And another thing Mr. Chick Young! The next time I tell you that I saw something when I saw it, you believe me that I saw it!
I had never seen this movie before and decided to rent it after looking over my Wolf Man (1941) review. I thought it was hilarious!
I highly recommend it to anyone.
So this film was done during a time of a series of monster films, along with Abbott and Costello films. I’m not sure who came up with the “meeting” idea, but it was a fantastic one.
It’s funny, the other day I was watching the Nostalgia Critic‘s review of Freddy Vs. Jason, and he cited that that film created the Versus series we see today. I would have to disagree with him and say this is probably the first “versus” film, with Dracula versus the Wolf Man. It was a great comedy, horror film, parody, a multi-genre crossover.
AMAZING!
I’m actually not going to do a big review as it is really something you have to watch. The script is hilarious:
Chick Young: People pay McDougal cash to come in here and get scared.
Wilbur Grey: I’m cheatin’ him. I’m gettin’ scared for nothin’.
The sight gags are perfect:
And you have both Bela Lugosi reprising his role as Dracula and Lon Chaney Jr. reprising the Wolf Man.
The only thing I don’t like is the title. I mean they meet Frankenstein’s monster but he is hardly even in the film. It really should be Abbott and Costello Meet Dracula or Abbott and Costello Meet the Wolf Man as both of those characters play a much larger role.
So the film starts off with Wilbur Gray (Lou Costello) and Chick Young (Bud Abbott) working as package delivery men. Wilbur is currently dating a beautiful woman, Sondra and has plans the next night to go to a masquerade ball.
Too bad they didn’t put the Phantom in here too.
Later that day he gets a call from Lawrence Talbot (Lon Chaney Jr.), AKA the Wolf Man, warning him not to deliver packages to Dr McDougol’s House of Horrors. But the full moon comes out, turning him into a werewolf and Wilbur doesn’t get the full message.
That night Wilbur and Chick are delivering the packages, and it turns out to be Dracula (Bela Lugosi)
and Frankenstein’s monster (Glenn Strange).
They are freed; both taking off as Dracula wants to give the monster a new brain, a dumber one, to control it better. He has enlisted the help of Dr. Sondra Mornay, the same Sondra who is dating Wilbur. Yes, it turns out she is only with him as his brain is the one she wants to use in the operation.
Meanwhile, Wilbur and Chick have been put in jail as McDougal holds them responsible for the missing exhibits, believing they stole them. They are bailed out by Joan Raymond, private investigator, who doesn’t believe they are responsible. She has also fallen in love with Wilbur.
So now Wilbur has two beautiful girls after him, Frankenstein’s monster, Dracula trying to get his brain, and the Wolf Man trying to get his help/also attack them when Lawrence turns into the beast.
Not good
It is hilarious fun and there is a great scene at the ends when Dracula and the Wolf Man duke it out.
And don’t forget to keep your ears peeled for a Vincent Price cameo!
And though you fight to stay alive, your body starts to shiver. For no mere mortal can resist the evil of the thriller.
So I know you are probably thinking, a music video? That’s not a horror film.
This music video is almost 14 mins and a recommended length for a short film, by the New York Film Academy, is 10-15 mins. That makes this “music video” a short film, and perfect for our countdown.
It was directed by John Landis, most known for his film An American Werewolf in London, and he made the film because he wanted to bring back the theatrical short, you know the short film before the movie. Like Pixar and Disney used to do.
“I saw it as a chance to resurrect a genre that had once been a Hollywood staple. Music videos were new in 1983, and MTV was just two years old.”
They even tried to get an Academy Award nomination for Best Short Live Action, but the Academy didn’t have the same love for it as the rest of the world did. However in 2009 it was selected for the National Film Registry by the Library of Congress, being the first music video in history to receive that honor.
It takes place in the 1950s and starts off with Michael and his date (Ola Ray) are driving and the car runs out of gas. They get out to walk through the creepy forest:
Stay out of the forest!
Michael wears a red letterman that looks a lot like a certain jacket from a certain horror film:
He asks his date to be his girlfriend, and she agrees him giving her a ring to symbolize it.
How sweet.
But then he warns her:
Michael: There’s something I’ve got to tell you.
Michael’s Girl: Yes, Michael?
