This is Not the End…It Will Never End

I love October:

I’m so sorry it is over.

I love doing Horrorfest and I am so happy that this year I was able to do all 31 days!

Let me apologize for the messy postings, they weren’t as edited and full of images as I would have liked but I was so eager to have 31 posts done for publishing that I didn’t take the time I should have to make sure they were fully ready for publishing.

But I did it!!!!!!!

Great choices

So let’s see I promised you horror, suspense, mystery, film noir, monsters, ghosts, Alfred Hitchcock, Lifetime movies, aliens, witchcraft, murder, and cyborgs.

And what did I deliver?

Hmmm…

So lets start off with our yearly films. We always have Alfred Hitchcock, this year with me finally reviewing The Birds and a nod to Psycho with a Boy Meets World episode. Our Tim Burton film with Edward Scissorhands; a double dose of Disney with Maleficent and The Great Mouse Detective; an animated film with The Great Mouse Detective; yearly Stephen King film with The Tommyknockers; and a double dose of Vincent Price with Edward Scissorhands and The Great Mouse Detectives.

Our Lifetime movie in The Stranger Beside Me. I watched a ton of them but only reviewed one-probably because this one struck close to home.

AHHHHHHH!!!!

Had some spy action in The Glass Bottom Boat andThree Days of the Condor

And a lot of film-noir with The Blade Runner, The Blue Gardenia, Deadline at Dawn, A Letter to Three Wives, and Possessed 

I also for the first time, reviewed a video game It Lives in the Woods for Horrorfest. I’m thinking about doing it again next year.

We had horror-comedy in Fashion Model and The Glass Bottom Boat

Lots of psychopaths: multiple family members in American Gothic; the husband in Double Jeopardy; the dad in The Good Student; Griffin in The Invisible Man; the car jackers in Nocturnal Animals; the criminals in Rawhide; and the husband in The Stranger Beside Me.

We had quite a few literary nods-Sherlock Holmes with Basil of Baker Street, Agatha Christie’s Crooked House, H.G. Wells’ The Invisible Man, Carolyn Keene’s Nancy Drew, and Phillip Pullman’s Ruby in the Smoke.

Had our Jane Austen fix with the final review of Death Comes to Pemberley. Now I guess I’ll have to review Pride & Prejudice & Zombies in order to keep Jane Austen in Horrorfest.

Mystery, you say?

Aliens in Independence Day and Tommyknockers:

Witches in a Murder She Wrote episode:

Cyborgs in The Blade Runner:

Classic monsters with Dr. Jekyll in Sccoby-Doo, Dr. Jekyll in Dr. Jekyll Versus the Werewolf, and the Invisible Man in his first film appearance.

So as you see, there is something for everyone. For all the films and TV shows reviewed:

The Invisible Man (1933)

Nancy Drew, Detective (1938)

Fashion Model (1945)

Deadline at Dawn (1946)

Possessed (1947)

A Letter to Three Wives (1949)

Rawhide (1951)

The Blue Gardenia (1953)

The House of the Arrow (1953)

The Birds (1963)

The Glass Bottom Boat (1966)

Nowhere to Hyde: Scooby-Doo Where Are You? (1970)

Dr. Jekyll Versus the Werewolf (1972)

Three Days of the Condor (1975)

Blade Runner (1982)

The Great Mouse Detective (1986)

Edward Scissorhands (1990)

The Witch’s Curse: Murder She Wrote (1992)

The Tommyknockers (1993)

The Stranger Beside Me (1995)

The Psychotic Episode: Boy Meets World (1999)

Double Jeopardy (1999)

Independence Day (1999)

The Good Student (2006)

Ruby in the Smoke (2006)

Death Comes to Pemberley, Episode Three (2013)

Maleficent (2014)

American Gothic (2016)

Nocturnal Animals (2016)

Crooked House (2017)

It Lives in the Woods (2017)

 

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Do You Ever Feel Like Your Life Has Turned into Something You Never Intended?: Nocturnal Animals (2016)

Do you ever feel like your life has turned into something you never intended?

So when the trailer first aired I remember watching it and it catching my interest as they marketed it as a film noir/thriller.

Oh?

We added it at the library and a patron immediately checked it out. When he brought it back I asked him what he thought and he told me he did not like it. He thought it was a bomb and a waste of time never to be brought back again.

I heard what he said, but was still curious and wanted to watch it.

I should’ve listened.

This film was not good.

I really wanted to stop watching it but it was like when you see the police or ambulances on the side if the road, you can’t stop yourself from looking as a part of you just has to know.

