Ghosts, Ghouls, and Gothic Fiction

So here ends another Horrorfest: 31 reviews of films and/or TV episodes that are mysteries, horror, film-noir, suspense, monster movies, thrillers, etc.

It amazes me that have been doing this ten years already.

Wow!

I only started doing this because I already would watch something for Halloween every day in October (and annoy my friends by doing so); and it was a real easy leap to blog about it. I know some people don’t think I should as it has “nothing” to do with Jane Austen. That may be true, but I do know one character who would enjoy Halloween and Horror films.

Every year I start off with a little planning: first film, last film, etc.- And everything else is just whatever I happened to watch.

I also did my second annual Celebrate Halloween with Northanger Abbey.

And of course our Annual films:

  • A movie or TV episode from every decade from the 1930s-2020s
  • Jane Austen with Northanger Abbey (1987)
  • Alfred Hitchcock with Vertigo (1958)
  • Animated Film with Scooby-Doo on Zombie Island (1998)
  • Disney with The Cat From Outer Space (1978) and Mom’s Got a Date With a Vampire (2000)
  • Stephen King with The Shining (1980)
  • Tim Burton with Miss Peregrine’s Home for Peculiar Children (2016)
  • Vincent Price with “Ship of Ghouls” from The Love Boat (1978)

This year I reviewed the following:

Wuthering Heights (1939)

Ramrod (1947)

Vertigo (1958)

Munster Masquerade from The Munsters (1966)

The Cat From Outer Space (1978)

Ship of Ghouls from The Love Boat (1978)

The Shining (1980)

Labyrinth (1986)

The Monster Squad (1987)

Northanger Abbey (1987)

The Stepfather (1987)

Heathers (1988)

Ghostbusters 2 (1989)

Murder in High C” from Murder She Wrote (1995)

True Crime (1996)

Scooby-Doo on Zombie Island (1998)

Mom’s Got a Date With a Vampire (2000)

Death on the Nile (2004)

Twilight (2008)

Turn of the Screw (2009)

Twilight Saga, New Moon (2009)

Twilight Saga, Eclipse (2010)

Twilight Saga, Breaking Dawn Part I (2011)

Twilight Saga, Breaking Dawn Part II (2012)

Mysteries & Meddling Kids: Austin & Ally (2015)

Miss Peregrine’s Home for Peculiar Children (2016)

The Moonstone (2016)

Kong, Skull Island (2017)

The Open House (2018)

Godzilla King of the Monsters (2019)

Godzilla vs. Kong (2021)

By the way if you love ghosts, ghouls, and gothic fiction you should definitely get this shirt that MadsenCreations and I created.

Have You a Stout Heart?: Northanger Abbey (1987)

Happy Halloween Everyone!

So every year I have been trying to find a way to include Jane Austen in my Horrorfest posts. I lucked out with Death Comes to Pemberley as that gave me two years, (I posted in between as three years seemed a really long break.); and I was also able to review the Midsomer Murders episode “Death by Persuasion“. Then last year I came up with one of my better ideas:

Last year I reviewed the 2007 adaption (I also watched it with my niece and recorded her thoughts), but this year I decided to take a look at the 1987 adaption:

So Northanger Abbey is probably my favorite Jane Austen book as I just love Catherine, she’s so me.

I haven’t seen this adaption in over ten years. When I first read Pride and Prejudice back at the age of 16 I then went on to read the rest of Austen’s works and then watched every adaption I could my hands on. I remember not really being into it, there’s a lady with a heavily painted face and mole (why she is focused on I don’t remember), and that is about it.

So let’s see how this rewatch goes. And also joining me is my sister (R), my mom, and my 25 year old male friend (N).

So what is up with this music? It’s a weird dramatic rock opera. With some weird chanting going on.

We start off with Catherine in a tree reading a book.

She acts out the parts of the books, making different voices, but then imagines herself in the book. It was cute, but there are way too many of these scenes in this movie. It made it feel really, really dragged out. I like that the 2007 version kept that in, but made sure to do less and have them mostly be when she is dreaming instead of just randomly all the time.

This actress, Katharine Schlesinger, has really pretty eyes but she tends to just have them go dead.

I think she was trying to go for a wide eyed innocence look, but it comes off creepy, desperate, and shark like at times.

Here I am!

So Catherine gets asked to go to Bath and on the way we have another “imagination” scene where she is captured (again) and tied to a bed (again). My friend N who had never heard of Northanger Abbey was really shocked at this.

“N: She’s got an active imagination. She’s probably into bondage.

In his defense they have showed her being tied up in a majority of her imaginings. I guess the director was trying to go for sexy gothic fiction, but it was weird and it was Harding to have the film interrupted like every 10 minutes (it was probably more time between).

One thing that is really odd about this film is that on the way to Bath they have Catherine ass Northanger Abbey and is told about. I really didn’t like this because first of all why is Northanger Abbey down the block from her house? And secondly, her knowing of Northanger Abbey before meeting the Tilneys makes her seem like a gold digger as she already knows if their wealth and is enamored of the abbey. It’s a really weird choice to make and I’m not sure why they decided to do that.

As they pass by they also play this creepy horror music that is really out of place. It also makes it sound like vampires live there.


Me: What is with this music. Definitely sounds like a vampire is in there.

N: Might as well come out Vampires, they are playing your music.

We then get even more shots close up in her face. I really, really, really don’t like it. They are too big, too unblinking, and the director gets too close.

So they wait a day to go out as they needed to get more clothes. When they do go they meet Mr. Tilney and no offense to Peter Firth but he is no JJ Feild. I mean look at JJ Feild:

And now Peter Firth:

Me: He looks…kinda…weird.

My Mom: He looks an elf.

N: He looks like a creep.

To make things worse, this Mr. Tilney is pretty stiff and lacks charm. He also likes to philosophize a lot which didn’t bother the others viewing but it made me really uncomfortable as I felt that he was insulting and trying to educate Catherine to his way of thinking; instead of getting to know her. Maybe I’m off base but that’s how I felt about it all.

