All I Know About Trilogies is That in the Third One, All Bets are Off: Scream 3 (2000)

What do you know about trilogies? You mean like movie trilogies…Well, all I know about trilogies is that in the third one, all bets are off.

So welcome to another Scream-tastic Saturday! (For the previous Saturdays, go to Scream and Scream 2)

Yep the third installment in this now trilogy, Scream 3.

While this was a great horror parody, it wasn’t my favorite of the three. I thought it was okay, as it had Patrick Dempsey, but didn’t like how it was missing one of the best characters: Randy.

So this one is a complete throw out of left field, as it is the third film. This time we have the secret backstory that changes all that was ever given to us in the first two.

In fact Wes Craven actually filmed three different endings and didn’t tell the cast which one he was going to use. It was one big surprise.

Scream 3 takes place three years after Scream 2. If you recall from Scream 2, Cotton Weary is exonerated and Sidney agreed to do that interview with him. Well, that really helped as now Cotton hosts his own nationally syndicated talk show, called 100% Cotton.

That’s really the name they went with? I know its catchy, but it sounds more like an underwear commercial than a real show.

Anyways, back to the plot. He gets a phone call that starts out benign, but then quickly turns deadly.

Cotton Weary: Who’s this?

Female Caller: Who’s this?

Cotton Weary: Who are you calling?

Female Caller: Oh, you know what, I’ve got the wrong number.

Cotton Weary: That’s okay.

Female Caller: Wait, your voice. You sound a lot like that guy on TV, uh, Cotton Weary.

Cotton Weary: I do huh?

Female Caller: Yeah, I think he’s got a really sexy voice.

Cotton Weary: [laughs] Okay, well, thank you.

Female Caller: Wait a minute. You are Cotton, aren’t you? Oh my God, I am talking to Cotton Weary.

Cotton Weary: [laugh] You caught me. Listen can you hold on for a minute? I got someone on the other line.

Female Caller: Yeah…

Cotton Weary: Hold on.

Cotton Weary: [switches to car phone] Andrea, I got someone on the other line. I’ll have to call you back [switches back to cell phone] So… you a 100% Cotton fan?

Female Caller: Yeah, 110%.

Cotton Weary: [chuckle] That’s very good. So, uh… Why don’t you tell me your name?

Female Caller: Ooh, you’re a naughty boy, Cotton. Now, what would your girlfriend think?

Cotton Weary: What makes you think I have a girlfriend?

Phone Voice: [click] I know you do. I’m right outside her bathroom door. She’s in the shower. She’s got a nice little… voice. Let’s go in for a closer look. Ooh, she’s very, very pretty, Cotton. A step up from Maureen Prescott. Speaking of which, let’s play a game. Answer right, your girlfriend lives, answer wrong she dies. Where’s Maureen’s daughter, Sidney?

Cotton Weary: Who the f*** is this?

Phone Voice: Someone who would kill to know where Sidney Prescott is. You’ve got connections. One chance, Cotton. Where is she?

Cotton Weary: Listen to me, you son of a b****, if you touch Christine, I’ll f****** kill you.

Phone Voice: Wrong answer! [click; dead line]

LOL Cotton and Cotton 100% Cotton

Cotton rushes home to try and reach his girlfriend.

Now Christine the girlfriend is pretty stupid. She doesn’t lock her bathroom when she takes a shower? Who does that? Everyone does!

Ren Stevens: What? Honey, you’re chased by six mutants, and you just decided to take a shower?

Pretty much she gets killed, Psycho-style.

Making her

Victim #1

Ghostface attacks!

Cotton is soon to follow.

Victim #2

Now that begs the question, where is Sidney? What happened to her?

So Sidney had a major breakdown and faced a lot of changes since the last film. Let’s review. She had a killer target her again. She thought it might be her boyfriend. She watched her best friend die. She watched her boyfriend die. Someone who she thought was her friend, turned out to be a “sleeper agent” and tried to murder her. She almost died.

Yeah…that’s a lot to deal with a lot.

In fact, so much to deal with that Sidney has moved very, very far away to a secluded spot and only a handful have an idea of where she is. What she does for a living is work with a suicide prevention hotline. She gets one call a day. Today’s call isn’t the usual…its THE caller.

When a Stranger Calls

She hears about what happened to Cotton and realizes, it’s happening again.

Currently in Hollywood they are creating another Stab film, Stab 3, based on the true events of Scream 2. Cotton was one of the producers, so the cops have been checking it out. One cop is Mark Kincaid, played by Patrick Dempsey. In fact just like Mark Wahlberg in The Lovely Bones, Dempsey was hired the night before and had to figure the character out without any real ideas of the script. Anyways, Kincaid has been using Gale Weathers for background info as they found a photo of Sidney’s mother Maureen at the crime scene. Gale journeys out to Hollywood and when she gets there she discovers Dewey is there. Yep, the two broke up as Dewey didn’t like how she treats people. He is working as a consultant for the film, and dating the actress playing Gale Weathers that looks just like her, Jennifer Jolie.

 Meanwhile on the set of Stab 3, one of the blond bimbos enters an office looking for someone and gets murdered.

Victim #3

Yep, this killer wastes very little time as later at Jennifer Jolie’s house her bodyguard gets a phone call and is murdered by ghostface.

Victim #4

The bodies are just dropping like flies. I wasn’t going to post this, but I feel like I can’t go any farther as this song is running through my brain nonstop.

To add to the intensity of this particular Ghostface is that he then blows up Jennifer Jolie’s house

The killer tries to attack Gale, but Dewey saves her by shooting at him.

Meanwhile, Sidney’s back. The attacks and calls encouraged her to come back and help find the killer. She and Mark clash at first a bit.

Sidney: What do you know about trilogies?

Mark: You mean like movie trilogies?

Sidney: You seem to like movies, Detective.

Mark: Call me “Mark”, will you? ‘Cause I’m gonna keep calling you Sidney.

Sidney: I’ll call you “Mark” when you catch the killer, Detective.

Mark: Well, all I know about trilogies is that in the third one, all bets are off.

Sidney: Did you request this case?

Mark: No. They tend to put me on the ones that deal with the business. I grew up here and I know my way around the studios.

Sidney: Must be exciting. Beautiful place, beautiful people.

Mark: To me, Hollywood is about death.

Sidney: Excuse me?

Mark: I’m a homicide cop. When you see what I see day in and day out, the violence that people do to each other, you get haunted. I think you know about that.

Sidney: What do you mean?

Mark: I know what it’s like to see ghosts that don’t go away, to be watching a scary movie in your head, whether you want to or not, watching it alone.

Sidney: Ghosts are tough. You can’t shoot ghosts.

Mark: Can’t arrest ghosts. But the trick to keep from getting haunted is to be with people. You’re here, you’re not in hiding. You’ve done the right thing… Miss Prescott. What did you know about your Mother?

Sidney: I always thought I had the perfect Mom, the perfect family until I found out I was wrong. She had a secret life and I tried to understand that. And… soon as I thought… then I had more secrets. I don’t know who my Mom was.

Mark: You knew who she was to you. Here’s the deal: I’m off to search the set. I think that what you saw is real. That’s the good news.

Sidney: How’s that good news?

Mark: Because it means that we are dealing with a flesh and blood killer, and I know how to handle guys like that.

Sidney: Oh, yeah. How?

Mark: Catch him or kill him.

Sidney: Hey, Detective? What’s your favorite scary movie?

Mark: My life.

Sidney: Mine, too.”

And that brings up a very interesting concept. What are the rules for a trilogy? How should we do this? Last time we had Randy to lead us, but now what are we going to do? Poor Randy! Best character ever! Oh, Randy! Randy nooooooooo!

Noooooooooo!!!!!!!

So what Craven decided to do is to bring Randy into the film via video recording.

That’s how you gonna do it? That’s it? That’s really it?

 

The original idea was to have Randy survive the stabbing in Scream 2, his family having rescued him secretly. This was ultimately deemed to be too far-fetched so Randy was resurrected via a post-mortem video appearance instead. They knew they had to bring him back as the fans loved him. In fact Wes Craven got a ton of hate mail for killing off Randy, and thought this would appease the fans. Yeah you dunderheads, you made a big mistake.

Well you know what would have been an even better idea? NOT KILLING HIM!!!!!!!!

So here we go. Rules for a trilogy.

So Gale is eager to do some investigative reporting and finds herself being followed by Jennifer Jolie. Jolie wants to really “get into” her role. Great for Jolie, bad for Gale.

Ugh

I’m sure she would rather be punched in the face by Sidney.

So they go down to the archives and we have the funniest scene in the whole film.

Sidney also gets attacked by the killer.

She gets away and goes down to police headquarters to make a statement. At this point in time Sidney discovers that Mark Kincaid has a lot of newspaper clips and info on her. It creeps her out and makes her wonder whether or not he is the killer.

But it turns out her story and survival had intrigued him and he fell for her. Just like Det. Lt. Mark McPherson in Laura (1944). Which causes this earlier statement to make a lot more sense.

“Mark: I’m gonna talk to the studio guys about those photos.

Detective Wallace: Yeah right, I know where you’re going.

Mark: Yeah keep an eye on Sidney.

Detective Wallace: I know where you’re going, you’re gonna get her some flowers and candy, right? Huh?

Mark: Gimme a break!”

The main producer of the film, John Milton, invites everyone over for a cast party at his house. Unfortunately, they have been dragged to that house for one reason alone, the killer is going to kill them all!

Time to prepare yourself.

Sidney in the parlor with a candlestick

Now this is where the bodies really start hitting the floor.

Dewey and Gale discover the film’s director, Roman, stuffed in a chest.

Victim #5

Angeline, an actress, runs off and is murdered.

Victim #6

Then Tyson (another actor)

Victim #7

And Jennifer

Victim #8

The killer then attacks Gale and Dewey, knocking them out and tying them up. In a surprising twist, Ghostface doesn’t murder them but uses them to bait Sidney to the house.

Sidney shoots him, but he ends up escaping. Kincaid comes in to save the day, but gets knocked out by the killer. The killer then chases Sidney and reveals himself to be Roman.

Yep he had faked his own death. Now you may be wondering why would a famous film director want to murder Sidney Prescott? Well it turns out that he is Maureen’s illegitimate son.

This is actually radically different than any of the other Scream films. All the others have two killers; Scream-Billy & Stu, Scream 2-Mrs. Loomis & Mickey, Scream 4 had two but I won’t reveal until next week. Now the reason that this film had only one was that it was supposed to be the last film. That is until Wes got greedy and made the atrocity Scream 4 which I will review next week.

So know not only do we have the villain monologue, but the big reveal.

Phone Voice: You’re not going anywhere Sidney. It’s time you came to terms with me, and with mother. Maybe you never knew her at all Sidney… maybe you just can’t get past the surface of things.

Sidney: Who the hell are you?

Phone Voice: The other half of you. I searched for a mother too, an actress named “Reena Reynolds” tried to find her my whole LIFE, and four years ago I actually tracked her down. Knocked at her door thinking she’d welcome me with open arms, but she had a new life and a new name, Maureen Prescott! You were the only child she claimed Sidney. She shut me out into the cold forever! Her own son [takes off mask to reveal he is Roman Bridger] Roman Bridger, director, and brother. She slammed the door in my face, Sid. She said I was “Reena’s” child and Reena was dead… and then it struck me. What a good idea, so I watched her. I made a little movie, a little family film. Seems Maureen…”Mom”… she really got around. I mean Cotton was one thing; everybody knew about that. But Billy’s father – that was the key. Your boyfriend didn’t like seeing his daddy in my film too much. He didn’t like it at all. And once I supplied the motivation… all the kid needed was a few pointers. Have a partner to sell out incase you got caught, find someone to frame, it was like he was making a movie.

Sidney: You… this is all because of you.

Roman: I’m a director Sid, I direct.

Sidney: Ah.

Roman: I had no idea, that they were gonna make a film of their own. I mean intoducing Sidney the victim, Sidney the survivor, SIDNEY THE STAR!

He also reveals that John the producer raped Maureen, and Roman was their child. He kills John for revenge, bringing the body count to

Victim #8

Sidney is just tired of this.

Tired of hearing another killer blaming the circumstances of their life on her. Sidney berates Roman who gets angered enough to attack her leading to a fight. Roman manages to gain the upper hand but a distraction by Kincaid allows Sidney to grab his knife. He takes Kincaid’s gun and shoots her.

Noooooooooo!!!!!!!

However, it turns out that she is wearing a bulletproof vest. She uses the knife and stabs him several times in the back and heart. Dewey takes his gun and shoots him several times, making sure he gets in a headshot.

The four-Gale, Dewey, Kincaid, and Sidney head out to her secluded mountain home. There Dewey proposes to Gale, by carving out her book and placing the ring inside. Now I know this is “romantic”, but to me it sounds horrible. You just destroyed a book!

Noooooooooo!!!!!!!

Sidney also starts a relationship with Kincaid, and it ends on a happy note. At last it is all over.

That is until this horrible thing comes up:

Well that was Scream 3. Tune in next week for the final chapter.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to Tuesday the 17th

For more on the Scream Franchise, check out It’s Happening Again, Isn’t It?

For more trilogies, go to Life Finds a Way

For more on serial killers, go to You Think You Know Something, Don’t You?

For more horror parodies, go to A Deliciously Creepy Tale

For more on slasher films, go to Hello? Is There a Killer in My Kitchen?

For more on Patrick Dempsey, go to I Don’t Dance or Sing, Except When I’m With You

For more on Wes Craven, go to What’s Your Favorite Scary Movie?

For more on Whitesnake, go to Here I Go Again

For more of my fav songs, go to Rock You Like a Hurricane 

Even a Man Pure of Heart: The Wolf Man (1941)

“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the Opera, Frankenstein,  The Bride of Frankenstein, The Mummy, Dracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.; looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankenstein, or The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb! Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

“Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright“

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

The gypsy woman, Maleva,  reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce for Henry Hull in Werewolf of London.  Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

That night the Wolf Man attacks a grave-digger, Richardson.

The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The night Larry as the Wolf Man steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

“Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare

Night of Day of the Dead: Lizzie McGuire (2001)

You ate the food offering of the Day of the Dead? You stole the sacred meal of my dead ancestors?

Its Halloween night and in Lizzie McGuire world that means her school is putting on a Halloween carnival. Unfortunately for her, Matt will be there. 😦

Kate is in charge of the carnival, Fright Night, and as usual and all of Lizzie’s friends are helping out. Miranda wants to include things from Dia de los Muertos, and while Kate isn’t really into that, the rest of the group are able to convince her. Miranda warns everyone to respect the skeleton representations of the ancestors, because if you don’t bad things can happen to you.

Lizzie really wants to be Vampira, the dungeon mistress and Kate says its okay as long as she cleans out the sticky, icky, nasty janitor’s closet.

Now this girl is in 7th/8th grade and she wants to wear this costume.  That’s really raunchy for a girl her age. If I was her parents I would keep a closer eye on her.

Gordo helps Lizzie out of course because he is in love with her. I never understood how it took her until the end of the series to discover that.

Of course when she finishes Kate turns on her and instead of letting her be Vampira she gets to be a clown and make balloon animals.

So unfair!

Matt is creating his costume, which is him inside out. He is trying to use all kinds of leftover food to make him look gross.

Back at the school Miranda’s parents come and drop of the Day of the Dead stuff.

As soon as they are gone, Kate is her rude self again and forces Miranda to move the stuff far, far away. She is being rude rejecting the ancestors like that.

That night is the party, and Lizzie is having an awful time being the clown. She can’t create any balloon animals and ends up handing out “snakes” all night.

Lizzie is really mad at Kate messing with her like that and complaining to Miranda and Gordo when Matt walks over eating a tamale. He stole it from the day of the Dead decorations.

Miranda: You ate the food offering of the Day of the Dead? You stole the sacred meal of my dead ancestors?
Matt: It had cheese on it.

Now Matt has unleashed the spirits and they will seek their revenge. Part of which is turning his lemonade black and moldy.

Then Lizzie looks over at the skeletons

THEY’RE MISSING!

AAAAAAAAAAAAAAAAAAAAAAAHHHHH!!!!!!!!!!!!!!!

Then Matt sees a giant bride and groom skeleton exit the caf. Oh no!

Next thing you know Matt’s been turned into dirt

Gordo into a bobble head

And Lizzie into a Zombie Clown

How terrifying!

How Will it End? You have to find out for yourself 😀

Hey everyone, this is Moreland from the future! It’s October 2019 and this year I dressed up Jane Austen as a Dia de los Muertos Calavera. As it fits perfectly with this post, I’m adding it in.

The Two Witch Sisters: Double, Double, Toil, and Trouble (1993)

Gravedigger: [Screams] You’re at two places at the same time. Lynn Farmer: We’re twins, silly. Gravedigger: Oh… ohh… twins! Oh, twins!

So way back in the day I used to watch this movie every time Halloween came around. I have to admit it I was a huge Olsen fan, I watched all their movies and TV shows.

So the film title is from Shakespeare’s Macbeth, the three sisters (witches) chant this. However, in this film there are only two sisters.

So we have the Farmers–Don, his wife Christine, and their twin daughters Kelly & Lynn. The older Farmers are worried about losing the house as they are deeply in debt. The younger farmers are having an identity crisis as they are tired of everyone getting them confused and want to be individuals.

In every movie they dress the same so I don’t know how they will accomplish that.

The Farmers decide to ask Christine’s Aunt Agatha, her father’s sister, for a loan, but don’t have very much hope. You see Aunt Agatha is a mean cruel old woman and promptly refuses to help them out in any way.

I’m mean and nasty Aunt Agatha

Aunt Agatha used to have a twin sister, Sophia, but she has disappered.

While they are visting Aunt Agatha the girls run into Mr. Grave Digger (Agatha’s employee). He tells them a story about how the house used to be owned by a powerful witch who had a moonstone that gave her magical powers. Before she was burned at the stake, she hid the stone somewhere in the house.

Dude, do you really think that is a story you should be telling small children? Come on, let’s think about this.

When Agatha and Sophie were little girls they heard the story and searched all over the house in an attempt to find it.

Agatha & Sophia as children

The two hated being twins and thought the moonstone might be able to change this.  Agatha ended up being the one to find the stone and used it to make Sophia’s life miserable.

I’m EVIL!

Years later, on one Halloween night, Sophia and her fiance , the butler, were planning on running away to elope. Agatha found out and cast a spell banishing her sister into the other realm and trapping her in a mirror (kind of like in Scooby-Doo & the Ghoul School when Shaggy gets trapped). The only way to see/talk to Sophia is through the mirror Agatha keeps hidden in the basement. The last chance to save Sophia from being trapped in the mirror forever, is if she is saved by midnight this very Halloween night.

The twins discover the only way to save their home and Aunt is if they get the moonstone. Only twins are able to wield its power. The girls meet a crazy cast of characters who help them on their quest; a clown named Oscar, Mr. Grave Digger, and Mr. N who would do anything for money.

(Top to Bottom: Mr. N, Mr. Gravedigger, & Oscar)

The girls also get a toy magic wand, which supposedly has real magical powers.

Agatha does whatever she can to get rid of the twins. She tries to poison them with jealousy, and get Lynn to betray her sister. In the end, Lynn decides her sister is the most important person in her life.

The twins get the moonstone, but the magic doesn’t work! It isn’t until the two proclaim their love for each other that Sophia is freed.

Agatha is enraged and tries to put her sis back in the mirror. The two fight and Agatha ends up being pushed into the mirror instead. All her magic is undone and the mirror is shattered, leaving her trapped there forever.

Don & Christine go to the mansion to find the girls, and see Aunt Sophie. The three of them tell Don and Christine that Agatha decided she needed a vacation and went on a long trip far away. Sophia gives the Farmers the money they need and the home is saved.

Yay!

When cleaning up the girls find out that Agatha is still able to talk through the shards of glass. She asks the girls to release her, but they say no way!

Happy Halloween!

Click here to check out the film. 😀

I Wouldn’t Change You, Darling: Shrek 2 (2004)

Romantic Moment #6

Shrek 2 (2004)

I know what you’re thinking. Shrek? Really? She’s picking Shrek to write about? Shrek has romantic moments? The first animated romantic moment, and she chooses Shrek?

Now I know, it does sound strange, but bare with me. This movie has strong romantic qualities. Trust me.

Now I absolutely loved this movie as a kid; I remember going to see it for my birthday when I turned 12. I absolutely had to see this film because 1) had Puss in boots and 2) I loved the original film. I really liked this one too, and ended up memorizing all the songs.

So Shrek 2 picks up where the first one left off. Shrek and Fiona are honeymooning, and later return home only to be greeted by a convoy sent by Fiona’s parents inviting them to visit. Shrek and Fiona are on the outs about going, but Fiona ultimately convinces Shrek to go.

The pair are accompanied by Donkey, and arrive in a Hollywoodish kingdom; Far, Far, Away. [I still remember the go-gurt commercials for this movie]

Not everything goes swimmingly as Fiona’s parents are shocked at her appearance and choice of husband. We also find out that there is an Evil Fairy Godmother who wants Fiona to get with her son Prince Charming so he can rule after the king croaks (punny right?). [I’ve never really understood that plot point. If Fairy Godmother has so much power and magic couldn’t she just create a kingdom for her son? There must be some kind of magic law against it. Whatever.]

The fights between Shrek and Fiona’s father escalate and it starts to bring up issues between Shrek and Fiona. Fiona tells Shrek that she made a lot of changes for him, he could try and do something for her.

Shrek goes out to the fairy godmother to try and get happiness for him and Fiona; joined now by Puss in Boots. Shrek takes a potion that changes him and Fiona into “beauty divine” human forms. [Well, Fiona back into her old form]

There is adventuring, previous characters from the first film are brought back, betrayal, mistaken identity; will Shrek be able to get his own happily ever after?

Most Romantic Moment: I Want You to Be You

Shrek has defeated Evil Fairy Godmother and has finally been reunited with Fiona. He tells her that if they hurry and  kiss before Midnight they can stay like this forever. After midnight they will be ogres forever.

Shrek: Fiona. ls this what you want? To be this way forever?
Princess Fiona: What? 
Shrek: Because if you kiss me now…we can stay like this. 
Princess Fiona: You’d do that? For me? 
Shrek: Yes.

So romantic

The fact that Shrek is willing to give up everything he loves about being an ogre is so sweet and romantic:

Donkey: Shrek? You drink that, there’s no going back. 
Shrek: l know.
Donkey: No more wallowing in the mud? 
Shrek: l know. 
Donkey: No more itchy butt crack?
Shrek: l know!
Donkey: But you love being an ogre
Shrek:  l know! But I love Fiona more.

He’s willing to sacrifice what makes him happy to make the one he loves happy, to give her everything. But the romantic moment is not over. It gets even better:

Fiona: I want what any princess wants. To live happily ever after…with the ogre l married.

So romantic

Even sweeter, She doesn’t want him to have to change for her, as she knows that he would never be the same, just a shadow of his formal self. The fact that he was willing to change and give up all his old ways was good enough for her. Plus Fiona is happy and comfortable in what she is.

Together again!

I would have posted a video on this moment, but unfortunately I couldn’t find one. Sorry! You’re just going to have to watch it on your own!

And Shrek 2

To start Romance is in the Air from the beginning, go to Boom Box of Love: Say Anything (1989)

For the previous post, go to Wanna Grow Old With You: The Wedding Singer (1998)

For more fairy tales, go to You Should Write A Book

For more animated films, go to I’m No Warrior, I’m an Assistant Pig-Keeper: The Black Cauldron (1985)