So the film is told in three ways: Present, Novel, and Flashbacks. It is extremely artsy and just brimming over the top full of symbolism. I’m just going to skip it as it would take forever to discuss all the choices and what they mean in accordance to the film.

It has some extremely weird choices. The whole beginning is like 15 mins of naked fat women dancing. Seriously, no one needs to be that “artistic”. Mostly the thoughts going through my head in this film were “what am I watching?” “Why am I wasting my time on this?”

Why am I watching it.

Present:

So we start with Susan Morrow (Amy Adams). She is not happy with her life.

Years ago she married the man she loved, childhood friend Edward Sheffield (Jake Gyllenhaal), but left him when he didn’t provide the stability her upper class debutante background needed.

She left him for the handsome, charming, ambitious Hutton Morrow (yuck, Armie Hammer). I hate Armie Hammer as an actor, not person-I mean I don’t even know him. No matter the role I just find him insufferable and want to punch his smarmy face.

Anyways, Hutton seemed perfect-but that did not last.

Ugh

Their relationship is in tatters as he is always gone on “business”, they are going broke and have to sell their art collection, and yes he is cheating on her. Susan spends her days alone, lonely, bored, and unhappy. She has always regretted her choice to leave Edward, but even more now when she sees how badly she has chosen.

She has been thinking of Edward a lot lately, and speak of the devil-he finally reaches out to her after all these years. He was trying to write a book back when they were together, and he finally has finished one-one that will be published in a few months. He sends a proof to Susan to read-dedicating it to her and calling it Nocturnal Animals, his pet name for her.

She starts reading it, and soon it is the only thing that keeps her going each day-the story drawing her in and connecting to how she feels.

Novel:

Tony Hastings (Jake Gyllenhaal), his wife Laura (Isla Fisher), and daughter are all traveling to visit their aunt Martha. They decide to drive through the night, but are run off the road by some very dangerous guys.

The men attack them, yell, and abuse them and take off with the the women, stranding Tony in the middle of nowhere. When Tony manages to survive the desert and get help they discover his wife and child dead-beat, suffocated, and raped.

He and Detective Bobby Andes (Michael Shannon) team up to try and discover these murders, hunting them down. We see Tony’s grief, guilt, and struggle of what happened that night.

Flashbacks:

As Susan reads she remembers her life with Edward (Jake Gyllenhaal) more and more. How they ran into each other in grad school and she married him to find her way and because she loved him. How her mom warned her about their differences in thoughts and ambition. She remembers how things started to fall apart because she couldn’t believe in Edward. How he tried to fight for them. And how she made the biggest mistake of her life.

So yeah. I didn’t like this film at all. First of all there is no growth in the character of Susan. She marries Tony as she feels lost and likes his idealism, she goes with Hutton because of his stability, and then she is looking back at Edward because she wants romance. All she can think of is to run to a man to get away from her unhappiness. But the problem is her-not the men. She will always be unhappy until she can have some introspection. She should seriously consider just being by herself for a bit.

Get it together!

None of the other characters either really endeared me to them.

I did think Jake Gyllenhaal was phenomenal in this as the Tony Hastings’ character. I was blown away by his powerful performance and how he really captured the role.

Wow!

Plus where was the mystery???? Where????

And she aborted her husband’s baby! And to make that worse she had her lover she was cheating on her husband with take her!

I would just pass this film on by.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to This is a Bad One, the Worst Yet. I Need the Old Blade Runner…: Blade Runner (1982)

For more Amy Adams, go to I Choose You: Miss Pettigrew Lives For A Day (2008)

This is a Bad One, the Worst Yet. I Need the Old Blade Runner…: Blade Runner (1982)

I need ya, Deck. This is a bad one, the worst yet. I need the old blade runner, I need your magic.

So this movie was reccommended to me by one of my closest friends. She said I would love it. It is a dystopian future film, and you know how I love that…

wow

Plus film-noir, one of my faves!

Has Harrison Ford as the star

Has android/cyborgs:

And the film is about questions of morality, the soul, what it means to be human, is it wrong to create life, etc. You know…

And…

Jurassic Park (1995)

So what did I think if it?

I HATED IT

Huh?

I know-it makes no sense. How can all these elements blend together, and not be something I love? It makes no sense!

So the film is based of the book Do Androids Dream of Electric Sleep? by Phillip K. Dick. It is set in 2019 and follows Rick Deckard, Harrison Ford, who is a bounty hunter hired to “retire” (kill) replicants. Replicants are androids who look like humans with extras -such as speed, agility, and strength. They have no empathy or other emotions and are created for services-mining, sex, etc. Deckard is the best in the business, the “Blade Runner”, and is hired to take down a serious group of runaway replicants-Roy Batty, Zhora, Leon, and Pris.

