Mysterious Things Have Happened. A Murder in the Village…They Probably Think You, Like Your Father, Have Created Another Monster…: Son of Frankenstein (1939)

Wolf, the way you’re carrying on, if I were a policeman, I’d be suspicious myself. You would? Yes, I would! Mysterious things have happened. A murder in the village, our own dear Benson disappears for no reason. They probably think you, like your father, have created another monster…

When I was making up my list of films to review I had originally planned to do The Hound of Baskervilles, but then I thought I needed more traditional horror films in the 2022 lineup. As I was looking at all the different drafts I have started I decided on reviewing The Son of Frankenstein. Since I had a review earlier this month on Frankenstein (1994), I thought I would balance it out with a hopefully better Frankenstein film. I mean it has Boris Karloff so the bar is high.

Frankenstein’s son, Wolf Frankenstein (Basil Rathbone), is coming to the ancestral village to claim his inheritance and all the townspeople are in a tizzy afraid that he might be just like his father.

Wolf is married to an American, Elsa (Josephine Hutchins), and they are both happy to be out of the college and to start a new life. As they talk about the home Frankenstein and never been to they imagine a gothic castle and it’s super cute how the two of them talk about it. It makes me think of Catherine Morland and Henry Tilney when they travel to Northanger Abbey.

Frankenstein is angry abut the legacy of his father and how he is remembered for making a murderous monster instead of his accomplishments bringing the dead to life. He blames the assistant Igor (Bela Lugosi).

When Frankenstein arrives at the village he is met by the burgemeister, the villagers, and the village council who are not happy at that he is there. They do not give him a cheery welcoming, but deposit his papers and items and leave.

From Scream

They get to the house and Elsa Frankenstein does not seem at all pleased at the gloomy demeanor and the way they were greeted. She has second thoughts about being there and wants them to take their son and go “home”.

It is a good thing that the Frankensteins brought some of their servants as none of the local people will serve them or interact with them.

The family makes their way home and the castle is really interesting. It is more German Expressionism and something you would see out of The Cabinet of Dr. Caligari then an old castle.

Frankenstein never met his father and has always felt something missing. He has tried his best to connect with him, becoming a scientists as well. He hopes he is someone his father would be proud of and like him. He goes to visit the library and unlocks a box of papers given to him by the council and in it finds a letter written to him with information about how his father brought rhe creature to life.

Basil Rathbone was a really good choice to play Frankenstein in this as he’s a very likable character, he almost has got wanting him to try his father’s experiments…almost.

That evening the inspector comes calling and warns Frankenstein against trying to do what his father did and to return to England before he is infected with the “poison of discovery”. Frankenstein doesn’t take him seriously at all and asks if the inspector has even seen anything of the creature as he feels the stories were exaggerated. The inspector has seen the monster, as it turns out when he was a boy the creature tore one of his arms off. He says the monster stories are not exaggerated.

Also leading to the high tension in the area are six murders since the monster was “destroyed”; all were killed by hearts rupturing, a bruise at the base of their brains were discovered, and all were prominent men…very suspicious. The inspector cautions Frankenstein again and tells him that he will be there for the Frankensteins fmaily when they will, will not if, need him and leaves.

Like his father, Frankenstein is a doctor and he loves lightning. The longer he stays in his ancestral home, the more he desires to follow in his father’s footsteps as he his in awe of what his father was able to accomplish.

Frankenstein decides to check out his father’s old lab, which is a mess and in pieces as it was destroyed in Bride of Frankenstein

While out there Frankenstein runs into Igor (Bella Lugosi). Originally Lugosi only had a small part in the film, but the scriptwriter felt bad about the way he was treated and extended the character for him. The script changed from day to day so no one knew what was to come, so making the part bigger was an easy feat. Igor was hung for the assisting the senior Frankenstein, and when they tried to kill him he didn’t die but it broke his neck and left it broken. It appears that the senior Frankenstein did some experimenting to give him that ability.

Igor takes Frankenstein to the family crypt where he sees the coffins for his father and grandfather; along with the monster who is not dead but still alive!

I miss Fritz as Igor is super creepy. Igor sees the creature as “his friend” who he “does things” for him. Hmm I wonder Igor and the monster are behind all the murders the inspector was talking about. Right now the creature has been wounded and is in a coma-like state as he was electrocuted. Igor insists that as senior Frankenstein made him too, the creature is Wolf Frankenstein’s brother and begs him to bring him back.

At first Frankenstein isn’t interested, but it doesn’t take long to convince him as he wants to be like his dad and protect hush legacy. He agrees and scurries away to the library to get tools and info.

Frankenstein tries to get Benson to help them but Igor tosses him out. Igor doesn’t want anyone else involved in bringing the monster back to life. Uh Frankenstein, do you notice that Igor is acting very, very odd? You definitely shouldn’t do anything he’s involved in.

I really enjoy this film as it definitely feels like a callback to the original movie.The way the scenes are cut, the music, etc.

The heads of the council try to get Igor to sly on Frankenstein and threaten hangin him if he doesn’t help them. Seriously guys? You tried to have him die by hanging and he survived. Why would he help any of you? Igor acts suspicious as he tells them he will not be hunted and killed, and also points out that out of the 8 that condemned him to death only a few remain. Hmmm….??? Why has no one put together the “killing ghost” is Igor getting revenge.

Meanwhile, Frankenstein is having a fight within himself. He wants to destroy the creature as he knows bringing him out of the coma is wrong, but as a scientists he just can’t stop himself. It makes me think of the scientists in The Thing From Another World.

The inspector comes over for the dinner he was invited to, but the only one there is Elsa Frankenstein as Frankenstein is too busy working on his project. It’s entirely normal to her as he has often done this when he is concentrating on a scientific problem, however, the inspector is very interested a he wants to make sure that Frankenstein isn’t working on trying to resurrect the creature.

Hmm…

Frankenstein finally comes to dinner and they are joined by Frankenstein Jr. Frankenstein Jr. starts about a giant being in the house. Elsa thinks it is just his imagination but the inspector and Frankenstein share looks. Could Frankenstein have woken up the creature?

Frankenstein questions Frankenstein jr and when he hears the description, he is in shock. He thought his resurrection experiments has failed, did it actually work? He goes running to the lab and when he gets there, there is no one to be found.

Frankenstein feels something on his shoulder and discovers the creature awake and lumbering about.

The creature doesn’t look so big in this one as Boris Karloff as Frankenstein was 6’6 and Basil is 6’2. They should when chosen a smaller actor for Frankenstein.

Igor is pleased but now that the creature isn’t a scientific question, Frankenstein is worried that people might find out what he did and not give him or his father the accolades he thought they would. Igor reassures him he won’t tell anyone and will protect their secret (totally leaving the butler out of the circle of trust). I 100% think he has killed or will kill the butler benson.

Frankenstein wants to examine and test the monster, but Igor won’t let him touch the creature and the creature only listens to Igor. I wonder why he listens to Igor. In the other films the creature wouldn’t even listen to Frankenstein, why does he trust Igor?

Igor controls the monster and use him to continue killing off the men who had sentenced him to death. I knew it, I knew he was behind the murders!

That night Frankenstein is surprised by the inspector who comes for dinner. Strangely the butler is missing (I told you! Igor probably killed him to!). Frankenstein tries to hide this from the inspector and says he sent him to the lab, but why is he acting so suspicious? Does he suspect the monster?

Frankenstein questions Igor about Benson and doesn’t get any answers. That evening Elsa questions Frankenstein and again Frankenstein is SUPER suspicious, Benson is totally dead. They have a heart to heart and Elsa admits that she hates living here and is terrified all the time.

So it appears that Igor is controlling the creature with music, his playing gets Frankenstein’s monster to do his bidding .

Meanwhile another man is murdered and the villager start storming the castle as they blame the family and want to destroy the Frankensteins. The inspector forces them to say inside the castle for their “own safety”.

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Grab your torches and sharpen your pitchforks!

Frankenstein makes it back to the lab and sees Frankenstein sleeping. He knows what the creature has done and tries to kill him, but is stopped by Igor who admits what I knew, Igor was using the creature to get revenge. The two yell at each other and wake up the creature who threatens Frankenstein.

Frankenstein fires Igor and goes home where he is questioned by the inspector. Frankenstein is really is cracking under the pressure and this scene is done very well as t looks insane, especially when he laughs. Just like dead old dad.

You’re crazy! Crazy, am I? We’ll see whether I’m crazy or not. From Frankenstein (1931)

The inspector arrests Frankenstein for the murder of Benson, there is noting to really hold him on as their is no proof but they think by arresting him they can appease the crowd. Dr Frankenstein tells them that Igor is the murderer, and the inspector informs him they suspect Igor but cannot arrest him as there is no proof.

There is no proof Frankenstein did anything and you are arresting him!

Frankenstein is let go and heads back to the lab where he finds Igor, fights him, and shoots him in self defense.

Meanwhile the inspector has been searching the house without permission and discovers a secret passage with Benson’s body in it.

Frankenstein comes home and runs into the inspector. The inspector tells him about Benson and Frankenstein reveals he killed Igor. The inspector believes that Frankenstein brought the monster back and demands he admit it and show him the monster, or else he will give him over to the villagers who will hang him and his family. Seriously, that seems like a gross miscarriage of justice. At least let him have a trial first.

Back in the lab the creature has discovered Igor’s dead body and is furious. He destroys the lab and I have to say, that while this film is alright it would have been much better if we had less Igor and more of the creature.

To get revenge, the creature decides to kidnap and kill Frankenstein’s child. He runs to the house through the secret passage and kills the nanny, kidnaps Frankenstein Jr. Frankenstein and the Inspector discover Frankenstein Jr. missing and take off after him. They save him just in time, knocking the creature deep into the sulfur pits. Once again the creature is dead…at least until the next film.

Frankenstein and family decide to leave, returning to England; giving the home, lab, and property to the community.

Like I said this film was okay, I mean Basil Rathbone was incredible in his role. However I feel it was lacking to the other films, as we hardly had any creature in it and that’s what I’m here for. As much as I love Bela Lugosi, I would much rather have more Creature/Boris Karloff.

For more Frankenstein, go to Did You Ever Consider the Consequences of Your Actions? You Made Me, and You Left Me to Die. Who Am I?: Frankenstein (1994)

For more Bela Lugosi, go to Time for You to Awaken, Master. Time for You to Go Out: The Return of the Vampire (1943)

For more Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket: The Mummy (1932)

For more Universal Film, go to The Book of the Dead? Are You Sure You Want to Be Playing Around With This Thing? It’s Just a Book. No Harm Ever Came From… Reading a Book.: The Mummy (1999)

Did You Ever Consider the Consequences of Your Actions? You Made Me, and You Left Me to Die. Who Am I?: Frankenstein (1994)

Did you ever consider the consequences of your actions? You made me, and you left me to die. Who am I?

So I really don’t like this movie. I know Kenneth Branagh did a better job following the text of Frankenstein but I really didn’t care for a lot of his decisions.

This also is the film that Kenneth Branagh cheated on his wife Emma Thompson on. He originally wanted her to play opposite of him, but she was already lead in Carrington (1995). So Helena Bonham Carter played the role instead (and more).

But that’s okay, Emma Thompson meet Greg Wise during the filming of Sense and Sensibility (1995) and they have been together ever since.

But enough about that, let’s get into the reasons I don’t like the actual film.

First Helena Bonham Carter plays Elizabeth Lavenza as if she isn’t really there, just a part of the scenery and her costume and wig choices are circumspect.

Then Robert De Niro as the Monster was another really odd choice. De Niro isn’t a bad actor but as the monster? And why does the monster have an American accent when this takes place in Switzerland? Originally they wanted Gérard Depardieu but the studio felt he wasn’t a strong enough box-office appeal. I think Depardieu would have been better.

I also hated the scene when the monster is “born”, it is really gross and I felt too disturbing. All the fluids…ew. I know he was trying to have it be a birth/come out of the womb but I was not enjoying it.

I was really bored throughout the whole film and I checked out halfway through. I only continued watching because I was doing so with family.

For me I really enjoy the 1930’s version even though it is not accurate, I find it much more entertaining.

For more Frankenstein, go to We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

For more Kenneth Branagh, go to This Is Fate We’re Talking About, and If Fate Works At All, It Works Because People Think That THIS TIME, It Isn’t Going to Happen!: Dead Again (1991)

For more Helena Bonham Carter, go to He’s Married to a Corpse. He Has A Corpse Bride!: Corpse Bride (2005)

For more Robert De Niro, go to Non-Austen Films for Austen Fans: Stardust (2007)

We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

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And another thing Mr. Chick Young! The next time I tell you that I saw something when I saw it, you believe me that I saw it!

I had never seen this movie before and decided to rent it after looking over my Wolf Man (1941) review. I thought it was hilarious!

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I highly recommend it to anyone.

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So this film was done during a time of a series of monster films, along with Abbott and Costello films. I’m not sure who came up with the “meeting” idea, but it was a fantastic one.

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It’s funny, the other day I was watching the Nostalgia Critic‘s review of Freddy Vs. Jason, and he cited that that film created the Versus series we see today. I would have to disagree with him and say this is probably the first “versus” film, with Dracula versus the Wolf Man. It was a great comedy, horror film, parody, a multi-genre crossover.

AMAZING!

AMAZING!

I’m actually not going to do a big review as it is really something you have to watch. The script is hilarious:

Chick Young: People pay McDougal cash to come in here and get scared.

Wilbur Grey: I’m cheatin’ him. I’m gettin’ scared for nothin’.

The sight gags are perfect:

And you have both Bela Lugosi reprising his role as Dracula and Lon Chaney Jr. reprising the Wolf Man.

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The only thing I don’t like is the title. I mean they meet Frankenstein’s monster but he is hardly even in the film. It really should be Abbott and Costello Meet Dracula or Abbott and Costello Meet the Wolf Man as both of those characters play a much larger role.

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So the film starts off with Wilbur Gray (Lou Costello) and Chick Young (Bud Abbott) working as package delivery men. Wilbur is currently dating a beautiful woman, Sondra and has plans the next night to go to a masquerade ball.

Erik: [at the Bal Masque as "The Red Death"] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Too bad they didn’t put the Phantom in here too.

Later that day he gets a call from Lawrence Talbot (Lon Chaney Jr.), AKA the Wolf Man, warning him not to deliver packages to Dr McDougol’s House of Horrors. But the full moon comes out,  turning him into a werewolf and Wilbur doesn’t get the full message.

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That night Wilbur and Chick are delivering the packages, and it turns out to be Dracula (Bela Lugosi)

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and Frankenstein’s monster (Glenn Strange).

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They are freed; both taking off as Dracula wants to give the monster a new brain, a dumber one, to control it better. He has enlisted the help of Dr. Sondra Mornay, the same Sondra who is dating Wilbur. Yes, it turns out she is only with him as his brain is the one she wants to use in the operation.

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Meanwhile, Wilbur and Chick have been put in jail as McDougal holds them responsible for the missing exhibits, believing they stole them. They are bailed out by Joan Raymond, private investigator, who doesn’t believe they are responsible. She has also fallen in love with Wilbur.

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So now Wilbur has two beautiful girls after him, Frankenstein’s monster, Dracula trying to get his brain, and the Wolf Man trying to get his help/also attack them when Lawrence turns into the beast.

Not good

Not good

It is hilarious fun and there is a great scene at the ends when Dracula and the Wolf Man duke it out.

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And don’t forget to keep your ears peeled for a Vincent Price cameo!

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to I Don’t Want to Be a Vampire. I’m a Day Person: Once Bitten (1985)

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For more on Count Draculago to I Bid You Welcome: Dracula (1931)

For more Wolf Man, go to Beast or Man: The Wolfman (2010)

For more of Frankenstein’s Monster, go to Monster Mash 

For more Bela Lugosi, go to Those Aren’t Men They Are the Living Dead: White Zombie (1932)

For more Lon Chaney Jr., go to Even a Man Pure of Heart: The Wolf Man (1941)

For more Vincent Price, go to No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

For more horror-parody, go to A Modern Mummy: Under Wraps (1997)

For more horror-comedy, go to Someone Very Special: The Addam’s Family Values (1993)

No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

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And though you fight to stay alive, your body starts to shiver. For no mere mortal can resist the evil of the thriller.

So I know you are probably thinking, a music video? That’s not a horror film.

Majorly

This music video is almost 14 mins and a recommended length for a short film, by the New York Film Academy, is 10-15 mins. That makes this “music video” a short film, and perfect for our countdown.

It was directed by John Landis, most known for his film An American Werewolf in London, and he made the film because he wanted to bring back the theatrical short, you know the short film before the movie. Like Pixar and Disney used to do.

“I saw it as a chance to resurrect a genre that had once been a Hollywood staple. Music videos were new in 1983, and MTV was just two years old.”

They even tried to get an Academy Award nomination for Best Short Live Action, but the Academy didn’t have the same love for it as the rest of the world did. However in 2009 it was selected for the National Film Registry by the Library of Congress, being the first music video in history to receive that honor.

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It takes place in the 1950s and starts off with Michael and his date (Ola Ray) are driving and the car runs out of gas. They get out to walk through the creepy forest:

Stay out of the forest!

Stay out of the forest!

Michael wears a red letterman that looks a lot like a certain jacket from a certain horror film:

He asks his date to be his girlfriend, and she agrees him giving her a ring to symbolize it.

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How sweet.

But then he warns her:

Michael: There’s something I’ve got to tell you.

Michael’s Girl: Yes, Michael?

Michael: I’m not like other guys.

Michael’s Girl: Of course you’re not. That’s why I love you.

Michael: No, I mean I’m different.

Michael’s Girl: What are you talking about?

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Nothing good is going to come of this.

And then the moon comes out:

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And he changes into a Werecat!

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And the makeup is pretty creepy. You can thank Rick Baker for that. Even though CGI is probably cheaper, I love seeing what people were able to make with such limited supplies and technology. It is unbelievable.

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Back to the video. So Michael the werecat os chasing his date through the forest. Run girl, run!

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Just as the werecat is about to grab her, we cut to a movie theater. Yes this is a film that Michael and his girlfriend are watching.

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Michael loves the film but his date (Ola Ray) is not into horror films. Such a pity.

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She walks out and Michael, being a good date, follows. As they are outside the music starts up and we get those perfect lyrics that are impossible to hate.

It’s close to midnight and something evil’s lurking
In the dark
Under the moonlight you see a sight that almost stops
Your heart
You try to scream, but terror takes the sound before
You make it
You start to freeze as horror looks you right between
The eyes
You’re paralyzed

Now at first this is Michael just joking around with his girlfriend, teasing her. But it will soon change.

You hear the door slam and realize there’s nowhere left to run
You feel the cold hand and wonder if you’ll ever see the sun
You close your eyes and hope that this is just imagination
But all the while you hear the creature creepin’up behind
You’re out of time

I like how in his dance Michael Jackson throws in a Frankenstein monster move and hints at famous “thrillers”.

Frankenstein

Night creatures call
And the dead start to walk in their masquerade
There’s no escapin’ the jaws of the alien this time (they’re open wide)
This is the end of your life

They’re out to get you, there’s demons closing in on every side
They will possess you unless you change the number on your dial
Now is the time for you and I to cuddle close together
All thru the night I’ll save you from the terrors on the screen,
I’ll make you see

Now in this scene it is very apparent that they are taking there time walking home in not the best conditions. There are no streetlights and a ton of fog. You know what’s coming, something bad.

I'm getting shivers

I’m getting shivers

And then we have the best thing in the world. Just as Michael and his girlfriend go by the cemetery, we hear Vincent Price’s voice. Bringing us:

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And then things begin to rise in the graveyard.

Night of the living dead zombie

Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize y’awl’s neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse’s shell

It’s funny to think that this music video never would have had such an amazing voice in it, I mean aside from Michael Jackson, if it wasn’t for writer Rod Temperton’s wife, Peggy Lipton. Temperton had wanted talking at one part and needed a classic horror actor to give the music the edge he desired. Lipton was a good friend of Price, asked him and he agreed.

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So the rest of the dead are waking up; out of every grave, tomb, and casket.

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The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller
Can you dig it?!

And of course, they head after Michael.

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They are surrounded! Oh no! Michael’s girlfriend looks to Michael for help, but it is too late:

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AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And then we have one of the most engaging dances ever to be created/performed.

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They actually had to think long and hard how to create the scene where they dance that wasn’t childish or silly, but kept to the mood of the previous scenes; and I have to say they accomplished it. In fact, before Landis agreed to direct, he made it mandatory that all extras spend two weeks in rehearsals with the choreographer; something that had never been done before. This dance has been such a big part of our culture from Thrill Around the World to being referenced in numerous films and TV shows.

‘Cause this is thriller, thriller night
And no one’s gonna save you from the beast about to strike
You know it’s thriller, thriller night
You’re fighting for your life inside a killer, thriller tonight

That it’s a thriller, thriller night
‘Cause I can thrill you more than any ghost would dare to try
Girl, this is thriller, thriller night
So let me hold you tight and share a killer, diller, chiller
Thriller here tonight

Michael’s date is horrified and runs into a creepy old house, with the zombies surrounding her on every side. Very Night of the Living Dead.

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Too bad she doesn’t have a Ben to save her as they start destroying the house to get her.

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Michael grabs her and bam. It turns out they are just in a home, Michael isn’t a zombie….Or is he? We close on Vincent Price’s amazing laugh with  frozen still of Michael’s yellow werecat eyes.

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That was Michael Jackson’s Thriller and it is amazing. From the song, to Jackson, to Price, to Ray, to the dancing, the makeup- I could go on and on but it is just perfect. I mean it gives you everything you want

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Plus a fun dance to do. Check it out for yourself!

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to Every Three Thousand Years, the Stars Align. Unleashing an Army of Monsters: TMNT (2007)

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For more on Michael Jackson, go to Haunted Harmonies of Halloween: Top 5 Songs to Play on Halloween

For more Vincent Price, go to A Man Without a Face: The Bat (1959)

For more zombies, go to Those Aren’t Men They Are the Living Dead: White Zombie (1932)

For more music reviews, go to Shook Me All Night Long

For more ’80s music, go to Back in Black

For more ’80s films, go to I’ll Be Back: The Terminator (1984)

What I Think You Will Think…You are Fully Under My Control: Jesse James Meets Frankenstein’s Daughter (1966)

JesseJamesmeetsFrankenstein'sdaughter

“You are no longer Hank Tracey, you are Igor…I am Maria Frankenstein. What I think you will think…You are fully under my control…I created you…”

So I came across this movie at the library while I was searching for Fahrenheit 451. It was a double feature called Frankenstein Fest, and had The Monster Maker and Jesse James Meets Frankenstein’s Daughter. 

Both intrigued me, especially Jesse James Meets Frankenstein’s Daughter. I mean I love Frankenstein!

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I love Westerns!

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And I love B horror films, they are so hilarious.

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So I thought I would try it out.

This film was originally made to be a double feature paired with Billy the Kid vs. Dracula.

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A big storm is occurring for this sleepy little town in the West and everyone has left except one family. Manuel and Nina are ready to leave the city, due to the cursed house on the hill, but Juanita, their daughter, is adamant that they wait for her brother Francisco.

They continue to talk about the cursed house and about the “sickness” that kids have been catching and died from. Juanita is furious with them. Because of them the kids have died.

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So who are the them they are talking about? The Frankensteins. And no these are not Frankenstein’s children but grandchildren.

What are you talking about?

What are you talking about?

I know, I didn’t get that either. Why call it Frankenstein’s Daughter if it is her granddaughter?

So obs

So it is Frankenstein’s grandson, Rudolph, and granddaughter Maria. The two were forced to leave Vienna as their experiments were too out there.

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Rudolph wants to stop the experiments, but Maria is forceful and desires to complete her grandpa’s work…even though her grandfather wanted to stop as it was not the best idea. Hmmm…..sound familiar?

Maria is so excited to be living in the West as there are so many lightening storms that help with the experiment.

So this is one of the reasons why the film was so bad! Maria is “recreating” her grandfather’s work, but not really. Instead of trying to create life, bringing the dead of many back, in this she is trying to put the brain her grandfather created or used into another person.

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She has been experimenting on children in the village, but none have worked. The latest, Francisco, seemed promising, but turned out to be another disappointment. Another experiment failed and another body to bury.

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Maria doesn’t care that she has killed three children already, all she wants is the power to control others!

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So Maria’s a psychopath.

Victor Moritz: You're crazy! Henry Frankenstein: Crazy, am I? We'll see whether I'm crazy or not.

Victor Moritz: You’re crazy!
Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

She kills children for fun and doesn’t feel bad about it at all.

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So Maria goes on about how she needs the “right” man, but who could it be?

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So we switch to a town where two muscly men are fighting in the street. Hank Tracy is one of them and the winner of the bout. At first the saloon owner doesn’t want to give them anything, but after Hank’s best friend Jesse James throws his name around, people back down.

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So this film takes place after Ford assassinated Jesse James. There were plenty of rumors that James survived, and this film goes off of that.

Anyways, Jesse meets up with Butch Corey and his brother Eli of the Wild Bunch. Eli starts trying to assert his leadership, and Jesse James shows him with his gun that that is a bad idea.

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So they make a plan to rob something but I don’t know the details. They talk so quiet and in monotone.

