Sense and Sensibility (1995)

So last week I posted my review of this film with my niece, but didn’t go into all the other parts that make up the film-costumes, set, actors/actresses, etc., like I usually do for a film review. So I decided to instead do a second post on it.

Why not?

If you are interested in the background to the film, check out my review of Sense and Sensibility Screenplay and DiariesI’m just going to start this post off by saying, I love this adaption. The writing was just amazing, the actors were fantastic, I just love it so much! So…this post is going to be about how much I care for it. And what are we waiting for…let’s get started!

Set

So I love the set of this. The houses and hills are gorgeous. I understand the desire to walk about, as how could you not with this:

One thing I enjoy about this production is there is a lot of light. I know a lot of people like it when they are more “historical”, filming indoors with candlelight, but I personally prefer to be able to see what I am supposed to be looking at. Looking at you Emma 1996 AKA the Kate Beckinsale Version. 

I had no real complaints as the homes are gorgeous, although I think the cottage is a little too lavish, I mean I wish I lived in that cottage. I always pictured in the book something much smaller.

But otherwise absolutely beautiful and watching it made me want to travel to England.

Let’s go!

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Costumes

I really like the costumes in this. I think the production paid close attention to making the Dashwoods look lovely but also show that they had fallen on hard times-making those that are wealthy have nicer things, such as Charlotte Palmer. Lucy’s clothes are even plainer in comparison

I like how the awful  John Dashwood wears a ridiculous cravat.

The only negative thing I have to say is that at times Kate Winslet’s curls look a little too harsh on her. It’s not bad, but I think that they should have relaxed her hair in a few scenes.

But otherwise I love the dresses, the bonnets, the coats, Colonel Brandon’s uniform-how everyone looks!

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On to the acting!

Mr. Palmer played by Hugh Laurie

Let’s start off with a small but amazing character-Hugh Laurie’s Mr. Palmer. This is a magnificent gem in a wonderful story. He only has a few scenes, but every second is memorable as his delivery and juxtaposition of his brief sarcasm paired with his non stop chatty wife is just perfect!

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Sir John Middleton (Robert Hardy) & Mrs. Jennings (Elizabeth Spriggs)

Sir John and Mrs. Jennings are awesome characters! And I love how Spriggs and Hardy just nailed it in how the balance-kind, compassionate and comforting with meddling, manipulation, and outright nosey-ness.

These two love the Dashwoods and just want to help them-although spending quite a bit of the time inserting themselves into their business, against the girls’ wishes. But I just adore them. I espechially love how Mrs. Jennings goes full mama bear at Willoughby when he breaks Marianne’s heart.

These two were just perfect!

For more Robert Hardy & Elizabeth Spriggs, go to A Bit Pottery About Jane Austen

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Lucy Steele (Imogen Stubbs)

Imogen Stubs as Lucy Steele was beyond perfect in this. She is so manipulative and just horribly awful. The directing and her timing. I mean one of the best parts is this:

Look at her eyes-body language, full on power movie. She is so perfectly awful, there are literally no words to describe her wonderful performance.

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Mr. Willoughby played by Greg Wise

Greg Wise is perfect in this roll. He plays a charming gentleman, the type of guy who was born with money, always had money, never thinks about anything other than what pleases him-you know the type. This type of guy has always rubbed me the wrong way as they never think about others but just take what they want. But I can see how girls can fall for him.

I think what Wise does is that he plays the role extremely well-charming, sweet,-but there are slight signs to him not being fully earnest-how he doesn’t care about Marianne’s reputation, stealing flowers from the field to bring her some instead of buying them, making fun of Colonel Brandon who has never treated him wrong, etc. Small things, but then after he breaks Marianne’s heart it makes you realize that this guy doesn’t care for others as much as he does himself. It is very subtle-but very real. Who hasn’t t one point in their life fallen for such a guy or girl and looking back sees the small cracks in the charming veneer through the whole relationship.