The next day they can’t go out because it is raining and Catherine stares out the window angry-again looking super creepy. She looks like she wants to burn the city down.

Salt and burn it

Like she looks crazy!

It’s the eyes!

James arrives with John Thorpe and it feels like they are just flipping through this book. John Thorpe arrives and there is a clown horn sound effect, I’m not sure what it is and how it is made in the Regency era, but if that doesn’t fully encapsulate John Thorpe than I don’t know what does.

N: Here comes the Mad Hatter

R: He looks like a leprechaun.

N: He looks like a creep.

And to add to the creepiness of this scene the director decided to do lots of closeups on the face, filling the screen with them. I’m like can we back away please and give them some space.

The Thorpes are interesting characters. John is oozing creepiness and gives off that vibe of that one guy that is obsessive and controlling. Isabella is all smiles and it is all the same smile, 24/7. I think the director or actress was trying to have it be her facade, hiding her true nature; but to me it was unnerving to see her smiling all the time.

After this the two go on a ride in the gig, Catherine not being super into it, with the boys splitting up to be alone with their girls”. This scene is also weird as John Thorpe asks a few awkward questions to find out if she is rich or not but it is really strange way of questioning and he sound slike he suspects her of being a good digger. Which is odd because he IS one.

The other thing that is odd about this film is that it has been missing the Tilneys. Where are they?

The next day Mrs. Allen discovers that Mr. Tilney is there with his sister. She gets all happy that Mr. Tilney is single and goes into another fantasy.

N: Oh no, not again! Here is another bondage fantasy.

This fantasy/daydream is pretty gross as it shows a woman sewing her fingers together. Ew!

The next day Catherine and Isabella (or as the actress calls her, Isabeller) are spending time together and Isabella shares that she and James are in love and he went to ask his parent’s permission. Isabella is a little worried because her family doesn’t have money, and thanks to John Thorpe’s running of the mouth, they believe the Morland’s to soon-to-be wealthy, as they will inherit Mr. Allen’s wealth.

Catherine Morland: James and I think marrying for money is a very wicked thing to do.

My Mom: That’s because you are poor.

The next day they all go to the baths and everyone was surprised by the little wooden boards around their necks. I thought they held like bath salts or something, everyone else thought it was food. Does anyone know exactly what those are? I did a quick google search but didn’t find anything. I plan to go into more research later.

N: I like the snack tray hanging around their necks. I think it’s cool they have a little charcuterie to get their snack on.

So this scene is really weird as she hasn’t been introduced to Eleanor and just goes up to her and starts talking. It’s very much like when Mr. Collins approaches Mr. Darcy at the ball. It comes off very desperate and the in my opinion, if this film wasn’t based off a beloved book that I had read I would have thought that these people need to get a restraining order or something as Catherine comes off sooo crazy and almost obsessed with them.

So Eleanor and Catherine made plans to go walking and Mr. Thorpe does not want that at all. He wants to keep her with him, as does Isabella as they think Catherine is set to be an heiress. Catherine does not want to go with him, but he decided that would not do and cancels with the Tilneys for he. This John Thorpe is an extra creeping creep! When Catherine tried to leave he grabs her arm to force her to stay. Like he gets completely crazy

John Thorpe: I like a girl with spirit.

No, run Catherine! Run! She does, thank goodness, but when she runs she holds her skirts up really high that her knees are showing. I’m like girl, what are you doing?She runs all the way to the Tilneys and just barges in their house into their sitting room where they are together babbling about the walk and how she wants to be with them. She looks and acts crazy.

She meets General Tilney and while Eleanor explain the situation, Mr. Tilney low key tries to get an invite. Like this Mr. Tilney is trying to be sarcastic and silly, but something seems off. Like he’s a bit too grandiose and flamboyant in his interactions to me.

I really do not like this Mr. Tilney as everything he says is too mean spirited or the way he talks to Catherine feels as if he is mansplaining/talking down to her. The words aren’t bad, but the delivery he is just out there and there is no charm or chemistry between them. They share the same space but they don’t feel like they are inhabiting the same world.

So unfortunately I have not been able to finish transcribing my review from my notes. As I have to go to work I will pause her, and continue with part II tonight.

Part II

Sorry for that brief intermission. I am going to try and finish up what I can while on my lunch and then everything else tonight. Although it won’t be much as the power went out 15 minutes into my lunch and just came on.

So I have been thinking about this all day and I really think the reason why I don’t like this portrayal of Mr. Tilney is that he is too much like Mr. Collins and Mr. Elton. He has grandiose manners and a interacts (body language) like Mr. Collins and then his way of talking and uppityness (although he’s supposed to be making fun of people) is too reminiscent of Mr. Elton. One of the reasons Mr Tilney is so enjoyable is that he is different from the other Austen characters. I really feel this actor did not understand the character he is supposed to be playing.

So everything is going well, but then Captain Fredrick Tilney enters the picture. My friend N had a few thoughts about him:

N: He [Frederick Tilney] looks like the guy from Pirates of the Caribbean.

Me: Norrington?

N: Yeah

I don’t think so, I mean they both wear a wig. That’s about it.

Oh well…

N: [Talking about Captain Tilney] I can’t believe these cheesy lines.

Me: He’s like that frat guy who has his set of lines that he uses and just goes down the line of girls until it works on someone. Plus he’s the first son and rich.

N: So he’s a Regency frat guy?

Me: Hmm…basically.

Ugh…this guy

Catherine watches Frederick and Isabella together and is worried. She wants Mr. Tilney to do something but he won’t as he has tried before and his brother won’t listen. I guess if I had to choose one thing that this adaption does really well is that I like how it shows the brother’s relationship. Although, while it shows their relationship well, it doesn’t show his and Eleanor as well as the 2007 adaption. He and Eleanor have a few scenes together, but he talks more about her than spends time with her.

