Catherine Morland’s Reading List

So I was at the library and shelving some books when I came across The Inn at Half Moon Bay by Diane Tyrell. It was described as a Gothic novel and I thought Catherine Morland would totally read this.

So if it is something she would read, I need to read it.

So then I started thinking about all the other book Catherine Morland would read. Like Wuthering Heights, Jane Eyre, Frankestein, etc. All the books mentioned in Northanger Abbey and ones that were published at the time and after.

Wow!

I then thought, oh it would be nice of I could review this on my blog and the other books.

Why not start a new series, Catherine Moreland’s Reading List? Here I would review books that Catherine Morland would read: Gothic novels.

I know, I know-haven’t I already started two other series recently?

Not to mention all the Austen remakes I have listed out to review?

Yes, but you know me. I like to challenge myself.

Yeah, plus you know I love to read.

So books on this list are going to be Gothic novels. For those wondering what classifies a book as a Gothic Novel, here is the definition.

Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance.

So some of these books I have already reviewed, and the rest are what I plan on doing in the future.

A Long Fatal Love Chase by Louisa May Alcott

The Night Gardener by Jonathan Auxier

Jane Eyre by Charlotte Bronte

The Poison Diaries by The Duchess of Northumberland

Wuthering Heights by Emily Bronte

House of Salt and Sorrows by Erin A. Craig

A Christmas Carol by Charles Dickens

Rebecca by Daphne du Marier

Dracula in Love by Karen Essex

The House of Seven Gables by Nathaniel Hawthorne

The Turn of the Screw by Henry James

The Necromancer, or The Tale of the Black Forest by Karl Friedrich Kahlert

Secrets of the Heart (The Ravensmoore Chronicles #1) by Jillian Kent

The Midnight Bell by Francis Lathom

The Phantom of the Opera by Gaston Leroux

The Monk by Matthew Lewis

The Distant Hours by Kate Morton

The Castle of Wolfenbach: A German Story by Eliza Parsons

The Mysterious Warning by Eliza Parsons

The Murders in the Rue Morgue” from The Complete Stories and Poems of Edgar Allan Poe by Edgar Allen Poe

The Tell-Tale Heart” from The Complete Stories and Poems of Edgar Allan Poe by Edgar Allen Poe

The Italian by Ann Radcliffe

The Old English Baron by Clara Reeve 

Clermont by Regina Maria Roche

Cat Burglar Black by Richard Sala

Frankenstein by Mary Shelley

The Orphan of the Rhine by Eleanor Sleath

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Dracula by Bram Stoker

The Inn at Half Moon Bay by Diane Tyrell

 

For more Gothic Novels, go to Book Club Picks: Wuthering Heights

For more book lists, go to The Retellings Strike Back: Pride & Prejudice, cont.

Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

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The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

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I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

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Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

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Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

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With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

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Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

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So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

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I just love him:

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Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

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His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

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But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

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One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

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The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

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You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

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She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

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So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

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Then the Phantom carries her off underground into his home.

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Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

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He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

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Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

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Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

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He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

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Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

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Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

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I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

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He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

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But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

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Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

Leave me alone so I can cry over the death of my fictional characters

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 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

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Had our heart broken:

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Been betrayed by someone we thought cared about us?

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Or felt we hadn’t received the recognition we deserved?

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What else can I say?

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Why yes I do!

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Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

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Stupid Not to Read Jane Austen Quote

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To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

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For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

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Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

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I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

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For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

Fantom of the Opera

Benedict-Cumberbatch-people-obsessedFandom

Yep, here we go with another one of my fangirl lists. Read it and enjoy! 🙂 After all one of a fangirls favorite thing to do is share their loves with others.

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Beach Party Series

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I grew up watching these Beach Party films when I was a kid. My sister and I used to try and copy the dances and learn how to move just like them! These films were silly and loads of fun, the perfect films to watch for a good time. It starred Frankie Avalon as “Frankie” surfer and singer staying at the beach for a good time. His girlfriend Dolores aka Dee Dee, was played by Annette Funicello, came along with all the friends. They would hang out and have fun, getting into a fight and breaking up, but always reuniting at the end. There was also Bonehead (called Deadhead in the first film) who was kinda dumb and never understanding that the ladies wanted him. The group also always ran into a motorcycle gang called “The Ratz” or “The Rat Pack” that were lead by Eric Von Zipper. These were also musicals and had amazing songs + dancing.

In Beach Party, Frankie, Annette, and the gang are hanging out at the beach. Anthropologist, Dr. Robert Orville Sutwell, played by Robert Cummings, is studying the sex lives of Southern California surfing teens. He saves Dolores from Eric Von Zipper, paralyzing him with an “African” Vulcan touch, and Dolores develops a crush on him. This makes Frankie jealous, who starts flirting with a Hungarian waitress. Dr. Sutwell’s assistant Marianne has been in love with him for a long time and tries hard to win him over. The whole crew sing, dance, and have a groovy time. Also keep your eyes peeled for a cameo by Vincent Price.

In Muscle Beach Party, the sequel, the gang is back only to discover their beach is getting taken over by body builders? Will they be able to get rid of them and get their spot back? Also, an Italian contessa is after Frankie, and he seems to be enjoying it. Is this the end for Frankie & Dee Dee?

In Bikini Beach, the teens are back on the beach only to face a new threat! Millionaire Harvey Huntington Honeywagon III is going to try to turn it into senior citizens. He also thinks that the teens are no better than animals. Frankie and Dee Dee also face a threat to their relationship, when British rocker “The Potato Bug”, Peter Royce Bailey (played by Frankie Avalon and a parody of the British rockers coming to America) is interested in Dee Dee and she seems to like him back.

Pajama Party was a bit different from the other films in the series. Frankie Avalon wanted more money and the studio replaced him with Tommy Kirk. In this Annette plays “Connie”, once girlfriend to Big Lunk {Deadhead in the other films} but realizes that his lack of brains and romance means it is time to move on. She meets Gogo, Tommy Kirk, who unbeknowest to her is actually a teenage martian preparing an invasion to Earth. Aunt Wendy (Elsa Lancaster) is an eccentric and rich woman, aunt to Big Lunk and always opening her house to teens. Her neighbor, J. Sinister Hulk; and his minions, Chief Rotten Eagle and Swedish Helga, are trying to con her out of her cash.

In Beach Blanket Bingo, Frankie and Dee Dee are back. In this they are at the beach and run into the singer Sugar Kane skydiving. Frankie saves her life when she falls into the ocean and starts falling for her charm. In reality this isn’t Sugar Kane, but her stunt double Bonnie. Bonnie is upset that her boyfriend Steve isn’t more interested and uses Frankie to up his jealousy. The Ratz are back and Eric Von Zipper falls for Sugar wanting her as his own. Also Deadhead falls for a mermaid. Another zany summer at the beach!

So when Teen Beach Movie came out by Disney, I had to watch it. I loved it as it was the perfect homage to the series I grew up with.

For more on Beach Films, go to Friday Night Fun

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Brotherly Love

Do any of you know the Lawrence Brothers?

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What a group of good-looking men. I was such huge fans of them all, following their careers very closely. I had a super huge crush on all three of them growing up. My love of Lawrence Brothers first started with their TV show, Brotherly Love

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Brotherly Love took place in Philidelphia, “the city of brotherly love”, and follows the trials of a blended family. This series starred the Lawrence brothers, but only lasted two seasons, I’m unsure as to why. I remember it being awesome!

Anyways, Joe Roman (Joey Lawrence) parents are divorced and he moves away with his mom. His dad remarries a woman, Claire, and they have two children; Matt (Matthew Lawrence) and Andy (Andrew Lawrence). Their dad is a race car driver and owns a garage. When he dies in an accident while racing, Joe returns home to take over the garage. A now 20-year old Joe tries to work with the family, being a father figure for Matt and Andy. He is cocky and arrogant, but an all around good person.

Matt is 15, and a bit of a nerd. He is a germophobe and a neat freak and has trouble with girls. Andy is mischeveuos and a cute little kid.

The series is rounded out by Lloyd, ex-coast guard and fellow mechanic, and Louise, female mechanic and ultimately the love of Joey.

This series was adorable and fun. I miss it. 😦

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The Office

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Remember when this TV show came out? At first I didn’t watch it as I didn’t understand what it was about. A bunch of people working in an office that produces paper? Sounds boring to me. BUT, I had a friend who absolutely loved it. He wouldn’t stop talking about it so I decided to check it out, and loved it too. It is absolutely hilarious.

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Michael Scott is the head of that division, and played by Steve Carroll. He is so silly. I just love how much he hates Toby, this guy that works with him.

Then there was Dwight, the brownnoser who was always sucking up to Michael and trying to control everyone else. He was so strange and hilarious.

And the handsome, prankster, Jim played by the handsome John Krasinski

One great show.

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Once Upon a Time

ONCE UPON A TIME - ABC's "Once Upon a Time" stars Raphael Sbarge as Jiminy Cricket/Archie, Lana Parrilla as Evil Queen/Regina, Jared Gilmore as Henry, Jennifer Morrison as Emma Swan, Robert Carlyle as Rumplestiltskin/Mr. Gold, Ginnifer Goodwin as Snow White/Mary Margaret and Josh Dallas as Prince Charming/John Doe. Jamie Dornan (middle) guest stars as Sheriff Graham. (ABC/KHAREN HILL)

Now I know how obssesed everyone is about this show, but I only loved the first season. The second season opening moved really slow and I had a difficult time finding a way to watch it online (as I don’t have cable or netflix). Oh, well. The first season was amazing, and I had to watch every single episode asap.

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So the plot of Once Upon a Time, is that all the fairytales by the Brothers Grimm are all connected and exist in a parallel universe. Snow White (Ginnifer Goodwin) and Prince Charming have sent their child Emma, to our world in order to save her from the Evil Queen. Emma was raised as Emma Swan in foster care.

On her 28th birthday, Emma arrives home to find a little boy named Henry. He tells her that he is the son she gave up ten years ago, and according to his book of fairy tales, Emma is the daughter of Snow White and Prince Charming and the only one who could save the people of his hometown in Storybrooke, Maine.

She returns him to Stoneybrooke and stays in the town becoming sheriff. Her appearance causes the town clock to strike, which it had never done before, fulfilling a prophesy that on Emma’s 28th birthday she will begin the final battle, and return the fairy tale characters memories. These memories had been wiped by the Evil Queen, known as Regina Mills in the “real world”, the mayor and adoptive mother of Henry. Yeah things get complicated really fast!

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I loved the story as it was written extremely well. Ginnifer Goodwin is perfect as Snow White as she is just so adorable.

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Rumplestilskin was absolutely perfect and one of my favorite characters as well. I espechially loved the Belle and Beast storyline, with Rumplestilskin being the beast.

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And let’s not forget Sebastian Stan as the Mad Hatter. Oh, that storyline was just heartbreaking.

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Whether the rest are as good, I can’t say, but that first season was an absolute winner!

For more Once Upon a Time, go to I Left My Car in San Francisco
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The Phantom of the Opera

Three Musketeers

I love this book so much that words fail to express how I feel.

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It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?

So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was The Phantom of the Opera; a slender, abriged, children’s version.


It became my new favorite book and I would check it out all the time, completely annoying my mother.

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Later on I read the original, whole  version; which I also love. It is written so well, if you haven’t read it yet I highly recommend it.

So the story is written as a history/biography of the “ghost of the opera house.” It recounts the story of poor Erik. Born deformed, sent to live with gypsies, becoming an architect; but never finding love or support. He finds a young girl who he trains to be a singer, only to find her love false, therefore evoking in some very bad decisions. But he’s not evil, just misunderstood.

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At least that’s my take on it.

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I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.

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I would have gone off with him and loved him unlike Christine Daaé, she’s a total jerk and loser.

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I also really, really love the 1925 film.


The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad 😦 ). In fact this year marks it’s 90th anniversary!

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Not to mention the amazing make up job that Lon Chaney did that just creeped you out. Absolutely amazing!

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And the fabulous masquerade scene that is one of the first color shots in the history of film.

Erik: [at the Bal Masque as "The Red Death"] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Erik: [at the Bal Masque as “The Red Death”] Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Now I know that silent film isn’t for everyone, but I suggest that you check out my review, Feast Your Eyes on My Accursed Ugliness for yourself.

Now I have mixed feelings about the 2004 film starring Gerard Butler. I won’t go too into it as I plan to review it for Horrorfest IV. I did love Gerard Butler and his singing.

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But I didn’t like the way they tried to make it that Christine saw him as a father figure. My biggest issue however was the way he looked. Only half his face was disfigured! Why couldn’t Christine just sit on one side of him? I mean otherwise the Phantom was a really attractive guy.

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Anyways, however he is shown I love Erik, the Phantom. I defintely would have picked him over stinky Raoul.

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I’m writing a series of posts on the book that will be coming in the future. If you love anything Phantom, follow me and keep your eyes peeled.

For more on The Phantom of the Opera, go to How I Differ From Others

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NotaPsychopathFangirl

 

So that’s it for this installment. There will be plenty more next week.

For the previous post, go to Old Fandoms and New Fancies

Stay tuned for part 14

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In other news, this post brings us to 500! In about 6 months, I’ve written 100 posts! Wow!

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For post 400, go to The After Party

For post 300, go to That’s What You Get

Feast Your Eyes On My Accursed Ugliness: The Phantom of the Opera (1925)

Feast your eyes! Glut your soul on my accursed ugliness

I love this movie so much that words fail to express how I feel. This movie was the one that not only was my gateway into horror films, but also caused a life-long love affair with classic cinema.

It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?

So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was The Phantom of the Opera; a slender, abriged, children’s version.

It became my new favorite book and I would check it out all the time, completely annoying my mother.

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Later on I read the original, whole  version; which I also love. It is written so well, if you haven’t read it yet I highly recommend it.

I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.

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I would have gone off with him and loved him unlike Christine Daaé, she’s a total jerk and loser.

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Anyways, not long after I was flipping the channels and stopped on TCM. I love TCM (Turner Classic Movies) with a passion. I wish I could watch it 24/7 as they show the most amazing films ever.

Anyways, so that day they were doing a biography on Lon Chaney, and mentioned that he played the Phantom. I was now sucked in and had to watch. The film was the biopic Man of a Thousand FacesLon Chaney quickly became my favorite actor as I just fell in love with what a genius he was. He used to wait outside the movie studio, using his make-up to change his apperance to better fit roles. His most famous one being of course, the Phantom.

Phantom of the Opera

Afterwards, they held a marathon of his films, but I stopped watching as they didn’t show the one I wanted to see. I now had to watch the 1925 film! I did more research and found out that it is one of the first films to use color, only being able to for the Masque of Red Death scene. It was supposesed to be one of the most dramatic scenes in the film.

I now absolutely HAD to see that film. I went and rented it, hoping that it would be as good as it sounded. It was better than that! The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad 😦 ).

Phantom of the Opera

Now I know that silent film isn’t for everyone, but I suggest that you check it out.

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So we start off the film with someone lurking in the catacombs of the opera house. We don’t know who he is or what he is after. Then we switch to the opera house, and the creme de la creme of the elite milling about. Everyone is settling down as the show is about to start.

We see the ballerinas on stage dancing away.

Reminds me of Degas

Meanwhile in an office upstairs, the opera house is being turned over to new owners. Owners who know nothing of what lurks in the belly of the building.

For there lies the Phantom and a friend. A Persian man that had traveled with him since the Phantom has been abroad, but no one knows more than that.

So the new opera owners have gained a lot of problems with their purchase. Besides having to pay the phantom money, give him box 5, and a few other amenities; he is also demanding that they replace Carlotta with Christine, the girl he has been coaching. Needless to say, this is very upsetting for Carlotta.

I refuse to be treated in such a manner

In fact the Phantom has threatened Carlotta if she does not stay away. Carlotta is most unhappy; and leaves declaring she will not sing that night.

Instead Christine Daaé sings beautifully. She is also noticed by the stupid Vicomte de Chagny. I really dislike Raoul, Team Phantom all the way!

phantom of the opera

In the book Raoul struck me as a real annoying guy. Like one who is always trying to do different things; but only does them halfheartedly, always expecting someone to bail them out of a jam. Then again I could be biased.

Anyways Stupid Raoul notices Christine and tries to get with her. But she is not as receptive, in fact telling him kindly to get lost as she has her career to think about.

Stupid Raoul goes to leave, but actually, is secretly waiting outside her door to spy on her.

Now for anyone out there; if you tell a person you want a relationship to end and they don’t listen and spy on you, you need to call the police and get rid of them. I can’t believe him. Raoul just went from stupid to stalker. I mean who listens outside their ex’s door like that? Who does that?

How rude

So Carlotta decides to sing anyway, even though she has been warned that bad things will happen. The Phantom makes sure that she will never want to sing again.

“Erik: Behold! She is singing to bring down the chandelier!”

So Christine goes to her room and Raoul being the creep he is  follows her. Erik, the Phantom, calls to her and tells her to go through her mirror; which is really a trapdoor. The Phantom built the Opera House, so built himself a home underneath the Opera House along with tons of secret passage ways and hideouts.

The Phantom takes her to his subterranean home, across a hidden lake.

Christine is amazed and kind of freaked out being there with him. All she can focus on is the fact that he is wearing a mask. Erik starts telling Christine his life story, and the sadness it has brought him. She ends up fainting, and he carries her to his guest room; beautiful and full of things she will love. It has a whole wall of shoes!

The next day everyone is in an uproar as Christine is missing! She wakes up to hearing the organ being played by the Phantom. He has been working on an opera for a long time.

Erik: Since I first saw your face, this music has been singing to me  of you and of –love triumphant!”

While he is romantically sharing his feelings, Christine is determined to rip off his mask.

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Lon Chaney is truly amazing! I mean look at him! He is so awesome looking! So creepy! He is such a genius, devising his own make-up. The Phantom’s makeup was designed to resemble a skull. Lon Chaney attached a strip of fish skin (a thin, translucent material) to his nostrils with spirit gum, pulled it back until he got the tilt he wanted, then attached the other end of the fish skin under his bald cap. For some shots, a wire-and-rubber device was used, and it cut into Chaney’s nose and caused a good deal of bleeding. Cheeks were built up using a combination of cotton and collodion. Ears were glued back and the rest was greasepaint shaded in the proper areas of the face. The sight was said to have caused some patrons at the premiere to faint.

Christine is completely shocked at his apperance. Mary Philbin, the actress who played Christine, reaction to the unmasked Phantom was real – she had no idea what he would look like until that exact moment.

Phantom of the Opera

So the Phantom is upset, but Christine has to stay with him. He is not about to let her go. Now I know that is not appropriate behavior, but I feel so bad for him. She loved him until she saw his face, Now he has nobody. 😦

Then they have the most amazing scene ever! This was one of the first films to have color! They do this huge masquerade scene in color and he comes as the Red Death! It is too fantastic for words. I cannot describe it, you will have to watch it. His entrance, his outfit, etc.

Erik: Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Christine escapes from the Phantom and sneaks off with Raoul. They make plans to run away together, but little do they know that the Phantom has overheard everything.

Christine prepares to do her last performance, and as she is doing so, the Phantom comes and spirits her away. His only friend, a Persian courtier who has been with him through everything, goes to Raoul to lead him to Christine.

They go through the secret passage, but end up accidentally in the Phantom’s torture chamber.

The Phantom gives Christine two choices; she can choose to hit this ceramic scorpion,which means that she has chosen to marry the Phantom and be his forever, or the grasshopper which means death to Raoul and the opera house. The grasshopper if pressed will light a fuse of the gunpowder that is packed throughout the opera house and interconnected. Everything will blow! The scorpion is connected to a switch that will pump water into the bottom of the opera house and soak all the gunpowder and keep the opera house from blowing up.

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She chooses the scorpion, but as the water starts to come up and drown Raoul. Christine asks the Phantom to save his life, that she will do anything for him if he does. He pulls Raoul out and then takes off with Christine, as the Parisians are hunting him down.

Grab your torches and sharpen your pitchforks!

The villagers follow in pursuit. As they are running, Christine throws herself out of the carriage. The Phantom goes to her, but the villagers are too close and he takes off. Raoul goes to Christine, and the Phantom is “killed” by the people.

I’ve never been a fan of that idea, you can’t kill the phantom, he’s unbeatable!

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I love him! Is that sad and pathetic?

That’s the post for today. More to come! 4 days ’till Halloween!

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to They’re Coming to Get You Barbara 

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For more on The Phantom of the Opera, go to My Favorite Movie Lines

For more on classic horror films, go to I Want Friend Like Me

For more films based on books, go to Quite a Horror Story

For more films that spanned countless remakes, go to I Bid You Welcome

For more of my favorite quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper