Time for You to Awaken, Master. Time for You to Go Out: The Return of the Vampire (1943)

“Time for you to awaken, Master. Time for you to go out.”

So last year I was lamenting that I couldn’t think of any films I wanted to open Horrofest with from the 1950s as that was the year I was going to start with. I mentioned some films I really wanted to do, but both came out in the 1940s.

So as this year it is time to start off with a 1940s film, I was like why not do one of the ones I mentioned in last year’s post? I already reviewed Rebecca last year, so I chose The Return of the Vampire. 

I loooove this movie!

I saw it year ago on TCM and it has stayed with me my whole life. You know a movie is good when it hooks you years ago and you stay hooked.

The film was just so engaging and has beautiful cinematography. Plus it also has Bela Lugosi! You cannot go wrong with him in anything, let alone in a Vampire flick. I just love him.

So this film was actually supposed to be a Dracula sequel, but Universal threatened to sue Columbia Studios so they changed it to The Return of the Vampire and instead of Count Dracula, we have Armand Tesla.

We start this film during WWI with a vampire Armand Tesla (Bela Lugosi) stalking the streets of London and using the war as a cover-who cares about people suffering from anemia and a few deaths when there is a war on?!

But someone does, Lady Jane Ainsley (Frieda Inescort) and her colleague Professor Walter Saunders (Gilbert Emery) run a clinic and are baffled by the anemia.

Hmm…

Tesla is furious and uses his slave, a werewolf formally known as Andreas Obry, and the two break into the clinic. When he can’t finish his off his former victim he decides to make Saunders pay and goes after his granddaughter.

Professor Saunders, meanwhile, has concluded that the victim was attacked by a vampire. The victim dies and when Saunders goes home he sees a man feasting on his granddaughter. The vampire flees and Saunders saves his granddaughter Nikki (Nina Foch) by giving her a blood transfusion. While her life is saved for now, she will always be in danger. The vampire will continue to search for her to finish the job, and he will also be able to control her.

Professor Saunders and Lady Jane search for the Vampire in order to stake it and kill it.

From Buffy the Vampire Slayer (1992)

They search out the local cemetery in order to search out the Vampire. They are both attacked by a werewolf who is being controlled by the Vampire-but once they stake the vampire the werewolf returns to his normal form of Andreas Obry.

Wow!

Professor Saunders and Lady Jane know that the only way to keep a vampire dead is make sure the stake isn’t removed from the heart-remove the stake revive the vampire. They bury the coffin and make sure it is well hidden.

Time moves forward and the year is now 1942. Nikki has fully recovered from her experience, having no knowledge of the attack and is engaged to Lady Jane’s son John (Roland Varno). Andreas Obry has recovered from his experience and has become an assistant to Lady Jane.

You know thinking about this movie in 2020 it is really cool that the Vampire hunter/Doctor is a woman. I mean you wouldn’t expect it in the 1940s, and you certainly don’t see it in modern vampire stories (except Buffy the Vampire Slayer), but she basically is Van Helsing. Not the Hugh Jackman version, but the original one from the 1930s.

Of course what comes to mind is Jane the Vampire Hunter:

So Professor Saunders has passed way and Lady Jane decides to share about the vampire with Scotland Yard detective Sir Fredrick Fleet (Miles Mander) . He doesn’t take her seriously, but he does take the murder of a man seriously. He wanted to arrest Lady Jane, but she convinces him to check the body. If it is a regular man, he will be decomposed. If a vampire-his body will not have aged a day.

Stay the same age forever…

Lady Jane is going to show Sir Fleet but then a bombing raid occurs. One of the bombs hits the cemetery and a lot of bodies are dug up and two gravediggers are set to put all to right. When they come across Tesla’s body they find the stake in the heart and feel bad for the man. They pull it out and the Vampire returns!

The first thing Tesla does is contact his slave telepathically as he will need his help in moving the coffin and such. He calls to his former slave and werewolf Andreas.

Armand Tesla: [Offscreen, as Andreas walks in the woods] Andreas! [Andreas can’t locate the source] Andreas!

Andreas Obry: [Suddenly seeing Tesla] You! You have no power over me! That was ended many years ago! I’m no longer your slave! Dr. Ainsley has cleansed me of all the evil you forced upon me! You can’t bring it back! You can’t! I won’t let you! I won’t!

Armand Tesla: You’re a fool, Andreas! A complete, utter fool! Your fate is to be what you are – as mine is to be what I am… your Master! [In a commanding tone] Come here!

