Monster Movie: Supernatural (2008)

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“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Universal Monster Movie Horror

Yep it parodies a series of Classic Horror Films: Dracula (1931)The Mummy (1932), Wolf Man (1941)In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

love it

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

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So this episode takes place in season 4. There have been a lot of angst and sadness

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(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

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So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

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There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

SayWhat?

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

Dracula

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

dun-dun-duuuun

A couple is making out in a car when a werewolf comes upon them and attacks.

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The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

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The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

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That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

Monster Movie Supernatural Mummy

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

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But then finds himself overpowered by the vampire

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The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Say What

Nope you heard my correctly

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Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the MegaplexScream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

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Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

Count Dracula: Van Helsing.  [Van Helsing turns to face Count Dracula]  Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.  Van Helsing: I prefer to remain and protect those whom you would destroy.  Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.  Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life.  Count Dracula: If she dies by day. But I shall see that she dies by night.  Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.  Count Dracula: Come here.  [Dracula raises his hand to hypnotise Van Helsing]  Count Dracula: Come here...Your will is strong, Van Helsing.  [Van Helsing reaches out for his crucifix as Dracula looms toward him]  Count Dracula: More wolfbane?  Van Helsing: More effective than wolfbane, Count.  Count Dracula: Indeed.  [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

suspicious

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

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He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

OMG

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

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Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

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Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

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Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

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Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

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And why not take a pizza break? Pizza is awesome.

I love Pizza

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his "reincarnated bride" in his old love's clothes.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

one word kind change day

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

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With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

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For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

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Diamond in the Rough

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Day 15) The first Disney film you ever saw

Aladdin

The first Disney film I ever saw was Aladdin. I was just a baby but my mom took me when the whole family went to see it. It is one of my fav films too as I just love Aladdin. I used to watch the first and third one all the time, I remember that when I was in that little kid phase were you don’t want to take a bath, the only way my mom could get me in the tub willingly would be to promise me that I’d be able to watch Aladdin when I was done. I love all the songs in this film and committed them all to memory at an early age.

Aladdin is a retelling of a chinese tale in Arabian Nights or A Thousand and One Nights, tales that Scheherazade told her husband to keep herself alive each night, (for more on that go here). Disney disneyfied it into being much happier and brighter, like they do with everything.

In the disney story, Aladdin is an orphaned boy living with his monkey friend, Abu. The two are street rats, scrounging about for food and hiding from the castle guards. Every night Aladdin goes home and dreams of being rich and living in the palace, never worrying about anything. Meanwhile, Princess Jasmine is in the palace and has to marry by her sixteenth birthday. She hates every prince that has called on her and she feels they all are after her fortune. Also in the palace lurks Jafar, the evil vizier, who wants to take the throne for himself. He also is trying to get inside the fabled Cave of Wonders to get a lamp, but only a pure-hearted, diamond in the rough can enter. These three stories intersect when Jasmine sneaks out of the palace, only to be helped by Aladdin when she gets into trouble. The two run from guards and are caught, Jasmine revealing herself and going home, while Aladdin is sent to the dungeon. Jafar disguises himself and frees Aladdin convinced he is the perfect person to enter the cave. Aladdin is and does, but Abu brings the whiole place toppling down when he tries to take something he is not supposed to touch. Aladdin gets stuck inside the Cave, but there he finds the genie of the lamp and the adventure to capture te heart of the princess is on.

1) Aladdin

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Aladdin is amazing and totally the guy you want around. He may be a thief, but only steals food to survive rather than objects. He even gives his food away to the less fortunate.

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Besides, he couldn’t even think of what to wish for once he got out of the cave, he didn’t even wish for Jasmine to love him or try to control her like Jafar does, all he wished for was the opportunity to have a chance with her.

2) Jasmine

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Jasmine is pretty cool too. She is a strong, independent woman who is ready to command and rule her kingdom when the time comes. She is adventurous and wants to go out and see what out there in life. Similar to Prince Phillip she doesn’t care about class, but who a person is.

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Plus she won’t let anyone treat her like a trophy wife, she’s got substance!