Michael: I’m not like other guys.
Michael’s Girl: Of course you’re not. That’s why I love you.
Michael: No, I mean I’m different.
Michael’s Girl: What are you talking about?
Nothing good is going to come of this.
And then the moon comes out:
And he changes into a Werecat!
And the makeup is pretty creepy. You can thank Rick Baker for that. Even though CGI is probably cheaper, I love seeing what people were able to make with such limited supplies and technology. It is unbelievable.
Back to the video. So Michael the werecat os chasing his date through the forest. Run girl, run!
Just as the werecat is about to grab her, we cut to a movie theater. Yes this is a film that Michael and his girlfriend are watching.
Michael loves the film but his date (Ola Ray) is not into horror films. Such a pity.
She walks out and Michael, being a good date, follows. As they are outside the music starts up and we get those perfect lyrics that are impossible to hate.
It’s close to midnight and something evil’s lurking
In the dark
Under the moonlight you see a sight that almost stops
Your heart
You try to scream, but terror takes the sound before
You make it
You start to freeze as horror looks you right between
The eyes
You’re paralyzed
Now at first this is Michael just joking around with his girlfriend, teasing her. But it will soon change.
You hear the door slam and realize there’s nowhere left to run
You feel the cold hand and wonder if you’ll ever see the sun
You close your eyes and hope that this is just imagination
But all the while you hear the creature creepin’up behind
You’re out of time
I like how in his dance Michael Jackson throws in a Frankenstein monster move and hints at famous “thrillers”.
Night creatures call
And the dead start to walk in their masquerade
There’s no escapin’ the jaws of the alien this time (they’re open wide)
This is the end of your life
They’re out to get you, there’s demons closing in on every side
They will possess you unless you change the number on your dial
Now is the time for you and I to cuddle close together
All thru the night I’ll save you from the terrors on the screen,
I’ll make you see
Now in this scene it is very apparent that they are taking there time walking home in not the best conditions. There are no streetlights and a ton of fog. You know what’s coming, something bad.
I’m getting shivers
And then we have the best thing in the world. Just as Michael and his girlfriend go by the cemetery, we hear Vincent Price’s voice. Bringing us:
And then things begin to rise in the graveyard.
Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize y’awl’s neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse’s shell
It’s funny to think that this music video never would have had such an amazing voice in it, I mean aside from Michael Jackson, if it wasn’t for writer Rod Temperton’s wife, Peggy Lipton. Temperton had wanted talking at one part and needed a classic horror actor to give the music the edge he desired. Lipton was a good friend of Price, asked him and he agreed.
So the rest of the dead are waking up; out of every grave, tomb, and casket.
The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller
Can you dig it?!
And of course, they head after Michael.
They are surrounded! Oh no! Michael’s girlfriend looks to Michael for help, but it is too late:
AAAAAAAAHHH!!!!!!!!!!!!!!!
And then we have one of the most engaging dances ever to be created/performed.
They actually had to think long and hard how to create the scene where they dance that wasn’t childish or silly, but kept to the mood of the previous scenes; and I have to say they accomplished it. In fact, before Landis agreed to direct, he made it mandatory that all extras spend two weeks in rehearsals with the choreographer; something that had never been done before. This dance has been such a big part of our culture from Thrill Around the World to being referenced in numerous films and TV shows.
‘Cause this is thriller, thriller night
And no one’s gonna save you from the beast about to strike
You know it’s thriller, thriller night
You’re fighting for your life inside a killer, thriller tonight
That it’s a thriller, thriller night
‘Cause I can thrill you more than any ghost would dare to try
Girl, this is thriller, thriller night
So let me hold you tight and share a killer, diller, chiller
Thriller here tonight
Michael’s date is horrified and runs into a creepy old house, with the zombies surrounding her on every side. Very Night of the Living Dead.
Too bad she doesn’t have a Ben to save her as they start destroying the house to get her.
Michael grabs her and bam. It turns out they are just in a home, Michael isn’t a zombie….Or is he? We close on Vincent Price’s amazing laugh with frozen still of Michael’s yellow werecat eyes.
That was Michael Jackson’s Thriller and it is amazing. From the song, to Jackson, to Price, to Ray, to the dancing, the makeup- I could go on and on but it is just perfect. I mean it gives you everything you want
Plus a fun dance to do. Check it out for yourself!