Clearly Wontagby

For more on Greg Wise, go to Non-Austen Films for Austen Fans: The Buccaneers, Episodes 3-5

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Fanny Dashwood played by Harriet Walters

Fanny Dashwood is one of the most vilest characters in Jane Austen and Winner of my “Who’s the Worst” contest and Harriet Walter did a stupendous job.

She treats the Dashwoods like trash, she talks smack about them constantly, she manipulates her husband into ignoring his sisters, is cruel and not just mean but diabolical in her manner. She so horrible it is almost an art form to the subtle ways she just systematically goes after people.

Harriet Walter was phenomenal in this role, I will never be able to view anyone as Fanny Dashwood but her. The lines and acting were just perfect!

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Colonel Brandon played by Alan Rickman

So first of, like my niece kept pointing out, Alan Rickman was too old for this part. He was 49 at the time, but I don’t care-I love Alan Rickman’s portrayal. He was just the perfect blend of kind, compassionate, romantic, heroic, etc. One of the best things about Colonel Brandon is that he falls for Marianne hard, but he doesn’t annoy her or crazily pursue her. He continues to be himself-brings her flowers and a book when she is ill, plans an outing (that accidentally gets canceled), visits when he is in London-the same things he would have done whether he liked her or not.

I think Alan Rickman captured that perfectly. He was never overt but displayed his care and love in the looks he gave and his body language. He can be so expressive in such little movements and moments. As said before my absolute favorite is when at the end when Marianne admits that she loves him-you can just see his relief, his love, everything in his face.

He is just perfect. And I love the way he talks about Willoughby and treats him. This man treated him horribly and not to mention what he did to his adopted daughter! But Colonel Brandon isn’t rude, cruel, or treats Willoughby like poop on his shoe like I would have done-instead Colonel Brandon is way more classy.

For more Alan Rickman, go to I Don’t Want You Far From Me: Sense and Sensibility (1995)

Edward Ferrars by Hugh Grant

So there is a lot of argument about Hugh Grant’s portrayal in Sense and Sensibility. Many feel like he is just doing the same thing he did in Notting Hill and Four Weddings and a Funeral. I don’t disagree-but I actually think it works for the character.

Edward isn’t my favorite of the Austen heroes. When I think of him I think of a man who has been dominated by others-his mother, Fanny, Lucy, etc. He’s never had a strong spirit but is bent and molded by others, never willing to stand up for himself. His mother is trying to force him into one life when he wants to be a clergyman, Lucy convinces him he loves her and that he wants to marry her when he really doesn’t know what he feels, and Fanny does all kinds of maneuvering in his life. I liked Grant’s portrayal better than Dan Stevens as I felt Stevens was too strong-willed. I mean the only time we ever see Edward really stand up for himself is when his mother threatens to disinherit him if he marries Lucy and he does it anyway.

I also like how Hugh Grant played this character and the way he says these snarky things with such dry wit.

For more Hugh Grant, go to Bridget Jones’ Diary (2001)

Marianne Dashwood played by Kate Winslet

Marianne Dashwood and Fanny Price are who I believe the hardest Jane Austen characters to portray correctly in media (and other adaptions). With Marianne she is young, passionate, she believes what she thinks is 100% correct and others are wrong or old-fashioned like most teenagers do. Basically, Marianne is just a teenager (Regency style but still acts like a teenager). But often when writing the character for film (or other adaption) a lot of writers and actresses have trouble with her. Often they make her empty-headed, only cares about her looks, and altogether dumb/foolish.

Kate Winslet, however, does a fantastic job. She acts like any normal 16-year old would (she was 20 at the time, like most teen character actresses are). At times Winslet’s Marianne can be rude and a bit of a jerk to Colonel Brandon, at times she just flat-out ignores him, but what teenager/young adult doesn’t act like that? Winslet is one of the few to really “get” this character. Her Marianne is sweet, passionate, romantic, emotional, and quick to judgement/react.

Not only is she able to accurately show the character of Marianne in her youthful heedlessness-but also accurately shows the despair of a broken heart and her tempered spirit in the end. I love the scene when she is listening to Colonel Brandon and she asks that he won’t be gone long-it’s only a few words, but her tone and expression evoke so much emotion. It is a fantastic portrayal.

