So The Italian Job is a heist film and a good remake of the 1969 film. Charlie (Mark Wahlberg) heads up a group of thieves, as he recently took over the reins from his father figure, mentor, and safecracker; John (Donald Sutherland). The rest of the group is the “transporter” Handsome Rob (Jason Statham)…I know I know…
the computer wiz, Lyle (Seth Green); explosives guy, Left Ear (Mos Def), and Steve (Edward Norton), whoI don’t really know what his actual job is in the group. The team pulls off the heist of the century, millions of dollars in gold bricks.
The group then goes off to a random mountain top in Switzerland to celebrate. There they are betrayed by Steve. Now this was my first time watching this film, but I knew Steve was bad news. I mean its Edward Norton! When is he not some guy playing you? How can you trust him? I mean in Fight Club his other self is trying to blow up the world (and selling people soap bars made out of their own fat), The Illusionist, he’s trying to make everyone think he can communicate with the dead; The Hulk 2, he turns into the Hulk; I don’t think he plays anything that isn’t trying to pull one over on you. Well there is Frida, I mean in that he is just a Rockefeller.
Anyways, so Steve turns on them, takes the money and kills them all. Or so he thinks. He actually only kills John and the rest survive. Charlie tracks Steve down and finds him in Hollywood. The team are ready to go after him, but need one thing, a new safecracker. He approaches Stella (Charlize Theron), John’s daughter, and the best there is.
The team decide to take Steve down, (Is it sad that everytime I write that I think of this:
Anyways back to the plot. So Charlie is able to convince Stella to join in with his crew and the group begin making plans to get Steve. They do it similar to how they did the Italian job, hence the name, but with a twist. They are going to take ove L.A.’s traffic. It is an amazing film, and I strongly recommend it!
******Most Romantic Moment******
So the most romantic part of this film comes right after the team’s first plan has been found out. Their first plan to steal the gold was fouled because Steve’s neighbor was having a party. Stella had told Steve she would go out with him so that they would have an open window to get the gold, as she was planning on standing him up. She instead is forced to go on the date, where Steve figures out that she is John’s daughter. He insults her and and goes on about how he killed her father.
Stella gets mad and leaves, while Charlie remains with the two having a standoff as to who is the tougher guy. Charlie becomes so angry he punches Steve out. Knocked out in one hit, YES! (That’s not the romantic part)
So back in the hotel, Charlie comes to visit Stella. She cries about her dad’s death and how he never really cared about her. Charlie tells her that it is a lie, that her father loved her.
Charlie Croker: Just because he was around me more doesn’t mean he wasn’t thinking about you all the time.
Stella Bridger: [Sniffling] It would be nice if it was true.
Charlie Croker: It is true. He always regretted not having been a good enough father to you, Stella.
Stella Bridger: How do you know that?
Charlie Croker: Because he told me.
Stella cries some more and Charlie just holds her, kissing her forehead.
So why is this so romantic? Well throughout the whole movie when Charlie is planning and completing a heist he shows very little emotion. Not that he speaks in monotone, but he just is trying to stay focused on the task at hand, as any mistake he makes could mean the end for his team. In this moment he allows himself to go off that path as he cares more for Stella’s well-being than he does for revenge. It’s so cute that he goes in and makes sure that she is okay and reassured of her father’s love. To further the romance, he knows that she is extremely vulnerable and just kisses her on the forehead, not taking advantage of her like some other guys would have. Plus it makes the end scene when they are in Venice even cuter.
So those of you who have been following me for a while are aware of a challenge I made a year ago. You see 2013 was the 200th anniversary of Pride & Prejudice being published.
I was going to do this whole series of posts on the book, books based off of it, films, etc. You know, the whole nine yards. (Go here to read more about it).Unfortunately…
Life happened and got me off course. (Click here to read more about it). But I promised to continue to reread the book, watch the films, read the inspired fiction, etc until I had completed it all. It is a very long process and I have yet to finish it. However, as I was making these posts, I started thinking about how all the other books were being ignored. That made me sad, so I decided that I would read all her books, inspired fiction, film, etc.; at the same time and review them!
