I’ll Be Watching You: Cat’s Eye (1987)

So Horrorfest V is reaching it’s last few weeks and could there be something missing?

paris-whenitsizzlesaudreyhmmHepburn

I’ve already done an animated film like always, a Disney film, and Alfred Hitchcock. All things that have become staples every year. Now who could be missing?

suspicious Hmm

A Stephen King film!!

Yes, it is time to review a Stephen King film. Not a Horrorfest has gone by without me reviewing one of his films, so here we go.

cat'seye

Every breath you take…I’ll be watching you

I had never seen this film before, but my friend really wanted to watch it as she loves ’80s films and was a horror film mood. Aren’t we all?

EverydayHalloweenHorrorfanOctober

The film is actually based on three Stephen King short stories, with the only thing pulling them all together is a cat.

Zunar-J-5/9 Doric-4-7 AKA Jake

So the first third of the film is based on the short story Quitters, Inc. First we see our stray cat wandering the streets. It goes to a store window and sees a little girl mannequin. This changes into a vision of a real girl (Drew Barrymore) who is calling for the cat to come and save her. I guess it is another child with powers, those come up a lot in Stephen King films.

The cat gets captured by a guy who works for Quitters Inc. He takes the cat back to headquarters, where Dick Morrison is being dropped off. Now you might not recognize the actor’s face, James Wood, but you will defintely recognize his voice as Hades from Hercules.

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Dick has been a long time smoker and his friend advised using the agency, Quitters Inc. to finally stop his habit. He’s given paperwork to fill out, but finds it hard to as the man next to him is hysterically crying.

The_Wolf_Man_4Crying sad

His wife comes out with her clothes all messed up and looking like she has had a hard time. She is furious with her husband, blaming him, but he quiets her down and tells Dick she is having her second treatment.

Dick thinks the whole thing smells.

Gilmore girls creep

And he decides to leave, but before he can go he is stopped by Dr. Vinnie Donatti. He brings him into his office and explains their 100% success rate.

That poor CAT!!! I just wanted to run in and grab him, save him.

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It’s okay I have you.

So yes the first offense will be James’ wife “cat room”, not too much but there will be shocking. The second offense will be his daughter in the “cat room”, third offense someone will rape his wife, and the fourth offense will be his death.

OMG gasp

What a psychopath. A sadistic one too.

you're evil

So Dick quits cold turkey and goes home. He acts like a real bear because his addiction is gnawing at him. He tries his hardest, but can’t sleep. That night he heads downstairs and starts looking for a cigarette.

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When he gets downstairs, he hears a noise coming from the closet.

What the fork

He grabs an umbrella and throws it at the closet, hearing an umpf. Quickly he tosses his cigarette away and takes his golf clubs out, pretending that was the whole reason he was in the office.

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The next day Dick goes to visit his daughter, Alisha (Drew Barrymore) who has down syndrome and lives at a school. He brings her a doll, but sees that Dr. Donatti is watching him. Dr. Donatti warns him that his people will always be watching.

creep watching lovely bones Stanley tucci

In fact, just that morning a jogger was around his house, but he wasn’t really a jogger as no jogger wears oxfords. Yes look out Dick, they are everywhere.

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So Dick has been doing good for two weeks. He then goes to a party and he is the only one not smoking. The next day when he gets stuck in traffic, he finds a cigarette in the glove box and smokes it, confident no one is watching.

Majorly

Majorly

The guy in the car next to him is a Quitters, Inc. agent and speeds off to report him as soon as the traffic clears. Dick tries to race home and when he gets there he finds it ransacked and his wife missing.

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He runs to Quitters, Inc. and sure enough there is his wife in the cat box. Dick tries to fight with the two men and get his wife free. His confrontation frees our stray cat from his cage and he goes running off.

I'm getting out of here

I’m getting out of here

Dick, however, is forced to stay and watch his wife be tortured.

The_Wolf_Man_4Crying sad

Afterwards, Dick explains everything and his promise to not give into temptation and hurt his family again. I just think why didn’t they go to the police? He never signed a release form and two people will be giving testimony.

I mean, seriously.

I mean, seriously.

So weeks pass and Dick has been doing great, only one problem; he’s been gaining weight. It is common after quitting an addiction, and Dick feels okay about it.

dietntfatSabrina the teenage witch

However, Quitters, Inc says that he needs to lose weight or else they will cut off his wife’s pinky finger.

Diet

A few days later, Dick and his wife are having dinner with a family friend, the same one who advised him to join Quitters, Inc. They are having a great time until Dick realizes his friend’s wife is missing the top of her pinky finger.

OMG gasp

That means that his friend knew what was going to happen. He sent him there and new the horrors he would face. What a-

wordICan't say Toy Story

I would dump that friend and never speak to them again. And that ends our first story.

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The second section comes from the short story, The Ledge. The cat and the viewers have traveled from New York to New Jersey, Atlantic City to be exact, as he continues to look for the girl in the vision. Here the cat is trying to cross a busy intersection when he is spotted by Cressner, casino owner and very powerful man. He spots the cat and bets that he will make it across without injury, while his friend thinks the cat will be killed.

All I can think:

Poor cat. They are so cruel to you.

Poor cat. They are so cruel to you.

The cat does manage to make it and Cressner takes him home; telling his two rough guys to “get him”

Who?

Who?

Meanwhile, gambler and tennis pro, Johnny Norris has been seeing Cressner’s estranged wife. He sends her away on her own as he has a few things to take care of and wants her safe from her crazy husband. As soon as she boards the bus, Johnny is beat up and taken.

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He is brought to Cressner’s penthouse and Cressner tells him that he has planted heroin in his car and is going to call the cops on him. However, he will make one deal and if Johnny can do it he will get “money,the girl, the gold watch, the car, and everything.” All Johnny has to do is walk around his ledge without falling off, if he does, he’s dead.

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Johnny sees no other way and agrees. However, as he starts to move around, Cressner does everything in his power to try and get him to fall off; playing a trumpet, shooting him with a fire hose, etc.

Ahhh!

Ahhh!

He finally makes it around and back inside. Cressner gives him a bag full of money, but there is one extra item. His wife’s head.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Cressner gets ready to kill Johnny too, when Johnny, angry and horrified, lunges toward him trying to knock them over. The cat joins in, causing some to trip and allows Johnny to get the gun. The cat then takes off while Johnny shoots the goon and train the gun on Cressner.

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Cressner promises him anything, anything at all, just let him live. But that is not good enough for Johnny.

Instead he forces Cressner to do the same challenge he did. And Cressner isn’t as lucky.

SPLAT!

SPLAT!

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We then come to the third installment, General. The cat has finally made it to the little girl who has been calling him the whole time in Wilmington, North Carolina. However, the girl doesn’t act like she has been calling him, so why was that in it earlier?

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So the little girl, Amanda, wants to keep the cat, calling him General, but her mom hates cats. She especially doesn’t want him in the house and throws him out at night. However, General knows he needs to protect Amanda and tries to find a way inside.

Meanwhile, in Amanda’s room a portion of the wall opens up and a troll appears. He kills Amanda’s bird and tries to go after her, when General manages to get through the window and save her, getting stabbed in the process.

OhNOthisisgonnabebad

The next day, General is kicked out of the house as “he killed polly” the parrot. General lies about injured, the husband discovering it and commenting on it to the wife; but she doesn’t care. She thinks General should die for what he did. She captures him and drops him off at the animal shelter, telling lies so that he is euthanized that night.

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That poor cat. I would take good care of you.

Poor cat. They are so cruel to you.

Poor cat. They are so cruel to you.

That night the troll comes out and tries to kill Amanda, taking her breath away. General manges to escape, run back to the house, and kill the troll in the weirdest way. He traps him on the record playing Every Breath You Take, and sends him shooting into the fan, cutting him up into a million pieces.

I mean, seriously.

I mean, seriously.

The parents come in and realize there daughter was telling the truth about seeing a troll and decide to keep General to protect her.

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So that was Cat’s Eye, first of all it made ZERO sense!!! I mean who decided to put this together? It is just strung along and is just kind of dumb. I mean if they has made the cat a more crucial character and also gave a reason to why Drew Barrymore was calling the cat it would have been better. But mostly-

I don't like it 11

The first story was the best, but the other two were just dumb. It really isn’t worth watching.

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to Every Twenty-Third Spring for Twenty Three Days, it Gets to Eat: Jeepers Creepers (2001)

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For more Stephen King, go to Gypsy Justice: Thinner (1996)

For more Drew Barrymore, go to What’s Your Favorite Scary Movie?: Scream (1996)

For more films based on books, go to Have You Seen Megan Hipwell?: The Girl On the Train (2016)

For more Joseph Heller, go to You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

Have You Seen Megan Hipwell?: The Girl On the Train (2016)

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Have you seen Megan Hipwell?

I first was introduced to the book this film is based on by Goodreads. Everywhere I looked they promoted the book and kept recommending it to me.

They were constantly attacking me trying to get me to read it. That kind of pressure actually made me not want to read it at all.

Want YOu Leave Me Alone

But then I saw the film coming out and decided that I would like to read the book before seeing the film. I figured out who the murderer was, but thought the book was pretty well written.

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So before we start with the film review, let’s give a bit of background on the book. So the theme of the book is that you never really know a person, there is a lot more than meets the eye.

Carnival of Souls Don't know real

So the book is told by three female narrators who are completely unreliable.

1) First we have Rachel Watson. Rachel is bitter, obsessed, and an alcoholic. We want to like her and believe in her, feeling for the wrongs that have been committed against her, but at the same time we can’t trust her. First of all Rachel is an alcoholic who continually blacks out when she gets drunk and never knows what actually happens. Besides that, Rachel admits that she has an overactive imagination so we never know what she does remember or see to really be what she says or whether it is made up in her head.

2) Secondly we have Anna Watson. Anna was a real estate agent by day, party girl by night. When she met Tom Watson, Rachel’s husband at the time, she wanted him; became the other woman; got pregnant and became the new wife. She dislikes Rachel and the disruption she brings as she continually plagues their life. As Anna is willing to do all she can to get rid of Rachel, can we actually believe what she says about her or is it just jealousy?

3) Last we have Megan HipwellMegan says right away that she is a liar and makes things up all the time, no one really knows who she is. Therefore, how can we trust a single sentence she utters? Her story is told in flashbacks, leading up to her disappearance and murder.

So I  decided to see the film, how did it hold up?

It works

Well………………………………………………………………………….

I don't like it 11

I thought the film was pretty horrible. It didn’t capture the thrills of the book, the language and screenplay was horrid; and they just inserted sex everywhere! I was furious! WHO WROTE THIS? It sucked!

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So let’s count down what made this film so bad.

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1) Setting

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So they changed the location from England to New York and I thought that was a bad decision. First of all I’m tired of everything being New York, it is getting kind of boring. Besides that I thought England was a better choice as unlike America, Europe is so centered on trains. I also thought the weather and location added a certain suspense to everything.

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Plus the way the police interact and a lot of mannerisms; didn’t translate over as well to American. I mean there was Rachel’s obsession with her house that is very English, a type of Peril at End House that we have here, but not as strong.

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2) The Language

Thank-you-in-many-languages

The book was well written and crafted well in creating the story. The film, however, was not done well. I can’t believe the person who wrote this was paid any money, it was bad. Just F-bombs; no mystery, no suspense, nothing.

I don't like it 11

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3) Too Much Sex

did not need to see that

They trade out character development and actual plot to just show sex like every ten minutes. None of this was in the book, as it didn’t need that to be a good story. In fact the excessive sex just made the story weaker.