For more on Kate Winslet, go to 25 Films of Christmas

Elinor Dashwood played by Emma Thompson

So let’s get it out of the way, yes she is too old to be Elinor. Elinor is 19 in the book and in 1995 Thompson was 36 years old. Yet, I don’t care.

Thompson wrote this amazing script and was able to portray Jane Austen in a fantastic way. She was able to blend comedy with drama-and I believe Jane Austen would have been proud.

By writing the script I think it helped her get into the head of Elinor and portray her perfectly. It can be difficult to portray a character that is logical and sensible and not have her come off annoying, cold, remote, etc. Thompson was able to show her the sensible logical person, but also give her heart–things that were done by a look, glance, etc.

For more on Emma Thompson, go to This Is Fate We’re Talking About, and If Fate Works At All, It Works Because People Think That THIS TIME, It Isn’t Going to Happen!: Dead Again (1991)

Ending conclusion:

I love this film. I just love it so much. The writing is amazing, the actors and actresses. I could watch it over and over again.

For more Sense and Sensibility, go to I Watched Sense and Sensibility (1995) With My 12 Year Old Niece

For more Sense and Sensibility (1995), go to The Sense and Sensibility Screenplay and Diaries

For more Jane Austen film adaptions, go to Take a Chance on Me: Austentatious (2015)

This Is Fate We’re Talking About, and If Fate Works At All, It Works Because People Think That THIS TIME, It Isn’t Going to Happen!: Dead Again (1991)

This is fate we’re talking about, and if fate works at all, it works because people think that THIS TIME, it isn’t going to happen!

So many of you say, hey where is the Jane Austen in Horrorfest? Well, we have had Death by Persuasion and Non-Austen Films for Austen Fans TV show High Seas/Alta MarBut I thought I would throw in another film with a Jane Austen connection. Because, you know:

Yes, while they were filming this-producer Lindsay Doran discovered that Emma Thompson loved Jane Austen. They spent a lot of time talking about Austen and her books:

“I got to know Emma very well over the course of the twelve-week shoot, and it wasn’t long before we discovered our mutual passion for Jane Austen. It was clear that she knew the books by heart, and that her appreciation of them was not of the dry, academic sort she enjoyed them, and she loved their wit as much as she admired their intelligence.” Lindsay Doran, from The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen’s Novel to Film

Doran than watched Emma’s show Thompson, and after seeing the writing and acting there-asked her to write Sense and Sensibility. Yes, without this film, this film never would have been born-or a less wonderful version would have been created.

So let’s review Dead Again

This film struck my interest when a patron checked it out at the library. So, of course, when it came back I had to check it out and watch it. It is a film-noir, murder mystery romance.

Film Noir

So the film starts off in black and white in the 1940s-amazingly with newspaper stories and headlines about the Musical Murder of Margaret Strauss by her Conductor Killer, Roman Strauss. Actress Margaret (Emma Thompson) was stabbed by scissors and her conductor husband Roman, (Kenneth Branagh) put on death row for the murder. As he approached the electric chair, journalist, Gray Baker (Andy Garcia), goes to hear the last words-Roman saying that this is far from over.

Now in color it is 50 years later-a woman (Emma Thompson) with no memory and can’t talk is in an orphanage.

The nuns and priest have been taking care of her-but it appears the help she needs is much more than what they can offer. They hire Michael Church, (Kenneth Branagh) a private detective who was raised at the same orphanage, to take her to the asylum and discover who she is.

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Michael Church (Kenneth Branagh) is known for being able to find “anything” and “anybody”. He has just found Dr. Cozy Carlisle (Robin Williams) psychologist turned store owner who’s been hard to discover. He gets the call and heads to the orphanage.

Ready for any case

Michael inspects all that they know about the unknown woman and discovers she has a Claddagh ring-an Irish ring which represents love, loyalty, and friendship-but only one band, the other is missing. He takes her to his friend at the newspaper who takes her picture and they plan on it being printed in tomorrow’s edition. Church then goes to take the woman to the asylum, but after seeing how horrible it is-takes her to his home. Just because it looks bad-like it has nothing to do with the fact she is a pretty woman?

The woman experiences nightmares, a fear of scissors, and screams out Dysher. The next day, Church gets all kinds of calls about the woman-but all are just cranks. But then, Franklyn Madson (Derek Jacobi), comes calling. He is an antique dealer and hypnotist who wants to help. He regresses the woman and we shift to black and white-to the Strausses.

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Margaret was an actress-beautiful, English, and beloved by all. She went to a concert and saw conductor Roman Strauss and was struck by him. Roman was from Europe, and escaped the Nazis, his wife dying in the escape.

Roman is just as struck as her and the two date, fall in love, and marry. Roman gifts her the Claddagh ring, with a matching one, and a very expensive anklet.

Roman Strauss: The man I bought it from explained to me that, when a husband gives it to his wife, they become two halves of the same person. Nothing can separate them… not even death.”

They marry and at the wedding, a Mr. Gray Baker (Andy Garcia), writer, comes as the date of someone. He is enamored of Margaret and actually tries to flirt and charm her at HER wedding-ugh this dude.

I’m out!

Understandably, Roman is very upset and does not like him.

Margaret “doesn’t” understand his feelings as she loves Roman.

The two are in love and happy-except for one thing. Margaret hates Roman’s servants -Inga and her son Franky. She thinks they don’t like her and they keep usurping her authority. She wants to be rid of them, but they saved Roman’s life. He never would have made it out of Germany without them.

After the regression, the woman can speak. They look over the Strauss story in Life magazine, located in the antique shop. They see a resemblance between the Strausses and them and that the orphanage where they both spent time, was the old Strauss mansion.

Spooky…

Church gives the woman the name Grace, and then goes to see Dr. Carlisle to talk about what happened. Dr. Carlisle tells him some cases where he worked with patients and regression helped solve the issues. He thinks they should continue to see the hypnotist and see what comes of the Margaret and Roman story. 

Hmmm

Grace and Church spend a lot of time together and fall in love.

They have sex and the next day a man shows up claiming that Grace, real name Katherine Sharpe, is his fiance. He has all the answers to Church’s questions, until he catches him in a lie about gloves. The man takes off and Church tries to catch him-but the man gets away.

Why would they want Grace? WHO would want her?

Hmmm

Church and Grace go back to the hypnotist where Grace regresses more…

Los Angeles Late 1940s

They Strausses are having a few cracks in their relationship. As Roman is not involved in Hollywood, he is seen as a “nobody” and is trying to write an opera but suffering from writer’s block. They are at a party and no one wants to talk to “nobody Roman”.

Margaret gets approached by Gray and the two go outside to talk. Gray is so in love with her it is super obvious-and Margaret should not be feeding it. Gray asks to “look” at her anklet, and she obliges-he holding her leg up to take a “closer look”. Really…really now?

Margaret, can’t you see how this is something you as a married woman should bot be doing with a man who is not your husband? Hmmm….?

Seriously

Roman sees them and becomes understandably furious, punching Gray in the face  (not understandable) which knocks him in the pool. They try to make it sound as if Roman is a jealous brute, making a big deal out of nothing-but I have to disagree. This guy started trying to get with Margaret at her wedding-and he’s still trying. Even though Roman shouldn’t have punched him-he totally deserved it.

The Margaret and Roman get in a fight-with it ending as Roman confesses his insecurities.

Later Margaret catches Frankie in her jewelry and tries to get Roman to fire them, but again he refuses. Gray calls Margaret, which Roman accidentally overhears. He questions her abut the call but she lies to him.

Later, Margaret was lying in bed when she is stabbed-by Michael Church!

Grace wakes up from her trance angry, confused, and scared. Michael takes her home but she flips out convinced that he will kill her.

In order to calm her, Church decides to regress as well. What he discovers changes everything. Will they figure out this mystery and solve it before another murder? Or will history repeat itself?