He visits Tyrell Corp. to speak to the owner and creator of the replicants. Tyrell asks him to talk to his assistant Rachael who is beautiful, intelligent, a femme fatale, and a replicant. So good she almost fools him.

I didn’t think she was a very compelling character. I also didn’t get the relationship between the two-I didn’t feel any chemistry. I thought Rachael was very robotic and lost in the eyes.

Meh.

The rest of the story has Deckard trying to track down these killers-while we also see their side of everything. They want to live and as people-not four years on the outerplanet mines where they are worn out, or used for sex/to excite people. Life is not good for them and they want better.

In theory it should be good, but I just did not get into it. The visuals were good, but the people- I didn’t feel their emotions. I know a lot love it, but for me it was a complete wash.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to The Witch’s Curse: Murder She Wrote (1992)

For more film-noir, go to You Don’t Know Which Way to Turn, There’s No Place to Hide, Nowhere to run…: The Blue Gardenia (1953)

For more dystopian futures, go to It Was a Pleasure to Burn: Fahrenheit 451 

For more cyborgs, go to For Darkness Shows the Stars

For more Harrison Ford, go to I Know You Can Do This: Working Girl (1988)

For more bounty hunters, go to I Only Care That You Succeed: How I Met Your Mullet, Raising Hope (2014)

You Don’t Know Which Way to Turn, There’s No Place to Hide, Nowhere to run…: The Blue Gardenia (1953)

“By now you must be frightened out of your wits. You don’t know which way to turn, there’s no place to hide, nowhere to run… except to me. So take my advice, Blue Gardenia. Go to the nearest phone booth and invest a dime on the rest of your life.”

So I watched this movie years ago on TCM. I remember loving it and trying to find it again to watch, but every time they played it again they never showed it at a time I could watch it.

Sleeping

The other day I was shelving at the library and found it, I immediately had to check it out and watch it again to see if it is as good as I remember.

The film starts off with a jaunty tune as we follow reporter Casey Mayo (Richard Conte) as he heads to a phone company for a story. There he runs into Harry Prebble (Raymond Burr), artist and player.

Ugh

Yes, Harry is always coming by and using the phone operators as “models”, starting with sketching, then taking them out to a fancy dinner and plying them with drinks, later taking them home.

Harry has his eye on Crystal Carpenter (Ann Sothern), but she’s not buying it. She let him draw her but refuses anything else as she is dating her ex-husband.

Harry turns to Crystal’s roommate, Norah Larkin (Anne Baxter), but she has eyes only for her long-term boyfriend who is a soldier in the Korean War.

That night Crystal, Norah, and their other roommate Sally Ellis, continue their plans for the night. Crystal is going out with her ex-husband, Sally is getting the newest Mickey Mallet novel and going to read it.

For Norah, she has something very special planned. It’s her birthday and she has a letter from her boyfriend. She can’t have him here for the celebration she really wants-so she does the next best thing. She bought a new dress, made a roast, and bought champagne to go with it.

Yay!

After her roommates leave, Nora gets everything ready and then opens the letter.

Dear Norah, You’ve probably learned by now that I’m not so hot as a letter writer. I remember when we were kids in Bakersfield and I worked vacations in San Joaquin Valley. You used to bawl me out for not writing. Well, I guess I’ve gotten worse. But, that doesn’t mean I haven’t been thinking about you… a lot. And also thinking about someone else, Norah. A nurse I met in Tokyo when I took a load of Commie shrapnel with me. Angela, that’s her name, supplied the strength and the courage and everything else to pull me through. I didn’t want it to happen but… there’s nothing a guy can do about the real McCoy, and that’s what this is. We’re in love. And when I get out we’re going to be married. That’s the story, Norah. And, I guess there’s nothing else to say except I hope you’ll understand. With affection, always… and best wishes for your future. “Best wishes for your future”. Yours very sincerely. Yours very… truly.

Oh MY GOSH…seriously????? This is the real McCoy? So all those times you said I love you it was a lie!!!???  What a major jerk!!! And ON HER BIRTHDAY!!!!

Norah is upset and doesn’t know what to do. The phone rings and she answers it. It is Harry calling to ask Crystal out. Norah tries to tell him that she’s not Crystal, but he doesn’t listen to her. Norah decides to take Harry up on his offer and goes down to The Blue Gardenia restaurant. There Harry is waiting with Polynesian Pearl Diverswhich has like three different kinds of rum in it and Harry asks for extra rum.

Casey Mayo sees Harry there and they say a quick hello as Casey goes on the prowl for his own dame.

Harry is surprised to see Nora, but in his mind one beautiful girl is just as good as another. Norah enjoys the drinking as she wants to forget the beginning of the night ever happened. Harry supplies lots and lots of drinks and Norah keeps on drinking. She is extremely wasted.

Its just what Harry wants, and he asks her to come to his place for a party with friends.

Yes his friends rum, rohypnol, and rape.

They get to his place and he shows her his pictures. It actually reminds me of Blackmail. While there Norah is starting to nod off, Harry puts on the song The Blue Gardenia and gives her coffee. Coffee that tastes odd to Norah.

Harry starts to put the moves on Norah as she starts to question where the friends are. When he goes on her she attacks him, pulls away, breaks the mirror, and…fade to black.

The next morning all the girls are up and early, except Norah. She has a headache and a hangover. The girls think she went out drinking as they both read her letter. Norah can’t remember anything.

The police start investigating Harry’s death. The maid has already started cleaning up before she fund the body and washed two sets of dishes-no dice on DNA. All they have to go on is black suede heels size 5. And that she was a beautiful blonde-Harry’s type.

Casey directs the police to the phone company, knowing that where Harry found his ladies. He heads to the newspaper office, hit with the fantastic idea of calling her “The Blue Gardenia” after the song and the restaurant.

They question girl after girl, Norah becoming more and more upset with each one, more afraid as bits of the previous night come back to her piece by piece.

She can remember being there and if she was there that night she must have murdered him. Se continues to grow restless and snappish, having her friends and roommates questioning her.

Then Casey gets told he will have to be sent elsewhere to report on something, but he wants to see the Blue Gardenia play out. He gets the idea from a joke of a coworker to write a letter and see if she will speak to him.

A Letter to an Unknown Murderess. Dear Blue Gardenia, Any day now, any hour… any minute, the police are going to catch up with you… But, all they want is a quick confession… I want to help you. When I say “I”, that means my newspaper and me. To us you’re a story… a big story! If we get it first we will go all out for you. You can trust me. And, I promise not to print a line without your permission. By now you must be frightened out of your wits. You don’t know which way to turn, there’s no place to hide, nowhere to run… except to me. So take my advice, Blue Gardenia. Go to the nearest phone booth and invest a dime on the rest of your life. Dial Madison 60025. And ask for, yours very earnestly, Casey Mayo.

Norah decides to answer. But will she end up in prison? Could a nice girl who has never done wrong have to spend a lifetime paying for a mistake?

Didn’t realize that the film was so close to Blackmail. It had similarities with the painting scene and walking at night in the fog, regretful.

A great movie, just as good as I remember and well worth watching.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to What Happened to Ally Palmer?: The Good Student (2006)

For more film-noir, go to Go Ahead and Shoot…As Far As Killing Me, Well, I Don’t Think You’re That Good a Shot: Possessed (1947)

For more Anne Baxter, go to Oh, Moses, Moses: Happy 60th Anniversary to The Ten Commandments

For more on Ann Southern, go to Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

Go Ahead and Shoot…As Far As Killing Me, Well, I Don’t Think You’re That Good a Shot: Possessed (1947)

Well, go ahead and shoot. Mathematically, the chances of your hitting me are slight. And as far as killing me, well, I don’t think you’re that good a shot.

So I was watching the lifetime film Widow on the Hill, which is based on the true story of a hospice nurse who ended up marrying her wealthy patient’s husband (after the patient died) later being arrested for his murder after he died under suspicious circumstances. It was not a bad film, but all I could think as I was watching it was that it reminded me of a film I saw years ago, Possessed, starring Joan Crawford and Van Heflin.

***Side Note***: This film is nothing like the 1931 film starring Joan Crawford and Clark Gable, yes Joan Crawford is the only actress to ever have been in two completely different films that share the same name.

This a film-noir which you know I adore. It deals with mental illness, Joan and the director visiting different psychiatric wards to make sure they depicted things accurately.

Wow!

Anyways, the film starts off with Louise Howell (Joan Crawford) roaming the streets having suffered a psychotic break and saying the name “David” over and over again.

She gets picked up and taken to an asylum.

Dr. Harvey Williard: It was pain that made her this way.

Yes a man damaged her-poor girl. We then get a flashback to how her life was before.

