What the hell is going on? It’s pandemonium out there!
Yes, I know. We’re working on it!
Great. While you’re working on it, I’m going down as the mayor who let New York get sucked down into the tenth level of hell! All right, we got no choice. Call the Ghostbusters.
Do you love the Ghostbusters? I do! In fact this year I decided to dress Jane up as one for Halloween.
And I can’t do that and not review a ghostbusters film.
As I reviewed the first one a few years ago I decided to take a look at Ghostbusters 2. I haven’t seen it in a really, really long time. I watched it year ago and unlike Ghostbusters which I can watch over and over again; Ghostbusters 2 was a film I saw once and never wanted to see again. I can’t remember exactly what I didn’t like about it, but I remember it not being as interesting as the first film.
So let’s take another look and see if I was right to ignore this film or if it is worth a rewatch. And for those who have been following me on Instagram know that Flat Jane joined me in my rewatch.
So the first thing I notice about my DVD and the main page is that Ernie Hudson’s character, Winston, is missing from both. How come ? He’s now an established member of the team. Why is he left out? I don’t like that one bit.
So it has been five years since the original film. Every Ghostbuster has been sued for messing up the city (even though the mayor gave them full reign), as no one believes in them or ghosts. Yes they saw a giant marshmallow man get blown up and no one remembers it,. They also all have to work side jobs as Ghostbustsrs is sinking. Winston and Ray do kid’s parties, Ray has a bookstore, Peter has a TV program, and Egon was rehired by the university. They never say what Winston was planning to do to make extra money.
But that isn’t actually where the film starts. It starts with Dana Barrett (Sigourney Weaver) pushing her baby down the street, pausing outside her home, and her baby being carried away. She follows and is way too calm for her baby being whisked away.
She should have been screaming at the top of her lungs.
The film plot is that all the Ghostbusters are “split apart” until something brings them back together and I didn’t like this story line. I hate when they do that as the whole reason you want to watch is you like seeing them together.
So instead of being a cellist, Dana Barrett is an art restorationist. Why is she doing art restoration instead of music? How is that even possible? Like for her to study for her degree and be able to reach the professional level to be working at the Metropolitan museum of art in New York, that isn’t something you can just “pick” up as a pause to your cellist career. It seems like a really strange shift and doesn’t make any sense at all. This is a chemical study and science degree and she’s working on Gaugin-it’s not something you just pick up and that position is not easy to come by.
Dana goes to Egon and asks for his help. He and Ray come over (missing Winston again)!and Venkman joins in as well. Ray and Egon go to investigate the room and they leave Venkman with the baby. Which is dumb, he’s the last guy I would trust with a baby.
I mean he shakes the baby-he should notnbe around kids.
They try to figure out what is happening and go to where Dana’s cart started moving mysteriously. They get weird reading and start digging in the street. This is like the only funny part of the film as the police stop them and they pretend to be working the lines.
The send Ray in and he finds a pneumatic River. When they pull him out he hits a pipe and the whole city is plunged into darkness.
The painting goes to life when it is being restored and possesses Janosz the head of the art restoration department. The ghost tells Janosz he needs a child and Janosz decides to get a baby. It’s really weird and not a clear plot point. Why wouldn’t he want to possess a child that can talk? One that isn’t as easily killed? In Buffy the Vampire Slayer, when the anointed is a child they wait until he’s 8 years old.
New York decides to put the Ghostbusters on on trial because they are crazy as ghosts don’t exist and blah blah blah. But how could they forget 5 years ago there was a giant marshmallow man who attacked the city. Like seriously!
This storyline is really dumb. I now remember again why I don’t like it.
They ask Louis to be their lawyer and he tries hard to help them but he’s not a criminal lawyer, he’s an accountant. The judge is sentencing them when ghosts come out and everyone runs scared, even Winston (who showed up to support them) and the judge wants them to do something and Egon tells him why don’t you tell the ghosts you don’t believe in ghosts.
That line is gold and that is the second good scene of this film.
The guys suit up to fight the ghosts and again Winston is missing. Why they keep doing him dirty? How come they keep leaving him out?
It’s really makes me mad that Ernie Hudson is hardly in this film. I mean in the first it made sense as he just met them but now he is established and a part of the group. I mean they purposely showed him at the trial, why not use him? He shouldn’t have run away as he’s not afraid of ghosts, he’s a ghostbuster. I’m starting to wonder about this? I mean this whole film is like a giant scene of Where’s Winston? And I don’t like it one bit.
So now we have a montage where they are famous again and everyone believes them and wants them. It’s basically a regurgitation of the previous film, not as funny though, and very disappointing for a studio that had been developing a script for five years.
Back to the original plot, Dana is restoring art and tells Peter that the painting of the creepy guy who needs the baby, I never remember his name, freaks her out as she feels it is always watching her. Peter doesn’t do anything about it, but I’m like he should listen as she is sensitive to these things as she was possessed by a dog beast creature. If she had spoken to Egon or Ray, they would have immediately gone over there.
She is about to give her child a bath and something that looks like a giant tongue comes after her in the bathtub, again we, and another reason I don’t like this movie.
After she runs to Peter he calls the boys and immediately Egon and Ray go to the apartment and the next day head to the museum to take pictures and see what is going on with the painting. The develop the paintings and see it is possessed by a spirit.
The spirit tries to kill them, but they are saved by Winston who comes saves the day by charging in with the fire extinguisher.
They go down to the river again to see where it leads and how come the ghosts be calling out our Winston that he will die?Rude! There are two other dudes there. The trio decide to resurface for their proton packs and I can’t believe these seasoned Ghostbusters went to a River of ghost slime without proton packs.
Poor Winston also gets hit by the ghost train and thrown in the river. So not only does he have barely any scenes, but in each one they treat him horribly.
They trio finish and go to see Peter and Dana on their date and explain what is going on and they play like rap music over which is weird? Like do they even know how to movie?
So they get committed for being crazy, even though they just proved to everyone in our earlier montage that ghosts do exist. This makes me so angry, this plot makes zero sense!
Janosz and the spirit steal the baby, ghosts start appearing everywhere, and they bring the Ghostbusters out to help fight. They decide to bring Lady Liberty to life to help, and you know who’s idea that was?
Winston’s! Winston is super important and should have been in the film more.
This movie is just a huge disappointment. The plot was bad, the whole film made no sense, and they cut Ernie Hudson out. I love the first one, but this film is just not that good.
“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”
The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).
When I was plotting out what filmto start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.
Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.
I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.
Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.
Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.
Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.
David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.
Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.
You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.
Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.
I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.
The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.
“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.
The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.
In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.
Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.
Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.
Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.
We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.
Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.
Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.
Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.
Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.
Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.
Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.
Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.
With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…
Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star.
As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.
Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?
Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.
Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?
Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!
The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.
Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.
Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.
Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.
Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?
The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.
Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.
Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.
Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.
Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.
Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)
The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…
Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.
Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.
Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.
Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!
Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?
Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.
The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.
Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.
The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.
At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.
Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.
Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.
Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.
Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.
That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.
Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.
Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.
Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.
Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.
Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.
We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.
So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.
So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!
What is Catherine Morland’s Reading List? The idea came mostly from the fact that I am a huge Gothic fiction/mystery fan. Before I met Jane Austen I devoured books, (and I still do), that I know, if Catherine Morland was real and alive, she would be reading or interested in reading.
It started with one review, and then before I knew it I had a list of thirty I was planning on reviewing. What can I say, other than:
The Night Gardener by Jonathan Auxier
So I have been wanting to read this book FOREVER. But every time I would check it out, I wouldn’t get a chance-I’d have too many books checked out, things happened, I’m too busy, etc-and I would have to return it.
Finally the stars aligned and I was able to read it. The book is written for middle schoolers and a quick read-made even quicker by the fact that as soon as I started reading it, it sucked me in.
I can’t put the book down
The book takes place during the Irish Potato Famine and two siblings emigrate from Ireland to England to work at a country estate: Kip and Molly. Molly is older and made the arrangements to work, job they are in dire need of as their parents are dead (something Molly has kept hidden from Kip). Molly uses stories to distract and cheer Kip, who is gifted with a green thumb, but suffers from lame leg.
As they travel to the Windsor manor they get stopped by a gypsy fortune teller who tells them the house they are going to is haunted.
Yes, years ago when the current Master Windsor was a boy something killed his family, he was the only one to survive, escaping to family in London. It was very mysterious and strange, and many believe it to be ghosts, a monster, or something.
Kip starts wondering if there is truth to the tales, but Molly ignores it. It can’t be true, she needs it to be not be true as they need these jobs.