Catherine and Mr. Tilney then have what would have been a cute scene, Mr. Tilney sarcastically echoing her words from before telling her that Isabella has a choice and Catherine giving it back to him, except she peters out and ends her sentence with dead eyes.

She convinces Mr. Tilney and he goes to his brother where they both take snuff! Snuff! No wonder Mr. Tilney is acting so weird, he’s been up on cocaine.

You are crazy

Catherine gets invited to go to Northanger Abbey and is super excited as she thinks it will be just like in her novels she has been reading. But what is sad is that Catherine Moreland wishes she was in a gothic novel, but Eleanor is trapped in one. She’s in a dreary old home with an abusive father, stuck there alone until she gets married. She’s had a wealthy life but an emotionally poor one, in contrast to Catherine who grew up not with riches but with parents who cared more about her than what they could broker with her.

So they get to the Abbey and Catherine is told that General Tilney is very particular about time and to not dilly dally. She reads her book and is late, later getting lost/exploring the abbey. These scenes were probably the best in the film as it was nice to see her wander through the mysterious manor.

She then goes to a random room and we have the weirdest exchange I have ever seen. So Catherine is looking at a canary in a cage when Mr. Tilney comes upon her. She’s looking at a bird in the cage and Mr. Tilney tells her that it is a canary. Catherine remarks how sad it is that it is in a cage and then Mr. Tilney tells her that’s all it has ever known. He then asks her if she has a stout heart or can handle being stuck her in a really, really creepy voice.

This scene is so creepy! Mr. Tilney sounds like a psycho! Like the way the scene is done with the cage it makes it sound like he is planning on making her a permanent fixture, and not in a good way-like buried in the walls or locked in the attic. N said that he thought he was playing up the gothic points but even he agreed with me this whole scene was creepy. If I was in this situation I would run and that is what I would tell Catherine to do.

You know an adaption is bad when it makes you afraid Mr. Tilney is going to murder Catherine.

Creepy…

That night at dinner General Tilney is super controlling and gets angry when his son doesn’t propose to him over the soup.

There is a definite shift in characters when leaving Bath for Northanger Abbey. In Bath Catherine was acting all crazy, while in Northanger Abbey it is Mr. Tilney. We also have the general shifting from genial to controlling, uncouth, and rude.

N: I don’t understand why they have such a big table for just a few people.

Me: That’s because you’re poor .

N: [Laughs] You’re right, that is something a poor person would say.

That night Catherine is in her room looking through the writing desk for clues when she hears Eleanor and Tilney outside her room, Eleanor having a breakdown. I know they want to give character development, but it seems odd that they would do this outside their guest’s room.

They also sound like they are planning to murder General Tilney, it’s like Northanger Abbey became the murder house or something.

General Tilney acts like a vampire. Like I forget at times what he is saying as he looks like he wants to suck her blood.

Catherine also is super insensitive in this adaption. When talking to Elinor about her dead mother she refers to Mrs. Tilney as “the corpse”.

The Tilney have a party and Mr. Tilney sings in a flamboyant way with another girl. He looks silly and horrible, but Catherine looks worse as her eyes bore into the woman and she looks as if she would like to murder her.

The other guest is, Marchioness de Thierry, who shares the same backstory as the real life person, Jane Austen’s sister-in-law Eliza de Feuillide.

The makeup and costuming is ghastly and this character doesn’t even really add to the story.

N: She [Marchioness de Thierry] looks like Dr. Frank N. Furter.

Then we have the weirdest scene. A little servant boy leads Catherine outside during the performance WHERE HE DOES CARTWHEELS and she has another fantasy/daydream. Like what is even happening?!!

So later the General invites Catherine out riding. She agrees but after questioning the maid decides she would much rather try to investigate Mrs. Tilney’s room, she and Elinor had tried to see the picture earlier but failed. As soon as all have ridden away she snoops to the mother’s room and looks around.

Mr. Tilney interrupts her as he wanted to check on her. Again, he really creeps me out in this scene as he is angry, but says everything calm, quiet, and over the top. He makes me think of Hannibal Lector when he talks to Clarice. It also doesn’t help that he has a riding crop and blocks the door, giving even more creep vibes.

SUPER creeped

He leaves and Catherine, sad, goes to her room and destroys the book by ripping it up and throwing it in the fireplace. NOOOO! NOT THE BOOKS!!!

Catherine cries the day away and falls asleep. She is awoken by Eleanor who falls asleep. She is awoken by Eleanor who brings a letter from James? Catherine’s brother. He shares that Isabella had broken their engagement for Captain Tilney. Catherine is upset but then Eleanor shares that her brother will not marry Isabella.

Apparently, General Tilney has gambled all their money away and needs his children to marry rich people (even though Eleanor is in love with a poor man and seeing him secretly.) I felt this weakened General Tilney as a villain as him being rich and still a money grabber was worse than a degenerate gambler.

Catherine’s trip ends with General Tilney returning home and sending Catherine packing. This scene wasn’t bad but they didn’t really show the fear and the danger of her going home alone.

Then we have the “romantic” end scene. This weird ‘80s music chanting plays as fog rolls in. Mr. Tilney rides in on a dark horse, and says:

Mr. Tilney: “I promise not to oppress you with too much remorse or too much passion, but since you left us the white rose bush has died of grief.”

Not only did we all go huh, but Catherine Morland does to. Like what does this mean?! I think he has been taking too much snuff that his brain is is not connecting right.

So I think they were trying to do a storybook/gothic ending but because there are so many fantasy/daydreams it really just feels like one. I guess the director could have been trying to do her fantasy has come to life but it didn’t really work. I also did not like the freeze frame ending. As a whole, I did not like this film

Wrap UP:

Costumes: The wigs and hair are really bad. Like hardly anyone has a good one. It’s really bad. The costume colors are as well, they are accurate pieces but not as nice as in the later adaptions.

Actors: The only actors I really enjoyed was Googie Withers as Mrs. Allen and Ingrid Lacey as Eleanor Tilney. Robert Hardy as General Tilney was good but a bit inconsistent in his manner. Peter Firth as Mr. Tilney was too stiff and Katharine Schlesinger as Catherine Morland was very inconsistent as at times she was animated but other times like a sleepwalker and she had those dazed/dead eyes.

Set: I liked the set design a lot. I really enjoyed when they were in the Abbey and wish we spent more time there. I just wish they had utilized better lighting and angles.

On a while I did not enjoy this adaption, but prefer the 2007 version instead. Although this one did have a lot more horror elements as Catherine had creepy stalker vibes and Mr. Tilney gave off murder-y vibes.

For more Northanger Abbey, go to North by Northanger (Or, the Shades of Pemberley)

For more Northanger Abbey (2007), go to Storybook Ending: Northanger Abbey (2007)

For more Northanger Abbey variations, go to Rational Creatures: Catherine Morland, Eleanor Tilney, & Lady Susan

For more films based on Jane Austen, go to Sense and Sensibility (1995)

For more Jane Austen variations, go to The Matters at Mansfield (Or, The Crawford Affair)

Ghosts or Madness?: Turn of the Screw (2009)

No Twilight Saturday? Yep, no more Twilight! We finished that on Thursday as I had to post this on October 30th. Why? Well today is the 210th anniversary of Sense and Sensibility!

At first I was really bummed because Sense and Sensibility doesn’t have a gothic/Halloween adaption for me to review to honor its anniversary. I also already have reviewed Dead Again which was the catalyst for the 1995 Sense and Sensibility adaption. I was at a loss of what to do when I watched this film:

So every October, I see people posting on Instagram about The Turn of the Screw. Every year I tell myself I should read it or watch an adaption, and last year I finally did (both). I really wanted to see the Colin Firth adaption, but it was no longer available on Amazon, so instead I watched the 2009 version with Dan Stevens. That of course ties in perfectly with today as today is the 210th anniversary of Sense and Sensibility. Of which in the 2008 adaption Dan Stevens plays Edward Ferrars.

This film was okay, in a lot of ways it reminded me of the book Alias Grace. But after reading the story, I think the production did the best they could with an uneven source material. The original story doesn’t even have a real end, it starts with someone reading the governess’ recollections and then just ends, about them passing on the story or anything like that.

But as this is a gothic story I also am adding it to Catherine Morland’s Viewing List.

We start off the film with former governess, Ann (Michelle Dockery) in a sanitarium. She speaks to Doctor Fisher (Dan Stevens); and yes they both were in Downton Abbey. How funny, right?

Anyways, Doctor Fisher is trying to find out what happened with Ann and try to get to the cause of it all.

Ann tells our story in a flashback. She was hired as a governess by a wealthy man who inherited his brother’s children along with Bly Manor. He wants nothing to do with them or any problems that arise. He also seduces Ann and she travels out the country with hopes that their fling will grow into something more.

Ann goes to the house and everything feels sad and dark. There is only female staff, as all the men left to fight in WWI. They are all cold and standoffish to her as well.

Ann meets Flora, her pupil, who is kind and sweet and easy to teach. But those quiet days are interrupted when the other charge, Miles, is sent home from boarding school for saying something so dreadful to another student, a male student.

Ann starts wondering about it and when she finds a note from Miles’ boarding headmaster, she is so horrified she destroys it. She can’t believe that what was written could be true as Miles is such a sweet and tender boy. They all have a wonderful time together, and Ann dreams of the Master coming and then becoming a family together.

Ann finds out that her predecessor, Emily Jessel is buried in the church’s graveyard near the house. It turns out that Jessel had committed suicide.

Then things start turning weird…Ann begins to see the figures of a man and a woman. But no one else sees them. She sees them around the kids, but they keep denying it.

Ann starts questioning the staff about who the man could be, but no one will talk to her except Carla. Carla tells her about Peter Quint, now deceased and former steward of the house. The master was best friend with Quint and liked to “raise hell” with him. Peter harassed and sexually abused all the girls, Emily being the one who actually formed a relationship with him. He spent a lot of time with Miles, Emily, and Flora.

Ann keeps seeing the figures of the man and woman and after hearing the descriptions of the Emily and Quint, she realizes they are who she is seeing. But are they ghosts or is Ann just going mad?

Ann sees Quint push Carla off the roof, but everyone says she must have imagined him as he is dead.

But it doesn’t stop, Ann keeps seeing Emily and Quint together everywhere in violent, passionate, sexual acts. Then she sees Flora and Miles acting like them. She thinks the two, who were so very close to them, were groomed by them. It turns out that Miles repeated something that Quint had said to Emily to a male student. They never tell you what, but as Quint was a rough, crude, and abusive man-I’m sure you can imagine that it was bad.

That’s not good.

Ann decides she must do something, at first she was going to leave but she cares too much for the children. She returns and finds the two having rough play by the lake, Miles trying to drown his sister. Ann saves Flora and hits Miles repeatedly, stopped by the housekeeper.

After that Ann decides to confront Miles and sends everyone away but him. There they wait and have a showdown with Quint. This is interesting as Quint possesses Miles, he demands Quint leaves, and Ann hugs him-the next scene him being dead. Did Quint kill Miles as that was always his intent? Or did Ann kill him when she hugged him? He’s a small thin child, it would have been hard for her to strangle or crush him? Was it ghosts or madness on her part?

Hmmm…

The next day they return to find her with Miles’ dead body. She is arrested and we return to the present. The Doctor believes her story, but she is still sentenced to die.

The film wasn’t bad, I just wish they hadn’t so obviously pointed toward ghosts/possession. I wish they had made it a bit more suspenseful and had the audience question her sanity. This easily could have been added in if they had a mention she had seen ghosts before or something. Like I said it was okay, not terrible but not the best film I have ever seen.