Andreas Obry: I won’t! [He moans]

Armand Tesla: [Commandingly] Look at me, Andreas! [There is a closeup of Tesla’s eyes] Look at me!

Andreas Obry: [after Andreas undergoes a metamorphosis into a werewolf] Andreas, come here! [Subserviently] Master, you have returned.

This is a fantastic scene, as you see Andreas really trying! He really, really wants to believe it is true that has overcome this. Looking at this as an adult it resonates so well as you have met people trying to overcome things, thinking they have, but then something happens and they are right back at the bottom again-addiction, toxic relationships, etc. It is extremely well done and poor, poor Andreas.

Now that Andreas is controlled by Tesla he sets him out for his first mission protect the coffin and find him a new identity. Andreas comes across a scientist recently escaped from a concentration camp, Hugo Bruckner. Dr. Hugo Bruckner was freed by help of the Resistance, something Lady Jane is a part of, and will be working with her. Man this vampire is extremely evil to murder a concentration camp survivor.

Tesla takes on the identity and slips into the Ainsleys’ and Nikki’s life. Some of you might wonder why Lady Jane doesn’t recognize him, but she only fought him that one time over twenty years ago, and at night in a foggy cemetery.

Lady Jane is throwing Nikki and her son an engagement party. Sir Fleet shows up and Lady Jane takes the Professor Saunder’s manuscript and locks it up, not wanting Nikki to ever find out about what happened. Tesla/Bruckner shows up, is introduced, and given free reign of Lady Jane’s office and laboratory. He uses this time to steal Saunders’ manuscript, the one Sir Fleet read. All are charmed by him except Sir Fleet, as he feels something is not quite right.

The next night the manuscript is somehow left in Nikki’s room and she reads it and finds out the truth. The Tesla calls to her…and the next day she has been drained of blood! Oh no!

Then they… then my mom made me stop watching it.

I know I was soooooo invested. What happens next? Will Nikki be alright? How will they defeat Tesla? I don’t recall exactly how old I was but this was well before google and we didn’t have TiVo or any blank tapes I could use to record, although my mother wouldn’t have let me as we were leaving the house and they weren’t going to leave the TV on with no one home. So I had to scan the newspaper and TV guide until it was on TV again.

So after she was drained of blood they transfused her. She survives but as we saw in The Horror of Dracula last year, that can only last so long. They need to find this vampire and kill it!

Stake through the heart.

Lady Jane starts to investigate and questions the grave robbers when the body cannot be found. She and Fleet also search Bruckner’s room and discovers the mirrors are all set down and a ring that she recalls from Tesla.

Fleet had had Andreas followed ad he was seen trying to change into a werewolf and found with Bruckner’s effects, his real effects.

Meanwhile, Nikki and John are attacked and Nikki starts to believe she has been transformed into a vampire. She pleads with John to stay away as she doesn’t want to hurt him. But you know these men in this old classic horror films-it doesn’t matter they are staying in this relationship and with the girl. How guys aren’t like that now? Most guys I know would be out in no time at all.

In reality, Tesla has been feeding. Tesla attacks Lady Jane, but she carries a cross and uses it to deflect him.

Wow!

So there are two amazing things I noticed about this scene. First can we just stop and appreciate that Lady Jane has a giant organ. Man, you are a girl after my own heart. I can’t play the organ but if I had money I would want a giant one and learn how to play it. Then I could be my own version of The Phantom of the Opera. 

Second-I love how in this scene she seems so meek and mild-and then bam-she’s got the cross and she flings it out at him. Lady Jane is awesome!

That’s awesome

Later that night Tesla calls Nikki to him again and she and Andreas answer the call. Meanwhile, Lady Jane ad Sir Fleet have decided to follow them. They come upon them in the cemetery but a raid interrupts their pursuit, although Fleet shoots Andreas, mortally wounding him. Andreas begs his master to save him, but Tesla coldly refuses.

Andreas Obry: Heal me, Master. I am hurt!

Armand Tesla: What is that to me?

This was so exciting when I watched it. First of all I really wanted to know what happened after waiting so long. Secondly this scene has the vampire, the damsel, bombs, a gun-you just didn’t know what would happen next!

Tesla leaving Andreas to die is the wake to reality he needs. He grabs a nearby cross and thrusts it at Tesla, coming between him and his victim-Nikki. A bomb hits and the sun comes up, melting Tesla to nothing.

Wow!

This is one of the first films to show a vampire disintegrating like this. It was actually censored in England for being too graphic. Oh, 1940s-if you saw the stuff we have today, although I have to say it was pretty yuck.

Of course Nikki and John get their happy ending, and Lady Jane stays awesome.

It was fantastic! I just loved it and you know who else would have if she existed-Catherine Morland.

You know it.

Please note that this is being said sarcastically.

So that’s our start with Horrorfest IX what else will it bring? Who knows! I start every year off with a plan but you know how that goes-anything can happen! Stay Spooky people!

For more Vampire films, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For more Bela Lugosi, go to We’ve Seen Dracula, the Wolf Man, and Frankenstein’s Monster: Abbott and Costello Meet Frankenstein (1948)

For more WWII, go to Catherine Morland’s Reading List: The Distant Hours

Even a Man Pure of Heart: The Wolf Man (1941)

“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the Opera, Frankenstein,  The Bride of Frankenstein, The Mummy, Dracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.; looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankenstein, or The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb! Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

“Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright“

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

The gypsy woman, Maleva,  reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce for Henry Hull in Werewolf of London.  Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

That night the Wolf Man attacks a grave-digger, Richardson.

The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The night Larry as the Wolf Man steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

“Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare

The Two Witch Sisters: Double, Double, Toil, and Trouble (1993)

Gravedigger: [Screams] You’re at two places at the same time. Lynn Farmer: We’re twins, silly. Gravedigger: Oh… ohh… twins! Oh, twins!

So way back in the day I used to watch this movie every time Halloween came around. I have to admit it I was a huge Olsen fan, I watched all their movies and TV shows.

So the film title is from Shakespeare’s Macbeth, the three sisters (witches) chant this. However, in this film there are only two sisters.

So we have the Farmers–Don, his wife Christine, and their twin daughters Kelly & Lynn. The older Farmers are worried about losing the house as they are deeply in debt. The younger farmers are having an identity crisis as they are tired of everyone getting them confused and want to be individuals.

In every movie they dress the same so I don’t know how they will accomplish that.

The Farmers decide to ask Christine’s Aunt Agatha, her father’s sister, for a loan, but don’t have very much hope. You see Aunt Agatha is a mean cruel old woman and promptly refuses to help them out in any way.

I’m mean and nasty Aunt Agatha

Aunt Agatha used to have a twin sister, Sophia, but she has disappered.

While they are visting Aunt Agatha the girls run into Mr. Grave Digger (Agatha’s employee). He tells them a story about how the house used to be owned by a powerful witch who had a moonstone that gave her magical powers. Before she was burned at the stake, she hid the stone somewhere in the house.

Dude, do you really think that is a story you should be telling small children? Come on, let’s think about this.

When Agatha and Sophie were little girls they heard the story and searched all over the house in an attempt to find it.

Agatha & Sophia as children

The two hated being twins and thought the moonstone might be able to change this.  Agatha ended up being the one to find the stone and used it to make Sophia’s life miserable.

I’m EVIL!

Years later, on one Halloween night, Sophia and her fiance , the butler, were planning on running away to elope. Agatha found out and cast a spell banishing her sister into the other realm and trapping her in a mirror (kind of like in Scooby-Doo & the Ghoul School when Shaggy gets trapped). The only way to see/talk to Sophia is through the mirror Agatha keeps hidden in the basement. The last chance to save Sophia from being trapped in the mirror forever, is if she is saved by midnight this very Halloween night.

The twins discover the only way to save their home and Aunt is if they get the moonstone. Only twins are able to wield its power. The girls meet a crazy cast of characters who help them on their quest; a clown named Oscar, Mr. Grave Digger, and Mr. N who would do anything for money.

(Top to Bottom: Mr. N, Mr. Gravedigger, & Oscar)

The girls also get a toy magic wand, which supposedly has real magical powers.

Agatha does whatever she can to get rid of the twins. She tries to poison them with jealousy, and get Lynn to betray her sister. In the end, Lynn decides her sister is the most important person in her life.

The twins get the moonstone, but the magic doesn’t work! It isn’t until the two proclaim their love for each other that Sophia is freed.

Agatha is enraged and tries to put her sis back in the mirror. The two fight and Agatha ends up being pushed into the mirror instead. All her magic is undone and the mirror is shattered, leaving her trapped there forever.

Don & Christine go to the mansion to find the girls, and see Aunt Sophie. The three of them tell Don and Christine that Agatha decided she needed a vacation and went on a long trip far away. Sophia gives the Farmers the money they need and the home is saved.

Yay!

When cleaning up the girls find out that Agatha is still able to talk through the shards of glass. She asks the girls to release her, but they say no way!

Happy Halloween!

Click here to check out the film. 😀