I mean when you watch the trailer they market it like 50 Shades of Gray. That was not what the book was about.

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4) Where was Anna?

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So the book is split between three narrators, the film did well with two but Anna had hardly any character development. In fact she was barely even in the film. Why would they do that? She was a big part of the story?

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5) Surprises Revealed Too Early

really?

really?

So the book is a SUSPENSE. A THRILLER! You aren’t supposed to reveal things right away, they are supposed to be done slowly.

However, this film took all the thrills out early on. If you watch the trailer, the killer is revealed. They tell everything about Rachel’s reason for drinking, Megan’s secrets, etc.

It is like they wanted to do a drama instead of a thriller.

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6) Most of the Casting Choices were Horrible

So I disliked almost every actor they choose to play these characters. What were they thinking? Who was in charge of this? They should be fired.

Scott Hipwell

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In the book Scott was a wealthy IT consultant. He had a lot of money and could support the two of them, have a nice house in the country, and live off having to travel and work like once a week to twice a month. He was kind, handsome, charming, respectable, etc. You wanted to like him because Rachel did. Rachel believed in him and never thought of him being a killer or ever hurting his wife. He had to be someone you felt comfortable with, that way when Rachel realizes she has no idea who this guy really is, just who she imagines him to be, it takes on a real creepy tone.

In this, from the way he [Luke Evans] dresses and acts he seemed abusive and controlling. I never trusted him in the film as straight off the bat he acted and looked like someone who would hurt women. He never appeared trusting, kind, or gentle. He never appeared IT and their home looked barely lived in and worn. It just didn’t work and he didn’t work.

Tom Watson

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So in the book, Rachel describes Tom as being strong, powerful, and having the shoulders that seemed like they could carry all their weights and burdens. He is remarried, but at the same time the way he treats Rachel is almost like Cousin Ashley in Gone With the Wind, keeping her on a string.

In this film, I was surprised that they picked Justin Theroux. He was small and made me think of a weasel. I never thought he seemed comforting or a good husband; he looked like a liar and a cheat the whole time. I thought he was a bad choice, as like Luke Evans, he just couldn’t create a sincere or kind facade.

Anna Watson

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As said before, Anna was supposed to be party girl turned wife. In this she had no character development and the only bit we had was that she loved being a mom and thought it was the best thing any woman could do. We never heard about what she thought about their relationship, her hatred of Rachel, her needs, desires, etc.

Megan Hipwell

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I thought she was okay. They definitely played up the sexual angle, but didn’t focus on everything she went though to be who she was. All she was was a sex addict; not a grieving sister, former drug addict, bankrupt business owner, wife, friend, etc.Megan was much more complicated than just sex.

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The only thing I really liked was Emily Blunt as Rachel. She did extremely well in showing the emotional abuse and effects of alcohol. Good job, Emily!

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

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For more films on disappearances, go to What Have We Done to Each Other?: Gone Girl (2014)

For more Emily Blunt, go to Beast or Man: The Wolfman (2010)

For more films based on books, go to That Face-I’ve Seen Her Before…: Let Me Call You Sweetheart (1997)

That Face-I’ve Seen Her Before…: Let Me Call You Sweetheart (1997)

Let Me Call You SweetheartMaryHggonsClark

That face-I’ve seen her before…

Let Me Call You Sweetheart is based on a book of the same name by Mary Higgins Clark. So first let me say that this is a made-for-Tv film. As you know those can go one of two ways, either they are pretty good:

loveitSupernatural

Or they suck.

This film suck!

This film suck!

This movie is in between. It was pretty good and entertaining, but had a few sluggish and not as well done moments.

So I first came upon this movie by accident. I was working on 2014’s 30 Days of Disney, Songs to Get Over a Heartbreak Series, or Horrorfest III; and while I was working on that I was watching films and TV shows on my phone.

Ren Stevens: What? Honey, you're chased by six mutants, and you just decided to take a shower?

After I would watch one film I would look over the recommended list, and check one of those out too. One such film that I saw was this one. Its mystery was very intriguing that at times I had to stop my other work as I was too distracted.

Ringu Watch TV

Afterwards I found the book in a library book sale and took it home to read.

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Clark’s book is way better than the film as they cut out key characters and even creepier moments, but if you haven’t read the story then the film is good. It only pales when you have the full version. But let’s get on to the review.

DeanSupernaturalLetsGetStarted

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Let Me Call You SweetheartMaryHggonsClark

So the film starts with Kerry McGrath, assistant attorney general, running late to an appointment at the plastic surgeon. Her daughter, Robin, was recently injured in a car crash when she was visiting her father and he forgot to check her seat belt. Kerry has disliked her ex-husband, Bob Kinellen, ever since he decided to trade in his wife and daughter for the the boss’s daughter (a much younger model); and this little accident has helped heal that.

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Robin’s face was badly scratched, but they’ve been seeing a genius doctor, Dr. Charles Smith, who is phenomenal at plastic surgery.

Mal_huh Whoa Wow what

While waiting for her daughter, as Dr. Smith always makes them wait and then goes over the appointment time, Kerry sees a familiar face.

Hi!

Hi!

But she can’t figure out where she saw this face.

Hmm...

Hmm…

She checks the sign-in list and spots the name Barbara Tompkins. Unfortunately, it doesn’t ring any bells.

whatdoyouthinkTwilightzoneRealmartianpleasestandup

Kerry goes over that evening to spend time with her “adopted parents”, state senator Jonathan Hoover and his wife Grace, that is a couple she befriended in college when she was away from her family. They having no children, adopted her right back.

Family

Jonathan has used his influence to get Kerry an appointment for judgeship and all she has to do is await until the decision is made.

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The face is still bothering Kerry, and the next time she takes Robin to her doctor she sees her again. But this time the woman is a Pamela Worth.

weirdtwilightzone

What is going on? This is getting stranger and stranger. Why would the doctor give two people the exact same face?

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Later at work she is focused on another case, when one of her coworkers get roses delivered. Then it hits her…

OMG gasp

The Sweetheart case was why the woman looked so familiar. She looks just like Susan Reardon.

strange things are afoot at the circle k

Susan Reardon was a beautiful woman who had men fawning over her everywhere she goes. Everyone loved her and how she looked, well except for one person.

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Ten years ago Susan Reardon was found murdered in her home, a bunch of sweetheart roses scattered about giving the case the name. Her father was a key witness, giving information about the fights Susan had with her husband Skip, and painting him as evil, controlling, and abusive.

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Susan was known to be dating other men, which upset Skip. It was an easy open and shut case.

Done and done.

Done and done.

Kerry can’t get over the fact that Susan’s father created two women to be in her mirror image. She starts wondering if there is more to this case.

Gilmore girls creep

However, most people are not very happy with Kerry’s involvement. The attorney general Frank Green, Kerry’s boss, used that case to lock him in his job and now he is trying to move up to mayor. If it turns out he imprisoned the wrong person he can kiss that good-bye.

This is bad

This is bad

Bob, Kerry’s ex, is currently defending James “Jimmy” Weeks. He is a dangerous man known to deal with mobsters. He doesn’t like Kerry investigating as he had a relationship with Susan. He tells Bob that Kerry needs to stop or else she and Robin might have injuries no doctor can fix.

OMG gasp

As Kerry starts investigating, she finds one person who is happy to see her on his side, Geoff Dorso, Skip Reardon’s lawyer.

Geoff came on the case after the trial as he thought everything was done completely wrong. First there were a lot of inconsistencies in the story. Dr. Smith painted Skip as a horribly violent man but no one else ever saw or could confirm it.

Something is not right!

Something is not right!

Skip said that he left a message on the machine, being his alibi, but when the police checked the house the message was stolen. There was also a frame with Susan’s picture in it and a piece of jewelry; both never recovered.

weirdtwilightzone

Skip also shares the relationship between Susan and her father. He was controlling, and obsessed with her and her beauty.

Gilmore girls creep

Kerry is unsure if she wants to pursue the case as it is sure to kiss her appointment  as a judge good-bye, but then something happens that changes everything. She discovers that Susan didn’t look that beautiful all her life. She was average and not very attractive. It wasn’t until after she left her mom and stepdads for her dad that she “became” this beautiful swan. The fact that her father operated on her is weird, but add that to the fact that he has been stalking his patients that he recreated to look like his dead daughter.

That is not right!

That is not right!

Then Kerry is sent threatening notes and Robin is almost attacked, just managing to get away in time.

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This has really opened a can of worms and cemented for Kerry that Skip isn’t the killer. But if he isn’t, who is?

suspicious Hmm

Now it would be wrong for me to reveal the end if you haven’t read book or seen the film. I figured it out, but even so I thought it was extremely well written and that the final reveal was a true pleasure. You should definitely check this one out for yourself.

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to The Mad Killer: Dial 1119 (1950)

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For more films based on books, go to We All Go a Little Mad Sometimes: Psycho (1960)

For more mysteries, go to A Book Considered Too Dangerous to Keep: The Magician’s Nephew, Midsomer Murders (2008)

We All Go a Little Mad Sometimes: Psycho (1960)

PSYCHO

It’s not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven’t you?

So this Horrorfest IV, we are doing something different. For Horrorfest (the original) we ended on Halloween (of course) as we had looked at the big 3 of horror film producing sequels: Friday the 13th, Nightmare on Elm Street, & Halloween. On Horrorfest II, we had to cut our reviews in half due to my schedule and ending with a film that takes place on Halloween (along with our yearly Stephen King film review), Children of the Corn. And of course I don’t think anything will top last years “theme” of Werewolves, starting with The Wolf Man (1941) and ending with it’s remake The Wolfman (2010). This year I decided it was time to finally review one of my favorite films, the one I have been talking about again and again, Psycho (1960).

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I love this film, in fact it was one of my early introductions to the ultimate, obsessive, fangirling that I would do over Alfred Hitchcock.

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My first film was The Birds. I loved it and knew I wanted to see everything he made. That second film that completely made me in love with his works, was Psycho (1960).

NotaPsychopathFangirl

The first time I saw this film was on AMC. When they were announcing the line up, they played this song.

So whenever I hear this song I think of the film, and vice-a-versa.

So if you are wondering if this is going to be an extremely long post all about how much I love this film, like my review of Jaws, then you are right. I love this film so let’s get started.

**Spoiler Alert**

(Although this movie is fifty-five years old, so if you haven’t seen it already, then shame on you)

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PSYCHO

This year marks the 55th anniversary of Psycho, and select theaters brought it back. And as I was lucky that mine did, I immediately bought tickets and went to see it.

ineedthis

Alfred Hitchcock’s Psycho (1960) is remarkable for many things. It is considered his first horror film, and while not the first slasher film in history, it is the first American slasher film, influencing countless director’s and movies.

While many adore this film today, it  had quite a few problems getting it off the ground in 1960. Alfred Hitchcock read the novel Psycho, by Robert Bloch, and immediately saw the benefits of turning this into a film. Unfortunately, Paramount Pictures did not. They cut the budget down to $800,000, hoping that Hitchcock would stop this idea of making a “dirty”, “smut” film; but he would not be deterred. Hitchcock used more of Universal to make the film, which is why in the end they won the rights.

AWESOME!!!

Oh yeah

Instead Hitchcock gave up his usual pay, taking over 30% of the profits on sales. As the film did amazingly well in theaters he made a bundle.