Please, oh please! from Death Comes to Pemberley
When they get there, the house is nothing like Molly thought it would be. The house is beautiful but dirty and not kept up at all-things look like they haven’t been washed in forever, there is dust and dirt everywhere, etc.
There is also a giant, black, gnarled, tree that is connected to the house, as if it grew into it or the house was built into the tree. Looking at it, it makes both Molly and Kip uncomfortable-although they are not sure why.
The family is very unusual, cold, and greedy. Mr. Windsor stutters, has no gumption, and is a pale dark haired man who is constantly trying to get money. He has a secret study that no one is allowed to enter. Constance is cold and harsh toward the “help” as she calls them, in fact she won’t let Kip in the house as her family might catch what he has and become cripples too (her word). She was used to the fine life in London and misses it. She has a ton of rings on her fingers and always seems to be getting more somehow. Very odd as the Windsor family complains about a lack of funds.
The son Alistair is greedy boy who is always eating candy and is cruel to his sister. But where does he get this candy from. He has dark hair like his father and mother.
Penny is the youngest and is greedy for stories and attention, but otherwise is a good child. She is enthralled with Molly’s copper hair, something she used to have. Molly thinks that is odd, even more so when she sees a portrait of them on the wall-all with bright skin, bright colored hair-nothing like the dour, dark haired, and ghostly pale skin they have now.
Kip starts working in the yard and loves growing things, but still feels unease about that tree. But there are things down in the yard he did not do. Things planted. But who could be doing that?
The longer they stay there the harder it is to leave. At night they have bad dreams and hear something stalking in the night. Penny tells Molly of a night man in the house clomping through and going outside. Molly doesn’t believe her…at first, but then one night, she is sneaking her brother into the house and the two see a man-a ghostly, creepy, scary man who works on the yard but espechially with the dark and disturbing tree.
Then Molly discovers a secret. The tree in the house grants you a wish of your heart-but once given it is impossible to stop going back. Constance Windsor had a ring that was worth nothing, but given before Mr. Windsor made money. He sold it when they needed funds and the tree gave her a copy, and she can’t stop trying to get it back.
Alistair’s favorite memory was when his father and him spent the day together and went to a candy store. He can’t stop getting or eating candy, trying to relive the memory. Penny has special books that are stories about her. For Molly she gets letters from her parents, letters that tell of the same stories she has been feeding her brother.
But Molly quickly learns to be careful for what you wish for as the price might be more than you want to pay. She too finds herself becoming bound to the tree, her copper hair and imaginative self being sucked away as she waits for more letters. Will Molly and Kip be able to save themselves and the Windsor family? Or will they meet their end?
I LOVED this book. It was so spooky and reminded me of other Gothic tales I grew up reading. I espechially loved the imagery of the tree feeding on them, stealing their souls essentially, taking from them and they know it is feeding off them-but they can’t stop it.
It was extremely spooky and creepy-just how I like it.
So last year my friend and I started watching Alta Mar/High Seas after watching the trailer as it looked really good. We were both thoroughly pleased as it was AMAZING and we couldn’t stop until we finished it.
The story is of two sisters, Eva and Carolina Villanueve. They lost their father, their home country of Spain was greatly changed because of WWII, and both ladies are looking for something new. Carolina had been running the family business, but decided to sell the company and is planning to marry Fernando Fábregas (owner of the ocean liner the Barbara de Braganza). Her sister Eva doesn’t like the changes Carolina is making but is still supporting her. She is also traveling on the Barbara de Braganza to Brazil to meet with a publisher interested in her book.
On our way!
They are on their way to the ship’s dock and hit a woman, a woman running away from an abusive man with powerful connections. Eva takes pity on her, ignores Carolina, and sneaks her aboard as a stowaway. However, this woman is not who she says she is and the sisters are in for quite the journey.
Someone is murdered on the ship, it turns out their uncle Pedro and family friend Dr. Rojas have some secret they are keeping from the girls, their stowaway vanishes, someone they thought was dead is alive, and more. All this while they are on a ship in the middle of the ocean-you can see how it makes for one fantastic season.
So even though I absolutely loved it, the end of season one left quite a few things unanswered. Who did Fernando need to meet at midnight the first night? Who were those people in the middle of the ocean from a distressed ship? The guy they arrested for the murder “committed suicide” but we know he didn’t as he didn’t kill the guy. So who murdered him? Why did Fernando lie about the wedding rings being stolen?
So when they came out with season two last December we were so jazzed to watch it, but that enjoyment faded as it stunk.
It was like someone decided to take everything people loved about the first season and then do the opposite.
So after the events of the first season the uncle is okay, (his brother attacked him in the throat), the father jailed, the stowaway jailed, the evil Doctor Rojas is jailed, and Fernando picks up a group from the distressed ship: one of the people rescued, Casandra Lenormand, says she is a psychic. Is she lying? Telling the truth? One thing is for sure, she will be trouble either way.
So to make this the easiest way I can, I’m going to take this person by person. We are going to start with Carolina (Alejandra Onieva). Carolina married at midnight to Fernando, who is still acting like a jerk and lying/hiding something very important from her. Things start going downhill immediately as strange things start happening to Carolina but only things she sees. For example, her clothes in a mess about the room, and later suddenly put away. She sees a shadowy figure, but no one else does and it is gone. Is she going crazy? Or being gaslighted?
Going mad! From Possessed
Carolina is approached the psychic who just wants to help her.
I can’t believe this. Her inserting into Carolina’s life, her just happening to be there, her “helpfulness” that make Carolina worse, and her “friendship” causing her to separate from her sister and husband-this girl is no good.
Casandra uses her Ouija board, revealing the name Rosa Marin. There are ghost sightings and Carolina believes that the ghost is haunting her and the ship. Carolina doesn’t trust herself, she doesn’t trust to tell her sister, she doesn’t trust her husband-espechially after finding out he was involved with Rosa Marin. The only person she finds herself trusting is Casandra.
I don’t trust her.
Carolina starts suspecting that Fernando is the one that murdered Rosa Marin, the former owner of the ship. Casandra starts putting the moves on Carolina and Carolina finds herself confused-married to Fernando but now she is uncertain of their future and considering Casandra. But it turns out the psycho psychic is a fake.
Yes, just like I thought it turns out she is a liar and her the sister was Rosa Marin. She thought Carolina murdered her sister as Fernando and Rosa were involved and going to run off together. Casandra was making Carolina think she was going crazy as she thought she killed her sister to keep Raoul. But then, she fell for Carolina and decided that Fernando must be the killer.
I feel bad for poor Carolina as she is in such a horrible mental state as Casandra and her people have been driving her crazy, AND she discovers that her husband was cheating on her and planning on jilting her. She is like all levels of just what is going on. And instead of Carolina and Eva working on this together and trying to figure out what happened- Carolina spends zero time with her sister until the very end. The sisterly bonds was what I found so enjoyable about the first season, and they completely threw it out the window.
So you think after all this Fernando would have Casandra locked up, you know due to the fact she contrived a way to get there (creating a mayday signal and claiming their ship sunk), was trying to drive Carolina insane, and frame Fernando for murder of her sister because she believes he is the killer, right? But no, even though Cassandra just did a huge Scooby-Doo plot and harassed Fernando, the ship’s owner, and his wife– she just gets to be on the ship and enjoy a jolly holiday. Why isn’t she imprisoned in her cabin? The sisters still have her help them! This is literally insane!
Who wrote this? Why would you trust her?
So let’s move on to Eva (Ivana Baquero) and Nicolás Vázquez (Jon Kortajarena). So in the previous season, Nicolás was trying to get Eva to go out with him as he fell for her right away. They spent the whole last season sleuthing and Nicolás became the captain when Capitán Santiago Aguirre had to be pulled from duty. Nicolás has had a sad life of being an orphan turned thief, to being found and saved by Capitán Santiago Aguirre, married, fought in WWII, wife taken as she was part of the resistance, and then she passed away in a concentration camp giving birth. He finally found happiness again with Eva.
Now I LOVED them together! The two were like Tommy and Tuppence, and the best part of the series. I loved their chemistry and interactions.
So as I mentioned, Eva and Nicolás are an item, and all of us are so happy for them. Well…except for the writers who decide that Nicolás’ wife is alive after being declared dead for years-yes and after all he did to find her and couldn’t, she somehow managed to find the ship he is on and get to Brazil, preparing to meet him when he arrives. To make things even worse, Nicolás receives the telegram right after he and Eva sleep together.