Yay that’s a lot, but it’ll mean that all her books will get a voice. Especially the widely ignored ones like Northanger Abbey, Persuasion, and Mansfield Park.
So the next book I’m going to start doing a lot of posts on is Sense and Sensibility.
Sense & Sensibility was the first Jane Austen book to be published. Before Sense & Sensibility Jane Austen had written Pride & Prejudice and sold it to a publisher. Unfortunately, that company didn’t publish it at all, but just sat on her work.
Jane Austen bought the book back and instead went to work on another one Sense & Sensibility. She sent this one to a different publisher and the work actually went through in 1811. So this book was the one that really set her up as a writer, and developed fans, making the publishing of Pride & Prejudice in 1813 feasible and accepted.
So all you Pride & Prejudice fangirl and fanboys better say a hearty thank you to Sense & Sensibility because without it, Austen might have become so discouraged that she never wrote anything else. And who could picture a world without her in it?
Here’s to another 200 years!
What also makes this book special is that it is the only one to have two main characters, Marianne and Elinor. Persuasion is all about Anne, Northanger Abbey focused on Catherine, Emma is Emma’s story, Mansfield Park‘s attention is on Fanny, and Pride & Prejudice is all about Elizabeth. Yep, this is the only story that two characters are equally represented. You know what else that means? Double the Austen Heroes.
So get ready for the sense:
And the Sensibility
Here are a list of other adaptions that I will also be reviewing.
There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?
So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th& Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.
This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.
Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.
With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.
I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).
So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.
I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.
AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!
I ticked off the months, but then in October I discovered it wasn’t out in theaters.
Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.
But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.
I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.
So moving on to the review.
So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.
He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.
When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.
Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.
I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.
There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.
Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.
This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.
Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.
Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.
Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.
So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.
Where were you the night in question?
That night is a full moon
Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.
But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.
Grab your torches and sharpen your pitchforks!
As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.
And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.
Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.
Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.
And he gets bitten.
Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.
Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.
And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.
But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.
I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a horror film? That’s just boring.
But I guess that’s just they way it is these days.
So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?
Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.
He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.
Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.
Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.
But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.
Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.
Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?
Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?
Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.
As Laurence turns to go inside, he becomes…The Wolfman!
Now this was worth the price of admission. These transformation scenes are awesome!!!
So now that he is a wolfman, he does what they all do. Ravage the countryside.
The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”
How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.
Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.
Can you imagine?
And oh joy, he also gets electroshock therapy.
While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.
Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.
Except, it was more than “imagining” he actually became a werewolf and began attacking things.
That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!
Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.
It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time
But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.
But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.
Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.
Omg what a–
He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.
After he finishes his story he leaves, intent on never returning.
He deserves another punch.
That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!
This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.
Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.
Totally fangirl over that.
Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!
The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.
Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.
Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.
Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.
Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.
Sir John Talbot: You have me at a disadvantage. It makes me happy.
Lawrence Talbot: What does?
Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?
Lawrence Talbot: No, it’s hell.
Sir John is a freak. He needs help. Serious help.
Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.
So after Laurence burns and decapiitates his father, Gwen walks into the house.
The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.
He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.
Grab your torches and sharpen your pitchforks!
While he is concentrated on them, Gwen shoots him through the heart.
Laurence changes back to his human form, and before he dies thanks Gwen for saving him.
Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?
Gwen Conliffe: [crying] I’m sorry…
Lawrence Talbot: It had to be this way.
Gwen Conliffe: I’m sorry.
Lawrence Talbot: [he holds her hand] Thank you. [Dies]
The posse and an injured inspector arrive just as Laurence dies.
So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.
But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.
And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.
You forgot the first rule of remakes, Jill. Don’t f*** with the original!
If only Wes had followed his own advice.
I wish they hadn’t messed with the original. This movie sucked.
Just plain horrible. You see this all happened because everyone wanted to make another film after Scream 3. Wes told them he wouldn’t, unless the script was as good as the original film. Unfortunately, those dunderheads thought that meant they needed to do a horrible remake of the first amazing film.
For those of you just tuning in, this is the last of our Screamtastic Saturdays. Every Saturday this month I reviewed one of the Scream films. To read about them before you start this one, go to Scream, Scream 2, Scream 3.
