Horrorfest VIII: Strange Tales of Terror

It’s that time of the year again!

It is time for Horrorfest VIII!

HORRORFEST!!!!!!

31 Days of horror, suspense, mystery, gothic tales, Alfred Hitchcock, psycho killers, ghosts, murder, dystopian futures, monsters, and more!

I love film and here’s my chance to share it with you all.

A couple years ago I put Jane Austen in a costume and added it to my Horrorfest traditions. This year I choose to dress her up in a skull mask for Halloween and Dia de Los Muertos. As you know I’m Latino and that is a part of the way people celebrate those who have passed on. This year both my grandmother died in the beginning of the year, while one of my best friends died last month. While I can’t paint my face, my skin allergies, I can honor them in this way. Along with Jane!

Well, I hope you enjoy this year’s picks!

To start Horrorfest from the beginning, go to I Don’t Belong in the World: Carnival of Souls (1962)

To start Horrorfest II from the beginning, go to There Are Many Strange Legends in the Amazon: The Creature From The Black Lagoon (1954)

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart: The Wolf Man (1941)

To start Horrorfest IV from the beginning, go to You Cannot Conquer It. It has Conquered You!: Dr. Jekyll and Mr. Hyde (1931)

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

To start Horrorfest VI from the beginning, go to One of Our Guests is a Werewolf, I Know It.: The Beast Must Die (1974)

To start Horrorfest VII from the beginning, go to It’s the End of the World: The Birds (1963)

I Survived!

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I survived, did you?

So this year’s Horrorfest was very, very different. After last year’s issues, I started writing this in May. This was the first time I have ever fully planned out a Horrorfest, as I had all the films picked and almost all finished by September.

So for the past two years, you have heard me say how I haven’t been able to complete all of Universal’s Classic Monster Films. Well I finally did it.  Wooot!!!

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Once I wrote that post, I was so excited. You see, I felt I really couldn’t do a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. And I did. I decided to end Horrorfest with The Wolfman (2010). But then I decided to take it one step further. About every five episodes has a werewolf in it. It was a howling good time.

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I also decided to do When a Stranger Calls, because of the phone harassment I had experienced. I took this one step further by doing  all four of the Scream films, along with the Alfred Hitchcock film Dial “M” for Murder.

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Speaking of Alfred Hitchcock, after hearing me complain for two years about trying to review one of his films, I have reviewed not one, not two, but three Alfred Hitchcock films. I was only planning on doing Under Capricorn, because I was planning on talking about Samson Flunky for St. Patrick’s Day 2015. I ended up doing Shadow of a Doubt as it just entered my mind and Dial “M” for Murder. Still haven’t gotten around to Psycho. Well, there’s always next year.

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So every year I mention wanting to do  Vincent Price films; like House on Haunted Hill. The Tomb of Ligeia, The Pit and the Pendulum, etc. I didn’t get around to any of those famous Vincent Price films, but I did do a film with him in it. I went over Laura (1944), which is when he is really young.

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So I hope you all enjoyed it! I did. But then everyday to me is October.

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So I usually put in a poll to see what you all you like, but I decided that I don’t care. I liked them all. Instead I’m just going to list them below for some of you who might have missed them.

Even a Man Pure of Heart: The Wolf Man (1941)

It’s Coming From Inside the House: When A Stranger Calls (2006)

In Their Proper Place: Metropolis (1927)

What’s Your Favorite Scary Movie?: Scream (1996)

I’ll Be Back: The Terminator (1984)

Let Them Fight: Godzilla (2014)

Unleash the Savage Instincts that Lie Hidden Within: I Was A Teenage Werewolf (1957)

What is This Thing?: Phantoms (1998)

Only A Woman: Queen of Outer Space (1958)

Happily Ever Aftermath: Grimm (2012)

It’s Happening Again, Isn’t It?: Scream 2 (1997)

You Think You Know Something, Don’t You?: Shadow of a Doubt (1943)

You Will Die in Seven Days: The Ring (2002)

Keep Clear Of the Moor. Beware the Moon: An American Werewolf in London (1981)

I Was Here For A Moment. And Then I Was Gone: The Lovely Bones (2009)

Part X: The Movie List That Would Not Die

Tuesday the 17th: Psych (2009)

All I Know About Trilogies is That in the Third One, All Bets are Off: Scream 3 (2000)

Who’s Afraid of Cory Wolf: Boy Meets World (1994)

But the Book, It Will Never Close…: Along Came a Spider (2001)

Every Time I Bring a Girl Over, You Try to Eat Her!: Vampires Suck (2010)

Murder is My Favorite Crime: Laura (1944)

Monster Movie: Supernatural (2008)

You’re Gonna Need a Bigger Boat: Jaws (1975)

Don’t F*** With the Original: Scre4m (2011)

Werewolves Roam Among Us: Alvin and the Chipmunks Meet the Wolfman (2000)

The Past of a Man: Under Capricorn (1949)

There’s Nothing Out There. Nothing in the Mist: The Mist (2007)

What Have We Done to Each Other?: Gone Girl (2014)

The Perfect Murder: Dial “M” for Murder (1954)

Beast or Man: The Wolfman (2010)

Monster Movie: Supernatural (2008)

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“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

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Yep it parodies a series of Classic Horror Films: Dracula (1931)The Mummy (1932), Wolf Man (1941)In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

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So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

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So this episode takes place in season 4. There have been a lot of angst and sadness

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(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

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So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

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There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

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Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

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In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

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A couple is making out in a car when a werewolf comes upon them and attacks.

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The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

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The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

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That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

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The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

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But then finds himself overpowered by the vampire

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The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Say What

Nope you heard my correctly

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Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the MegaplexScream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

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Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

Count Dracula: Van Helsing.  [Van Helsing turns to face Count Dracula]  Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.  Van Helsing: I prefer to remain and protect those whom you would destroy.  Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.  Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life.  Count Dracula: If she dies by day. But I shall see that she dies by night.  Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.  Count Dracula: Come here.  [Dracula raises his hand to hypnotise Van Helsing]  Count Dracula: Come here...Your will is strong, Van Helsing.  [Van Helsing reaches out for his crucifix as Dracula looms toward him]  Count Dracula: More wolfbane?  Van Helsing: More effective than wolfbane, Count.  Count Dracula: Indeed.  [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

suspicious

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

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He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

OMG

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

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Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

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Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

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Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

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Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

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And why not take a pizza break? Pizza is awesome.

I love Pizza

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his "reincarnated bride" in his old love's clothes.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

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While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

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With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

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For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

That Video…is Not of This World: Ringu (1998)

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This kind of thing… it doesn’t start by one person telling a story. It’s more like everyone’s fear just takes on a life of its own

On April 13, 2011; I was chilling with my friends when I suddenly recalled it is Friday, April 13th!

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It’s Friday the 13th! We must watch a scary movie! We weren’t satisfied with what we had in the dorm so we headed out to the library and checked out what they had. We were looking out the horror section, when my friend Freda saw Ringu and said that we should watch it since she had heard it was really creepy. I was totally down for that, and I have to agree that it was pretty creepy, but did have some dull moments.

So the film starts out with two girls hanging out one night.

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One starts joking with the other, telling her about a story she heard about these people checking out a strange video, and later they recieved a call saying they would die in seven days. It quickly goes from funny too serious when the other girl, Tomoko, tells her friend that she saw the video and got the call. Her seventh day is tonight. She then says she was just kidding, and that it’s no big deal, she’s going to be fine. However the two go downstairs, Tomoko is killed by some unseen force. Her friend then goes into shock and has to be put in a mental institution. This scene is pretty creepy.

Tomoko’s aunt Reiko Asakawa is a journalist and comes over for the memorial, bringing her son.

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She feels that something is not right, as there has to be more to the story. She starts going through some of Tomoko’s stuff and finds a strange picture of Tomoko and her and friends at a cabin in Izu. In the photo all the kids’ faces are blurred out. All the kids in the photo are also dead.

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 Reiko  goes down to the cabin in Izu and finds a strange tape, intrestingly it is not the orginal piece but a copy.  Reiko watches it and it is full of strange images that don’t seem to make any sense. At the end the image cuts off and snow flurries take over the screen.

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Immediately after, the phone rings and the voice on the phone says she only has seven days to live.

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The rest of the film is now counted in days as  Reiko’s time is limited.

Reiko goes to see her ex-husband, Ryūji Takayama. One thing they never explain is that Ryūji is a psychic. This is part of the reason why the two broke up as Reiko couldn’t deal with it. Reiko goes to him to tell him he might have to care for their son if she should die. Ryūji doesn’t believe her, so she forces him to take a picture of her. In the pic her face is blurred.

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Ryūji works with media and asks to see the video hoping to figure something out. Reiko doesn’t want to show it to him but gives in. He gets a call too. She also makes him a copy to study.

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Ryūji  is able to discover a phrase “frolic in brine, goblins be thine” hidden in the video, a saying that came from Izu Ōshima Island. That night, Reiko catches her son watching the tape and is now more than ever determined to discover how to defeat the thing that is killing people. Reiko and Ryūji team up and travel to the island to find out more.

On the island they discover that there used to be a great psychic Shizuko Yamamura. A doctor was working with her, showcasing her powers, but she was denounced a fake and disappered from sight.

The two find the doctor that was working with Shizuko and discover that the doctor had a deeper relationship with Shizuko than just studying her. He was her lover. Shizuko and him sired a child, Sadako, who was uncontrollable. She killed all the horses because they were disturbing her, killed people, etc. The father couldn’t handle her after the mom died and killed her by throwing her down a well. However, that didn’t completely kill Sadako as she psionically put her  vengeful spirit into the tape. This spirit or Onryō killed the teenagers.

The two go back to the Cabin because that is where the videotape surfaced. They uncover a well and try to empty it to appease her spirit. Minutes before the seven days are up, Reiko finally finds Sadako’s corpse at the bottom. She hugs her and kisses her forehead, giving her “a mother’s love”. When nothing happens to Reiko, they believe that the curse is broken.

All seems fine until the next day. Ryūji is at his home and his TV switches on by itself showing the image of a well. The ghost of Sadako crawls out of the well and out of Ryūji’s TV set.

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This wasn’t very creepy which disappointed me. I mean that was the whole buildup right? Well it just seemed very fake to me as she takes FOREVER to crawl across the floor.

So as Ryūji is dying he manages to dial Reiko’s number. She realizes the curse wasn’t broken and tries to figure out wat she did differently. She goes over everything she’s did in the past seven days and realizes what she did that Ryūji didn’t–copying the tape and showing it to Ryuji.  Reiko figures out that by having her son make a copy and give it to someone is the only way to save her son. The last shot is her driving to her father’s and talking to him on the phone letting him know that her son has a video to show him. (I know HORRIBLE BETRAYAL)

It was pretty creepy and compelling, but the last part when Sadako comes was just not creepy. But this film is worth a watch. What’s interesting is that the director Kôji Suzuki got his inspiration for the Ringu novel, which the film is based on, from his favorite horror movie Poltergeist.

Here is a cover page/poster for facebook I made as part of my countdown to Halloween.

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Feast Your Eyes On My Accursed Ugliness: The Phantom of the Opera (1925)

Feast your eyes! Glut your soul on my accursed ugliness

I love this movie so much that words fail to express how I feel. This movie was the one that not only was my gateway into horror films, but also caused a life-long love affair with classic cinema.

It all started one day at the library. I was about six years old and complaining to my mother that I couldn’t find any books to read. Nothing just felt right. You know what I mean, when a book synopsis just connects to you, and you know you need to take it home to read?

So my mother eager to get home, pulls a book off the shelf and suggests that I read it. Instead of paying attention to whatever novel she had in her hand, I saw the one behind it. It was The Phantom of the Opera; a slender, abriged, children’s version.

It became my new favorite book and I would check it out all the time, completely annoying my mother.

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Later on I read the original, whole  version; which I also love. It is written so well, if you haven’t read it yet I highly recommend it.

I just connected with this poor man. He was bullied and betrayed because he was disfigured. No one paid attention to his genius in building and composing. He was living a life alone in isolation. I wanted to go underground with him.

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I would have gone off with him and loved him unlike Christine Daaé, she’s a total jerk and loser.

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Anyways, not long after I was flipping the channels and stopped on TCM. I love TCM (Turner Classic Movies) with a passion. I wish I could watch it 24/7 as they show the most amazing films ever.

Anyways, so that day they were doing a biography on Lon Chaney, and mentioned that he played the Phantom. I was now sucked in and had to watch. The film was the biopic Man of a Thousand FacesLon Chaney quickly became my favorite actor as I just fell in love with what a genius he was. He used to wait outside the movie studio, using his make-up to change his apperance to better fit roles. His most famous one being of course, the Phantom.

Phantom of the Opera

Afterwards, they held a marathon of his films, but I stopped watching as they didn’t show the one I wanted to see. I now had to watch the 1925 film! I did more research and found out that it is one of the first films to use color, only being able to for the Masque of Red Death scene. It was supposesed to be one of the most dramatic scenes in the film.

I now absolutely HAD to see that film. I went and rented it, hoping that it would be as good as it sounded. It was better than that! The film was not only horrtastic, but simply, and honestly amazing! It also stayed very close to the book, making only a few changes, and doing a much better job than some other versions (the 1943 one, so bad 😦 ).

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Now I know that silent film isn’t for everyone, but I suggest that you check it out.

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So we start off the film with someone lurking in the catacombs of the opera house. We don’t know who he is or what he is after. Then we switch to the opera house, and the creme de la creme of the elite milling about. Everyone is settling down as the show is about to start.

We see the ballerinas on stage dancing away.

Reminds me of Degas

Meanwhile in an office upstairs, the opera house is being turned over to new owners. Owners who know nothing of what lurks in the belly of the building.

For there lies the Phantom and a friend. A Persian man that had traveled with him since the Phantom has been abroad, but no one knows more than that.

So the new opera owners have gained a lot of problems with their purchase. Besides having to pay the phantom money, give him box 5, and a few other amenities; he is also demanding that they replace Carlotta with Christine, the girl he has been coaching. Needless to say, this is very upsetting for Carlotta.

I refuse to be treated in such a manner

In fact the Phantom has threatened Carlotta if she does not stay away. Carlotta is most unhappy; and leaves declaring she will not sing that night.

Instead Christine Daaé sings beautifully. She is also noticed by the stupid Vicomte de Chagny. I really dislike Raoul, Team Phantom all the way!

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In the book Raoul struck me as a real annoying guy. Like one who is always trying to do different things; but only does them halfheartedly, always expecting someone to bail them out of a jam. Then again I could be biased.

Anyways Stupid Raoul notices Christine and tries to get with her. But she is not as receptive, in fact telling him kindly to get lost as she has her career to think about.

Stupid Raoul goes to leave, but actually, is secretly waiting outside her door to spy on her.

Now for anyone out there; if you tell a person you want a relationship to end and they don’t listen and spy on you, you need to call the police and get rid of them. I can’t believe him. Raoul just went from stupid to stalker. I mean who listens outside their ex’s door like that? Who does that?

How rude

So Carlotta decides to sing anyway, even though she has been warned that bad things will happen. The Phantom makes sure that she will never want to sing again.

“Erik: Behold! She is singing to bring down the chandelier!”

So Christine goes to her room and Raoul being the creep he is  follows her. Erik, the Phantom, calls to her and tells her to go through her mirror; which is really a trapdoor. The Phantom built the Opera House, so built himself a home underneath the Opera House along with tons of secret passage ways and hideouts.

The Phantom takes her to his subterranean home, across a hidden lake.

Christine is amazed and kind of freaked out being there with him. All she can focus on is the fact that he is wearing a mask. Erik starts telling Christine his life story, and the sadness it has brought him. She ends up fainting, and he carries her to his guest room; beautiful and full of things she will love. It has a whole wall of shoes!

The next day everyone is in an uproar as Christine is missing! She wakes up to hearing the organ being played by the Phantom. He has been working on an opera for a long time.

Erik: Since I first saw your face, this music has been singing to me  of you and of –love triumphant!”

While he is romantically sharing his feelings, Christine is determined to rip off his mask.

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Lon Chaney is truly amazing! I mean look at him! He is so awesome looking! So creepy! He is such a genius, devising his own make-up. The Phantom’s makeup was designed to resemble a skull. Lon Chaney attached a strip of fish skin (a thin, translucent material) to his nostrils with spirit gum, pulled it back until he got the tilt he wanted, then attached the other end of the fish skin under his bald cap. For some shots, a wire-and-rubber device was used, and it cut into Chaney’s nose and caused a good deal of bleeding. Cheeks were built up using a combination of cotton and collodion. Ears were glued back and the rest was greasepaint shaded in the proper areas of the face. The sight was said to have caused some patrons at the premiere to faint.

Christine is completely shocked at his apperance. Mary Philbin, the actress who played Christine, reaction to the unmasked Phantom was real – she had no idea what he would look like until that exact moment.

Phantom of the Opera

So the Phantom is upset, but Christine has to stay with him. He is not about to let her go. Now I know that is not appropriate behavior, but I feel so bad for him. She loved him until she saw his face, Now he has nobody. 😦

Then they have the most amazing scene ever! This was one of the first films to have color! They do this huge masquerade scene in color and he comes as the Red Death! It is too fantastic for words. I cannot describe it, you will have to watch it. His entrance, his outfit, etc.

Erik: Beneath your dancing feet are the tombs of tortured men! Thus does The Red Death rebuke your merriment!

Christine escapes from the Phantom and sneaks off with Raoul. They make plans to run away together, but little do they know that the Phantom has overheard everything.

Christine prepares to do her last performance, and as she is doing so, the Phantom comes and spirits her away. His only friend, a Persian courtier who has been with him through everything, goes to Raoul to lead him to Christine.

They go through the secret passage, but end up accidentally in the Phantom’s torture chamber.

The Phantom gives Christine two choices; she can choose to hit this ceramic scorpion,which means that she has chosen to marry the Phantom and be his forever, or the grasshopper which means death to Raoul and the opera house. The grasshopper if pressed will light a fuse of the gunpowder that is packed throughout the opera house and interconnected. Everything will blow! The scorpion is connected to a switch that will pump water into the bottom of the opera house and soak all the gunpowder and keep the opera house from blowing up.

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She chooses the scorpion, but as the water starts to come up and drown Raoul. Christine asks the Phantom to save his life, that she will do anything for him if he does. He pulls Raoul out and then takes off with Christine, as the Parisians are hunting him down.

Grab your torches and sharpen your pitchforks!

The villagers follow in pursuit. As they are running, Christine throws herself out of the carriage. The Phantom goes to her, but the villagers are too close and he takes off. Raoul goes to Christine, and the Phantom is “killed” by the people.

I’ve never been a fan of that idea, you can’t kill the phantom, he’s unbeatable!

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I love him! Is that sad and pathetic?

That’s the post for today. More to come! 4 days ’till Halloween!

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to They’re Coming to Get You Barbara 

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For more on The Phantom of the Opera, go to My Favorite Movie Lines

For more on classic horror films, go to I Want Friend Like Me

For more films based on books, go to Quite a Horror Story

For more films that spanned countless remakes, go to I Bid You Welcome

For more of my favorite quotes, go to I’m No Warrior, I’m an Assistant Pig-Keeper

It’s Alive, it’s ALIVE!: Frankenstein (1931)

Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!

What horror movie countdown would be complete without the film Frankenstein

Frankenstein is an amazing film that tells the story of when one man tries to be more than he is; he tries to be God. It is based on the novel, Frankenstein, by Mary Shelley (FYI: A much better writer than her husband)

Edward Van Sloan: How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We’re about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now is your chance to, uh… Well, we’ve warned you. 

I have always loved this film, but I think The Bride of Frankenstein is much better. I will get more into why that is later.

This movie is terrifying as we see a Frankenstein becomes consumed with creating this being. He won’t listen to anyone else and his behavior frightening his friends, family, and fiancé.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

Let me just clarify for everyone out there that the name Frankenstein alludes to Victor Frankenstein, the mad doctor who creates the Monster. For some reason they changed his name to Henry in this film. In the film his best friend’s name is Victor, while in the book it is Henry. Go figure. The Monster is never called by a name other than Monster, Creature, or something similar. It’s like  The Creature from the Black Lagoon or The Thing from Another World, no proper names are given.

Anyways, he is helped out by a hunchback named Fritz

Not Igor, FRITZ!

The hunchback named Igor who helps mad scientists isn’t from the original Frankenstein, but comes from one of the sequels, Son of Frankenstein, where his name was Ygor; later translated to Igor.

Anyways, Fritz is the one who makes the mistake of stealing the criminal brain.

My Bad

 

So Frankenstein starts getting ready to bring his monster to life. In the novel, Shelley never tells us how it is done; Frankenstein never wanted to share the details of the experiment for fear that someone would create their own living dead. With nothing to go off of, the writers and directors decided to use lightening, and therefore changeing film culture and film history as this is referenced and parodied in so many films and TV shows.

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“Henry Frankenstein: Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!
Victor Moritz: Henry – In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God!”

Frankenstein is so intent on proving everyone wrong, so focused on completing everything that he never stops to think whether he should do this. This is an interesting question posed; how far is too far?

So Frankenstein is able to create his monster:

Played by the very amazing Boris Karloff; extraordinary actor. He almost didn’t play this part as they originally offered it to Bela Lugosi who turned it down. I’m glad it was Karloff, because as much as I love Lugosi, no one could have done this better.

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The green makeup that is such a part of the Frankenstein figure was used because it gave Karloff a deadlike pallor of skin. Now it has become such a strong part of culture, we see the green-skinned, bolted monster every October.

After the Monster is created, we see this innocentlike creature. He is afraid of fire and tries to attack Fritz who brings a torch by him. All bystanders fear for their lives and chain the Creature up in the dungeon. Frankenstein and his friend Victor leave and discuss the best way to euthanize him. Unbeknownst to them Fritz is stupidly taunting the creature with a torch; causing the Monster to reach out and kill him.

When Victor and Frankenstein return; they see Fritz’s dead body on the floor, and have to run away from the Monster as it tries to attack them too. Frankenstein prepares a shot to kill him, and Victor gives it him. With all his problems solved, Frankenstein leaves to prepare for his wedding, and Victor begins to dissect the Creature. Unfortunately, the Monster didn’t die; but was only knocked out. He kills Victor and then escapes, running amuck in the countryside.

He runs into a little girl, who is nice and shows him the flowers she is picking up.

She shows him how flowers float in the river, which Frankenstein ultimately does to the little girl. Thinking that if he tosses the girl in the water she will float; he ends up ultimately drowning her.

Little Maria: See how mine floats.
[the Monster picks her up]
Little Maria: No, you’re hurting me! No!”

The farmer finds his daughter’s floating corpse and goes to pieces. He starts hunting down the monster; searching everywhere to find the fiend.

Frankenstein, happily preapering for his wedding is brought news of Victor’s death. He goes out searching for the monster along with the peasants who have their torches and pitchforks at the ready.

Grab your torches and sharpen your pitchforks!

Eventually Frankenstein tracks the monster down and is prepared to destroy him.

However the Monster knocks him out and carries him off to the windmill where he throws him off. Luckily, Frankenstein is caught by a vane and saved from death. There some peasants carry him home while others destroy the mill and kill the monster. Or do they?

Frankenstein gets home, where we see that he is safe and sound and in the arms of his Elizabeth dear.

After I watched the film a gazillion times, I read the novel and found it to be much more horrifying than the movie. In the book Frankenstein isn’t this bumbling creature, completely innocent and doesn’t understand things; but a criminal mastermind. Having learned to read and talk before he died; he is able to after some time remember how to do this and begins becoming more “human”. The one thing that he never regains is compassion, kindness, etc; all the caring emotions that make us who we are. He has no empathy or sympathy, believing that he was shown nothing but hatred and cruelty so he must show this to all.

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What they take from this and use in the sequel, The Bride of Frankenstein, is his want of a mate; his desire to have one like him to spend his life with. He threatens to destroy everyone that Frankenstein holds dear if he does give in to his demands. Frankenstein goes through a constant struggle with himself; knowing that he cannot risk creating another creature being made and mating along with the first. He realizes his mistakes at creating such a thing far too late. The monster doesn’t like hearing no and kills all Frankenstein loves. There is no sweet guy, accidentally killing someone like Lenny in Of Mice and Men, but this is a true psychopath fully aware of the crimes he is committing. Not only is the creature a serial killer, but he has become so intelligent that he is able to plant evidence so that people think someone else is the murderer. He kills Frankenstein’s brother William, and plants a locket on William’s nanny so that she is also killed. Then he kills Henry, Frankenstein’s friend, planting evidence so Frankenstein is arrested. He also kills Elizabeth, Frankenstein’s wife, making it seem once again that Frankenstein is the killer. With all those that he loves dead, Baron Frankenstein dies as well.   After everything is gone from him; Frankenstein devotes his life to hunting down what he created and destroying it.

It’s a great book, I suggest reading it and watching the film.

There’s a classic terror for your Tuesday! More to come!

I almost forgot to mention this. Unlike The Mummy, Dracula, or The Wolfman; Frankenstein has never had a major motion, globally shown, sent to all theaters, remake. However that is all about to change as Guillermo del Toro is planning one, and hoping that it will be coming out soon. To read more up on it go here. We shall have to wait and see what happens and how it turns out.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When Potatoes Go Bad

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For more on Frankenstein, go to A Monster Race

For more on Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Jurassic Park, go to Life Finds a Way

For more on the living dead, go to A Tale So Strange It Must Be True

For more on mad scientists, go to A Very Scary Story

For more universal films, go to Universal’s Classic Monster Movies

For more of my fav quotes, go to Insults