Go Ahead and Shoot…As Far As Killing Me, Well, I Don’t Think You’re That Good a Shot: Possessed (1947)

Well, go ahead and shoot. Mathematically, the chances of your hitting me are slight. And as far as killing me, well, I don’t think you’re that good a shot.

So I was watching the lifetime film Widow on the Hill, which is based on the true story of a hospice nurse who ended up marrying her wealthy patient’s husband (after the patient died) later being arrested for his murder after he died under suspicious circumstances. It was not a bad film, but all I could think as I was watching it was that it reminded me of a film I saw years ago, Possessed, starring Joan Crawford and Van Heflin.

***Side Note***: This film is nothing like the 1931 film starring Joan Crawford and Clark Gable, yes Joan Crawford is the only actress to ever have been in two completely different films that share the same name.

This a film-noir which you know I adore. It deals with mental illness, Joan and the director visiting different psychiatric wards to make sure they depicted things accurately.

Wow!

Anyways, the film starts off with Louise Howell (Joan Crawford) roaming the streets having suffered a psychotic break and saying the name “David” over and over again.

She gets picked up and taken to an asylum.

Dr. Harvey Williard: It was pain that made her this way.

Yes a man damaged her-poor girl. We then get a flashback to how her life was before.

Louise was a nurse hired to help the horrible, mean, invalid Mrs. Graham. True she is sick, but how she treats and accuses Louise constantly of cheating with her husband- makes Louise hate Mrs. Graham and every day of her life.

Believe me, living with that abuse it horrible. Every day is hell on earth.

Dean Graham (Raymond Massey), the husband, is kind and caring-very friendly. But Louise isn’t interested. Truth is, she would have left a long time ago except for one thing-David.

David Sutton (Van Heflin), is the handsome, engineer, next door neighbor and started a relationship with Louise. He doesn’t really care for her, but to Louise it is love. She becomes more obsessive, more possessive, more desperate-hoping to hold on to him, hoping to marry, hoping to be taken away from this life.

Except in this situation Louise is the desperate one.

David grows tired of her not understanding “the game” and leaves for a job in Canada. Louise begs him to take her with him, but he refuses-not wanting anything to do with her.

David Sutton: I’m sorry, Louise. I seldom hit a woman, but if you don’t leave me alone, I’ll wind up kicking babies.

I hate men like that:

Ugh

Louise becomes more and more distressed and finds it harder to keep her life together. Especially with Mrs. Graham on her back. One night when Louise is gone, Mrs. Graham drowns herself…or does she. Hmm…

Suspicious

Louise is going to leave, but Dean asks her to stay on to help with his kids, college age Carol and little Wynn. Carol, however, hates having Louise here as she believes her mother’s accusations about Louise and her father. Louise wants to leave, but Dean convinces her to stay on.

However, Louise is suffering from hallucinations and starting to break a little. She keeps thinking she hears Ms. Grahame’s voice.

Later David returns and is surprised to find that Louise remained on with the Grahmes. Louise is thrilled to have him back, but he rebuffs her.

Louise Howell: [on meeting again after long separation] Aren’t you going to kiss me?

David Sutton: I had no plans one way or the other.

Louise Howell: All right, then. Go ahead and kiss me. You don’t have to mean it. [He gives her the briefest peckI didn’t expect you to mean it that little.

David Sutton: When a woman kisses me, Louise, she has to take pot luck.

This guy! UGHHHHH!!!!

Dean however, has fallen for Louise and wants to marry her. She tells him that she does not love him and probably never will, but he is fine with that. He will take her anyway he can:

He believes that through time she will grow to love him.

Carol apologizes for her accusations, and it looks as of Louise and her might have a good relationship. But one thing ruins it all:

One day they are out and run into David. David couldn’t care less about Louise buts finds Carol intriguing.

David Sutton: [upon meeting Carol again who he last saw when she was a bratty 11-year-old girl, but is now a shapely 20-year-old woman] Let me look at you. Mm-hmm. Well, you… you haven’t grown very much, but… then again, you have.

I can’t stand him!!! Why do they like him??????

Louise begs off early with a headache, but when she gets home starts hallucinating. She believes the two to be in love and plotting against her.

