Viva Las Vegas

So I know you’ve probably been wondering, what’s going on? Where have I been? Have I just crashed from my Valentine’s Day postings?

Well not exactly. I’m sure you have seen on the news how crazy the weather in California has been. We actually had to evacuate the area for fear of flooding.

Headed up more north, where I connected to the internet and was able to finish the Valentine’s Day countdown. Then we returned home, as no water had overflowed, repacked and planned to head down to Southern California to wait out the evacuation.

I’m outta here

But they were going to get the worse storm in 20 years. We decided to skip it, which was good as everyone I knew house’s got flooded.

Not good

So we were trying to decide where to head next, when Las Vegas was just randomly chosen. There we headed out in a trailer, with my cat (as I wasn’t leaving her) for Sin City.

I’d never leave you.

Now I’ve never really had a desire to go to Vegas. I like gambling, but just for fun. Anytime money is involved I lose; if we play for fun, chores, candy-I’m golden.

If money-

But that is where everyone wants to go, so we went. Well it took a day to get there as California is huge.

What?!

We got there around five, but were too tired we just stayed there in the trailer resting.

The next day it poured! Like crazy pouring, like monsoon weather. It was so crazy and we were so tired of the water that we decided to just stay in again.

The next day was sunny, but cool which was nice, and we decided to head out. But you know me, I’m not normal.

Now what I wanted to see more than anything was the mob museum.

It was AMAZING! Tri-level, with information from the early years to present time. It was chock full of information on the 1920s to the 60s. The later years focused more on the police and FBI. It was extremely interactive with video in a replica of the Las Vegas courthouse, depicting the hearings and using actual furnture from the time period.

They had practice with weapons, a fake tommy gun that you could pretend shoot:

and the wall from the St. Valentine’s Massacre that was brough over and reassembled brick by brick. You could see the bullet holes.

There is so much more, I barely even skimmed the surface in this review of all the amazing things this building has to offer. If you are ever there you should check it out as it was AMAZING!

After that we drove down the strip looking at all the lighted signs and buildings.

Wow!

The next day we hit the casinos, but not to play.

Yep, I wanted to look at all the architecture.

Hey, I told you I was different.

I loved looking at them, and spent hours walking and checking them all out. Unfortunately, I didn’t get to see everything, but I tried my best. My favorite was probably Caesar’s Palace. I loved the extensive details in recreating the roman architecture. It was beautiful. As a former Art History student, I was enthralled.

They even have a life-size replica of Michelangelo’s David, made from the same marble as the original.

Michaelangelo purposely made this disproportionate as it was supposed to me placed high above on a roof in Florence, so that all could see it.

The sculpture is designed to show David’s warrior soul, not actual physical age, that is why is so muscular and strong. It was also designed to be right before he throws the slingshot, his face in fierce contemplation. It is amazing the way Michelangelo is able to create life out of stone.

The Flamingo is the oldest casino on the strip. It was created by the mobster Bugsy Siegal and his friends and the reason for his death. It was taking too long to build, using too much money, and many believed Bugsy was skimming off the top. Never try to cheat the mob, they will always take you out.

The Paris Casino was also amazing as it tried hard to replicate the city-from the Arc de Triomphe, to the “cobblestone” floors, to the Rococo style artwork and Salon furniture.

Wow

And it was cool looking at the Bellagio first hand instead of just a movie, like Ocean’s Eleven.

But there was one big disappointment for me.

So you all know how much I love Elvis, I am a super fan.

So I was looking for an Elvis themed souvenir in all the souvenir shops on the strip. But I couldn’t find anything!

I know, right?! I searched every where and was getting desperate…at this point I would have bought anything.

But there was nothing, nada, zip!

I know, crazy! No Elvis in Vegas! No nothing! Not even an impersonator! Not a copy of the film Viva Las Vegas!

Oh well, I could probably find something cheaper online.

But hey, just because I missed out doesn’t mean you should. So Elvis, take us out:

For more on Vegas, go to A Fantabulous Post

For more on the St. Valentine’s Day Massacre, go to You’re Sad So I’m Making This Day Extra Special: The Bikini in the Soup, Bones (2011)

For more on Michelangelo, go to The Death of Christ

For more Elvis, go to Someone is Killing By Copying Old Murders!: Real Murders

Take and Eat, This is My Body

So this year I decided to use a different image for The Last Supper. This image is from the “North” as we Art Historians like to call it. During the Renaissance we have the South and the North. In the South we have Florence, and a move to more realistic images. In essence copying Giotto’s “window onto a world.”

However, in the North, we have England, Brussels, Holland, etc; i.e. Northern Europe. The North focused on other points of interest. They didn’t care about making things realistic or true to life, they instead would often have their figures dressed in modern clothes (using a lot of drapery), focused on patterns, and used lots of symbolism.

This painting is The Last Supper by Dieric Bouts the Elder. In this painting we have Jesus and all his disciples around the table, Judas more off to the side and easily spotted. While some disciples have their own little vignettes, most are wearing the same expression and not as involved in the scene, the focus being more on beauty and perfection rather than realism.

One factor of realism that they do follow is perspective, which you can clearly see from the ceiling and the floor. Just follow the lines of the beams.

Also in the background through a hatch, we have the servants waiting to serve the party. Many believe that one is supposed to be Dieric, painting himself into the scene.

This painting is often seen as the first Flemish painting of The Last Supper, and focuses on Jesus’ role of priest in preforming the Eucharist, rather than the betrayal by Judas.

“On the first day of the Festival of Unleavened Bread, when it was customary to sacrifice the Passover lamb, Jesus’ disciples asked him, ‘Where do you want us to go and make preparations for you to eat the Passover?’ So he sent two of his disciples, telling them, ‘Go into the city, and a man carrying a jar of water will meet you. Follow him. Say to the owner of the house he enters, ‘The Teacher asks: Where is my guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.’ The disciples left, went into the city and found things just as Jesus had told them. So they prepared the Passover. When evening came, Jesus arrived with the Twelve.”–Mark 14: 12-17

“Jesus was troubled in spirit and testified, ‘Very truly I tell you, one of you is going to betray me.’ His disciples stared at one another, at a loss to know which of them he meant. One of them, the disciple whom Jesus loved, was reclining next to him. Simon Peter motioned to this disciple and said, ‘Ask him which one he means.’ Leaning back against Jesus, he asked him, ‘Lord, who is it?’ Jesus answered, ‘It is the one to whom I will give this piece of bread when I have dipped it in the dish.’ Then, dipping the piece of bread, he gave it to Judas, the son of Simon Iscariot. As soon as Judas took the bread, Satan entered into him. So Jesus told him, ‘What you are about to do, do quickly.’ But no one at the meal understood why Jesus said this to him.  Since Judas had charge of the money, some thought Jesus was telling him to buy what was needed for the festival, or to give something to the poor.  As soon as Judas had taken the bread, he went out.”–John 13: 21-30

“While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, ‘Take and eat; this is my body.’ Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins. I tell you, I will not drink from this fruit of the vine from now on until that day when I drink it new with you in my Father’s kingdom.”–Matt 26: 26-29

“Do this in remembrance of me.”–Luke 22:19

For the previous painting, go to The Triumphal Entry

For more on The Last Supper, go to Do This in Remembrance of Me