Nicolás still loves Eva and wants to help her as he worries about her with all the crazy shenanigans on the Barbara de Braganza but she won’t have anything to do with him as he is a married man. On one hand, I’m like good for her to avoid him as being with him is just setting herself up for heartbreak. But on the other hand, I hate these two being separated SOO much. So yeah, they spend hardly any time together.
Eva spends most of the season alone more than anything and trying to find where her father disappeared (he escaped from being imprisoned) and investigating whether Cassandra the psychic is who she says she is, and also not talking to her sister.
Then we have beautiful, sweet Clara (Laura Prats) the singer. In the last season she was raped by Aníbal de Souza and when she threatened to tell on him, he attacked her. His wife, Natalia Fábregas (Fernando’s sister) helped fight him off (as he didn’t treat her any better) and killed him on accident. Instead of notifying the doctor, the wife convinced her to hide it and help her move the body to make it look like he was drunk and fell.
Clara is suffering a lot from this trauma and the guilt and Natalia is a horrible human being who doesn’t help. The ship detective, Varela, who has bumbled around the first season doing nothing-finally has his brain cells work figures it out and starts blackmailing Natalia. Clara finally tells her boyfriend Pierre what happened and he wants to support her but doesn’t know how. I actually thought it was well done as he wants to help but is utterly clueless. Pierre leans on Natalia as he wants to protect Clara, and she tangles him in her web as she starts to desire him. She puts the moves on him, and poor traumatized, lost little Clara sees it and it pushes her over the edge-and she commits suicide.
You precious cinnamon roll! You were too good for this world! I’m crying!
So in the last season Sebastian de la Cuesta, a rich playboy and friend of Fernando, and Verónica de García, (daughter of the Villanueve sister’s maid and their maid as well), got involved. They were hiding it from her mother, she pretending to be with the boy her mother liked-Sebastian’s valet Dimas Gómez. I love Dimas, but Veronica doesn’t. She and Sebastian are getting more serious, but Sebastian has a secret-he has no money. Dimas has a plan to create ethanol and just needs financial backing. He went to Sebastian for help, but Sebastian stole it and showed it to another friend who double-crossed him. Sebastian tries to win it back in poker but loses the plans and his family castle.
He proposes to Veronica who refuses him, and ends up going off with Dimas. I actually didn’t want them together as I think Dimas deserved better. He’s like Fanny Price, the person they longed for is not worth it.
So whodunnit? In the end the killer was their housekeeper and surrogate mother, Francisca de García. She found out that Fernando was going to run off and she didn’t want Carolina hurt. She went to talk to Rosa, who was such a nasty horrid girl who only cared about herself and was rude to Francisca. Francisca snapped and killed her.
Oh yeah, and the stowaway is just running about and hugely pregnant-when did that happen?
The stowaway escapes with the Nazi gold from season one, Nicolás runs off to a woman wearing a wide-brimmed hat (that’s right we don’t even get to see her), and the Villanueve sisters and Fernando get in a car and drive away. This journey is over, but another will start…next year.
It was horrid and I hated it. I would rather just go back and watch the first season again.
Although, they have sucked me in with Nicolás and his wife. As soon as that last episode ended, I knew I would be watching the next season as I had to know if Nicolás and Eva got back together.
The only thing that didn’t disappoint this season? The clothes! I love 1940s fashion and I want nearly EVERYTHING they own.
So this year’s theme is “mysteries” in honor of Agatha Christie’s novel The Mysterious Affair at Styles turning 100 years old. To really have this theme be present I decided to review a mystery every month…somehow and ideally connecting it to Jane Austen.
Mystery, you say?
In January, I wasn’t sure what to do when I received a goblin in my mailbox.
So the last package seemed to be saying that there is something wrong with 27 East Heath Road
The architect, Henry Griggs, had been going crazy trying to finish building the house, after his wife died-using all his money. He even felt as if something was there making him continue, something altering his plans, something controlling him.
The house was almost complete, but Griggs has descended into some kind of madness.
“The madness in the walls must not escape…I fear I shall be gone altogether…I fear harm may come to her [Lizzy] if she is not sent to safety.”
He ends up putting his daughter in an orphanage and Griggs disappears, presumed dead.
Or is it?!
