31 Days of horror, suspense, mystery, gothic tales, Alfred Hitchcock, psycho killers, ghosts, murder, dystopian futures, monsters, and more!
I love film and here’s my chance to share it with you all.
A couple years ago I put Jane Austen in a costume and added it to my Horrorfest traditions. This year I choose to dress her up in a skull mask for Halloween and Dia de Los Muertos. As you know I’m Latino and that is a part of the way people celebrate those who have passed on. This year both my grandmother died in the beginning of the year, while one of my best friends died last month. While I can’t paint my face, my skin allergies, I can honor them in this way. Along with Jane!
Day 20) T is for Translated: Choose a book that was Translated from one language to English
The Phantom of the Opera by Gaston Leroux
Yes, I know I said I wouldn’t talk about this book. However, as I was trying to think of books I like that were originally in another language, I couldn’t think of anything but this book and Jules Verne’s novels.
I already reviewed two Verne books, so with nothing else coming to mind, I decided to review The Phantom of the Opera.
Gaston Leroux studied to be a lawyer, but when his father died, he found himself a millionaire. He immediately quit school and went on a big spending/gambling spree losing everything.
Afterwards, he began to work for a newspaper, doubling as a court reporter and a drama critic. As he toured the opera, ballets, plays, etc.; and heard different stories about what went on in the theaters, it gave him an idea.
With that he published The Phantom of the Opera as a serial from 1909-1910, being translated and published in English in 1911. The story is told from the viewpoint of an interviewer as he researches his subject and tries to tell the history of this Phantom.
Growing up I just loved this book so much. I used to check out the children’s version again and again; graduating to the unabridged when I grew older.
So here I am going to do a slightly different post, I am going to focus on one character: the Phantom.
I just love him:
Erik is a wanderer. After being hurt by so many he no longer considers him as having an nationality or family.
His pain originates from when he was a child and his own parents were too disgusted to see his “true form.”
“When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask.” (pg. 130)
Aw, man.
He is so often used to being considered as death, that he has even prepared him room as such. All in black and even sleeps in a coffin. How sad is that? Poor guy!
But even in that ugliness and sadness there is beauty. He is a musical genius with a voice like no other.
“He heard a very captivating voice…Raoul had never heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, more irresistibly triumphant…nothing could describe the passion with which the voice sang…” (pg. 98)
Erik is very intelligent and has done many things before coming to the opera house and meeting Christine.
“You must not think, Raoul, that he [Erik] is simply a man who amuses himself by living underground. He does things that no man could do; he knows things which nobody in the world knows.” (pg. 135)
I mean he built THAT opera house and created numerous trap doors, spring sets, his own secret underground home. And that’s not the only thing he has created. He built palaces for Sultans and Kings; but always being betrayed by them as they want him dead so that they alone can posses his genius.
One day the Phantom comes upon Christine and decides to help assist her to become a fantastic singer.
“From that time onward, the voice and I became great friends.” (pg. 116)
They spend years together as the Phantom puts his all into teaching her and helping her. Then one day Christine spots Raoul and tells the phantom all about seeing him. And the voice disappears. Christine is anxious and scared. She knows she is nothing without him, she will shrivel up into a has-been.
The next day the Phantom comes and tells her he has to leave her.
“The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow my heart on earth, there was nothing for the voice to do but go back to heaven.” (pg. 117)
You see, no threats. No harsh words. The Phantom would have simply backed off if she loved another. He would be heartbroken, but that would be the end of it. Except…
“I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable of any earthly love.” (pg. 117)
You see that!!!! You see that!!! She purposely leads on the Phantom because she just wants to use him. She doesn’t love him, she doesn’t care for him, as she has stated before:
“[to Raoul] And that, dear, first revealed to me that I loved you.” (pg. 117)
She knew, but she had a good thing and didn’t want to see it disappear. Now she tells Raoul that she “lied only because she thought she had no chance with Raoul.” But is that even the truth? She already admitted to playing the Phantom, she’s probably playing Raoul too. He’s rich and interested, and now she’s going to play the little helpless victim to catch him.
So you know what, I never feel sorry for her. She created this whole mess as she only cared about herself and not what her false declarations did to people. She almost kills hundreds because of her selfishness. I feel bad for the Phantom. Poor guy, who is completely crushed by her. He picked the wrong woman.
Then the Phantom carries her off underground into his home.
Now I admit, his carrying her off wasn’t the right thing to do. He should have asked her instead of just carrying her like that. But what does he do next? He confesses that he isn’t an angel or teacher but that he is the Phantom of the Opera, its architect, etc.