For more gothic stories, go to No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

For more ghosts, go to All Right, We Got No Choice. Call the Ghostbusters.: Ghostbusters 2 (1989)

No Haunt Me Then!…I Know That Ghosts Have Wandered On The Earth. Be With Me Always…Drive Me Mad, Only Do Not Leave Me in This Dark Alone…I Cannot Live Without My Life! I Cannot Die Without My Soul.: Wuthering Heights (1939)

“Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.”

The American posters for Wuthering Heights are super boring, while the foreign ones are all much more interesting, although I do like the one above a lot! I really love whoever decided to make Heathcliff green as he looks like a monster (or should I say Munster?).

When I was plotting out what film to start Horrofest X with, I was, as usual, struggling. I always want to be sure the first post is a good one, a film that I adore or is special to me. This year the first film was supposed to be from the 1930s and as I started looking at 1930s films, I realized I had already reviewed a lot of my favorite 1930s horror films. On a whim I decided to search backwards, starting with the last year of the decade, 1939, and when I saw Wuthering Heights, I knew it was the perfect film to begin with.

Wuthering Heights (1939) is an adaption of the 19th century gothic novel of the same name, by Emily Brontë. It is a novel I was obsessed with as a tween and teen. I used to read this book over and over again, and I loved Heathcliff more than I should have. But you know teenage girls, they tend to be attracted to the bad boy who “only needs someone to truly show them love and care and then they will change their ways!” Not true at all, but I believed it, and believed it of Heathcliff (at least until I married one and realized that it was a mistake). I essentially was Isabella.

I still enjoy the book, although my ardor for Heathcliff is not as it was a tween/teen, as it is extremely well written and sucks you in from the moment Cathy taps on the windowpane. And this adaption is one that I haven’t seen in a while but have loved because of one truly handsome and amazing man, Laurence Olivier.

Laurence Olivier has always been one of my favorite actors and classic Hollywood heartthrobs and he truly does this part justice. Jane Austen fans should recognize him as the OG Darcy (and even though that film heavily strays from the book I love his version of Darcy as well). He never would have gotten that part if it wasn’t for this film, this one made him a star! Laurence Olivier was just fantastic in this as he can do the moody mcbroody parts so well.

And speaking of Jane Austen, this film is a double feature as not only is it one I would recommend for Jane Austen fans, an Non-Austen Film for Austen fans:

It is also has a spot on Catherine Morland’s Viewing List as this gothic film is one that Catherine would have loved!

Wuthering Heights is a book where the characters all have issues with each other and spend a majority of time fighting or upset with each other. The process of making this film was another one of those cases of “life imitating art” as the cast spent a lot of time behind the scene not getting along at all. This film was directed by William Wyler and he and Laurence Olivier argued a lot. Olivier really resented his directing style of doing multiple takes with slight differences, (prior to this Olivier had done little film acting and more stage work). Later on, he credited Wyler for a lot of growth, but at the time he was heavily annoyed.

Merle Oberon and Olivier also had a rocky relationship. The two had gotten along in a previous film shoot, but spent this one yelling and arguing with each other whenever filming stopped and could not stand each other.

David Niven and Wyler historically did not get along and Niven was dreading this film. At one point Wyler was upset that Niven wouldn’t cry, and wanted to do repeated takes until he did; but Niven told him he had a no crying clause in his contract. Wyler made him get a copy of the contract to prove that this was true. Niven and Oberon also hated working with each other as the two had a romance go sour.

Merle Oberon did not care for working with Wyler as well as his methods of perfection and pushing his actors and actresses rivals Stanley Kuberick. One rain scene he made Oberon do over and over again until she became so sick she vomited and had a fever. When she came back from the hospital he immediately began pushing her as he had before, but she refused to film the scene unless heaters were brought in to protect her health.

You’ll also notice that the clothing is not accurate to the time period as the director changed the clothing to be the 1840s instead of early 1800s as he liked those fashions better.

Samuel Goldwyn Mayer wanted to change the story too as he thought it was too dark for a romance, luckily this suggestion was not accommodated. I used to think Wuthering Heights was a romance, but now as an adult having experienced someone like Heathcliff but worse, the real romance of Wuthering Heights, is the spooky elements and the mysterious moors.

I haven’t seen this movie in years, but I remember really enjoying it. I know it isn’t your typical “horror film”, but I’m counting it as it has Gothic elements, ghosts, and plenty of psychopaths/sociopaths. I know a lot of people talk about Heathcliff’s behavior and dislike him, but to be honest he really doesn’t deserve as much hate as he gets as every character in this film is a truly terrible person.

The film starts off with the credits but use such romantic music, light and airy-but this manor holds mystery, decay, and trouble.

From Twin Peaks

“Only a stranger lost in a storm would dare knock on the door of Wuthering Heights”.

The story begins with poor Mr. Lockwood. He’s a tenant that started renting on Heathcliff’s land to get away from people. Now he’s lost in a blizzard about to go on a ghostly adventure.

In the house is Heathcliff, scowling, angry, harsh and as cold as the blizzard Mr. Lockwood came in from. This is also a woman, Mrs. Heathcliff, in the home, hard and worn-as weathered as the home they live in. I love this imagery.

Mr. Lockwood is trying to make the best of the rudeness received at the house but you can tell he’s like these people are strange. That night he struggles with sleep, especially when one of the shutters come open. He hears a woman crying and she grabs his hand and holds it tight.

From House on Haunted Hill

Frightened he calls for Heathcliff who storms over. Mr. Lockwood tells Heathcliff, who screams and pushes him out-pulling open the shutter and calling to “her” again. He’s so sad and brokenhearted, making you feel for Heathcliff.

Mr. Lockwood is shocked and the housekeeper Nelly tells him that Heathcliff is searching for the girl, Cathy, who died many years ago. Mr. Lockwood doesn’t believe in ghosts, but thinks he is just seeing things. Nelly then decides to tell him the story of what happened all those years ago.