“You are no longer Hank Tracey, you are Igor…I am Maria Frankenstein. What I think you will think…You are fully under my control…I created you…”
So I came across this movie at the library while I was searching for Fahrenheit 451. It was a double feature called Frankenstein Fest, and had The Monster Maker and Jesse James Meets Frankenstein’s Daughter.
Both intrigued me, especially Jesse James Meets Frankenstein’s Daughter. I mean I love Frankenstein!
I love Westerns!
And I love B horror films, they are so hilarious.
So I thought I would try it out.
This film was originally made to be a double feature paired with Billy the Kid vs. Dracula.
A big storm is occurring for this sleepy little town in the West and everyone has left except one family. Manuel and Nina are ready to leave the city, due to the cursed house on the hill, but Juanita, their daughter, is adamant that they wait for her brother Francisco.
They continue to talk about the cursed house and about the “sickness” that kids have been catching and died from. Juanita is furious with them. Because of them the kids have died.
So who are the them they are talking about? The Frankensteins. And no these are not Frankenstein’s children but grandchildren.
What are you talking about?
I know, I didn’t get that either. Why call it Frankenstein’s Daughter if it is her granddaughter?
So it is Frankenstein’s grandson, Rudolph, and granddaughter Maria. The two were forced to leave Vienna as their experiments were too out there.
Rudolph wants to stop the experiments, but Maria is forceful and desires to complete her grandpa’s work…even though her grandfather wanted to stop as it was not the best idea. Hmmm…..sound familiar?
Maria is so excited to be living in the West as there are so many lightening storms that help with the experiment.
So this is one of the reasons why the film was so bad! Maria is “recreating” her grandfather’s work, but not really. Instead of trying to create life, bringing the dead of many back, in this she is trying to put the brain her grandfather created or used into another person.
She has been experimenting on children in the village, but none have worked. The latest, Francisco, seemed promising, but turned out to be another disappointment. Another experiment failed and another body to bury.
Maria doesn’t care that she has killed three children already, all she wants is the power to control others!
So Maria’s a psychopath.
Victor Moritz: You’re crazy! Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.
She kills children for fun and doesn’t feel bad about it at all.
So Maria goes on about how she needs the “right” man, but who could it be?
So we switch to a town where two muscly men are fighting in the street. Hank Tracy is one of them and the winner of the bout. At first the saloon owner doesn’t want to give them anything, but after Hank’s best friend Jesse James throws his name around, people back down.
So this film takes place after Ford assassinated Jesse James. There were plenty of rumors that James survived, and this film goes off of that.
Anyways, Jesse meets up with Butch Corey and his brother Eli of the Wild Bunch. Eli starts trying to assert his leadership, and Jesse James shows him with his gun that that is a bad idea.
So they make a plan to rob something but I don’t know the details. They talk so quiet and in monotone.
Eli acts as a double-cross to get Jesse James as he doesn’t like James trying to make a fool out of him. He gets the Sheriff to have a posse hiding to catch James.
This film is sooooooooo bad and booooooooooring. It is The Beast of Yucca Flats bad.
really?
I thought this had Frankenstein in it. I want to see some MONSTER MAKING!!!!
Except in this case monster!
A wagon comes along and the team tries to steal the money, but the sheriff is there and stops them. Eli tries to shoot Jesse, but hits Hank instead and Jesse and him take off.
Marshall heads off to capture Jesse James, with Eli coming along for revenge. He’s the only one of the Wild Bunch left.
So Jesse’s man was shot in the shoulder not the side, but holds on to his side. Was he really so bad at acting, that he forgot to react for a long time when “shot.”
Jesse and his friend come upon the Mexican family from earlier. They are camped out eating.
We see Hank and now the wound has traveled from his side to his heart and just barely began bleeding. That is bad, really bad.
really?
Juanita tries to help Jesse in doctoring his friend but knows she can’t do much. So she decides to do the one thing she would never want to do, take him to see the Frankensteins.
Juanita’s parents forbid her as they don’t want to ever return to that area so Juanita sneaks off that night with James and they take Hank.
The next morning the Sheriff comes across Juanita’s parents and questions them about James and his partner. They say they haven’t seen them. Eli doesn’t believe them, but the marshall tells him to quit and the two continue on their way.
Juanita’s parents are furious about her going off, but her father is adamant that he will never go back.
Juanita is caring for Hank while James is doing something, she goes to get Hank more water when she is taken by a Native American. James notices her missing and tries to find her. He gets attacked by the same guy, having to kill him to get free. Juanita is so thankful, but their relief short lived as more of the tribe are on the way.
AAAAAAAAHHH!!!!!!!!!!!!!!!
They manage to hid out, and Juanita is in love with Jesse, thanking him for saving her life with a kiss.
Jesse knocks on the door asking Dr. Rudolph for help. He gets his sister who is pleased with the size of Hank!
He’s perfect!
Maria is even more thrilled when she realizes that it is Jesse James, as no one will ever find these men as they are running from the law.
Meanwhile the Marshall and Eli are still looking for the two. They stop in the town and knock on a door, Juanita’s old house. Juanita says there are no men here, and the Marshall does’t listen, choosing to stop and take a look around the area.
Maria goes to see James and asks him in to her library, the house being very Austrian. Maria gives James a bit of a backstory about how they had to leave Europe but they are interrupted when the Sheriff and Eli stop by and question Maria, who tells them she has seen no one. The two just leave after that with no investigating. Why did they investigate Juanita’s house? eh? Rude of them.
Juanita and Hank are talking, Hank wanting her to come along with them when he is better. Juanita heads out to speak to Jesse in the moonlight!
you know what that means
Jesse, however, doesn’t want Juanita to come along as he is Jesse James, outlaw. Life would not be pleasant. The two kiss, in love. How cute. Except for one thing….
Truth be told I don’t
Where is the monster making? eh?
Jesse is angry as Juanita wants him to admit that he loves her, but she won’t agree to go with them. However she wants him and his friend Hank to leave before the Frankenstein’s do something to them.
Maria sees them outside in the graveyard, kinda creepy place to have a smooch now that I think of it.
Weird…
She approaches Jesse, who wonders why everyone left as it seems strange. Maria laughs it off, as ignorant people afraid of advancements. Jesse then asks how soon they will be able to leave…
Never you can never leave!
Maria doesn’t want them to leave. In fact she tries to use her womanly wiles to keep him, as she needs him.
Maria is furious that Jesse would choose Juanita over her. She must have him or no one can!
Jesse tells Juanita how Maria gave him a note for medicine and that he has to ride into town for Hank. Juanita warms him that Maria is just trying to get him out of the way but he doesn’t want to take the risk that Juanita is wrong and have Hank killed.
Rudolph doesn’t want to operate. as Jesse James will kill them when he finds out. Maria doesn’t care, besides Jesse will be caught and hanged the minute he steps into a town.
The storm rages on as Maria begins preparing the artificial braun she is planning to put in Hank’s head. Juanita sneaks over to see what they are doing and watches as they preform the experiment.
Dr. Maria Frankenstein: You are no longer Hank Tracey, you are Igor…I am Maria Frankenstein. What I think you will think…You are fully under my control…I created you…
So this is nothing like Frankenstein. All this is is open brain surgery.
Maria tries to help him, and realizes that her brother has been sabotaging all the experiments by killing them with poison. She and her brother struggle and he is starting to strangle his sister. She calls out to Igor and then he helps save her.
Dr. Maria Frankenstein: Its alive! It’s alive! Get him Igor!”
Igor attacks her brother and kills him.
Juanita has seen all that has happened and flees in the night. Meanwhile Maria sends Igor after Juanita. When they check her room, she is gone.
Maria is furious, but ecstatic that she still has Igor.
Meanwhile, Jesse has arrived in the town, and there are posters about him being wanted with a huge price on his head.
He gets there super early in the morning waking the doctor up. He gives him the note but doesn’t know that it signs his death warrant instead of getting help for his friend.
I just think, man didn’t he look at the note? I mean how weird? Why wouldn’t he?And why would the guy think that it was real? i mean why would someone deliver their own death note?
The Sheriff is out of town, but Eli has stayed behind and wants to kill Jesse. He tells the doctor not to worry, but pretend everything is fine, and he will take care of him.