Now as you can tell I didn’t enjoy this one. As I watched this film I took a lot of notes on my feelings, A LOT. I’m just going to write them verbatim.
So let’s get started on this travesty…
I don’t wanna
So the film starts out with two girls (Lucy Hale and Shenae Grimes) hanging out discussing horror films and stuff. One of them has a facebook stalker. It turns out to be ghostface who stabs and kills them both.
It turns out that its not real. It is the opening scene from the film Stab 6 that two girls are watching. (Anna Paquin and Kristen Bell).
So that’s the first problem of this film. It was so dripped in big name actors that it was impossible to get into. I mean the original had famous actors too, but this was tooooo jam packed. It’s too much, far too much.
So Anna Paquin talks too much during the movie that Kristen Bell kills her.
I know Kristen Bell? Whatever.
Yep, it’s just another fakeout. It’s Stab 7 that Julie from Friday Night Lights, I mean Jenny (Aimee Teagarden) and her friend Marnie are watching. After that Jenny goes upstairs to get something, and instead prank calls her friend. The “real” Ghostface comes in and kills Marnie, with Jenny right behind her.
Victim 4 & 5
And here we have another garage scene that is improbable. I’m telling you, any automatic garage door will not be able to kill someone. They design the mechanisms so that if there is something underneath them, it will cause them to be incapable of being squished.
And the other problem with this scene is the fact that having two fakeouts was too many. After the two psych-outs, I was not attached to the characters as I was just expecting them to die. It wasn’t scary, mysterious, funny, or good. It was just bad. Bad, bad, bad. Plain ol’ lazy writing. Come on Wes, you’re better than this. This is reverting back not evolving.
So this film, and the first scene, take place 10 years after “The Woodsboro Massacre” or the amazing phenomenon known as Scream. Deputy Dewey is now Sheriff and married to Gale Weathers. Gale has stopped reporting and turned to writing fiction. Sidney has written a book on her experiences and is on tour. In fact, she has just arrived in Woodsboro. And Randy is dead.
Still not over that.
We then see the horrible Emma Roberts getting picked up for school. I hate Emma Roberts. She has no talent whatsoever. She always seems as if she is acting, so I never believe that she is whatever “character” she is playing. She’s like a block of wood. I think she is secretly a robot as she never gives any emotion. None whatsoever. She’s proof that just because one family member has talent, doesn’t mean the rest do.
I bet she is the killer. She’s all I hate Sidney. Blah, blah blah…
Anyways, Jill (Emma Roberts) is being picked up by her friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe). Now who are these girls trying to fool? There is no way these girls are in high school they look sooo OLD.
I mean Roberts could pass for 19 at the youngest, but Panettiere and Jaffe? They are clearly are late 20s heading for their thirties. I’m looking it up now…let’s see…Roberts was 20 at the time, Panettiere was 22, and Jaffee was also 22. Okay so they weren’t as old as I thought they were, although they look it. I mean it’s laughable how they think they could pass off people so old as high school students.
Jill and Olivia receive texts from Jenny and Marnie, even though they aren’t close friends or anything…and the two girls are dead (although no one has discovers it yet. Speaking of which where were the parents during all of this? Why weren’t they with their kid? How come it took someone so long to discover the body? Come on now!)
Wes also has a love affair in this film with fake jumps. It’s like every five seconds. Seriously, just stop.
At the station Sheriff Dewey gets called on the scene and I notice something here Wes. Yes…yes…it appears that Dewey no longer suffers from a limp. I see, I see. Dewey gets to be limp free WHILE RANDY IS DEAD??!!
Never letting that one go. Moving on.
So Sheriff Dewey is called on the scene and he knows, he just knows
RIP Randy! Love you forever!!!!!!!
So as Sheriff Dewey is looking around, one of his deputies calls him Sheriff Riley. And I was like Whaaaaaaat????? Dewey has a last name?
Sorry. Back to the film.
So then we zoom to the high school were we have Hollywood’s version of high school students. You know horribly unrealistic and clichéd to the farthest ranges of the imagination. Because in Hollywood:
Yep, enter super nerd who has a computer hooked up to his headphones so he can blog every moment of his life.
Really Wes? Have you been to a school and seen real nerds? They don’t dress like that or do that? I mean when Ned’s Declassified did the Nerd has camera/computer hooked up to their glasses they did it to spoof. They weren’t trying to portray the nerd/online/blogger culture. You fail. Big time.
So then we enter douche boy, Jill’s ex-boyfriend. I mean this is some serious deja vu as he ex is a total creep. I guess douche dating runs in the family.
So during homeroom, everyone’s cellphones buzz with the news. I’m just like, why wasn’t the school notified? When I was in high school we had two deaths. One was a car crash, the other an overdose and the teachers were all immediatey notified before the friends even found out. Same thing in college when a guy committed suicide, and another guy jumped off his balconey as he was high and had a bad trip. Although in college they sent emails and texts to the students, while in high school they told us.
At the bookstore, Sidney is reading an excerpt from her book when Sheriff Dewey comes marching in. He interrupts the signing as they are tracking the phone that placed the calls. They discover it in the back of Sidney’s rental, along with bloody handprints.
Back at the station, Sheriff Dewey s dealing with a lot. Gale comes down as her old investigative spirit is still alive. She encounters a huge prob though. Dewey’s deputy, Deputy Judy, has a mondo crush on Dewey. But Gale, she’s not having any of that.
I love that Gale is still kickin’ butt.
So Sheriff Dewey decides to put Sidney on 24-hour police protection, and all I can think is do you remember what happend last time? Yeah, it did not end well.
You know what almost everyone in this film has drunk the kool-aid. I know that Wes wanted to provide a wide range of “suspects” (totally obvious Jill and Culkin brother/crazy film nerd guy). But he makes everyone seem CRAZY!!! Jill’s ex, the deputy, and that’s not all. Let’s add Sidney’s publicist who delights in the murders because it will sell more books. She actually hopes more will occur. And then we have Sidney’s aunt Kate. “Nobody cares about the fact that it was MY sister that was killed or what I’VE been going through.
So at this point in the film I’m starting to wonder what happened to Patrick Dempsey? AKA Detective Mark Kincaid. I guess he was too busy being a doctor or maid of honor. Let’s see…Yes to doctor, no to maid of honor. He was trying to protect a bank teller and working with Decepticons. I wish they had given us a clue as why they didn’t stay together. I liked Mark.
Later that evening, Sidney goes to talk to Jill and you know what..how come we have never heard of this aunt and niece before? I mean they have lived in the town their whole life and not once was concerned with Sidney? Like why didn’t she stay with her aunt when he dad was out of town? This Wes, is why you do not try and remake a good thing. Just leave well enough alone.
So Sidney goes in to talk to Jill and sees her creep ex climbing in her window trying to talk to her. He’s extra creepy and weird calling himself “the ninja”. Who nicknames themselves? He is also a total control freak and won’t listen to “no”. What a jerk.
That night Kirby comes over and she and Jill are watching scary movies. Kirby gets a call from Ghostface that he’s hiding in the closet. She decides to be stupid and looks around, finding no one. Like this guy KILLED people. Maybe you should CALL THE POLICE!!!!
The voice says that he never stated which closet he was in.
Now the house next door is Olivia’s who is home alone (of course). The police offered to walk her to her home but she refused and like the stupid caricatures they are, they agreed. I just realized that policeman in the Scream films are pretty stupid. Dewey and Mark being the exception. I mean SHE RECIEVED A DEATH THREAT FROM GHOSTFACE EARLIER!!!! WHY IS NO ONE PROTECTING HER!!! So of course, Ghostface is in her closet and kills her.
And her friends just watch.
Seriously, they DO NOTHING BUT WATCH THEIR FRIEND GET SLICED APART. Scream! Call the police!!! Do something!!!!
Sid hears it and rushes over to help. Now Sid I love you, but couldn’t you have brought a weapon with you? How do you expect to save the girl if you have nothing. I mean come on, grab a bat, frying pan, knife, SOMETHING!!!
Sid does manage to take him down as she rules! But when the cops come he’s disappeared? Who is he Michael Myers? How does he move so fast? I mean they did the same thing in Scream 2.