We then go back to 40 years earlier, when Wuthering Heights was a bright and happy place. Wuthering Heights was never a truly happy place in the book. It was less miserable, true, but the late Mr. Earnshaw was not a kind man at all and produced a horrible son who then abuses his sister and Heathcliff. This house has housed misery for so long time; it is seeped into the bones of the manor.

Mr. Earnshaw returns from his trip to Liverpool and instead of just bringing gifts back he also brings a boy-dark skinned, dirty, a “gypsy” child. Mr. Earnshaw kindly admonishes his children for their rude behavior to Heathcliff and all I can think is this Earnshaw is nothing like the Earnshaw in the book. He puts Heathcliff in Hindley’s room, and Hindley is none too pleased about that.

Mr. Earnshaw has been coughing an awful lot ever since he returned home. You all know what that means-he’s on death’s door. He’s not long for this world.

Heathcliff and Cathy get along swimmingly, racing horses and getting into all kinds of mischief. In one game, Heathcliff wins the race against Cathy and wins her as his slave. His joy quickly ends as Hindley, resentful of the love Heathcliff receives from his father and hating the ire he gets, bullies him. He takes his horse from him, reminding him again he will never be anything as he is a nobody, an orphan; he doesn’t even have a last name. And in a time when where you came and your opportunities from were all tangled up in name and family; Heathcliff has nothing. And he is in a system where he will never be able to achieve or grasp anything-unless he does it in slightly illegal ways. In a lot of ways Heathcliff makes me think of Jay Gatsby from The Great Gatsby. Both are single minded and have an obsession with their first love. Both will do anything possible to get a position of power, wealth, status-even if they need to do it in illegal ways. Both have no qualms using others to get what they want-Heathcliff is just more rude and cruel about his methods lashing out in pain instead of living in denial.

Heathcliff and Hindley fight with Cathy defending Heathcliff and turning against her brother. Hindley beats Heathcliff up, although it is really badly choreographed. Heathcliff is angry and it is pretty odd but I have another comparison. The child actor who played Heathcliff is amazingly spot on, he does a fantastic jobbut the way he and Hindley interacted right now-it makes me think if a mafia movie like The Godfather. The way Heathcliff is so calm and cool-he’s another Michel Corleone.

Heathcliff is calmly furious, which is extremely frightening, and is prepared to wait and find a way to do anything possible to make Hindley pay. If I was Hindley, I would be very, very afraid.

Don’t mess with me!

Cathy wants to have fun, but Heathcliff only wants revenge! Cathy does finally convince him and they ride off together. The two play together with Heathcliff pretending to be Cathy’s prince, and it is a super cute scene that really gives you a view into their relationship and friendship.

Of course this isn’t a gothic story without some tragedy. Mr. Earnshaw dies and all happiness is gone from the home. Heathcliff wants to see Mr. Earnshaw, but Hindley is the master now and will not let Heathcliff. He also kicks Heathcliff out to the stables. Poor Heathcliff is sad and alone and crying. It breaks my heart-poor Heathcliff.

With Hindey as the master, the whole house is plunged into darkness and despair. Hindley and Cathy do well and are dressed well, with Heathcliff becoming Cinderfella, a slave-dressed in rags. Heathcliff listens and obeys, but you can see the rebellion in his eyes-he’s biding his time for one day…

Laurence Oliver is such a handsome man. You can pout him in dirt and rags, but he still is a shining star. 

As soon as Hindley leaves each day Heathcliff and Cathy are off to runningin the moors in their special place. Aw, they seem so sweet and happy together. Too bad it won’t last.

Cathy decides to try and “encourage” Heathcliff by insulting his appearance and manhood. She questions why he doesn’t just leave and go somewhere else. And I’m like, girl really? Why do you think he stays here?

Heathcliff is super romantic “I could never part from you”; while Cathy is all “get rich and come take me away.” The two are in two totally different mindsets with Heathcliff all focused on the emotional, and while Cathy is emotional she is also much more practical. The only way she will ever be able to leave Wuthering Heights, her brother, this despair; is through marriage. And the only way she get Hindley’s blessing or survive with nothing from him is if they have money.

Heathcliff begs her to run off with him now, but she declines. You know some people would say she doesn’t really love him or is just using him, but I like that she recognizes a life without privilege as a woman is hard and that is not the life for her. She wants to be with her love, but even more so she also wants to be taken care of. You know there is a big difference between being punished by your brother and sleeping in he stables for a night or two (which she has done) and having to live in stables because you have no money and no connections. Her practicality reminds me a lot of Charlotte in Pride and Prejudice, and her choice of money over love of Mr. Willoughby. Although she is much better than Mr. Willoughby as she made it clear to her partner what she needed and wasn’t running around taking advantage of others. Heathcliff is very Marianne in the way he doesn’t really think about what will happen next, how will they survive?

Heathcliff vows to stay and be treated cruelly if it means they can be together. He gives an oath, but Cathy ignores it as she hears music and goes to their neighbors the Lintons. The two hop a fence to get a closer look, but awaken the guard dogs. They try to hop back over the fence but one of the dogs runs at Cathy’s leg and injures her, Heathcliff being a fights the dogs off with his bare hands. WOW!

Soooo cute!!!!

The party come out and of course they take Cathy in and treat Heathcliff like dirt, trying to keep him from coming in-but he breaks through to se her. Everyone treats him horrible, and Cathy even tells him to go. Heathcliff is furious about his treatment and vows to leave, but will come back and bring ruin everyone’s head. I know we aren’t supposed to root for him as his quest to of vengeance on all these who have wronged him turns him into a crooked cruel man, but after the way they treated him I follow what he’s tracking.

Anyways, Heathcliff gives his strong amazing poetic vow to bring ruin to them all-and let me tell you Heathcliff has style. He knows how to command a room and do it right. He storms out in a powerful exit.

Wow!

Cathy recuperates at the Linton home and when she returns she has had a lot of her wild ways “calmed”. Cathy returns surprised to hear that Heathcliff isn’t gone. He tried but he couldn’t be away from her. Cathy cruelly insults him and shares that the Linton house was so much better. Heathcliff sees the divide between them and does not like this, storming out.