“He [Erik] feels me with horror and I do not hate him. How can I hate him Raoul? Think of Erik at my feet…he accuses himself, he curses himself, he implores my forgiveness!…He loves me! He lays at my feet an immense and tragic love…He has carried me off for love!” (pg. 125)
He treats her wonderfully. He respects her as a thing of beauty and doesn’t harm her or touch her. And when she is upset and wants to leave?
“And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty…he offered it…” (pg. 125)
See he isn’t a crazy killer or psychotic (yet). He loves her and respects her wishes. She’s the viper, she’s evil as she chooses to stay there even though she doesn’t love him, she just wants to use him.
“For he sang. And I listened…and stayed!” (pg. 125)
She falls asleep and then wakes up in a whole different room, properly freaked. BUT then spots a note left to her by the Phantom.
“My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself.” (pg. 126)
He just let her alone, as he sees her as the kindest and most divine woman; respecting her. He also purchases tons of things for her in order to make the place truly home.
How sweet!
But Christine is not happy. She wants out. She is angry with the Phantom, even though he has given her everything! All she wants is to see his face as “no honest man would wear a mask.” But that is the one place Erik won’t give.
Then Erik mentions how most of her time with him will be musical practice. She is angry as he wants her to stay five days, then he will let her go again as she will either love him (hope) or pity him. But Christine is now upset that he won’t let her go now, but hey he offered you before.
She cannot make up her mind.
The real issue Christine has with the Phantom is his skull-like face. This is what breaks her and makes her horrified and disgusted. She can’t leave well enough alone, and asks him to play for her, plotting her deception. When he is too worked up in the music she snatches the mask off.
Now she thinks he is disgusting, and here is where he makes his first incredibly bad decision.
He tells Christine that he can’t let her go. He knows that she sees him only as a monster, and if returned to the surface would tell others of the “monster”, causing them to be riled up, create a mob, and set out to kill him.
Grab your torches and sharpen your pitchforks!
Christine, the little actress she is, starts playing to the areas he has been insecure. She tells him that he is genius, his music causes her to forget his looks. She even burns his mask to symbolize that she is “above” such things. In reality she is playing him from every angle, earning his trust so that he is willing to believe she actually loves him and won’t harm him. Letting her go.
Christine acts as if he is a true monster, but the Phantom has a compassionate heart. She asks if she can pretend to “be engaged”, playacting, with Raoul and the Phantom agrees.
“He said, ‘I trust you, Christine. M. de Chagny [Raoul] is in love with you and going abroad. Before he goes, I want him to be as happy as I am.” (pg. 134)
How can someone be unfeeling when they consider what their arch rival’s feelings?
How sweet!
Eventually, the Phantom figures out the truth, that this was all a set up and steals Christine away; that final act of betrayal being the straw that broke the camels back.
I mean he really believed that someone had fallen in love with him.
“It is my wish…my wish to let her go; and she will come again…for she loves me!…All this will end in marriage…” (pg. 206)
He thinks his dream and true love is in his grasp!
“…Now I want to live like everybody else. I want a wife like everybody else and to take her out on Sundays. I have invented a mask that makes me look like anybody…All I have ever wanted was to be loved for myself…” (214)
The thing I really hate about the Andrew Lloyd Webber musical is how the changed the relationship between Christine and the Phantom with her thinking if him as her father and making Raoul less of the pansy he was. But most of all they make the Phantom a total psychi and murderer. He doesn’t really kill people in the book, unless it is for self-preservation. We only witness three: two were out trying to get him, and the third he accidentally kills Raoul’s brother, who when searching for him falls into a trap. The Phantom really regrets having killed him. And he also does bring the chandelier down, which injures and kills. How many, we don’t know.
He then gives Christina an option. She can choose Raoul and the Opera house will be blown up (as Erik has hidden dynamite under the floor when he built it) or she can choose him and save everyone. I have to admit that forcing her to choose marrying him was not right or what she should do, but people who have been betrayed often do not think logically but just want to heart the person who hurt them.
But in the end he let’s Christine go, because she finally gave him the one thing he has most wanted: companionship and love:
“I tell you I kissed her just like that, on her forehead…and she did not draw back her forehead from my lips! (pg. 247)
Poor Erik!
“Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be “some one,” like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must pity the opera ghost.” (pg. 259)
I think what resonates the most with this story is how relatable the Phantom was. Who of us hasn’t at one time hated how we looked?
Had our heart broken:
Been betrayed by someone we thought cared about us?
Or felt we hadn’t received the recognition we deserved?
What else can I say?
Why yes I do!
Starting in 2015, I decided to dress up “Jane Austen” in Halloween costumes. Check her out as the Bride of Frankenstein.
Today’s carol is The First White Christmas from the claymation, The First Christmas:The Story of the First Christmas Snow.
I couldn’t find any info on the song, but they play it in the opening and ending credits. I always thought it was cute, and it tends to get stuck in my head.
I couldn’t find a video unfortunately, or a good link to watch the film (as they took down the best one).
Mr. Talbot is a werewolf! And I’m not going to rest until I prove it.
I love this film! It’s one of my favorite Halloween specials. I used to watch this every year as they would air it on Cartoon Network as part of their Saturday Night Creature Double Features, pairing it up with Alvin and the Chipmunks Meet Frankenstein.
So Alvin is a huge Monster movie fan (just like me :D).
The film starts off with Alvin having horrible nightmares of meeting the Wolfman.
And wakes up screaming!
Simon and Dave think that Alvin is watching far too many horror films. Hey he is just doing his part in protecting America.
Alvin doesn’t like his new neighbor, Lawrence Talbot and thinks he is a werewolf!
And you guys didn’t miss that. It is the same name from the original Wolf Manfilm.
At school, Theodore isn’t having the best time. A kid Nathan is bullying him. Alvin sticks up for Theodore, but he can’t be with him all the time. The principal calls Dave in talk about this, but neither has the best plan of attack as Theodore won’t report it.
There is a problem with Alvin though. They are worried that he is a little too obsessed with monsters. He is the lead in the play version of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. Dave tells Alvin that if he catches him “monster hunting” around his neighbor, he is going to kiss his part good-bye.
Good-bye
Alvin doesn’t stop and loses his part, although he tries to weasel his way out.
The principal decides to give the lead to Theodore in hopes that it will help boost his self-esteem.
Losing the part doesn’t stop Alvin as he and Simon still search to discover if there are werewolves. And if their neighbor is one.
Theodore is trying to become a Mr. Hyde that everyone desires, but isn’t doing the best job. He’s just too sweet to play someone so evil. Eleanor offers to help him out, which is a dream come true for Theodore as he is majorly crushing on her.
That night Theordore walks home and he gets bit by a dog.
The next day Theodore is acting strangely…
He is more assertive. He gives Eleanor a token of his love. He stands up to Nathan. He even is a perfect Mr. Hyde. But it doesn’t stop there, Theodore ends up becoming meaner and meaner. The Theodore we all knew and loved has almost completely disappeared.
In fact he changes so much that he becomes a werewolf.
“[Theodore has turned into a werewolf but is acting playful]
Simon: He’s like a-a-a puppy.
Alvin: A werewolf puppy.”
They try to figure out what to do to change him back, but keep coming up with nil. They then decide to contact a psychic gypsy woman for help.
She tells them that Theodore has been changing rapidly and is close to becoming a full on werewolf…FOREVER!!! The only way to stop the full on transformation is to knock him around with a silver cane while he is still in the “puppy stage”.
Alvin breaks into Mr. Talbot’s house to steal his cane to use on Theodore. However, he accidentally bangs into Dave, who takes it away to return it. As Dave goes to returns the cane it becomes night. And not just night, but a night with a full moon. This causes Mr. Talbot to transform.
Dave runs away and tries to get to the school to warn and protect the kids, but accidentally knocks himself out in the process.
At the school Theodore transforms into a werewolf and starts attacking Eleanor, but sees the necklace that he gave her and remembers his feelings. He flees into the forest and Eleanor follows. So does Mr. Talbot.
Theodore attacks Mr. Talbot to protect Eleanor and the two get involved in a werewolf battle. The two biting each actually cures them both and turns them into humans. The crowds believe to be part of the play and applaud. And it’s a wrap! Mr. Talbot becomes the next principal.
It’s a great film for kids and adults. Not only is it a tasteful remake, but it is also is a hilarious cartoon.
Jaws really is revolutionary movie. It is an amazing piece of cinema that breaks a lot of previous horror film rules. It focuses on both the people and the creature they are trying to kill. The camera uses are unparalleled. Instead of constantly being shown the shark (as it malfunctioned a lot) it is filmed from the shark’s point of [something down later in Friday the 13th (1980)] which adds to the terror of the film.
AAAAAAAAHHH!!!!!!!!!
This also was the first “summer blockbuster” film. It opened on 409 screens nationwide (unusual for the time) and quickly became the highest grossing film of all time. Previous to Jaws, they would show the film on a few screens and then move the picture around. This mass-screening, all-over at the same time became so popular that it set the standard for what film companies do today. Jaws lost its place as the highest grossing film of all time in 1977 when Star Wars IV: A New Hope came out.
This film also brought a huge interest in sharks and marine biology. Now previous to this film you had monster movies and horror films that were about sea creatures attacking. Films such as The Beast from 20,000 Fathoms were you have some radioactive created creature that is ginormous and attacks the world. Or the mythological fishman from TheCreature from the Black Lagoon. Godzilla, being another radioactively changed creature that is trying to destroy or protect the city. It Came From Beneath the Sea a giant octopus that causes havoc and destruction. The Monster that Challenged the World where giant mollusks come out of a crevice in the ground and try to kill everyone. But have you noticed something? All of these are large creatures, most of the time accidentally or purposely genetically altered. Or fake, such as the fishman. None of these were an actual creature that you could come into contact with…like a great white shark. Not only is Bruce (the shark in the film, named after Steven Spielberg’s lawyer) something real and normal-sized; but he’s just freaky! The book and the film both present actual data (although more studies proved some of the behavior previously associated with great whites are false) and an actual creature you could come upon. I mean great white sharks have over 300 teeth, they can get to be over 21 feet long, they are pretty fast swimmers, can jump out of the water, and are constant eating machines. How could you not be afraid?
But just like Spielberg’s other film Jurassic Park made dinosaurs the “it” thing (and they have been ever since, although never as on top as in the ’90s) Jaws made sharks really cool. And they remain so. I remember back in grade school sharks were just so awesome! We had a guy come to our class that did a whole presentation on sharks, and everyone was riveted. And people still remain so. Sharks will never stop being cool. I mean after all, ever summer we have a week devoted to them, Shark Week, on the Discovery channel. Buzzfeed even did a quiz on “What Type of Shark are You”. And did I take this quiz you may ask? You bet I did!
Yep, Jaws is pretty amazing. So I’m sure you are now ready for the review, but I’m not about to go there just yet. So Jaws is based on the book by the same name, authored by Peter Benchley. The book was okay, but I preferred the movie. Unlike the book Jurassic Park by Michael Crichton; Jaws the book doesn’t hold a candle to the film version. This mostly has to do with the way they create the characters in the book. Hooper in the film is a an arrogant-rich kid, but you like him because he really gets involved in his work, and loses some of that stigma as the film progresses. In the book he is always annoying and he has an affair with Brody’s wife. The whole affair took away from the storyline and seemed tossed in, rather than attempting to flow.
Now the film on the other hand, follow the story pretty closely, but takes out the extra action not really needed. Plus the people they chose where just perfect. Roy Scheider was an amazing Chief Brody, balancing being a tough police chief, with a scared i-don’t-know-what-to-do everyday person. Richard Dreyfuss, as I mentioned earlier, smoked it as Hooper the marine biologist/rich kid. And Robert Shaw. No one will ever hold a candle to your Quint, no matter how the world may try.
So now let’s get back to film review-wait, wait wait. Let me say one last thing. So it feels really weird to be talking about this film without mentioning a few more memories. So let me say I have seen every Jaws film created, even the incredibly horrible ones (as pretty much each sequel was). I actually watched them all at a really young age with my older sister Paige. They were doing a movie marathon and we sat down and saw them all (which took a long time as these are not short films). When I was older, I actually couldn’t remember the finer points of the film, the biggest thing that stuck in my mind was the SeaWorld underwater tunnels and shark attack in Jaws 3-D.
Now every 4th of July I used to do the same thing. I would watch the Twilight Zone marathons that they would show on the SciFi, now SyFy, channel. (I know, I know. I’m a huge fan, but have yet to review any episode for a Horrorfest. I promise I will do at least one next year.) SyFy stopped doing this for a while (they have since brought it back but every year is iffy). Now AMC does some movie marathons on the 4th of July that usually had some patriotic feeling (like Rocky). One year they did a Jaws marathon, as the 4th of July plays a huge role in the film. I watched it that year and loved it all over again. Now my tradition trades off between Twilight Zone and Jaws every 4th of July.
So now we are seriously back on to the film review.
First let’s set the mood. It is the summer of 1975. Many families, young adults, teens, etc. are vacationing at beaches. Amity Island (where our story takes place) is one such beach. It is located on the east coast (a sort of Martha’s Vineyard that poor and rich can afford). On this particular night there are quite a few college age kids having bonfires on the beach. They are drinking beer, toking up (it is the ’70s), etc. One guy, Tom Cassidy, spots a blonde, Chrissie. The two run off away from the crowd to “be alone”.
As they get far from the crowds, Chrissie begins stripping and invites Tom in for some moonlight skinny dipping. She dives in right away and Tom tries to follow. However, he is far too bombed and collapses on the beach.
Chrissie is unaware and continues to swim. This is the last swim she will ever take.
The next day we are introduced to Martin Brody, the new Chief of Police. Brody is a native of New York City, but he and his family moved out to take over the Amity Island police force as they thought it would be easier, simpler and less deadly.
Anyways, we’ll get into that later. So Chief Brody (Scheider) has been called to go looking for Chrissie. He and his deputy Hendricks, go down to the beach to search for clues. It doesn’t take them long until they discover her corpse.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Back at the police station he gets asked to deal with the usual cases of the day; kids karate chopping down fences and other stuff. It seems to be business as usual until the report comes back. It states Shark Attack.
Immediately, Brodie runs to the hardware store to pick up materials to make sign to close the beaches.
However, the Mayor doesn’t like that. He knows that if word gets around that there are sharks in the water he can say good-bye to all those summer dollars.
Good-bye
Without that money, the winter will be hard on everyone. These people depend on the summer dollars to keep the island going year round. The Mayor convinces the coroner to “take a second look” of which causes the coroner to determine he had made “a mistake”. There was no shark attack, just a boating accident as she swam into a propeller.
Since that is the decision, Brody can’t do anything but allow the beaches to remain open. But this is all against his better judgement.
But hey, he is a newcomer that lives in a small town. He has to play the politics. Even if they have dire consequences.
So as time goes on more tourists come to the island. The beaches are stock full of visitors. Brody is worried and nervously scans the water. Everything is fine…until it isn’t.
I just love that scene when they zoom into Brodie’s face. It is fantastic. So Bruce sure did a number.
After her son’s death, Mrs. Kitner issues a $3000 reward for the capture of the shark. The town holds a meeting in which Brody lets them know he contacted someone from the Oceanographic Institute for advice. Brody wants to close down the beaches, but no one will listen. The fighting is interrupted by Quint, in one of the best scenes.
So great it was spoofed:
Brody goes home and orders his children to go nowhere near the water, even though his son Michael just got a new boat. Brody’s wife Ellen thinks he is overreacting, that is until she looks at the pictures in his shark book. She then firmly decides that staying out of the water is a great idea.
AAAAAAAAHHH!!!!!!!!!!!!!!!
With such a high bounty, everyone wants to kill the shark. Expert fishermen from all over. Average joes. Everybody.
Matt Hooper (Richard Dreyfuss) comes to town, as he is the person from the Oceanographic Institute. He has an interesting background. Hooper was a rich boy that was into science and became a marine biologist. This can often be something that is hard to fund, so his parents + trust fund really come in handy.
Anyways, once Brody finds out who he is, has has him take a look at the remains.
“[Hooper is examining the remains of the first victim – describes the post-mortem into his tape recorder]
Hooper: The height and weight of the victim can only be estimated from the partial remains. The torso has been severed in mid-thorax; there are no major organs remaining…Right arm has been severed above the elbow with massive tissue loss in the upper musculature… partially denuded bone remaining…[to the m.e. and Brody] This was no boat accident! [to Brody] Did you notify the Coast Guard about this?
Brody: No. It was only local jurisdiction.
Hooper: [continues post-mortem] The left arm, head, shoulders, sternum and portions of the rib cage are intact…[to Brody] Do not smoke in here, thank you very much. [lifts up the severed arm] This is what happens. It indicates the non-frenzied feeding of a large squalus – possibly Longimanus or Isurus glauca. Now… the enormous amount of tissue loss prevents any detailed analysis; however the attacking squalus must be considerably larger than any normal squalus found in these waters. Didn’t you get on a boat and check out these waters?
Brody: No.
Hooper: Well, this is not a boat accident! And it wasn’t any propeller; and it wasn’t any coral reef; and it wasn’t Jack the Ripper! It was a shark.
Conclusion: Shark
Meanwhile, out on the ocean, some fishermen have caught a large shark. Everyone is happy to see it and that the reign of terror is over. The monster has been slain.
Hooper steps up to investigate the shark:
And tells everyone that it is the wrong shark. It is a tiger shark, not a great white. The bite radius is all wrong. They decide to keep the beaches closed until they can cut him open and see if the remains are inside it. Before they leave, Mrs. Kinter arrives and slaps Brody across the face. She heard about the deaths and how they suspected sharks were in the area and blames Brody for everything.
Now Brody just takes this as he blames himself, but I always hated that. It wasn’t his fault! He wanted to stop them from keeping the beaches open. It was the greedy, evil mayor who wouldn’t listen.
Mayor from Buffy the vampire slayer
Well, I guess he could be much worse.
So Hooper joins the Brody clan for dinner. Now in the book, Ellen knew Hooper’s older brother and the two just spent the time reminiscing. They later had an affair. Luckily Speilberg was smart enough to cut that out, and they instead discuss the situation. Hooper explains that a rogue shark will often claim territory to an area where the feeding is good and will remain there until the food source is gone. In order to protect the town, they decide they need to get down there and cut that shark open.
No human remains means that the real shark is out there. Bruce? Where are you hiding?
Here I am!
Hooper decides they have to go out that night as the Great White Shark is a night feeder. Now Brody hates the water, as we mentioned earlier, but goes out with Hooper. Using Hooper’s fancy equipment, they pick up a fishing boat, that Brody recognizes as Ben Gardner’s. Hooper dives under and finds one big surprise.
The next morning Brody and Hooper try to get the Mayor to listen to them, but all the Mayor is thinking about is the graffiti on the Amity Island billboard.
Sign from Universal Studios Backstage Tour
Hooper has figured out that the shark that is attacking is a great white. The evidence all points to it and they need to close the beaches down. But the mayor won’t listen to him. Hooper lost the Great White Shark tooth he found and the Mayor sees it as tooo convinent. He believes that Hooper is just trying to spread a sensation as he wants to be written up in the National Geographic or something. However, that’s not the real truth. To be honest, the Mayor is just thinking about making money over saving lives.
Bad things happen when you don’t listen
July 4th the beaches are flooded. This is not good, not good at all. Brody, Hooper, and the cops are constantly patrolling the beaches, but all are on edge as they are waiting…waiting for the shark to attack.
Michael, Brody’s son, wants to go in the water, but Brody won’t let him. He tells him to go to the estuary instead as it is safer.
You never learn
Suddenly a shark fin appears in the water
AAAAAAAAHHH!!!!!!!!!
But it turns out to be just a prank. Some stupid kids decided to dress as a shark. Seriously guys, what were you thinking?
While everyone is watching this and dealing with it…not too far away something happens.
A girl painting down by the estuary see’s a shark. She starts crying out the word, but most think it is a hoax. Brody starts to head over, but when he hears his son is down there he runs like crazy.
Now this is a great scene but I can’t find a good clip of it online. You’ll just have to watch the film! So Michael and his friends get capsized along with another guy. The shark devours tons of people, including the man that tried to help them.
Here I am!
Michael makes it out okay, but suffers severely from shock. Brody takes him to the hospital and yells at the Mayor, demanding that he pay all of Quints commands and let’s him kill the shark.
So the three set out to catch that fish, even though they face some issues. Quint wants to go it alone, but Brody insists that he and Hooper have to come along. Quints dislikes Hooper as he sees him as some rich boy having fun with daddy’s money, not a real fisherman or worker like Quint. Quint also dislikes having Brody as he knows nothing about fish or fishing, but at least he’s not afraid to get his hands dirty. Hooper is tired of the all the “you don’t know nothing, kid” crap he is getting from Quint and also annoyed at Brody. Brody has a fear of the water that he is trying to overcome, managing two grown men who are acting like children, and is afraid that he might not make it home to see family. There is a lot of stuff going on.
Once at sea they start getting ready for the hunt. Baiting lines. Chumming the water. And that is when we have the most famous lines from the film uttered. (You know it wasn’t even scripted. Scheider just uttered it in the heat of the moment.)
And that is when the real hunting begins!
That night the guys get drunk and start bonding. Singing drinking songs. Comparing scars and wounds. You know, the typical guy stuff. But that’s when things get serious and Quint describes his hatred for sharks.
At this moment, its not about the money. It’s not about the fame. Quint has become Captain Ahab, and he wants his whale…or shark in this case.
In fact this is one of the most dramatic scenes in the film as you get the underlying reason why this is so important to him. Of course as it is one of the most famous scenes, it has to be parodied.
Back to the film. The next day the hunt continues. They try and take the shark but Bruce proves to more powerful than they expected. They tried to reel it on, but it nearly capsized the Orca. Hooper decides to be lowered down in a shark cage to shoot Bruce with a harpoon filled with strychnine nitrate.
Hooper manages to escape the shark. This was were he was supposed to die, but then Speilberg changed his mind. After attacking Hooper, Bruce decides to go after the ship.
Pic of the shark from the Universal Backstage Tour ride
He crushes it and causes it to lean toward him. Brody and Quint struggle to hold on, but Quint loses his grip and finds himself in the belly of the beast.
Brody takes on killing the shark all by himself. This is why Brody is AWESOME!!!!!!!!!!!!!!!!!!!!!!!!
One Shark Week on Discovery channel they actually tested out everything in the film. They discovered that if you shot a tank from the 1970s you could blow up a shark. You just have to shoot it right.
Hooper finally gets his act together and meets up with Brody, the two creating a raft and swimming off in the distance.
“I used to be afraid of the water,” Brody admits.
“I can’t imagine why,” Hooper replies.
But that’s not the end of the post. Oh, no we still have a bit more to cover. 🙂
So for my 20th birthday, my parents told me we could do whatever I wanted. It was the last time they were going to throw a party for me. I really wanted to go to Disneyland as the last time I had gone was when I was 12 (I went recently and will do a post on what it was like later). I decided on Universal Studios as it was much cheaper, and they were having a special for their anniversary that you buy a pass, you get in free for the year! Sweet!
So as we entered the gates, I was asked by a worker to fill out a survey for a free gift. You know me and free.
So I did and we got to skip the lines for the Backstage Studio Tour! Whooooooooooo!!!!!
So you see all kinds of cool things on that tour, but I’m not going to speak on everything. We gotta stay Jaws focused here. So at one point we drive to Amity Island.
Sign from Universal Studios Backstage Tour
We see the fake shark that they thought was Bruce but wasn’t.
Then we things get intense. Bruce attacks!
There were actually three Bruces created for the film. The first one is passed along museums, the second is at Universal studios, and the third privately owned. After Bruce attacks, they blow him up!
It’s so intense! The flames feel so close! It’s AWESOME!
Later I got to see Brody’s actual costume in the Universal Pictures Museum (that’s where I saw the Marty McFly one from Back to the Future: Part III).
But that’s not the end! So the other day a friend and I were discussing Jaws and Bruce’s motives.
Anjelica: Is this a horror movie? Or is it an animal, drama/history movie about a misunderstood shark that only wants hugs from others, but his eating disorder and anger issues gets in the way?
Me: Horror film. He is purposely hunting down Brody and his family, as seen in the sequels.
Anjelica: “Hunting down” or passionately pursuing the family he always wanted to have. Jaws should just befriend, Orca: The Killer Whale. lol
Me: I have changed my view on Bruce the shark. So Quint was in a shark attack but survived. He was supposed to die in it but somehow cheated death. Bruce is a supernatural entity (that’s why he can’t really die and comes back in the 3 sequels) in the guise of a shark that has been hunting him down to right that past wrong. He finally succeeds in killing him and is supposed to take Hooper too (as he dies in the book and original draft of the script) but Brody gets in the way. In fact Brody manages to destroy his “earthly form”. Then Bruce becomes angry and falls from his post (like Davy Jones in the Pirates films) and starts hunting for Brody, along with taking down all of his family.
So there we have it. I have officially joined the dark side. I have fully become a tumblr with that last comment.
So there we go. One of the best horror films that have affected us as people so strongly. People are afraid to swim because of this movie. Ever summer one week on the Discovery Channelis devoted to sharks. The theme is so AWESOME!!!!! I mean every time you go in water you have to hum it.
It is one amazing film. If you haven’t seen it, watch it. If you have seen it, watch it again.
And that’s the real end. I swear. Hope you enjoyed it!
“This alpha predator of yours, doctor, do you really think he has a chance? The arrogance of men is thinking nature is in their control and not the other way around. Let them fight.”
So when this film came out I had mixed feelings. I was a huge Godzilla fan when I was a kid and saw all the films growing up, and after the 1998 debacle I wasn’t too excited. My friend, however, really wanted to see the midnight showing, so we did. After I saw the film, I had even more mixed feelings of it. So here we are the pros & cons
Pay Attention
Pros:
1) Opening Credits
These beginning credits were amazing! I loved how they had pictures from old drawing of plesiosaurus, dinosaurs, disaster headlines, and pictures from the 1940s-50s atomic testing. I thought it was a great idea to overlay it by blacking out words and names to reveal the director, producers, actors, etc.
2) Half the Film Was Set in Japan.
I loved that the beginning to middle of the film was set in Japan as it made it much closer to the original film. I felt it also made Godzilla seem more authentic having it set in Japan. And I absolutely loved that unlike the “whitewashed” Godzilla (1998) they had lots of Asians in the film who actually spoke in Japanese.
3) Increased Diversity
I also loved that when they moved through different locations, the diversity continued. In Japan we have Japanese; in Hawaii, we see Asians, Whites, and Pacific Islanders; and in California we have a huge increase in Latino actors. This was great as even in 2014, films tend to be centered on one ethnic group.
4) Godzilla Was Actually Godzilla-(Ravaged the City while Protecting it)
This is extremely important, as who wants a Godzilla that doesn’t do anything? The earlier Godzilla films caused countless destruction, but at the same time were trying to “save” the city from other monsters. A type of “I’m the only one who can ruin this city”-type thing. You know, like when you have an older sibling that picks on you, but protects you from everyone else? Well in the 1998 Godzilla, not only was it an incredibly dumb storyline (and oh Matthew Broderick was incredibly stupid in that film!) but he just destroyed. He wasn’t fighting anything.
Cons:
1) WHERE WAS GODZILLA???
GODZILLA WAS BARELY EVEN IN THE FILM!!!!! It takes 55 minutes, HALF THE FILM!!!!, before we even SEE GODZILLA!!!!! I mean I know they wanted to surprise us and throw us for a loop by having the first creature be the MUTO (Moving Unidentified Terrestrial Object), instead of Godzilla; but really? REALLY?????THEY ARE ONLY GOING TO SHOW THE BACK OF GODZILLA???!!!! WHAT IS THE NAME OF THE FILM???!!! GODZILLA!!! NOT MUTO!!!
2) Fight? More Like Flight!
WHAT WAS UP WITH THE FIGHT SCENES???!!! We get a millisecond of him fighting the male MUTO and a glimpse of the female. Then that’s it, game over. Really, really now? Why do you think I even came to see this film, I wanted to see the freakin’ monsters fight!!!
3) MUTO? Better Name WIT (What is This?)
What was up with the MUTOs? What the heck were those things?
I get the teasing of Mothra. We see it on the poster in Ford Brady’s room and it is the name of one of his pet insects. But then its not Mothra, and I’m okay with that if only they WOULD TELL US WHAT IT IS!!! They give us a male bat/moth thing and a female bat/ape thing? What are they? Where did they come from? Tell us! TELL US!!!
4) The Wife
I FREAKIN’ HATED THE WIFE!! SHE WAS SOOO HORRIBLE!!
She did not act like one happy to see the person they have been apart from. I mean she hasn’t seen him in IN OVER 14 MONTHS and he has a job where HE COULD DIE EVERY DAY!!! They are back together and she’s like “nope I need to answer the phone.” “Oh you have to leave, I’ll see you soon. Good-bye!” I mean her husband just got back and she’s pushing him off!!!! She should have been like “I don’t want you to go but your dad needs you so you need to go” or something.
Then there is when she thinks her husband is hurt in the destruction of Japan by the MUTO. THERE IS NO WAY THAT SHE WOULD HAVE LEFT HER PHONE IN THE OTHER ROOM AND ON VIBRATE. SHE WOULD HAVE THAT THING LOUD AND ON HER 24/7 IN CASE HE CALLED!!!
Then she is at the hospital, and let me do one quick reminder. Her husband has returned after being away over 14 months. He immediately had to go to Japan where there has been all kinds of destruction (as MUTO escaped) and she hasn’t heard from him. Then she gets a call on the hospital phone while she is at work (she’s a nurse) AND DOESN’T ANSWER THE PHONE??? SHE HASN’T SPOKEN TO HER HUSBAND IN OVER 24 HOURS!!! SHE SHOULD HAVE BEEN RUSHING TO THAT PHONE TO SEE IF IT WAS HER HUSBAND!!!
I thought she was having an affair or something the way she acted.
5) We Can Kill Them- They’re Just Tourists
They kill sooooooooooo many people.
When they are in Hawaii, one of the largest tourist attractions ever, and they don’t even clear the beaches before they start bombing and shooting? That was like Waikiki, do you know how many people are there on vacations?
In San Francisco, they just bomb and shoot everything!
There is no way they could do that. They could never get away with that much killing of U.S. citizens, no way!!
If you really want a closer look at the issues with it, check out Everything Wrong With. They are spot on!
But no matter what issues it face it was far, far, far better than that travesty of a Broderick film, and that in itself is enough for me.
janeaustenrunsmylife 