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3) Genie

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So I have to say that I think this is one of Robin Williams best roles (Along with HookMrs. Doubtfire, Jumanji and Night at the Museum) He is hilarious! They actually had to stop everything and just let him go, doing the animation as  would just go all over the place. The best thing is he gives the best advice any man should heed.

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4) The Sultan

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He’s funny and sweet and we all love how excited he gets when “Prince Ali” hits town. 🙂 And even though he is trying to have his daughter get married, it’s not him as much as the law. But like any dad who loves his daughter, he decides her needs are more important. And he wants the absolute best for her, whether it is a prince or a pauper.

5) The Songs

Arabian Nights

This is a great opener as it really sets the background, getting you excited and pumped for the film. 🙂

One Jump

We learn the plights of Aladdin to a great tune that also has some great character sides. I love it!

Friend Like Me

One of the best songs in the entire film.

Prince Ali

Awesome song! Love “Prince Ali” and all the things he has and how he presents himself.

A Whole New World

One of the best romantic songs as he takes her on a trip around the world and on a flying carpet! FLYING CARPET!!! That’s it he wins.

Perfect Boyfriend

And this little extra

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For more on Aladdin, go to Snakes on a Post

For more on my favorite songs, go to There’s No One Like Gaston

For more on Disney, go to Pink Elephants

For more on Disney Princes, go to Prince of a Man

For more on Disney Princesses, go to The Right Path is Not the Easiest One

For more on strong, independent, women; go to Disney Lesson

It’s Alive, it’s ALIVE!: Frankenstein (1931)

Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!

What horror movie countdown would be complete without the film Frankenstein

Frankenstein is an amazing film that tells the story of when one man tries to be more than he is; he tries to be God. It is based on the novel, Frankenstein, by Mary Shelley (FYI: A much better writer than her husband)

Edward Van Sloan: How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We’re about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now is your chance to, uh… Well, we’ve warned you. 

I have always loved this film, but I think The Bride of Frankenstein is much better. I will get more into why that is later.

This movie is terrifying as we see a Frankenstein becomes consumed with creating this being. He won’t listen to anyone else and his behavior frightening his friends, family, and fiancé.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

Let me just clarify for everyone out there that the name Frankenstein alludes to Victor Frankenstein, the mad doctor who creates the Monster. For some reason they changed his name to Henry in this film. In the film his best friend’s name is Victor, while in the book it is Henry. Go figure. The Monster is never called by a name other than Monster, Creature, or something similar. It’s like  The Creature from the Black Lagoon or The Thing from Another World, no proper names are given.

Anyways, he is helped out by a hunchback named Fritz

Not Igor, FRITZ!

The hunchback named Igor who helps mad scientists isn’t from the original Frankenstein, but comes from one of the sequels, Son of Frankenstein, where his name was Ygor; later translated to Igor.

Anyways, Fritz is the one who makes the mistake of stealing the criminal brain.

My Bad

 

So Frankenstein starts getting ready to bring his monster to life. In the novel, Shelley never tells us how it is done; Frankenstein never wanted to share the details of the experiment for fear that someone would create their own living dead. With nothing to go off of, the writers and directors decided to use lightening, and therefore changeing film culture and film history as this is referenced and parodied in so many films and TV shows.

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“Henry Frankenstein: Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!
Victor Moritz: Henry – In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God!”

Frankenstein is so intent on proving everyone wrong, so focused on completing everything that he never stops to think whether he should do this. This is an interesting question posed; how far is too far?

So Frankenstein is able to create his monster:

Played by the very amazing Boris Karloff; extraordinary actor. He almost didn’t play this part as they originally offered it to Bela Lugosi who turned it down. I’m glad it was Karloff, because as much as I love Lugosi, no one could have done this better.

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The green makeup that is such a part of the Frankenstein figure was used because it gave Karloff a deadlike pallor of skin. Now it has become such a strong part of culture, we see the green-skinned, bolted monster every October.

After the Monster is created, we see this innocentlike creature. He is afraid of fire and tries to attack Fritz who brings a torch by him. All bystanders fear for their lives and chain the Creature up in the dungeon. Frankenstein and his friend Victor leave and discuss the best way to euthanize him. Unbeknownst to them Fritz is stupidly taunting the creature with a torch; causing the Monster to reach out and kill him.

When Victor and Frankenstein return; they see Fritz’s dead body on the floor, and have to run away from the Monster as it tries to attack them too. Frankenstein prepares a shot to kill him, and Victor gives it him. With all his problems solved, Frankenstein leaves to prepare for his wedding, and Victor begins to dissect the Creature. Unfortunately, the Monster didn’t die; but was only knocked out. He kills Victor and then escapes, running amuck in the countryside.

He runs into a little girl, who is nice and shows him the flowers she is picking up.

She shows him how flowers float in the river, which Frankenstein ultimately does to the little girl. Thinking that if he tosses the girl in the water she will float; he ends up ultimately drowning her.

Little Maria: See how mine floats.
[the Monster picks her up]
Little Maria: No, you’re hurting me! No!”

The farmer finds his daughter’s floating corpse and goes to pieces. He starts hunting down the monster; searching everywhere to find the fiend.

Frankenstein, happily preapering for his wedding is brought news of Victor’s death. He goes out searching for the monster along with the peasants who have their torches and pitchforks at the ready.

Grab your torches and sharpen your pitchforks!

Eventually Frankenstein tracks the monster down and is prepared to destroy him.

However the Monster knocks him out and carries him off to the windmill where he throws him off. Luckily, Frankenstein is caught by a vane and saved from death. There some peasants carry him home while others destroy the mill and kill the monster. Or do they?

Frankenstein gets home, where we see that he is safe and sound and in the arms of his Elizabeth dear.

After I watched the film a gazillion times, I read the novel and found it to be much more horrifying than the movie. In the book Frankenstein isn’t this bumbling creature, completely innocent and doesn’t understand things; but a criminal mastermind. Having learned to read and talk before he died; he is able to after some time remember how to do this and begins becoming more “human”. The one thing that he never regains is compassion, kindness, etc; all the caring emotions that make us who we are. He has no empathy or sympathy, believing that he was shown nothing but hatred and cruelty so he must show this to all.

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What they take from this and use in the sequel, The Bride of Frankenstein, is his want of a mate; his desire to have one like him to spend his life with. He threatens to destroy everyone that Frankenstein holds dear if he does give in to his demands. Frankenstein goes through a constant struggle with himself; knowing that he cannot risk creating another creature being made and mating along with the first. He realizes his mistakes at creating such a thing far too late. The monster doesn’t like hearing no and kills all Frankenstein loves. There is no sweet guy, accidentally killing someone like Lenny in Of Mice and Men, but this is a true psychopath fully aware of the crimes he is committing. Not only is the creature a serial killer, but he has become so intelligent that he is able to plant evidence so that people think someone else is the murderer. He kills Frankenstein’s brother William, and plants a locket on William’s nanny so that she is also killed. Then he kills Henry, Frankenstein’s friend, planting evidence so Frankenstein is arrested. He also kills Elizabeth, Frankenstein’s wife, making it seem once again that Frankenstein is the killer. With all those that he loves dead, Baron Frankenstein dies as well.   After everything is gone from him; Frankenstein devotes his life to hunting down what he created and destroying it.

It’s a great book, I suggest reading it and watching the film.

There’s a classic terror for your Tuesday! More to come!

I almost forgot to mention this. Unlike The Mummy, Dracula, or The Wolfman; Frankenstein has never had a major motion, globally shown, sent to all theaters, remake. However that is all about to change as Guillermo del Toro is planning one, and hoping that it will be coming out soon. To read more up on it go here. We shall have to wait and see what happens and how it turns out.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When Potatoes Go Bad

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For more on Frankenstein, go to A Monster Race

For more on Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Jurassic Park, go to Life Finds a Way

For more on the living dead, go to A Tale So Strange It Must Be True

For more on mad scientists, go to A Very Scary Story

For more universal films, go to Universal’s Classic Monster Movies

For more of my fav quotes, go to Insults