Edgar is such a pompous jerk and insults Heathcliff. Cathy does not like it; she is the only one who can demean him. Being back in the house the real her comes out and her wild ways have all come out. She yells and screams at Edgar Linton and kicks him out of the house.

Cathy then runs off to her room crying. She removes the Linton from her (taking off Isabelle Linton’s borrowed dress) and puts her old clothes on, old self, and runs to meet Heathcliff in their special spot. The wealthy items tossed for plain, showing Heathcliff she chooses him-but does she?

The two cling tighter on the hill, but all I can think is not for long, They pick heather, but while the scene is beautiful and romantic, like the flowers you know that this will not last forever.

Poor Edgar is not run off by Cathy’s bad behavior, he tries to win her by sending gifts and begs her to see him. Cathy agrees to have him over and she really enjoys the way she has manipulated him and all I can think is poor Edgar, poor little soul. Heathcliff has heard Edgar is coming over and he’s furious, even more so by the airs she puts on and stating that he has no control over her-he’s just a stable boy.

Cathy continues to break his heart calling him a beggar, dirty, etc He slaps her and leaves running right into Edgar. Oh no, things are going to get bad-but instead of fighting Heathcliff runs out into the rain to the stable. Morose and alone.

Heathcliff hides out in the stable until Edgar leaves. He returns to the house hands bloody from him trying to cute the “dirt and soil and lower class from them”. Nelly hides Heathcliff when Cathy comes down, as Heathcliff doesn’t want her to know how her words cut at his heart. But Cathy shares that Edgar asked her to marry him and that she loves him because he is handsome, rich, and pleasant. Nelly asks about Heathcliff, and Cathy shares she wished Heathcliff never came back. She wants to be free from the cold depressing life at Wuthering Heights and Edgar is the way for her to do it . They actually do Cathy a lot of injustice in this film, making her seem like a gold digger, when Hindley was horrible to live with. Cathy is a awful person, but she is in a horrible life and is trying to get out the only way she knows how.

Heathcliff runs away and Cathy follows trying to find him. Hindley comes home drunk and doesn’t care wanting to drink to celebrate the departure of Heathcliff. Edgar finds Cathy and brings her to his home.

Cathy recuperates at the Linton’s and Edgar does all her can for her. Poor guy, he’s so sweet and such a fool. He thinks that Cathy could actually love him and not just what he could provide for her-what a delusional man and a poor sad man. Cathy vows to be his wife and treat him well and that she will ever kiss another man (lies, all lies!)

The two are married and Catherine has everything she ever wanted: free from Wuthering Heights, among people who do not like confrontation and are always pleasant, the leading lady of the area, money, power, status, …yet she isn’t happy. Something unsettles her. Something cold is coming…

Cathy loved being lady of the manor and living with the Linton’s. Edgar is trying to marry Isabella off, but she finds all the men weak and boring. A kind peaceful night is interrupted when an old lover returns. Heathcliff has returned from America with money. He wants to see Cathy and she refuses knowing that with their love she won’t be able to resist him. Love? Or obsession? Edgar, however, makes her see him. He’s so secure in his love and affections, what a fool.

Heathcliff walks in even more handsome than before, clothes, hair, and style. He gazes upon Cathy with love and desire in his eyes. They ask how he has become so wealthy and he tells them he claimed his “princely fortune,” reminding her of all they used to say in their games. He also drops a bigger emotional bomb; he is the owner of Wuthering Heights. Hindley is a drunken fool that gambled everything away.

Step one of his revenge plot had started. Step two and three is to destroy Edgar and Cathy Linton. Now I feel for Edgar but he is also such a pompous jerk that he makes me want to slap him. He goes on about poor Hindley losing his home, him having his property stolen. It wasn’t stolen from him, he held it in so little esteem that he gambled it away. That’s life, plus Hindley is one if the most horrible people in this book (he’s not as present in the film) so I don’t gel bad. If it was me I would have kicked him out. Heathcliff actually acts with way more class that Edgar has and leaves.

Oh no, Isabella has fallen for Heathcliff and defends him against her brother and sister-in-law. Edgar tries to stop it, but is too late. She can’t resist that bad boy “that just needs love to fix him”. Don’t do it Isabella, don’t do it!

From Laura

Wuthering Heights is now Heathcliff’s home and he lets Hindley stay, but he has to be in the stables, just like when Heathcliff was a boy. My how have the turntables turned?

Oliver looks so hot in this film, he’s too distracting in his long coat. His intense gaze is so hypnotic I can’t look away. I don’t even know what he is saying; I’m lost in his dreaminess.

The business is interrupted when a lady comes to see him. He thinks it will be Cathy but is disappointed to see Isabella. Isabella came to the house as she was riding in the moors and her “horse went lame” and she “just happened” to be nearby. Poor foolish Isabella. She has this imagined view of who she thinks Heathcliff is, silly girl.

Isabella tries to endear herself to Heathcliff letting him know that she defended him, she cares for him, she can help heal his broken heart. She just lays it all out, shoots her shot. Poor romantic fool. Heathcliff recognizes what is really happening, he did from the beginning, and calls her out. Unfortunately he knows being with Isabella will help his revenge and woos her to get back at Edgar for his treatment and at Cathy for marrying another. Heathcliff don’t you know a path of revenge will only be a sad and troubled road.

The next scene the Linton’s are having a party and Heathcliff waltzes in, being the fine looking man he is. Isabella cheers and is so pleased to see him. Poor foolish girl.

At the party all Heathcliff can do is stare at Cathy and it takes every ounce of willpower for her not to stare back, often breaking as she cannot resist him.

Isabella waltzes with someone and Cathy and Heathcliff sneak away to talk. He tries to get her to admit she cares for him, but she refuses. She insists she loves Edgar and only him, but Cathy is not a good liar-anyone can see that isn’t true. The two have a line here when he tells her he came because she willed him to come from across the sea. Again I never noticed it before but again is very similar to The Great Gatsby. Gatsby thinks the same thing looking at her green light imagining it is a secret sign for the two of them.

Heathcliff: If he loved you with all the power of his soul for a whole lifetime he couldn’t love you as much as I do in a single day. Not he. Not the world. Not even you, Cathy, can come between us.

Cathy: Heathcliff, you must go away. You must leave this house and never come back to it. I never want to see your face again or listen to your voice again as long as I live.

Heathcliff: You lie! Why do you think I’m here tonight? Because you willed it. You willed me here across the sea.

That night Cathy comes to talk to Isabella and Isabella won’t listen. Cathy tries to warn her that Heathcliff doesn’t care and is just using her, but Cathy comes in yelling and screaming and just sounding like a jealous shrew, and she is jealous. Its so obvious to everyone watching, even to Edgar.

Cathy returns home and speaks to Edgar, but they are too late. Isabella has left and eloped with Heathcliff. Edgar is resigned and Cathy is crazed begging him to stop the wedding-killing Heathclff if necessary and for the first tim Edgar sees that he never really knew Cathy and is seeing her for the first time.

Unfortunately, poor Isabella gets no fairy tale ending- just darkness, despair, and decrepitness. Her innocence, lightness, gayess, etc all gone. The doctor tries to get Isabella to go home, letting her know that Cathy is sick and dying. Isabella is glad at that news, shocking the doctor as she thinks with Cathy gone they might have a chance of happiness.

Poor Isabella, she deserved better. She tries so hard to get his love, but gets nothing. He treats her bad because she isn’t Cathy, ignoring her and not treating her like the pretty little doll everyone did. Instead of pushing her away it makes her more clingy and desperate, what Heathcliff can’t stand.

Nelly comes to get Isabella as Cathy is dying and Isabella does not care. But Heathcliff run to his lady love. Cathy is dying and the one place she truly wants to be, with Heathciff.

Heathcliff storms into the house and runs to his lady love who is wasting away. Cathy dies but befoe she goes they kiss (she broke her vow). Heathcliff spurts out in anger releasing all that has fueled him through the years. Angry she choose money over love, she choose Edgar the unpassionate, etc. He throws curses.

We then bounce back to the present as Nelly finishes her story. Mr. Lockwood still doesn’t believe them. The doctor comes to see Hindley and shares he saw Heathcliff out there in the snow with a woman, but when he caught up to them he only found Heathcliff’s body. Yes, Heathcliff and Cathy are finally reunited in death.

So this film was very well written and had an amazing cast. They did cut out a lot of the book and removed the massive amount of cruelty these people inflict on each other to instead focus more on the romance. If you love gothic films and Wuthering Heights, you should definitely give this a watch. If you love gothic films and Wuthering Heights, you should definitely give this a watch.

So that is it for the first post of Horrorfest X. It was quite a challenge as all technology was failing me-it I will persevere. Stay tuned for more!

The usual Facebook cover I make. 🙂

For more on Wuthering Heights, go to Shame Book Tag

For more Laurence Olivier, go to Last Night I Dreamt I Went to Manderley Again: Rebecca (1940)

For more gothic films, go to Are You Prepared to Encounter All of Its Horrors?…Let’s Just Say That All Houses Have Their Secrets, and Northanger is No Exception.: Northanger Abbey (2007)

For more on Catherine Morland’s Viewing List, go to He’s Married to a Corpse. He Has a Corpse Bride!: Corpse Bride (2005)

For more Non-Austen Films for Austen Fans, Walking on Sunshine (2014)

Catherine Morland’s Viewing List

Happy Friday the 13th! I don’t know if you have any plans, but as for me I’m going to spend my evening with pizza and horror films.

Speaking of Horror films I have been getting ready trying to pick out which ones I’ll use for Horrorfest X, my yearly Halloween countdown, but I’ve also been going through old posts and looking at the ones from the original Horrorfest, and thinking some of these movies Catherine Morland would love as they are full of gothic-y goodness.

Unfortunately, while they occasionally have Austen tendencies and can go on my Non-Austen Films for Austen Fans list, like Rebecca, the ones I’m thinking of are more like Catherine Morland’s Reading Listthey don’t have anything to do with Jane Austen but are gothic stories Catherine would love.

Hmm…

Then I thought, why not start a new series, a list of only the good Gothic like horror films for the other Catherine Morland/Henry Tilney spooky people out there? It will only contain movies that I strongly recommend-none of the films that are poorly written or have a lot of issues. And unlike my other lists, this will be a one stop list for people looking for recommendations, while the original posts will only be done during Horrorfest.

So films on this list are going to be Gothic films or films with Gothic components. For those who are wondering what classifies something as a Gothic, here is the definition.

Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance.

Any films I have already reviewed that fit for this list I will just list and link here, while any future film I review I will add a little specifically why it belongs on this list. I have 9 years of films I have watched/reviewed for Horrorfest, but I’m not sure how many of those will be on her. For now I’m going to put on the ones I have recently re-edited, and then will be adding more constantly. If you are looking for recommendations, be sure to check back for more:

The Cabinet of Dr. Caligari (1920)

The Phantom of the Opera (1925)

Frankenstein (1931)

The Mummy (1932)

The Bride of Frankenstein (1935)

The Cat and the Canary (1939)

Wuthering Heights (1939)

Rebecca (1940)

Shadow of a Doubt (1943)

Laura (1944)

The Legend of Sleepy Hollow (1949)

The Bad Seed (1956)

Psycho (1960)

Carnival of Souls (1962)

Fahrenheit 451 (1966)

Northanger Abbey (1987)

Heathers (1988)

Dead Again (1991)

The Cabinet of Dr. Caligari (2005)

The Corpse Bride (2005)

Cirque du Freak: The Vampire’s Assistant (2009)

Northanger Abbey (2007)

The Moonstone (2016)

For more movie lists, go to Non-Austen Films for Austen Fans