So during COVID19, we have been reorganizing the library. No better time to rearrange shelves than when people are not in the building.
So as I was making the changes and this caught my eye:
“Friday Night Lights meets Jane Austen’s Emma in this delightful novel about big dreams, big games, and a little romance.”
Hmm…
So of course Emma, caught my eye as I plan on reviewing every Jane Austen adaption, (I know that’ll take years, but I’m okay with that), and had to check it out. Besides Jane Austen, I’m a big fan of Friday Night Lights.
So let’s get started.
Kate Hamilton (Emma Woodhouse) and her mother and Congressman father have been sent back to her father’s hometown of Red Dirt, Texas after her public scandal.
It started off as something good…Kate discovered that there was serious graft regarding which kids received letters of recommendation, scholarships, etc, for colleges. She exposed this and changed the practices, but it was a hollow win.
Her boyfriend, now EX, was cheating on her with a senator’s daughter who lost her recommendation, and he secretly took photos of Kate- styling them to look extremely compromising and blasting them on the internet.
So Kate has a plan-she wants to go to art school to be a photographer, but to do that she needs an awesome portfolio and a fantastic letter of recommendation. She decides to find a way to lay low, up her volunteer hours, send them to her old school, get the letter and get out with what she wants.
She espechially wants to get way from her dad as she feels so guilty about what happened, and hates having to always be in “political mode”-all the time. She needs volunteer hours and starts to help her Aunt Celia at her animal shelter.
There she is in the middle of trying to birth a calf, unsuccessfully, when she meets Hunter (Mr. Knightley). He is cute and nice and whenever Kate gets a little too cocky and sure of himself, he is there to help push her on the right track, espechially as he understands the dynamics and politics of the town better than her.
The two end up being paired as science partners and they spend a lot of time together. In fact, they become best friends as Hunter helps her transition to Texas life, and appreciate things without constructing a narrative of doing some political machinations.
Kate quickly becomes friends with Ana-a shy, studious, photographer who helps Kate out with her photography and gets her in on yearbook staff (which gives her access to the darkroom she needs). Kate hates to owe anyone anything and has decided that she is going to help Ana. Ana is adorable, but her ex-boyfriend has given her a bad reputation with the lies he has spread about her.
Kate decides the best way to fix Ana’s reputation is to pair her up with a guy better than her ex-basketball playing boyfriend Hank. Someone higher up the social hierarchy and settles on quarterback, Kyle.
Hunter warns her that Kyle is a serious jerk and that matchmaking Ana and him up is not a good idea, but Kate doesn’t listen.
Kyle is not just the quarterback, but he is also the son of her father’s political rival. Her father wants her to avoid Kyle, as he doesn’t trust him or his father, but she ignores him and sets her plan into serious levels of action.
She hangs out with him a bit, takes photos of him.
This popped in my head when reading it.
Kate has lunch with him and Ana and people begin changing in the way they are acting around her-and after Kyle defends her, things seem to be going great. Kate and Ana even get coveted invites to several after game bonfires.
Kate is super pleased at how things are going and starts to divert her attention to her other plans. Spending time working with her Aunt and seeing how much her Aunt pours into her shelter, she decides to help out by creating a website where people can donate to care for an animal, getting D.C. friends and friends’s parents to give. She also tries to match her D.C. friend Tasha up, over the phone by giving her advice.
Emma 1996 AKA the Gwyneth Paltrow version.
She also works hard on her project with Hunter. But it turns into more than science. He helps her see the beauty of the area, she helps him mend some of his broken relationship with his mom, as said before they become best of friends…thoughts turn to more-but their can’t be as Kate is not interested in anything more after her jerkwad ex.
Except Hunter
But then Kate goes to a party with Kyle and he tries to force himself on her.
She breaks his wrist and takes off in his car crashing in a ditch (she’s only had one lesson). Hunter, worried about her going to a party alone with Kyle, rescues her-but things are looking grim.
It seems like everything Kate does screws up:
Kate’s breaking Kyle’s wrist and crashing his car reflects bad on her father
Everyone in the town hates Kate for costing them the championship game (as they have no quarterback)
Her aunt found out about the website and hates it-yelling at Kate
Kyle treats Kate and Ana like crap (espechially Ana-publicly dissing her [such an Elton], but Hunter helps her out)
Kate gets revenge against Kyle by making mock yearbook pages embarrassing him and she and Ana spread them around the school
Their little revenge plan gets Ana is kicked off yearbook
And Hunter who never wanted to play football ever again (as it is too much pressure) does so to save the team and Kate.
Kate has to figure out a way to fix things and she decides to do the one thing she never thought-she is willingly going to put herself in the front of the camera-and partner in her father’s campaign.
Will Kate be the thing that helps tip the scales in her father’s favor? Will Ana get back on yearbook and achieve her photography dreams? Will Hunter win the big game or choke? And will Kate admit she cares for Hunter or let her fear and insecurity keep her from taking a leap?
So when I was first reading this book I had a hard time. The beginning moves slow and her parents seem checked out. They just leave her alone and don’t seem to care about the trauma she went through with her pictures being posted everywhere. Nothing about that relationship seemed to micmic the one shared by Emma and Mr. Woodhouse.
Hmmm…
But once I reached the middle with Kate and Hunter being best friends, adorable Ana, Kate’s matchmaking…I got invested.
And then when they got to the hardcore part of Kate taking Kyle down and then her pairing up with her father to take down Kyle’s dad- it became a real page turner.
Tell ME!!!!!
I really liked Kate and Hunter’s relationship, although I think he if he had been a little less vague about Kyle not being a good guy it would have been better. I mean he did try, telling her he heard the way Kyle would talk in the locker room-but with Kate/Emma you can’t be subtle.
From Emma (1996)
I really enjoyed it and how it had the aspects of Jane Austen but still was its own story. Like Clueless, this is a great gateway to get teens interested in Jane Austen and Austen fans will adore it.
So last year, I did a ’80s film to start off Horrorfest V, so I decided that I needed to review a ’70s film to start us off. So the first post, I feel, is one of the most important ones during Horrorfest. I need a film I absolutely love to watch-
So I tried to think what horror, thriller, mystery, etc.; that I absolutely love. What’s one of my favorite ’70s horror films?
Jaws!
Oh wait, I already reviewed that one.
What’s another ’70s film I absolutely love? Oh, I know!
The Stepford Wives!
Wait I reviewed that one too.
So what to do? I started looking through what films came out in the ’70s, but nothing stood out at me until I saw this:
AMC, back when it was an actual movie channel instead of giving in to being just like any other network, used to do something special called Fear Fridays.
Originally they started showing films at 7, then it was moved back to 8, then 9, then 10, then 11, then 12, then 1, and finally 2. Yes, 2 in the morning!
What?
And they still called it Fear Friday! Even though it was on Saturday! Fear Friday on a Saturday???!!!
Sorry, I digress. So they would just show horror films all night, and I saw some fantastic ones and some pretty rotten ones-but either way it made Friday fun.
One night at 12 this film came on and it immediately captured my attention with its fantastic beginning. We don’t start by showing actors’ names, or anything like that. Instead we start with this:
This film is a detective story – in which you are the detective. The question is not “Who is the murderer?”, but “Who is the werewolf?” After all the clues have been shown, you will get a chance to give your answer. Watch for The Werewolf Break.
You know how much I love a mystery!!
Ready for any case
So millionaire Tom Newcliffe (Calvin Lockhart) has spent his time training to be the best hunter, building the most unescapable housing complex, etc. Why? He wants to capture a werewolf.
He has hunted everything possible in the world, and this is the last one on his list.
But there is only one problem: a werewolf only manifests at night with the moon. How will he find a werewolf when most of the day they appear as a regular person.
Hmm…
He has that covered. He has been tracking people and invited four people to his mansion for the weekend-five that he believes are possible werewolves. His plan is to wait until they transform and then kill them.
Here are his suspects:
1) Arthur Bennington (Charles Gray): Diplomat who had members of his cabinet disappear suspiciously.
2) Jan Gilmore (Michael Gambon): A famous pianist who while on tour, the cities he played in had horrible killings where their throats were slashed.
3) Davina Gilmore (Ciaran Madden): Jan’s wife in who travels with him, but on a separate occasion a dinner party she attended had a horrifying murder.
4) Paul Foote (Tom Chadbon): An artist who has recently been released from prison. He started out as a medical student, but was involved with a group that each ate a piece of human flesh.
5) Professor Lundgren (Peter Cushing): A professor of archeology and Lycanthropy. Is he so knowledgeable because he’s interested or because he is one.
Which one could it be? That’s up to Tom, his assistant Pavel, and you to determine. Will you figure it out?
I loved this movie so much, I can’t say anything more. In fact, I was told to go to bed, pretended I did, and snuck out to finish watching and see if I had guessed the werewolf correctly.
I thought it was a great time and even went on to searching the internet to add it to my collection. Definitely worth watching for Halloween.
So you know how I do a banner for every movie for my personal facebook, none for this one. I couldn’t find a big enough picture that captured the film.
Dracula. Dracula: not myth, nor ravings of a mad Irish novelist, oh no. He’s real, I assure you.
A long time ago, AMC used to do Fear Fridays. Every friday night at 8 they would show a horror film, and not stop until early Saturday morning. But then they pushed it back to 9, then 10, then 11, then 12, then 1 am, then 2 am; still calling it Fear Friday although it was actually Saturday morning. And then they just stopped doing it, which deeply saddened me as I saw many a good, creepy film those Friday nights.
Why did it end?
This however, wasn’t one of those good movies.
My sister and I saw this on one of those Friday nights and I hated this film. I thought it was dumb, stupid, boring, made no sense and couldn’t hold a candle to Bela Lugosi in Dracula (1931). And I vowed to never see it ever again.
Last week, my friend and I were having a horror film marathon. We saw Once Bitten and then were in the mood for a more serious film. She was going through the list and wanted to see Dracula 2000 as she has never seen it before. I was like
She then asked me what the film was about, if I could give her a summary, and I tried to tell her…
Uhhhhhhh
But I couldn’t remember. The only thing I could think of was that it had Johnny Lee Miller (who played Mr. Knightley in Emma (2009) and Edmund Bertram in Mansfield Park (1999) as the regular person thrust in the adventure (the only character I liked); Gerald Butler as Dracula (the reason I watched it the first time) but he was so young that it didn’t even look like him and I hated his character; a weird scene in the record store; and that I hated it. Why did I hate it, I couldn’t remember. The movie must have been so horrible I just wiped it from my memory banks.
Since I couldn’t remember it, and thought maybe I was too harsh a judge, we decided to watch it and see if it was different this go round.
I HATED IT!
I thought it was horrible and stupid. So you know what that means! A countdown!!! Yes, let’s go over everything I liked (barely anything) to everything I hated (practically everything!)
Synopsis:
The film is supposed to be Dracula set in modern times rather than 1831, so the year is 2000. In London, Matthew Van Helsing (Abraham’s descendent) has an antique store in which he is training Simon (Johnny Lee Miller). That night everyone but Matthew goes home, and unbeknownst to him his secretary Solina is part of a ring of thieves that breaks into his vault. They find nothing in there but crosses and a coffin, taking it as it must be valuable.
But something terrible lurks inside.
When Matthew discovers the theft, he goes after them, leaving Simon to watch over the business. However, Simon is worried about his mentor and follows him instead.
The thieves open the coffin and reveal that it is Dracula (Gerald Butler) who turns them all into vampires.
Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them. Van Helsing: Doing them? Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: “Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!” Van Helsing: What did he want you to do? Renfield: That which has already been done! [giggles sinisterly]
He then heads to New Orleans, LA. There lives Mary Heller, a devout Catholic, who has had strange dreams/visions her whole life but they seem worse now than ever before. She keeps seeing this man, unsure of who he is, but us viewers know him as Dracula.
Simon and Matthew team up and try to destroy the new vampires, Simon originally shocked but after being attacked admits they are real. Matthew then reveals his secret, he is really Abraham Van Helsing, the Van Helsing.
[Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]
When he discovered nothing worked to kill Dracula, he imprisoned him in a coffin and took his blood to keep him young as he continued to try to find a way to destroy him. He was married and they had a daughter Mary, and in her blood is Dracula’s blood. When he told his wife the whole story, she left him and took his daughter to America.
Dracula has lost his male vampires, but has three wives: Solina, the secretary; Valerie, a news reporter; and Lucy, Mary’s best friend. Simon and Helsing split up to look for Mary, Helsing being killed by Dracula and the wives at Mary’s house. Simon finds Mary and they escape, only for Mary to be captured later. Simon tries to help her; but is no match for all the vampires.
Before Dracula turns Mary into a vampire, he reveals that he is Judas Iscariot and that is why he hates silver and crosses. He tried to hang himself, but the “rope broke” and God turned him into a vampire.
I know. He turns Mary into a vampire, but I guess her already vampire blood counteracts it as she is not his slave.
She saves Simon, kills Dracula, and decides to continue the family business (although if she killed Dracula it is over) turning into a female Blade, kinda-sorta.
So What Was Good?
There was only one thing I liked in this entire film, and that was Johnny Lee Miller’s character, Simon.
Simon was extremely likable because he was just a regular person thrown into this situation and trying to make sense of it. All his reactions are spot on to when he thinks people are crazy to finally becoming a butt-kicking vampire hunter. He is kind, compassionate, caring, intelligent, and extremely witty.
Marcus: [Simon produces a cross] Sorry sport. I’m an atheist.
Simon Sheppard: [a dagger pops out of the cross’ base] God loves you anyway.
The other thing I like about him was how he represented the everyman or everywoman. Here is a guy who has read old inscriptions, heard stories, studied antique weaponry, etc; but studying and hearing it is much different than having to use it, have the myths be real, and be expected to hunt down vampires. He tries his best as he discovers this new reality, and even though he makes mistakes, all is forgiven as he is us, the viewer, in a sense. I thought he was fun and the best thought out thing in the film.
I like it!
So What Was Bad?
Everything else. Seriously, I mean it. The rest of the film was absolutely horrid.
1) Too Many Stars
Like Scre4m it is hard to focus on a plot of a film when you are being hit right and left with people who are really famous. In every scene it felt more like a game of “Which Star Will Pop Up Next” rather than watching a film about Dracula. I mean we have Shane West, Christopher Plummer, Johnny Lee Miller, Omar Epps, Nathan Fillion, Vitamin C, etc. When casting you really have to be careful and not have too many recognizable people, or else your audience will be going bug-eyed.
2) For a Dracula film there isn’t a lot of Dracula in it.
Dracula is supposed to be about Dracula; but Dracula actually has a small role in this film. And unlike previous films, Dracula wasn’t even played by a big star with top billing; instead they choose Gerald Butler who had very little on his acting resume at the time this film was made. To me that is incredibly strange as he is the main character, THE TITLE CHARACTER. He should be the star, the biggest personality. Instead Dracula has very little dialogue and spends most of his time just creepily staring at people.
He’s creepin’ in your windows. He’s starin’ at your people.
I didn’t like that, not one bit. As much as I disliked Bram Stoker’s Dracula, and I did a lot, at least that one knew what to focus on,DRACULA! It was a weird decision made by the writers, and a bad one.
3) Mary, Mary Quite Boring
Mary was so boring! I mean it what a yawnfest. All she did was cower, snivel, and act as if she was going to have a breakdown. Her character was bland and completely underdeveloped other than “good”, “Catholic”, and “British”. Now don’t get me wrong, the breakdown character can work but only in films where it is about psychological damage, like Rebecca, Gaslight or Under Capricorn, not a monster movie. In this type of film that kind of behavior is boring!
4) Taking Blood to Live Longer, Yet He Doesn’t Become a Vampire
In the book Dracula, the way to have someone become a vampire is to give them vampire blood. In this film Van Helsing keeps transfusing vampire blood into his body to live longer, but doesn’t become a vampire. That makes zero sense! If you ingest vampire blood you are a vampire. Pure and simple.
5) Dracula is Judas
Yes. It turns out the reason Dracula hates silver, crosses, bibles, Christianity, etc…is because he is Judas.
Why would God turn him into a vampire? Why would God create a being that cannot be killed but kill his people making their souls unable to move on? That is just unbelievably dumb.
I mean if the devil was the one who did it, it would still be really dumb, but make a lil’ more sense.
So yes it was dumb, incredibly dumb. Just stupid and horribly boring. My advice? Just skip it.
And after we finished the film, I asked my friend “What do you think of it?” Her response:
There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?
So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th& Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.
This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.
Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.
With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.
I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).
So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.
I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.
AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!
I ticked off the months, but then in October I discovered it wasn’t out in theaters.
Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.
But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.
I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.
So moving on to the review.
So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.
He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.
When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.
Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.
I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.
There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.
Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.
This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.
Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.
Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.
Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.
So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.
Where were you the night in question?
That night is a full moon
Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.
But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.
Grab your torches and sharpen your pitchforks!
As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.
And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.
Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.
Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.
And he gets bitten.
Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.
Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.
And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.
Every time!
But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.
I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a horror film? That’s just boring.
But I guess that’s just they way it is these days.
So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?
Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.
Weird
He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.
Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.
Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.
But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.
Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?
Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?
Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.
Weird
As Laurence turns to go inside, he becomes…The Wolfman!
Now this was worth the price of admission. These transformation scenes are awesome!!!
Freakin’ sweet!
So now that he is a wolfman, he does what they all do. Ravage the countryside.
The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”
Noooooooooo!!!!!!!
How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.
Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.
Can you imagine?
And oh joy, he also gets electroshock therapy.
While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.
Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.
Except, it was more than “imagining” he actually became a werewolf and began attacking things.
That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!
Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.
It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time
But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.
But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.
Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.
Omg what a–
He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.
After he finishes his story he leaves, intent on never returning.
He deserves another punch.
That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!
This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.
Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.
Freakin’ AWESOME
Totally fangirl over that.
Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!
The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.
Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.
Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.
Noo!
Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.
Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.
Sir John Talbot: You have me at a disadvantage. It makes me happy.
Lawrence Talbot: What does?
Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?
Lawrence Talbot: No, it’s hell.
Sir John is a freak. He needs help. Serious help.
Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.
So after Laurence burns and decapiitates his father, Gwen walks into the house.
AAAAAAAAHHH!!!!!!!!!!!!!!!
NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!
The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.
He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.
Grab your torches and sharpen your pitchforks!
While he is concentrated on them, Gwen shoots him through the heart.
Noo!
Laurence changes back to his human form, and before he dies thanks Gwen for saving him.
Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?
Gwen Conliffe: [crying] I’m sorry…
Lawrence Talbot: It had to be this way.
Gwen Conliffe: I’m sorry.
Lawrence Talbot: [he holds her hand] Thank you. [Dies]
The posse and an injured inspector arrive just as Laurence dies.
So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.
But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.
And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.
![Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them. Van Helsing: Doing them? Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: "Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!" Van Helsing: What did he want you to do? Renfield: That which has already been done! [giggles sinisterly]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images-39.jpeg?w=474)
![Count Dracula: Van Helsing. [Van Helsing turns to face Count Dracula] Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country. Van Helsing: I prefer to remain and protect those whom you would destroy. Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived. Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina's soul if not her life. Count Dracula: If she dies by day. But I shall see that she dies by night. Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart. Count Dracula: Come here. [Dracula raises his hand to hypnotise Van Helsing] Count Dracula: Come here...Your will is strong, Van Helsing. [Van Helsing reaches out for his crucifix as Dracula looms toward him] Count Dracula: More wolfbane? Van Helsing: More effective than wolfbane, Count. Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]](https://janeaustenrunsmylife.files.wordpress.com/2012/10/images21.jpeg?w=474)
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