Eli tries to sneak in to kill Jesse, but Jesse spots him and shoots him. The doctor begs for mercy and reveals the note was a ploy.
Jesse, angry, then takes off for the Frankensteins. Juanita is riding out to find him and the two run right into each other.. Juanita tries to keep him from going back. She warns him that Hank is no longer himself and it is horrible, if he goes back he will have the same fate.
Juanita goes to the Sheriff and tries to get him to come with her. Surprisingly he believes her and doesn’t think she is looney or something. I would have.
Jesse bangs on the door, while Maria hides Igor. She lets Jesse in and tries to blame the attempted murder on her brother. Maria just can’t resist Jesse.
She calls Igor who comes and knocks Jesse out.
Hank/Igor watches Maria tie Jesse to the bed and a funny look comes over his face. Is he breaking through her control? Does he remember Jesse and his past life?
Maria sends Igor to his room while Maria decides what to do with Jesse. She is angry with Jesse for refusing her and has decided that Jesse will be the perfect guinea pig for her next experiment.
She shoots James up with something, while the Sheriff arrives at the door. Maria is starting to breakdown as things are going against her plans, it seems as everything is unraveling. The Sheriff goes to investigate, and Maria calls for Igor.
Igor comes and attacks the Sheriff, knocking him out. All that is left is Juanita. She tries to wake up Jesse, but Maria locks them in and calls for Igor to take Juanita and kill her.
Igor/Hank looks at the two women and instead of taking Juanita, kills Maria. Jesse tries to talk to Hank/Igor but all he says is kill.., kill, kill
Jesse doesn’t want to hurt his best friend Hank and doesn’t do anything as he attacks, instead Juanita steps up to the plate and shoots Hank.
Wow. I did not see that coming. That is the second film to be resolved by an unlikely source. I mean having the women save people has never been super popular in horror films, although a but more common in Westerns.
They bury Hank and Juanita is happy that the evil is over. Juanita says she will wait for Jesse there in the town but he says he is an outlaw. He can’t stay. Instead he goes off with the sheriff to be hanged.
So usually B films can have something enjoyable about them, but this was horrible. Just horrible. Barely any monster making, mostly a love triangle and we all know how I feel about that:
So during Horrorfest, there comes a time when my non-blogging life gets full and I just don’t have time to write a full film or TV episode review. There’s just not enough hours in the day. If only I had a time machine.
The first year I did a post where I dressed up the actors who played Austen Heroes in costumes.
Now I know what you are thinking? So early in Horrorfest? Well, yes. You see I was going to review all the films in a series on the last four Thursdays in October, but I changed my mind. So while I’m tweaking Horrorfest IV, I leave you with this awesome, non-film/TV episode review post.
So I was in Barnes and Nobles, looking in their non-book film, board games, toys, etc. section when I spotted this:
I was sooooo excited! CLASSIC HORROR FILM ACTION FIGURES!!!!!!!!!!!!
I was so stoked that I spent like an hour combing through and looking at every doll they had, trying to make a complete set.
So we have the monster from Frankenstein,
And how could he be complete without his bride?
I kept searching for the Phantom or the Wolf Man but couldn’t seem to find them.
Noooooooooo!!!!!!!
It seemed like a majority of their horror figures were Frankenstein’s monster and his bride. But then I finally found this:
And the King of the Horror flicks himself,
But still no Phantom or Wolf Man.
I was ready to call it quits. I mean I had been searching for them in a cloud of Frankenstein related monsters. A crowd was watching me thinking I was crazy as I exclaimed in delight over my action figures. I guess it wasn’t meant to be.
Noo!
But then I spotted him:
No Wolf Man though. But how awesome are these?
I know super awesome! I just love them.
So I know, different from our usual posting, tomorrow we will be back on schedule. I promise. And just because it totally goes and I absolutely love this song, I’m going to end on this:
I know I say I don’t like sequels as much as the original, but there are always a few that I think are better.
So this movie almost wasn’t created as director James Whale originally did not want to do a sequel to Frankenstein. Universal considered producing a sequel without Whale’s involvement, but after 4 years of constant badgering, Whale agreed to do the film. And I’m so happy he did, or else we would be without this wonderful masterpiece.