Hmm…

I liked how the movie was in color for the present and then reverted to the past. I thought it was pretty intriguing with a few twists and turns that I didn’t see coming were thrown in very well. And now that I have seen the film, that poster is sop perfect and obvious. It is well worth a view for fans of Spellbound and film-noir

The end is a little cheesy, but Im not sure how else they could have had an ending that satisfied the viewer. I didn’t want to give away the end, so if you’s like to watch it, click here.

For more film-noir, go to Do You Ever Feel Like Your Life Has Turned into Something You Never Intended?: Nocturnal Animals (2016)

For more private detectives, go to Basil of Baker Street: The Great Mouse Detective (1986)

For more on Sense and Sensibility (1995), go to I Don’t Want You Far From Me: Sense and Sensibility (1995)

For more on Lindsey Doran, go to The Sense and Sensibility Screenplay and Diaries

For more on Robin Williams, go to Diamond in the Rough

I Don’t Want You Far From Me: Sense and Sensibility (1995)

Most Romantic Moment #14

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So first things first!

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I hope you had a great day. Whether you spent it with someone you love:

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Friends:

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Or some yummy food:

Nachos

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So this year we are doing a return to form. We are ending our 14 days of romantic moments with a Jane Austen film. In 2013 we did Northanger Abbey, in 2014 Persuasion, and this year I decided to do Sense & Sensibility (in honor again for the late Alan Rickman). 

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So I have been reviewing the book Sense and Sensibility; piece by piece; but in case you haven’t been following me or don’t know the story I’ll do a brief recap.

The elder Dashwood sisters are nothing alike. Elinor is the eldest; reserved, quiet, thinking, sensible, and thoughtful. Marianne is the middle daughter; outspoken, feeling, emotional, impulsive, and doesn’t always think things through. They live with their mother and younger sister.

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Everything changes when their father dies and the estate passes to their half-brother. They are left with very little fortune and forced to move away. Before they leave they encounter Edward Ferrars, their brother-in-law, and Elinor falls for him, yet chooses not to act on her feelings.

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In their new home; their kindly but meddling neighbors try to marry off the girls. They set their sights on uniting one of the girls with Colonel Brandon. Colonel Brandon falls for Marianne, but the constant meddling has Marianne completely turned off.

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Ugh

Instead she falls for he handsome and dashing Mr. Willoughby; but is he everything that he seems?

Will the girls find their true paths? Is Mr. Willoughby really a romantic hero? What is better sense? Or sensibility?

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Most Romantic Moment: Please Don’t Stay Away Long

**Spoilers**

So my favorite romantic moment from Sense & Sensibility comes at the very end of the film. Willoughby has dumped Marianne without a word:

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And married another to keep his rich lifestyle. Marianne and Elinor left the city as soon as they discovered this, but Marianne was suffering from a broken heart.

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As they journey home, they take a quick stop at a friend’s place; which just so happens to not be too far away from Willoughby’s. Marianne tries to walk there in a rainstorm, being saved by Colonel Brandon.

Col. Brandon carrying Marianne

However, she is taken deathly ill and almost dies. She recovers and spends a lot of time with Colonel Brandon. He loves to read the same things as her, loves music, etc. As they spend more and more time together, Marianne realizes that she loves Colonel Brandon.

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So my favorite romantic moment comes after one of their reading events. Marianne wants to spend time together the next day, but Colonel Brandon has to go away. Marianne tells him:

Marianne: [to Colonel Brandon] You will not stay away long.

How romantic

How romantic

I know some may feel like really? But too me I love it and feel it is so romantic because it is only a few words, but in that Marianne is able to share her feelings and let Colonel Brandon know how much she loves him. And when Colonel Brabdon hears them and recognizes the sentiment behind the words, his whole face lights up.

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AWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW!!!!!

Sooooo cute! I just love it. 🙂

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So that ends Romance is in the Air: Part IV. I hope you enjoyed it. It was very different this year as I added in some TV episodes and reviewed a few films most wouldn’t consider romantic. But all in all I had a great time writing these and I hoped you enjoyed reading them.

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Romantic Moment #1: I Can’t Pretend, I Have to Be: Casual Sex? (1988)

Romantic Moment #2: I Don’t Care What You Think, She’s My Girl: A Trip to the Dentist, Veronica Mars (2005)

Romantic Moment #3: Business is Business, But Your Happiness is More Important: Borrowed Hearts (1997)

Romantic Moment #4: I Want to Be Your Ideal Man: Grease (1978)

Romantic Moment #5: You Don’t Have to Say the Words, I Already Know: Episode V, The Empire Strikes Back (1980)

Romantic Moment #6: Even Though I’m Furious With You, I Still Love You: War Room (2015)

Romantic Moment #7: It’s Not What You Buy, But the Reason Why That Matters: Playing Heart to Get, Barbie Life in the Dreamhouse (2013)

Romantic Moment #8: I’d Lay Down My Life for You: Pocahontas (1995)

Romantic Moment #9: You’re So Sad, I’m Making This Day Extra Special: The Bikini in the Soup, Bones (2011)

Romantic Moment #10: I’m Putting You First: How to Steal a Million (1966)

Romantic Moment #11: I Want to Understand You: North & South (2004)

Romantic Moment #12: You Were Right, Let’s Get Married: Psycho (1960)

Romantic Moment #13: I’m Okay With Waiting: Fateful, Awkward (2011)

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For more on Colonel Brandon, go to A Man of Great Worth and Respectability

For more on Marianne Dashwood, go to  Waiter, There’s Some Disney in My Jane Austen

For more on Sense and Sensibility, go to Clear Eyes. Full Hearts. Can’t Lose: Super Bowl 50

The Sense and Sensibility Screenplay and Diaries

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The Sense and Sensibility Screenplay & Diaries: Bringing Jane Austen’s Novel to Film

When I read the opening line of:

“IF THERE WAS ANYTHING I knew for certain, it was that Pride and Prejudice was a very stupid book and that Jane Austen was a very stupid writer, and that I would never, ever read one of her stupid books again. I was thirteen years old.”

I was hooked.

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This book was amazing! It was funny, interesting, full of Jane Austen, and behind-the-scenes extras. I could not stop reading it.

So the book is divided into three parts: Part 1: Lindsay Doran, producer; Part 2: The screenplay; and Part 3: Emma Thompson’s on set diaries.

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Part 1: Lindsay Doran

In this section, Lindsay discuses her first involvement with Jane Austen, and when reading the above quote you can see that she didn’t particularly enjoy it. Her view was changed at college, when during an English oral report, one girl told of the many virtues of Jane Austen and her novels. Lindsay told herself she would then put those books on her  reading list, but like everyone didn’t get around to it immediately.

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After Doran had an accident and was forced to remain home and stationary, she had the idea to read all of Jane Austen’s novels, out of which her favorite became Sense and Sensibility. Being a film producer, she saw the merits for turning this into a movie; but knowing that there would be a few complications. Trying to find funding for the film would be hard, along with choosing the perfect actors to portray the characters. Most of all, one would have to find a writer who could channel the voice of Jane Austen, yet make it something that the everyman could enjoy. Lindsay put it on the backburner until she discovered that writer.

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Eventually Emma Thompson was brought to her attention in the film Dead Again. With that film she discovered Emma loved Jane Austen and with the writing Emma did on her show Thompson and Doran knew that Emma would be the perfect person for the project and role of Elinor Dashwood. However, not everyone felt that way as it was very difficult for Lindsay to convince the rest of the people to take a chance on an unknown. This surprised me, as Emma Thompson is a huge star today, but then as I looked on her filmography, I realized she hadn’t made that many films at the time. In fact the biggest actor involved was Hugh Grant, who today is kind of passed over for Emma Thompson, Alan Rickman, and Kate Winslet; as most fans prefer their performance in the film.

Lindsay Doran is a great writer, almost as it is is a conversation. It reads as if you happened upon her at a party and asked how did you get involved with the film Sense and Sensibility? Was it easy to bring to film? It reads really well, and is extremely enjoyable.

