David, there’s nothing out there. Nothing in the mist.
So The Mist was an okay movie. I thought it was doing really good and totally creepy until the end. The end was totally screwed up as the director had to go and change the story. What a loser!
So this is based on a story by Stephen King. And I know y’all know that a Horrorfest would not be complete without one. It is also not a complete rip-off of The Fog (the new or old film), as everyone thinks it is. There are quite a lot similarities, but they are extremely different in the motive and what the “monster” that is attacking is. In the different versions of The Fog, the creatures are it is supernatural, while in The Mist…well, you’ll see.
So the film starts the day after a huge thunderstorm has hit a little town (of course) in Maine (the usual). A thick, unnatural mist starts to descend on the town, and at first they don’t realize that something far more sinister is lurking within it.
So, that day David Drayton (Thomas Jane), a graphic artist, decides to go to the local grocery store to buy supplies, bringing his eight-year-old son, Billy (Nathan Gamble), and his neighbor, Brent Norton (Andre Braugher) along. You know, just a normal average day.
So while they are at the store, another storm comes and hits the the town. This time it severely engulfs the area in a thick mist. (Whenever I bike to work early in the morning I always think about this movie and The Fog.)
They do notice something very strange. It seems as if there is a plethora of military roaming about the area.
That’s strange
When they get to the supermarket, they find it packed with people stocking up. A military policeman, goes after the soldiers in the supermarket, telling them to pack it up as their leave is over and they need to head out. Everything is normal until a local townsperson runs into the store covered in blood.
He begins screaming that there is something out there in the mist, killing and attacking people. People go to look out the windows to see what is out there, but the mist is so thick that they are unable to spot anything.
Several people rush, out and everyone hears their screams…then nothing.
The decide to seal the doors in order to keep “everything” out. One woman is worried about her children and decides to risk trying to go home. She asks for someone to accompany her, but no one volunteers.
She leaves and we never see her again.
So as you can guess, just like Night of the Living Dead, this film becomes more of a survivor story/deconstruction of humanity than an actual monster movie. You have a group of people trying to survive in a confinied area and while some rise to the challenge, others do not. This film has all the usual Stephen King clichés, like an deeply religious psychotic person who wants to kill/punish all who tries to control every one.
Of course
It couldn’t be a Stephen King film without it.
At one point the group tries to go check on their clogged generator. A couple men go to open the loading dock door to see what the issue is when large tentacles come reaching out and kill them.
This is just the beginning in monster attacks, as they face giant insect, pterodactyl -like creatures, and many more.
In a raid for medicine vis-à-vis The Day After Tomorrow, they run into the military supervisor from earlier hanging from a gigantic spider web. He tells them to question the men in the store for the true backstory of the mist.
In the end it turns out that military are to blame as they opened a portal to another world.
Eventually the section of the group that is run by the psychotic women, has increased that it outnumbers the other group lead by David. As she tries to get Billy to be a sacrificed, David’s team decides to leave, risking the unknown.
They are able to score a car and the group drive as far as the SUV will take them. They take stock of their options and decide it is better to end their lives, rather than be torn apart by whatever the things are. David shoots everybody in the car, including his son. Right before he turns the gun on himself, a military tank comes charging through proclaiming that they have defeated the monsters.
Yes. Yes. He has just killed his child and everyone when he didn’t need to.
Now I could forgive everything else. The stupid plotholes, the crazy clichés, the other dimension monsters, ANYTHING; but that ending? Really? Really? It’s just dumb.
Duh!
Did you guys have to that? It is so horrible! First of all as he murdered his child when he didn’t need to. And secondly, it is extremely anti-climatic! I mean come on, it would have been so much better if they just had them driving off, no one knowing what will happen to them or whether they will survive. You know, like how it ended in the book?!
Now this is an Alfred Hitchcock film that is not as well known or talked about, for various reasons. A lot of people think the story is too melodramatic, and others don’t like it because certain elements resemble Rebecca and Gaslight.However, the reason why most people at the time hated it was it came out right after the news of Ingrid Bergman’s affair with Roberto Rossellini, the impeding divorce of her husband Dr. Petter Aron Lindström, and the birth of her twins by Rossellini. (To read more on that go here.) I on the other hand really liked this movie as I love:
Alfred Hitchcock
Ingrid Bergman
Joseph Cotten
Really now, how can you ever think this was horrible?
The title “Under Capricorn” references the Tropic of Capricorn, which bisects Australia. As you can tell now that I’ve explained the title, the film is set in Sydney, Australia during the 19th century.
So before we get into the film, we need to touch on the background history. In the 18th-19th century, England tried to discover a better way to deal with the mass amount of criminal activity and overcrowding jail cells. One thing that England did was hanging. However, people began to get upset about that. Some of the crimes were not really all that bad, but yet people were being given the death penalty. In order to have a harsh punishment, less-crowded jails, and less death-transportation became the way to go. Originally convicts were sent America, but with our revolution in 1776, that option was no longer possible. In the 1780s they started sending people to New South Wales, but with the Napoleonic wars, more labor was needed and they stopped the transportation.