Eli acts as a double-cross to get Jesse James as he doesn’t like James trying to make a fool out of him. He gets the Sheriff to have a posse hiding to catch James.

I see more sequels and remakes coming in the future.

This film is sooooooooo bad and booooooooooring. It is The Beast of Yucca Flats bad.

really?

really?

I thought this had Frankenstein in it. I want to see some MONSTER MAKING!!!!

Except in this case monster!

Except in this case monster!

A wagon comes along and the team tries to steal the money, but the sheriff is there and stops them. Eli tries to shoot Jesse, but hits Hank instead and Jesse and him take off.

run-away

Marshall heads off to capture Jesse James, with Eli coming along for revenge. He’s the only one of the Wild Bunch left.

So Jesse’s man was shot in the shoulder not the side, but holds on to his side. Was he really so bad at acting, that he forgot to react for a long time when “shot.”

I don't like it 11

Jesse and his friend come upon the Mexican family from earlier. They are camped out eating.

We see Hank and now the wound has traveled from his side to his heart and just barely began bleeding. That is bad, really bad.

really?

really?

Juanita tries to help Jesse in doctoring his friend but knows she can’t do much. So she decides to do the one thing she would never want to do, take him to see the Frankensteins.

OhNOthisisgonnabebad

Juanita’s parents forbid her as they don’t want to ever return to that area so Juanita sneaks off that night with James and they take Hank.

The next morning the Sheriff comes across Juanita’s parents and questions them about James and his partner. They say they haven’t seen them. Eli doesn’t believe them, but the marshall tells him to quit and the two continue on their way.

Stop stop it now!

Juanita’s parents are furious about her going off, but her father is adamant that he will never go back.

Juanita is caring for Hank while James is doing something, she goes to get Hank more water when she is taken by a Native American. James notices her missing and tries to find her. He gets attacked by the same guy, having to kill him to get free. Juanita is so thankful, but their relief short lived as more of the tribe are on the way.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

They manage  to hid out, and Juanita is in love with Jesse, thanking him for saving her life with a kiss.

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Jesse knocks on the door asking Dr. Rudolph for help. He gets his sister who is pleased with the size of Hank!

He's perfect!

He’s perfect!

Maria is even more thrilled when she realizes that it is Jesse James, as no one will ever find these men as they are running from the law.

Meanwhile the Marshall and Eli are still looking for the two. They stop in the town and knock on a door, Juanita’s old house. Juanita says there are no men here, and the Marshall does’t listen, choosing to stop and take a look around the area.

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Maria goes to see James and asks him in to her library, the house being very Austrian. Maria gives James a bit of a backstory about how they had to leave Europe but they are interrupted when the Sheriff and Eli stop by and question Maria, who tells them she has seen no one. The two just leave after that with no investigating. Why did they investigate Juanita’s house? eh? Rude of them.

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Juanita and Hank are talking, Hank wanting her to come along with them when he is better. Juanita heads out to speak to Jesse in the moonlight!

How cute

you know what that means

Jesse, however, doesn’t want Juanita to come along as he is Jesse James, outlaw. Life would not be pleasant. The two kiss, in love. How cute. Except for one thing….

Truth be told I don't

Truth be told I don’t

Where is the monster making? eh?

Jesse is angry as Juanita wants him to admit that he loves her, but she won’t agree to go with them. However she wants him and his friend Hank to leave before the Frankenstein’s do something to them.

Run Away

Maria sees them outside in the graveyard, kinda creepy place to have a smooch now that I think of it.

Steve? A murderer?

Weird…

She approaches Jesse, who wonders why everyone left as it seems strange. Maria laughs it off, as ignorant people afraid of advancements. Jesse then asks how soon they will be able to leave…

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Never you can never leave!

Maria doesn’t want them to leave. In fact she tries to use her womanly wiles to keep him, as she needs him.

Whattheheck

Needs him? You just met him. Okay slow down Queen of Outer Space.

Queen of outer space

Maria is furious that Jesse would choose Juanita over her.  She must have him or no one can!

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Jesse tells Juanita how Maria gave him a note for medicine and that he has to ride into town for Hank. Juanita warms him that Maria is just trying to get him out of the way but he doesn’t want to take the risk that Juanita is wrong and have Hank killed.

Rudolph doesn’t want to operate. as Jesse James will kill them when he finds out. Maria doesn’t care, besides Jesse will be caught and hanged the minute he steps into a town.

I-got-this-reaction-gif

The storm rages on as Maria begins preparing the artificial braun she is planning to put in Hank’s head. Juanita sneaks over to see what they are doing and watches as they preform the experiment.

Clive, Colin (Frankenstein)_02

Dr. Maria Frankenstein: You are no longer Hank Tracey, you are Igor…I am Maria Frankenstein. What I think you will think…You are fully under my control…I created you…

So this is nothing like Frankenstein. All this is is open brain surgery.

Maria tries to help him, and realizes that her brother has been sabotaging all the experiments by killing them with poison. She and her brother struggle and he is starting to strangle his sister. She calls out to Igor and then he helps save her.

Dr. Maria Frankenstein: Its alive! It’s alive! Get him Igor!”

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Igor attacks her brother and kills him.

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Juanita has seen all that has happened and flees in the night. Meanwhile Maria sends Igor after Juanita. When they check her room, she is gone.

Maria is furious, but ecstatic that she still has Igor.

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Meanwhile, Jesse has arrived in the town, and there are posters about him being wanted with a huge price on his head.

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He gets there super early in the morning waking the doctor up. He gives him the note but doesn’t know that it signs his death warrant instead of getting help for his friend.

I just think, man didn’t he look at the note? I mean how weird? Why wouldn’t he?And why would the guy think that it was real? i mean why would someone deliver their own death note?

weirdtwilightzone

The Sheriff is out of town, but Eli has stayed behind and wants to kill Jesse. He tells the doctor not to worry, but pretend everything is fine, and he will take care of him.

Eli tries to sneak in to kill Jesse, but Jesse spots him and shoots him. The doctor begs for mercy and reveals the note was a ploy.

OMG gasp

Jesse, angry, then takes off for the Frankensteins. Juanita is riding out to find him and the two run right into each other.. Juanita tries to keep him from going back. She warns him that Hank is no longer himself and it is horrible, if he goes back he will have the same fate.

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Juanita goes to the Sheriff and tries to get him to come with her. Surprisingly he believes her and doesn’t think she is looney or something. I would have.

crazy

Jesse bangs on the door, while Maria hides Igor. She lets Jesse in and tries to blame the attempted murder on her brother. Maria just can’t resist Jesse.

Some people

She calls Igor who comes and knocks Jesse out.

Hank/Igor watches Maria tie Jesse to the bed and a funny look comes over his face. Is he breaking through her control? Does he remember Jesse and his past life?

What! Mark Wahlberg that's weird

Maria sends Igor to his room while Maria decides what to do with Jesse. She is angry with Jesse for refusing her and has decided that Jesse will be the perfect guinea pig for her next experiment.

1Star-Wars-Luke-NOOO-Not-my-father

She shoots James up with something, while the Sheriff arrives at the door. Maria is starting to breakdown as things are going against her plans, it seems as everything is unraveling. The Sheriff goes to investigate, and Maria calls for Igor.

cal-boulder

Igor comes and attacks the Sheriff, knocking him out. All that is left is Juanita. She tries to wake up Jesse, but Maria locks them in and calls for Igor to take Juanita and kill her.

Igor/Hank looks at the two women and instead of taking Juanita, kills Maria. Jesse tries to talk to Hank/Igor but all he says is kill.., kill, kill

OMG gasp

Jesse doesn’t want to hurt his best friend Hank and doesn’t do anything as he attacks, instead Juanita steps up to the plate and shoots Hank.

supernaturalgunblowoutdeanwinchesterwestern

Wow. I did not see that coming. That is the second film to be resolved by an unlikely source. I mean having the women save people has never been super popular in horror films, although a but more common in Westerns.

Mal_huh Whoa Wow what

They bury Hank and Juanita is happy that the evil is over. Juanita says she will wait for Jesse there in the town but he says he is an outlaw. He can’t stay. Instead he goes off with the sheriff to be hanged.

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So usually B films can have something enjoyable about them, but this was horrible. Just horrible. Barely any monster making, mostly a love triangle and we all know how I feel about that:

OVERDONE

OVERDONE

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To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to Have You Seen Megan Hipwell?: The Girl On the Train (2016)

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For more Frankenstein, go to I Want Friend Like Me: The Bride of Frankenstein (1935)

For more evil doctors, go to Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

For more B horror films, go to It’s Mrs. Archer. She’s on a Rampage!: Attack of the 50 Foot Woman (1958)