This package contained a lot of items and goes on a bit:
1 Letter from Dr. Jack S. Aigner
4 Small Memorandum/ Doctor’s notes from Dr. William Elliot
Arsenic Druggist Note
A Page from Baldwin’s Physician’s Guide
1 Large Memorandum/ Doctor’s notes from Dr. William Elliot
Dr. Elliott’s Tincture Receipt
1 Poster for The Great Goodyear
1 Great Goodyear flip book that showcases two of his illusions
Garden Diary of Héléne Ashworth
Elise Face Cosmetiques Label
A page from Charles Dickens’ The Chimes
So first of all, I saw Dr. Walter Elliott on the letters:
And as a Jane Austen fan my mind went:
This is 1888, I am going to believe this is Mr. Elliot’s great or great-great grandson, named after Sir Walter. I mean I don’t know if he married Mrs. Clay, but I do know that eventually he would have to secure his family line and inheritance.
So Dr. Walter Elliot, descendent of Mr. Elliot, has purchased 27 East Heath Road and everything inside the building for £420 sterling. I think he will regret this…
So Dr. Elliot has a conservatory and grows herbs but according to his former instructor Dr. Jack S. Aigner, Dr. Elliot is sensitive, insecure of whether or not he is a good doctor, creates different tonics and medicines; AND medicates/tests himself. Uh, oh. Oh no, that does not sound good.
Dr. Aiger mentions the room he is using to treat patients and that it holds a mirror, but it is placed strange on the wrong wall. It should be behind the patient, not in front, but it will be good if he wants to try self-hypnosis. There is a young girl he is trying to help that is an interesting case. Hmm…could it be Elizabeth Griggs?
Then we have Dr. Elliot’s notes on the patient, although not all of them. He mysteriously chose to remove the notes in his patient from September 1889-October 1891, us picking it up in October 1891.
His patient is interesting…she wants to be in the room alone and when he stepped out as she said she heard footfalls in hallway, she moved the flowers in the office, why?
She likes the tincture he gave her, which pleases him as he is really getting the use out of his conservatory.
The next notes are from February 1889, and we are given that the name is on Beth Siggers 15 years old. The DOB is inked out, but we know it is 1874. Could this be Elizabeth Griggs? Just her name changed so the Doctor doesn’t connect it to the architect if the house?
Beth comes to see Dr. Elliot because she is suffering headaches and shortness of breath, but when she came in she would not sit, instead touching and knocking into everything-walls, tables, the mirror, etc. Searching…but for what? He thinks she faked the illness but why? He gives her some tincture and she leaves.
Beth continues to return to the Doctor’s office, but every time she has a different ailment. Obviously she is suffering from a mental issue rather than a physical ones, but what and why?
She returns another time and says she left her bag behind, but when he finds her he sees she isn’t in the reception area but on the main staircase as she got “turned around”. Strange behavior, the doctor prescribes tonic.
She seems much better, although she is fixated on the mirror. The doctor looked at it and thought he saw a face in it, but that is just nonsense. He gives her 1/2 bottle of tonic.
She returns later complaining the tonic is too strong, and Dr. Elliot watered it down and 1/2 the dose-1/4 tonic. It’s strange, he notices the hallway door is ajar. That keeps happening every time Beth comes to his office.
Beth returns, upset and acting strange: pulse elevated and pupils dilated. Dr. Elliot thinks it is just “spring fever” and gives previous mixture and dosage.
Beth has been by again and Dr. Eliot thinks he saw a figure in the mirror, again. He has always hated the way the mirror was fixed in the wall. He searches, but there is nothing there. Dr. Elliot begins to worry that maybe the tincture he took and tested on himself might be giving him hallucinations.
Dr. Elliot has decided to no longer see Beth. He tells her and later that evening he discovers she has hid in the parlour…weird why? She begs him to let her come back and he agrees for one more time.
NO, NO, NO, NO, NO!!! Something is wrong with this girl-you need to get way from her.
Dr. Elliot feels watched and puzzles over the patient. Maybe he should stop seeing her, nothing seems to be changing.
YES!!! STOP SEEING HER SOMETHING ISN’T RIGHT!! But of course he won’t listen. He will continue and things are going to go wrong.
Things are getting worse. After Beth comes poking on walls, knocking here and there, looking in corners, seeing things that aren’t there, Dr. Elliot too starts to feel as if there are spirits, ghosts, or something in the house. He tries to talk himself out of it but wonders.