After the war, problems arose again and they turned their attention to Australia. Between 1788-1868, they estimate about 165,000 people were sent Australia from a sentence that was usually 3 years to life (average was 7-14 years). Most people who were sent over were guilty of poaching, arson, robbery, and murder.
They were usually sent to extremely remote areas to prevent escape and discourage any attempt at returning. While it was allowed for people to return after they served their sentence, most people wouldn’t. More often than not they would create a better life in Australia. Typically, criminals would change their names, get land, farm, and create a brand new life for themselves.
This ended in the 1860s, although it had started to drop off by the 1830s. Most of the areas that were for “convicts”, began to become real towns and attracted better emigrants. (Most of this info came from the Victorian Crime and Punishment website, if you would like to check it out)
Now back to the story.
So it is 1831 in Sydney, Australia. Sydney is still a frontier with most of the population being ex-convicts. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare (Michael Wilding).
It’s one of those guys!
So Charles is hoping that he will make a fortune out here in Australia. While there he meets the gruff Samson Flusky. Samson is a convict that had been transported from Ireland out to Australia to serve his time, for murder.
But now he is a successful buisnessman. He owns a lot of land and makes a lot of dough. He is highly respected in the community.
Anyways, so Samson has now reached the legal limit of land he can purchase and needs to look to new ways in order to expand his business. He wants Charles to purchase the land and sell it to Samson, guaranteeing a good profit.
Charles is intrigued by the prospect and agree to the invitation of dining at Samson’s house. While there, he has a pleasant surprise. He knows Samson’s wife, Lady Henrietta (Ingrid Bergman).
She was friends with Charles’ sister but now has encountered a lot of problems. She is an alcoholic and shunned by society as she is seen to be crazy.
Sam decides to invite Charles to visit as much as he wants, hoping it will help bring his wife out of her current depression.
Now Charles has always had a crush on Henrietta and is confused at her crazed behavior and decline. He asks his uncle about what happened to her. Lady Henrietta was the daughter of one of the fine Irish gentry. To the surprise of everyone, she ran off with one of the handsome stable boys, Samson, to elope in England. Lady Henrietta’s brother went after them and was killed by Samson. Instead of the noose, Samson decided to go to Australia.
Lady Henrietta followed him to Australia and waited seven years for the term to end. After Samson served his years, he was different. He wanted to be rich and to buy everything, but that was never enough. Henrietta was extremely unhappy and began drinking.
Now unbeknownst to all, Samson’s housekeeper Milly has a crush on him.
She has been running the house and secretly feeding Lady Henrietta alcohol. She is hoping that Henrietta will kill herself, leaving Samson all to Milly.
Charles decides to help try and restore Henrietta’s confidence. At Sam’s urging, he moves into their home. But that’s not all he’s interested in. He has always found Henrietta to be attractive, and now she is vulnerable and needy. He begins to pursue her.
Charles’ work has been going great. In fact, Henrietta gains enough courage to try and take the power back from Milly and put her in her proper place as housekeeper, not wife. Milly turns things around and Henrietta runs up to her room and locks herself in. Charles goes in to talk to her and Milly sees them. She tries to use it to her advantage, telling Sam all kinds of lies about their behavior. This angers Sam, who kicks her right out of the house. (Sam you rock! I always had a soft spot for Sam. I don’t know if it was because he was played by Joseph Cotten or because he just seems like a great guy who has been mistreated.)
Henrietta is doing much better, and improving more and more each day. In fact she is doing so well, that when she receives an invitation to the Governor’s Ball, she is eager to go. They all get ready, but Sam decides to not go after all. He had purchased a ruby necklace for her, but after overhearing how Henrietta and Charles don’t consider ruby to be the right accessory, he decides not to give it to her. You see Sam has enjoyed having Charles there as he has helped his wife, but at the same time it has been upsetting. With the two together, it makes him realize just how different he and Henrietta are. He thought it could be different in Australia, but sees that moving to a new place hasn’t really changed societal rules. Sam thinks the rest of the ball will be the same, and that he’ll be too out of his element or that he’ll embarrass himself. He decides to stay home.
Sad and lonely
At the ball, Henrietta stuns everyone as they all adore her. And more importantly, Henrietta has a great time.
Back at the house, Milly has returned.
Milly asks for forgiveness and her job back but also starts talking smack about Henrietta. She tells Samson exaggerated stories of what has been going on between Henrietta and Charles. The two had shared only one kiss, and everything had been instigated by Charles. Milly, on the other hand, insists that Henrietta is the one that has been carrying on and that it has gone much, much further. To further push the issue and him, she tells him that Henrietta is of a different class than her and Samson, and those people do things non-aristocrats could never get away with.
I mean seriously this girl is a major jerk.
You just need to understand that he loves his wife and back the heck away from him. You- you-
At first Samson shrugs it off. Charles is younger than Henrietta and more concerned about clothing than anything else. But that evil woman Milly keeps pushing him, and when she mentions the differation in classes, that’s where he snaps.
