And another thing Mr. Chick Young! The next time I tell you that I saw something when I saw it, you believe me that I saw it!
I had never seen this movie before and decided to rent it after looking over my Wolf Man (1941) review. I thought it was hilarious!
I highly recommend it to anyone.
So this film was done during a time of a series of monster films, along with Abbott and Costello films. I’m not sure who came up with the “meeting” idea, but it was a fantastic one.
It’s funny, the other day I was watching the Nostalgia Critic‘s review of Freddy Vs. Jason, and he cited that that film created the Versus series we see today. I would have to disagree with him and say this is probably the first “versus” film, with Dracula versus the Wolf Man. It was a great comedy, horror film, parody, a multi-genre crossover.
I’m actually not going to do a big review as it is really something you have to watch. The script is hilarious:
Chick Young: People pay McDougal cash to come in here and get scared.
Wilbur Grey: I’m cheatin’ him. I’m gettin’ scared for nothin’.
The sight gags are perfect:
And you have both Bela Lugosi reprising his role as Dracula and Lon Chaney Jr. reprising the Wolf Man.
The only thing I don’t like is the title. I mean they meet Frankenstein’s monster but he is hardly even in the film. It really should be Abbott and Costello Meet Dracula or Abbott and Costello Meet the Wolf Man as both of those characters play a much larger role.
So the film starts off with Wilbur Gray (Lou Costello) and Chick Young (Bud Abbott) working as package delivery men. Wilbur is currently dating a beautiful woman, Sondra and has plans the next night to go to a masquerade ball.
Too bad they didn’t put the Phantom in here too.
Later that day he gets a call from Lawrence Talbot (Lon Chaney Jr.), AKA the Wolf Man, warning him not to deliver packages to Dr McDougol’s House of Horrors. But the full moon comes out, turning him into a werewolf and Wilbur doesn’t get the full message.
That night Wilbur and Chick are delivering the packages, and it turns out to be Dracula (Bela Lugosi)
and Frankenstein’s monster (Glenn Strange).
They are freed; both taking off as Dracula wants to give the monster a new brain, a dumber one, to control it better. He has enlisted the help of Dr. Sondra Mornay, the same Sondra who is dating Wilbur. Yes, it turns out she is only with him as his brain is the one she wants to use in the operation.
Meanwhile, Wilbur and Chick have been put in jail as McDougal holds them responsible for the missing exhibits, believing they stole them. They are bailed out by Joan Raymond, private investigator, who doesn’t believe they are responsible. She has also fallen in love with Wilbur.
So now Wilbur has two beautiful girls after him, Frankenstein’s monster, Dracula trying to get his brain, and the Wolf Man trying to get his help/also attack them when Lawrence turns into the beast.
It is hilarious fun and there is a great scene at the ends when Dracula and the Wolf Man duke it out.
And don’t forget to keep your ears peeled for a Vincent Price cameo!
My friend found this film months ago on Youtube and thought it was just hilarious. She knew I loved ’80s films and horror and sent the link to me. Unfortunately, the video had been taken down.
However, the other day a friend of hers found a copy of it, so we were able to watch it. Now this film is a horror-comedy, Com-Ror, but at the same time being a parody of those teen films from the ’50s, like I Was a Teenage Werewolf, etc.
Originally the screen writer wanted Michael J. Fox to star in the film, but the director, Samuel Goldwyn Jr. thought he wouldn’t be able to carry a theatrical film of this scale.
By the time this film came out, Fox had already starred in Teen Wolf and Back to the Future, both making far more money then this film and cementing Fox’s stardom.
But we aren’t here to talk about those films, we are going to talk about this one.
The Countess (Lauren Hutton) is nearing her 400th birthday. In her mansion resides: one from early 18th century England, a french sailor, a confederate from the Civil War, her butler and chauffeur from the 1880s, a WWI pilot, a 1960s flower child, and a set of twins. Every so many years she needs virgin blood to keep her young and beautiful. Three times and the one she has bitten will become a vampire too. That time has come again, but she and her minions are having trouble finding a virgin in 1985 Hollywood.
Countess: How many days left till Halloween, Sebastian?
Sebastian: Oh, a little more than a week, Countess. I told you not to worry.
Countess: Not to worry? How amusing. But then you’re not the one who needs to have the virgin blood of a young man not once, but three times before All Hallows Eve. Not to worry? Being a vampire in the 20th century is a nightmare!
She ponders on what to do, but Sebastian reassures her, they will find a virgin.
So we are introduce to 18-year-old Mark Kendell (Jim Carrey) and his girlfriend Robin, who live near Hollywood, CA. Mark really wants to have sex, but Robin isn’t ready to do it yet. She wants to wait. Mark is feeling extremely frustrated as he feels as if he is only one who is a virgin.
I mean come on dude, your best buds haven’t had sex yet and neither has your girlfriend. That’s four right there and there are probably a lot more.
Anyways, so Mark goes to see his friends at the burger joint they work, and these two dudes are quite the crew. One believes he is God’s gift to women and continuously uses the stupidest line to try and pick up women, thinking it will work.
Russ: Hi. I’m Russ, and I’m a Sagittarius. I enjoy surfing, candlelit dinners, and Tolstoy. Listen: I’m a mature person and you’re a mature person, so why don’t we just skip all the bullshit, get rid of our inhibitions, and DO what we really wanna DO?
The other, Jamie, is Eeyore in human form; always pessimistic and believing the sky is falling.
So he goes to his friends and complains about the relationship, Russ telling him that Robin is never going to do it and he should just move on.
What a jerk
Russ then suggests they go find some women to loose their virginity to. They decide to head out to Hollywood and see if they can find some. When I think of Jim Carrey in Hollywood, one film comes to mind…
But I digress, so the group heads to a club called Phone a Date. You pick a table, phone one of the other tables by the numbers assigned to them, and ask to come on over. It actually is kind of a cute idea.
As long as the person on the other end isn’t a serial killer or creep.
So boys try it out: with Russ first getting a transvestite, then getting rejected, and finally someone calling Mark over. By this time the boys are extremely hammered, having consumed 4 beers each. When Mark walks over, the woman is the Countess.
She gives him champagne and starts coming on to him, but Mark isn’t really interested in going home with her. He pretty much is out of it, actually. Meanwhile, his friends have two older ladies who are interested in them. They start talking and having fun, when one of the ladies’ husband comes, yells at the boys, and then starts shooting the club up.
Mark freaks out, and the Countess convinces him to come with her, taking him up to her mansion. Meanwhile, the guy is arrested and the friends are taken off too.
Back at the house, the Countess gives Mark even more champagne. She goes upstairs to get ready, and comes back prepared to feast!
After he is bitten, Mark passes out. The next day he is awakened by Sebastian and the Countess. Mark leaves and promises that he will call and the two can meet up again sometime, but has no real plans to see her anymore. He has a girlfriend, and he is happy to finally lost his virginity.
But he feels really weird. He starts eating raw meat, even though he’s only loved well-done food. He also can’t remember a thing that’s happened.
His friends ask him what happened and he tells them in the crowded quad, right where his girlfriend is.
She of course become angry with him for cheating on her and breaks up with him.
Robin Pierce: Oh Mark, I can’t believe you’re going to throw away our relationship on a one-night stand with a chauffeur and a butler and a slut who eats buttons! But you did. You really did! [takes ring off her finger] You can have your d*** ring back!
Mark Kendall: What am I supposed to do with it?
Robin Pierce: Use your imagination!
Mark’s weird behavior continues as he wants to sleep in trunks, looks pale, wears sunglasses all the time, and just acts vampireish.
He starts having these strange dreams where the Countess is in, but he doesn’t want her. He doesn’t call her like he said he would but tries to get back with Robin.
Robin accepts his apology and everything is all right again.
That night Mark and his friends head downtown. Russ and Jamie try again to pick up on women, but it doesn’t turn out well. Russ hits on a dominatrix and Jamie…well I don’t know what he said but it sure wasn’t good.
Mark goes to Robin’s work and picks out some clothes to try on, black of course.
Black is best
While he is in the dressing room, who should appear but the Countess. Mark tries to get rid of her as he isn’t interested, but she won’t take no for an answer. She bites him again. This film actually reminds me of Fatal Attraction, as the morals of both stories: Don’t cheat in a relationship and don’t try to have a one night stand.
So Mark passes out and Robin takes him home. The next day he is acting even stranger. He looks more like a Vampire, can barely tolerate light, wears only black, drinks blood, etc. Then when he tries to sell some ice-cream, he…
Mark becomes extremely worried, and goes to the nearby Catholic Church to ask for help. Unfortunately, a drunkard steps into the confessional and tell him he’s screwed.