As she is a nurse she goes to a psychiatrist to see what is going on with her. When doing so she finds out that she suffers from schizophrenia. She goes to Dean to try and get him to divorce her, but he refuses, he loves her. He takes her on a vacation but it doesn’t go well.

They go back to the old house, where the former Mrs. Grahame died. There Louise starts to have a complete psychotic breakdown. She believes the first wife is after her, that she is telling her to kill herself.

She admits to Dean that she killed Mrs. Grahame. Mrs. Grahame went on the water and started drowning and Louise did nothing. Dean tells her that it is false, that she was in the village and nowhere near Pauline.

So this is interesting, the film leaves it open up to us to decide. Was Louise in the village and just suffering from her psychotic break? Or did she really murder Mrs. Grahame and pretend to being in the village? Hmmm…

But then Carol and David announce they are going to marry. And Louise loses it.

She completely breaks down and does all she can to stop it. David won’t listen to her so she tells Carol all about her and David-that David is in love with her, But Carol won’t believe her.

They decide to admit her, but Louise eludes them and goes to see David. She can’t stay away from him, she can love none but him. If she can’t have him then no one can.

David doesn’t believe she will do it, but Louise proves him wrong.

And you know what, I’m glad. He was an awful man.

We then pick up where the film begins. The doctor is going to treat her and Dean will stay by her side. He really loves her no matter what. It’s sweet and sad.

Its a great film, Joan Crawford is amazing and just does all she can to lead the film. Van Heflin is a great bad guy and a total scumbug being. I recommend it.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Mrs. Darcy Wants to Know the Truth!: Death Comes to Pemberley, Episode Three (2013)

For more film-noir, go to The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

For more Van Heflin, go to Why Didn’t You Stop Me, Sam? You Know How Much I Hated Her! Why Didn’t You Stop Me?: The Strange Love of Martha Ivers (1946)

The Misery That Walks Around On This Pretty, Quiet Night: Deadline at Dawn (1946)

Golly, the misery that walks around on this pretty, quiet night.

So a couple years ago I rented a DVD collection Film Noir Classic Collection Volume 5, and reviewed two movies from it Backfire and Dial 1119. I really had a hankering for watching Backfire and rerented it. The DVD that holds Backfire, also has this film Deadline at Dawn.

This film is…interesting. The main character is extremely annoying, but the others I love and the ending has one amazing twist. So as you can see I have mixed emotions about it.

The film starts off with Edna Bartelli, a drunk, player of a woman, who uses blackmail to make her money. This morning, she was completely wasted when her ex-husband comes to get his money. But his money is missing. It must have been taken by the guy she was with last night. Edna doesn’t care, but her ex, Sleepy, is none too happy.

We fade and find ourselves with Navy sailor Alex Winkler, annoying dimwitted baby. He’s the character I can’t stand, and I wish that they had someone different.

So Alex wakes up at a newsstand with the mother of hangovers and a wad of cash. He had been sprawled out on the sidewalk until this guy found him and began giving him coffee. He’s on leave and walks about with his radio unsure of what to do next.

Hmm…

He goes to a dance hall and rescues June Goffe (Susan Hayward) from a particularly annoying client. After he uses up his dance tickets on her, she gets off work and the two go get some supper and head to her apartment.

No not that, she’s just tired and the restaurants are packed. They get to her apartment and start talking. Alex is a dope, but sweet and innocent. Don’t have to worry about him doing anything.

They discover that the two grew up in the same area. When Alex is leaving, June asks him to give her mom a message when he heads home. Let her know her daughter is doing good, even though June isn’t.

Alex doesn’t believe in lying, but offers her the $40,000 he is carrying.

Huh?

It’s not his money and he wants nothing to do with it. What happened was the night before he stopped at an Italian restaurant. The brother had him go at gambling and took some money, plying him with drinks. The sister asked him up to her apartment to fix her radio. He went up to fix it, but that wasn’t what she had in mind. She got drunk and was “not being a lady” so he got upset and that’s the last thing he remembers. He woke up drinking coffee in the newsstand with the $40,000. I guess he stole it on his way out.

Oh, well

June convinces him to take the money back. He is such a baby he has June hold his hand through it. They head back to the apartment, he goes up while she waits on the steps. Alex comes back down in shock, the woman, Edna has been murdered.

June Goffe: [walking into Edna’s apartment and seeing that she has been strangled] I hear the whistle blowing.[After a pauseWho did it? You?