Hitchcock bought the book for $9,000 anonymously, and then went on to buy up every book out there to try and keep the ending a secret. He used most of the crew from his show Alfred Hitchcock Presents, and made everyone promise to keep the film as secret as possible. He didn’t tell any the ending until filming, a technique that would be copied in other films, like the Scream franchise.

To begin with how different this film was, let’s start with the trailer. It was over six minutes long, much longer than any trailer made then or now.

But it was great and gets you pumped for the film.

So the first thing we are introduced is to is the credits, with the famous score.

The music just drags you in sending shivers down your spine.

shiver

Now the actors we see on here, we all know today, but at the time the only real famous person was Janet “Scream Queen” Leigh. Part of this was due to the cut budget of Hitchcock, but he also wanted a different style and to use unknowns instead of huge stars.

Prior to this movie Anthony Perkins was being groomed to being a big star. In 1953, he debuted in The Actress and in 1956, Friendly Persuasion, won him best supporting actor. That all changed with Psycho. After this movie he became famous, but also typecasted.

OhNOthisisgonnabebad

Vera Miles was in a few things but also hadn’t been cemented as a “Star”.  Alfred Hitchcock liked her looks, and more, planning on giving her the lead in Vertigo (1958), but when she became pregnant and had to drop out, he couldn’t stand her. He thought she did it on purpose and was upset that she made him recast. The only ever worked together on this film.

ouch Hermione

Before Psycho, John Gavin was known for the remake in Imitation of Life (1959)Psycho made him famous (along with Spartacus).

Anyways, back to the film!

PSYCHO

So we are introduced to the city of Phoenix, Arizona; where our film takes place, December 11th. I had never realized this until I saw the film this most recent time, but I don’t recall ever seeing any Christmas decorations anywhere. Not in the homes of the characters or offices. Supposedly the reason why it was set in December was because of the Christmas decorations in Phoenix but I didn’t spot any. I’ll just have to look again. But you know what that means? That this can be a Christmas film! I smell a new tradition!!!!

Bishop's wife christmas tree

So the film opens with Marion Crane (Janet Leigh) and Samuel Loomis (John Gavin) in bed together. Sam is half naked baring his chest and Marion is in her bra and slip.

keanu Whoa

Yeah, something like this is not shocking for today (I mean look at Game of Thrones) but you didn’t see anything like this after the motion picture code association (MPAA) was created. We saw plenty in the late 1960s early 1970s when the code lost its fierce control. But in 1960, oh ho ho. This was super raunchy!

This part always makes me sad as all Marion wants is to be married to Sam. Sam, however, wants to wait a few years. He is still paying his ex-wife alimony, paying off his father’s debts, and lives over the hardware store he owns in Fairvale, CA.

Now Fairvale doesn’t exist, as it was all shot on the Universal backlot or in a soundstage. I originally thought it took place in Fairfield CA as they sound the same and that would make a lot of sense. But in a later scene I saw a map of Shasta County, so I think that Fairvale is supposed to be Redding.

Then again I could be wrong.

Then again I could be wrong.

So Sam does not want to be married for a few years, and it horrible to be leading her on like that with weekend trips every now and then; stolen lunch hours. That is not a complete relationship. Marion hates it as she wants to be a respectable woman.

Marion Crane: Oh, we can see each other. We can even have dinner but respectably in my house with my mother’s picture on the mantel and my sister helping me broil a big steak for three.

Sam Loomis: And after the steak, do we send Sister to the movies? Turn mama’s picture to the wall?

Sam tells her that them marrying now is a bad idea, but  Marion doesn’t care. She would do it all for him. He jokes that maybe she should move on, but when she agrees he quickly is worried. They part on good terms, making plans for the next visit. Neither are incandescently happy, but that’s love.

midsomermurdersLoveCurse&Blessing

Marion heads back to work at the real estate agency. As she comes through the doors, you can spot Alfred Hitchcock in a cowboy hat standing outside the window. Hitchcock knew people would spend the whole film searching for him, so he wanted it out of the way as soon as possible.

Back at the Agency, Marion checks in with her associate secretary, Caroline (played by Pat Hitchcock, Alfred’s daughter). Caroline is married, which makes Marion feel as if everyone in the world is married but her.

bookladysitwithmybooks

In walks her boss, Mr. Lowery, and their new client, Tom Cassidy, a rich oilman. He is paying $40,000, in cash, to buy his daughter a house for her and her soon-to-be husband.

Tom Cassidy: I’m buying this house for my baby’s wedding present. Forty thousand dollars, cash! Now, that’s… not buying happiness. That’s just… buying off unhappiness [waves money in front of MarionI never carry more than I can afford to lose! Count ’em.

Caroline: I declare!

Tom Cassidy: [staring at Marion] I don’t! That’s how I get to keep it!

He then goes on to flirt with Marion, disgustingly.

ew! Gross Yuck

Cassidy then makes a comment about Mr. Lowery being able to afford air conditioning. Can you imagine being in Arizona without air conditioning? It would drive ANY person insane!

Marion is asked to take the money to the bank, while the boss and Mr. Cassidy get their drink on. Marion has a headache, and asks to go home after she drops the money off, her boss lets her and she heads on her way.

The next shot we see is the money on Marion’s bed, next to a suitcase.

Mal_huh Whoa Wow what

What a great shot, Hitchcock defintely knows his stuff.

So yes Marian stole $40,000. That would be around $350,000 today. That’s a lot of money.

keanu Whoa

On one hand you kind of understand Marion. She is so tired of her life, all she wants is to be with Sam, now and always. She thinks she can take the money, pay his debt, and they can live happily ever after. But she is not thinking clearly, what about when they discover the money is gone? They will know it is her.

She decides to drive to see Sam. When she gets stopped at a light who should she see but her boss!!!

Under Capricorn Aah oh no ugh

This is when the score starts up again, heightening the intensity!

shiver

Marian is driving, but starts to fall asleep. She pulls off on the side of the road.

She is awakened the next day by a CHP officer (California Highway Patrol) . Now this police officer is very scary. He is wearing sunglasses and never takes them off, giving him almost a robotic look. Super creepy as you can’t see the expression on his face or his eyes.

Now Marion doesn’t help her case as she acts super suspicious, being cold, curt, and trying to take off.

suspicious Hmm

You can see here that Marion is not a rule breaker. She’s always been a good girl, and as this is her first time breaking the rules she is doing poorly at “being bad”.

The CHP follow her, but turns off in Gorman, CA while she continues to Bakersfield. There, she decides to change cars. The salesman is so sweet, and adorable, but as Marian is in such a hurry, he starts to wonder about her too.

suspicious Hmm

This is not good Marion, as if anyone is to come later and ask questions about you, you would be remembered. Not only for acting weird, but also because it’s Janet Leigh.

As she is there, up comes the CHP. Too bad Marion looks as good as she does, the cop could spot her right away.

see cute guy look

Marion buys a newspaper, looking for news of the stolen money but is relieved to find nothing. It is too early for that, but you understand how scared she is.

As she is looking at the cars I can’t help but notice that, man those cars are dirt cheap. $957 for a 3 year old car? I wish they were that cheap now.

NostalgiaforWorldNeverKnown

Anyways, the cop continues to watch her from across the street. This only makes Marion more nervous and suspicious sounding. In fact the car salesman starts to wonder if she is trying to get rid of a stolen car.

The paperwork is completed, Marion paying $700 of the $40,000 and trading in her car. She then takes off, only to be stopped because she forgot her luggae in her haste. This gives the cop plenty of time to see her plates.

Spoke too soon

Poor Marion, she’s not a master criminal mind.

She heads off, but as she drives all she can hear in her head how terribly everything has gone and how it will all blow up in her face in the end.

All she can do is keep driving, hanging on to the hope that when she gets with Sam everything will be okay.

Unfortunately, it begins to rain and Marian being from Arizonia, doesn’t know how to drive in Northern California winter rains. So she has to pull over at the nearby motel she finds.

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The property consists of a giant Victorian mansion on the hill, with twelve rooms down the way.  The house was designed after Edward Hopper’s painting, House by the Railroad, it wasn’t supposed to be creepy but a part of early Americana. But as we only really see the house at night, except for once at the end, and because if the events that later transpire; this all looks uber creepy.

Gilmore girls creep

After the fire occurred on the Universal backlot (the same one that destroyed Back to the Future’s clock tower), this building and the motel was declared a historic landmark and can never be destroyed or taken done (unless by a non-human disaster). Isn’t that great, that will be there forever!

We are then introduced to Norman Bates, son of the motel owner, and played by Anthony Perkins.

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see cute guy look

When I saw Norman I was like whoa!!!! That guy is hot!!!!!

swoon dreamy

So cute with his boyish charm. He looks as if he is in his early twenties (was actually 27) and just utterly adorable. Perkins was chosen for being a gentle, stammering, handsome young man: the ultimate all-American boy next door. You just want to give him a hug. At one point during the filming, Perkins asked Hitchcock if playing Norman Bates would be a bad career move and Hitchcock told him it might be. He was right as it killed his career, but he was just too perfect as Norman, the movie would not have worked without him.

Anyways, so Norman tells Marion that he can give her a room, and that there is a diner up the way, right outside of Fairvale, which is only 15 miles away.

Say What

15 miles!!! If only it hadn’t rained, she’d be with Sam right now.

Marion signs in under a false name, Marie Samuels, and says she is from Los Angeles. After careful consideration, Norman gives her key #1.

He takes her into the room and shows her around the closet, desk with stationary, bathroom etc. When it comes to the bed, he actually stumbles over the words, being too bashful.

You're so cute

He’s so young, and adorable. He has such a sweet little boy smile, so adorable. Those things are fatal to me as they just make me smile in return. I let down all my defenses.

Phew!

So Norman knows Marion is hungry and probably does not want to travel out in the storm coming down, so he offers to make her dinner, sandwiches, and have her come down to the house.  Marian agrees.

After he leaves, Marion looks around the room for a place to hide the money. Where should she put it that’s not obvious? Where?

Hmm...

Hmm…

She finally settles on hiding the cash in the newspaper. As she waits for Norman to finish making the sandwich, she overhears Norman and his mother yelling in the house.

Norma Bates: No! I tell you no! I won’t have you bringing some young girl in for supper! By candlelight, I suppose, in the cheap, erotic fashion of young men with cheap, erotic minds!

Norman Bates: Mother, please…!

Norma Bates: And then what? After supper? Music? Whispers?

Norman Bates: Mother, she’s just a stranger. She’s hungry, and it’s raining out!

Norma Bates: “Mother, she’s just a stranger”! As if men don’t desire strangers! As if… ohh, I refuse to speak of disgusting things, because they disgust me! You understand, boy? Go on, go tell her she’ll not be appeasing her ugly appetite with MY food… or my son! Or do I have tell her because you don’t have the guts! Huh, boy? You have the guts, boy?

Norman Bates: Shut up! Shut up!

Man his mother is horrible. She is evil and cruel, treating him like he’s a little boy instead of a grown man. Mean old woman, I wonder if she was abusive in other ways than emotional/verbal. There are some deep issues here.

Norman takes off down to the motel bringing the sandwiches. Marion reveals that she heard everything, and Norman offers for them to eat here instead. Marian moves aside so that he can come in the room, but he can’t. He sees the bed in the room, and stops.

uh-no-gif

It makes him too uncomfortable, so he ends up inviting her into his office, and then the parlor.

Here is where we see a lot of Norman’s issues. His mother has cuckholded him so that he is still a child in many ways, but at the same time a grown man with grown man like interests. He likes Marian but also a bit freaked as well. Marion on the other hand is a grown woman and not squeamish about sharing a room to eat, even though the major feature is the bed.

Boy/Man Child

Boy/Man Child

They go into the parlor which is full of birds, taxidermied ones. Now this used to always freak me out, but after working in a museum last year and being around a lot of taxidermied animals it’s not that bad. Did you catch that not as bad,meaning it is still creepy.

Gilmore girls creep

So while he and Marian are back in the parlor he tries hard to be “adult”, but keeps stammering as he hasn’t ever entertained anyone before.

Norman Bates: You-you eat like a bird.

Marion Crane: [Looking around at the stuffed birds while eating] And you’d know, of course.

Norman Bates: No, not really. Anyway, I hear the expression ‘eats like a bird’ – it-it’s really a [stammers] fals-fals-fals-falsity. Because birds really eat a tremendous lot. But -I-I don’t really know anything about birds. My hobby is stuffing things. You know – taxidermy.

You're so cute

The two then discuss Norman’s mother.

It turns out that Norman’s father died when he was only five years old and his mother had to raise him all on her own. She met a man and when she found out her boyfriend was married, became broken. He mentions something interesting here, that this guy could have made mother do “anything”. Maybe get rid of him or kick him out even? Hmm……..

suspicious Hmm

The conversation moves on:

So this saying was actually used first in the film The Awful Truth starring Irene Dunne and Cary Grant. In it Irene is about to complete her divorce to Cary and marry a mamby-pamby mamma’s boy, who when Irene leaves him, goes off with his mom as after all “A boy’s best friend is his mother.” It of course was made famous by Psycho

Marian tries to give helpful advice, but Norman is not in agreement.

In that moment we see something lurking below that boyish charm and sweet face. Something dark.

suspicious Hmm

You may notice the theme of “mother issues” in this film. Norman and his mom have serious issues, which may extend to her not only being emotionally abusive but physically as well. Possibly molestation, but we are not sure. Hitchcock himself had a lot of issues with his own mother, her forcing him to stand at the foot of her bed for hours as punishment. The screenwriter, was currently in therapy for his own issues with his mother when he wrote this script. And Anthony Perkins also had mother issues and an early life eerily similar to Norman’s. His father died when he was five, and he also was raised by a controlling and cruel woman.

Weird

Freaky

They end their talk and Marian tells him she needs to go to bed as she has a long drive back to Phionex. She also gives him her real name. He says goodnight and double checks the book seeing that she lied.

rebeccaitwasallalie

Marian heads next door, and Norman doesn’t leave yet. Instead he decides to take a look at Marian changing.

You know I have seen this movie like a million times and on the big screen is the first time I have ever noticed the painting that Norman uses to hide the hole he peeks through, it is Susannah and the Elders   by Giovan Battista Tiepolo. The story of Susannah and the Elders is that Susannah is a young and beautiful woman. She sends her attendents away as she takes a bath, and two voyeuristic elders, watch and lust after her.  They try to blackmail her into having sex with them, saying they will lie that she was meeting a lover. When she refuses, they try to put Susannah to death, but the prophet Daniel intervenes and saves her. It works with the whole voyeuristic theme the film has going.

Looking at that I notice there are a lot of naked women paintings and scultptures in the house. Who picked these? Norman? Unlikely. His mother? Even unlikelier. The lover? Most likely. But weird that his mother would allow such things.

weird

Norman heads back to the house and is about to go upstairs, but stops. Where was he going before? To see his mother? Go to bed? He heads to the kitchen instead and thinks.

After speaking to Norman, Marian has a change of heart. She decides to head home and turn herself in, hoping they will be lenient. She does a few sums, and determines that she has $39300 left. As she rips it up and dumps it down the toilet and decides to take a shower.

This short scene involving the toilet took forever to get approved. In fact, this is the first american film to show a toilet in a movie.

Weird

Weird

I notice as she shuts the bathroom door, there is NO lock on the door.

OhNOthisisgonnabebad

She goes to take the shower and we have the scariest and one of the best scenes ever!

So intense and scary!!! I mean think of it, the shower os the most vulnerable place you could be at. You are naked, and have nothing to cover yourself up, nothing to use to defend yourself. In fact Janet Leigh said she was so freaked out when she saw herself murdered, that she never took a shower again. Opting only for baths.

Psycho-Shower

There are tons of myths surrounding this shower scene and I am going to set the record straight. So the filming of this scene took a whole week to get it just how perfectionist Alfred Hitchcock wanted it, this was 1/4 of the total time it took to make the entire film.

Janet Leigh filmed most of this scene. She wore pasties to cover her privates, but the warm water from the shower melted them, and Alfred Hitchcock kept on filming. She did have a stunt double, who did some nudes, and she was sadly murdered the same way in real life as shown on screen.

Psycho-Shower

And whoa this was a huge move to make. Killing the most famous person off? This was not done at the time, not at all.

When Norman discovers his mother covered in blood, he runs down to check on Marion. He finds her dead and freaks out, almost becoming sick.

I don't know what to do

He looks all around trying to compose himself, when he decides to put her body and belongings in the trunk of her car and cleans up the bathroom. He puts all her belongings in it, but forgets the newspaper. A car drives up, which surprises him, so much that he looks back in the room and grabs the paper. He then takes the car to the swamp to dump.

I just love that moment when it doesn’t go down right away and he freaks out. What will he do if it doesn’t sink. But it does, and he is relieved. The end.

TheEnd_Title_2

A week later, Sam is sitting in his office writing a letter to Marian. On the small screen they have always shown this too quickly for me to read the whole thing. This time I was able to see everything and in the letter, Sam apologizes to Marian and says he doesn’t want to wait a few years but wants to marry her now.

aw cry

If only he had asked her sooner! If only she had waited a week. If only, if only, if only.  😦

Lila comes in and introduces herself to Sam. She questions him about Marion and whether he and her were in it together, but Sam has no idea what’s going on.

princess-leia-i-dont-know-what-youre-talking-about

Private Investigator Arbogast comes on the scene. He was hired by Mr. Lowrey and Cassidy to find Marion, hoping she would give the money back and that they wouldn’t have to bring in the police.

Sam denies knowing where Marion is, and Arbogast tells him that he will find Marion, one way or another.

He goes around asking at ever motel, hotel, and boarding house in the area. Each one says no. He spots the Bates Motel, and goes in to speak with Norman.

Psycho-1960-Alfred-Hitchcock-Bates-Motel-pic-51

Norman is sitting on the porch eating Kandy Korn, as it says on his candy bag. Where’s he getting this in December? I guess it could have been leftover from Halloween. This was Norman’s personal touch, to add even more of a boyish charm.

Arbogast interrogates Norman, and I notice Norman speaks in a lot of clichés and metaphors. It’s probably due to him being only with his mother and never with peers.

He starts to clean the rooms, but skips door number one. He knows what went in that room and doesn’t want to think about it.

Arbogast follows and looks up at the house. He sees a figure, and questions Norman again. At first Norman says no one is there, but then says that it is his mother. Arbogast thinks Norman is hiding Marian, and infers that she seduced him, which angers Norman.

Milton Arbogast: Now, if this Marion Crane were here… you wouldn’t be hiding her would you?

Norman Bates: No.

Milton Arbogast: Not even if she paid you?

Norman Bates: No.

Milton Arbogast: All right, then lets say for the sake of argument that she needed your help and that she made you out to be a fool in helping her…

Norman Bates: Well, I’m not a fool. And I’m not capable of being fooled! Not even by a woman.

Milton Arbogast: I mean no slur on your manhood.

Norman Bates: She might have fooled me, but she didn’t fool my mother.

Norman is angry. Arbogast wants to speak to his mother, but Norman says no. As Norman is angry his face is put in more shadow and he loses that boyish charm and innocence, looking much darker.

Creepy!

Creepy!

Arbogast starts to head back to Lila and Sam, but stops and calls Lila from a phone booth. He tells her what Norman said, that Marion was here and then left, but it doesn’t feel right.

The plot thickens

He decides to go back to speak to Mrs. Bates, promising to be back in an hour. As he drives back to the motel, we see Norman there. Arbogast starts up to the house going through the back and leaving the door open, checking the front and bottom floor. When he can’t find anything, he heads upstairs. As he walks up, he gets attacked.

arbo-fallspsycho

Dead.

#2

#2

Back at the store, Lila and Sam are waiting for Arbogast. It has been hours and he hasn’t shown, with Lila getting really impatient.

I'mwaitingPrincessBride

She is determined to head down to the motel to find out if her sister was there. Sam tells her to wait while he calls, but she is heading out the door. Sam stops her and agrees, he will go and look for Arbogast and she should stay here in case he returns.

All I can think is, man Lila is intense in what she wants. If she had been the one dating Sam, then she would have been married a long time ago.

cinderella-wedding-day-shoe

Sam gets there but can’t find Arbogast or Norman anywhere. We see Norman by the swamp. Yep, dumping another body and car. Whoa, Norman really stepped into it this time. If it weren’t for the money, they wouldn’t be lookingthis intensely for her.

When Sam gets back and finds out that Arbogast still hasn’t returned, he and Lila head to the Sheriff’s house. They tell the Sheriff everything, but he doesn’t really seem to take them seriously.

Sheriff Al Chambers: Your detective told you he couldn’t come right back because he was goin’ to question Norman Bates’ mother. Right?

Lila Crane: Yes.

Sheriff Al Chambers: Norman Bates’ mother has been dead and buried in Greenlawn Cenetery for the past ten years!

Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.

Sheriff Al Chambers: ‘Tain’t only local history, Sam. It’s the only case of murder and suicide on Fairvale ledgers.

Sam Loomis: You mean the old woman I saw tonight wasn’t Mrs. Bates?

Sheriff Al Chambers: Now wait a minute, Sam, are you *sure* you saw an old woman?

Sam Loomis: Yes! In the house behind the motel! I called and I pounded, but she just ignored me!

Sheriff Al Chambers: You mean to tell me you saw Norman Bates’ mother?

Lila Crane: It had to be – because Arbogast said so too. And the young man wouldn’t let him see her because she was too ill.

Sheriff Al Chambers: Well, if the woman up there is Mrs. Bates… who’s that woman buried out in Greenlawn Cemetery?

SHE’S DEAD??????!!!!!!!!!!!

Say What

Ten years? Ten years dead?

Whattheheck

And if she’s not dead but in the house, who’s in the cemetery?

Mal_huh Whoa Wow what

Norman knows that there will be more people coming. They came for Marion, and they will follow Arbogast as well. So he moves his mother to the fruit cellar to hide.

Norman Bates: Now mother, I’m going to uh, bring something up…

Norma Bates: Haha… I am sorry, boy, but you do manage to look ludicrous when you give me orders.

Norman Bates: Please, mother.

Norma Bates: No! I will not hide in the fruit cellar! Ha! You think I’m fruity, huh? I’m staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!

Norman Bates: They’ll come now, mother! He came after the girl, and now someone will come after him. Please mother, it’s just for a few days, just for a few days so they won’t find you!

Norma Bates: “Just for a few days”? In that dark, dank fruit cellar? No! You hid me there once, boy, and you’ll not do it again, not ever again; now get out! I told you to get out, boy.

Norman Bates: I’ll carry you, mother.

Norma Bates: Norman! What do you think you’re doing? Don’t you touch me, don’t! NORMAN! Put me down, put me down, I can walk on my own…

This is probably the first time he has ever stood up to his mother in his life.

The next day, Lila and Sam head over to the church to go over to the Bates residence with the sheriff. To their surprise, the sheriff has already gone, and found nothing.

Tom-Hanks-Saying-Really

Lila and Sam are unsatisfied and decide to go over there themselves. They check in as man and wife, and hide out in their room until the coast is clear.

The two sneak into room one, where they search every inch to find any trace of Marian. In the bathroom, they discover a slip of paper in Marian’s handwriting. Lila is excited, but Sam dashes that by telling her it doesn’t really help as Norman admitted that she came there. They need proof of what occurred next.

They decide to split up, with Sam distracting Norman, while Lila questions the mother. As Sam walks out, it turns out Norman is standing in the doorway of the office.

tumblr_dr.jekyllhydemirrorsneakupbehindscareaah!

He must have heard them, I mean right? Right?

OhNOthisisgonnabebad

Anyways, Sam distracts him as Lila heads up the hill.

All I can think is that what the Sheriff said to them did not seem to register. He and his wife say that the mother is dead. Do they think it is a lie? She faked her death? She never died? Another body is in the casket?

what what'shappeningSupernatural

As Lila looks upstairs, she spots the mother’s room. It has a deep indentation in the bed, creepy mirrors everywhere, brass hands, etc.

tumblr_dr.jekyllhydemirrorsneakupbehindscareaah!

She goes into another room and sees that it is Norman. And the bedroom is weird. It is itty-bitty. In a giant house, why would he be given a room the size of a cell?

All he has is baby toys, and they all look sad. Like I seriously think he was abused as a child. Look at his doll. The rabbit that sits on the bed with him. Why would an almost 30 year old man sleep with a stuffed animal, unless he was abused as a child.

The music he listens to is Beethoven’s Eroica. I used to think it was used because it was a letter away from Erotica, but after looking into the backstory, it was written for Napoleon, and supposed to signify all a man is, powerful, brave, strong; what Norman wished to be.

She then spots a book with no title. I always wondered what the book signified, and discovered that books then that were pornographic were published titleless.

ew! Gross Yuck

This whole scene in the room is supposed to show the duality of Norman, a grown man, but still a child in so many, many ways.

Norman realizes that Sam has been distracting him, and knocks him out, then running for home. Lila spots Norman coming, and hides in the downstairs. That’s when she notices the fruit cellar and heads down.

When she gets there we have one of the best reveals ever!

So the sheriff takes him down to the jail, an they call in the psychiatrist to find out what was going on.

Dr. Fred Richmond: No. I got the whole story – but not from Norman. I got it – from his mother. Norman Bates no longer exists. He only half-existed to begin with. And now, the other half has taken over. Probably for all time.

Lila Crane: Did he kill my sister?

Dr. Fred Richmond: Yes, – and no.

Dr. Fred Richmond: Now to understand it the way I understood it, hearing it from the mother… that is, from the mother half of Norman’s mind… you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man… and it seemed to Norman that she ‘threw him over’ for this man. Now that pushed him over the line and he killed ’em both. Matricide is probably the most unbearable crime of all… most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn’t enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild. [Points finger at Lila Crane] When he met your sister, he was touched by her… aroused by her. He wanted her. That set off the ‘jealous mother’ and ‘mother killed the girl’! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!

Sam asks about the clothes, definitely weirded out by seeing Norman in that getup. And I agree, he was totally creepy looking.

Officer: He’s a tranvestite!

Dr. Fred Richmond: Ah, not exactly. A man who dresses in women’s clothing in order to achieve a sexual change, or satisfaction, is a transvestite. But in Norman’s case, he was simply doing everything possible to keep alive the illusion of his mother being alive. And when reality came too close, when danger or desire threatened that illusion – he dressed up, even to a cheap wig he bought. He’d walk about the house, sit in her chair, speak in her voice. He tried to be his mother! And, uh… now he is. [pauseNow, that’s what I meant when I said I got the story from the mother. You see, when the mind houses two personalities, there’s always a conflict, a battle. In Norman’s case, the battle is over… and the dominant personality has won.

Sheriff Al Chambers: And the forty thousand dollars? Who got that?

Dr. Fred Richmond: The swamp. These were crimes of passion, not profit.

Everyone’s like:

Say What

It wasn’t about the money at all? Yes folks, that is this film’s MacGuffin. A MacGuffin is something that the characters search for or aspire for, but in the end, has nothing really to do with the actual plot.

This last scene is my favorite as it is soooo creepy.

That moment when he smiles, it sends shivers down my spine.

shiver

So Mrs. Bates is evil. Pure evil. She was abusive to Norman throughout his life, and now throwing him under the bus. Pure evil.

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So before we en I thought I would include some thoughts I had about Norman now that I’ve revealed the “truth” about him

1)When Norman chooses the parlor over the bedroom, I wonder if the Norman side “knew” it was best not to get to close as it might awaken mother sooner and “she” might do something drastic?

2)When he gets angry about institutionalizing his mother is it the dutiful son Norman that is angry, or his “mother”?

3) When Norman tells Marion he can’t leave, if he does then his mother will die all over again. Poor Norman, stuck in an endless cycle of abuse.

4) When Norman sees that Marion gave a false name in the book, do you think that “mother” found her an easier person to kill as no one was likely to connect that Marie Samuels to anyone? Do you think it made her more suspicious of her character?

5)I wonder if Marion had stayed up later with Norman would that have changed things? Would “Mother” have failed to come out? Or would she have come out earlier?

They are nothing with any real answer, but just something to ponder on and ask your cinephile friends.

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I know you guys know that this post isn’t going to end. Like Jaws, I have a LOT to say. So in Universal Studios, when I took the backlot tour, they showed us a scene from Psycho. As they have declared the site historical, they also decided to have someone act out a scene from the movie every time a tram goes by. And it is awesome!

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And so ends another Horrorfest. I know it has been crazy this year, as personal issues made me fall behind in posting. In fact, by the time this airs I still might not have caught up. However, what I was able to do was a lot of fun, and I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

Happy Halloween jack-o-lantern

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Man-Bat: On Leather Wings, Batman the Animated Series

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For more on Alfred Hitchcock, go to What Are the 39 Steps?: The 39 Steps (1935)

For more films based on books, go to Someone Has Erased His Memory: Total Recall (1990)

For more psychos, go to Tuesday the 17th: Psych (2009)

For more slasher films, go to Don’t F*** the Original: Scre4m (2011)

Someone Has Erased His Memory: Total Recall (1990)

totalrecall

 I’ve been trying to tell you, someone has erased his memory.

Your mind is the center of your being. It not only houses all the functional elements to keep your body going, but your memories. Inside your mind is the essence of yourself, the one place where you wear no mask, where you think your darkest thoughts, your happiest views, etc.

But what if you were to lose that all one day. What if everything you thought about yourself didn’t exist? What if you weren’t really you, but someone else?

OMG gasp

That my friends is Total Recall.

totalrecall

So yes, I’ve decided to review on of the most known, discussed, and debated films in history. This film has a little of everything action-adventure, horror, spy thriller, and science-fiction.

The film is based on the short story by Philip K. Dick, We Can Remember It for You Wholesale. The script was purchased in 1974, but then tabled as they felt they didn’t have effects needed to make the film. Ten years later, the team was once again discussing the possibility of the film.

What?

Of course it took a little while longer to get everything moving, but in the late 1980s they were ready to roll. One person who was all for moving it forward was Arnold Schwarzenegger. He had loved the idea and wanted to star in it, but unfortunately they didn’t want him.

Whattheheck

Weird right? By know Arnold was a big star; having Conan the Barbarian, Conan the Destroyer, The Terminator, Red Sonja, Commando, Predator, and The Running Man all under his belt. Often times if he wanted something, he got it.

But strangely, the company preferred Patrick Swayze.

weird

They started filming in Australia, but before they got too far, the company went bankrupt. Arnold convinced Mario Kassar to purchase the script, it undergoing some changes; and before you know it Arnold is given the main role. And it wouldn’t have been nearly as good without him.

So let’s move onto the film.

DeanSupernaturalLetsGetStarted

The film start out with two people climbing the Martian landscape; a brunette and Arnold’s character. As the two are walking, he trips and falls, cracking open his face mask.

black cauldron

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

But then he wakes up. It was all a dream.

Yes this is Douglas Quaid (played by Arnold Schwarzenegger), a construction worker living in the world 2084. And this isn’t the first time he’s dreamed of Mars or had such nightmares. No this internal horror has been going on for a while.

StarWarsBadDream

His wife Lori, (played by Sharon Stone), tries to get him to spill about what happened and who he was with, but Quaid doesn’t want to talk about it.

They move on with their daily routine; Quaid tuning on the TV and hearing about the rebellion happening on Mars. The mayor Vilos Cohaagen, owns the mines on Mars that house the mineral needed to run everything.

Dunecat

No, but the thought did cross my mind. People on Mars pay for their air, and lately the rebels have been lead by a psychic mutant, Kuato, to try and win more freedom, air, etc.

Even though things aren’t very nice and downright dangerous on Mars, Quaid really wants to visit. He’s tired of his boring life and yearns for excitement or adventure. Lori doesn’t want to go to Mars and nixes that idea. Instead of arguing, Quaid heads out to work.

DayRuinedbyRespnsibility

While on the subway commuting to work, he sees an ad for the agency Rekall. They implant memories of trips in your mind, it’s like going but for a fraction of the price.

The idea starts growing in Quaid’s mind. Maybe he should do it. He asks his friend Harry about what he thinks, but Harry tries to dissuade him from going.

Douglas Quaid: Ever heard of Rekall? They sell those fake memories.

Harry: Oh, “Rekall, Rekall, Rekall.” You thinking of going there?

Douglas Quaid: I don’t know, maybe.

Harry: Well, don’t. A friend of mine tried one their “special offers,” nearly got himself lobotomized.

Douglas Quaid: No s***?

Harry: Don’t f*** with your brain, pal. It ain’t worth it.

Douglas Quaid: I guess not. [Continues jackhammering, Harry watches in disbelief]

But Quaid can’t stop thinking about it. And he decides to go to Rekall. When he gets there he is at first hesitant about the trip, but the salesman McClane reassures him that the implants will be so real he won’t know the difference. Guaranteed fantastic experience or your money back.

Really?

Really?

Quaid decides to risk it and starts filling out the forms for his trip to Mars, but the salesman isn’t finished with the deal. For a bit extra they can improve the experience by altering his identity.

So here we go, one secret agent coming up. As they start the process, things don’t go quite as well as expected.

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Quiad freaks out insisting that they blew his cover as a spy. McClane believes that it was an implantation gone wrong, but the doctor insists that it can’t be.

Dr. Lull: [after Quaid goes crazy at Rekall] Listen to me, he’s been going on and on about Mars. He’s really been there.

Bob McClane: Use your head, you dumb b****! He’s just acting out the secret agent portion of his Ego Trip.

Dr. Lull: I’m afraid that’s not possible.

Bob McClane: Why not?

Dr. Lull: Because we haven’t implanted it yet!

They fear for their lives as messing something up that “The Agency” set up could be bad for them all. They scrub his mind clean and dump him in a cab.

When Quaid wakes up he doesn’t remember anything, but that doesn’t mean people aren’t after him. From his best friend Harry:

[Harry pulls gun on Quaid]

Douglas Quaid: What the hell is going on? What the f*** did I do wrong? Tell me!

Harry: You blabbed, Quaid! You blabbed about Mars!

Douglas Quaid: Are you crazy? I don’t even know anything about Mars!

Harry: You should have listened to me, Quaid. I was there to keep you out of trouble.

Douglas Quaid: Harry, you’re making a big mistake. You got me mixed up with somebody else.

Harry: Uh-uh pal, you got yourself mixed up with…

[Quaid kicks him in the chest, commencing the fight]

To his wife Lori:

Quaid doesn’t quite know what is going on, but is out to find out. He ends up fleeing and being contacted by a “friend” who gives him a suitcase of tools to help him. But he has to hurry as the Agency are following him by GPS.

Getting out of here

Getting out of here

He exchanges gunfire but manages to get away. This scene with the taxi driver, the Johnnycab, is my favorite scene. It expresses my feelings for most machines.

[Quaid enters a Johnnycab to escape from killers]

Johnnycab: Please state the street and number.

Douglas Quaid: Drive! drive!

Johnnycab: I’m not familiar with that address. Would you please repeat the destination?

Douglas Quaid: Anywhere just go! Go!

Johnnycab: I’m not familiar with that address. Would you please repeat the destination?

Douglas Quaid: S***! S***!

Johnnycab: Would you please repeat the destination?

Douglas Quaid: [Quaid rips the Johnnycab out and starts to drive himself] Aaahhh!

totalrecallmachinedestroy

When he manages to get away, he opens the suitcase given to him and finds a message from HIMSELF!

Hauser: Howdy, stranger! This is Hauser. If things have gone wrong, I’m talking to myself and you have a wet towel around your head. Now, whatever your name is, get ready for the big surprise. You are not you, you’re me.

Douglas Quaid: [to himself] No s***.

Hauser: All my life, I worked for Mars Intelligence, I did Cohaagen’s dirty work. But then I met someone, a woman. She taught me a few things, like I was playing for the wrong team. All I can do now is make up for it. You see…[Points to his head]…there’s enough s*** in here to f***Cohaagen good. But if you’re hearing this, it means is that he’s got to me first. Now, here comes the hard part, old buddy. Now it is all up to you.

Douglas Quaid: [displeased] Great…

Hauser: Now, let’s start by getting that bug out of your head. [Shows the nose deviceTake this out of the case, and stick it up your nose. Don’t worry, it’s self-guiding. Just shove real hard.

[Quaid takes a deep breath, and sticks the nose device up his nose.]

Hauser: When you hear a crunch, you’re there. Now, pull it out. Be careful! That’s my head, too.

[Quaid screams in pain while Hauser grins, then Quaid pulls out the bug]

Hauser: This is the plan. Get your a** to Mars, and go to the Hilton Hotel and flash the fake Brubaker I.D. at the front desk, that’s all there is to it. Just do as I tell you. You can nail that son of a b**** that f***** you and me. I’m counting on you, old buddy. Don’t let me down!

So Quaid finds himself in disguse headed for the red planet.

Once he gets there he finds himself caught up in figuring out what he knew and was trying to do, and to who’s side is he really on.

But as you watch this their is one question. Is this real? Or just the trip he paid for? He he really a secret agent? Or did his implants go malfunction?

Hmm...

Hmm…

I won’t reveal anymore as this is a film you need to check out for yourself.

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Of course our facebook cover/mini poster.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to Haunted Harmonies of Halloween: Top 5 Songs to Play on Halloween

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For more on Arnold Schwarzenegger, go to I’ll Be Back: The Terminator (1984)

For more Horror-Scifi films, go to They’re Here Already! You’re Next!: Invasion of the Body Snatchers (1956)

For more films based on a book, go to What Are the 39 Steps?:The 39 Steps (1935)

What Are the 39 Steps?: The 39 Steps (1935)

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Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story. That’s exactly what it is.

This is another one of Alfred Hitchcock’s little known gems, and celebrating its 80th anniversary. I know many of you might be wondering why I chose this film and Jamaica Inn instead of The Birds or Vertigo. I don’t know, I guess I just feel like everyone talks about those films, and no one talks about Hitchcock’s earlier works, which were also fantastic. Maybe not as stylized as he didn’t have money and the technology wasn’t as great; but they are good stories with amazing suspense.

Suspense have to know

So the film is based on a book of the same name by John Buchan. It has been remade in 1959, 1978, and more recently in 2008. I have only seen Hitchcock’s and the 2008 version, but so far this is my favorite.

love it

I first became aware of this film when I bought a DVD for a dollar at Wal-Mart that had 4 Alfred Hitchcock films: Easy Virtue, Sabotage, The 39 Steps, and Jamaica Inn. As I was watching the film, the DVD froze right in the middle, making me unable to know how the film ended.

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Now if you have never had this happen to you in the middle of a Hitchcock film then you are lucky that you don’t know how excruciatingly painful it is to be stopped in the middle. How does it end???? I was going crazy, until my mom told me that she might have a VHS copy of it. I searched every inch of our film cases, until I found it. Watching it and loving it.

Finally something GOOD!

One thing I really like about this film, is that it is one of Hitchcock’s earliest films to have the theme of an ordinary person, caught up in extraordinary circumstances.

AlfredHitchcock

I’m not sure if it is the first as I haven’t seen all of his silent films. They are hard to get copies of.  So let’s get started on the prelude to SaboteurNorth by Northwest, The Man Who Knew Too Much and all those other great regular joes getting a most irregular experience with The 39 Steps. 

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This film was made in Britain, so the opening is very different, not the usual Hollywood or FBI warning type things you see.

The music hall has a special guest today, Mr. Memory a man who knows everything as he commits to memory 50 facts a day. Richard Hannay has decided to come and watch the program with countless others, as it is a full house tonight. And of course, lots of hecklers, as this isn’t a super high class program, we have working and middle class attending. People are questioning Mr. Memory, but the program stalls when some drunks start brawling and create a hoopla. Two shots ring out and everyone flees.

bodysnatchers 1956 runaway

A woman runs into Hannay and he helps get her out of the building. She asks to come home with.

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Richard is a bit wary, but agrees.

The two go to his apartment, his temporary one as he is not permanent here. He just came from Canada but travels all over Canada, England, Scotland, and Ireland for his job.

When they get inside Hannay notices that the girl starts acting strangely. She will stand away from windows and close to the walls. She asks him to move a mirror around, and to close the curtains on the windows. The phone rings and she pleads him not to answer as she is sure “they” are calling for her.

weird

He gives her a drink which she gulps down, clearly frightened about something. She is ready to give him an explanation, but not until they move to the more secure kitchen instead, of which she closes the curtains.

The phone rings again, Hannay compiling to her wishes, but finding the whole thing strange. Even more when she asks for something to eat.

Weird

Weird

She tells him to call her Annabella Smith, it is not her real name, as she changes it wherever she goes. Hannay starts cooking her some eggs, when they hear a thump of the stove being turned on, which frightens Annabella. Hannay assumes it is because of the gunshots they heard earlier, but she tells him she was the one who fired the shots.

Say What

Annabella tells then there were two men there that wanted to kill her. Hannay doesn’t believe her.

Richard Hannay: Beautiful, mysterious woman pursued by gunmen. Sounds like a spy story.

Annabella Smith: That’s exactly what it is.

Annabella tells him everything; she is a secret agent with no country, helping whatever one she chooses. She is here to help England, not because she loves the country but because they pay well. There is an agent that is trying to get vital information on England’s defense out of the country and she is here to stop it.

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Richard doesn’t believe her at all. She then tells him to look down in the street. When he does he sees a man waiting by the light post looking up trying to see into the apartment!

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Hannay believes Annabella is telling the truth. Annabella is scared and knows that Hannay is now stuck in this mess. That is when she decides to give him her secret.

Annabella Smith: Have you ever heard of the 39 Steps?

Richard Hannay: No. What’s that, a pub?

With that smart aleck reply, Annabella decides to tell him no more, it is all up to her she is the only one who can stop them. Hannay asks her why she doesn’t tell the police, but she points out that they will have the same response he did. She also warns him about how clever the spies are, especially the head agent.

Richard Hannay: Who is he and what is his name?

Annabella Smith: He has a thousand names can look like anyone, only thing he cannot hide is a missing finger.

Richard offers Annabella his bed while he takes he couch. She tells him the only other thing she needs is passage to Scotland, there is a man there who can help her. Richard asks if the 39 Steps are in Scotland, and she tells him they can talk more about it tomorrow.

Majorly

Majorly

No, no, no, no, no, no, no. If you have important info you do not wait until later, you give it now. Whenever people say they will save it for later, they die, and then the others have to try and figure out what they meant.

Every time!

Every time!

That night Anna wakes him up screaming throwing a paper at him. And then she’s dead!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And the phone keeps ringing, Hannay wants to answer but doesn’t . He looks out the window and sees the man still waiting outside. He hears everything Anna said in his head again, these men will stop at nothing.

OhNOthisisgonnabebad

He grabs the paper from her dead hand and sees it is a map of Scotland, with an area circled. There is only one thing for Hannay to do, get himself to Scotland.

Hannay takes off the next morning, wearing his hat low to hide identity. He waits in the lobby, running into the milkman. He asks to buy his clothes, saying that he is truing to get away from murderer and spy, but the milkman doesn’t believe him. He then tells him that he spent the night with a married woman, and her brother and husband are waiting to beat him up. They milkman feels sorry for him, and they trade clothes, with Hannay running off to the train The Flying Scotsman, heading to Scotland.

Hannay shares a compartment with three guys. One buys a newspaper when they stop at a station. They read that a woman was murdered in West End near the BBC. There is a picture of the owner of that flat. Luckily, in the picture, Hannay has his hat on low, so it is hard to recognize him.

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Richard walks out of the compartment and heads over to the policeman, thinking about turning himself in, as he didn’t do it he should be proved innocent. Right? Wrong! He hears the police to another person say that the evidence they have is enough to hang the man. Hannay decides to forget that, he wants to live.

He goes back to the train but the spy’s henchmen have caught up with him. He runs into another compartment with a woman, stopping to kiss her. The men pass them by.

He tells her he is in need of help, and that these spies are after him. He asks her to lie and say they are together. But when the men come back, she gives him up.

How rude

They question him, are you Hannay and he says no.

Just then the porter comes in and I just love this scene here so much:

Porter: Are you coming in for tea, Sir?

Richard Hannay: I’ll be right along

Instead of going out the regular door, he then goes right through the exiting door even though the train is still going. Afterwards, he crosses into another compartment and runs down the hall. A great scene done by the master. You have to watch it.

He runs through the dining car, stopping at the pet and luggage, with the henchmen close behind. The engine masters are angry as the henchmen pulled the chain to make the train stop, sure that Hannay jumped out. And he did. He is hiding on the bridge barely hanging on waiting for them to all leave.

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The train leaves, reducing Hannay to be to walking about Scotland. He reaches he circled area and stops at a country house, in the area.  He pretends to be looking for work and asks about newcomers to the area, being told of an Englishmen in town.

As night is coming he asks to stay, paying for food and lodging. There is a young girl at the home, and he thinks it is the old man’s daughter, but she is actually his wife.

clueless mybad oops

He sits at the table while she cooks dinner.

The wife is from Glasgow and tells him about how nice it is, and you can clearly she misses it. Hannay tells her that he has never been there but London, Montreal, and more. She wnts to know more about London and he answers her questions.

He asks to read the paper, and sees another article on him.

Later during dinner, while the husband is praying, his wife looks at the paper. She figures it out and makes a face to Hannay, then the two then stare at each other. Her husband is a bit worried that they might have done something, so he makes up an excuse and goes outside watching them through the window.

He's creepin' in your windows. He's starin' at your people.

He’s creepin’ in your windows. He’s starin’ at your people.

That night, the wife hears something, getting up and waking Hannay so he can flee. As she is getting him out, the husband gets up. He thought those looks were about getting it on, and he thinks they are trying to get together now. Although Hannay is fully dressed, but you know how jealousy blinds

Hannay tries to explain, but the wife urges him to leave. He says the police are after him and is willing to pay for the man for silence. He agrees to this, telling his wife to put Hannay in the barn. The wife knows the husband will betray him, so she gives Hannay her husband’s dark  coat and Hannay thanks her, running off.

Along came a spider morgan freeman running

The men walk across the moor searching for Hannay. They are having to crawl through the hills and rocks, running like in Invasion of the Body SnatchersAlthough Hannay has to cross gushing streams and rivers.

Hannay flees to the Englishmen’s house, Professor Jordan, asking to come in saying he is from Annabella Smith. He goes in, and when the men later reach the house and ask the maid if Hannay has come by, she tells them there has been no one for half an hour. She lied to help him? Maybe this really is the guy Annabella wanted to see.

Then again I could be wrong.

Then again I could be wrong.

So Annabella’s name gains him access to the house. Professor Jordan in charge asks him to wait a bit as they are celebrating his daughter’s birthday. He introduces Hannay to his wife. Hannay is then introduced to all these movers and shakers in that area of Scotland. Professor Jordan tells him to look at the view, where they see the men searching the river for Hannay.

h party beaks up and the professor locks them in the room. Hannay tells him that Annabella was murdered that is why he came. Professor Jordan asks him why he came to see him, and Hannay tells him how Annabella was coming to warn him about the foreign agent.

Professor Jordan: Did she tell you what he looked ike?

Richard Hannay: There wasn’t time. She did tell me he was missing a finger.

Professor Jordan: Which hand?

Richard Hannay: [holds up left hand] this one I think.

Professor Jordan: Are you sure she didn’t mean this one? [holds up right hand and reveals he is missing his pinky finger.]

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Too bad for Hannay, the professor has been playing him since the beginning. The professor decides tat the only thing to do is kill Hannay. He lives in Scotland as a respected citizen, he can’t have him there starting rumors or saying things against him. Besides he has his information on the defense of England and needs to get it out of the country. He tries to get Hannay to commit suicide, as it is much tidier, butHannay says no so the professor shoots him in the heart.

WHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATTTTTTTTTTTTT????????!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

And this was where my DVD died. Is that it? Is he dead???!!!! How could they do that???? Is that all there is????????

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In the next scene we see out country couple. The husband is searchiung for his hymn book but can’t find it. It was last in his overcoat. Turns out that it stopped a bullet for Hannay.

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Hannay goes to the sheriff telling him everything. The Sheriff eagerly listens and says he will happily help him.

Finally something GOOD!

Finally something GOOD!

Turns out all a lie, the Sheriff just playing him until the henchmen, who he believes agents of the government, come to get him. He tells the sherif to call Scotland Yard in London. but he won’t as they men will be taking him there. Yeah right, they are going to kill him. Hannay manages to get away, breaking through a window and joining a Scotland parade to hide. He then quickly ducks into an assembly hall. They are waiting for their speaker who is running late and assume it is him.

OhNOthisisgonnabebad

He sits on the stage he is thrust on. They introduce the professor they are waiting for, and Hanny finds himself on stage.

Richard Hannay: Ladies and gentleman I apologize for my hesitation in rising just now, but to tell you the simple truth I’d entirely failed while listening to the chairman’s flattering description of the next speaker to realize that he was talking about me.

He has no idea what he is supposed to be talking on, and as he is talking, He looks into the crowd and spots the women he used earlier on the train.

He starts asking the crowd what they want to talk about. He grabs onto the topic of the “idle rich” and starts ranting about what he has been through carefully hiding it between political speech.

Richard Hannay: I know what it is to feel lonely and helpless and to have the whole world against me, and those are things that no men or women ought to feel.

It starts a huge momentum as everyone is cheering and wanting to shake his hand, helping him sneak out, but then he is grabbed by the henchmen, lead by the girl.

He asks the girl to help him, telling London the information. The two guys look at each other and decide it is better to be safe than sorry, telling the girl, Pamela, she has to come with them.

They drive to the “police station”, passing it as they are going to another one 40 miles away. We know they aren’t, something Hannay tries to get Pamela to understand that they are taking them to the spy, Professor Jordan, to kill him. They have to stop the car as a huge flock of sheep are in the way. They handcuff Hannay and the girl together, as they go to move the sheep.

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As soon as they are gone, Hannay gets out of there dragging the girl with him. They hide under a bridge, Hannay forcing her to be quiet until the men pass. Lucky it is a foggy night, as the two run through the moors. The girl tries to escape, but Hannay keeps pulling her along.

The two’s dialogue is just amazingly hilarious as they constantly bicker and fight.  Hannay is angry as he has not only told her three times of his innocence, but the men clearly taking them 40 miles “to the police station” and going the wrong way should prove his innocence. But she won’t listen. As she insists he is a murderer Hannay decides to use that to get her to do what he says.

They find an inn, and go inside. Hannay tells the innkeeper that they are man and wife, and he asks for a room and supper. He tells Pamela he has a gun, his finger in his pocket,  which gets her to sign the book for them. She tries to get her away, but he keeps pushing her on with him. Hannay also tells the innkeeper they are a runaway couple, with people after them. People used to elope to Scotland all the time, so the innkeeper doesn’t find it strange but romantic.

Hannay tells Pamela she should take her skirt off as it being wet could make her sick. She refuses, but takes her stockings off, and as they go over to the fireplace, Hannay hangs them up for her.

She doesn’t want to lie on the bed, but Hannay makes her as he is tired, and where he goes she goes. As I said before their conversation are hilarious. He starts making up lies about killing as she thinks he is a murderer. But you can tell they aren’t true as he is being sarcastic. The film is worth watching for the amazing dialogue. I wish I could get a copy of that scene to place here.

I love it

The two go to sleep. The professor/spy leader prepares to move out, and try to take care of this Hannay problem.

Meanwhile, the Pamela has woken up.

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She tries to use the nail file to pick at the lock but when that doesn’t work, squeezes her wrist out, rubbing it raw. She sneaks away and starts downstairs.

She sees the men who she was in the car with and plans to go to them, but overhears them talking on the phone and realizes Hannay is telling the truth about everything, They question the innkeeper about the couple, and before he can answer, his wife comes down and chases them all out.

The girl heads upstairs, feeling sorry for being so mean and cruel to him, when he’s been given a rough break. She goes to the couch and goes to sleep.

The next morning, Hannay finds himself free of the  girl. He is freaked, but sees her on the couch. He asked her why she didn’t leave and she tells him everything she overheard. Hannay starts putting everything together, and is angry that the men didn’t stay the night but left right away. The two rush over to the London Palladium, where the men said they would pick up the “package”.

In London, Pamela goes o Scotland Yard to tell them all the information from Annabella. They don’t really believe it and ask for Mr. Hannay, but she won’t tell him.

No thank youhowaboutno

She rushes out to the Palladium to find Hannay, Scotland Yard detectives behind her. They shut the Palladium down  as they are truing to catch Hannay once and for all.

Through binoculars Hannay sees that the professor is there. Hannay isn’t sure what to do, when he is joined by Pamela. When he hears the tune he has been whistling everywhere. It’s Mr. Memory!

That's it!

That’s it!

He must be the package they are after and want to get rid off. Scotland Yard finds Hannay, arresting him, when he shouts out “What are the 39 Steps? As Mr. Memory answers, the professor shoots him.

The professor tries to flee, but he didn’t know that all the exits were blocked. Hannay asks Mr. Memory about the information, and he reveals that it was a huge job to memorize, plans to build a new ship. After talking a little about them, he dies, and it is all over for Hannay. He is cleared and able to go on his way, now with Pamela in the picture.

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What a great film. And very under appreciated. You should watch it and love it, as it is amazing.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to A Modern Mummy: Under Wraps (1997)

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For more Alfred Hitchcock films, go to That Place…There’s Queer Things Goes on in There: Jamaica Inn (1939)

For more films based on books, go to They’re Here Already! You’re Next!: Invasion of the Body Snatchers (1956)

A Giant Metal Man: The Iron Giant (1995)

irongiant

You’re not gonna believe this, but it was a giant… metal… man.

I love this movie!

love it

It was one of my favorites as a kid and I used to watch it a LOT.

watch movie over and over

I got it for Christmas one year and was so happy, as it has been one of the best presents I’ve ever received.

Double double yay

It was rereleased in theaters this year to mark it’s 20th anniversary and I bought tickets immediately, taking my two nieces.

ShutUpTake MY Money

As I not only saw it recently in theaters, two weeks ago, but as this is it’s anniversary year, what better time then review it? Is this really a horror film, you might ask? Well yes, as it has aliens and a giant robot, it can definitely be considered a horror film. It also covers my yearly animated film feature review.

DeanSupernaturalLetsGetStarted

So our film is based on a book and is a historical fiction film, being set in 1957. Yes, we have the Cold War, threat of the atomic bomb, fear of aliens invading; all that good stuff.

So the film starts out with a ship trying to find shore in the a huge storm. They can’t find the lighthouse, then they do…BUT it is not a lighthouse! It’s a giant metal man!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Back at the town, where the ship was headed we are introduced to our hero, Hogarth Hughes. His father was an air jet fighter who died during the war, (I’m assuming Korean War as his death seems more recent than WWII). Hogarth lives with his mom on their farmhouse, and she works as a waitress in the local diner. Hogarth is very smart, having been moved up to the 5th grade, but by skipping a grade he doesn’t fit in being bullied a lot.

friendslovefrankperretti

So he is very lonely.

buffyvampireslayerTedLonliness

So Hogarth looks for companionship from animals, animals that his mother does not share a love for.

“Hogarth Hughes: Hey, mom! You won’t believe our good luck. Guess what I found?

Annie Hughes: Hogarth, we’ve been through this before. No pets.

Hogarth Hughes: But he’s not a pet, mom. He’s a friend.

Annie Hughes: Hogarth, we’ve got to rent a room this year if we’re gonna make ends meet, and no one wants to live in a place with shredded upholstery.

Hogarth Hughes: You’ll never know he’s there. I’ll keep him in a cage…

Annie Hughes: …until you feel sorry for him and set him free in the house. You remember the raccoon, Hogarth? [ShuddersOooooh! I remember the raccoon.

Annie asks to see the squirrel, but it has escaped Hogarth’s makeshift cage. He starts looking for it, when he becomes distracted by Dean McCoppin and the sailor, Earl, who saw the robot earlier.

Let’s stop for a minute and talk about Dean. He is one if the coolest, and hottest, animated men. Junker as his day job, but really an artist, beatnik, and he drives a motorcycle. How much cooler can you get.

irongiantreallyhmmokayyeahright

Sorry…so Dean and Earl are discussing what he saw.

Earl Stutz: I’m telling the truth, dang it! It came from outer space. I saw it! And it was headed toward land. I called the government in Washington. Maybe it was a sputnik, or… or an invader from Mars. That’s what it is, an invader from Mars! It was a spaceship of some kind. An unidentified flying object…

Man: Unidentified? Knowing you, Earl, I’d say it was either whiskey or beer. [Others join in laughing]

Dean McCoppin: Hey! I saw it too.

Man: I rest my case. [Others join in laughing]

Hogarth Hughes: I believe you. What if it is Sputnik, or a flying saucer from Mars? I bet we could find it.

Dean McCoppin: Sorry, kid. I didn’t really see anything. But if we don’t stick up for the kooks, who will?

While they are talking, Hogarth’s squirrel climbs into Dean’s pants. I wonder if that is where Disney got the idea for Phineas and Ferb?

Anyways, Annie gets in trouble and has to stay late, leaving Hogarth to his own devices. And we all know what that means for a young kid home alone: junk food and scary films.

cookies

Hogarth is watching a B Horror film about a scientist and evil brain, when the cable goes out.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Hogarth goes to investigate and sees that someone or something took a huge bite out of the TV antennae.

What! Mark Wahlberg that's weird

He gears up, and decides to head out in search for whatever did this. He starts walking around, and ends up near the power plant finding a GIANT ROBOT!!!!!

Mal_huh Whoa Wow what

He sees it stuck in power cables and getting hurt by it, so Hogarth runs over and turns the plant off. Saving him. He then runs home as his mom is calling him. He decides the next day to go out looking for the Giant.

The next day, Hogarth brings some metal and his camera, hoping to capture a picture of the Giant. However, he falls asleep…and when he wakes up…

iron-giant

The two quickly become friends.

Meanwhile, ugh Kent Mansley has arrived in town. He’s the government man brought in to investigate this “metal man”.

Marv Loach: What department is that again?

Kent Mansley: Frankly, I’m not at liberty to divulge the particulars of the agency I work for, and all that that implies.

Marv Loach: You mean, national security?

Kent Mansley: Let me put it this way. Every so often things happen that can’t be rationalized in a conventional way. People wanna know their government has a response. I am that response.

It grows late in the day and Hogarth is unsure what to do with the robot. He decides to head home and come back tomorrow to hang out with the robot, but the robot won’t stop following.

“Hogarth Hughes: Well, goodbye. [Hogarth starts walking away, the Giant follows himNo, no. Me go, you stay. No following. Good. [Hogarth walks, the Giant still follows him] I told you! I’ll come back tomorrow! Now, stay! [Hogarth leaves, the Giant follows himNo, no, no! Bad robot!”

On the way, the Giant gets hungry and starts chewing on a railroad. Hogarth stops him and tells him to fix them. They manage to get everything together, but the Giant gets smacked and destroyed, flung apart. Hogarth is shocked to see him in massive pieces, but then…

What! Mark Wahlberg that's weird

He starts putting himself back together.

keanu Whoa

The race quickly to Hogarth’s barn where he can hide the GIant while he is being pieced together, and Hogarth can go in for dinner. What both don’t realize, is that a piece of the Giant has slipped away.

So yes, there’s that pesky Kent again. In fact he realizes that a broken BB gun he found at the power plant matches part of Hogarth’s name. This gets him very interested in the Hughes family.

suspicious Hmm

Hogarth goes with the Iron Giant and brings him some comic books to read.

Hogarth Hughes: I thought you might like, you know, a bedtime story. I have some really cool ones. Mad Magazine – very funny. The Spirit – very cool. Boy’s Life – eh. Oh, here. This is Superman. He’s a lot like you. Crash-landed on Earth, didn’t know what he was doing… but he only uses his powers for good, never for evil. Remember that.

[Giant looks at a comic with a robot like himself on the cover]

Hogarth Hughes: Oh, that’s Atomo, the metal menace. He’s not a hero, he’s a villain. But you’re not like him. You’re a good guy, like Superman.

The Iron Giant: Super… man.

But the Giant is hungry. They go out looking for food and spot Dean trucking an old car to the junkyard.

As there is no way Dean will sleep through that, Hogarth has to show himself. Dean is fine with that and invites him in for coffee, espresso.

mr knightley drinks tea

There Hogarth gets jacked up and talks Dean’s ear off, but eventually Dean hears the Giant and goes after it to protect Hogarth. Hogarth calms everyone down, and after a lot of whining, convinces Dean to house the Giant for a bit.

Hogarth goes home, but after all that needling it is time to get up.

WakeUpNoThankYou

So while Dean is trying to corrall the Giant into not eating his sculptures and helping him out, Hogarth has to deal with Kent.

Say What

Yes Kent has decided to rent the room Annie is offering, and follow Hogarth around trying to get info out of him.

Eventually Hogarth grows tired of it and does one of the funniest things in the movie.

Even though this is technically illegal, giving some laxatives without their knowledge, as it could kill him if too much is give, I just love how that enables him to get far away from Kent.

So the Giant, Hogarth, and Dean all have a lot of fun. The three are bonding, the Giant and Hogarth being the best of friends.

The Iron Giant: You die?

Hogarth Hughes: Well, yes, someday.

The Iron Giant: I die?

Hogarth Hughes: I don’t know. You’re made of metal, but you have feelings, and you think about things, and that means you have a soul. And souls don’t die.

The Iron Giant: Soul?

Hogarth Hughes: Mom says it’s something inside of all good things, and that it goes on forever and ever. [Hogarth leaves. The Iron Giant lays back to look at the stars]

The Iron Giant: Souls don’t die.

However, this is too good to last as Kent has been searching and found Hogarth’s camera. Even more so, he got a picture of Hogarth and the Giant.

I-got-this-reaction-gif

That night when Hogarth comes home, Kent kidnaps him.

Say What

Yes! I know!!! What a psycho creep!

Certified Creepo Ribbon

He questions Hogarth about the Giant, threatening his mom!

Say What

I know! Kent is one of the worst villians. HOw could you do that to a child??? A child!!!

you're evil

Kent Mansley: Your mom’s working late tonight, Hogarth, so it’s just us guys, and we’re gonna have a little chat. Sit down! [shoves Hogarth onto a chair and shines a bright light on him] How’s that? A little too bright? Good. Forgive me, Hogarth. I wanted you to learn something.

Hogarth Hughes: What can I learn from you?

Kent Mansley: You can learn this, Hogarth. That I can do anything I want, whenever I want if I feel it’s in the people’s best interest. The giant metal man. Where is it?

Hogarth Hughes: I don’t know what you’re talking about.

Kent Mansley: You don’t? Does this ring a bell? [lays down the picture Hogarth took of the aluminum siding he used to lure the Giant No? How about this? [lays down the photo Hogarth accidentally took of himself – with the Giant behind him]

Kent Mansley: You’ve been careless, Hogarth.

Hogarth Hughes: It doesn’t prove anything.

Kent Mansley: It’s enough to get the army here with one phone call.

Hogarth Hughes: Then what’s stopping you?

Kent Mansley: [angry] Where’s the giant? [Grabs Hogarth by the jaw] You can’t protect him, Hogarth, anymore than you can… protect your mother.

Hogarth Hughes: My mom?

Kent Mansley: It’s difficult to raise a boy all alone. We can make it more difficult. In fact, we can make it so difficult that it would be irresponsible for us to leave you in her care, and all that that implies. You’ll be taken away from her, Hogarth.

Hogarth Hughes: You can’t do that!

Kent Mansley: Oh, we can, and we will.

Hogarth Hughes: He’s at the junkyard. McCoppin’s Scrap off Culver Road.

Kent Mansley: The junkyard, of course! Food for the metal eater. I wouldn’t worry about this, Hogarth. This isn’t really happening. It’s only… a bad dream. [puts a chloroform rag on Hogarth’s mouth, leaving him unconscious]

After this, there is a great scene where Kent is watching Hogarth to make sure he doesn’t let Dean know that the army is coming in. However, Hogarth manages to outsmart him and warn Dean.

felix_the_cat_laughing

So instead of seeing a space giant, they see an art piece.

artirongiant

Kent Mansley is chewed out and taken away with the rest of the army. Everything seems fine and good until Hogarth and the Giant start playing Atomo. When Hogarth points his fake gun at the Giant, it awaken some defense code and he attacks.

Dean McCoppin: Get back! I said get back! I mean it!

The Iron Giant: No. Stop. Wait.

Hogarth Hughes: It was an accident. He’s our friend.

Dean McCoppin: He’s a piece of hardware, Hogarth. Why did you think the army was here? He’s a weapon, a big… big gun that walks.

The Iron Giant: I… I not gun.

Dean McCoppin: Yeah? Then what’s that? [Points at huge hole the Giant’s ray left on a bus]

Dean McCoppin: You almost did that to Hogarth!

The Iron Giant: No! [Runs away]

Hogarth Hughes: Wait! [Runs after the Giant]

Dean realizes it was because of the toy gun, so he goes after Hogarth to help him find the Giant.

Meanwhile, the army sees the Iron Giant and go after him, even though he just saved two boys. Just like Mighty Joe Young, giant dudes just catch a break.

So Hogarth catches up, and the Giant picks him up and flys with him. The army sends missels after him, knocking them both to the ground, and Hogarth out cold. The Giant thinks Hogarth is dead and becomes angry, trying to take out the whole military.

iron_giant_by_vadeg-d4ivzfy

If you look at his weaponry, you’ll notice the trio of weapons is created to resemble the aliens in The War of the Worlds (1953). This make it concrete that it is not from the Soviet Union, North Korea, China, etc; but definitely from outer space.

As no human weapons can stop him, the general agrees to listen to Kent and get the Nautilus ready with the bomb. However, as they are fighting, Hogarth awakens and escapes from his mom and Dean to save the GIant. He reminds the iIant:

Hogarth Hughes: [to the Giant, in battle mode] It’s bad to kill. Guns kill. And you don’t have to be a gun. You are what you choose to be. You choose. Choose.

Everything has calmed down, except for Mansley. He steals the radio, and tells them to launch the missile, something that will kill them all.

General Rogard: That missile is targeted to the giant’s current position! WHERE’S THE GIANT, MANSLEY?

Kent Mansley: Oooh… We can duck and cover! There’s a fallout shelter not far from…

General Rogard: There’s no way to survive this thing, you idiot!

Kent Mansley: You mean we’re all going to…

General Rogard: To die, Mansley. For our country.

Kent Mansley: Screw our country! I WANT TO LIVE!

The Giant stops him though. Everyone is sad at the fact they will explode, but the Giant decides it is time for him to take care of those he loves.

The Iron Giant: [as a nuclear missile is headed for Rockwell] I fix.

Hogarth Hughes: Giant?

The Iron Giant: Hogarth. I go. You stay. [lifts Hogarth’s chin with a finger and waves his other finger at himNo following.

Hogarth Hughes: I love you.

[the Giant takes off to intercept the rocket]

Awwwwww, it is soooooo sad!!!

Noo!

Noo!

The town is saved!

Double double yay

Afterwards, Dean and Annie have gotten together; Dean has made a statue in honor of the Giant; and Hogarth is now the most popular boy in town. But while everything is great, Hogarth is still sad. He misses the Giant.

He is given a package from the General, the only piece they have found of the giant, his mouth screw. Hogarth accepts it.

One night, the piece stats beeping, wanting out of the room. That means only one thing, the GIANT IS ALIVE!!! The pieces are coming together to rebuild him. 🙂

Double double yay

Such a truly great film. I don’t know why it isn’t more popular as it is truly amazing.

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To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It Has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

For the previous post, go to What Have You Done to Him?: Rosemary’s Baby (1968)

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For more on robots, go to She’s Been Totally Different…Like Stepford: Ted, Buffy the Vampire Slayer (1997)

For more films with aliens, go to The Enemy of My Enemy is My Friend: Alien Vs. Predator (2004)

For more films based on books, go to She Cries in the Night: The Screaming Skull (1958)