Why weren’t the cops able to find him? WHY DOES EVERYONE SUCK??? THIS MOVIE IS HORRIBLE, HORRIBLE I TELL YOU!!! CRAVEN YOU HAVE DISAPPOINTED ME AGAIN! IT’S LIKE NIGHTMARE ON ELM STREET ALL FREAKIN’ OVER AGAIN!!!
Not happy, not happy at all
Gale seduces the two nerds to get them to help her. At first I thought it was funny, but the more I think about it, it’s creepy. I know on Cougar Townyou are always with younger men, but this is a 47 year old woman hitting on 17 year olds.
PR girl is the devil. I am sorry but the way she gushes about the killings, she needs help.
So after she leaves from visiting Sidney in the hospital (minor cut) she runs into Ghostface and is killed.
Now to be honest its her own fault as she really shouldn’t be walking around at night by herself with a killer on the loose. And what’s really stupid was that she was by her car. Just get in and drive away, run him over. Instead she tries to run. DUMB DUMB DUMB DUMB. I mean come on, you were sitting inside the car! Why would you ever take off?
You know what I just realized. so far the killer has only murdered women. What’s up with that? In the other films it was always equal. How come you’re just killing women Wes? Huh? Why? You know what else? In every film we have couples who are murdered first. Scream– Steve and Casey, Scream 2– Boyfriend and Jada Pinket-Smith, & Scream 3– Cotton’s girlfriend and Cotton. But in this one its only been girls. There’s a formula!
But now, we only have females murdered. What happened Wes, did you have a woman break your heart so now you are releasing your anger on females?
And you know what’s really depressing about this film is that it lost everything. It isn’t a horror parody and a horror film at the same time; It’s just sad and boring. You can tell from the beginning who the killers are (Jill & Charlie [Culkin brother super nerd]). It’s just a recycled plot. A poorly recycled one too.
I mean each previous Scream brought something new and fresh.
Parody of the Horror film Genre while still being a great horror film
Twist ending with two killers, and one being the boyfriend.
Obsession with horror films and trying to create their own
Revenge because his mother left.
Parody of sequel films and horror sequels
Debates issue if whether horror films turn people into killers
Twist ending where you think it is the boyfriend murdering, but really ex’s mom
Female serial killer
Parody of trilogy films
Twist ending with mother’s secret early life + half brother
Single killer this time
All the survivors end in a couple-Dewey & Gale, Mark & Sid
Pop culture of the day inserted but it feels more like an old man trying to be “hip” and failing than avant-garde.
They waited far too long to make this film. It should have come sooner.
So the next day Gale gets Sidney to come speak at the film club at the high school. In return for this, the two geek boys Charlie (the Culkin brother) and his friend blogger- headphones, Robbie, will help her out. Gale thinks the new Ghostface is copying the murders, but the nerd twins point out that it is a remake “as only remakes are being made these days.” Tru dat. In 2011 alone there was Silent House, Gnomeo & Juliet, The Green Hornet, The Roommate, The Mechanic, Just Go With It, Unknown, Jane Eyre, Winnie the Pooh, Arthur, X-Men: First Class, Rise of the Planet of the Apes, Fright Night, Conan the Barbarian, Real Steel, Straw Dogs, The Thing, Footloose, The Muppets, and The Sitter.
The kids tell Gale & Sidney that if the killer wants to make it intense and new he is going to record the murders. That’s not new, it’s been happening for quite so time now. Just another ripoff.
They decide the next place he will strike is the annual Stab-a-thon. Now you have a killer running about and you refuse to stop your party? Definteky Charlie. He’s the killer. I mean come on, any smart person would be like nope, let’s stop this so people don’t die.
So a bunch of the kids dress up in Ghostface masks which is incredibly stupid. I mean you have a KILLER IN THE GHOSTFACE MASK? Why is everyone so STUPID.
Gale goes there just like in the first film and hooks up some “secret cameras”. The cameras get covered up and Gale calls Dewey before she goes into take care of them. Now the smart thing would be to just wait as it is obvious that Ghostface is the one doing it, but whatever! I mean like even if you feel like you HAVE to go, why not be extra cautious and take a weapon! I mean, come on now people. She goes and is stabbed by the killer, however, she’s Gale so she just has to go to hospital. That’s cause Gale is awesome.
