Le Fantôme de l’Opéra

Day 20) T is for Translated: Choose a book that was Translated from one language to English

PhantomoftheOpera

The Phantom of the Opera by Gaston Leroux

Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.

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I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.

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Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.

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Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.

ooh!

With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.

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Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.

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So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.

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I just love him:

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Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.

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His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”

“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)

Aw, man.

Aw, man.

He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!

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But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.

“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)

Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.

“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)

I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.

right in the feels broken heart

One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.

“From that time onward, the voice and I became great friends.” (pg. 116)

They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.

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The next day the Phantom comes and tells her he has to leave her.

“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)

You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…

“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)

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You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:

“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)

you're evil

She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.

hate her

So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.

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Then the Phantom carries her off underground into his home.

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Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.

“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)

iLoveyou

He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?

“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)

See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.

“For he sang. And I listened…and stayed!” (pg. 125)

She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.

“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)

He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.

How sweet!

How sweet!

But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.

No thank youhowaboutno

Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.

She cannot make up her mind.

She cannot make up her mind.

The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.

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Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.

big mistake

He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.

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Grab your torches and sharpen your pitchforks!

Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him  from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.

you're evil

Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.

“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)

How can someone be unfeeling when they consider what their arch rival’s feelings?

How sweet!

How sweet!

Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.

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I mean he really believed that someone had fallen in love with him.

“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)

He thinks his dream and true love is in his grasp!

“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)

The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.

Phantom of the Opera chandelier

He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.

broken-heart-breakYouPatrick

But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:

“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)

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Poor Erik!

“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)

Leave me alone so I can cry over the death of my fictional characters

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 I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?

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Had our heart broken:

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Been betrayed by someone we thought cared about us?

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Or felt we hadn’t received the recognition we deserved?

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What else can I say?

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Why yes I do!

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Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.

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Stupid Not to Read Jane Austen Quote

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To start the 30 Day Challenge from the beginning, go to It Was a Pleasure to Burn: Fahrenheit 451

For the previous post, go to Each Illustration is a Little Story. If You Watch Them, In a Few Minutes They Tell You a Tale: The Illustrated Man

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For more on The Phantom of the Opera, go to How to Meet the Perfect Guy

For more on Gaston Leroux, go to Fantom of the Opera

For more Jane Austen quotes, go to Midnight in Austenland

For more Silverstein, go to The End by Silverstein

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Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.

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I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.

I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).

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For more on The First Christmas:The Story of the First Christmas Snow, go to 25 More Films of Christmas

For more Christmas Carols, go to She Struck Him as a Fixer-Upper, a Block of Clay Ready for Pygmalion’s Chisel: The Overnight Socialite

Werewolves Roam Among Us: Alvin and the Chipmunks Meet the Wolfman (2000)

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Mr. Talbot is a werewolf! And I’m not going to rest until I prove it.

I love this film! It’s one of my favorite Halloween specials. I used to watch this every year as they would air it on Cartoon Network as part of their Saturday Night Creature Double Features, pairing it up with Alvin and the Chipmunks Meet Frankenstein.

So Alvin is a huge Monster movie fan (just like me :D).

Universal Monster Movie Horror

The film starts off with Alvin having horrible nightmares of meeting the Wolfman.

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And wakes up screaming!

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Simon and Dave think that Alvin is watching far too many horror films. Hey he is just doing his part in protecting America.

Horror Films

Alvin doesn’t like his new neighbor, Lawrence Talbot and thinks he is a werewolf!

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And you guys didn’t miss that. It is the same name from the original Wolf Man film.

At school, Theodore isn’t having the best time. A kid Nathan is bullying him. Alvin sticks up for Theodore, but he can’t be with him all the time. The principal calls Dave in talk about this, but neither has the best plan of attack as Theodore won’t report it.

There is a problem with Alvin though. They are worried that he is a little too obsessed with monsters. He is the lead in the play version of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. Dave tells Alvin that if he catches him “monster hunting” around his neighbor, he is going to kiss his part good-bye.

Good-bye

Good-bye

Alvin doesn’t stop and loses his part, although he tries to weasel his way out.

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The principal decides to give the lead to Theodore in hopes that it will help boost his self-esteem.

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Losing the part doesn’t stop Alvin as he and Simon still search to discover if there are werewolves. And if their neighbor is one.

Wolf Science

Theodore is trying to become a Mr. Hyde that everyone desires, but isn’t doing the best job. He’s just too sweet to play someone so evil.  Eleanor offers to help him out, which is a dream come true for Theodore as he is majorly crushing on her.

That night Theordore walks home and he gets bit by a dog.

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The next day Theodore is acting strangely…

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He is more assertive. He gives Eleanor a token of his love. He stands up to Nathan. He even is a perfect Mr. Hyde. But it doesn’t stop there, Theodore ends up becoming meaner and meaner. The Theodore we all knew and loved has almost completely disappeared.

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In fact he changes so much that he becomes a werewolf.

“[Theodore has turned into a werewolf but is acting playful]

Simon: He’s like a-a-a puppy.

Alvin: A werewolf puppy.”

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They try to figure out what to do to change him back, but keep coming up with nil. They then decide to contact a psychic gypsy woman for help.

