An Insane Doctor, A Hysterical Herbalist, and Murder in a Magician’s Mansion + A Possible Persuasion Reference?

Ready for any case

So this year’s theme is “mysteries” in honor of Agatha Christie’s novel The Mysterious Affair at Styles turning 100 years old. To really have this theme be present I decided to review a mystery every month…somehow and ideally connecting it to Jane Austen.

Mystery, you say?

In January, I wasn’t sure what to do when I received a goblin in my mailbox.

It turned out to be a a mysterious package from The Mysterious Package Company

Ah, mysterious

So the last package seemed to be saying that there is something wrong with 27 East Heath Road

Haunted house!

The architect, Henry Griggs, had been going crazy trying to finish building the house, after his wife died-using all his money. He even felt as if something was there making him continue, something altering his plans, something controlling him.

The house was almost complete, but Griggs has descended into some kind of madness.

“The madness in the walls must not escape…I fear I shall be gone altogether…I fear harm may come to her [Lizzy]  if she is not sent to safety.”

He ends up putting his daughter in an orphanage and Griggs disappears, presumed dead.

Or is it?!

This package contained a lot of items and goes on a bit:

  • 1 Deed
  • 1 Letter from Dr. Jack S. Aigner
  • 4 Small Memorandum/ Doctor’s notes from Dr. William Elliot
  • Arsenic Druggist Note
  • A Page from Baldwin’s Physician’s Guide
  • 1 Large Memorandum/ Doctor’s notes from Dr. William Elliot
  • Dr. Elliott’s Tincture Receipt
  • 1 Poster for The Great Goodyear
  • 1 Great Goodyear flip book that showcases two of his illusions
  • Garden Diary of Héléne Ashworth
  • Elise Face Cosmetiques Label
  • Newspaper Clipping
  • A page from Charles Dickens’ The Chimes

So first of all, I saw Dr. Walter Elliott on the letters:

And as a Jane Austen fan my mind went:

This is 1888, I am going to believe this is Mr. Elliot’s great or great-great grandson, named after Sir Walter. I mean I don’t know if he married Mrs. Clay, but I do know that eventually he would have to secure his family line and inheritance.

So Dr. Walter Elliot, descendent of Mr. Elliot, has purchased 27 East Heath Road and everything inside the building for £420 sterling. I think he will regret this…

So Dr. Elliot has a conservatory and grows herbs but according to his former instructor Dr. Jack S. Aigner, Dr. Elliot is sensitive, insecure of whether or not he is a good doctor, creates different tonics and medicines; AND medicates/tests himself. Uh, oh. Oh no, that does not sound good.

Dr. Aiger mentions the room he is using to treat patients and that it holds a mirror, but it is placed strange on the wrong wall. It should be behind the patient, not in front, but it will be good if he wants to try self-hypnosis. There is a young girl he is trying to help that is an interesting case. Hmm…could it be Elizabeth Griggs?

Then we have Dr. Elliot’s notes on the patient, although not all of them. He mysteriously chose to remove the notes in his patient from September 1889-October 1891, us picking it up in October 1891.

His patient is interesting…she wants to be in the room alone and when he stepped out as she said she heard footfalls in hallway, she moved the flowers in the office, why?

She likes the tincture he gave her, which pleases him as he is really getting the use out of his conservatory.

The next notes are from February 1889, and we are given that the name is on Beth Siggers 15 years old. The DOB is inked out, but we know it is 1874. Could this be Elizabeth Griggs? Just her name changed so the Doctor doesn’t connect it to the architect if the house?

Hmm…

Beth comes to see Dr. Elliot because she is suffering headaches and shortness of breath, but when she came in she would not sit, instead touching and knocking into everything-walls, tables, the mirror, etc. Searching…but for what? He thinks she faked the illness but why? He gives her some tincture and she leaves.

Weird…

March 1889

Beth continues to return to the Doctor’s office, but every time she has a different ailment. Obviously she is suffering from a mental issue rather than a physical ones, but what and why?

She returns another time and says she left her bag behind, but when he finds her he sees she isn’t in the reception area but on the main staircase as she got “turned around”. Strange behavior, the doctor prescribes tonic.

Hmmm…

April 1889

She seems much better, although she is fixated on the mirror. The doctor looked at it and thought he saw a face in it, but that is just nonsense. He gives her 1/2 bottle of tonic.

She returns later complaining the tonic is too strong, and Dr. Elliot watered it down and 1/2 the dose-1/4 tonic. It’s strange, he notices the hallway door is ajar. That keeps happening every time Beth comes to his office.

Spooky…

May 1889

Beth returns, upset and acting strange: pulse elevated and pupils dilated. Dr. Elliot thinks it is just “spring fever” and gives previous mixture and dosage.

Hmm…strange

June 1889

Beth has been by again and Dr. Eliot thinks he saw a figure in the mirror, again. He has always hated the way the mirror was fixed in the wall. He searches, but there is nothing there. Dr. Elliot begins to worry that maybe the tincture he took and tested on himself might be giving him hallucinations.

July 1889

Dr. Elliot has decided to no longer see Beth. He tells her and later that evening he discovers she has hid in the parlour…weird why? She begs him to let her come back and he agrees for one more time.

NO, NO, NO, NO, NO!!! Something is wrong with this girl-you need to get way from her.

January 1892

Dr. Elliot feels watched and puzzles over the patient. Maybe he should stop seeing her, nothing seems to be changing.

YES!!! STOP SEEING HER SOMETHING ISN’T RIGHT!! But of course he won’t listen. He will continue and things are going to go wrong.

February 1892

Things are getting worse. After Beth comes poking on walls, knocking here and there, looking in corners, seeing things that aren’t there, Dr. Elliot too starts to feel as if there are spirits, ghosts, or something in the house. He tries to talk himself out of it but wonders.

He continues his experiments and taking the tincture. Oh no Dr. Elliot, don’t test on yourself!

In another set of letters from February 1892 to Jack, Dr. Elliot mentions a page with ciphers from Baldwin’s Physcian’s Guide. The page is included with these lines underlined:

“…what can be gained from inclusive speculation on the subject?”

“…physiognomy is mere judgement, assumption, and, in some cases, coincidence.”

On the back is an image that looks out of the Grimm texts and has some strange ciphers on it.

In his letter he has figured out what two of the symbols mean, an E & R.

Meanwhile, Griggs’ daughter, Beth, continues to see the doctor and every visit something odd happens. The flowers espechially always seem to be moved.

Beth keeps talking about something she sees under hypnosis so Dr. Elliot decides to test it and takes extra tincture.

Don’t Do it!!! Stop!!!! NOOOOOOOOO!!!!

There is a receipt for his tincture and on the back it says:

“You’ve got the right bottle, doctor.” With a bunch of symbols.

DON’T DO IT!!!!!

Dr. Elliot gets some cramps but about 30 mins in, he sees a figure in the mirror, or looking to come out of the mirror…

He leans toward the mirror and the figure was gone. He searched the house for it and found the dispensary unlocked, even though he always locks it.

He decides to increase the dose and do it again, adding to his letter later-he does and it says:

“I see it! It comes…”

And that is the end of Dr. Elliot. I’m assuming he died. Poor guy, you shouldn’t have tested on yourself-you shouldn’t have delved into the unknown, espechially on your own.

You’re crazy!
Crazy, am I? We’ll see whether I’m crazy or not.

There is no more correspondence, we then switch to the second half of the package.

Time to get on the case!

The next item in the package is the garden diary of Héléne Ashworth.

June 1892

The house has been sold to the Great Goodyear, Claude Goodyear, and his muse, assistant, and wife Héléne Ashworth. The name sounds familiar, but I’m not sure why.

Where have I read or seen that name before?

Their friend, Lilibeth, let them know about 27 East Heath Road becoming available after the doctor died. It seems he accidentally took too much of his medicine, although some whisper it was a suicide.

Claude loves the room with the mirror in it, as it can help him to practice his tricks and Héléne loves having the conservatory as she is a gardener. She has taken inventory about the plants and discovered hemlock. Hemlock? Why would a doctor need that?

Strange…

Claude jokes about ghosts in the walls as the house does make noise, but Héléne is not afraid. She loves her new house.

Ghosts?

July 1893

Héléne’s garden is doing well except for the calla lilies and forget-me-nots she planted. Instead the hyacinth, lavender, and dragonwort are doing extremely well-even though she did not plant them. There is no way Claude did so where did they come from?

At 27 East Heath Road.

Héléne believes in the language of flowers and these ones that mysteriously appeared mean constancy, devotion, and twice twisted. Hmm…maybe it means something twice twisted in the house? Devoted to it?

Hmm…

Let’s see-hemlock was poisonous, are these too? Let me look…yes, hyacinth bulbs are poisonous and touching them causes skin irritation. So lavender is used in food and perfumes so it is okay to take, but it can cause constipation, headache, and skin irritation in some people. Dragonwort is used to stop bleeding. So again, doesn’t seem too bad.

Hmmm…

There are a lot of strange herbs Héléne doesn’t know growing as well. She also discovers two more letters of the cipher-M & Y.

Another entry:

Claude is doing extremely well and even gets to perform at the famous Egyptian Hall. Héléne is so excited to perform, but Claude wants her to quit now that they are married. Hmmm…

Meanwhile, Héléne feels watched in the house. She wants to mention it to her husband, but decides not to worry him before a big show. On a sad note all the Calla lilies died, just like their hopes for a baby.

May 1895

Héléne is no longer allowed to perform, Claude thinking that is what caused them to have a miscarriage. Try as she might the yellow hyacinth (jealousy) keeps growing, and Héléne is convinced there is a curse on this house-a curse keeping a cild from being born, her nice and kind flowers from growing, and the hyacinth strong.

Later entry:

Héléne finds more and more deadly plants-nightshade and monkshood. She also sees the gruesome figure from her nightmares. She tries to tell her husband but he doesn’t listen, saying the illusions have turned her head.

June 1895

Claude has refused two engagements and is very upset. He is convinced spies are coming into the halls and watching/copying his ideas. He continues to practice in the room with the mirror and won’t let anyone into it, not even Héléne.

Héléne is very hurt and upset as she and Claude grow farther and farther apart. Sometimes Héléne pus on the old costumes and performs in front of the plants-wishing she could still be on the stage.

Lilibet has grown worried about Héléne and has taken up spiritualism and becoming a very famous medium. Lilibet and Héléne have known each other since girlhood and Héléne decides to throw a get together and help Lilibet. I’m starting to think Lilibet is Elizabeth “Beth” Griggs. Maybe Héléne was in the orphanage? I’ll check. The records say she is, ah “…the scarlet thread of murder running through the colourless skein of life” (A Study in Scarlet by Sir Arthur Conan Doyle) is Elizabeth Griggs.

And it is “…our duty is to unravel it, and isolate it, and expose every inch of it.” (A Study in Scarlet by Sir Arthur Conan Doyle)

Mystery, you say?

September 1895

Liliibet otherwise known as Mrs. Alizbeta Divak has asked Hélene to join in. Helene has created the character Madame Solandra, wears black bombazine, and pale makeup that comes from the Elise makeup company. There is a label from Elise Cosmetiques and it has a message on the back:

“YOU THINK TO HIDE YOURSELF FROM ME?”

Followed by the ciphers.

Claude does not approve of spiritualism, Helene has to hide it from him.

November 1896

They held the seance but things did not go as planned, A real spirit came from the mirror shouting at them “interlopers! Be gone!”

NOOOOOOOOOOOOOOOOO!!!!

When Héléne did the automatic writing it was if someone else was controlling her. Helene faints and when she awakens, it is Lilibet giving her smelling salts.

Oh no, the smelling salts were poisoned with the Doctor’s medicine.

Nooo

Lilibet preetends it didn’t happen, but Héléne knows it was real. She however feels very sick.

December 1896

Helene is still sick and supposed to be in bed, but has found a strange hidden doorway and secret hidden rooms in the house  But is it real? She is fading in and out and unsure.

But no! She found it! She has found a secret door in the conservatory, as soon as she is stronger she will investigate it!

Time to get on the case!

January 1897

Helene’s passage is a strange one. She believes the phantom is walking the house and Claude has all but disappeared. Is there a spirit in her home? A man? Or is her husband gaslighting her?

Gaslight (1944)

And all her flowers were ripped up? Why would the phantom want to do that?Why put dirt on her hands after?

Claude is yelling and locking Helene in her room refusing Lilibet to come in. But she has found a way out. She will follow the wallpaper and escape that way…

That is the last entry in the journal.

This felt a lot like The Yellow Wallpaper, the short story where the lady goes mad and her husband locks her up (or did her husband lock her up and then she went mad?)

Hmmm…is there a phantom or just an evil husband?

Gaslight (1944)

Next we have a newspaper clipping “Murder at the Mad Magician’s Mansion”. 

The wife of The Great Goodyear, Claude Goodyear, has been found dead in her home, found by her husband when he returned from performing.

Héléne’s face was frozen in terror and the inquest found that she had been poisoned-even though she was alone in the house and it was locked up tight. But by who? And how?

Of course authorities looked at the husband first, but it was impossible for him to slip away as he was performing and his every moment had witnesses.

Hmmm…

Her body was strangely found, it looked as if she was trying to crawl out of a small under-stairs cupboard with her face frozen, and hair turned white.

It appears Claude has lost his mind at his wife’s death. He warns people of a gruesome phantom moving in his house, warning people to stay far away.

After two incidents, one of him claiming a police constable to be a monster, he was relocated to the Broadmoor Asylum for the Criminally Insane.

Aw, that’s sad.

And last a page ripped out of Charles Dicken’s The Chimes with the following words underlined:

“Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance..”

“Haunt and hunt him…”

“Bleak his slumbers…”

“he saw this WITH Goblin sight…”

“…saw these creatures, not only among sleeping men but waking also…”

There are more marks of the secret language written in the margin.

Hmmm…

I have been working on decoding it, and I think I’ve figures out a few letters based on what they gave me and just common sense of filling in the blanks, but there are some I am just not sure of.

Hmm…

So I am getting a Phantom of the Opera vibe from this (I love The Phantom of the Opera)

So in the original story of The Phantom of the Opera, one of Erik’s (the phantom’s) many talents was architecture and he builds the opera house-creating his secret home and all the passages, using the mirror as a door to bring Christine to his lair.

I think Henry Griggs is alive! And living in the house he built, probably a secret passage in the mirror. I’m just not sure if he is killing people because he us possessed by something or because he thinks if he does he will have his house back. I’ll have to wait and see.

Hmmm…

A lot of stuff came in this package and I did my best to try and put it all in one picture:

For more from The Mysterious Package Company, go to A Goblin in My Mailbox

For more insane doctors, go to Mr. Hyde Versus the Werewolf: Dr. Jekyll Versus the Werewolf (1972)

For more Persuasion, go to The Jane Austen Book Club (2007)

For more mysteries, go to I Won the Cederberg Tea Giveaway + Book Club Picks: The Insanity of God

For more ghosts, go to North by Northanger (Or, the Shades of Pemberley)

This Is Fate We’re Talking About, and If Fate Works At All, It Works Because People Think That THIS TIME, It Isn’t Going to Happen!: Dead Again (1991)

This is fate we’re talking about, and if fate works at all, it works because people think that THIS TIME, it isn’t going to happen!

So many of you say, hey where is the Jane Austen in Horrorfest? Well, we have had Death by Persuasion and Non-Austen Films for Austen Fans TV show High Seas/Alta MarBut I thought I would throw in another film with a Jane Austen connection. Because, you know:

Yes, while they were filming this-producer Lindsay Doran discovered that Emma Thompson loved Jane Austen. They spent a lot of time talking about Austen and her books:

“I got to know Emma very well over the course of the twelve-week shoot, and it wasn’t long before we discovered our mutual passion for Jane Austen. It was clear that she knew the books by heart, and that her appreciation of them was not of the dry, academic sort she enjoyed them, and she loved their wit as much as she admired their intelligence.” Lindsay Doran, from The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen’s Novel to Film

Doran than watched Emma’s show Thompson, and after seeing the writing and acting there-asked her to write Sense and Sensibility. Yes, without this film, this film never would have been born-or a less wonderful version would have been created.

So let’s review Dead Again

This film struck my interest when a patron checked it out at the library. So, of course, when it came back I had to check it out and watch it. It is a film-noir, murder mystery romance.

Film Noir

So the film starts off in black and white in the 1940s-amazingly with newspaper stories and headlines about the Musical Murder of Margaret Strauss by her Conductor Killer, Roman Strauss. Actress Margaret (Emma Thompson) was stabbed by scissors and her conductor husband Roman, (Kenneth Branagh) put on death row for the murder. As he approached the electric chair, journalist, Gray Baker (Andy Garcia), goes to hear the last words-Roman saying that this is far from over.

Now in color it is 50 years later-a woman (Emma Thompson) with no memory and can’t talk is in an orphanage.

The nuns and priest have been taking care of her-but it appears the help she needs is much more than what they can offer. They hire Michael Church, (Kenneth Branagh) a private detective who was raised at the same orphanage, to take her to the asylum and discover who she is.

Laura

Michael Church (Kenneth Branagh) is known for being able to find “anything” and “anybody”. He has just found Dr. Cozy Carlisle (Robin Williams) psychologist turned store owner who’s been hard to discover. He gets the call and heads to the orphanage.

Ready for any case

Michael inspects all that they know about the unknown woman and discovers she has a Claddagh ring-an Irish ring which represents love, loyalty, and friendship-but only one band, the other is missing. He takes her to his friend at the newspaper who takes her picture and they plan on it being printed in tomorrow’s edition. Church then goes to take the woman to the asylum, but after seeing how horrible it is-takes her to his home. Just because it looks bad-like it has nothing to do with the fact she is a pretty woman?

The woman experiences nightmares, a fear of scissors, and screams out Dysher. The next day, Church gets all kinds of calls about the woman-but all are just cranks. But then, Franklyn Madson (Derek Jacobi), comes calling. He is an antique dealer and hypnotist who wants to help. He regresses the woman and we shift to black and white-to the Strausses.

Los Angelas Late 1940s

Margaret was an actress-beautiful, English, and beloved by all. She went to a concert and saw conductor Roman Strauss and was struck by him. Roman was from Europe, and escaped the Nazis, his wife dying in the escape.

Roman is just as struck as her and the two date, fall in love, and marry. Roman gifts her the Claddagh ring, with a matching one, and a very expensive anklet.

Roman Strauss: The man I bought it from explained to me that, when a husband gives it to his wife, they become two halves of the same person. Nothing can separate them… not even death.”

They marry and at the wedding, a Mr. Gray Baker (Andy Garcia), writer, comes as the date of someone. He is enamored of Margaret and actually tries to flirt and charm her at HER wedding-ugh this dude.

I’m out!

Understandably, Roman is very upset and does not like him.

Margaret “doesn’t” understand his feelings as she loves Roman.

The two are in love and happy-except for one thing. Margaret hates Roman’s servants -Inga and her son Franky. She thinks they don’t like her and they keep usurping her authority. She wants to be rid of them, but they saved Roman’s life. He never would have made it out of Germany without them.

After the regression, the woman can speak. They look over the Strauss story in Life magazine, located in the antique shop. They see a resemblance between the Strausses and them and that the orphanage where they both spent time, was the old Strauss mansion.

Spooky…

Church gives the woman the name Grace, and then goes to see Dr. Carlisle to talk about what happened. Dr. Carlisle tells him some cases where he worked with patients and regression helped solve the issues. He thinks they should continue to see the hypnotist and see what comes of the Margaret and Roman story. 

Hmmm

Grace and Church spend a lot of time together and fall in love.

They have sex and the next day a man shows up claiming that Grace, real name Katherine Sharpe, is his fiance. He has all the answers to Church’s questions, until he catches him in a lie about gloves. The man takes off and Church tries to catch him-but the man gets away.

Why would they want Grace? WHO would want her?

Hmmm

Church and Grace go back to the hypnotist where Grace regresses more…

Los Angeles Late 1940s

They Strausses are having a few cracks in their relationship. As Roman is not involved in Hollywood, he is seen as a “nobody” and is trying to write an opera but suffering from writer’s block. They are at a party and no one wants to talk to “nobody Roman”.

Margaret gets approached by Gray and the two go outside to talk. Gray is so in love with her it is super obvious-and Margaret should not be feeding it. Gray asks to “look” at her anklet, and she obliges-he holding her leg up to take a “closer look”. Really…really now?

Margaret, can’t you see how this is something you as a married woman should bot be doing with a man who is not your husband? Hmmm….?

Seriously

Roman sees them and becomes understandably furious, punching Gray in the face  (not understandable) which knocks him in the pool. They try to make it sound as if Roman is a jealous brute, making a big deal out of nothing-but I have to disagree. This guy started trying to get with Margaret at her wedding-and he’s still trying. Even though Roman shouldn’t have punched him-he totally deserved it.

The Margaret and Roman get in a fight-with it ending as Roman confesses his insecurities.

Later Margaret catches Frankie in her jewelry and tries to get Roman to fire them, but again he refuses. Gray calls Margaret, which Roman accidentally overhears. He questions her abut the call but she lies to him.

Later, Margaret was lying in bed when she is stabbed-by Michael Church!

Grace wakes up from her trance angry, confused, and scared. Michael takes her home but she flips out convinced that he will kill her.

In order to calm her, Church decides to regress as well. What he discovers changes everything. Will they figure out this mystery and solve it before another murder? Or will history repeat itself?

Hmm…

I liked how the movie was in color for the present and then reverted to the past. I thought it was pretty intriguing with a few twists and turns that I didn’t see coming were thrown in very well. And now that I have seen the film, that poster is sop perfect and obvious. It is well worth a view for fans of Spellbound and film-noir

The end is a little cheesy, but Im not sure how else they could have had an ending that satisfied the viewer. I didn’t want to give away the end, so if you’s like to watch it, click here.

For more film-noir, go to Do You Ever Feel Like Your Life Has Turned into Something You Never Intended?: Nocturnal Animals (2016)

For more private detectives, go to Basil of Baker Street: The Great Mouse Detective (1986)

For more on Sense and Sensibility (1995), go to I Don’t Want You Far From Me: Sense and Sensibility (1995)

For more on Lindsey Doran, go to The Sense and Sensibility Screenplay and Diaries

For more on Robin Williams, go to Diamond in the Rough

I Bid You Welcome: Dracula (1931)

 I am Dracula…I bid you welcome

So Dracula is one of the best horror films ever made. I know you all were wondering when he would be popping up. This version with Bela Lugosi is my favorite; as I feel the other version either have subpar acting, a distortion of the story, or just fall flat in their presentation.

Bela Lugosi was never intended for the part of Dracula. Originally Lon Chaney was going to play him, but he died the year before. As much as I love Lon Chaney, I can’t see Dracula as anyone but Bela Lugosi.

I have to say that this film probably has the most remakes of all time. There’s House of Dracula, Dracula (1958), The Return of Dracula, Dracula: Prince of Darkness, Dracula Has Risen From the Grave, Billy the Kid vs. Dracula, Taste the Blood of Dracula, Scars of Dracula, Blood of Dracula’s Castle, Count Dracula, Dracula vs. Frankenstein, Count Dracula’s Great Love, Dracula AD 1972, The Satanic Rites of Dracula, Dracula (1979), Love at First Bite, Bram Stoker’s Dracula, Dracula: Dead and Loving It, Dracula 2000, Dracula II: Ascension, Dracula III: Legacy, Dracula’s Curse, Dracula 3000, The Batman vs. Dracula, Dracula (2006), Dracula 3D, Hotel Transylvania, Scooby-Doo & the Ghoul School, and Scooby-Doo and the Reluctant Werewolf . Not to mention all sequels or films that Drac has a part in; this guy sure gets around.

Of course even with all of these, Lugosi’s version still stands the test of time. It is the one we quote, the one that we mimic Lugosi’s voice from, and the one that we copy the cape movements from; pretending that we too are a vampire.

Dracula

It’s funny that in this film Dracula doesn’t display fangs or show vampire bite marks on the neck.

So the film starts out with Renfield, a lawyer, going to Dracula’s castle. All the villagers warn him that there are vampires there, but Renfield doesn’t listen.

“Innkeeper: Castle Dracula?
Renfield: Yes. That’s where I’m going.
Innkeeper: To the castle?
Renfield: Yes.
Innkeeper: No. You musn’t go there. We people of the mountains believe in the castle there are vampires. Dracula and his wives – they take the form of wolves and bats. They leave their coffins at night and they feed on the blood of the living.”

When Renfield enters the castle he is greeted by Dracula and those famous lines! My favorite.

1380088_10200852887992904_669709111_n

“Count Dracula: I am Dracula.
Renfield: Oh, it’s really good to see you. I don’t know what happened to the driver and my luggage and… Well, and with all this, I thought I was in the wrong place.
Count Dracula: I bid you welcome. [Dracula goes up the stairs. Renfield starts to follow him. Suddenly, Dracula hears wolves howling] Listen to them. Children of the night. What music they make.
[Dracula goes up the steps and waits for Renfield, who, without difficulty, cuts open a hole in a huge spider’s web using his walking stick]
Count Dracula: The spider spinning his web for the unwary fly. The blood is the life, Mr. Renfield.
Renfield: Why, er… yes.”

Renfield doesn’t make it out alive as Dracula ends up attacking him and turning him into a vampire. Renfield becomes crazed as the slave of Dracula. The two travel to England, and when the ship docks only Renfield is left on the boat. Everyone else is dead with the blood sucked out of them. Renfield is a looney, so he is taking to Dr. Seward’s sanitorium.

Martin: Aren’t you ashamed now? Aren’t you? Spiders now, is it? Flies ain’t good enough!
Renfield: Flies? Flies? Poor puny things! Who wants to eat flies?
Martin: You do, you loony!
Renfield: Not when I can get nice fat spiders!
Martin: All right, have it your own way

Later Dracula runs into Dr. Seward, his daughter Mina, Mina’s fiancé John Harker, and family friend Lucy Weston. Lucy becomes enamored of Dracula. Later that night Dracula visits her in her sleep and drinks out all her blood.

Blood!

The next day Lucy is dead as no transfusion is able to save her.

Noooooooooo!!!!!!!

Noooooooooo!!!!!!!

Renfield is acting crazier, and crazier and Professor Van Helsing starts speaking to him to try and help him work through his problems. He believes there is a vampire involved in this.

Renfield: He came and stood below my window in the moonlight. And he promised me things, not in words, but by doing them.
Van Helsing: Doing them?
Renfield: By making them happen. A red mist spread over the lawn, coming on like a flame of fire! And then he parted it, and I could see that there were thousands of rats, with their eyes blazing red,l ike his, only smaller. Then he held up his hand, and they all stopped, and I thought he seemed to be saying: “Rats! Rats! Rats! Thousands! Millions of them! All red-blood! All these will I give you! If you will obey me!”
Van Helsing: What did he want you to do?
Renfield: That which has already been done! [giggles sinisterly] “

Renfield doesn’t like it when Van Helsing shows him wolfsbane; something he declares is able to stop vampires.

Later that evening Dracula attacks Mina; he doesn’t fully drain all her blood, but chooses to do it a little at a time.

Van Helsing also notices that Count Dracula doesn’t have a reflection and concludes he must be a vampire.

Van Helsing puts a wreath of wolfsbane around her neck and tells her nurse not to remove it. He also gives Harker a cross and tells him to hold onto it; that it will protect him from harm of the vampires and not to give it away.

Immediately Harker tries to give it to Mina and it doesn’t work.

DID YOU JUST NOT HEAR THE MAN? HE SAID IT WILL WORK ONLY FOR YOU! YOU KEEP IT!

princess Bride Victim to classic blunder Vizzini

I mean this is such a classic mistake made by these men in these horror films. In The Mummy, he just has to give the girl the charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Wolf Man, he gives the girl the charm to protect him, and it doesn’t work for her. Instead he manifests into being a werewolf and almost kills her. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!! DON’T GIVE IT AWAY!!!

Van Helsing confronts Dracula and tells him to leave Mina alone. Dracula tells him that it is too late, he has given Mina some of his blood and he belongs to her. Van Helsing tells Dracula that he will hunt down his coffin and drive a stake through his heart no matter what.

“Count Dracula: Van Helsing.
[Van Helsing turns to face Count Dracula]
Count Dracula: Now that you have learned what you have learned, it would be well for you to return to your own country.
Van Helsing: I prefer to remain and protect those whom you would destroy.
Count Dracula: You are too late. My blood now flows through her veins. She will live through the centuries to come, as I have lived.
Van Helsing: Should you escape us, Dracula. We know how to save Miss Mina’s soul if not her life.
Count Dracula: If she dies by day. But I shall see that she dies by night.
Van Helsing: And I will have Carfax Abbey torn down, stone by stone, excavated a mile around. I will find your earth-box and drive that stake through your heart.
Count Dracula: Come here.
[Dracula raises his hand to hypnotise Van Helsing]
Count Dracula: Come here.
[Van Helsing takes three hypnotised steps towards Dracula but soon steps back, resisting Dracula’s hypnotic power over him]
Count Dracula: Your will is strong, Van Helsing.
[Van Helsing reaches out for his crucifix as Dracula looms toward him]
Count Dracula: More wolfsbane?
Van Helsing: More effective than wolfsbane, Count.
Count Dracula: Indeed. [Dracula lunges towards Van Helsing. Van Helsing holds up the crucifix. Dracula snarls and turns away. Van Helsing, in triumph, puts away the crucifix]”

Harker still hasn’t realized what is happening to Mina. He takes her out in the night, where she attacks him. He is saved by Van Helsing who puts Mina in her room with wolfsbane. He tells the nurse to make sure that she does not remove it.

He and Harker leave to look for the coffin. They know it must be in the area as Dracula would never travel too far from it.

While they are gone, Dracula hypnotizes the nurse and has her remove the wolfsbane.

Dracula takes off with Mina, bringing her to his lair.

 Harker and Van Helsing see him and follow him; Harker wanting to save Mina while Van Helsing wants to destroy Dracula. Renfield manages to escape from his cell and follows them as well. Dracula kills Renfield; thinking that he lead everyone to his lair. Eventually Dracula is forced to return to his coffin as the sun is rising. When he does Van Helsing drives a stake through his heart and Harker goes to get Mina.

This film is truly amazing and I think you should check it out. It has influenced countless generations and really became the face and substance of who Dracula is.

This was one of Bela Lugosi’s favorite films and when he died he was buried wearing the black silk cape he wore for this film.

So that’s today’s  fearsome tale. More on the way.

Here’s poster I made for my cover page on facebook in honor or Halloween. Hope ya love it.

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To start Horrorfest from the beginning, go to I Don’t Belong in the World

To go to the previous post, go to It’s Alive, It’s ALIVE!

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For more on Dracula, go to A Monster Race

For more on vampires, go to Grimwood Ghouls’ Gyn Teacher

For more on Bela Lugosi, go to Universal’s Classic Monster Movies

For more films based on books, go to The Only Thing That Matters is the Ending

For more on Lon Chaney, go to Feast Your Eyes On My Accursed Ugliness

For more films that spanned countless sequels and remakes, go to Camp Blood