I just want this film to be over. It is that painful.
So I am liking nobody in this film. Like every character is crazy or stupid. The only exceptions are Gale, Sid, Dewey, and Aimee Teagarden’s character as she tried to run away. Even though I think Emma Roberts is the killer I want her to get stabbed so I won’t have to see her face again this film and hear her horrible acting voice.
So back at the house Sidney sees something outside. She goes to take a look at it instead of CALLING THE POLICE! Come on Sid, you’re better than that.
So the cops outside Kate/Jill/Sid’s residence are all comedic and talking about movie cops. They say that cops are what you never want to be as they are always “getting it” in films. Uh, not true! What about Dirty Harry? Ain’t nobody taking down Clint Eastwood. Or what about Patrick Dempsey in Scream 3, I mean Wes you freakin’ made that film. Witness? Harrison Ford always dominates! Sidney Poitier In the Heat of the Night or They Call Me, Mr. Tibbs! Mark Wahlberg in The Departed? Die Hard?
Besides why would the black cop be worried that since he is a cop he’s going to killed? He’s got bigger worries, he’s a minority. He’s going to get killed for that. The only horror films I’ve ever seen where the minority doesn’t get killed first and makes it to the end would be Night of the Living Dead and Aliens vs. Predator.
They both get killed.
Victim #8 & 9
I was actually happy about that as they were annoying.
So someone in this film finally wises up, as Sid grabs a knife to protect her. Ghostface comes and attacks. Yawn! Knew it was going to happen. There is NOTHING original in this film, NOTHING!!!! Wes you have failed, fAILED FAILED FAILED!!!!!!!!!!!
So Kate also gets killed, she was stabbed through a door.
Is it over yet? Is the film done yet? Boo. There’s still 30 mins left! UGH, UGH, BLEH! I would stop watching like a did with An American Werewolf in London, but I promised full reviews of every Scream film and I can’t go back on that.
So Sidney escapes. She starts to head next door to protect Jill.
Next door we have Jill, Kirby, Robbie, & Charlie watching horror films.
So why don’t any of these kids feel remorse for the murdered people? I mean in Scream the main characters weren’t close to Steve and Casey (except Stu) so I could see where it didn’t make the biggest impact. But Sid started feeling when it was Tatum, Dewey, Gale, etc. In Scream 2, the girl in the film class was sad about her friend that was murdered in the movie theater and everyone is heartbroken over Randy.
Then in Scream 3 Cotton’s death, and while the characters didn’t know the movie stars, they were still sad to see them killed. I mean Olivia was their friend as she was MURDERED!!! And you know how they react? Jill in her monotone voice is fine and doesn’t say anything. Kirby goes to the Stab-a-thon in sa freakin’ ghostface mask. A GHOSTFACE MASK! I mean your friend was MURDERED, MUREDERED! And you are wearing the thing that killer wore to murder to your friend. Something is wrong with you all.
And you know what, that is the problem with this film. In the other versions you believed the actors were the characters. You believed them. In this film every character except for the 3 survivors are so fake. They have any real emotions. They don’t have any real reactions. They are like robots or something.
Why is everyone dumb in this movie? This movie is horrible and stupid! Dumb, dumb, dumb, dumb! OMG! it’s LIKE HE WANTS TO MAKE A SUCKY VERSION OF AN AMAZING FILM! WHY WOULD HE DO THAT? WHY? WHY? WHO GAVE HIM THE MONEY. You all should be held accountable for this!!!!
Is this too crazy?
This is film is a HUGE DISAPPOINTMENT! BIG MISTAKE!!!!!!!!!!!!!!!!!!
So the group is hanging out. Trevor comes over as he says Jill invited him. She tells them that is impossible as her phone has been missing. Jill goes upstairs and Trevor follows her. While he is gone, Robbie gets drunk and heads outside for another blog post. When he does this we have the only real scare in the film. He runs into a plant. That’s it folks, so far the plant has been the most scariest and original thing in this travesty. And that’s not even that original.