Alex Winkler: You mean you think I did it?

June Goffe: Didn’t you?

Alex Winkler: Don’t look at me like that! I think you’d better leave.

June Goffe: Yes. Well, this is New York… where “hello” means “goodbye”.

June feels sorry for the pup, and stays to help him. They look through trying to figure out what to do next. They look at cigarettes, matches, letters, etc. They walk downstairs and try to think where the murderer might go next. They have four hours to solve it before Alex has to take the bus and ship out. Get it, Deadline at Dawn.

They head to a little diner to get a drink, but neither is thirsty. June gets the idea that maybe the murderer did the same thing. They question the soda jerk (real term not referring to personality) and discover a beautiful blonde with a slightly lame leg did the same thing.

June then questions a cabbie to see if his last ride was a blonde with a lame leg. She gets bingo and heads off to follow her. Alex wants to come to but she tells him to try and find the man who murdered Edna. They know that it must be a man as she was strangled.

Alex sees a guy running in a hurry and upset and follows him in a cabbie.

June finds the woman and questions her. She was going to try and get some letters-something Edna was using for blackmail, but hurried home as she found her dead. She was crying because she was happy it was over.

She hears her husband, and begs June to go. She doesn’t want him to know about it. June leaves it as a red herring and heads back to Edna’s to see what Alex uncovered.

The woman and her husband argue, he’s yelling about her going out. She says that she went to a movie and tells her husband that Edna is dead. He repeats you were at a movie? And she says yes, where were you?

Hmm…

Alex’s lead turns out to be a wild goose chase as the man was rushing to have his pet looked after. Alex is disappointed, there are no leads and it doesn’t seem as if there is any other answer then it was him.

Alex Winkler: [sighs in the back of Gus’ cab]

Gus Hoffman: Beg pardon?

Alex Winkler: [distracted] What?

Gus Hoffman: You sigh like the end of summer. Troubled?

Alex Winkler: Personal.

Gus Hoffman: Oh… personal. That’s killed a lot of people in its day.

Alex Winkler: Yes.

Gus Hoffman: [after Alex gets out of the cab] By the way, if it’s not too personal, what was that all about down there?

Alex Winkler: Oh, uh, uh, personal.

Gus Hoffman: All right, I’ll buy it back. Forget I asked. Good night.

Alex Winkler: Good night

Alex meets up with June and both discover they have nothing. Gus follows them up to Edna’s, and ends up joining their investigation. He too feels sorry for Alex. He takes a look around the room and tries to help them find clues.

Gus Hoffman: [looking over Edna’s correspondence] The Divine Being made many loathsome creatures, but none so low as a woman with a cold heart. She held these letters for blackmail, even her own brother. [Looks at photographs of various men on the wallA blind man can see how many boyfriends she had. Evidently the water tasted good, so she jumped down the well.

They discuss what to do next when a woman comes in looking for Edna, she wants her blackmail letters back. She ends up giving them the slip and they are back at square one.

There are two leads they discover, a bad check from a Lester Brady and that there is someone watching them downstairs. They send Alex to talk to Lester, while June and Gus drive away to see who the follower is.

Lester Brady is extremely nervous and prepared to do anything to get that check and his letters back. But then the woman who gave them the slip, Mrs. Nan Raymond appears. She came to tell Lester that Edna is dead and about the Scooby-Doo gang. They decide to call Edna’s brother and try and weasel a way out of the situation with the letters.

Meanwhile, June and Gus discover who their stalker is. It is the guy from the dance hall that was bothering her. He still wants to be with her.

Gus and June have a bit of time talking. Gus shares that the reason June really wants to help is because she’s in love with Alex. He shares his backgrund how his wife left him and all he had was his daughter, the apple of his eye. She is married, her husband having some trouble, but they have a baby. They head back to the apartment but no Alex, they hurry after him.

Meanwhile Alex was jumped by Edna’s brother Val Bartelli. You may recognize him as Dancer in The Thin Man Returns. They head back to Edna’s looking for the blackmail, and Gus and June get there in time. All convene and head to the club to see of maybe the ex-husband, Sleepy did it.

I have to say I love how they just keep picking people up and having them join them investigating. A regular Scooby-Doo gang.

After they leave, one of Edna’s boyfriend’s goes up to her room and finds her body He calls the police.