Mark is continuously haunted by the Countess and starts to really become frightened with the idea that he might become a vampire.
I really liked the dream sequence as it was reminiscent of Dracula (1931).
Soon it will be Halloween but as it falls on a weekend, they are having a pre-Halloween party.
Mark and Robin were supposed to go as Jack and Jill, but Mark couldn’t get the costume so he dressed like he normally does. But everyone thinks he is a vampire.
While Robin and Mark are dancing, the Countess comes in and tries to control Mark into going with her. But Robin doesn’t like people messing with her man.
And this resorts in one of the best scenes, a dance-off.
Afterwards, Mark has a bit of a freakout and takes off, Robin chasing after him. She tries to calm him down. His reflection disappears and Mark tells Robin everything. Robin is weirded out, but when she doesn’t see his reflections, she starts to believe it. So she heads out to do some research.
She finds out that in order to know if he has been bitten by a female vampire, all you need to do is check the inner thigh for a bite mark. So of course she asks Mark and finds out that yes, he has been bit.
Instead she asks his friends to find out for her, to look at him. They don’t want to but she guilt trips them into doing it, telling them that if they are really his friends they would look.
Why not ask?
So they ask Mark.
Instead they try to look at him in the shower, resulting…well I guess I didn’t have to say it, you know it won’t turn out well.
Mark Kendall: What was that scene in the shower all about?
Russ: That’s the thanks I get for trying to help out a friend?
Mark Kendall: Oh you’re a big help, thanks a lot. Did it ever occur to you guys that maybe you could’ve asked me?
Jamie: Oh my God!
The way Jamie says that reminds me of Arnold in Troll 2.
So they see Robin in the parking lot when she is abducted by the Countess and her gang. You see tonight is Halloween and the Countess needs the third bite or she will revert to showing her true age. Mark is worried about something happening to Robin so he heads over there, aided by Jamie and Russ.
When they get there they find Robin tied up and let her out, but the whole thing…
The vampires capture them and take them upstairs, where they get ready to get the last bite and turn Mark into a vampire. Mark doesn’t want to:
The Countess starts trying to control him, but Robin isn’t going to lose her man. She jumps in the middle with a cross, the friends grabbing fire, and they free him.
[Van Helsing reaches out for his crucifix as Dracula looms toward him] Count Dracula: More wolfbane? Van Helsing: More effective than wolfbane, Count. Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]
Then the chase is on!
In the end there is only one thing left to do to save Mark.
All, besides the vampires, are happy. Mark scored, Jamie scored, Russ scored, Robin scored.
I really enjoyed this film and I thought it was pretty hilarious, although having Hocus Pocus level anti-virginity theme. But a lot of fun to watch and sure to be a fun film to watch this season.
“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”
So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!
So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.
So this episode takes place in season 4. There have been a lot of angst and sadness
(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.
So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).
There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.
Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.
In fact the vampire even uses the Transylvanian accent.
Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.
The night however, things change.
A couple is making out in a car when a werewolf comes upon them and attacks.
The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.
The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.
That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.
The Mummy attacks the guard, strangling him.
The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.
Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.
He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula
But then finds himself overpowered by the vampire
The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.
Nope you heard my correctly
Back at the bar, Dean shows Sam the ear and medallion.
“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.
Sam Winchester: It’s a costume rental.
Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”
They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.
Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.
The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.
Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.
Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.
He pulls on Ed’s ear, but find it fast in place.
“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.
Ed Brewer: No, it’s not!”
This means Ed is not the shapeshifter!!! But if he isn’t…who is?
Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.
And she has drugged the two of them. Dean tries to hold on, but faints.
Dean wakes up and finds himself in lederhosen.
In a Frankenstein-esque dungeon.
Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.
Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.
Pizza Delivery Guy: Uh, pizza delivery?
Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.
Pizza Delivery Guy: Uh-huh. That’ll be $15.50.
Dracula: Tell me…
Pizza Delivery Guy: Yeah?
Dracula: Is there garlic on this pizza?
Pizza Delivery Guy: I don’t know. Did you order garlic?
Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?
Dracula: Of course. Yes. But I have a coupon.
And why not take a pizza break? Pizza is awesome.
I love Pizza
So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.
Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.
Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.
Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.
Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.
This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.
While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.
With Dracula conceding, that maybe this is how the “film” should end.
The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.