Back inside, Kirby is trying to seduce Charlie in the most horrible and painful way. It hurt to watch this scene. It was awkward, it was stupid, and it would never happen that way in real life.
You know what I’m wondering now? Where are the parents? Come on now, is Jill the only one in town with a parent? They are completely absent! At least in Scream they explaned it. Casey’s parents were out having dinner. Mr. Prescott was going out of town. Mrs. Riley (Dewey & Tatum’s mom) is a single parent. Stu’s parents don’t care and are out of town all the time. Mr. Loomis works late hours and has recently become a single parent. I get that, although they should have done a better job. Scream 2, in college parents aren’t there., although I’m really surprised not one of them came down to check on their kids. Scream 3 all are adults. But these kids have no parents anywhere, nor do they give an explanation except for Olivia She mentions that her mom works late. Its like this whole film is in an alternate dimension where reality plays no part at all. I mean I know its a movie, but explain! Movie EXPLAIN!!!
So this film is far too predictable. You know Robbie who is hanging outside is going to be killed first, then Kirby, then Trevor, and then Charlie. It is soooo obvious.
This is horrible. Why am I watching this? Why?
So Robbie of course is killed, and too his shock as he thinks being gay will save him. I thought that was a weird thing to say. I mean, I can’t think of horror films where a gay person always survive. I mean technically he’s in the minority category and we all know that minorities hardly ever make it to the end of a horror film.
Before Kirby and Charlie could get it on, Trevor comes downstairs. He couldn’t find Jill upstairs. He and Charlie head to the kitchen, leaving Kirby alone in the living room. Jill comes from downstairs, now how the heck was she there? (I mean obvs to me she’s the killer, but why doesn’t anyone else think that weird?) Sidney runs into the house to warn everyone. IT WOULD HAVE BEEN NICE IF YOU HAD CALLED THE POLICE FOR BACKUP. Kirby goes down to the basement, while Jill and Sidney go upstairs. Jill hides under the bed.
That is the worse place to hide. Beds and closets are always checked first.
Sidney comes down to the basement with Kirby and they see Charlie. He wants them to let him in, but Kirby is unsure whether or not she can trust him. Ghostface grabs him and ties him to a chair. Ghostface then calls Kirby.
The two are going to play a game. Kirby wins, Charlie is free.
The Voice: I hear you like horror movies, Kirby. But do you like them as much as him? Forget watching Stab, instead you get to live it.
Kirby Reed: No. No, no, no, no. He’s the expert. It’s not me.
The Voice: Warm up question: Jason’s weapon?
Kirby Reed: Uh,it’s a machete.
The Voice: There. You see? You do know the genre. Michael Myers?
Kirby Reed: Uh, butcher knife.
The Voice: Leatherface?
Kirby Reed: [crying] Chainsaw! Please!
The Voice: Just ask Sidney if you need some help. Freddy Krueger?
Kirby Reed: Razor-hands.
The Voice: Name the movie that started the slasher craze: Halloween, Texas Chainsaw Massacre, Last House on the Left or Psycho?
Kirby Reed: Psycho.
The Voice: None of the above! Peeping Tom, 1960, directed by Michael Powell. First movie to ever put the audience in the killer’s POV.
Kirby Reed: Wait. No, no, no. Please, just ask me one more question. Just one more.
The Voice: Alright, Kirby, then it’s time for your last chance. Name the remake of the groundbreaking horror movie in which the vill…
Kirby Reed: Halloween, uh, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, uh, Last House on the Left, Friday the 13th, A Nightmare On Elm Street, My Bloody Valentine, When A Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right? Right?
Kirby Reed: I got it right. I was fucking right. [goes outside; unties Charlie] Don’t worry, Charlie. I f****** won. I won. He tried to beat me but I f****** won.
Charlie Walker:[holding knife] Kirby? This is is making a move! [stabs her] Four years of class together and you notice me now? You stupid b****! It’s too late! Shhh, I know. It doesn’t happen as fast as it does in the movies, I know.
[finishes stabbing her and drops her; runs away]
Yep Kirby is dead.
And Charlie was the killer. Totally obvious.