Sam goes to the ball, makes a scene, and humiliates Henrietta in front of everyone
She returns home, weeping and half-crazed.
Sad and lonely
Charles runs after her and tries to help her. He tells her to leave Sam, but Henrietta can’t. She tells Charles that she deeply loves her husband and is bound to him. You see, Sam didn’t shoot her brother, she did.
Yep, that’s right. Sam has never killed anyone. Henrietta fell in love with Sam as he was kind and handsome. Can you blame her? He’s one attractive man.
The two wanted to marry, but it was impossible as Samson was a much lower class than Henrietta. So the ran off to England, but her brother followed them. Her brother tried to kill Samson, but missed and the two struggled. Henrietta took the gun and shot her brother so he wouldn’t kill Samson. Samson took the blame as he didn’t want her to suffer in jail.
Unfortunately, that didm’t actually help. Henrietta couldn’t stay at home, and couldn’t leave Samson by himself so she followed him to Australia. Not only has she been dealing with the guilt of killing her brother, but the guilt of allowing Samson to rot in prison for her deeds. To further this, when Samson came out of prison he was a changed person. This lead to even greater guilt and drove Henrietta to the bottle. No wonder she’s been going crazy.
Now even though Henrietta admits this to him, Charles doesn’t really believe her. He thinks it is just her way of trying to protect the man she loves.
When Samson sees Charles in his house with Henrietta, he becomes incensed for the betrayal and kicks Charles out.
Charles steals Sam’s horse and takes off. While riding, the horse breaks its leg, causing Charles to have s a really bad fall. He reluctantly returns to the house and relays the news. Samson goes for his gun to “shoot the horse”, but Charles believes he is going to kill him, as he has “killed” before. The two struggle over the gun and during the conflict, Charles is shot.
With Samson’s past, he is immediately thrown into prison, to either rot for good or be hanged. Henrietta tries to save him and tells the Attorney General the truth. That Samson has never killed anyone, she did it. This presents a serious problem for Samson. The only way he can get out of his predicament is if he corroborates Henrietta’s story, but then she will be sent back to Ireland to stand trial and imprisonment. If he says his wife is lying, then he will be killed. The Governor is really pushing a conviction as he wants someone to be punished for trying to harm his nephew. The AG gives Samson twenty-four hours to decide.
A no win situation
Back at the house the evil Milly sees the perfect oppurtunity to get Sam. She tries to poison Henrietta and plants a shrunken head on her bed to further scare her. Fortunately, she is discovered and ousted.
Good-bye
Meanwhile Charles has recovered from his wound and vouches for Samson, telling everyone that it was an accident.
Charles is put on a ship back to Ireland, and Samson and Henrietta are now happy. Henrietta has been freed from the poisonous Milly and finally from the guilt of what she did to her brother and Samson. Samson is better as he finally knows that Henrietta truly loves him and that he didn’t destroy her life.
All in all, this film really teaches you one thing:
“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”
So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!
Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!
So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.
So this episode takes place in season 4. There have been a lot of angst and sadness
(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.
So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).
There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.
Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.
In fact the vampire even uses the Transylvanian accent.
Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.
The night however, things change.
A couple is making out in a car when a werewolf comes upon them and attacks.
The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.
The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.
That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.
The Mummy attacks the guard, strangling him.
The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.
Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.
Blood!
He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula
But then finds himself overpowered by the vampire
The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.
Nope you heard my correctly
Back at the bar, Dean shows Sam the ear and medallion.
“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.
Sam Winchester: It’s a costume rental.
Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”
They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.
Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.
The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.
HIghly suspicious
Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.
Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.
He pulls on Ed’s ear, but find it fast in place.
“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.
Ed Brewer: No, it’s not!”
This means Ed is not the shapeshifter!!! But if he isn’t…who is?
Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.
AAAAAAAAHHH!!!!!!!!!!!!!!!
And she has drugged the two of them. Dean tries to hold on, but faints.
Dean wakes up and finds himself in lederhosen.
Noooooooooo!!!!!!!
In a Frankenstein-esque dungeon.
Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.
Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.
Pizza Delivery Guy: Uh, pizza delivery?
Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.
Pizza Delivery Guy: Uh-huh. That’ll be $15.50.
Dracula: Tell me…
Pizza Delivery Guy: Yeah?
Dracula: Is there garlic on this pizza?
Pizza Delivery Guy: I don’t know. Did you order garlic?
Dracula: No!
Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?
Dracula: Of course. Yes. But I have a coupon.
And why not take a pizza break? Pizza is awesome.
I love Pizza
So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.
Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.
Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.
Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.
Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.
This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.
While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.
With Dracula conceding, that maybe this is how the “film” should end.
The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.
Just what is this thing? Chaos, chaos in the flesh.
Phantoms is a 1998 film that is based on the book by Dean Koontz. The story is very creepy, and I was surprised at how well the film was done. I thought it was going to be done in a very stupid, silly way; but it was the essence of creepiness. The only thing I didn’t care for was Liev Schreiber, I felt that he didn’t portray the character very well in the beginning. I wouldn’t have chosen Rose McGowan either, but she did surprisingly well. I loved Ben Affleck as the sexy Sheriff and love interest. I love Ben Affleck though, I mean who doesn’t? They changed the film from the book, as expected, but the changes do not destroy the film, thank goodness. If you’d like to watch the film go here. So the film starts out with Dr. Jennifer Pailey bringing her trouble-making sister Lisa to live with her. They are hoping the change of scenery will help straighten her out as she was involved with gang members in Los Angelas.
I want to go back to LA
When they reach the town, it is empty. Like really empty. There is no one out and about even though they are in a ski town, in the middle of winter with great snow.
They continue on home. When Jennifer gets there she finds her housekeeper dead. All the life had been sucked out of her and she looks burned.
The girls are widely freaked and decided to head to the sheriff’s. But there is one problem, their car won’t work.
Oh no!
The girls hurry on to the sheriff’s office where they find a deputy, burned and blackened. He appears to have shot his gun at something, but they don’t find any traces of it, except shells. Dr. Jennifer grabs a gun and the two run off to the bakery, as it is getting dark and they are really freaked out. They head to the baker’s, running quickly as they hear sounds as if someone is following them. When they get there the oven goes off revealing severed heads!
AAAAAAAAAAAAAHHHHH!!!!!!
The girls are completely grossed out and confused when the Sheriff (who ex-FBI) finds them.
Hello Sexy!
With him are his two deputies Steve Shanning (Nicky Katt) and Stuart Wargle (Liev Shreiber) have come to investigate. They decide the best thing to do is go to the sheriff’s department, and just when they do every single horn, siren, whistle, bell, etc. goes off and then suddenly stops. The only lights left on are down on the Candleglow Inn up the street.
They check it out and see that only four guests are registered. The Sheriff and Stu go upstairs, while the girls stay behind with deputy Steve.
While the sheriff is upstairs he goes into a room and starts looking through an opening in a closet. When he does he sees a vision of a young boy with a gun, which disappers. You see when the Sheriff was FBI he accidentally shot a boy, which made him quit and turn to small town life.
Aw! Look at his face. 😦
Stu goes in the other room and finds a beautiful, dead woman. He sits next to her and puts his hand up her leg…
What a perv!
Then the Sheriff walks in. He lets it go, even though he is severely grossed out as he knows what Stu was doing, but he needs every man he can get as he has no idea what the situation is.
The Sheriff has Stu watch the hall as he continues checking things out. Stu comes on to Lisa who tells him flat out no, she is not digging that.
Dr. Jennifer joins the Sheriff and they discover that a bathroom locked from the inside (that has no other windows or doors) is empty, with something written on the mirror in lipstick. The writing says “Dr. Timothy Flyte–The Ancient Enemy“.
The two have no idea who Dr. Flyte is but intend on finding out. In another empty room they find a bunch of metal objects like jewelry, buttons, watches, gold teeth, a pacemaker, etc.; concluding that this thing, whatever it is strips a person completely of everything, if it chooses.
EW!
They go back into the lobby to regroup and figure out their next step. But then they suddenly hear a woman crying out “Help me!” and Deputy Steve rushes out to save her. The Sheriff follows him, but when he gets outside all that is left of Steve is his shoes and a gun.
They head back to the Sheriff’s office and put the dead deputy in a body bag. They then call for help–military, Dr. Flyte, anybody, but the line was so bad they don’t know whether or not it went through.
Bryce and Stu go through the dept. and pull out all their ammunition getting ready for–whatever the thing is that is trying to attack them. The lights go out and the creature takes on a Alien/The Thing (1982) feel. The next thing you know, Stu is dead.
Too be honest, good riddance. He was a creep and I didn’t like him.
They also put Stu in a body bag and wait out the night.
We then switch to another part of the country- Dr. Flyte. Dr. Flyte (Peter O’Toole) is a tabloid worker in New York City. He used to a professor at Oxford, but they let him go as they felt his writings were “too silly”.
Two FBI agents ask him to go to the small, winter, town of Snowfield to help solve what the “thing” is.
Back in Snowfield the three survivors are trying to figure out what to do next. Lisa tries to take a nap while the Sheriff tells Dr. Jen about how the monster called up the incident with the young boy. The two are interrupted when Lisa asks the Sherif to walk with her to the bathroom. He checks it and finds it clear. Lisa begins to smoke when she hears a squealing noise coming out of the drain.
She checks out the bathroom stalls (much like Scream) and finds the Deputy Stu there!
In the book the “Phantom thing” was more like the Blob from The Blob (1958); although it could take on the shape of other things, or create small phantom pieces of itself. In the film, however, the “Phantom” embodies the form of Stu, which is understandable from a filmmaker point of view. It doesn’t copying The Blob at all, as I mentioned earlier copying The Thing. Just like The Thing, the “phantom” takes on the appearance of something. This wasn’t a horrible decision as I bet it was easier to film. They also did a lot of blackout or limited lighting when the creature was in its true form, which allowed it to remain creepy as your imagination creates it. The director of It(1990) should have used the same technique, it would have been a better film.
I didn’t really care for Liev Schreiber, and thought he could have been much creepier. Instead he just comes off as a pervert. This film has actually ruined him for me in all other films. When I watch Kate & Leopold, Scream, Scream 2, Scream 3, Lee Daniel’s the Butler, or X-Men Origins: Wolverine; I keep expecting him to do something perverted to all the women.
Yes I am
Anyways, back to the story. So the Sheriff goes into the bathroom and can’t find anything. They go down to check the body bags, but both are empty.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Meanwhile Dr. Flyte is on route to Snowfield with military General Leland Copperfield, some mobile labs, an armored strike van, etc–all ready to take on whatever the “thing” is. They ask Dr. Flyte about “the Ancient Enemy”. Dr. Flyte explains that there were creatures, he calls “Ancient Enemy” who are amoeboidshapeshifters. This Ancient Enemy rarely feeds, but when it does, the effects are devastating and it was theorized that the Enemy either caused or aided in the extinction of the dinosaurs, the destruction of the Mayan civilization, Roanoke disappearance, the missing army of Nanking, China in 1939, etc. And the town appears to have been built on the home of one of these “Ancient Enemies”.
The group arrives to Snowfield and the three survivors come to meet the army. The next thing you know, “the thing” has taken out almost the whole team using its shape-shifting qualities and the pipes/sewers. Now these scenes are pretty intense. I was watching them and screaming and my roommates were all, are you ok? I highly recommend watching this film.
General Copperfield is last of the military to be killed; as a pair of oily black tentacles seeps up through the pavement, penetrates his hazmat suit, and smothers him.
[Note: From The Mist]
This leaves Dr. Flyte, Sheriff Bryce, Jenny, and Lisa as the remaining survivors..
He’s dead but the “Phantom” uses his body as a mouthpiece and begins speaking to the crowd.
“My Flesh. Study it. Write the gospel. But do not try to leave. Witnesses to the Miracle.”
The body then falls to the ground and an oily black substance comes out along with a gecko, of which the group is supposed to get a sample of. Dr. Flyte begins to analyze the sample, coming to the conclusion it has lived in the depths of the earth for eons, growing to immense size, and absorbing knowledge from its prey. It can separate off parts of Itself to send as drones, warriors, phantoms, etc.–having them assume the shapes of anything or anyone It has absorbed; even of people or monsters from memories and dreams.With these, It has manipulated Bryce, Jenny, and Lisa into bringing Dr. Flyte here, to be Its prophet, and to write Its gospel. For It has begun to think of Itself as God–or the Devil. Indestructible. All-Powerful. Immortal. Unstoppable.
This is bad. Very bad.
Dr. Flyte’s analysis reveals that It is similar to oil and if they are able to make the same kind of bacteria that eats away at oil spills, they may just have a chance at stopping it. They create cultures and prepare for the final battle.
Dr. Flyte goes out and calls to the creature.
He tells It that he needs to see all of it in order to write Its “gospel”. He says that the others are creating a weapon against It, that they don’t believe in It like he does. It appears first as a single person, but then becomes all 400 residents of the town, merging and melding into one swirling mass, which resolves Itself into an immense, hideous, upright millipede.
The Sheriff, Jenny and Lisa run and fire the guns loaded with the bacteria culture into It. This causes It to scream. Jenny and Lisa run for shelter into the nearby deputy’s office, to reload their guns but are pursued by a drone of Deputy Stu.
Deputy Wargle: Oh, you’ve got some guns, ladies, you wouldn’t shoot an unarmed man, would you? [both women cock shotguns and point them at him] That’s a dumb question.
They empty their shotguns into him, knocking him down, and blowing away huge chunks of his legs and arms. Tentacles shoot out of his arm and leg stumps. The girls run away and and he follows, but is killed by Dr. Jen as she shoots him with the last of the culture.
The bigger entity is falling apart and the Sheriff follows the last of It down into the sewer, finding him face to face with the boy that he killed. He hesitates, and while he does so, a tentacle shoots out of the boy’s mouth, and knocks him down. His gun with the culture is stolen by It. It pulls the vials out and starts taunting the Sheriff. In response to It’s mockings the Sheriff pulls out his gun and shoots the vials, causing the bacteria to spread all over.
With one final ear-shattering scream It is gone, and Bryce makes his way back to the others. As a helicopter arrives to rescue them, Dr. Flyte announces to the others that the Entity has won after all: It wanted him to tell the world, and that’s just what he’s going to do. Everything seems to end well, or well enough. Dr. Flyte has his story and will win back his prestige; Sheriff Bryce is no longer traumatized about killing the boy; Dr. Jen and Sheriff Bryce have found each other; and Lisa and Dr. Jen have bonded. Sounds as perfect an ending you can get for a horror film.
Uh, uh uh. Not quite yet!
We switch to a scene in a bar where Dr. Flyte is in TV talking about It and how it may still be out there waiting. One of the guys in the bar turns to his companion and says its a lot of hooey. A strange laugh is heard and at the end of the bar is Deputy Stu Wrangle, showing that It is still alive.
So it really was a good film, and I’m telling you the scenes with the creature are super creepy!!! You’ll love them if you love scary movies!
So unlike the other facebook cover pages I have made (and you should have guessed by now that practically every post has one) I made two for this one as the first one wasn’t working out right. Here’s the second one for those of you interested.
Now lots of people hate this movie and I don’t really understand why. Now I know there are all kinds of things about the age and differences in the historical content, but this is just an interpretation of an event. I mean Mulan does similar things but you don’t see people crapping all over that movie. (And they shouldn’t because it is awesome)
So this Disney film is an interpretation of the life of Pocahontas based on legend and stories surrounding her from letters and writings of John Smith and John Rolfe (her husband). The controversy comes over the fact that other people’s account of the time do not confirm that Smith’s story of being saved by Pocahontas, as they say that the tribe was very friendly, something Smith had written himself many times. There is also the fact that Smith had some mistrust surrounding him, as better depicted in the film A New World. Plus when Smith and Pocahontas meet in England she refused to talk to him, no one knowing why, which lead people to wonder what went down between them to make her dislike him. Also when the alleged incident happened Pocahontas was much younger, like 12, so there was no romance between her and John Smith.
But the point of the fact that this is a Disney animated film that contains musical numbers means that it isn’t going to be a biopic. Watch New World if you want that, although I do NOT recommend it, it was one of the MOST BORING films I have ever seen.
I mean you think a film with Colin Farrell and Christian Bale in it would be good, but it wasn’t. [Side Note: Christian Bale is also in Disney’s Pocahontas, he’s the character of Thomas.]
Anyways to get back to the business of the film and today’s post.
So the film starts off with a ship heading off from England to America as the English are eager to get in with the gold that Spain has found mountains of. On the ship is Thomas (played by Christian Bale [I know isn’t it funny that he was in two depictions of the story of Pocahontas?]), a newbie and John Smith (Mel Gibson [pre-crazy]). The other crew members are looking to kill Natives, etc; while John Smith on the other hand wants adventure. He helps Thomas learn the ins and out in sailing.
Meanwhile in what would become Virginia, Pocahontas is the chieftain’s daughter and is reaching of marriageable age. Her father has her whole life planned out for her, but Pocahontas isn’t sure whether or not that is what she really wants. She seeks guidance from a tree spirit, Grandmother Willow, and discovers the settler’s ship.
The crew have picked out a spot to erect their fort and have also decimated the area in digging for gold. Smith, being one for adventure, has been scouting out the area and comes upon Pocahontas. Intrigued by her, he pursues her and the two begin talking, creating a friendship that develops into something else. 😉
All is not going smoothly between the Natives and the Conquerers. They had a battle and both fear the other is determined to kill them. This causes trouble between Smith and Pocahontas, as Pocahontas’ possible fiancé, Kocoum, is killed by Thomas. Smith takes the fall for him, and is taken to be punished. The leader of the settlers, Governor Ratcliffe, uses the fear and unrest as a way to completely decimte the Natives, convincing everyone that they must kill them for Smith.
Smith is taken out to be killed, but before he can be injured, Pocahontas arrives just in time and throws herself on his body, blocking her father’s weapon and laying down her life for him. Her father admires her courage and sees that maybe peace can be achieved between the two, that killing won’t bring the people he lost back, and steps down. Ratcliffe doesn’t like the idea of allowing the Native Americans to roam freely (its their land!) tries to kill the Chief, but is thwarted by Smith who takes the bullet. The settlers leave for England, taking the injured Smith with them.
Why Pocahontas (1995) is Awesome
1) Pocahontas
Pocahontas is awesome. She is the chieftan’s daugter but doesn’t see herself as higher than anyone else in the tribe, working alongside and helping prepare the harvest. When her father tries to get her to conform to his vision of the future, she respectfully declines as she needs to live her own life; rejecting the marriage to Kokoum. She also is bold, strong, smart, wise, and awesome. When she comes upon John Smith she bravely faces him down, causing him to put away his gun as he is so intrigued by her. When Smith calls her people ignorant and savage, she challenges his thinking showing him that what he sees may be different from what he is used to but is not less, stupid, or barbaric; teaching him the importance of learning more about things we find “strange” and viewing them from the eye of the person, as otherwise we may miss something. This is truly important message to teach children, just because someone isn’t like you or does things differently; it doesn’t make them stupid or strange; it just means that everyone does things differently and there are other ways to view the same thing. She also is incredibly brave as she stands down her father and whole tribe, trying to show them that violence is wrong. Many say this:
But I think they are sorely wrong. Pocahontas does that way sooner as she is the one to save her whole tribe from being massacred and her love, John Smith. Also unlike Frozen, Pocahontas doesn’t even end up with the guy, she ends standing on her own two feet; taking on the world and continuing on her uncharted path.
2) John Smith
Now John Smith is one of the sexiest of Disney’s cartoon heros. First of all he is a strong, tough, manly, brave, smart, kind guy. I mean he is the greatest on the ship, the other guys can mess up, but never him. He is a crackshot and never misses his mark. I mean the crew tell all kind of stories about him and his adventures, he’s pretty cool. And so brave and tough, handling the terrain on his own, climbing mountains, crossing streams, etc.; all the while there being all kinds of dangers out there, but he doesn’t care, he’s a man’s man. He also is so kind! He helps Thomas every chance he gets by mentoring him and even taking the blame for him, laying his life down for his friends. He also is so sweet with Pocahontas, as when she blames herself for his upcoming execution, he tells her it isn’t her fault and tries to make her feel better; telling her everything was worth it as he meet her.
So romantic!
But the really awesome thing about John Smith is his willingness to see other’s point of view and to admit he is wrong about things. Similar to Phoebus in The Hunchback of Notre Dame, at the beginning of the film he has a clear view of us and them. We are the smart, improved, evolved people with our cities, technology, ideas; and they are stupid, barbaric, and doing nothing with the land given to them. However, when Pocahontas starts showing him that there are many different views on things, he let’s go of his stereotypes and objectively listens to her arguments, seeing that she is right. What he thought was backwards was actual a very forward and advanced society. Therefore changing his view and trying to help build a relationshipIn between the two groups.
3) Interracial Romance
I don’t care what anyone says, this is HUGE! Even in 2014, very rarely will you have a film that will show an interracial romance as most audiences don’t like it. They prefer like with like, which usually is white with white or black with black. The only other Disney films I can think of that do this are The Hunchback of Notre Dame which came out a year later and has French Phoebus with the racially unknown, but not white, Esmeralda; High School Musical which has white Troy and Latino Gabriella pair up, along with African-American Zeke and white Sharpay; and The Wizards of Waverly Place Movie which has a white and Latino family. Yep, only four films (comment below if you can think of another one) of which Pocahontas was the first. Now for me I grew up in a biracial family and hated how I never could find any books or films that dealt with that issue, and when I was a kid I don’t think I realized it, but as I’m older that is one thing I really appreciate about this film. You don’t have to get with the ethnically same, but can fall in love with whoever.
4) Positive Minority Character
This film comes out during a period called “revisionist history”, that is historians were looking back and checking voices not previously heard, such as minorities and women, challenging previous depictions and notions about these groups. As this film comes after Dances With Wolves and The Last of the Mohicans, films had already begun to depict Native Americans as being more than villians or mistreated people. Instead it tried to break previous stereotypes and just show them as people. In Pocahontas, while they do follow some stereotypes, such as talking to trees, animals, etc.; they also show them as being real people who care about each other. In one of the earlier scenes we see a group of warriors returning, saying good-bye to their allies and being greeted by their families; showing that they have positive home lives. The Cheiftan, while wanting to get rid of the settlers, isn’t doing it because he is evil or cruel, but because he is worried for his people. Pocahontas is a wise soul, but instead of having the “Native American wisdom as she is just sooo connected to the planet”, like other films do she is just an observant and smart person, and her personality is not tied to her ethnicity but just who she is; something radically different from earlier depictions of any minority. Even the killing scene is better here than in other films. As with earlier depictions of Native Amerians killing people, you have something like Duel at Diablo, where the guy is on a wheel and roasted/tortured in many different ways. Then you have Lonesome Dove, where Blue Duck, rapes and tortures his victims. At least in this film it was a slightly more humane way than roasting them or having a prolonged death.
5) The songs
So Pocahontas has some of the best songs out of all the disney films.
A) The Virginia Company
Short but a great intro as we not only get a history lesson (you’re children will never forget colonial involvement because of this film) but an understanding into our settler characters.
We get the three reasons why any would sail and take on a hard life (1. Gold, 2. Glory, 3. God [and not really about him at all]
For glory, God, and gold
And how they fanty believed America was going to be like this fairyland or treasure trove or something.
For the New World is like heaven And we’ll all be rich and free
Yeah. Well most of you will die or be indentured servants. Yeah, not much fun. Click her to listen/watch
B) Steady as the Beating Drum
This song I am particularly fond of as in sixth grade my music class had to learn it on the recorder, and participate in a recital with the older kids. I love this as an intro for the Native Americans, as with Virgina Company it helps give us a view into their life and what they are feeling/doing before the settler’s arrive. Very different from any other film that deicts Native American and white relations as almost all center on when/after the whites arrive not before.
O great spirit, hear our song
Help us keep the ancient ways
Keep the sacred fire strong
Walk in balance all our days
It focuses on the connection with the land and their dependence on it for survival, but it also has a little sad foreshadowing. As these traditional ways, will no longer be kept in the same manner as with the colonists arrival, they bring change.
C) Just Around the River Bend
I love this song as it can connect to everyone. At some point in every one’s life you have a time when you have to make a decision. Often you will have conflicting views of what others want you to do (marry Kokoum) and what you want [something different, i.e. John Smith ;)] Sometimes the thing you want isn’t the most stable thing, sometimes you can’t be cautious but have to take a risk.
Should I choose the smoothest curve
Steady as the beating drum?
Should I marry Kocoum?
Is all my dreaming at an end?
Or do you still wait for me, Dream Giver
Just around the riverbend?
It always made me think of Something’s Coming from West Side Story, there are more things out there than one can see, more choices, paths, rivers. It’s an amazing song!
D) Mine, Mine, Mine
One of the best evil villian songs as it shows how selfish and unscrupulous Ratcliffe is and how he would do just about anythingto get what he wants.
And the gold
Is …
Mine!
Mine!
Mine!
Mine!
The duality of using the word mine for mine as in mining, and mine as in it belongs to me. Plus sneaky Disney also gives us another mini history lesson as it talks about European conquest. But really what you see here is how Ratcliffe just uses and ravages things; working his men crazily, destroying the forest, tearing up the land, etc. It makes you just hate him more.
We also get a view into John Smith and how he differs from Ratcliffe, clearly distinguishing Smith’s “heroic role”.
All of my life, I have searched for a land
Like this one
A wilder, more challenging country
I couldn’t design
Hundreds of dangers await
And I don’t plan to miss one
In a land I can claim
A land I can tame
The greatest adventure is mine!
He wants the land not to own or dig or find riches, but finds riches in the land itself; exploration, creating a home, farming, etc. We also see here how he wants to claim and tame the land, not having a connection like the Native Americans who love the land and see it as its own entity. This helps with John Smith’s chracter development, as after being with Poahontas and listening to her point of view, he changes his mind and rids himself of his previous stereotypes.
This song is so freakin’ awesome. It’s all about how we can assume so much about a person, but you never really know someone until you get a glimpse of what their world is like.
You think the only people who are people
Are the people who look and think like you
But if you walk the footsteps of a stranger
You’ll learn things you never knew you never knew
And Disney always subtlety throwing things in and trying to brainwash our children (but in a good way)
For whether we are white or copper skinned
We need to sing with all the voices of the mountains
We need to paint with all the colors of the wind
Color doesn’t matter, we all need to work together, all are important. This is why this is such a great movie to show your children, as it tells them that prejudice and racism is bad. Very bad!
And look how beautiful this scene is!
F) Savages
Now this is my favorite song in Pocahontas. I just love the lyrics and the imagery used in this. It actually pulls a lot from West Side Story. West Side Story does this great number Tonight in which the two rival gangs, Sharks and Jets, are going to fight (one group is white and the other is Puerto Rican). While they sing about the upcoming battle, you have Maria and Tony sing about how tonight the fight will be over and they can be together (which doesn’t quite work out). In this you have the two groups, Native Americans and Whites, preparing to fight and it is just an awesome song. I mean this whole song is about how racism is stupid, as these two groups who are going to kill each other are not quite different at all, in what they are (human) and what they think (things different bad, we must fight those diffrent from us, etc) I mean look at the lyrics.
Ratcliffe: Powhatan:
What can you expect This is what we feared
From filthy little heathens? The paleface is a demon
Their whole disgusting race is like a curse The only thing they feel at all is greed
Their skin’s a hellish red Beneath that milky hide
They’re only good when dead There’s emptiness inside
They’re vermin, as I said I wonder if they even bleed
[English Settlers] [Native Americans]
They’re savages! Savages! They’re savages! Savages! Barely even human Barely even human
See not much difference between the two, which is the whole reason they are fighting.
I also love how they made both groups look evil in this song, making it clear that both sides are bing violent and are both at fault, there is no one villian. As historically both groups did horrible, horrible things to their own people and each other; showing that all people have faults.
Then we have Pocahontas who has finally discoverd her destiny and is trying to run and save everyone from war. And the tension mounts as you are unsure if she will make it in time and then what will happen next.
[Pocahontas] Is the death of all I love Carried in the drumming of war?
It’s a horrible situation as if the Native Americans win, John Smith dies and they are villianified and going to kill/die when future settler’s come. If the settlers win, than all the Native Americans will be wiped out, the only thing that can solve this dilemma is if Pocahontas can bring peace between them.
G) If I Never Knew You
I love this song so much, it is my favorite Disney love song so I will actually be saving that for a later post. Sorry!
![Count Dracula: Van Helsing. [Van Helsing turns to face Count Dracula] Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country. Van Helsing: I prefer to remain and protect those whom you would destroy. Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived. Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life. Count Dracula: If she dies by day. But I shall see that she dies by night. Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart. Count Dracula: Come here. [Dracula raises his hand to hypnotise Van Helsing] Count Dracula: Come here...Your will is strong, Van Helsing. [Van Helsing reaches out for his crucifix as Dracula looms toward him] Count Dracula: More wolfbane? Van Helsing: More effective than wolfbane, Count. Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images21.jpeg)
![Deputy Wargle: Oh, you've got some guns, ladies, you wouldn't shoot an unarmed man, would you? [both women cock shotguns and point them at him] Deputy Wargle: That's a dumb question.](https://janeaustenrunsmylife.files.wordpress.com/2014/10/600px-phantoms-ithaca-1.jpg)
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