Louise was a nurse hired to help the horrible, mean, invalid Mrs. Graham. True she is sick, but how she treats and accuses Louise constantly of cheating with her husband- makes Louise hate Mrs. Graham and every day of her life.

Believe me, living with that abuse it horrible. Every day is hell on earth.

Dean Graham (Raymond Massey), the husband, is kind and caring-very friendly. But Louise isn’t interested. Truth is, she would have left a long time ago except for one thing-David.

David Sutton (Van Heflin), is the handsome, engineer, next door neighbor and started a relationship with Louise. He doesn’t really care for her, but to Louise it is love. She becomes more obsessive, more possessive, more desperate-hoping to hold on to him, hoping to marry, hoping to be taken away from this life.

Except in this situation Louise is the desperate one.

David grows tired of her not understanding “the game” and leaves for a job in Canada. Louise begs him to take her with him, but he refuses-not wanting anything to do with her.

David Sutton: I’m sorry, Louise. I seldom hit a woman, but if you don’t leave me alone, I’ll wind up kicking babies.

I hate men like that:

Ugh

Louise becomes more and more distressed and finds it harder to keep her life together. Especially with Mrs. Graham on her back. One night when Louise is gone, Mrs. Graham drowns herself…or does she. Hmm…

Suspicious

Louise is going to leave, but Dean asks her to stay on to help with his kids, college age Carol and little Wynn. Carol, however, hates having Louise here as she believes her mother’s accusations about Louise and her father. Louise wants to leave, but Dean convinces her to stay on.

However, Louise is suffering from hallucinations and starting to break a little. She keeps thinking she hears Ms. Grahame’s voice.

Later David returns and is surprised to find that Louise remained on with the Grahmes. Louise is thrilled to have him back, but he rebuffs her.

Louise Howell: [on meeting again after long separation] Aren’t you going to kiss me?

David Sutton: I had no plans one way or the other.

Louise Howell: All right, then. Go ahead and kiss me. You don’t have to mean it. [He gives her the briefest peckI didn’t expect you to mean it that little.

David Sutton: When a woman kisses me, Louise, she has to take pot luck.

This guy! UGHHHHH!!!!

Dean however, has fallen for Louise and wants to marry her. She tells him that she does not love him and probably never will, but he is fine with that. He will take her anyway he can:

He believes that through time she will grow to love him.

Carol apologizes for her accusations, and it looks as of Louise and her might have a good relationship. But one thing ruins it all:

One day they are out and run into David. David couldn’t care less about Louise buts finds Carol intriguing.

David Sutton: [upon meeting Carol again who he last saw when she was a bratty 11-year-old girl, but is now a shapely 20-year-old woman] Let me look at you. Mm-hmm. Well, you… you haven’t grown very much, but… then again, you have.

I can’t stand him!!! Why do they like him??????

Louise begs off early with a headache, but when she gets home starts hallucinating. She believes the two to be in love and plotting against her.

As she is a nurse she goes to a psychiatrist to see what is going on with her. When doing so she finds out that she suffers from schizophrenia. She goes to Dean to try and get him to divorce her, but he refuses, he loves her. He takes her on a vacation but it doesn’t go well.

They go back to the old house, where the former Mrs. Grahame died. There Louise starts to have a complete psychotic breakdown. She believes the first wife is after her, that she is telling her to kill herself.

She admits to Dean that she killed Mrs. Grahame. Mrs. Grahame went on the water and started drowning and Louise did nothing. Dean tells her that it is false, that she was in the village and nowhere near Pauline.

So this is interesting, the film leaves it open up to us to decide. Was Louise in the village and just suffering from her psychotic break? Or did she really murder Mrs. Grahame and pretend to being in the village? Hmmm…

But then Carol and David announce they are going to marry. And Louise loses it.

She completely breaks down and does all she can to stop it. David won’t listen to her so she tells Carol all about her and David-that David is in love with her, But Carol won’t believe her.

They decide to admit her, but Louise eludes them and goes to see David. She can’t stay away from him, she can love none but him. If she can’t have him then no one can.

David doesn’t believe she will do it, but Louise proves him wrong.

And you know what, I’m glad. He was an awful man.

We then pick up where the film begins. The doctor is going to treat her and Dean will stay by her side. He really loves her no matter what. It’s sweet and sad.

Its a great film, Joan Crawford is amazing and just does all she can to lead the film. Van Heflin is a great bad guy and a total scumbug being. I recommend it.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Mrs. Darcy Wants to Know the Truth!: Death Comes to Pemberley, Episode Three (2013)

For more film-noir, go to The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

For more Van Heflin, go to Why Didn’t You Stop Me, Sam? You Know How Much I Hated Her! Why Didn’t You Stop Me?: The Strange Love of Martha Ivers (1946)

The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

Golly, the misery that walks around on this pretty, quiet night.