So deputy Judy comes into play as she discovers Kate’s body and the dead cops. She heads over to Kirby’s house to check on everyone. I still want to punch her crazy-obsessed with Dewey face.
Does that make me a bad person?
So Sidney is being chased by Charlie and manages to escape him heading for the door. But Sid, don’t forget, except for Scream 3 there are always two killers. And as she heads for the door…boom Jill stabs her.
Now if Wes wanted to make this really unique. He should have down a group of female killers. It is rare, but does happen. Olivia, Kirby, and Jill. Or deputy Judy. She could be doing all these murders just so she could kill Gale and get Sheriff Dewey. Or he could have not tried making a remake. That would have been fantastic!.
So the two totally obvious killers start revealing the reasoning behind it. Jill was always jealous of her cousin’s fame. And as Emma Roberts…I mean Jill has no talent, she figures this is the quickest way to make her famous.
Jill Roberts: My friends? What world are you living in? I don’t need friends. I need fans. Don’t you get it? This has never been about killing you? It’s about becoming you. I mean, for f***’s sake, my own mother had to die, no great loss there, so I could stay true to the original. That’s sick, right? Well, sick is the new sane. You had your 15 minutes, now I want mine! I mean, what am I supposed to do? Go to college? Grad school? Work? Look around. We all live in public now, we’re all on the Internet. How do you think people become famous any more? You don’t have to achieve anything. You just gotta have f***** up-s*** happen to you. So you have to die, Sid. Those are the rules. New movie, new franchise. There’s only room for one lead, and let’s face it, your ingenue days, they’re over.
Charlie was her new boyfriend that was helping her do this. They plan to have Trevor take the fall for it, stabbing themselves, but shooting him to make it look like “self-defense”. Charlie is happy that the “geek will get the girl”, but Jill tells him sorry and kills him.
You know what I just realized. They never clean the knife. Ever. With all those kids having sex and the amount of diseases that abound, now all I can think is how they’ve been spreading so much to people. They’ve all probably got Chlamydia or something.
Also WHERE ARE THE POLICE!!!??? I mean deputy Judy was right next door!!!
So then Jill kills Trevor and Sidney.
Victim #14 &15
After that she starts taking care of the evidence. Planting the knife/gun. Beating /mutilating herself. Even ripping hair out and putting it in Trevor’s hand.
When the police finally come, they discover her and name her the sole survivor. They cart her off to the hospital. In the hospital Dewey visit Jill, who is all smiles. I have to say nobody is freaked out by the fact she doesn’t care that her best friends, mother, and cousin have all been brutally murdered???!!! Someone ship her off to the psycho ward. That girl is crazy!
Jill tells Dewey that maybe she and Gale can write about the murders as they have matching wounds. Dewey tells her that Sidney might be able to also help, as she is going to recover.
Yep, looks like we have Dial “M” for Murder all over again.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
You can’t plan everything sweetheart.
So Jill gets out of her bed and charges down to ICU to get to Sidney.
That is impossible. There is no way she would be able to get across the hospital as they are jam packed with people. Especially ICU. Most ICU units actually are protected by some kind of card swipe or button so that only certain people can go in. There’s no way she’d be able to get to Sidney.
Dewey goes to see Gale, and as he mentions Jill’s comments they both realize that the information about her stabs were not released to the public. There is no way she could have known where Gale was stabbed, unless she had done it herself.
Dewey runs down to get to Sidney, and sees Jill trying to kill her. Sidney is doing a great job as she is Awesome! Sid you rule! Jill does have an upper hand as she tries to hurt Sidney in her stab wounds. Dewey is trying to help, but gets knocked out by a bedpan. Gale and Deputy Judy also come in, but Jill stole Dewey’s gun and threatens killing Dewey to get Deputy Judy’s gun. After the gun is passed, she shoots Deputy Judy in the chest.
Jill is threatening all and planning on killing them but this is very stupid. She already framed Trevor and gave a statement. How is she going to explain the other dead bodies? Who can she pin the murder of Sidney, Gale, Deputy Judy, and Sheriff Dewey on. Not going to work.
Jill plans in killing Gale next, as Sidney’s wounds have reopened and she seems to be the lesser threat. She is about to when Sidney shocks her with the defibrillator.