versions of The Fog, the creatures are it is supernatural, while in The Mist…well, you’ll see.

So the film starts the day after a huge thunderstorm has hit a little town (of course) in Maine (the usual). A thick, unnatural mist starts to descend on the town, and at first they don’t realize that something far more sinister is lurking within it.

So, that day David Drayton (Thomas Jane), a graphic artist, decides to go to the local grocery store to buy supplies, bringing his eight-year-old son, Billy (Nathan Gamble), and his neighbor, Brent Norton (Andre Braugher) along. You know, just a normal average day.

So while they are at the store, another storm comes and hits the the town. This time it severely engulfs the area in a thick mist. (Whenever I bike to work early in the morning I always think about this movie and The Fog.)

They do notice something very strange. It seems as if there is a plethora of military roaming about the area.

That’s strange

When they get to the supermarket, they find it packed with people stocking up. A military policeman, goes after the soldiers in the supermarket, telling them to pack it up as their leave is over and they need to head out. Everything is normal until a local townsperson runs into the store covered in blood.

He begins screaming that there is something out there in the mist, killing and attacking people. People go to look out the windows to see what is out there, but the mist is so thick that they are unable to spot anything.

Several people rush, out and everyone hears their screams…then nothing.

The decide to seal the doors in order to keep “everything” out. One woman is worried about her children and decides to risk trying to go home. She asks for someone to accompany her, but no one volunteers.

She leaves and we never see her again.

So as you can guess, just like Night of the Living Dead, this film becomes more of a survivor story/deconstruction of humanity than an actual monster movie. You have a group of people trying to survive in a confinied area and while some rise to the challenge, others do not. This film has all the usual Stephen King clichés, like an deeply religious psychotic person who wants to kill/punish all who tries to control every one.

Of course

It couldn’t be a Stephen King film without it.

At one point the group tries to go check on their clogged generator. A couple men go to open the loading dock door to see what the issue is when large tentacles come reaching out and kill them.

This is just the beginning in monster attacks, as they face giant insect, pterodactyl -like creatures, and many more.

In a raid for medicine vis-à-vis The Day After Tomorrow, they run into the military supervisor from earlier hanging from a gigantic spider web. He tells them to question the men in the store for the true backstory of the mist.

In the end it turns out that military are to blame as they opened a portal to another world.

Yes. In an ending as disappointing as Indiana Jones and the Crystal Skull aliens just leaving. (Although the worse is yet to come.)

Eventually the section of the group that is run by the psychotic women, has increased that it outnumbers the other group lead by David. As she tries to get Billy to be a sacrificed, David’s team decides to leave, risking the unknown.

They are able to score a car and the group drive as far as the SUV will take them. They take stock of their options and decide it is better to end their lives, rather than be torn apart by whatever the things are. David shoots everybody in the car, including his son. Right before he turns the gun on himself, a military tank comes charging through proclaiming that they have defeated the monsters.

Yes. Yes. He has just killed his child and everyone when he didn’t need to.

Now I could forgive everything else. The stupid plotholes, the crazy clichés, the other dimension monsters, ANYTHING; but that ending? Really? Really? It’s just dumb.

Duh!

Did you guys have to that? It is so horrible! First of all as he murdered his child when he didn’t need to. And secondly, it is extremely anti-climatic! I mean come on, it would have been so much better if they just had them driving off, no one knowing what will happen to them or whether they will survive. You know, like how it ended in the book?!

Yep you guys really messed up there.

See Hook agrees with me.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Past of a Man

For more on Stephen King, go to He Who Walks Behind the Rows

For more films based on books, go to You’re Gonna Need a Bigger Boat

For more quotes, go to Part X: The Movie List That Would Not Die

All I Know About Trilogies is That in the Third One, All Bets are Off: Scream 3 (2000)

What do you know about trilogies? You mean like movie trilogies…Well, all I know about trilogies is that in the third one, all bets are off.

So welcome to another Scream-tastic Saturday! (For the previous Saturdays, go to Scream and Scream 2)

Yep the third installment in this now trilogy, Scream 3.

While this was a great horror parody, it wasn’t my favorite of the three. I thought it was okay, as it had Patrick Dempsey, but didn’t like how it was missing one of the best characters: Randy.

So this one is a complete throw out of left field, as it is the third film. This time we have the secret backstory that changes all that was ever given to us in the first two.

In fact Wes Craven actually filmed three different endings and didn’t tell the cast which one he was going to use. It was one big surprise.

Scream 3 takes place three years after Scream 2. If you recall from Scream 2, Cotton Weary is exonerated and Sidney agreed to do that interview with him. Well, that really helped as now Cotton hosts his own nationally syndicated talk show, called 100% Cotton.

That’s really the name they went with? I know its catchy, but it sounds more like an underwear commercial than a real show.

Anyways, back to the plot. He gets a phone call that starts out benign, but then quickly turns deadly.

Cotton Weary: Who’s this?

Female Caller: Who’s this?

Cotton Weary: Who are you calling?

Female Caller: Oh, you know what, I’ve got the wrong number.

Cotton Weary: That’s okay.

Female Caller: Wait, your voice. You sound a lot like that guy on TV, uh, Cotton Weary.

Cotton Weary: I do huh?

Female Caller: Yeah, I think he’s got a really sexy voice.

Cotton Weary: [laughs] Okay, well, thank you.

Female Caller: Wait a minute. You are Cotton, aren’t you? Oh my God, I am talking to Cotton Weary.

Cotton Weary: [laugh] You caught me. Listen can you hold on for a minute? I got someone on the other line.

Female Caller: Yeah…

Cotton Weary: Hold on.

Cotton Weary: [switches to car phone] Andrea, I got someone on the other line. I’ll have to call you back [switches back to cell phone] So… you a 100% Cotton fan?

Female Caller: Yeah, 110%.

Cotton Weary: [chuckle] That’s very good. So, uh… Why don’t you tell me your name?

Female Caller: Ooh, you’re a naughty boy, Cotton. Now, what would your girlfriend think?

Cotton Weary: What makes you think I have a girlfriend?

Phone Voice: [click] I know you do. I’m right outside her bathroom door. She’s in the shower. She’s got a nice little… voice. Let’s go in for a closer look. Ooh, she’s very, very pretty, Cotton. A step up from Maureen Prescott. Speaking of which, let’s play a game. Answer right, your girlfriend lives, answer wrong she dies. Where’s Maureen’s daughter, Sidney?

Cotton Weary: Who the f*** is this?

Phone Voice: Someone who would kill to know where Sidney Prescott is. You’ve got connections. One chance, Cotton. Where is she?

Cotton Weary: Listen to me, you son of a b****, if you touch Christine, I’ll f****** kill you.

Phone Voice: Wrong answer! [click; dead line]

LOL Cotton and Cotton 100% Cotton

Cotton rushes home to try and reach his girlfriend.

Now Christine the girlfriend is pretty stupid. She doesn’t lock her bathroom when she takes a shower? Who does that? Everyone does!

Ren Stevens: What? Honey, you’re chased by six mutants, and you just decided to take a shower?

Pretty much she gets killed, Psycho-style.

Making her

Victim #1

Ghostface attacks!

Cotton is soon to follow.

Victim #2

Now that begs the question, where is Sidney? What happened to her?

So Sidney had a major breakdown and faced a lot of changes since the last film. Let’s review. She had a killer target her again. She thought it might be her boyfriend. She watched her best friend die. She watched her boyfriend die. Someone who she thought was her friend, turned out to be a “sleeper agent” and tried to murder her. She almost died.

Yeah…that’s a lot to deal with a lot.

In fact, so much to deal with that Sidney has moved very, very far away to a secluded spot and only a handful have an idea of where she is. What she does for a living is work with a suicide prevention hotline. She gets one call a day. Today’s call isn’t the usual…its THE caller.

When a Stranger Calls

She hears about what happened to Cotton and realizes, it’s happening again.

Currently in Hollywood they are creating another Stab film, Stab 3, based on the true events of Scream 2. Cotton was one of the producers, so the cops have been checking it out. One cop is Mark Kincaid, played by Patrick Dempsey. In fact just like Mark Wahlberg in The Lovely Bones, Dempsey was hired the night before and had to figure the character out without any real ideas of the script. Anyways, Kincaid has been using Gale Weathers for background info as they found a photo of Sidney’s mother Maureen at the crime scene. Gale journeys out to Hollywood and when she gets there she discovers Dewey is there. Yep, the two broke up as Dewey didn’t like how she treats people. He is working as a consultant for the film, and dating the actress playing Gale Weathers that looks just like her, Jennifer Jolie.

 Meanwhile on the set of Stab 3, one of the blond bimbos enters an office looking for someone and gets murdered.

Victim #3

Yep, this killer wastes very little time as later at Jennifer Jolie’s house her bodyguard gets a phone call and is murdered by ghostface.

Victim #4

The bodies are just dropping like flies. I wasn’t going to post this, but I feel like I can’t go any farther as this song is running through my brain nonstop.

To add to the intensity of this particular Ghostface is that he then blows up Jennifer Jolie’s house

The killer tries to attack Gale, but Dewey saves her by shooting at him.

Meanwhile, Sidney’s back. The attacks and calls encouraged her to come back and help find the killer. She and Mark clash at first a bit.

Sidney: What do you know about trilogies?

Mark: You mean like movie trilogies?

Sidney: You seem to like movies, Detective.

Mark: Call me “Mark”, will you? ‘Cause I’m gonna keep calling you Sidney.

Sidney: I’ll call you “Mark” when you catch the killer, Detective.

Mark: Well, all I know about trilogies is that in the third one, all bets are off.

Sidney: Did you request this case?

Mark: No. They tend to put me on the ones that deal with the business. I grew up here and I know my way around the studios.

Sidney: Must be exciting. Beautiful place, beautiful people.

Mark: To me, Hollywood is about death.

Sidney: Excuse me?

Mark: I’m a homicide cop. When you see what I see day in and day out, the violence that people do to each other, you get haunted. I think you know about that.

Sidney: What do you mean?

Mark: I know what it’s like to see ghosts that don’t go away, to be watching a scary movie in your head, whether you want to or not, watching it alone.

Sidney: Ghosts are tough. You can’t shoot ghosts.

Mark: Can’t arrest ghosts. But the trick to keep from getting haunted is to be with people. You’re here, you’re not in hiding. You’ve done the right thing… Miss Prescott. What did you know about your Mother?

Sidney: I always thought I had the perfect Mom, the perfect family until I found out I was wrong. She had a secret life and I tried to understand that. And… soon as I thought… then I had more secrets. I don’t know who my Mom was.

Mark: You knew who she was to you. Here’s the deal: I’m off to search the set. I think that what you saw is real. That’s the good news.

Sidney: How’s that good news?

Mark: Because it means that we are dealing with a flesh and blood killer, and I know how to handle guys like that.

Sidney: Oh, yeah. How?

Mark: Catch him or kill him.

Sidney: Hey, Detective? What’s your favorite scary movie?

Mark: My life.

Sidney: Mine, too.”

And that brings up a very interesting concept. What are the rules for a trilogy? How should we do this? Last time we had Randy to lead us, but now what are we going to do? Poor Randy! Best character ever! Oh, Randy! Randy nooooooooo!

Noooooooooo!!!!!!!

So what Craven decided to do is to bring Randy into the film via video recording.

That’s how you gonna do it? That’s it? That’s really it?

 

The original idea was to have Randy survive the stabbing in Scream 2, his family having rescued him secretly. This was ultimately deemed to be too far-fetched so Randy was resurrected via a post-mortem video appearance instead. They knew they had to bring him back as the fans loved him. In fact Wes Craven got a ton of hate mail for killing off Randy, and thought this would appease the fans. Yeah you dunderheads, you made a big mistake.

Well you know what would have been an even better idea? NOT KILLING HIM!!!!!!!!

So here we go. Rules for a trilogy.

So Gale is eager to do some investigative reporting and finds herself being followed by Jennifer Jolie. Jolie wants to really “get into” her role. Great for Jolie, bad for Gale.

Ugh

I’m sure she would rather be punched in the face by Sidney.

So they go down to the archives and we have the funniest scene in the whole film.

Sidney also gets attacked by the killer.

She gets away and goes down to police headquarters to make a statement. At this point in time Sidney discovers that Mark Kincaid has a lot of newspaper clips and info on her. It creeps her out and makes her wonder whether or not he is the killer.

But it turns out her story and survival had intrigued him and he fell for her. Just like Det. Lt. Mark McPherson in Laura (1944). Which causes this earlier statement to make a lot more sense.

“Mark: I’m gonna talk to the studio guys about those photos.

Detective Wallace: Yeah right, I know where you’re going.

Mark: Yeah keep an eye on Sidney.

Detective Wallace: I know where you’re going, you’re gonna get her some flowers and candy, right? Huh?

Mark: Gimme a break!”

The main producer of the film, John Milton, invites everyone over for a cast party at his house. Unfortunately, they have been dragged to that house for one reason alone, the killer is going to kill them all!

Time to prepare yourself.

Sidney in the parlor with a candlestick

Now this is where the bodies really start hitting the floor.

Dewey and Gale discover the film’s director, Roman, stuffed in a chest.

Victim #5

Angeline, an actress, runs off and is murdered.

Victim #6

Then Tyson (another actor)

Victim #7

And Jennifer

Victim #8

The killer then attacks Gale and Dewey, knocking them out and tying them up. In a surprising twist, Ghostface doesn’t murder them but uses them to bait Sidney to the house.

Sidney shoots him, but he ends up escaping. Kincaid comes in to save the day, but gets knocked out by the killer. The killer then chases Sidney and reveals himself to be Roman.

Yep he had faked his own death. Now you may be wondering why would a famous film director want to murder Sidney Prescott? Well it turns out that he is Maureen’s illegitimate son.

This is actually radically different than any of the other Scream films. All the others have two killers; Scream-Billy & Stu, Scream 2-Mrs. Loomis & Mickey, Scream 4 had two but I won’t reveal until next week. Now the reason that this film had only one was that it was supposed to be the last film. That is until Wes got greedy and made the atrocity Scream 4 which I will review next week.

So know not only do we have the villain monologue, but the big reveal.

Phone Voice: You’re not going anywhere Sidney. It’s time you came to terms with me, and with mother. Maybe you never knew her at all Sidney… maybe you just can’t get past the surface of things.

Sidney: Who the hell are you?

Phone Voice: The other half of you. I searched for a mother too, an actress named “Reena Reynolds” tried to find her my whole LIFE, and four years ago I actually tracked her down. Knocked at her door thinking she’d welcome me with open arms, but she had a new life and a new name, Maureen Prescott! You were the only child she claimed Sidney. She shut me out into the cold forever! Her own son [takes off mask to reveal he is Roman Bridger] Roman Bridger, director, and brother. She slammed the door in my face, Sid. She said I was “Reena’s” child and Reena was dead… and then it struck me. What a good idea, so I watched her. I made a little movie, a little family film. Seems Maureen…”Mom”… she really got around. I mean Cotton was one thing; everybody knew about that. But Billy’s father – that was the key. Your boyfriend didn’t like seeing his daddy in my film too much. He didn’t like it at all. And once I supplied the motivation… all the kid needed was a few pointers. Have a partner to sell out incase you got caught, find someone to frame, it was like he was making a movie.

Sidney: You… this is all because of you.

Roman: I’m a director Sid, I direct.

Sidney: Ah.

Roman: I had no idea, that they were gonna make a film of their own. I mean intoducing Sidney the victim, Sidney the survivor, SIDNEY THE STAR!

He also reveals that John the producer raped Maureen, and Roman was their child. He kills John for revenge, bringing the body count to

Victim #8

Sidney is just tired of this.

Tired of hearing another killer blaming the circumstances of their life on her. Sidney berates Roman who gets angered enough to attack her leading to a fight. Roman manages to gain the upper hand but a distraction by Kincaid allows Sidney to grab his knife. He takes Kincaid’s gun and shoots her.

Noooooooooo!!!!!!!

However, it turns out that she is wearing a bulletproof vest. She uses the knife and stabs him several times in the back and heart. Dewey takes his gun and shoots him several times, making sure he gets in a headshot.

The four-Gale, Dewey, Kincaid, and Sidney head out to her secluded mountain home. There Dewey proposes to Gale, by carving out her book and placing the ring inside. Now I know this is “romantic”, but to me it sounds horrible. You just destroyed a book!

Noooooooooo!!!!!!!

Sidney also starts a relationship with Kincaid, and it ends on a happy note. At last it is all over.

That is until this horrible thing comes up:

Well that was Scream 3. Tune in next week for the final chapter.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to Tuesday the 17th

For more on the Scream Franchise, check out It’s Happening Again, Isn’t It?

For more trilogies, go to Life Finds a Way

For more on serial killers, go to You Think You Know Something, Don’t You?

For more horror parodies, go to A Deliciously Creepy Tale

For more on slasher films, go to Hello? Is There a Killer in My Kitchen?

For more on Patrick Dempsey, go to I Don’t Dance or Sing, Except When I’m With You

For more on Wes Craven, go to What’s Your Favorite Scary Movie?

For more on Whitesnake, go to Here I Go Again

For more of my fav songs, go to Rock You Like a Hurricane