So a couple years ago I rented a DVD collection Film Noir Classic Collection Volume 5, and reviewed two movies from it Backfire and Dial 1119. I really had a hankering for watching Backfire and rerented it. The DVD that holds Backfire, also has this film Deadline at Dawn.

This film is…interesting. The main character is extremely annoying, but the others I love and the ending has one amazing twist. So as you can see I have mixed emotions about it.

The film starts off with Edna Bartelli, a drunk, player of a woman, who uses blackmail to make her money. This morning, she was completely wasted when her ex-husband comes to get his money. But his money is missing. It must have been taken by the guy she was with last night. Edna doesn’t care, but her ex, Sleepy, is none too happy.

We fade and find ourselves with Navy sailor Alex Winkler, annoying dimwitted baby. He’s the character I can’t stand, and I wish that they had someone different.

So Alex wakes up at a newsstand with the mother of hangovers and a wad of cash. He had been sprawled out on the sidewalk until this guy found him and began giving him coffee. He’s on leave and walks about with his radio unsure of what to do next.

Hmm…

He goes to a dance hall and rescues June Goffe (Susan Hayward) from a particularly annoying client. After he uses up his dance tickets on her, she gets off work and the two go get some supper and head to her apartment.

No not that, she’s just tired and the restaurants are packed. They get to her apartment and start talking. Alex is a dope, but sweet and innocent. Don’t have to worry about him doing anything.

They discover that the two grew up in the same area. When Alex is leaving, June asks him to give her mom a message when he heads home. Let her know her daughter is doing good, even though June isn’t.

Alex doesn’t believe in lying, but offers her the $40,000 he is carrying.

Huh?

It’s not his money and he wants nothing to do with it. What happened was the night before he stopped at an Italian restaurant. The brother had him go at gambling and took some money, plying him with drinks. The sister asked him up to her apartment to fix her radio. He went up to fix it, but that wasn’t what she had in mind. She got drunk and was “not being a lady” so he got upset and that’s the last thing he remembers. He woke up drinking coffee in the newsstand with the $40,000. I guess he stole it on his way out.

Oh, well

June convinces him to take the money back. He is such a baby he has June hold his hand through it. They head back to the apartment, he goes up while she waits on the steps. Alex comes back down in shock, the woman, Edna has been murdered.

June Goffe: [walking into Edna’s apartment and seeing that she has been strangled] I hear the whistle blowing.[After a pauseWho did it? You?

Alex Winkler: You mean you think I did it?

June Goffe: Didn’t you?

Alex Winkler: Don’t look at me like that! I think you’d better leave.

June Goffe: Yes. Well, this is New York… where “hello” means “goodbye”.

June feels sorry for the pup, and stays to help him. They look through trying to figure out what to do next. They look at cigarettes, matches, letters, etc. They walk downstairs and try to think where the murderer might go next. They have four hours to solve it before Alex has to take the bus and ship out. Get it, Deadline at Dawn.

They head to a little diner to get a drink, but neither is thirsty. June gets the idea that maybe the murderer did the same thing. They question the soda jerk (real term not referring to personality) and discover a beautiful blonde with a slightly lame leg did the same thing.

June then questions a cabbie to see if his last ride was a blonde with a lame leg. She gets bingo and heads off to follow her. Alex wants to come to but she tells him to try and find the man who murdered Edna. They know that it must be a man as she was strangled.

Alex sees a guy running in a hurry and upset and follows him in a cabbie.

June finds the woman and questions her. She was going to try and get some letters-something Edna was using for blackmail, but hurried home as she found her dead. She was crying because she was happy it was over.

She hears her husband, and begs June to go. She doesn’t want him to know about it. June leaves it as a red herring and heads back to Edna’s to see what Alex uncovered.

The woman and her husband argue, he’s yelling about her going out. She says that she went to a movie and tells her husband that Edna is dead. He repeats you were at a movie? And she says yes, where were you?

Hmm…

Alex’s lead turns out to be a wild goose chase as the man was rushing to have his pet looked after. Alex is disappointed, there are no leads and it doesn’t seem as if there is any other answer then it was him.

Alex Winkler: [sighs in the back of Gus’ cab]

Gus Hoffman: Beg pardon?

Alex Winkler: [distracted] What?

Gus Hoffman: You sigh like the end of summer. Troubled?