Meanwhile the group goes to the club, interrupting a police officer’s birthday bash, ooh.

They question Sleepy, who turns out to be blind, but no dice -he didn’t do. The police officers arrest Alex and strike a confession out of him.

Oh no, its all over. June is horrified and angry, Gus tries to calm her down.

***Spoiler Alert***

But it turns out they already have a confession at another station. In come the blonde with a lame leg and her husband. Her husband confessed to killing Edna. They had a relationship and she was blackmailing him and he killed her.

But after questioning them, it is clear that this is not the guy. He got the murder wrong and obviously has no clue what they are talking about. Who is he protecting? The wife?

Hmm…

But it turns it it is not the wife. She was protecting her father-Gus the cabdriver.

Yes, Gus. Gus was tired of the relationship between Edna and the husband. He wanted her to stop, his daughter and son-in-law were having a baby. Edna refused, that jerk.

Gus became angry and in the heat, killed her. He kept trying to get rid of Alex, send him home, and felt so sorry for him he began helping him. In the end he couldn’t let anyone take the rap for him, but admits the truth.

He sends June off with Alex, the two taking the bus together, and all ends as dawn’s light arises.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to The Murderer is Never the One You Initially Suspect: Crooked House (2017)

For more from the Film Noir Classic Collection Volume 5, go to It’s A Hard World: Backfire (1950)

For more film noir, go to Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

Which Husband Ran Off With Addie Ross?: A Letter to Three Wives (1949)

I consider myself extremely lucky to be able to take with me a memenento…you see girls I’ve run off with one of your husbands.

This is one of my favorite movies. One year for Christmas my friend bought me a 20th century fox 4-DVD set. It had An Affair to Remember, Leave Her to Heaven, Peyton Place, and A Letter to Three Wives. 

Wow!

I had never seen this film before, but when I showed it to my mom she said it was a great film. I decided to watch it and feel in love with it. Its an amazingly well done film.

So it isn’t really a horror film or one you would watch around Halloween-but it is a mystery so I decided to included it. My blog, my rules.

So the film starts off with three women, all in bad places in their marriage-and at the root of everyone’s trouble’s is the beautiful, classy, perfect woman-Addie Ross.

Ugh

We have Deborah Bishop (Jeanne Crain) who is fighting with her husband Bradford “Brad” Bishop (Jeffery Lynn). He is taking a bag and might be staying overnight for “business”. Deborah is upset because Bradford’s old sweetheart, Addie Ross, still is a close friend and seems to influence him. Brad bought Deborah a dress just like one that Addie wore. She feels so insecure and pale in comparison.

Rita Phipps (Ann Sothern) is a radio writer and she and her husband have been fighting about work and money. Addie Ross, who her husband George Phipps (Kirk Douglas), admires-just sent him a record that George loves and inscribed it with “if music be the food of love play on”. He also is wearing his blue suit on his fishing day…what is happening?

Hmm…

Lora Mae Hollingsworth (Linda Darnell) and her husband, Porter Hollingsworth (Paul Douglas), have the most tumultuous relationship of all. They constantly fight, bicker, argue, call each other names, etc. Addie Ross has always been Porter’s ideal woman, the only “queen in a silver picture frame” to grace his home.

They are all supposed to be going to help at the kid’s picnic, then home to change for the first big country club dance of the season. Addie was supposed to join them, but isn’t coming after all.

When they get there they receive a telegram. As they ferry across to the picnic area they discover that Addie Ross has left town, and with one of their husbands.

Which one? Well, she’s decided to keep that her little secret.

Seriously?

The women do their best to help out, but each has a hard time keeping their mind from wondering which one it could be. Is it Brad? Is it George? Is it Porter?

Hmm…

Is it Brad?

Brad and Addie had been dating and broke up before he went to war (WWII). He has money, prestige, class, etc-just like Addie-and unlike Deborah. Deborah grew up on a farm in Iowa. When they arrive in his hometown and she gets ready to go out to the country club dance and meet his friends she is definitely out of her element. Not sophisticated, young, cheap clothes that are long out of style. She gets so nervous she drinks more than she ever has and forgets to eat, making a fool out of herself. Did Brad finally see Deborah for what she is, a farmgirl out of her depth? And has he decided to go back to the real deal, the one best suited for his position, Addie Ross?

Is it Brad?

Hmm…

Or…is it George?

George is a teacher and Rita works in radio, paying the majority of the bills. She invites her bosses over-pople who would rather listen to commercials than the radio programs that are supposed to entertain people-and everything goes wrong.

The radio people are superficial, narcissistic, and don’t care anything for Rita but what they can get out of her. They are so eager to hear their advertisements they break George’s priceless record. He gets so upset that he rips them a new one and shatters all of Rita’s hopes for him to work at the station and make more money. To make it worse, Addie always understood that side of George. She’s too classy to ever choose radio over Shakespeare and the two have always had their little inside jokes. Could he have gotten tired of Rita’s pushing, her being gone all the time working and strayed for a more literary lady-Addie Ross?

Is it George?

Hmmm….

Or…is it Porter?

Lora Mae is from the wrong side of the tracks. She was working in the Hollingsworth Department store when Porter put the moves on her. But unlike the other clerks he had worked through, she wanted the real thing. She wanted to be loved, adored, and in a silver picture frame on a piano-like how Porter reveres Addie Ross. Porter tries at first to just get “the goods”, but Lora Mae doesn’t play that way. She dumps him and quits her job. But Porter comes after her and asks her to marry him, they should be happy right? Wrong. Porter sees her as a gold digger just trying to get the payout and never expects her to care or want more than money. Lora Mae is angry at him insulting her that way and how he doesn’t really love her, but loves Addie Ross. They fight constantly…did he decided to ditch his plan B for the woman he always wanted? Addie Ross?

Is it Porter?

Hmm…

The picnic is over sooner than they they though, as each one is dreading what comes next. Which wife will return to an empty home and missing husband.

Which one, which one?

This is an amazing film that I recommend watching to everyone. I love this movie I watch it practically every month.

You have to decide which one you think is the one who runs off. The end is good, but has confused people. In fact General Douglas MacArthur was so confused by the ending that he had his aide write Joseph L. Mankiewicz, the director,  a letter asking with whom Addie had, in fact, run off.

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

For the previous post, go to Just Read Books: Three Days of the Condor (1975)

For more Jeanne Crain films, go to I Do Think You Are Confused Mrs. Bowman: Dangerous Crossing (1953)

For more Kirk Douglas, go to  Why Didn’t You Stop Me, Sam? You Know How Much I Hated Her! Why Didn’t You Stop Me?: The Strange Love of Martha Ivers (1946)

For more film-noir, go to Is Christine the Ultimate Femme Fatale?

Horrorfest VII: Your New Nightmare

So tomorrow is October 1st, you know what that means:

HORRORFEST!!!!!!

31 Days of horror, suspense, mystery, film noir, monsters, ghosts, Alfred Hitchcock, Lifetime, aliens, witchcraft, murder, cyborgs, and more.

Last year Horrorfest was a bit of a downer. My charger broke and I tried to catch up but only was able to do like 17. This year I am working overtime to be sure that I have them all finished.

A couple years ago I put Jane Austen in a costume and added it to my Horrorfest tradition. Last year I Moreland dressed up as Sherlock Holmes, so I decided to have Jane do so this year.

For more Sherlock Holmes, go here.

So here we go!

To start Horrorfest from the beginning, go to I Don’t Belong in the World: Carnival of Souls (1962)

To start Horrorfest II from the beginning, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart: The Wolf Man (1941)

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

 

Is Christine the Ultimate Femme Fatale?

As this is Noir November #Noirvember, I thought it was no better time to talk about one of the top classic femme fatale.

I hate Christine, I think she was a horrid little urgh.

wordICan't say Toy Story

And I don’t use that lightly. First we see her all upset at Raul for being rude and condemning Erik

“Why do you condemn a man who you have never seen, whom no one knows about and whom you yourself know nothing?” (pg. 104)

But then she’s like I’m so scared of him. Aaah! She makes him sound evil, even though the story is hardly anything.

She heard this wonderful voice and begs him to teach her.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears, Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

You see that!!!! You see that!!!

What???!!!

She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.”

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

you're evil

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

Poor guy

And she goes on about being captured by a madman and held prisoner, BUT he treats her well. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there.

“For he sang. And I listened…and stayed!” (pg. 125)

Seriously?