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She tells them that Theodore has been changing rapidly and is close to becoming a full on werewolf…FOREVER!!! The only way to stop the full on transformation is to knock him around with a silver cane while he is still in the “puppy stage”.

Alvin breaks into Mr. Talbot’s house to steal his cane to use on Theodore. However, he accidentally bangs into Dave, who takes it away to return it. As Dave goes to returns the cane it becomes night. And not just night, but a night with a full moon. This causes Mr. Talbot to transform.

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Dave runs away and tries to get to the school to warn and protect the kids, but accidentally knocks himself out in the process.

At the school Theodore transforms into a werewolf and starts attacking Eleanor, but sees the necklace that he gave her and remembers his feelings. He flees into the forest and Eleanor follows. So does Mr. Talbot.

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Theodore attacks Mr. Talbot to protect Eleanor and the two get involved in a werewolf battle. The two biting each actually cures them both and turns them into humans. The crowds believe to be part of the play and applaud. And it’s a wrap! Mr. Talbot becomes the next principal.

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It’s a great film for kids and adults. Not only is it a tasteful remake, but it is also is a hilarious cartoon.

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Don’t F*** With the Original

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For more on Alvin and the Chipmunks Meet the Wolfman, go to Part X: The Movie List That Would Not Die!

For more on Alvin and the Chipmunks, go to On the 6th,5th,4th,3rd,2nd, & 1st Days ‘Til Christmas

For more on The Wolf Man (1941), go to Who’s Afraid of Cory Wolf?

For more on werewolves, go to Monster Movie

For more monster movies, go to You’re Gonna Need a Bigger Boat

For more films based on cartoons, go to Redone Done Right

For more modern remakes, go to Keep Clear Of the Moor. Beware the Moon

You’re Gonna Need a Bigger Boat: Jaws (1975)

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You’re gonna need a bigger boat…

Jaws really is revolutionary movie. It is an amazing piece of cinema that breaks a lot of previous horror film rules. It focuses on both the people and the creature they are trying to kill. The camera uses are unparalleled. Instead of constantly being shown the shark (as it malfunctioned a lot) it is filmed from the shark’s point of  [something down later in Friday the 13th (1980)] which adds to the terror of the film.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!

This also was the first “summer blockbuster” film. It opened on 409 screens nationwide (unusual for the time) and quickly became the highest grossing film of all time. Previous to Jaws, they would show the film on a few screens and then move the picture around. This mass-screening, all-over at the same time became so popular that it set the standard for what film companies do today. Jaws lost its place as the highest grossing film of all time in 1977 when Star Wars IV: A New Hope came out.

This film also brought a huge interest in sharks and marine biology. Now previous to this film you had monster movies and horror films that were about sea creatures attacking. Films such as The Beast from 20,000 Fathoms were you have some radioactive created creature that is ginormous and attacks the world. Or the mythological fishman from The Creature from the Black LagoonGodzilla, being another radioactively changed creature that is trying to destroy or protect the city. It Came From Beneath the Sea a giant octopus that causes havoc and destruction. The Monster that Challenged the World where giant mollusks come out of a crevice in the ground and try to kill everyone. But have you noticed something? All of these are large creatures, most of the time accidentally or purposely genetically altered. Or fake, such as the fishman. None of these were an actual creature that you could come into contact with…like a great white shark. Not only is Bruce (the shark in the film, named after Steven Spielberg’s lawyer) something real and normal-sized; but he’s just freaky! The book and the film both present actual data (although more studies proved some of the behavior previously associated with great whites are false) and an actual creature you could come upon. I mean great white sharks have over 300 teeth, they can get to be over 21 feet long, they are pretty fast swimmers, can jump out of the water, and are constant eating machines. How could you not be afraid?

Shark Jaws

But just like Spielberg’s other film Jurassic Park made dinosaurs the “it” thing (and they have been ever since, although never as on top as in the ’90s) Jaws made sharks really cool. And they remain so. I remember back in grade school sharks were just so awesome! We had a guy come to our class that did a whole presentation on sharks, and everyone was riveted. And people still remain so. Sharks will never stop being cool. I mean after all, ever summer we have a week devoted to them, Shark Week, on the Discovery channel. Buzzfeed even did a quiz on “What Type of Shark are You”. And did I take this quiz  you may ask? You bet I did!

To see what type you are, go here.

To see what type you are, go here.

Yep, Jaws is pretty amazing. So I’m sure you are now ready for the review, but I’m not about to go there just yet. So Jaws is based on the book by the same name, authored by Peter Benchley. The book was okay, but I preferred the movie. Unlike the book Jurassic Park by Michael Crichton; Jaws the book doesn’t hold a candle to the film version. This mostly has to do with the way they create the characters in the book. Hooper in the film is a an arrogant-rich kid, but you like him because he really gets involved in his work, and loses some of that stigma as the film progresses. In the book he is always annoying and he has an affair with Brody’s wife. The whole affair took away from the storyline and seemed tossed in, rather than attempting to flow.

Now the film on the other hand, follow the story pretty closely, but takes out the extra action not really needed. Plus the people they chose where just perfect. Roy Scheider was an amazing Chief Brody, balancing being a tough police chief, with a scared i-don’t-know-what-to-do everyday person. Richard Dreyfuss, as I mentioned earlier, smoked it as Hooper the marine biologist/rich kid. And Robert Shaw. No one will ever hold a candle to your Quint, no matter how the world may try.

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So now let’s get back to film review-wait, wait wait. Let me say one last thing. So it feels really weird to be talking about this film without mentioning a few more memories. So let me say I have seen every Jaws film created, even the incredibly horrible ones (as pretty much each sequel was). I actually watched them all at a really young age with my older sister Paige. They were doing a movie marathon and we sat down and saw them all (which took a long time as these are not short films). When I was older, I actually couldn’t remember the finer points of the film, the biggest thing that stuck in my mind was the SeaWorld underwater tunnels and shark attack in Jaws 3-D.

Now every 4th of July I used to do the same thing. I would watch the Twilight Zone marathons that they would show on the SciFi, now SyFy, channel. (I know, I know. I’m a huge fan, but have yet to review any episode for a Horrorfest. I promise I will do at least one next year.) SyFy stopped doing this for a while (they have since brought it back but every year is iffy). Now AMC does some movie marathons on the 4th of July that usually had some patriotic feeling (like Rocky). One year they did a Jaws marathon, as the 4th of July plays a huge role in the film. I watched it that year and loved it all over again. Now my tradition trades off between Twilight Zone and Jaws every 4th of July.

love it

So now we are seriously back on to the film review.

Shark Jaws

First let’s set the mood. It is the summer of 1975. Many families, young adults, teens, etc. are vacationing at beaches. Amity Island (where our story takes place) is one such beach. It is located on the east coast (a sort of Martha’s Vineyard that poor and rich can afford). On this particular night there are quite a few college age kids having bonfires on the beach. They are drinking beer, toking up (it is the ’70s), etc. One guy, Tom Cassidy, spots a blonde, Chrissie. The two run off away from the crowd to “be alone”.

Mhm great gatsby

As they get far from the crowds, Chrissie begins stripping and invites Tom in for some moonlight skinny dipping. She dives in right away and Tom tries to follow. However, he is far too bombed and collapses on the beach.

Chrissie is unaware and continues to swim. This is the last swim she will ever take.

The next day we are introduced to Martin Brody, the new Chief of Police. Brody is a native of New York City, but he and his family moved out to take over the Amity Island police force as they thought it would be easier, simpler and less deadly.

the irony iron

Anyways, we’ll get into that later. So Chief Brody (Scheider) has been called to go looking for Chrissie. He and his deputy Hendricks, go down to the beach to search for clues. It doesn’t take them long until they discover her corpse.

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AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

Back at the police station he gets asked to deal with the usual cases of the day; kids karate chopping down fences and other stuff. It seems to be business as usual until the report comes back. It states Shark Attack.

What!

Immediately, Brodie runs to the hardware store to pick up materials to make sign to close the beaches.

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However, the Mayor doesn’t like that. He knows that if word gets around that there are sharks in the water he can say good-bye to all those summer dollars.

Good-bye

Good-bye

Without that money, the winter will be hard on everyone. These people depend on the summer dollars to keep the island going year round. The Mayor convinces the coroner to “take a second look” of which causes the coroner to determine he had made “a mistake”. There was no shark attack, just a boating accident as she swam into a propeller.

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Since that is the decision, Brody can’t do anything but allow the beaches to remain open. But this is all against his better judgement.

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But hey, he is a newcomer that lives in a small town. He has to play the politics. Even if they have dire consequences.

dun-dun-duuuun

So as time goes on more tourists come to the island. The beaches are stock full of visitors. Brody is worried and nervously scans the water. Everything is fine…until it isn’t.

I just love that scene when they zoom into Brodie’s face. It is fantastic. So Bruce sure did a number.

Shark Jaws

After her son’s death, Mrs. Kitner issues a $3000 reward for the capture of the shark. The town holds a meeting in which Brody lets them know he contacted someone from the Oceanographic Institute for advice. Brody wants to close down the beaches, but no one will listen. The fighting is interrupted by Quint, in one of the best scenes.

So great it was spoofed:

Brody goes home and orders his children to go nowhere near the water, even though his son Michael just got a new boat. Brody’s wife Ellen thinks he is overreacting, that is until she looks at the pictures in his shark book. She then firmly decides that staying out of the water is a great idea.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

With such a high bounty, everyone wants to kill the shark. Expert fishermen from all over. Average joes. Everybody.

Matt Hooper (Richard Dreyfuss) comes to town, as he is the person from the Oceanographic Institute. He has an interesting background. Hooper was a rich boy that was into science and became a marine biologist. This can often be something that is hard to fund, so his parents + trust fund really come in handy.

Anyways, once Brody finds out who he is, has has him take a look at the remains.

“[Hooper is examining the remains of the first victim – describes the post-mortem into his tape recorder]

Hooper: The height and weight of the victim can only be estimated from the partial remains. The torso has been severed in mid-thorax; there are no major organs remaining…Right arm has been severed above the elbow with massive tissue loss in the upper musculature… partially denuded bone remaining…[to the m.e. and Brody] This was no boat accident! [to Brody] Did you notify the Coast Guard about this?

Brody: No. It was only local jurisdiction.

Hooper: [continues post-mortem] The left arm, head, shoulders, sternum and portions of the rib cage are intact…[to Brody] Do not smoke in here, thank you very much. [lifts up the severed arm] This is what happens. It indicates the non-frenzied feeding of a large squalus – possibly Longimanus or Isurus glauca. Now… the enormous amount of tissue loss prevents any detailed analysis; however the attacking squalus must be considerably larger than any normal squalus found in these waters. Didn’t you get on a boat and check out these waters?

Brody: No.

Hooper: Well, this is not a boat accident! And it wasn’t any propeller; and it wasn’t any coral reef; and it wasn’t Jack the Ripper! It was a shark.

Conclusion: Shark

Shark Jaws

Meanwhile, out on the ocean, some fishermen have caught a large shark. Everyone is happy to see it and that the reign of terror is over. The monster has been slain.

Double double yay

Hooper steps up to investigate the shark:

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And tells everyone that it is the wrong shark. It is a tiger shark, not a great white. The bite radius is all wrong. They decide to keep the beaches closed until they can cut him open and see if the remains are inside it. Before they leave, Mrs. Kinter arrives and  slaps Brody across the face. She heard about the deaths and how they suspected sharks were in the area and blames Brody for everything.

Now Brody just takes this as he blames himself, but I always hated that. It wasn’t his fault! He wanted to stop them from keeping the beaches open. It was the greedy, evil mayor who wouldn’t listen.

Mayor from Buffy the vampire slayer

Mayor from Buffy the vampire slayer

Well, I guess he could be much worse.

So Hooper joins the Brody clan for dinner. Now in the book, Ellen knew Hooper’s older brother and the two just spent the time reminiscing. They later had an affair. Luckily Speilberg was smart enough to cut that out, and they instead discuss the situation. Hooper explains that a rogue shark will often claim territory to an area where the feeding is good and will remain there until the food source is gone. In order to protect the town, they decide they need to get down there and cut that shark open.

No human remains means that the real shark is out there. Bruce? Where are you hiding?

da dum Jaws

Here I am!

Here I am!

Hooper decides they have to go out that night as the Great White Shark is a night feeder. Now Brody hates the water, as we mentioned earlier, but goes out with Hooper. Using Hooper’s fancy equipment, they pick up a fishing boat, that Brody recognizes as Ben Gardner’s. Hooper dives under and finds one big surprise.

The next morning Brody and Hooper try to get the Mayor to listen to them, but all the Mayor is thinking about is the graffiti on the Amity Island billboard.

Sign from Universal Studios Backstage Tour

Sign from Universal Studios Backstage Tour

Hooper has figured out that the shark that is attacking is a great white. The evidence all points to it and they need to close the beaches down. But the mayor won’t listen to him. Hooper lost the Great White Shark tooth he found and the Mayor sees it as tooo convinent. He believes that Hooper is just trying to spread a sensation as he wants to be written up in the National Geographic or something. However, that’s not the real truth. To be honest, the Mayor is just thinking about making money over saving lives.

Bad things happen when you don't listen

Bad things happen when you don’t listen

July 4th the beaches are flooded. This is not good, not good at all. Brody, Hooper, and the cops are constantly patrolling the beaches, but all are on edge as they are waiting…waiting for the shark to attack.

come on

Michael, Brody’s son, wants to go in the water, but Brody won’t let him. He tells him to go to the estuary instead as it is safer.

You never learn

You never learn

Suddenly a shark fin appears in the water

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!

But it turns out to be just a prank. Some stupid kids decided to dress as a shark. Seriously guys, what were you thinking?

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While everyone is watching this and dealing with it…not too far away something happens.

da dum Jaws

A girl painting down by the estuary see’s a shark. She starts crying out the word, but most think it is a hoax. Brody starts to head over, but when he hears his son is down there he runs like crazy.

Now this is a great scene but I can’t find a good clip of it online. You’ll just have to watch the film! So Michael and his friends get capsized along with another guy. The shark devours tons of people, including the man that tried to help them.

Here I am!

Here I am!

Michael makes it out okay, but suffers severely from shock. Brody takes him to the hospital and yells at the Mayor, demanding that he pay all of Quints commands and let’s him kill the shark.

So the three set out to catch that fish, even though they face some issues. Quint wants to go it alone, but Brody insists that he and Hooper have to come along. Quints dislikes Hooper as he sees him as some rich boy having fun with daddy’s money, not a real fisherman or worker like Quint. Quint also dislikes having Brody as he knows nothing about fish or fishing, but at least he’s not afraid to get his hands dirty. Hooper is tired of the all the “you don’t know nothing, kid” crap he is getting from Quint and also annoyed at Brody. Brody has a fear of the water that he is trying to overcome, managing two grown men who are acting like children, and is afraid that he might not make it home to see family. There is a lot of stuff going on.

What!

 Once at sea they start getting ready for the hunt. Baiting lines. Chumming the water. And that is when we have the most famous lines from the film uttered. (You know it wasn’t even scripted. Scheider just uttered it in the heat of the moment.)

And that is when the real hunting begins!

That night the guys get drunk and start bonding. Singing drinking songs. Comparing scars and wounds. You know, the typical guy stuff. But that’s when things get serious and Quint describes his hatred for sharks.

At this moment, its not about the money. It’s not about the fame. Quint has become Captain Ahab, and he wants his whale…or shark in this case.

In fact this is one of the most dramatic scenes in the film as you get the underlying reason why this is so important to him. Of course as it is one of the most famous scenes, it has to be parodied.

Back to the film. The next day the hunt continues. They try and take the shark but Bruce proves to more powerful than they expected. They tried to reel it on, but it nearly capsized the Orca. Hooper decides to be lowered down in a shark cage to shoot Bruce with a harpoon filled with strychnine nitrate.

Hooper manages to escape the shark. This was were he was supposed to die, but then Speilberg changed his mind. After attacking Hooper, Bruce decides to go after the ship.

Jaws Shark attack

Pic of the shark from the Universal Backstage Tour ride

He crushes it and causes it to lean toward him. Brody and Quint struggle to hold on, but Quint loses his grip and finds himself in the belly of the beast.

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Brody takes on killing the shark all by himself. This is why Brody is AWESOME!!!!!!!!!!!!!!!!!!!!!!!!

One Shark Week on Discovery channel they actually tested out everything in the film. They discovered that if you shot a tank from the 1970s you could blow up a shark. You just have to shoot it right.

Hooper finally gets his act together and meets up with Brody, the two creating a raft and swimming off in the distance.

“I used to be afraid of the water,” Brody admits.

“I can’t imagine why,” Hooper replies.

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But that’s not the end of the post. Oh, no we still have a bit more to cover. 🙂

So for my 20th birthday, my parents told me we could do whatever I wanted. It was the last time they were going to throw a party for me. I really wanted to go to Disneyland as the last time I had gone was when I was 12 (I went recently and will do a post on what it was like later). I decided on Universal Studios as it was much cheaper, and they were having a special for their anniversary that you buy a pass, you get in free for the year! Sweet!

So as we entered the gates, I was asked by a worker to fill out a survey for a free gift. You know me and free.

free stuff

So I did and we got to skip the lines for the Backstage Studio Tour! Whooooooooooo!!!!!

Double double yay

So you see all kinds of cool things on that tour, but I’m not going to speak on everything. We gotta stay Jaws focused here. So at one point we drive to Amity Island.

Sign from Universal Studios Backstage Tour

Sign from Universal Studios Backstage Tour

We see the fake shark that they thought was Bruce but wasn’t.

Jaws

Then we things get intense. Bruce attacks!

Jaws Shark attack

There were actually three Bruces created for the film. The first one is passed along museums, the second is at Universal studios, and the third privately owned. After Bruce attacks, they blow him up!

Jaws

It’s so intense! The flames feel so close! It’s AWESOME!

love it

Later I got to see Brody’s actual costume in the Universal Pictures Museum (that’s where I saw the Marty McFly one from Back to the Future: Part III).

Jaws

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But that’s not the end! So the other day a friend and I were discussing Jaws and Bruce’s motives.

Anjelica: Is this a horror movie? Or is it an animal, drama/history movie about a misunderstood shark that only wants hugs from others, but his eating disorder and anger issues gets in the way?

Me: Horror film. He is purposely hunting down Brody and his family, as seen in the sequels.

Anjelica: “Hunting down” or passionately pursuing the family he always wanted to have. Jaws should just befriend, Orca: The Killer Whale. lol

Me: I have changed my view on Bruce the shark. So Quint was in a shark attack but survived. He was supposed to die in it but somehow cheated death. Bruce is a supernatural entity (that’s why he can’t really die and comes back in the 3 sequels) in the guise of a shark that has been hunting him down to right that past wrong. He finally succeeds in killing him and is supposed to take Hooper too (as he dies in the book and original draft of the script) but Brody gets in the way. In fact Brody manages to destroy his “earthly form”. Then Bruce becomes angry and falls from his post (like Davy Jones in the Pirates films) and starts hunting for Brody, along with taking down all of his family.

So there we have it. I have officially joined the dark side. I have fully become a tumblr with that last comment.

Star Wars Dark side power Darth vader

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So there we go. One of the best horror films that have affected us as people so strongly. People are afraid to swim because of this movie. Ever summer one week on the Discovery Channel is devoted to sharks. The theme is so AWESOME!!!!! I mean every time you go in water you have to hum it.

Jaws

It is one amazing film. If you haven’t seen it, watch it. If you have seen it, watch it again.

Jaws

And that’s the real end. I swear. Hope you enjoyed it!

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To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Monster Movie

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For more on Jaws, go to Part X: The Movie List That Would Not Die

For more shark attacks, go to For All the Men Who Wonder What It’s Like

For more on hunting a monster, go to Let Them Fight

For more monster movies, go to Keep Clear Of the Moor. Beware the Moon

For more films based on a book, go to Murder is My Favorite Crime

For more films that spanned sequels, go to You Will Die in Seven Days

For more in Universal Studios, go to There Are Many Strange Legends in the Amazon

For more quizzes, go to I’m Batman!

For more on Star Wars, go to Part IX: Adventures in Movie Lines

For more Buffy the Vampire Slayer, go to Every Time I Bring a Girl Over, You Try to Eat Her!

Let Them Fight: Godzilla (2014)

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“This alpha predator of yours, doctor, do you really think he has a chance? The arrogance of men is thinking nature is in their control and not the other way around. Let them fight.”

So when this film came out I had mixed feelings. I was a huge Godzilla fan when I was a kid and saw all the films growing up, and after the 1998 debacle I wasn’t too excited. My friend, however, really wanted to see the midnight showing, so we did. After I saw the film, I had even more mixed feelings of it. So here we are the pros & cons

Pay Attention

Pay Attention

Pros:

1) Opening Credits

  • These beginning credits were amazing! I loved how they had pictures from old drawing of plesiosaurus, dinosaurs, disaster headlines, and pictures from the 1940s-50s atomic testing. I thought it was a great idea to overlay it by blacking out words and names to reveal the director, producers, actors, etc.

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2) Half the Film Was Set in Japan.

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  • I loved that the beginning to middle of the film was set in Japan as it made it much closer to the original film. I felt it also made Godzilla seem more authentic having it set in Japan. And I absolutely loved that unlike the “whitewashed” Godzilla (1998) they had lots of Asians in the film who actually spoke in Japanese.

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3) Increased Diversity

Double double yay

  • I also loved that when they moved through different locations, the diversity continued. In Japan we have Japanese; in Hawaii, we see Asians, Whites, and Pacific Islanders; and in  California we have a huge increase in Latino actors. This was great as even in 2014, films tend to be centered on one ethnic group.

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4) Godzilla Was Actually Godzilla-(Ravaged the City while Protecting it)

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  • This is extremely important, as who wants a Godzilla that doesn’t do anything? The earlier Godzilla films caused countless destruction, but at the same time were trying to “save” the city from other monsters. A type of “I’m the only one who can ruin this city”-type thing. You know, like when you have an older sibling that picks on you, but protects you from everyone else? Well in the 1998 Godzilla, not only was it an incredibly dumb storyline (and oh Matthew Broderick was incredibly stupid in that film!) but he just destroyed. He wasn’t fighting anything.

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Cons:

1) WHERE WAS GODZILLA???

Darcy P&P OMG Can't Even

  • GODZILLA WAS BARELY EVEN IN THE FILM!!!!! It takes 55 minutes, HALF THE FILM!!!!, before we even SEE GODZILLA!!!!! I mean I know they wanted to surprise us and throw us for a loop by having the first creature be the MUTO (Moving Unidentified Terrestrial Object), instead of Godzilla; but really? REALLY????? THEY ARE ONLY GOING TO SHOW THE BACK OF GODZILLA???!!!! WHAT IS THE NAME OF THE FILM???!!! GODZILLA!!! NOT MUTO!!!

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2) Fight? More Like Flight!

Tom-Hanks-Saying-Really

  • WHAT WAS UP WITH THE FIGHT SCENES???!!! We get a millisecond of him fighting the male MUTO and a glimpse of the female. Then that’s it, game over. Really, really now? Why do you think I even came to see this film, I wanted to see the freakin’ monsters fight!!!

post-32452-this-is-a-fight-gif-we-are-fig-xWvc

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3) MUTO? Better Name WIT (What is This?)

What the

  • What was up with the MUTOs? What the heck were those things?
  • I get the teasing of Mothra. We  see it on the poster in Ford Brady’s room and it is the name of one of his pet insects.  But then its not Mothra, and I’m okay with that if only they WOULD TELL US WHAT IT IS!!! They give us a male bat/moth thing and a female bat/ape thing? What are they? Where did they come from? Tell us! TELL US!!!

Suspense have to know

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4) The Wife

Hate YOu

  • I FREAKIN’ HATED THE WIFE!! SHE WAS SOOO HORRIBLE!!
  • She did not act like one happy to see the person they have been apart from. I mean she hasn’t seen him in IN OVER 14 MONTHS and he has a job where HE COULD DIE EVERY DAY!!! They are back together and she’s like “nope I need to answer the phone.” “Oh you have to leave, I’ll see you soon. Good-bye!” I mean her husband just got back and she’s pushing him off!!!! She should have been like “I don’t want you to go but your dad needs you so you need to go” or something.
  • Then there is when she thinks her husband is hurt in the destruction of Japan by the MUTO. THERE IS NO WAY THAT SHE WOULD HAVE LEFT HER PHONE IN THE OTHER ROOM AND ON VIBRATE. SHE WOULD HAVE THAT THING LOUD AND ON HER 24/7 IN CASE HE CALLED!!!
  • Then she is at the hospital, and let me do one quick reminder. Her husband has returned after being away over 14 months. He immediately had to go to Japan where there has been all kinds of destruction (as MUTO escaped) and she hasn’t heard from him. Then she gets a call on the hospital phone while she is at work (she’s a nurse) AND DOESN’T ANSWER THE PHONE??? SHE HASN’T SPOKEN TO HER HUSBAND IN OVER 24 HOURS!!! SHE SHOULD HAVE BEEN RUSHING TO THAT PHONE TO SEE IF IT WAS HER HUSBAND!!!
  •  I thought she was having an affair or something the way she acted.

suspicious

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5) We Can Kill Them- They’re Just Tourists

  • They kill sooooooooooo many people.
  • When they are in Hawaii, one of the largest tourist attractions ever, and they don’t even clear the beaches before they start bombing and shooting? That was like Waikiki, do you know how many people are there on vacations?
  • In San Francisco, they just bomb and shoot everything!
  • There is no way they could do that. They could never get away with that much killing of U.S. citizens, no way!!

If you really want a closer look at the issues with it, check out Everything Wrong With. They are spot on!

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But no matter what issues it face it was far, far, far better than that travesty of a Broderick film, and that in itself is enough for me.

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To start  Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to I’ll Be Back

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For more on Godzilla, go to Just Follow the Screams

For more on monster movies, go to They’re Coming to Get You

For more on atomic bombs, go to From the Sea Burning Like Fire

For more remakes, go to It’s Coming From Inside the House

Even a Man Pure of Heart: The Wolf Man (1941)

the wolf man

“Even a man who is pure in heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” 

This is such an amazing film as the story is excellent, the acting superb (Lon Chaney Jr. + Claude Rains). It is also a member of Universal’s Classic Monster Movie Collection, its buddies being The Phantom of the OperaFrankenstein,  The Bride of FrankensteinThe MummyDracula, The Creature from the Black Lagoon, etc. And this post means that I have finally, finally finished the list I set out to complete two years ago.

But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.

So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.looked to it in creating their stories.

So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankensteinor The Bride of Frankenstein post] I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb. Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s  father, Lon Chaney.

Unlike other films, The Wolf Man is the only Universal monster to be played by the same actor in all his 1940s film appearances; Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and  Abbott and Costello Meet Frankenstein (1948).

Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.

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So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.

Look at this sweetheart

Look at this sweetheart

His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).

Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.

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  That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:

Even a man who is pure in heart

and says his prayers by night

may become a wolf when the wolfsbane blooms

and the autumn moon is bright

Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went  down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]

Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.

Mal_huh Whoa Wow

When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.

Ahhh!

Ahhh!

 

Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…

dun-dun-duuuun

Making him the next werewolf.

AAAAAAAAHHH!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!

Say What

They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.

Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?

Larry Talbot: Why, yes. That’s the stick I killed the wolf with.

[Sir John Talbot and Col. Montford look at Larry with great concern]

Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.

Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.

Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.

Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!

confused

Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.

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The gypsy woman, Maleva reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.

Maleva: You killed the wolf.

Larry Talbot: Well, there’s no crime in that is there?

Maleva: The wolf was Bela.

Larry Talbot: You think I don’t know the difference between a wolf and a man?

Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.

Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!

Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.

Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.

Maleva: The wolf bit you, didn’t he?

Larry Talbot: Yeah. Yeah he did!

Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”

 

Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!

Now the transformation was laborious. The makeup took six hours and was the design by  Jack Pierce  for Henry Hull in Werewolf of London Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.

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That night the Wolf Man attacks a grave-digger, Richardson.

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The constable and the Doctor finds his ravaged body and wolf tracks.

Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.

The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The nigh as Larry as the Wolf Man  steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had  felt sorry for his predicament.

Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!

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He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.

“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?

Gwen Conliffe: Oh Larry, you’re not. You know you’re not.

Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”

Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM  THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!

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YOU ARE MAKING THE  SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!

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DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!

And now that I got that little rant out of my system, let’s get back to the story.

So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.

Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Opera where he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.

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Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.

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So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.

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But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.

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The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.

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Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”

right in the feels broken heart

Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time. 

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So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!

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For more on The Wolf Man (1941), go to Pink Elephants

For more on werewolves, go to A Halloween Hello from the Austen Men

For more monster movies, go to They’re Coming to Get You Barbara

For more on Claude Rains, go to Universal’s Classic Monster Movies

For more on Bela Lugosi, go to I Bid You Welcome

For more films that spanned countless sequels and remakes, go to Everyones Entitled to One Good Scare

It’s Alive, it’s ALIVE!: Frankenstein (1931)

Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!

What horror movie countdown would be complete without the film Frankenstein

Frankenstein is an amazing film that tells the story of when one man tries to be more than he is; he tries to be God. It is based on the novel, Frankenstein, by Mary Shelley (FYI: A much better writer than her husband)

Edward Van Sloan: How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning. We’re about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now is your chance to, uh… Well, we’ve warned you. 

I have always loved this film, but I think The Bride of Frankenstein is much better. I will get more into why that is later.

This movie is terrifying as we see a Frankenstein becomes consumed with creating this being. He won’t listen to anyone else and his behavior frightening his friends, family, and fiancé.

Henry Frankenstein: Crazy, am I? We’ll see whether I’m crazy or not.

Let me just clarify for everyone out there that the name Frankenstein alludes to Victor Frankenstein, the mad doctor who creates the Monster. For some reason they changed his name to Henry in this film. In the film his best friend’s name is Victor, while in the book it is Henry. Go figure. The Monster is never called by a name other than Monster, Creature, or something similar. It’s like  The Creature from the Black Lagoon or The Thing from Another World, no proper names are given.

Anyways, he is helped out by a hunchback named Fritz

Not Igor, FRITZ!

The hunchback named Igor who helps mad scientists isn’t from the original Frankenstein, but comes from one of the sequels, Son of Frankenstein, where his name was Ygor; later translated to Igor.

Anyways, Fritz is the one who makes the mistake of stealing the criminal brain.

My Bad

 

So Frankenstein starts getting ready to bring his monster to life. In the novel, Shelley never tells us how it is done; Frankenstein never wanted to share the details of the experiment for fear that someone would create their own living dead. With nothing to go off of, the writers and directors decided to use lightening, and therefore changeing film culture and film history as this is referenced and parodied in so many films and TV shows.

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“Henry Frankenstein: Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!
Victor Moritz: Henry – In the name of God!
Henry Frankenstein: Oh, in the name of God! Now I know what it feels like to be God!”

Frankenstein is so intent on proving everyone wrong, so focused on completing everything that he never stops to think whether he should do this. This is an interesting question posed; how far is too far?

So Frankenstein is able to create his monster:

Played by the very amazing Boris Karloff; extraordinary actor. He almost didn’t play this part as they originally offered it to Bela Lugosi who turned it down. I’m glad it was Karloff, because as much as I love Lugosi, no one could have done this better.

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The green makeup that is such a part of the Frankenstein figure was used because it gave Karloff a deadlike pallor of skin. Now it has become such a strong part of culture, we see the green-skinned, bolted monster every October.

After the Monster is created, we see this innocentlike creature. He is afraid of fire and tries to attack Fritz who brings a torch by him. All bystanders fear for their lives and chain the Creature up in the dungeon. Frankenstein and his friend Victor leave and discuss the best way to euthanize him. Unbeknownst to them Fritz is stupidly taunting the creature with a torch; causing the Monster to reach out and kill him.

When Victor and Frankenstein return; they see Fritz’s dead body on the floor, and have to run away from the Monster as it tries to attack them too. Frankenstein prepares a shot to kill him, and Victor gives it him. With all his problems solved, Frankenstein leaves to prepare for his wedding, and Victor begins to dissect the Creature. Unfortunately, the Monster didn’t die; but was only knocked out. He kills Victor and then escapes, running amuck in the countryside.

He runs into a little girl, who is nice and shows him the flowers she is picking up.

She shows him how flowers float in the river, which Frankenstein ultimately does to the little girl. Thinking that if he tosses the girl in the water she will float; he ends up ultimately drowning her.

Little Maria: See how mine floats.
[the Monster picks her up]
Little Maria: No, you’re hurting me! No!”

The farmer finds his daughter’s floating corpse and goes to pieces. He starts hunting down the monster; searching everywhere to find the fiend.

Frankenstein, happily preapering for his wedding is brought news of Victor’s death. He goes out searching for the monster along with the peasants who have their torches and pitchforks at the ready.

Grab your torches and sharpen your pitchforks!

Eventually Frankenstein tracks the monster down and is prepared to destroy him.

However the Monster knocks him out and carries him off to the windmill where he throws him off. Luckily, Frankenstein is caught by a vane and saved from death. There some peasants carry him home while others destroy the mill and kill the monster. Or do they?

Frankenstein gets home, where we see that he is safe and sound and in the arms of his Elizabeth dear.

After I watched the film a gazillion times, I read the novel and found it to be much more horrifying than the movie. In the book Frankenstein isn’t this bumbling creature, completely innocent and doesn’t understand things; but a criminal mastermind. Having learned to read and talk before he died; he is able to after some time remember how to do this and begins becoming more “human”. The one thing that he never regains is compassion, kindness, etc; all the caring emotions that make us who we are. He has no empathy or sympathy, believing that he was shown nothing but hatred and cruelty so he must show this to all.

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What they take from this and use in the sequel, The Bride of Frankenstein, is his want of a mate; his desire to have one like him to spend his life with. He threatens to destroy everyone that Frankenstein holds dear if he does give in to his demands. Frankenstein goes through a constant struggle with himself; knowing that he cannot risk creating another creature being made and mating along with the first. He realizes his mistakes at creating such a thing far too late. The monster doesn’t like hearing no and kills all Frankenstein loves. There is no sweet guy, accidentally killing someone like Lenny in Of Mice and Men, but this is a true psychopath fully aware of the crimes he is committing. Not only is the creature a serial killer, but he has become so intelligent that he is able to plant evidence so that people think someone else is the murderer. He kills Frankenstein’s brother William, and plants a locket on William’s nanny so that she is also killed. Then he kills Henry, Frankenstein’s friend, planting evidence so Frankenstein is arrested. He also kills Elizabeth, Frankenstein’s wife, making it seem once again that Frankenstein is the killer. With all those that he loves dead, Baron Frankenstein dies as well.   After everything is gone from him; Frankenstein devotes his life to hunting down what he created and destroying it.

It’s a great book, I suggest reading it and watching the film.

There’s a classic terror for your Tuesday! More to come!

I almost forgot to mention this. Unlike The Mummy, Dracula, or The Wolfman; Frankenstein has never had a major motion, globally shown, sent to all theaters, remake. However that is all about to change as Guillermo del Toro is planning one, and hoping that it will be coming out soon. To read more up on it go here. We shall have to wait and see what happens and how it turns out.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

For the previous post, go to When Potatoes Go Bad

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For more on Frankenstein, go to A Monster Race

For more on Boris Karloff, go to Eternal Punishment for Anyone Who Opens This Casket

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Jurassic Park, go to Life Finds a Way

For more on the living dead, go to A Tale So Strange It Must Be True

For more on mad scientists, go to A Very Scary Story

For more universal films, go to Universal’s Classic Monster Movies

For more of my fav quotes, go to Insults