To be honest, this isn’t a true “sequel.” It actually is the second half of the the book Frankenstein, instead of an individual and separate story.
The reason I like this better than the first one is that Frankenstein is creepier, as he is demanding and using his strength and stature to frighten others.
You also have a creepier Henry, as he is fighting with himself on whether or not to create more monsters. We see that he doesn’t wish to populate the world with these creatures-but at the same time he is lured by the thrill of creating more, and showing off his genius.
Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.
But I’m getting ahead of myself.
So the film starts off a little different from the other one. Here we have Elsa Lanchester portraying Mary Shelley and telling the next chapter of the story at a party.
Let me tell you a story
The next chapter picks up exactly where the other film ended.
Grab your torches and sharpen your pitchforks!
The villagers had driven the monster to the windmill and believed they killed him. They take Henry back home where he is nursed to health by his fiancé Elizabeth.
However, we see that the creature has not been killed. He escaped the fire by getting into the water under the mill. He kills some people as he escapes into the wilderness.
Meanwhile, Henry’s old mentor, Doctor Septimus Pretorius, comes to visit him. He brings along his creations to show Henry. Dr. Pretorius had created miniature people: a miniature queen, king, archbishop, devil, ballerina and mermaid. While Henry had vowed to never create another monster again, seeing these creatures spikes his interest.
Meanwhile, the monster has run off into the woods and has tried to find a place to belong. He attempts to befriend a shepherdess and a group of gypsies, but both reject him.
He finally runs into a hermit and has a tender scene with the two becoming “fast friends”.
I love this scene and sometimes say things like “Friend good, such and such bad”, etc in my daily life! 😀 It’s a pretty touching scene. After all:
But even this does not last forever as searchers looking for the monster, come upon the two and chase the creature away. He eventually comes upon Dr. Pretorius who promises him “friendship” and that he will create a mate for him.
“The Monster: You, make man… like me? Dr. Pretorius: No. Woman… friend for you The Monster: Woman… Friend… Wife…”
Dr. Pretorius approaches the newly married Frankensteins and tries to get Henry to help him create a mate for the monster. Henry, having once again realized the horror of his past creation, in no way will ever create another creature. That’s all fine and good, but Dr. Pretorius doesn’t agree. He wants a mate and is determined to force Henry to create one. He gets the creature to kidnap Elizabeth, her being the exact leverage to force Henry to create another monster.
The Monster: I *love* dead… hate living.
Henry seeing that he has no alternative, prepares to create a women from the dead. We see as Henry struggles with his morals, creating a better tension than in the first film. As I stated earlier, he doesn’t want to create another creature as he knows the horrors the other committed along with the fact that the two might mate and reproduce, populating the world with living dead.
But Henry is excited at the same time. Once again he can use his theories and science to create. He will be able to say he “created” life, not once but twice! This is hard for him to turn away from.
Of course nothing goes perfectly according to plan. Henry creates the woman, but can he control it?
Elsa Lanchaster is amazing! I love the way she turns about, almost birdlike. She actually based her performance on swans; saying that, “they’re really very nasty creatures”. She was only 5’4″ but for the role they placed her on stilts so she was 7′ tall. The bandages were placed so tightly on her that she was unable to move and had to be carried about the studio, much like Olivia Newton-John in Grease. Her hair and outfit are amazing, and now such a classic figure in horror film history, just like her predecessor the Monster. Her amazing ‘do was held in place by a wired horsehair cage.
They introduce her to her “mate”, but when has any woman liked it when people pick out their mates?
The monster is furious at this rejection and destroys the lab killing all who are in it. The only people who escape are Elizabeth and Henry. Frankenstein realized what they had and allowed them to leave unharmed.
“The Monster: [Speaking to Frankenstein and Elizabeth] Go you live… [turning to Dr.Pretorius] You stay we belong dead.”
It’s a great movie. I highly recommend it to anyone into the classic horror films.
That’s todays fearsome post! More to come! Only 7 days left ’till Halloween! Who’s excited?
Here’s poster I made for my cover page on facebook in honor of Halloween. Hope ya love it.
![Erik: [at the Bal Masque as "The Red Death"] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!](https://janeaustenrunsmylife.files.wordpress.com/2012/10/unknown-15.jpeg?w=474)