So she falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

Wow

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

But Christine is not happy. She wants out. She is angry with the Phantom, even though she is packed with beautiful gifts. All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

Seriously

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted.She can’t live well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off. 

She tells Raoul this as each visit “increased her horror.”

Now what’s really interesting is after Christine has told her tale, Raoul asks her:

“You are frightened…but do you love me? If Erik were good-looking, would you love me, Christine?” (pg. 132)

Hmm…

And what does Christine say? Does she say NEVER, I don’t love him I LOVE YOU? No. Does she say that Erik is a horrible person, and she could never love him? No. Now what does she say?

“She rose in her turn, and put her two trembling arms round the young man’s neck and said: ‘Oh my betrothed of a day, if I did not love you, I would not give you my lips! Take them, for the first time and the last.” (pg. 132)

You see that!!! You see that!!! SHE NEVER ANSWERS THE QUESTION!!!! And you know why???!!! Because the answer is NO! She don’t love you Raoul, she’s using you just as she used Erik. She could have easily answered she loved you, but instead she deflected the question and gave you a kiss. I hate when people do that, urgh!

Let me tell you something, if you ever are having a serious and deep conversation with someone and they deflect you with a kiss, hug, sex, whatever, you need to get out of that relationship because they are not serious about you. Should’ve seen it Raoul, except you were to busy focusing on that kiss that you missed it.

Meanwhile, Christine, the little actress starts playing Erik to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abraod. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling and a loser when they consider what their arch rival’s is feeling?

See Erik isn’t the monster, Christine is! She just goes and destroys two men’s lives-never thinking about them or how it affect them; all she cares is about her self.

Yeah, that’s why I hate Christine Daaé.

For more on The Phantom of the Opera, go to President of the “I Don’t Like Raoul Fanclub”

For more on Christine Daaé, go to Le Fantôme de l’Opéra

For more femme fatales, go to That Girl is Poison

Why Didn’t You Stop Me, Sam? You Know How Much I Hated Her! Why Didn’t You Stop Me?: The Strange Love of Martha Ivers (1946)

Why didn’t you stop me, Sam? You know how much I hated her! Why didn’t you stop me?

So I love Kirk Douglas:

How can you not like this face

In fact I even wrote him a fan letter once, but have yet to hear back from him.

Oh, well

Anyways, I picked up a great book not too long ago about his life, The Films of Kirk Douglas [although it ends with The Indian Fighter (1955)]. I found the book to be interesting, well written, and hard to put down.

So the first film that Kirk Douglas was in is called The Strange Love of Martha Ivers. It sounded so interesting-film noir about a woman who destroys one man after another in her pursuit of money, power, and love.

So when I spotted it on Amazon Instant Watch, I knew I needed to watch it immediately.

However, as I started watching the film it turned out that was sadly mistaken. This film was nothing like what I thought it would be like.

I know, right?

So the film starts out with young Martha Ivers, niece to Mrs. Ivers (Judith Anderson) the richest woman in the town. Her aunt controls everything and everybody, except for one-Sam Masterson. The two were trying to run away together, just to be free, but are found out and Martha is sent back with her aunt.

Martha Ivers as a girl: You don’t own the whole world.

Mrs. Ivers: Enough to make sure you’re always brought back to me.

Mr. O’Neil, her tutor discovered where she was hiding. Mr. O’Neil is a super brownnoser, trying to get Mrs. Ivers to help his son Walter become more by blessing him with a good education. Mrs. Ivers thanks him for his help, but in no way does she care about him or his needs.

Meanwhile, upstairs Martha and Walter are talking when Sam arrives to take her with him. Everything is going well until Mrs. Ivers senses something is up, as Martha has been far too quiet, and heads upstairs. Sam sees Mrs. Ivers and runs off, Mrs. Ivers trips on Martha’s cat (which Mrs. Ivers hates), Mrs. Ivers begins to hit the cat with her cane, and Martha becomes so angry that she takes the cane, beats her aunt, and Mrs. Ivers falls down the stairs dead.

Walter saw everything, so Martha takes him into her confidence and gets him to lie with her to his father, Mr. O’Neil. She says a man came in and attacked her aunt.

Mr. O’Neil looks at the body and Martha and figures everything out about what really must have happened. But he goes along with her, using this to tie the two kids in the closest bond imaginable.