Alex Winkler: Personal.

Gus Hoffman: Oh… personal. That’s killed a lot of people in its day.

Alex Winkler: Yes.

Gus Hoffman: [after Alex gets out of the cab] By the way, if it’s not too personal, what was that all about down there?

Alex Winkler: Oh, uh, uh, personal.

Gus Hoffman: All right, I’ll buy it back. Forget I asked. Good night.

Alex Winkler: Good night

Alex meets up with June and both discover they have nothing. Gus follows them up to Edna’s, and ends up joining their investigation. He too feels sorry for Alex. He takes a look around the room and tries to help them find clues.

Gus Hoffman: [looking over Edna’s correspondence] The Divine Being made many loathsome creatures, but none so low as a woman with a cold heart. She held these letters for blackmail, even her own brother. [Looks at photographs of various men on the wallA blind man can see how many boyfriends she had. Evidently the water tasted good, so she jumped down the well.

They discuss what to do next when a woman comes in looking for Edna, she wants her blackmail letters back. She ends up giving them the slip and they are back at square one.

There are two leads they discover, a bad check from a Lester Brady and that there is someone watching them downstairs. They send Alex to talk to Lester, while June and Gus drive away to see who the follower is.

Lester Brady is extremely nervous and prepared to do anything to get that check and his letters back. But then the woman who gave them the slip, Mrs. Nan Raymond appears. She came to tell Lester that Edna is dead and about the Scooby-Doo gang. They decide to call Edna’s brother and try and weasel a way out of the situation with the letters.

Meanwhile, June and Gus discover who their stalker is. It is the guy from the dance hall that was bothering her. He still wants to be with her.

Gus and June have a bit of time talking. Gus shares that the reason June really wants to help is because she’s in love with Alex. He shares his backgrund how his wife left him and all he had was his daughter, the apple of his eye. She is married, her husband having some trouble, but they have a baby. They head back to the apartment but no Alex, they hurry after him.

Meanwhile Alex was jumped by Edna’s brother Val Bartelli. You may recognize him as Dancer in The Thin Man Returns. They head back to Edna’s looking for the blackmail, and Gus and June get there in time. All convene and head to the club to see of maybe the ex-husband, Sleepy did it.

I have to say I love how they just keep picking people up and having them join them investigating. A regular Scooby-Doo gang.

After they leave, one of Edna’s boyfriend’s goes up to her room and finds her body He calls the police.

Meanwhile the group goes to the club, interrupting a police officer’s birthday bash, ooh.

They question Sleepy, who turns out to be blind, but no dice -he didn’t do. The police officers arrest Alex and strike a confession out of him.

Oh no, its all over. June is horrified and angry, Gus tries to calm her down.

***Spoiler Alert***

But it turns out they already have a confession at another station. In come the blonde with a lame leg and her husband. Her husband confessed to killing Edna. They had a relationship and she was blackmailing him and he killed her.

But after questioning them, it is clear that this is not the guy. He got the murder wrong and obviously has no clue what they are talking about. Who is he protecting? The wife?

Hmm…

But it turns it it is not the wife. She was protecting her father-Gus the cabdriver.

Yes, Gus. Gus was tired of the relationship between Edna and the husband. He wanted her to stop, his daughter and son-in-law were having a baby. Edna refused, that jerk.

Gus became angry and in the heat, killed her. He kept trying to get rid of Alex, send him home, and felt so sorry for him he began helping him. In the end he couldn’t let anyone take the rap for him, but admits the truth.

He sends June off with Alex, the two taking the bus together, and all ends as dawn’s light arises.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to The Murderer is Never the One You Initially Suspect: Crooked House (2017)

For more from the Film Noir Classic Collection Volume 5, go to It’s A Hard World: Backfire (1950)

For more film noir, go to Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

I consider myself extremely lucky to be able to take with me a memenento…you see girls I’ve run off with one of your husbands.

This is one of my favorite movies. One year for Christmas my friend bought me a 20th century fox 4-DVD set. It had An Affair to Remember, Leave Her to Heaven, Peyton Place, and A Letter to Three Wives. 

Wow!

I had never seen this film before, but when I showed it to my mom she said it was a great film. I decided to watch it and feel in love with it. Its an amazingly well done film.

So it isn’t really a horror film or one you would watch around Halloween-but it is a mystery so I decided to included it. My blog, my rules.

So the film starts off with three women, all in bad places in their marriage-and at the root of everyone’s trouble’s is the beautiful, classy, perfect woman-Addie Ross.

Ugh

We have Deborah Bishop (Jeanne Crain) who is fighting with her husband Bradford “Brad” Bishop (Jeffery Lynn). He is taking a bag and might be staying overnight for “business”. Deborah is upset because Bradford’s old sweetheart, Addie Ross, still is a close friend and seems to influence him. Brad bought Deborah a dress just like one that Addie wore. She feels so insecure and pale in comparison.

Rita Phipps (Ann Sothern) is a radio writer and she and her husband have been fighting about work and money. Addie Ross, who her husband George Phipps (Kirk Douglas), admires-just sent him a record that George loves and inscribed it with “if music be the food of love play on”. He also is wearing his blue suit on his fishing day…what is happening?

Hmm…

Lora Mae Hollingsworth (Linda Darnell) and her husband, Porter Hollingsworth (Paul Douglas), have the most tumultuous relationship of all. They constantly fight, bicker, argue, call each other names, etc. Addie Ross has always been Porter’s ideal woman, the only “queen in a silver picture frame” to grace his home.

They are all supposed to be going to help at the kid’s picnic, then home to change for the first big country club dance of the season. Addie was supposed to join them, but isn’t coming after all.

When they get there they receive a telegram. As they ferry across to the picnic area they discover that Addie Ross has left town, and with one of their husbands.

Which one? Well, she’s decided to keep that her little secret.

Seriously?

The women do their best to help out, but each has a hard time keeping their mind from wondering which one it could be. Is it Brad? Is it George? Is it Porter?

Hmm…

Is it Brad?

Brad and Addie had been dating and broke up before he went to war (WWII). He has money, prestige, class, etc-just like Addie-and unlike Deborah. Deborah grew up on a farm in Iowa. When they arrive in his hometown and she gets ready to go out to the country club dance and meet his friends she is definitely out of her element. Not sophisticated, young, cheap clothes that are long out of style. She gets so nervous she drinks more than she ever has and forgets to eat, making a fool out of herself. Did Brad finally see Deborah for what she is, a farmgirl out of her depth? And has he decided to go back to the real deal, the one best suited for his position, Addie Ross?

Is it Brad?

Hmm…

Or…is it George?

George is a teacher and Rita works in radio, paying the majority of the bills. She invites her bosses over-pople who would rather listen to commercials than the radio programs that are supposed to entertain people-and everything goes wrong.

The radio people are superficial, narcissistic, and don’t care anything for Rita but what they can get out of her. They are so eager to hear their advertisements they break George’s priceless record. He gets so upset that he rips them a new one and shatters all of Rita’s hopes for him to work at the station and make more money. To make it worse, Addie always understood that side of George. She’s too classy to ever choose radio over Shakespeare and the two have always had their little inside jokes. Could he have gotten tired of Rita’s pushing, her being gone all the time working and strayed for a more literary lady-Addie Ross?

Is it George?

Hmmm….

Or…is it Porter?

Lora Mae is from the wrong side of the tracks. She was working in the Hollingsworth Department store when Porter put the moves on her. But unlike the other clerks he had worked through, she wanted the real thing. She wanted to be loved, adored, and in a silver picture frame on a piano-like how Porter reveres Addie Ross. Porter tries at first to just get “the goods”, but Lora Mae doesn’t play that way. She dumps him and quits her job. But Porter comes after her and asks her to marry him, they should be happy right? Wrong. Porter sees her as a gold digger just trying to get the payout and never expects her to care or want more than money. Lora Mae is angry at him insulting her that way and how he doesn’t really love her, but loves Addie Ross. They fight constantly…did he decided to ditch his plan B for the woman he always wanted? Addie Ross?

Is it Porter?

Hmm…

The picnic is over sooner than they they though, as each one is dreading what comes next. Which wife will return to an empty home and missing husband.

Which one, which one?

This is an amazing film that I recommend watching to everyone. I love this movie I watch it practically every month.

You have to decide which one you think is the one who runs off. The end is good, but has confused people. In fact General Douglas MacArthur was so confused by the ending that he had his aide write Joseph L. Mankiewicz, the director,  a letter asking with whom Addie had, in fact, run off.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Just Read Books: Three Days of the Condor (1975)

For more Jeanne Crain films, go to I Do Think You Are Confused Mrs. Bowman: Dangerous Crossing (1953)

For more Kirk Douglas, go to  Why Didn’t You Stop Me, Sam? You Know How Much I Hated Her! Why Didn’t You Stop Me?: The Strange Love of Martha Ivers (1946)

For more film-noir, go to Is Christine the Ultimate Femme Fatale?