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Part 2: Screenplay

This part is just word for word the screenplay of the film. I really enjoyed it as it included scenes cut from the actual film, along with having every part of the dialogue, allowing you to see what you might have missed in watching it. It was a fun read for any lover of the film or book.

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Part 3: Emma Thompson’s On Set Diaries

This were really interesting as they are not only the behind-the-scene view of an actor, but the screenwriter as well. As Emma was the writer of the screenplay; we get to see her constant rewriting, agony over any cut scene or changed line, pushing of other actors to fix lines or say them a different way; along with her relationship with the director, set designers, producers, casting director, etc.

On the flip side of that, we have Emma Thompson the actor, who has to pull herself out of that writer role to become Elinor. Within this sphere she has a completely different relationship with the director, actors, set designers, makeup artists, etc. It is an interesting read as Emma herself talks about how she is straddling two worlds and has to separate herself from one when she enters the other.

She also tells fun stories of her and the cast, how the weather affected everything, the cultural differences between the English actors, American film crew & producers, and the Taiwanese director.

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All in all it was a great read for any Jane Austen or Sense and Sensibility fan. I highly recommend it and gave it 5 out of 5 stars.

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For more on Sense & Sensibility, go to It Doesn’t Exist

For more on Emma Thompson, go to A Bit Pottery About Jane Austen

For more books with a Jane Austen flavor, go to Fall For You

Sisterly Roles

Ah sisters.

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The joys and sorrow of having a sister:

You love them, you hate them, you love them again. Those who have sisters know the ups and downs. Those who don’t, take my word that the above song is pretty accurate.

Now I could go on about my sisters, but that’s not what this post is going to be on. Instead I am focusing on the sisterly bond between the Dashwood sisters.

With the Dashwoods we have three sisters: Elinor, Marianne, and Margaret; although Margaret doesn’t play as big a role as Elinor and Marianne.

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Elinor Dashwood

Elinor is the eldest and she is the sense in the title. Elinor is only nineteen years old, but she is wise beyond her years and incredibly mature. She is level-headed, cool in judgement, and always thinks through very clearly on any decision being made. She’s pretty much the sensible older sister that has been copied and used in books, movies, TV shows, etc.

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When Fanny comes in and is completely rude to the entire family, Mrs. Dashwood is eager to move out. But Elinor is able to stop her as she can keep a strong hold on her emotions as they need to stay there longer. Now she isn’t completely cold-hearted or an ice-queen. It’s just that she is a closed book.

“She had an excellent heart: her disposition was affectionate, and her feelings were strong but she knew how to govern them…”

She has sense and knows when to say something and when not to.

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This is something that no one else in her family does. Now it is true that keeping feelings in can be wrong.

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But on the other hand that isn’t always the best thing. Having your feelings out in the world can also cause a world of hurt.

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So let’s move onto the middle sister:

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Marianne Dashwood

Now Marianne isn’t just some stupid or light-hearted, fluff type of girl. She is beautiful, kind, generous, etc. The only thing is, her feelings were never held in moderation. That is, never keeping them in check. If she is happy, everyone knows. And if she is sad everyone knows.

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Pretty much she’s walking around with no filter.

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More like feelings than thoughts.

But such is sisters. I did a paper on sisterly roles in college for my family psychology class. When you have sisters, especially those close in age, they tend to gravitate to opposite traits in order to create their own identity, be unique, and carve a role for themselves in the family.

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So we have here Sense in Elinor and Sensibility (feelings) in Marianne.

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Therefore one that strives for sense as that gives her support and makes her feel completely stable in life. The younger sister sees that her older one is extremely sensible, which makes her want to be the opposite and governed solely by feelings. Also Elinor is the eldest so she also feels more of having to be dependable and responsible for the family.

Just another case of being a sister.

Frozen Sacrifice self love you sisters

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For more on Sense and Sensibility, go to Promises Were Made to Be Broken

More on Coco Chanel, go to Women in Black

For more on White Christmas, go to 25 Films of Christmas

For more of my favorite songs, go to It’s Fantastico!

For more of my favorite quotes, go to I Have A Problem