Time passes and we pick up in the present with Sam Masterson (Van Heflin) who is driving along. Since he ran away Sam has been everywhere, with all kinds of women, and done  little of everything-although he gets his money from gambling. He is surprised to find himself back in his old area, so surprised that he crashes his car and has to stay in Iverstown until it is fixed.

He discovers that Walter O’Neil (Kirk Douglas) and Martha Ivers (Barbara Stanwyck) married and that Walter did get the fancy education, making him district attorney. Sam heads off looking around the changed town and meets a young, troubled, blonde, Toni Marachek

Hmm…

For me this is where the story seriously tanks.

Ugh.

Sam falls in love with Toni after just meeting her. It is really weird as he is this tough guy who takes whatever he wants from people, you know, and then this girl gives him like 3% of her life story and he is hooked. I thought the whole interaction was dumb and not necessary. It was also extremely boring.

Eventually after a lot of blah, blah, blah

Blah, blah

It turns out Toni is an ex-con and that since she didn’t take her bus home like she was supposed to, she broke probation and was sent back to prison. Sam is so upset that he lost his “love”

YOU JUST MET HER AND KNOW NOTHING ABOUT HER!!!!!

So he goes to Walter to try and get him to spring her. Walter has become an alcoholic, his life devastated at the fact that he helped send an innocent person to prison. When Sam comes in asking for things, Walter assumes that Sam witnessed the death of Mrs. Ivers and is trying to blackmail them.

Meanwhile, Martha runs into Sam and she likes what she sees more than ever. She never got over Sam, and even though Walter loves her with every part of his being, she can’t stand him. She constantly tries to come on to Sam and rekindle their childhood interest.

Meanwhile, a jealous Walter tries to take care of Sam-using Toni to set him up and sending guys after him to rough him up a bit.

Ouch

Sam survives and comes to take revenge on Walter. The two fight, with Walter trying to shoot Sam, but Sam wrestling it out of his hands.

Martha runs off to a private rendezvous with Martha and as they are talking it is revealed that Sam never saw anything.

Martha Ivers: Why didn’t you stop me, Sam? You know how much I hated her! Why didn’t you stop me?

Sam Masterson: I wasn’t there.

Martha Ivers: Why didn’t you stop…[realizes] You, weren’t there?

Sam Masterson: No, I left as soon as I saw your aunt enter the room.

Now armed with such knowledge, Sam makes a double play. One-he starts demanding more from Walter while two-making Martha care for him again.

What jerks

It all comes to a head when Walter and Sam fight, Walter falling down stairs, drunk, and discovered by Martha. Martha tries to convince Sam to kill her husband so they can be together.

Help me! I’m confused!

Sam refuses, and then Martha tries to get Walter to kill Sam. Sam doesn’t like where everything is going.

Eventually Sam leaves, and Walter and Martha are left together in their twisted web of deceit and division. Martha tries to say something to Walter, but he shoots her.

Wow

Afterwards he turns the gun on himself.

Sam and Toni take off into his car free forever.

I thought this was horrible. I was looking for mystery, plotting, intrigue, evil woman creating downfall everywhere she went, etc. Instead we got insta-romance and boring melodrama. I would just pass this film on by, not worth your time at all. And let me say, I cannot fathom how every girl was going ga-ga over Van Heflin. He’s not that attractive or particularly charming.

And yeah, again no banner for this film. I don’t know why I picked so many bannerless films this year. Oh, well.

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

For the previous post, go to I Don’t Kill People Anymore: Psycho II (1983)

For more film-noir, go to It’s A Hard World: Backfire (1950)

For more Kirk Douglas, go to Make My Day

For more with Judith Anderson, go to Murder is My Favorite Crime: Laura (1944)

Run! Don’t Walk! From…The Horror!

It is October, and you know how much I love October:

And you know what happens every October:

Horrorfest VI

I know I’m running behind. I tried to get things ready but life just kept getting in the way.

Uhh

But never fear, I am going to catch up and get back on track.

Putting the pieces together.

So get ready for 31 days of horror, mystery, film noir, thrills, chills, creeps, shivers, & more!

To start Horrorfest from the beginning, go to I Don’t Belong in the World: Carnival of Souls (1962)

To start Horrorfest II from the beginning, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart: The Wolf Man (1941)

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)