Welcome to a New World of Gods and Monsters: The Mummy (2017)

Welcome to a new world of gods and monsters.

So I love The Mummy (1932)

And The Mummy (1999)

But this one was horrible!

Ugh.

The plot made no sense at all!!!

Help me! I’m confused!

There was no cool Egyptian stuff or history or action at all. It didn’t even take place in Egypt but in England!

And they threw in Dr. Jekyll and Mr. Hyde and didn’t explain why:

This is pretty much how I felt through the whole film:

It was just horrible from beginning to end, didn’t explain, and I didn’t care about any of the characters. I’d rather watch him:

Or him:

Or her:

Or her:

Any day.

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For the previous post, go to What Do They Want You For? Murder: Silver Streak (1976)

For more mummy films, go to A Modern Mummy: Under Wraps (1997)

For more Tom Cruise, go to Pot o’ Gold: 17 Irish Heroes

For The Mummy (1932), go to Eternal Punishment for Anyone Who Opens This Casket: The Mummy (1932)

For more Dr. Jekyll and Mr. Hyde, go to Man-Bat: On Leather Wings, Batman the Animated Series (1992)

For more sucky films, go to Have You Seen Megan Hipwell?: The Girl On the Train (2016)

For more sucky remakes, go to Dracula. Not Myth, Nor Ravings of a Mad Irish Novelist, Oh No, He’s Real: Dracula 2000 (2000)

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Have You Seen Megan Hipwell?: The Girl On the Train (2016)

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Have you seen Megan Hipwell?

I first was introduced to the book this film is based on by Goodreads. Everywhere I looked they promoted the book and kept recommending it to me.

They were constantly attacking me trying to get me to read it. That kind of pressure actually made me not want to read it at all.

Want YOu Leave Me Alone

But then I saw the film coming out and decided that I would like to read the book before seeing the film. I figured out who the murderer was, but thought the book was pretty well written.

LeavehertoHeavenReading

So before we start with the film review, let’s give a bit of background on the book. So the theme of the book is that you never really know a person, there is a lot more than meets the eye.

Carnival of Souls Don't know real

So the book is told by three female narrators who are completely unreliable.

1) First we have Rachel Watson. Rachel is bitter, obsessed, and an alcoholic. We want to like her and believe in her, feeling for the wrongs that have been committed against her, but at the same time we can’t trust her. First of all Rachel is an alcoholic who continually blacks out when she gets drunk and never knows what actually happens. Besides that, Rachel admits that she has an overactive imagination so we never know what she does remember or see to really be what she says or whether it is made up in her head.

2) Secondly we have Anna Watson. Anna was a real estate agent by day, party girl by night. When she met Tom Watson, Rachel’s husband at the time, she wanted him; became the other woman; got pregnant and became the new wife. She dislikes Rachel and the disruption she brings as she continually plagues their life. As Anna is willing to do all she can to get rid of Rachel, can we actually believe what she says about her or is it just jealousy?

3) Last we have Megan HipwellMegan says right away that she is a liar and makes things up all the time, no one really knows who she is. Therefore, how can we trust a single sentence she utters? Her story is told in flashbacks, leading up to her disappearance and murder.

So I  decided to see the film, how did it hold up?

It works

Well………………………………………………………………………….

I don't like it 11

I thought the film was pretty horrible. It didn’t capture the thrills of the book, the language and screenplay was horrid; and they just inserted sex everywhere! I was furious! WHO WROTE THIS? It sucked!

fliptablesangrysurprised

So let’s count down what made this film so bad.

startrekletsgetstarted

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1) Setting

Macdonald-Elmers-Court-Resort-England

So they changed the location from England to New York and I thought that was a bad decision. First of all I’m tired of everything being New York, it is getting kind of boring. Besides that I thought England was a better choice as unlike America, Europe is so centered on trains. I also thought the weather and location added a certain suspense to everything.

fog

Plus the way the police interact and a lot of mannerisms; didn’t translate over as well to American. I mean there was Rachel’s obsession with her house that is very English, a type of Peril at End House that we have here, but not as strong.

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2) The Language

Thank-you-in-many-languages

The book was well written and crafted well in creating the story. The film, however, was not done well. I can’t believe the person who wrote this was paid any money, it was bad. Just F-bombs; no mystery, no suspense, nothing.

I don't like it 11

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3) Too Much Sex

did not need to see that

They trade out character development and actual plot to just show sex like every ten minutes. None of this was in the book, as it didn’t need that to be a good story. In fact the excessive sex just made the story weaker.

I mean when you watch the trailer they market it like 50 Shades of Gray. That was not what the book was about.

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4) Where was Anna?

thegirlonthetrain

So the book is split between three narrators, the film did well with two but Anna had hardly any character development. In fact she was barely even in the film. Why would they do that? She was a big part of the story?

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5) Surprises Revealed Too Early

really?

really?

So the book is a SUSPENSE. A THRILLER! You aren’t supposed to reveal things right away, they are supposed to be done slowly.

However, this film took all the thrills out early on. If you watch the trailer, the killer is revealed. They tell everything about Rachel’s reason for drinking, Megan’s secrets, etc.

It is like they wanted to do a drama instead of a thriller.

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6) Most of the Casting Choices were Horrible

So I disliked almost every actor they choose to play these characters. What were they thinking? Who was in charge of this? They should be fired.

Scott Hipwell

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In the book Scott was a wealthy IT consultant. He had a lot of money and could support the two of them, have a nice house in the country, and live off having to travel and work like once a week to twice a month. He was kind, handsome, charming, respectable, etc. You wanted to like him because Rachel did. Rachel believed in him and never thought of him being a killer or ever hurting his wife. He had to be someone you felt comfortable with, that way when Rachel realizes she has no idea who this guy really is, just who she imagines him to be, it takes on a real creepy tone.

In this, from the way he [Luke Evans] dresses and acts he seemed abusive and controlling. I never trusted him in the film as straight off the bat he acted and looked like someone who would hurt women. He never appeared trusting, kind, or gentle. He never appeared IT and their home looked barely lived in and worn. It just didn’t work and he didn’t work.

Tom Watson

thegirlonthetrain

So in the book, Rachel describes Tom as being strong, powerful, and having the shoulders that seemed like they could carry all their weights and burdens. He is remarried, but at the same time the way he treats Rachel is almost like Cousin Ashley in Gone With the Wind, keeping her on a string.

In this film, I was surprised that they picked Justin Theroux. He was small and made me think of a weasel. I never thought he seemed comforting or a good husband; he looked like a liar and a cheat the whole time. I thought he was a bad choice, as like Luke Evans, he just couldn’t create a sincere or kind facade.

Anna Watson

thegirlonthetrain

As said before, Anna was supposed to be party girl turned wife. In this she had no character development and the only bit we had was that she loved being a mom and thought it was the best thing any woman could do. We never heard about what she thought about their relationship, her hatred of Rachel, her needs, desires, etc.

Megan Hipwell

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I thought she was okay. They definitely played up the sexual angle, but didn’t focus on everything she went though to be who she was. All she was was a sex addict; not a grieving sister, former drug addict, bankrupt business owner, wife, friend, etc.Megan was much more complicated than just sex.

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The only thing I really liked was Emily Blunt as Rachel. She did extremely well in showing the emotional abuse and effects of alcohol. Good job, Emily!

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

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For more films on disappearances, go to What Have We Done to Each Other?: Gone Girl (2014)

For more Emily Blunt, go to Beast or Man: The Wolfman (2010)

For more films based on books, go to That Face-I’ve Seen Her Before…: Let Me Call You Sweetheart (1997)

You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows: Blackmail (1929)

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You’re a Detective, Let Me Give You a Tip. Don’t Wave Important Evidence in a Telephone Booth. They Have Glass Windows

So this is an Alfred Hitchcock film.

princess-leia-i-dont-know-what-youre-talking-about

Most people don’t. This is one of his early films, and the first “talkie” he made. In fact this is the first British talkie.

Mal_huh Whoa Wow what

Originally Hitchcock wanted it to be silent, but was forced to add sound so that England could catch up with the USA. This caused quite a few issues as the leading actress, Anny Odra, looked the right part, but her accent was so incredibly thick that no one could understand her and she had to lip sync her lines.

ouch Hermione

It also has quite a few music heavy scenes as theaters weren’t quite ready to just have the sound of voices, and neither was Hitchcock. He thought talkies were ridiculous.

immatureHowIfeelBones

Now I thought about doing three Hitchcock films again, but I wasn’t sure what to do after Psycho. I decided to do this early film as I think it is unfair that a lot of his work that set up the later films are ignored. Thus far I have only planned on reviewing this Hitchcock film, but you never know. A lot can happen in a month and I might change my mind and add another.

Who knows!

Who knows!

So on to the review.

DeanSupernaturalLetsGetStarted

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So the film starts off with a group of police officers, Scotland Yard [as this is when Hitchcock was in England], are off in a paddy wagon searching for a man. Their is no sound in this beginning part, just chase music.

 

The man they are looking for is smoking in bed. He sees the men approach his door through a reflection in the mirror. There is a gun next to him in the bed and he looks at it, while pretending to read the paper. He tries to reach for it, but the detectives stop him and force him to dress. He is under arrest.

Or in this case "we"

Or in this case “we”

They carry him down and take him in the wagon to New Scotland Yard. The spend a long time questioning him, the passage of time being shown through multiple cigarettes being burned.

Being questioned police Annex - Tierney, Gene (Laura)_03

After the hours of questioning, the days not over yet. They still have to put him in a lineup, wait as the witness looks over the men and ponders of one is the one they saw. When their man is selected he is formally charged, taken fully into custody, fingerprints are taken, he is sent to the cells, etc. The detectives work is over for the day.

Take note, rest of Hollywood.

Two of the detectives were involved stop in a bathroom to polish up. One of them is Detective Frank Webber (John Longden), he has a date tonight and heads out to meet his girlfriend who should be waiting in the foyer.

Alice White is waiting, as she has been there for thirty minutes. She is very upset with Frank as she hates waiting.

I'mwaitingPrincessBride

Frank tries to greet her, but Alice is just angry with him. She won’t let him hold her arm or hand; and keeps looking away from him. This attitude doesn’t please Frank as Alice has been doing this a lot and he feels she is overreacting.

You need to calm down

You need to calm down

He’s a detective, sometimes things won’t go according to plan, it is part of the job.

The two take a train, and here we have the longest cameo of Hitchcock in any of his films.

blackmail2alfredhitchcocktrainread

It is hilarious. The whole trip he is trying to read and a little kid just will not leave him alone. After this Hitchcock decided to make his cameo’s short, quick, and early on as to not take away film.

Take note, rest of Hollywood.

They go out to a tea room, but have trouble finding a place to sit as it is packed. Alice is still mad at Frank for being late and blames him for their current trouble.

Laura Angry Mad Upset

Now I personally think that Alice is overreacting. First of all you are dating a detective, you should know that things will come up and they might have to work later than planned. I mean, come on. It goes with the territory. And secondly, from the way the room is mobbed with people, if you had arrived 30 minutes earlier, it really wouldn’t have helped you out.

So there! tongue sticking out pug

They have to literally fight for a table, managing to scoop one from another couple. But when they sit down, Alice complains that she left her glove at the previous table they had tried to sit at. Frank being a gentleman, goes to retrieve it.

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Frank returns with the glove and jokes that he could tell it was hers because of all the holes in it. Alice doesn’t laugh but continues to be angry and snippy at him for making her wait around, acting like he does it for fun. Frank explains that it is work, but Alice continues on feeling wounded.

Now Alice is not really angry at him for being late, but upset because she feels he doesn’t pay enough attention to her, but puts her behind his work.

LookBackNorth&SouthMr.Thornton

But instead of telling Frank why she is upset she kind of tries to play games with him. Frank is trying to get the waitresses attention, because they were going to see a new Scotland Yard film, and he doesn’t want to be late. Alice, upset and trying to get him jealous/pay attention tells him she doesn’t want to see the film as she’s “seen all worth seeing.”

No thank youhowaboutno

Frank goes to speak to the waitress to get their order and while he is gone Alice spots another man.

What! Mark Wahlberg that's weird

He greets her and heads to another table. Alice then pulls out a note given to her by him earlier.

I’ll be there 6:30 Tuesday, will you?

I don't think so

What a jerk! There is no excuse in all the world to ever justify cheating on your relationship.

ThewomenBadnameBitch

Frank returns, ready for them to stay as they aren’t going to the movies. But Alice tells him she has changed her mind and wants to go.

Okay...

Okay…

But then Alice changes her mind again (this is the third time) and doesn’t want to go.

What?

What?

But then she changes her mind again and doesn’t want to go with him.

Tom-Hanks-Saying-Really

This makes Frank angry as he is tired of this mood Alice is in and doesn’t want to play any games. He tries to get the waitress to take care of their order but can’t flag her down.

 Things are not going as Alice imagined they would in her head and she tries to fix things and get him to stay, but Frank is done. He leaves money on the table and exits the restaurant.

See ya!

See ya!

Frank doesn’t actually leave but paces outside reviewing what happened in his head. He decides he overreacted and starts to go inside to apologize when he sees Alice leave the restaurant with another man, the same one she had made plans with earlier.

OMG gasp

Poor Frank!

right in the feels broken heart

I truly think she engineered the whole fight to get rid of Frank and wasn’t sorry.

Seriously!

Seriously!

So the guy Alice is with is never given a name, he is The Artist in the credits so that is what I will call him.

Anyways,  Alice and the artist walk back to his place. Outside it, is a man waiting to speak to the artist.

suspicious Hmm

Originally, the Artist was going to walk her home; but “as they are right by his home” he offers to show her his “studio”.

Really? His "studio"?

Really? His “studio”?

Alice doesn’t want to go at first, kind of playing that she “can’t”. But then decides to head in.

Don’t do it Alice, it is nothing but trouble.

trouble Twilight Zone

Before they go in, the artist is called over by the man. They have a quick discussion, with the artist he saying no and then he and Alice continue in.

I wonder what that was all about.

I wonder what that was all about.

Before they head up to the top floor, his studio, the artist looks at his mail first and sees something distressing. He sends Alice up while he deals with it. He questions the landlady about the note.

Who is this man? Why does it distress him so?

Hmm...

Hmm…

Anyways, the artist’s studio is on the top floor. When they get there he makes a fire to keep them warm. Seduction 101.

Alice looks around the room at the art and sees a weird Jester picture that makes her laugh. I’m not sure why as I always thought it just looked odd.

weirdtwilightzone

However, the painting laughs and Alice laughs with it. Maybe she is laughing to hide her hurt over Frank. Maybe she is laughing because she wants to convince herself that the artist is a better guy. Maybe she is laughing because she is doing something out of character, wild. Maybe she laughs because she is breaking the rules; in a man’s room at night. Well whatever the reason, the two laugh together.

felix_the_cat_laughing

Alice waits for the artist to finish with the fire and plays with the piano. She then spots the painters palette and asks him how to hold it, of which he comes to show her. She accidentally paints the canvas and he has her keep going. All she can do is make a stick figure like face, so the Artist “helps” her paint, holding onto her.

Really? His "studio"?

Really? His “studio”?

They two make a body for the girl, a naked body. Foreshadowing.

dun-dun-duuuun

Alice then signs the painting, while the artist goes to get them some drinks. Alice looks around the room and sees a costume and holds it onto her, asking about being painted.

The artist asks her to put it on so he can paint her, but Alice refuses as she has to go home.

Gotta go!

Gotta go!

This makes the artist is “sad” as he thinks she would make the most lovely painting. But no, now that he thinks about it his costume wouldn’t suit her.

Really? That old line?

Really? That old line?

But Alice falls for it and decides to put the costume on. Alice goes to one side of a screen and undresses as the artist plays the piano.

BadFeelings

Artist sings to her playing the piano, and Alice listens to it in her little costume. When she comes out, the artist really lays on the flattery telling her the song he was singing was all about her. Alice comes out in the little costume as she can’t zip it up and neither can he, Alice chooses to leave it alone.

Bad idea. Stop Alice.

Bad idea. Stop Alice.

He then sets her just right, caressing her body, and going in for the kiss. Alice says no, and decides she needs to go. She starts to undress, when the artist approaches her, taking her dress away. He won’t give it back until she comes out to get it.

It's getting worse!

It’s getting worse!

He wants to be with her but Alice says no. Unfortunately, she didn’t know this guy very well before she decided to go up in his room alone with him, as he doesn’t take no for an answer.

The next scene is done very well and in true Hitchcock fashion. Out of any director, he always knew how much to show, and how much to leave up to the viewer’s imagination.

Master

Master

So the two struggle as the artist tries to rape Alice. We never see the fight but through a shadow and the way the curtain moves. Alice manages to grab the bread knife on the table next to the bed, and stabs him.

blackmailstab

Now here is where I can see why Hitchcock choose Ondra as his leading lady. Prior to this act, Alice was silly, innocent, childish, selfish, and acting only on her needs. After this act, her whole personality changes in the film; reflecting that shattered innocence and trauma she faces.

I’m getting ahead of myself. So Alice is in shock after murdering the artist and moves about sluggishly, mechanically, almost robotically. In fact, she reminds me a lot of the robot Maria in Metropolis

Alice doesn’t know what to do, but knows she needs to get out. She grabs her dress and sees the Jester. No longer are they laughing together, but instead the Jester is laughing at her. And how she was so foolish. Angry, Alice punches the picture.

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This causes her to wake up from her distress and she throws her dress on, and coat, in such a hurry that she doesn’t even zip up the dress. She quickly grabs her bag and umbrella, quickly painting over her name on the other canvas.

Getting out of here

Getting out of here

She turns out the lights and starts to sneak downstairs. We see his signature style in the cinematography with the stairs, lights, and use of angles.

shadow-of-a-doubt-room door break into

Something that will be done in future films, such as Shadow of a Doubt.

As Alice walks away we see the shadow of the man who had accosted the artist earlier, trying to speak to him about something.

It's getting worse!

It’s getting worse!

Alice walks home almost in a trance, zombish as everything she sees makes her think of the dead body. She sees a bar sign that shows a shaking of a drink, but instead sees a hand stabbing with a knife. Alice just walks all over, hurt, shock, uncertain, afraid, and seeing the dead hand, the dead arm, the dead man she killed.

The_Wolf_Man_4Crying sad

We then hear a scream, the landlady found the body.

#4

Scotland Yard is called on the case, and Frank gets called in on it, topping off his sucky night. He starts poking around the apartment, looking at everything, looking out the window, and spots the broken picture. He looks at the costume and the painting. As he looks at the laugh, he shares in the joke that this guy thought he was going to have a fun night but instead ended in death.

But then he finds a glove.

blackmail

Full of holes like his girlfriend’s…It looks and feels like hers. He then sees the body, that face He knows!

It's getting worse!

Instead of giving evidence, he hides the glove.

Now he too is stuck in the coverup

Now he too is stuck in the coverup

Alice sneaks into her room and quickly gets out of her coat and jumps into bed before discovered. Afterwards she quickly changes and fixes herself up. Instead of her furry coat and dark dress, she changes to something light colored, floral, an innocent dress, young looking, more demure. Trying to recapture what she lost and go in the opposite direction of what she was before.

Meanwhile, downstairs at the house and the smoke shop, everyone is talking about the murder. Alice goes into the telephone booth and searches for the police number, ready to call them and admit everything..but loses her nerve.

I don't know what to do

Her parents notice that Alice doesn’t look well, but she doesn’t say anything, just remains quiet. A dramatic shift from her previous performance of silliness and gaiety; too quiet, contemplation. A real talented actress.

So her act continues to haunt her, and she still sees and hears knife everywhere.

 

Frank comes in and Alice is happy to see him as she realizes he’s the only one for her,  but also afraid. Is he still mad from last night? Is he here to arrest her?Frank says hi and leaves, but then comes back and asks to speak to Alice for  minute.

It's getting worse!

He takes her into the phone booth for privacy and tries to get Alice to tell him what happened, but she can’t talk about, still too traumatized. Frank gives her the glove.

While they are talking, a guy, Mr. Tracey, knocks on door and asks to talk on the phone since they aren’t using it. He is the one from the night before that say Alice enter the building. He lets them know he wants to speak to Scotland Yard, letting them know by his innuendo why he wants to talk to Scotland Yard.

Blackmail!

Blackmail!

Alice is frightened and worried, but Frank quickly asses the situation. The Tracey lets them know what he saw and that he wants to be treated right or else.

hitch-blackmail2newspaper

Frank buys him the most expensive cigar, at his request, and then the two make him breakfast. Might not be much, but this guy is planning on milking them for everything!

Meanwhile, back at the police station they are questioning the landlady. They discovered the note that had the artist all aflutter and want to know more about who wrote it. Unfortunately, the landlady is not very observant and the only thing she noticed was that he tilted his head and twisted his hands around. They have her look through the criminal books, until it come up as Mr. Tracey.

Mr. Tracey who at this moment is living like a king. Best cigar, great breakfast, cup of tea…

StirsTea

Frank gets a call from Scotland Yard, catching him up on the latest news of the case. He hangs up the phone and he has an idea. you can sees it in his eyes.

I-got-this-reaction-gif

Frank has Alice lock the door. Then he starts discussing that there was a suspicious looking man with a criminal record hanging around the murdered artist’s place. Alice is freaking out, and doesn’t want to do this, this blackmail. Yeah, I bet you never saw that one coming? Eh? We all knew that Alice would be blackmailed, but did you ever see Frank turning the tables coming? I sure didn’t the first time I saw it.

loveitSupernatural

 But, lets not get too hasty…Mr. Tracey has one more trick up his sleeve. Tracey says that he will talk, all about Alice. But Frank isn’t worried saying that Tracey’s word is nothing. His plan to sit and wait for the squad car who is on its way now.

The two argue, and Alice freaks out.  The chains of guilt weigh heavy on her and she doesn’t want Tracey pay for her crime. Frank doesn’t really want to listen to her as he is still a angry and hurt over what happened with Alice going off with another guy and that she hasn’t told him anything about what happened.

Tracey tries to convince Frank to let him go. He tells him “I’m not bad I was just in a bad situation…”

Tom-Hanks-Saying-Really

Yeah right you were trying to blackmail that other guy and then you were trying to do it to them.

Some people

Some people

Frank and Tracey’s eyes are locked on each other as the other police officers come. Tracey jumps out the window and the chase is on! Music for this next part as we repeat the opening scene of these guys trying to hunt him down and take him off to jail. when they were looking for him.

Here we have a great repeat of Alice’s earlier trance of seeing the knife everywhere; except instead of a weapon Tracey sees cops everywhere. Cops searching for him!

Meanwhile, for the first time since everything started, Alice actually thinks on what happened and tries to figure out what she should do.

whatdoyouthinkTwilightzoneRealmartianpleasestandup

Tracey takes off to hide in a museum, but doesn’t look at any of the exhibits making him seem super suspicious.

He eventually heads up to the roof, climbing over the famous building. Oh Hitchcock and you love for having people climb the tops of famous architectural creations. I mean there is the Statue of Liberty in Saboteur, Mount Rushmore in North by Northwest, etc.

Tracey ends up killing himself accidentally when the glass breaks on the roof. And that is the end of that. They believed him to be the murderer, the evidence pointed toward him, and with him dead: case closed.

TheEnd_Title_2

Oh, but not quite as Alice has decided to turn herself in, leaving Frank a note and heading to the New Scotland Yard.

When she arrives the Officer thinks she is here to see Frank but she lets him know that she is here to see Inspector Walls.  She is sent to his office and walks down the hallway, with certainty that every step brings her closer to doom.

It's getting worse!

Worried and afraid Alice goes in and sees Frank is there with Inspector Walls. Frank tries to stop her as they “solved the murder”. Alice is scared trying to get everything out, but before she can Inspector Walsh is called away, and Frank is to take care of her.

Frank takes Alice aside and tells her that he knows what happened. Alice tells him he doesn’t know, and starts to relay the whole story, how she was attacked and was defending herself.

What! Mark Wahlberg that's weird

Alice and Frank walk out, with a better understanding and a hope for the future. The officer asks if Alice told him who did it, and Frank says yes. The officer jokes that he better watch out she might have his job. They all laugh. Except Alice, she sees the jester painting…

1Star-Wars-Luke-NOOO-Not-my-father

What a great film for cinema history and to see Hitchcock working out things that he would become known for later.

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to It Was the Curse. My Curse: The Cheerleader Murders (2016)

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For more Alfred Hitchcock films, go to We All Go a Little Mad Sometimes: Psycho (1960)

For more films centering on blackmail, go to The Perfect Murder: Dial “M” for Murder (1954)

For more films that center on a painting, go to Murder is My Favorite Crime: Laura (1944)

 

What Are the 39 Steps?: The 39 Steps (1935)

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Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story. That’s exactly what it is.

This is another one of Alfred Hitchcock’s little known gems, and celebrating its 80th anniversary. I know many of you might be wondering why I chose this film and Jamaica Inn instead of The Birds or Vertigo. I don’t know, I guess I just feel like everyone talks about those films, and no one talks about Hitchcock’s earlier works, which were also fantastic. Maybe not as stylized as he didn’t have money and the technology wasn’t as great; but they are good stories with amazing suspense.

Suspense have to know

So the film is based on a book of the same name by John Buchan. It has been remade in 1959, 1978, and more recently in 2008. I have only seen Hitchcock’s and the 2008 version, but so far this is my favorite.

love it

I first became aware of this film when I bought a DVD for a dollar at Wal-Mart that had 4 Alfred Hitchcock films: Easy Virtue, Sabotage, The 39 Steps, and Jamaica Inn. As I was watching the film, the DVD froze right in the middle, making me unable to know how the film ended.

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Now if you have never had this happen to you in the middle of a Hitchcock film then you are lucky that you don’t know how excruciatingly painful it is to be stopped in the middle. How does it end???? I was going crazy, until my mom told me that she might have a VHS copy of it. I searched every inch of our film cases, until I found it. Watching it and loving it.

Finally something GOOD!

One thing I really like about this film, is that it is one of Hitchcock’s earliest films to have the theme of an ordinary person, caught up in extraordinary circumstances.

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I’m not sure if it is the first as I haven’t seen all of his silent films. They are hard to get copies of.  So let’s get started on the prelude to SaboteurNorth by Northwest, The Man Who Knew Too Much and all those other great regular joes getting a most irregular experience with The 39 Steps. 

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This film was made in Britain, so the opening is very different, not the usual Hollywood or FBI warning type things you see.

The music hall has a special guest today, Mr. Memory a man who knows everything as he commits to memory 50 facts a day. Richard Hannay has decided to come and watch the program with countless others, as it is a full house tonight. And of course, lots of hecklers, as this isn’t a super high class program, we have working and middle class attending. People are questioning Mr. Memory, but the program stalls when some drunks start brawling and create a hoopla. Two shots ring out and everyone flees.

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A woman runs into Hannay and he helps get her out of the building. She asks to come home with.

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Richard is a bit wary, but agrees.

The two go to his apartment, his temporary one as he is not permanent here. He just came from Canada but travels all over Canada, England, Scotland, and Ireland for his job.

When they get inside Hannay notices that the girl starts acting strangely. She will stand away from windows and close to the walls. She asks him to move a mirror around, and to close the curtains on the windows. The phone rings and she pleads him not to answer as she is sure “they” are calling for her.

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He gives her a drink which she gulps down, clearly frightened about something. She is ready to give him an explanation, but not until they move to the more secure kitchen instead, of which she closes the curtains.

The phone rings again, Hannay compiling to her wishes, but finding the whole thing strange. Even more when she asks for something to eat.

Weird

Weird

She tells him to call her Annabella Smith, it is not her real name, as she changes it wherever she goes. Hannay starts cooking her some eggs, when they hear a thump of the stove being turned on, which frightens Annabella. Hannay assumes it is because of the gunshots they heard earlier, but she tells him she was the one who fired the shots.

Say What

Annabella tells then there were two men there that wanted to kill her. Hannay doesn’t believe her.

Richard Hannay: Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story.

Annabella Smith: That’s exactly what it is.

Annabella tells him everything; she is a secret agent with no country, helping whatever one she chooses. She is here to help England, not because she loves the country but because they pay well. There is an agent that is trying to get vital information on England’s defense out of the country and she is here to stop it.

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Richard doesn’t believe her at all. She then tells him to look down in the street. When he does he sees a man waiting by the light post looking up trying to see into the apartment!

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Hannay believes Annabella is telling the truth. Annabella is scared and knows that Hannay is now stuck in this mess. That is when she decides to give him her secret.

Annabella Smith: Have you ever heard of the 39 Steps?

Richard Hannay: No. What’s that, a pub?

With that smart aleck reply, Annabella decides to tell him no more, it is all up to her she is the only one who can stop them. Hannay asks her why she doesn’t tell the police, but she points out that they will have the same response he did. She also warns him about how clever the spies are, especially the head agent.

Richard Hannay: Who is he and what is his name?

Annabella Smith: He has a thousand names can look like anyone, only thing he cannot hide is a missing finger.

Richard offers Annabella his bed while he takes he couch. She tells him the only other thing she needs is passage to Scotland, there is a man there who can help her. Richard asks if the 39 Steps are in Scotland, and she tells him they can talk more about it tomorrow.

Majorly

Majorly

No, no, no, no, no, no, no. If you have important info you do not wait until later, you give it now. Whenever people say they will save it for later, they die, and then the others have to try and figure out what they meant.

Every time!

Every time!

That night Anna wakes him up screaming throwing a paper at him. And then she’s dead!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And the phone keeps ringing, Hannay wants to answer but doesn’t . He looks out the window and sees the man still waiting outside. He hears everything Anna said in his head again, these men will stop at nothing.

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He grabs the paper from her dead hand and sees it is a map of Scotland, with an area circled. There is only one thing for Hannay to do, get himself to Scotland.

Hannay takes off the next morning, wearing his hat low to hide identity. He waits in the lobby, running into the milkman. He asks to buy his clothes, saying that he is truing to get away from murderer and spy, but the milkman doesn’t believe him. He then tells him that he spent the night with a married woman, and her brother and husband are waiting to beat him up. They milkman feels sorry for him, and they trade clothes, with Hannay running off to the train The Flying Scotsman, heading to Scotland.

Hannay shares a compartment with three guys. One buys a newspaper when they stop at a station. They read that a woman was murdered in West End near the BBC. There is a picture of the owner of that flat. Luckily, in the picture, Hannay has his hat on low, so it is hard to recognize him.

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Richard walks out of the compartment and heads over to the policeman, thinking about turning himself in, as he didn’t do it he should be proved innocent. Right? Wrong! He hears the police to another person say that the evidence they have is enough to hang the man. Hannay decides to forget that, he wants to live.

He goes back to the train but the spy’s henchmen have caught up with him. He runs into another compartment with a woman, stopping to kiss her. The men pass them by.

He tells her he is in need of help, and that these spies are after him. He asks her to lie and say they are together. But when the men come back, she gives him up.

How rude

They question him, are you Hannay and he says no.

Just then the porter comes in and I just love this scene here so much:

Porter: Are you coming in for tea, Sir?

Richard Hannay: I’ll be right along

Instead of going out the regular door, he then goes right through the exiting door even though the train is still going. Afterwards, he crosses into another compartment and runs down the hall. A great scene done by the master. You have to watch it.

He runs through the dining car, stopping at the pet and luggage, with the henchmen close behind. The engine masters are angry as the henchmen pulled the chain to make the train stop, sure that Hannay jumped out. And he did. He is hiding on the bridge barely hanging on waiting for them to all leave.

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The train leaves, reducing Hannay to be to walking about Scotland. He reaches he circled area and stops at a country house, in the area.  He pretends to be looking for work and asks about newcomers to the area, being told of an Englishmen in town.

As night is coming he asks to stay, paying for food and lodging. There is a young girl at the home, and he thinks it is the old man’s daughter, but she is actually his wife.

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He sits at the table while she cooks dinner.

The wife is from Glasgow and tells him about how nice it is, and you can clearly she misses it. Hannay tells her that he has never been there but London, Montreal, and more. She wnts to know more about London and he answers her questions.

He asks to read the paper, and sees another article on him.

Later during dinner, while the husband is praying, his wife looks at the paper. She figures it out and makes a face to Hannay, then the two then stare at each other. Her husband is a bit worried that they might have done something, so he makes up an excuse and goes outside watching them through the window.

He's creepin' in your windows. He's starin' at your people.

He’s creepin’ in your windows. He’s starin’ at your people.

That night, the wife hears something, getting up and waking Hannay so he can flee. As she is getting him out, the husband gets up. He thought those looks were about getting it on, and he thinks they are trying to get together now. Although Hannay is fully dressed, but you know how jealousy blinds

Hannay tries to explain, but the wife urges him to leave. He says the police are after him and is willing to pay for the man for silence. He agrees to this, telling his wife to put Hannay in the barn. The wife knows the husband will betray him, so she gives Hannay her husband’s dark  coat and Hannay thanks her, running off.

Along came a spider morgan freeman running

The men walk across the moor searching for Hannay. They are having to crawl through the hills and rocks, running like in Invasion of the Body SnatchersAlthough Hannay has to cross gushing streams and rivers.

Hannay flees to the Englishmen’s house, Professor Jordan, asking to come in saying he is from Annabella Smith. He goes in, and when the men later reach the house and ask the maid if Hannay has come by, she tells them there has been no one for half an hour. She lied to help him? Maybe this really is the guy Annabella wanted to see.

Then again I could be wrong.

Then again I could be wrong.

So Annabella’s name gains him access to the house. Professor Jordan in charge asks him to wait a bit as they are celebrating his daughter’s birthday. He introduces Hannay to his wife. Hannay is then introduced to all these movers and shakers in that area of Scotland. Professor Jordan tells him to look at the view, where they see the men searching the river for Hannay.

h party beaks up and the professor locks them in the room. Hannay tells him that Annabella was murdered that is why he came. Professor Jordan asks him why he came to see him, and Hannay tells him how Annabella was coming to warn him about the foreign agent.

Professor Jordan: Did she tell you what he looked ike?

Richard Hannay: There wasn’t time. She did tell me he was missing a finger.

Professor Jordan: Which hand?

Richard Hannay: [holds up left hand] this one I think.

Professor Jordan: Are you sure she didn’t mean this one? [holds up right hand and reveals he is missing his pinky finger.]

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Too bad for Hannay, the professor has been playing him since the beginning. The professor decides tat the only thing to do is kill Hannay. He lives in Scotland as a respected citizen, he can’t have him there starting rumors or saying things against him. Besides he has his information on the defense of England and needs to get it out of the country. He tries to get Hannay to commit suicide, as it is much tidier, butHannay says no so the professor shoots him in the heart.

WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATTTTTTTTTTTTT????????!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

And this was where my DVD died. Is that it? Is he dead???!!!! How could they do that???? Is that all there is????????

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In the next scene we see out country couple. The husband is searchiung for his hymn book but can’t find it. It was last in his overcoat. Turns out that it stopped a bullet for Hannay.

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Hannay goes to the sheriff telling him everything. The Sheriff eagerly listens and says he will happily help him.

Finally something GOOD!

Finally something GOOD!

Turns out all a lie, the Sheriff just playing him until the henchmen, who he believes agents of the government, come to get him. He tells the sherif to call Scotland Yard in London. but he won’t as they men will be taking him there. Yeah right, they are going to kill him. Hannay manages to get away, breaking through a window and joining a Scotland parade to hide. He then quickly ducks into an assembly hall. They are waiting for their speaker who is running late and assume it is him.

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He sits on the stage he is thrust on. They introduce the professor they are waiting for, and Hanny finds himself on stage.

Richard Hannay: Ladies and gentleman I apologize for my hesitation in rising just now, but to tell you the simple truth I’d entirely failed while listening to the chairman’s flattering description of the next speaker to realize that he was talking about me.

He has no idea what he is supposed to be talking on, and as he is talking, He looks into the crowd and spots the women he used earlier on the train.

He starts asking the crowd what they want to talk about. He grabs onto the topic of the “idle rich” and starts ranting about what he has been through carefully hiding it between political speech.

Richard Hannay: I know what it is to feel lonely and helpless and to have the whole world against me, and those are things that no men or women ought to feel.

It starts a huge momentum as everyone is cheering and wanting to shake his hand, helping him sneak out, but then he is grabbed by the henchmen, lead by the girl.

He asks the girl to help him, telling London the information. The two guys look at each other and decide it is better to be safe than sorry, telling the girl, Pamela, she has to come with them.

They drive to the “police station”, passing it as they are going to another one 40 miles away. We know they aren’t, something Hannay tries to get Pamela to understand that they are taking them to the spy, Professor Jordan, to kill him. They have to stop the car as a huge flock of sheep are in the way. They handcuff Hannay and the girl together, as they go to move the sheep.

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As soon as they are gone, Hannay gets out of there dragging the girl with him. They hide under a bridge, Hannay forcing her to be quiet until the men pass. Lucky it is a foggy night, as the two run through the moors. The girl tries to escape, but Hannay keeps pulling her along.

The two’s dialogue is just amazingly hilarious as they constantly bicker and fight.  Hannay is angry as he has not only told her three times of his innocence, but the men clearly taking them 40 miles “to the police station” and going the wrong way should prove his innocence. But she won’t listen. As she insists he is a murderer Hannay decides to use that to get her to do what he says.

They find an inn, and go inside. Hannay tells the innkeeper that they are man and wife, and he asks for a room and supper. He tells Pamela he has a gun, his finger in his pocket,  which gets her to sign the book for them. She tries to get her away, but he keeps pushing her on with him. Hannay also tells the innkeeper they are a runaway couple, with people after them. People used to elope to Scotland all the time, so the innkeeper doesn’t find it strange but romantic.

Hannay tells Pamela she should take her skirt off as it being wet could make her sick. She refuses, but takes her stockings off, and as they go over to the fireplace, Hannay hangs them up for her.

She doesn’t want to lie on the bed, but Hannay makes her as he is tired, and where he goes she goes. As I said before their conversation are hilarious. He starts making up lies about killing as she thinks he is a murderer. But you can tell they aren’t true as he is being sarcastic. The film is worth watching for the amazing dialogue. I wish I could get a copy of that scene to place here.

I love it

The two go to sleep. The professor/spy leader prepares to move out, and try to take care of this Hannay problem.

Meanwhile, the Pamela has woken up.

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She tries to use the nail file to pick at the lock but when that doesn’t work, squeezes her wrist out, rubbing it raw. She sneaks away and starts downstairs.

She sees the men who she was in the car with and plans to go to them, but overhears them talking on the phone and realizes Hannay is telling the truth about everything, They question the innkeeper about the couple, and before he can answer, his wife comes down and chases them all out.

The girl heads upstairs, feeling sorry for being so mean and cruel to him, when he’s been given a rough break. She goes to the couch and goes to sleep.

The next morning, Hannay finds himself free of the  girl. He is freaked, but sees her on the couch. He asked her why she didn’t leave and she tells him everything she overheard. Hannay starts putting everything together, and is angry that the men didn’t stay the night but left right away. The two rush over to the London Palladium, where the men said they would pick up the “package”.

In London, Pamela goes o Scotland Yard to tell them all the information from Annabella. They don’t really believe it and ask for Mr. Hannay, but she won’t tell him.

No thank youhowaboutno

She rushes out to the Palladium to find Hannay, Scotland Yard detectives behind her. They shut the Palladium down  as they are truing to catch Hannay once and for all.

Through binoculars Hannay sees that the professor is there. Hannay isn’t sure what to do, when he is joined by Pamela. When he hears the tune he has been whistling everywhere. It’s Mr. Memory!

That's it!

That’s it!

He must be the package they are after and want to get rid off. Scotland Yard finds Hannay, arresting him, when he shouts out “What are the 39 Steps? As Mr. Memory answers, the professor shoots him.

The professor tries to flee, but he didn’t know that all the exits were blocked. Hannay asks Mr. Memory about the information, and he reveals that it was a huge job to memorize, plans to build a new ship. After talking a little about them, he dies, and it is all over for Hannay. He is cleared and able to go on his way, now with Pamela in the picture.

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What a great film. And very under appreciated. You should watch it and love it, as it is amazing.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to A Modern Mummy: Under Wraps (1997)

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For more Alfred Hitchcock films, go to That Place…There’s Queer Things Goes on in There: Jamaica Inn (1939)

For more films based on books, go to They’re Here Already! You’re Next!: Invasion of the Body Snatchers (1956)

England Dreamin’ On Such a Summer’s Day

All the grass is brown and the sky is gray.
I’ve been for a walk on a summer’s day.
I’d be nice and cool if I was in Great Britain;
I’d even have to wear a coat and a mitten.

All the grass is brown and the sky is gray.
I’ve been for a walk on a summer’s day.
If I didn’t tell ’em I could leave today;
England dreamin’ on such a summer’s day.
England dreamin’ on such a summer’s day.
England dreamin’ on such a summer’s day.

So a couple of weeks ago I had this dream that I was in England, London to be exact. It might have to due with the fact that I was re-watching Sherlock that night, but he funnily wasn’t in my dream.

Anyways, I am digressing from the dream and need to get back on track.

So in my dream I was visiting or there for a job, it wasn’t quite clear (you know how dreams are) and I just kept going on and on about how awesome the weather is.

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And everyone was asking me what I was talking about as the weather was hot to them. I pointed out that it was in the ’70s and there was a chance of rain, the complete opposite of how hot is has been in California lately. And I’m not kidding it has been crazy hot.

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The last few days (before my dream) it had been 102-104 degrees fahrenheit. It was hot enough to fry an egg on the sidewalk (By the way, never ever do that. My friend and I did it once and it was impossible to scrape off.)

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A five minute walk from my car in the parking lot to staff entrance left me feeling as if I was melting into a puddle.

I went to an outdoor wedding, I don’t know why they did that as it was crazy, and felt like I lost ten pounds due to sweat. I’m not kidding, I almost slipped out of my seat.

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So it makes sense that my subconcious really wants to go to someplace cool, where I can wear coats, sweaters, and mittens.SherlockPoppedcollarcoolandmysterious

In fact I keep wishing it to be October (the start of rain) .

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The dream went on to be a bit boring. I was dog sitting a giant great dane named, Whittaker.

There was also this part where I wasn’t using the car to see the sights, and the people I was visiting/renting from were worried about me, thinking something was wrong. In reality, I was afraid to drive as everything is backwards. I was so sure I would drive like Booth in  the Bones episode when they go to England, and horribly crash.

Oh My Bad

When I woke up I was sad to discover I wasn’t in nice, cool England; but hot sweaty California.

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For more of my dreams, go to Krueger Town

For more on England, go to By Boat, By Train, By Foot, By Plane

For more on California, go to Let Them Fight: Godzilla (2014)

For more on Bones, go to Present Versus Past

By Boat, By Train, By Foot, By Plane

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28) Somewhere You Would Like to Move to or Visit

There are actually quite a few places I would love to visit. As you all know, I’m all about history and art history so I would like to eventually travel the world and see some of these things.

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1) Italy

I’ve always wanted to see Venice, Rome, Florence, & Sicily. There’s the Sistine Chapel, the colosseum, Masaccio’s works, Michelangelo, Leonardo da Vinci…I could go on and on.

Italian Job

For more in Italy, go to I Don’t Want to Own You, I Just Want to Be With You: A Room With a View (1985)

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2) Denmark

As stated before, I am Danish and really want to visit the country. I would love to go to the Hans Christian Anderson Museum, along with other

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3) Mexico

I have already been here once, but there is still so much I want to see, Chitzen Itza being one of them.

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4) Egypt

I have been obsessed with Egypt ever since I was young, I guess I saw The Mummy one too many times. I have always loved looking at the Pyramids and really want to see them in person one day. Although I probably die from heatstroke. 🙂 J/K

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For more on Egypt, go to Eternal Punishment for Anyone Who Opens This Casket: The Mummy (1932)

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5) England

Jane Austen, Sherlock Holmes, Downton Abbey, North & South, Charles Dickens, the Beatles, the Who, etc. Some of the best things have come out of England and I would love to go visit, instead of reading about it.

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For more on England, go to Beast or Man: The Wolfman (2010)

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6) Greece

Once again the Art and architecture call me to them. Not to mention the island of Crete and Mount Olympus.

I can do this....just have to wait for the right time

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7) China

I have always wanted to see the Great Wall and the Forbidden City. Always.

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8) France

The Louvre, the Palace of Versailles, the Eiffel Tower, Impressionist artwork, etc. I would love to see this place as well.

For more on France, go to Marry Me: Gigi (1958)

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9) Prince Edward Island

I LOVE Anne of Green Gables and really, really want to see the place. REALLY, really bad.

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For more on Prince Edward Island, go to Fanning All Over the Place

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10) Ireland

I took a class on Irish History and just fell in love with it. I really want to visit it now.

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11) Scotland

I have always wanted to visit Loch Ness and try and spot the Loch Ness Monster (it’s out there). And after seeing Braveheart and reading The Cat Who Series I was introduced into Scotland and it’s history, making me want to visit even more.

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12) All 50 States of the United States

I love American history as it is so interesting and complex. One day I want to visit every one of our states and every monument. So far I have been to Hawaii, California, Nevada, Arizona, New Mexico, Texas, Utah, and Wyoming. Only 42 left to go. 🙂

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To start the 30 Day Challenge from the beginning, go to Musical Madness

For the previous post, go to Ya Bothering Me

Take and Eat, This is My Body

So this year I decided to use a different image for The Last Supper. This image is from the “North” as we Art Historians like to call it. During the Renaissance we have the South and the North. In the South we have Florence, and a move to more realistic images. In essence copying Giotto’s “window onto a world.”

However, in the North, we have England, Brussels, Holland, etc; i.e. Northern Europe. The North focused on other points of interest. They didn’t care about making things realistic or true to life, they instead would often have their figures dressed in modern clothes (using a lot of drapery), focused on patterns, and used lots of symbolism.

This painting is The Last Supper by Dieric Bouts the Elder. In this painting we have Jesus and all his disciples around the table, Judas more off to the side and easily spotted. While some disciples have their own little vignettes, most are wearing the same expression and not as involved in the scene, the focus being more on beauty and perfection rather than realism.

One factor of realism that they do follow is perspective, which you can clearly see from the ceiling and the floor. Just follow the lines of the beams.

Also in the background through a hatch, we have the servants waiting to serve the party. Many believe that one is supposed to be Dieric, painting himself into the scene.

This painting is often seen as the first Flemish painting of The Last Supper, and focuses on Jesus’ role of priest in preforming the Eucharist, rather than the betrayal by Judas.

The Last Supper, Dieric Bouts the Elder, 1464

“On the first day of the Festival of Unleavened Bread, when it was customary to sacrifice the Passover lamb, Jesus’ disciples asked him, ‘Where do you want us to go and make preparations for you to eat the Passover?’ So he sent two of his disciples, telling them, ‘Go into the city, and a man carrying a jar of water will meet you. Follow him. Say to the owner of the house he enters, ‘The Teacher asks: Where is my guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.’ The disciples left, went into the city and found things just as Jesus had told them. So they prepared the Passover. When evening came, Jesus arrived with the Twelve.”–Mark 14: 12-17

“Jesus was troubled in spirit and testified, ‘Very truly I tell you, one of you is going to betray me.’ His disciples stared at one another, at a loss to know which of them he meant. One of them, the disciple whom Jesus loved, was reclining next to him. Simon Peter motioned to this disciple and said, ‘Ask him which one he means.’ Leaning back against Jesus, he asked him, ‘Lord, who is it?’ Jesus answered, ‘It is the one to whom I will give this piece of bread when I have dipped it in the dish.’ Then, dipping the piece of bread, he gave it to Judas, the son of Simon Iscariot. As soon as Judas took the bread, Satan entered into him. So Jesus told him, ‘What you are about to do, do quickly.’ But no one at the meal understood why Jesus said this to him.  Since Judas had charge of the money, some thought Jesus was telling him to buy what was needed for the festival, or to give something to the poor.  As soon as Judas had taken the bread, he went out.”–John 13: 21-30

“While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, ‘Take and eat; this is my body.’ Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins. I tell you, I will not drink from this fruit of the vine from now on until that day when I drink it new with you in my Father’s kingdom.”–Matt 26: 26-29

“Do this in remembrance of me.”–Luke 22:19

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For the previous painting, go to The Triumphal Entry

For more on The Last Supper, go to Do This in Remembrance of Me

Tea Time

Tea is amazing

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Think about it. China, some of the best inventors; The Brits, some of the best authors. It could be the reason.

Hmm

Hmm

Well whether it is or isn’t don’t forget to take time out for it.

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Tea first, then adventure.

blanceTea&Books

Yep:

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For more on Tea, go to Words to Live By

For more on Peter Pan, go to Now You’re Gone

For more book filled posts, go to A FANtastic Voyage

For more of my favorite quotes, go to Helping Hands

I Choose You: Miss Pettigrew Lives For A Day (2008)

Most Romantic Moment #13

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 Miss Pettigrew Lives For A Day (2008)

This film takes place shortly before the “official” start of WWII in London, England. The film is based on the novel of the same name, published in 1938

 Miss Pettigrew (Frances McDormand) is a governess/nanny, who has quite some trouble keeping a job. At the start of the film she is fired and denied her pay. She bumps into a young man who mentions he has just been released from prison and flees from him, leaving her luggage behind. She heads to a soup line, but gets bumped into again and loses her meal. This noise attracts the attention of a fashionably dressed couple from across the way

The next day Miss Pettigrew heads over to the employment agency where she learns that after her last firing, she has run out of chances. While she is pleading, the phones rings and a Delysia Lafosse asks for a person to be sent over. While the people at the employment agency are distracted, Miss Pettigrew takes off with the address in hopes of getting the job.

When she reaches Delysia Lafosse’s apartment, she finds an undressed, half-asleep woman (Amy Adams). After Miss Pettigrew introdices herself and tells her what time it is, Delysia gets freaked out as she has to have the entire apartment cleaned up, with Phil up and out of there. Miss Pettigrew tells her she will help get her little boy out, only to discover that Phil is not a little boy, but one of Delysia’s boyfriends. You see Delysia wasn’t asking for a governess, but she needed a social secretary. Anyways, Delysia is sleeping with Phil in order to get the part in the musical he is producing and her big chance to become a real star. The only problem? Delysia’s other boyfriend, boss, and the man paying for her clothes, food, and apartment; Nick is on his way and will NOT be happy if he finds Delysia with another man. With the help of Miss Pettigrew Phil is out the door, and shortly Nick is bumped out too.

Then the two head off to a fashion show where Delysia’s friend, Edythe Dubarry, is showing some pieces. Edythe is dating the famous underclothing designer, Joe Blomfield (Ciarán Hinds). Edythe and Joe are on the outs as Joe thinks Edythe is cheating on him as she was out when he called her the night before. Miss Pettigrew realizes that Edythe is the same woman she saw the night before, carrying on with a man that was clearly not Joe. Joe and Miss Pettigrew also meet and talk, with Miss Pettigrew deveoping a slight crush on him. Then Miss Pettigrew is whisked away by the girls for a complete makeover.

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While shopping, Edythe recognizes Miss Pettigrew from the soup line and knows Miss Pettigrew saw her with another man. She blackmails Miss Pettigrew into helping her get Joe back or else she’ll tell Delysia the truth about her being a “social secretary”.

When the girls finish shopping, Miss Pettigrew and Delysia return to Delysia’s apartment. There they find a young man playing the piano. It turns out to be the same man recently released from prison that ran into Miss Pettigrew the day before. His name is Michael and he plays the piano in Nick’s club, accompanying Delysia, the singer. You see Michael is her third boyfriend. Unlike Nick who uses her for sex, and boy Phil who has never had the attentions of a woman before; Michael is in love with Delysia. He planned this big romantic scene on a boat in the river Thames, equipped with champagne and a ring to propose. Delysia never showed up, so Michael drank all the Champagne himself, got drunk, tried to steal the crown jewels; and was arrested and thrown in prison. Michael is planning on leaving for America and wants Delysia to marry him and come with. Delysia is unsure as she wants more than Michael can give her. Miss Pettigrew tells him that Delysia will have an answer by the end of the night.

That night holds a lot for them as Delysia has the announcement of the casting of the musical to worry over and how to handle young Phil. What to do about Nick as he is expecting payment for all the things he buys her. And whether or not to go off with Michael, the man who loves her but is poor. For Miss Pettigrew she has to help Delysia get the part in the musical, keep Nick at bay, encourage Delysia to make the right decision involving love, get Joe and Edythe back together, and figure out just what her role as social secretary really is.

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***Most Romantic Moment***

One of the most romantic moments for me comes near the end of the film. Delysia has just won the lead in the musical, but had to declare her undying love to Phil to guarantee it. Nick understands, but still expects to get his payment from her. Michael, after hearing Phil shout his and Delysia’s undying love, is leaving to America, never to see her again. Everything in Delysia’s life is going as planned but yet, completely wrong. Just then the city is warned to take cover from an air attack. As Delysia is hiding under the piano she and Miss Pettigrew discuss love, Miss Pettigrew telling her about the man she loved but lost in WWI. They had nothing really, but to Miss Pettigrew their love was more than enough to build a life on. This encourages Delysia, and as soon as it’s safe she rushes toward Michael to tell him how she feels.

As she is running after him, Nick stops her and tells her to sing. Michael comes to her rescue, but Nick is a better fighter and knocks him down.

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While Michael is recovering from that great hook, Delysia rushes over to him and proposes!

Delysia: Is the offer still open?

Nick: Get up!

[Michael stands and Nick knocks him back down with a punch to the nose]

Delysia: Well, is it a yes or is it a no?

Michael: What?

Delysia: Well will you doggone marry me or will you doggone not?

Michael: [he grins in delight, scrambles up, socks Nick square in the jaw, and pulls Delysia to her feet] Yes. God help me, yes! [they kiss fervently]

I love this scene because Delysia asking Michael to marry her showed him that she really, truly, completly loved him and wanted to be with him. Plus it gives him the strength to knock Nick out of the way.

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Yep it’s not the money that matters, but the man.

bestguuynotbestlookingrichtreatyou

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To start Romance is in the Air: Part III from the beginning, go to I Can See Your Beauty: The Breakfast Club (1985)

For the previous post, go to I Don’t Want to Own You, I Just Want to Be With You: A Room With a View (1985)

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For more on Miss Pettigrew Lives for a Day, go to Part VIII: The Little Movie Line List

For more on Amy Adams, go to I Don’t Dance or Sing, Except When I’m With You: Enchanted (2007)

For more on Ciaran Hinds, go to A Bit Pottery About Jane Austen

For more films based on a book, go to What a Fanatic!

For more period piece films, go to Beast or Man: The Wolfman (2010)

For more of my favorite quotes, go to Marry Me: Gigi (1958)

Beast or Man: The Wolfman (2010)

There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?

So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978)I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.

This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941)The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.

the wolf man

Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.

excited

With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.

Mal_huh Whoa Wow

I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all  and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).

Double double yay

So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.

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I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.

AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!

excited

I ticked off the months, but then in October I discovered it wasn’t out in theaters.

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Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.

Laura Angry Mad Upset

But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.

perfect plan

I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.

So moving on to the review.

DeanSupernaturalLetsGetStarted

So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.

the wolfman play acting stage

He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.

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When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.

the wolfman funeral 2010

Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.

ew! Gross Yuck

I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.

There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.

The_Wolf_Man_4Crying sad

Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.

Mal_huh Whoa Wow

This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.

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Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.

Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.

swoon dreamy

Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.

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So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.

Being questioned police Annex - Tierney, Gene (Laura)_03

Where were you the night in question?

That night is a full moon

attack Wolf Boy Meets World

Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.

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But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.

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Grab your torches and sharpen your pitchforks!

As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.

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And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.

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Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.

Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.

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And he gets bitten.

dun-dun-duuuun

Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.

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Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.

And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my DraculaThe Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.

Every time!

Every time!

But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.

Frozen Sacrifice self love you sisters

I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a  horror film? That’s just boring.

Bones David Bored I;m bored boring

But I guess that’s just they way it is these days.

Sadface Batman

So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?

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Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.

Weird

Weird

He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that  good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.

wolfman 2010 inspector abberline hmm i've almost got it hugo weaving

Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.

Yeah I don't understand it either

Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.

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But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.

Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?

Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?

Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.

Weird

Weird

As Laurence turns to go inside, he becomes…The Wolfman!

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Now this was worth the price of admission. These transformation scenes are awesome!!!

Freakin’ sweet!

So now that he is a wolfman, he does what they all do. Ravage the countryside.

Film Title: The Wolfman Claw

The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.

you're evil

Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.

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Can you imagine?

And oh joy, he also gets electroshock therapy.

Stupid, stupid

While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.

Mal_huh Whoa Wow

Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.

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Except, it was more than “imagining” he actually became a werewolf and began attacking things.

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That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!

you're evil

Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.

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It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time

The_Wolf_Man_4Crying sad

But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.

But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.

you're evil

Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.

Omg what a–

wordICan't say Toy Story

He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.

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After he finishes his story he leaves, intent on never returning.

Jerk

He deserves another punch.

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That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!

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This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.

Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

Freakin’ AWESOME

Totally fangirl over that.

Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!

wolfman statue on tiop of werewolf

The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.

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Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.

Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.

Noo!

Noo!

Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.

Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.

Sir John Talbot: You have me at a disadvantage. It makes me happy.

Lawrence Talbot: What does?

Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?

Lawrence Talbot: No, it’s hell.

Sir John is a freak. He needs help. Serious help.

Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.

So after Laurence burns and decapiitates his father, Gwen walks into the house.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!

The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.

wolfman 2010 hiding from wolfman

He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.

mob

Grab your torches and sharpen your pitchforks!

While he is concentrated on them, Gwen shoots him through the heart.

Noo!

Noo!

Laurence changes back to his human form, and before he dies thanks Gwen for saving him.

Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?

Gwen Conliffe: [crying] I’m sorry…

Lawrence Talbot: It had to be this way.

Gwen Conliffe: I’m sorry.

Lawrence Talbot: [he holds her hand] Thank you. [Dies]

aw cry

The posse and an injured inspector arrive just as Laurence dies.

So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.

But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.

2010The Wolfman

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And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

Happy Halloween jack-o-lantern

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Perfect Murder

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For more on werewolves, go to Werewolves Roam Among Us

For more monster movies, go to There’s Nothing Out There. Nothing in the Mist

For more on 19th century England, go to The Past of a Man

For more on insane asylum, go to I Bid You Welcome

For more remakes, go to Don’t F*** With the Original