He continues his experiments and taking the tincture. Oh no Dr. Elliot, don’t test on yourself!
In another set of letters from February 1892 to Jack, Dr. Elliot mentions a page with ciphers from Baldwin’s Physcian’s Guide. The page is included with these lines underlined:
“…what can be gained from inclusive speculation on the subject?”
“…physiognomy is mere judgement, assumption, and, in some cases, coincidence.”
On the back is an image that looks out of the Grimm texts and has some strange ciphers on it.
In his letter he has figured out what two of the symbols mean, an E & R.
Meanwhile, Griggs’ daughter, Beth, continues to see the doctor and every visit something odd happens. The flowers espechially always seem to be moved.
Beth keeps talking about something she sees under hypnosis so Dr. Elliot decides to test it and takes extra tincture.
Don’t Do it!!! Stop!!!! NOOOOOOOOO!!!!
There is a receipt for his tincture and on the back it says:
“You’ve got the right bottle, doctor.” With a bunch of symbols.
DON’T DO IT!!!!!
Dr. Elliot gets some cramps but about 30 mins in, he sees a figure in the mirror, or looking to come out of the mirror…
He leans toward the mirror and the figure was gone. He searched the house for it and found the dispensary unlocked, even though he always locks it.
He decides to increase the dose and do it again, adding to his letter later-he does and it says:
“I see it! It comes…”
And that is the end of Dr. Elliot. I’m assuming he died. Poor guy, you shouldn’t have tested on yourself-you shouldn’t have delved into the unknown, espechially on your own.
You’re crazy! Crazy, am I? We’ll see whether I’m crazy or not.
There is no more correspondence, we then switch to the second half of the package.
Time to get on the case!
The next item in the package is the garden diary of Héléne Ashworth.
The house has been sold to the Great Goodyear, Claude Goodyear, and his muse, assistant, and wife Héléne Ashworth. The name sounds familiar, but I’m not sure why.
Where have I read or seen that name before?
Their friend, Lilibeth, let them know about 27 East Heath Road becoming available after the doctor died. It seems he accidentally took too much of his medicine, although some whisper it was a suicide.
Claude loves the room with the mirror in it, as it can help him to practice his tricks and Héléne loves having the conservatory as she is a gardener. She has taken inventory about the plants and discovered hemlock. Hemlock? Why would a doctor need that?
Claude jokes about ghosts in the walls as the house does make noise, but Héléne is not afraid. She loves her new house.
Héléne’s garden is doing well except for the calla lilies and forget-me-nots she planted. Instead the hyacinth, lavender, and dragonwort are doing extremely well-even though she did not plant them. There is no way Claude did so where did they come from?
At 27 East Heath Road.
Héléne believes in the language of flowers and these ones that mysteriously appeared mean constancy, devotion, and twice twisted. Hmm…maybe it means something twice twisted in the house? Devoted to it?
Let’s see-hemlock was poisonous, are these too? Let me look…yes, hyacinth bulbs are poisonous and touching them causes skin irritation. So lavender is used in food and perfumes so it is okay to take, but it can cause constipation, headache, and skin irritation in some people. Dragonwort is used to stop bleeding. So again, doesn’t seem too bad.
There are a lot of strange herbs Héléne doesn’t know growing as well. She also discovers two more letters of the cipher-M & Y.
Claude is doing extremely well and even gets to perform at the famous Egyptian Hall. Héléne is so excited to perform, but Claude wants her to quit now that they are married. Hmmm…
Meanwhile, Héléne feels watched in the house. She wants to mention it to her husband, but decides not to worry him before a big show. On a sad note all the Calla lilies died, just like their hopes for a baby.
Héléne is no longer allowed to perform, Claude thinking that is what caused them to have a miscarriage. Try as she might the yellow hyacinth (jealousy) keeps growing, and Héléne is convinced there is a curse on this house-a curse keeping a cild from being born, her nice and kind flowers from growing, and the hyacinth strong.
Héléne finds more and more deadly plants-nightshade and monkshood. She also sees the gruesome figure from her nightmares. She tries to tell her husband but he doesn’t listen, saying the illusions have turned her head.
Claude has refused two engagements and is very upset. He is convinced spies are coming into the halls and watching/copying his ideas. He continues to practice in the room with the mirror and won’t let anyone into it, not even Héléne.
Héléne is very hurt and upset as she and Claude grow farther and farther apart. Sometimes Héléne pus on the old costumes and performs in front of the plants-wishing she could still be on the stage.
Lilibet has grown worried about Héléne and has taken up spiritualism and becoming a very famous medium. Lilibet and Héléne have known each other since girlhood and Héléne decides to throw a get together and help Lilibet. I’m starting to think Lilibet is Elizabeth “Beth” Griggs. Maybe Héléne was in the orphanage? I’ll check. The records say she is, ah “…the scarlet thread of murder running through the colourless skein of life” (A Study in Scarlet by Sir Arthur Conan Doyle) is Elizabeth Griggs.
And it is “…our duty is to unravel it, and isolate it, and expose every inch of it.” (A Study in Scarlet by Sir Arthur Conan Doyle)
Mystery, you say?
Liliibet otherwise known as Mrs. Alizbeta Divak has asked Hélene to join in. Helene has created the character Madame Solandra, wears black bombazine, and pale makeup that comes from the Elise makeup company. There is a label from Elise Cosmetiques and it has a message on the back:
“YOU THINK TO HIDE YOURSELF FROM ME?”
Followed by the ciphers.
Claude does not approve of spiritualism, Helene has to hide it from him.
They held the seance but things did not go as planned, A real spirit came from the mirror shouting at them “interlopers! Be gone!”
When Héléne did the automatic writing it was if someone else was controlling her. Helene faints and when she awakens, it is Lilibet giving her smelling salts.
Oh no, the smelling salts were poisoned with the Doctor’s medicine.
Lilibet preetends it didn’t happen, but Héléne knows it was real. She however feels very sick.
Helene is still sick and supposed to be in bed, but has found a strange hidden doorway and secret hidden rooms in the house But is it real? She is fading in and out and unsure.
But no! She found it! She has found a secret door in the conservatory, as soon as she is stronger she will investigate it!
Time to get on the case!
Helene’s passage is a strange one. She believes the phantom is walking the house and Claude has all but disappeared. Is there a spirit in her home? A man? Or is her husband gaslighting her?
And all her flowers were ripped up? Why would the phantom want to do that?Why put dirt on her hands after?
Claude is yelling and locking Helene in her room refusing Lilibet to come in. But she has found a way out. She will follow the wallpaper and escape that way…
That is the last entry in the journal.
This felt a lot like The Yellow Wallpaper, the short story where the lady goes mad and her husband locks her up (or did her husband lock her up and then she went mad?)
Hmmm…is there a phantom or just an evil husband?
Next we have a newspaper clipping “Murder at the Mad Magician’s Mansion”.
The wife of The Great Goodyear, Claude Goodyear, has been found dead in her home, found by her husband when he returned from performing.
Héléne’s face was frozen in terror and the inquest found that she had been poisoned-even though she was alone in the house and it was locked up tight. But by who? And how?
Of course authorities looked at the husband first, but it was impossible for him to slip away as he was performing and his every moment had witnesses.
Her body was strangely found, it looked as if she was trying to crawl out of a small under-stairs cupboard with her face frozen, and hair turned white.
It appears Claude has lost his mind at his wife’s death. He warns people of a gruesome phantom moving in his house, warning people to stay far away.
And last a page ripped out of Charles Dicken’s The Chimes with the following words underlined:
“Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance..”
“Haunt and hunt him…”
“Bleak his slumbers…”
“he saw thisWITH Goblin sight…”
“…saw these creatures, not only among sleeping men but waking also…”
There are more marks of the secret language written in the margin.
I have been working on decoding it, and I think I’ve figures out a few letters based on what they gave me and just common sense of filling in the blanks, but there are some I am just not sure of.
So I am getting a Phantom of the Opera vibe from this (I love The Phantom of the Opera)
So in the original story of The Phantom of the Opera, one of Erik’s (the phantom’s) many talents was architecture and he builds the opera house-creating his secret home and all the passages, using the mirror as a door to bring Christine to his lair.
I think Henry Griggs is alive! And living in the house he built, probably a secret passage in the mirror. I’m just not sure if he is killing people because he us possessed by something or because he thinks if he does he will have his house back. I’ll have to wait and see.
A lot of stuff came in this package and I did my best to try and put it all in one picture: