An Insane Doctor, A Hysterical Herbalist, and Murder in a Magician’s Mansion + A Possible Persuasion Reference?

Ready for any case

So this year’s theme is “mysteries” in honor of Agatha Christie’s novel The Mysterious Affair at Styles turning 100 years old. To really have this theme be present I decided to review a mystery every month…somehow and ideally connecting it to Jane Austen.

Mystery, you say?

In January, I wasn’t sure what to do when I received a goblin in my mailbox.

It turned out to be a a mysterious package from The Mysterious Package Company. 

Ah, mysterious

So the last package seemed to be saying that there is something wrong with 27 East Heath Road

Haunted house!

The architect, Henry Griggs, had been going crazy trying to finish building the house, after his wife died-using all his money. He even felt as if something was there making him continue, something altering his plans, something controlling him.

The house was almost complete, but Griggs has descended into some kind of madness.

“The madness in the walls must not escape…I fear I shall be gone altogether…I fear harm may come to her [Lizzy]  if she is not sent to safety.”

He ends up putting his daughter in an orphanage and Griggs disappears, presumed dead.

Or is it?!

This package contained a lot of items and goes on a bit:

• 1 Deed
• 1 Letter from Dr. Jack S. Aigner
• 4 Small Memorandum/ Doctor’s notes from Dr. William Elliot
• Arsenic Druggist Note
• A Page from Baldwin’s Physician’s Guide
• 1 Large Memorandum/ Doctor’s notes from Dr. William Elliot
• Dr. Elliott’s Tincture Receipt
• 1 Poster for The Great Goodyear
• 1 Great Goodyear flip book that showcases two of his illusions
• Garden Diary of Héléne Ashworth
• Elise Face Cosmetiques Label
• Newspaper Clipping
• A page from Charles Dickens’ The Chimes

So first of all, I saw Dr. Walter Elliott on the letters:

And as a Jane Austen fan my mind went:

This is 1888, I am going to believe this is Mr. Elliot’s great or great-great grandson, named after Sir Walter. I mean I don’t know if he married Mrs. Clay, but I do know that eventually he would have to secure his family line and inheritance.

So Dr. Walter Elliot, descendent of Mr. Elliot, has purchased 27 East Heath Road and everything inside the building for £420 sterling. I think he will regret this…

So Dr. Elliot has a conservatory and grows herbs but according to his former instructor Dr. Jack S. Aigner, Dr. Elliot is sensitive, insecure of whether or not he is a good doctor, creates different tonics and medicines; AND medicates/tests himself. Uh, oh. Oh no, that does not sound good.

Dr. Aiger mentions the room he is using to treat patients and that it holds a mirror, but it is placed strange on the wrong wall. It should be behind the patient, not in front, but it will be good if he wants to try self-hypnosis. There is a young girl he is trying to help that is an interesting case. Hmm…could it be Elizabeth Griggs?

Then we have Dr. Elliot’s notes on the patient, although not all of them. He mysteriously chose to remove the notes in his patient from September 1889-October 1891, us picking it up in October 1891.

His patient is interesting…she wants to be in the room alone and when he stepped out as she said she heard footfalls in hallway, she moved the flowers in the office, why?

She likes the tincture he gave her, which pleases him as he is really getting the use out of his conservatory.

The next notes are from February 1889, and we are given that the name is on Beth Siggers 15 years old. The DOB is inked out, but we know it is 1874. Could this be Elizabeth Griggs? Just her name changed so the Doctor doesn’t connect it to the architect if the house?

Hmm…

Beth comes to see Dr. Elliot because she is suffering headaches and shortness of breath, but when she came in she would not sit, instead touching and knocking into everything-walls, tables, the mirror, etc. Searching…but for what? He thinks she faked the illness but why? He gives her some tincture and she leaves.

Weird…

March 1889

Beth continues to return to the Doctor’s office, but every time she has a different ailment. Obviously she is suffering from a mental issue rather than a physical ones, but what and why?

She returns another time and says she left her bag behind, but when he finds her he sees she isn’t in the reception area but on the main staircase as she got “turned around”. Strange behavior, the doctor prescribes tonic.

Hmmm…

April 1889

She seems much better, although she is fixated on the mirror. The doctor looked at it and thought he saw a face in it, but that is just nonsense. He gives her 1/2 bottle of tonic.

She returns later complaining the tonic is too strong, and Dr. Elliot watered it down and 1/2 the dose-1/4 tonic. It’s strange, he notices the hallway door is ajar. That keeps happening every time Beth comes to his office.

Spooky…

May 1889

Beth returns, upset and acting strange: pulse elevated and pupils dilated. Dr. Elliot thinks it is just “spring fever” and gives previous mixture and dosage.

Hmm…strange

June 1889

Beth has been by again and Dr. Eliot thinks he saw a figure in the mirror, again. He has always hated the way the mirror was fixed in the wall. He searches, but there is nothing there. Dr. Elliot begins to worry that maybe the tincture he took and tested on himself might be giving him hallucinations.

July 1889

Dr. Elliot has decided to no longer see Beth. He tells her and later that evening he discovers she has hid in the parlour…weird why? She begs him to let her come back and he agrees for one more time.

NO, NO, NO, NO, NO!!! Something is wrong with this girl-you need to get way from her.

January 1892

Dr. Elliot feels watched and puzzles over the patient. Maybe he should stop seeing her, nothing seems to be changing.

YES!!! STOP SEEING HER SOMETHING ISN’T RIGHT!! But of course he won’t listen. He will continue and things are going to go wrong.

February 1892

Things are getting worse. After Beth comes poking on walls, knocking here and there, looking in corners, seeing things that aren’t there, Dr. Elliot too starts to feel as if there are spirits, ghosts, or something in the house. He tries to talk himself out of it but wonders.

He continues his experiments and taking the tincture. Oh no Dr. Elliot, don’t test on yourself!

In another set of letters from February 1892 to Jack, Dr. Elliot mentions a page with ciphers from Baldwin’s Physcian’s Guide. The page is included with these lines underlined:

“…what can be gained from inclusive speculation on the subject?”

“…physiognomy is mere judgement, assumption, and, in some cases, coincidence.”

On the back is an image that looks out of the Grimm texts and has some strange ciphers on it.

In his letter he has figured out what two of the symbols mean, an E & R.

Meanwhile, Griggs’ daughter, Beth, continues to see the doctor and every visit something odd happens. The flowers espechially always seem to be moved.

Beth keeps talking about something she sees under hypnosis so Dr. Elliot decides to test it and takes extra tincture.

Don’t Do it!!! Stop!!!! NOOOOOOOOO!!!!

There is a receipt for his tincture and on the back it says:

“You’ve got the right bottle, doctor.” With a bunch of symbols.

DON’T DO IT!!!!!

Dr. Elliot gets some cramps but about 30 mins in, he sees a figure in the mirror, or looking to come out of the mirror…

He leans toward the mirror and the figure was gone. He searched the house for it and found the dispensary unlocked, even though he always locks it.

He decides to increase the dose and do it again, adding to his letter later-he does and it says:

“I see it! It comes…”

And that is the end of Dr. Elliot. I’m assuming he died. Poor guy, you shouldn’t have tested on yourself-you shouldn’t have delved into the unknown, espechially on your own.

You’re crazy!
Crazy, am I? We’ll see whether I’m crazy or not.

There is no more correspondence, we then switch to the second half of the package.

Time to get on the case!

The next item in the package is the garden diary of Héléne Ashworth.

June 1892

The house has been sold to the Great Goodyear, Claude Goodyear, and his muse, assistant, and wife Héléne Ashworth. The name sounds familiar, but I’m not sure why.

Where have I read or seen that name before?

Their friend, Lilibeth, let them know about 27 East Heath Road becoming available after the doctor died. It seems he accidentally took too much of his medicine, although some whisper it was a suicide.

Claude loves the room with the mirror in it, as it can help him to practice his tricks and Héléne loves having the conservatory as she is a gardener. She has taken inventory about the plants and discovered hemlock. Hemlock? Why would a doctor need that?

Strange…

Claude jokes about ghosts in the walls as the house does make noise, but Héléne is not afraid. She loves her new house.

Ghosts?

July 1893

Héléne’s garden is doing well except for the calla lilies and forget-me-nots she planted. Instead the hyacinth, lavender, and dragonwort are doing extremely well-even though she did not plant them. There is no way Claude did so where did they come from?

At 27 East Heath Road.

Héléne believes in the language of flowers and these ones that mysteriously appeared mean constancy, devotion, and twice twisted. Hmm…maybe it means something twice twisted in the house? Devoted to it?

Hmm…

Let’s see-hemlock was poisonous, are these too? Let me look…yes, hyacinth bulbs are poisonous and touching them causes skin irritation. So lavender is used in food and perfumes so it is okay to take, but it can cause constipation, headache, and skin irritation in some people. Dragonwort is used to stop bleeding. So again, doesn’t seem too bad.

Hmmm…

There are a lot of strange herbs Héléne doesn’t know growing as well. She also discovers two more letters of the cipher-M & Y.

Another entry:

Claude is doing extremely well and even gets to perform at the famous Egyptian Hall. Héléne is so excited to perform, but Claude wants her to quit now that they are married. Hmmm…

Meanwhile, Héléne feels watched in the house. She wants to mention it to her husband, but decides not to worry him before a big show. On a sad note all the Calla lilies died, just like their hopes for a baby.

May 1895

Héléne is no longer allowed to perform, Claude thinking that is what caused them to have a miscarriage. Try as she might the yellow hyacinth (jealousy) keeps growing, and Héléne is convinced there is a curse on this house-a curse keeping a cild from being born, her nice and kind flowers from growing, and the hyacinth strong.

Later entry:

Héléne finds more and more deadly plants-nightshade and monkshood. She also sees the gruesome figure from her nightmares. She tries to tell her husband but he doesn’t listen, saying the illusions have turned her head.

June 1895

Claude has refused two engagements and is very upset. He is convinced spies are coming into the halls and watching/copying his ideas. He continues to practice in the room with the mirror and won’t let anyone into it, not even Héléne.

Héléne is very hurt and upset as she and Claude grow farther and farther apart. Sometimes Héléne pus on the old costumes and performs in front of the plants-wishing she could still be on the stage.

Lilibet has grown worried about Héléne and has taken up spiritualism and becoming a very famous medium. Lilibet and Héléne have known each other since girlhood and Héléne decides to throw a get together and help Lilibet. I’m starting to think Lilibet is Elizabeth “Beth” Griggs. Maybe Héléne was in the orphanage? I’ll check. The records say she is, ah “…the scarlet thread of murder running through the colourless skein of life” (A Study in Scarlet by Sir Arthur Conan Doyle) is Elizabeth Griggs.

And it is “…our duty is to unravel it, and isolate it, and expose every inch of it.” (A Study in Scarlet by Sir Arthur Conan Doyle)

Mystery, you say?

September 1895

Liliibet otherwise known as Mrs. Alizbeta Divak has asked Hélene to join in. Helene has created the character Madame Solandra, wears black bombazine, and pale makeup that comes from the Elise makeup company. There is a label from Elise Cosmetiques and it has a message on the back:

“YOU THINK TO HIDE YOURSELF FROM ME?”

Followed by the ciphers.

Claude does not approve of spiritualism, Helene has to hide it from him.

November 1896

They held the seance but things did not go as planned, A real spirit came from the mirror shouting at them “interlopers! Be gone!”

NOOOOOOOOOOOOOOOOO!!!!

When Héléne did the automatic writing it was if someone else was controlling her. Helene faints and when she awakens, it is Lilibet giving her smelling salts.

Oh no, the smelling salts were poisoned with the Doctor’s medicine.

Nooo

Lilibet preetends it didn’t happen, but Héléne knows it was real. She however feels very sick.

December 1896

Helene is still sick and supposed to be in bed, but has found a strange hidden doorway and secret hidden rooms in the house  But is it real? She is fading in and out and unsure.

But no! She found it! She has found a secret door in the conservatory, as soon as she is stronger she will investigate it!

Time to get on the case!

January 1897

Helene’s passage is a strange one. She believes the phantom is walking the house and Claude has all but disappeared. Is there a spirit in her home? A man? Or is her husband gaslighting her?

Gaslight (1944)

And all her flowers were ripped up? Why would the phantom want to do that?Why put dirt on her hands after?

Claude is yelling and locking Helene in her room refusing Lilibet to come in. But she has found a way out. She will follow the wallpaper and escape that way…

That is the last entry in the journal.

This felt a lot like The Yellow Wallpaper, the short story where the lady goes mad and her husband locks her up (or did her husband lock her up and then she went mad?)

Hmmm…is there a phantom or just an evil husband?

Gaslight (1944)

Next we have a newspaper clipping “Murder at the Mad Magician’s Mansion”. 

The wife of The Great Goodyear, Claude Goodyear, has been found dead in her home, found by her husband when he returned from performing.

Héléne’s face was frozen in terror and the inquest found that she had been poisoned-even though she was alone in the house and it was locked up tight. But by who? And how?

Of course authorities looked at the husband first, but it was impossible for him to slip away as he was performing and his every moment had witnesses.

Hmmm…

Her body was strangely found, it looked as if she was trying to crawl out of a small under-stairs cupboard with her face frozen, and hair turned white.

It appears Claude has lost his mind at his wife’s death. He warns people of a gruesome phantom moving in his house, warning people to stay far away.

After two incidents, one of him claiming a police constable to be a monster, he was relocated to the Broadmoor Asylum for the Criminally Insane.

Aw, that’s sad.

And last a page ripped out of Charles Dicken’s The Chimes with the following words underlined:

“Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance..”

“Haunt and hunt him…”

“Bleak his slumbers…”

“he saw this WITH Goblin sight…”

“…saw these creatures, not only among sleeping men but waking also…”

There are more marks of the secret language written in the margin.

Hmmm…

I have been working on decoding it, and I think I’ve figures out a few letters based on what they gave me and just common sense of filling in the blanks, but there are some I am just not sure of.

Hmm…

So I am getting a Phantom of the Opera vibe from this (I love The Phantom of the Opera)

So in the original story of The Phantom of the Opera, one of Erik’s (the phantom’s) many talents was architecture and he builds the opera house-creating his secret home and all the passages, using the mirror as a door to bring Christine to his lair.

I think Henry Griggs is alive! And living in the house he built, probably a secret passage in the mirror. I’m just not sure if he is killing people because he us possessed by something or because he thinks if he does he will have his house back. I’ll have to wait and see.

Hmmm…

A lot of stuff came in this package and I did my best to try and put it all in one picture:

For more from The Mysterious Package Company, go to A Goblin in My Mailbox

For more insane doctors, go to Mr. Hyde Versus the Werewolf: Dr. Jekyll Versus the Werewolf (1972)

For more Persuasion, go to The Jane Austen Book Club (2007)

For more mysteries, go to I Won the Cederberg Tea Giveaway + Book Club Picks: The Insanity of God

For more ghosts, go to North by Northanger (Or, the Shades of Pemberley)

Cesare, I Am Calling You. I, Dr. Caligari, Your Master. Awaken for a Moment From Your Dark Night.: The Cabinet of Dr. Caligari (1920)

“Cesare, I am calling you. I, Dr. Caligari, your master. Awaken for a moment from your dark night.”

So during my very first Horrorfest I reviewed the remake of this film.

This was back before I had established the “rules” of Horrorfest, one being always review the original film first.

It was an amaaaaaazing adaption! It used the original backgrounds from this movie and was full of talented actors, I highly recommend it. It is probably one of the best remakes I have ever seen.

Wow

And you know me, I’m not a remake person.

Well, every year since then I have thought I need to review the original, and with me being in my seven year of blogging (Horrorfest VIII), it is time to actually review the original 1920 version.

So this film was influenced by the life experiences of Hans Janowitz and Carl Mayer. Janowitz served as an officer in WWI and was very embittered by his experiences. Mayer feigned illness to try and get out of service, as he was a pacifist-and spent a lot of time in an asylum and under intense examinations. In fact, Dr. Caligari is based off a doctor that Janowitz was forced to talk to (and really didn’t like).

The two met through an actor friend of theirs and the inspiration to write the film came through Janowitz’s friend Gilda Langer. Mayer was in love with Langer, and she became the basis for the “Jane” character (the one that is in the love triangle with the two best friends.)

One day Gilda took Janowitz to a fortune teller who predicted that Janowitz would survive the war but Gilda would die. When Gilda died unexpectedly in 1920, that experience influenced the scene when Cesar predicts Alan’s death.

Spooky…

There are conflicting stories regarding who exactly wrote, planned, directed, filmed, etc-did what, something that will most likely never be settled. When this film first came ouot there were actually protests regarding the film when it showed in LA as Germany was still not very popular in 1920. People were still upset over World War I

This style of film and the background artwork reminds me of the Bauhaus movement, with its style and a bit of Metropolis. Dr. Caligari is supposed to represent the German government being in control and dictating others, while Cesare the solider-those who have been conditioned to kill. The rest of the characters are the people being lulled, hypnotized, and controlled.

The set is beautiful-painted, angles, and nothing is quite right giving the film a demented and creepy space. This disjointed feeling really adds to the question, is the main character telling the truth? Or are they insane.

So it is hard to review this film as I reviewed the amazing remake that actually copied every scene perfectly-but I’ll try.

The film starts at the end when the main character, Francis, is speaking to an old man about his fiancé. This one feels creepier than the remake as the music is completely eerie and the actors have to overact as this is a silent film. Everyone eyes bug out and they just freak you out. Serious chills!

So Francis starts sharing how his fiancé has been through such a strange event that she will never be the same again. She walks every night in a trance, and does not speak anymore. Francis starts to recount his story…

We go back in time to a city and place that we don’t know where it belongs. The backgrounds are amazing and slanted.

A man comes to the main hall to get a permit for his carnival. He calls himself Dr. Caligari, and speaks of having a psychic who can reveal all’s future. The clerk is in a BAD mood, and is extra rude to Dr. Caligari and forces him to pay an exuberant amount of money. Caligari does and walks away, but all does not seem to bode well for this clerk.

The next day he is dead. Murdered.

Then we are introduced to Alan, who is stopping by to visit his friend Francis and is begging him to partake in some kind of adventure. We learn that Alan has been combating depression and has been holing himself away these past months, even having to visit an asylum. He however, is feeling much better and convinces Francis to see the fair with him, “for old times sake”.

On the way they meet up with Jane Stern, a girl they are both madly in love with.  Both are eager to get an answer from her as to who her choice will be, but she manages to slip away and into the night. The friends say good-bye and to the fair.

They stop at the fair and see the psychic Cesare. Cesare is a “living dead” man who can foretell all. He lives in a coffin, only being released every once in a while, Cesare is really creepy-the faces he makes.

Francis wants to leave, but Alan is rooted to the floor. When Dr. Caligari calls on him to ask a question, Alan is compelled to answer. He is physically incapable of leaving or turning away. He asks Cesare his question, but all does not go well.

“Alan: How long shall I live?                                                                                  Cesare: The time is short. You die at dawn!”

Francis quickly grabs Alan out of the tent and fearing a relapse in his friend, reassures him that Cesare’s tricks are stupid and do not mean a thing.

The next day Alan is dead. Murdered.

This horrible tragedy leads Francis on a path of reality so intermingled with insanity that one can hardly tell the fact from fiction. Francis is so sure that Dr Caligari killed his friend, that he becomes obsessed with finding proof. Is he trying to stop a mad killer? Or has he experienced such trauma he has reconstructed reality?

Hmmm…

So while the remake tries to leave you guessing whether it is real or not, whether he is crazy or if he knows the truth and is silenced. In this they make it clear that he is being treated in a hospital. That was a bit of a disappointment, but the film seriously deserves a watch. Those eyes, they are haunting.

Spooky…

And the facebook banner!

To start Horrorfest VIII from the beginning, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For more on The Cabinet of Dr. Caligari, go to A Tale So Strange It Must Be True: The Cabinet of Dr. Caligari (2005)

For more silent films, go to In Their Proper Place: Metropolis (1927)

For more characters on the brink of insanity, go to Go Ahead and Shoot…As Far As Killing Me, Well, I Don’t Think You’re That Good a Shot: Possessed (1947)

 

Have You Checked the Children?: When a Stranger Calls (1979)

So I was originally going to post this yesterday, but when I saw that the film was rereleased in theaters on October 17, 1980. Even though that isn’t the anniversary of the original day of its release, October 26th, I thought that since it was an anniversary of one of its release and just a day later: I just couldn’t help but post it today. Happy 36th!

So of course growing up in the 2000s, my first interaction with the film When a Stranger Calls was the remake. I have never seen the original film, and since I needed a choice from the ’70s, I thought why not finally check this one out.

So the film starts off with creepy music and just a blank screen with nondescript text. I don’t know about others but when films do this, it actually kind of hypes up the horror/creepiness because you have no real clue what will be coming next.

We have a teenage girl walking down a dark street with her books. She arrives at the house she is to baby-sit that evening and everything seems fine. The parents are ready to go out, possibly staying out a bit later if they decide to go to a movie. The children are asleep upstairs

Now what is interesting is so far the plot of the remake actually mimics this one. I mean they begin a little different with giving her a reason as to no cell phone (as the remake is modern), but the way the parents act and the dialogue is exact.

Good job screenwriters.

With the kids sick, Jill has the house to herself to do whatever she wants. Wow, what a pretty sweet gig.

Alright!

Or is it?

Little does she know what the night will hold.

So Jill is relaxing, sitting on the couch and talking to her friend about Bobby, a guy they both are crazy about. It is weird seeing Carol Kane play a teenager she has such an adult voice. Her friend too. They sound as if they are in their twenties.

She is defintely close to 30

So the phone rings and there is no one on the line.

Phone rings again but this time Jill hears a voice

“Mysterious Stranger: Have you checked the children?”

Jill thinks it is just a prank and doesn’t even bother to look upstairs at the kids. In fact, she hasn’t looked at the kids at all since she came. I know she wasn’t supposed to disturb them as they are sick, but shouldn’t she check to see if they are alright?

The call comes again

“Mysterious Stranger: Have you checked the children?”.

Then she hears a sound in the other room. Creepy music rising.

Jill is a little freaked, and heads down the hall to look around. The kitchen light is off, and nothing is there. She hears something:

Just the ice machine. Whew. And don’t say that it was lame because some ice machines are weird. My old fridge sounded like an alien spaceship landing.

So the phone rings again

“Mysterious Stranger: Have you checked the children?”

This is super creepy to hear again and again. If it were me I would have gone upstairs. Actually truthfully, I never would have been in a situation like this. It was because of films like these my parents always had to have the kids come to our house when I would watch them.

But instead of checking on the kids, Jill goes to pour herself a drink. Bad baby-sitter bad.  Bad idea.

Phone rings again….is it him?

She slowly reaches for phone, and the music starts. No one is on the line this time too. Even creepier.

Jill calls the parents to see if it was maybe them, but they aren’t at the restaurant, they left 40 mins ago.

So she calls the police and gets a Sergeant Sacker. Jill tells him about the phone calls that she’s been receiving every 15 mins; but because there are no threats or obscene language the police don’t think it a big deal, just a friend or random weirdo.

So we get great shots of the house and around Jill. The camera is always in the front or behind but never exactly her height, and mostly far away, as if we are the man watching her.

Creepy…

The phone rings again.

“Mysterious Stranger: Why haven’t you checked the children.”

Jill looks out the window

But outside there is only pitch black darkness.  Now I have never liked my windows open or blinds up. I just don’t like the idea/feeling someone could be watching me. After films like this and real life events of people watching and attacking others, I feel even more that it makes a lot of sense to just keep them closed.

After watching that scene I just creeped myself out, and had to check all my doors and make sure my phone was beside me.

I’m ready for anything

Jill also freaks out and tries to secure the house.

I can’t believe she had the door unlocked the whole time. Then again it is the ’70s.

 So she’s finally going upstairs to check on the children, but then gets another call. WHAT’S UPSTAIRS???? DID HE KILL THE KIDS??? WILL HE KILL HER TOOO??????

She lets the phone just ring and ring this time. Although she does grab a cane, good job. You should carry something just in in case. Kudos for you!!!

But she never checks on the children.

…I just thought of something. What if they are the dead kids and babysitter from the beginning of the remake? Would they do that? Reveal the end of the old in the new? Well I guess it isn’t really a reveal as you should have watched it before the new one.

But still, this is driving me crazy!!!

What happened to the kids!!! Are they alive!!!

Jill calls the police again. She tells him tht he is watching her, but the police don’t really believe her as she didn’t see him and the house is locked up. The police tell her that if he calls again they will try and trace the call. But the problem is that she will have to keep him on the phone for 1 min.

Jill sits waiting, a fireplace poker now in her hands and vigilant. BUT SHE NEVER CHECKED THE CHILDREN!!! They are dead I just know it….!!!!!!

The phone rings…

Nothing and then it is him!

“Jill Johnson: Can you see me.

Mysterious Stranger: Yes.

Jill Johnson: I turned the lights down, I can turn them up if you like.

Mysterious Stranger: No, don’t.

Jill Johnson: You really scared me, if that’s what you wanted. Is that what you wanted?

Mysterious Stranger: No.

Jill Johnson: What do you want?

Mysterious Stranger: Your blood all over me.

AAAAAAAAHHH!!!!!!!!!!!!!!!

I SHOULD HAVE WTCHED THIS DURING THE DAY WHAT WAS I THINKING!!!!

AAAAAAAAAAAAAAAHHHHH!

This film is super creepy. I need a weapon near me too. In fact this guy is super creepier than the new one because he is calm the whole time as he talks to her.

Phone rings again, but it is the sergeant. They traced the call coming from inside the house. She needs to get out. But where is he? They show scenes of every part of the house she has been in and he isn’t thereeree!!!

Jill starts to open the front door, the door upstairs opens and we see a shadow as he is coming after her!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

We then zoom in on a face!!!!!!!!!!! IS IT HIM??????????????? AAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!

It turns out that it is the police detective. This was what the beginning of the remake is based on. So the children are dead, and we see them carried out in black bags. The damage was so horrendous that the coroner was surprised the weapon was the killer’s bare hands. They caught him in time, so the babysitter is fine, but how fine?

But we are only at the 22 min mark?!! What else is coming? So far I think this is the scariest film I have reviewed this year just based on that opening scene alone!

So now it is seven years later, and I have no clue what is coming next? Is he going to track her down and try to kill her? Try to finish the job? Hmmmm…..

So the police detective has quit the force and become a private investigator. He has been asked by the father of the murdered children to hunt down Curt, the killer, as he has recently escaped from the insane asylum he was in.

“Dr. Mandrakis: Man murders two children in cold blood. Jury declares him insane. He is sent to a state institutional facility where the security isn’t perfect and escapes.”

The detective is on the case to hunt dow Curt no matter what. He heads to the institution and goes to speak to his doctor to find more info. Interesting how in a lot of ways this and Halloween are extremely similar.

We are now in a bar and see a man, is he Curt? Man tries to give a light to a lady but she ain’t having it. He’s British, so he must be Curt, and is trying to pick her up but she is not interested at all.

After that first part of the film which was so intense and chilling, this section is really boring.

Why should I care. Its like they made the adrenaline pump so much and now we have this bleh stuff, it just feels bad and boring.

We see a ’70s party, with the PI there. He speaks to a police officer from the force who agrees to help him.

Now you all know how much I don’t like remakes, but I have to admit the 2004 version, while their killer wasn’t as creepy as this guy, really knew how to give you what you wanted.  They kept it focused on what was scary and played it up even more having the girl isolated with the house so far away and no car.

So Curt follows the lady from the bar, to right outside her door. The phone rings and she answers. He gets inside and she is not as freaked out as she should be that the guy she refused followed her home, marched into her apartment, and will not leave. Eventually she kicks him out end scene.

Truth be told I don’t

The PI is still investigating. You know I would find this a lot more interesting if they had flipped the film, had the babysitter attack at the end and the search at the beginning. I guess that’s why they did it that way in the remake.

So the PI tracks Curt down to the lady’ house and wants to talk to her. She doesn’t want to talk to him, but he barges his way in.

Seriously!

He shows her a pic of man blah blah not interested skip, skip skip

The lady is worried, as she thinks Curt might be  following her, and the  PI waits outside. But Curt is already indoors. It turns out he was hiding in her closet. She is making tea and when she goes to the closet Curt is not there.

Okay, this is getting creepy agin. He’s not hiding behind the closet door either. Curt doesn’t kill her though, as he wants her to be his friend. She screams, he flees, the PI chases him but doesn’t catch him. Bleh Skip. Curt goes to bathroom, naked and looks at himself and cries. Whatever. SKIP. Now at the YMCA and the cop is looking for him, Fast forward The two chase, run fight, chase, run, PI lost him again. Curt gives a long soliloquy, boring.

Next scene we are in a nice neighborhood, with cute kids running about. It turns out they are Jill’s kids. The phone rings….is it Curt?

No just her husband Steve on the phone. He’s going to take her out to dinner so Jill needs to get ready and find a baby-sitter. Two kids; one boy and girl just like the ones she lost when sitting.

Jill puts them to sleep and a teenager, Sharon, comes to baby sit. They recreate the scene from the beginning; mom and dad are heading out and the sitter staying. So similar, I mean even the house looks similar just reversed. All say good-bye.

You know I’m surprised the PI never went here. I mean doesn’t he think the guy might go after her again?

So Jill and Steve’s dinner are interrupted by a phone call. Jill goes to answer. OMG it is HIM!!!

“Mysterious Stranger: Have you checked the children?”

He’s back, he’s on the phone. He’s after her kids!!!

The husband calls the baby-sitter and they ask her to check on the kids. The police have been called and they tell them the story. They call the baby-sitter again, but the LINE IS DEAD!!!!!!!!!

They drive home with the police and everything is fine. But is it really? Or is he hiding in the house?

OMG what is going to happen next??? Is he going to kill them???

Steve pulls out gun to protect them while they sleep. Now I would not go to sleep or stay there. They are crazy! I would check into a motel asap.

Back at the police station they are talking about the call. Was it him or just a copycat. The police friend  calls the PI to check it out, and makes sure there is a stakeout.

 Jill can’t sleep and goes downstairs to the kitchen, the lights go out.

Never a good sign.

IT IS HIM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

The PI keeps calling, but just gets the busy signal. Jill checks on the kids again. She sees her son with an ice cream in hand, not even melted. Where did you get it?!!!!!! It wasn’t there earlier. In fact it is the same one SHE had that night. OMG HE WAS IN THE ROOM WITH THE CHILDREN! OMG IS HER HUSBAND DEAD!!!!!!??????

Is he  in the closet??? She approaches it! NOOOOOO Don’t open without a weapon!!!!!!!!!!!!!!!!

AAAAAAAAAAAAAAAHHHHH!

Nothing is there but clothes. The PI only gets dial tone. Hurry the line was CUT!!!

huHURRYRRRRRRRYRYRYRYRRY OVERER THERE AAAAAHHHHHHHH!!!!

Where is he??? Where???

Jill decides to settle in bed, but can’t go to sleep. She picks up the phone but discovers that it is DEAD just like she will be!!!!!!!!!

Take the gun!!!! Grab it!!!

She hears Curt the killer’s voice, but where is he? Or is it just in her head??? She tries to wake Steven in bed, but its not her husband! It’s Curt!!!!!

AAAAAAAAHHH!!!!!!!!!!!!!!!

He attacks her, but is shot. Who shot him???

The PI. OH No Where is Steven? Is he dead???? No just knocked out in the closet.

OH MY GOSH!!! That was way scarier than I thought it would be. That end image of his eyes over the house, always watching ooooooooohhhhhhhhhhhhhhhh

This was amazingly creepy film. I mean just skip the middle and this is phenomenal. It lingered in my mind and continued to scare me when it was over.

So after the film I checked that question about Carol Kane’s age.  She was 27. I thought so, her voice was waaaaay tooo deep.

So it turned out that this director made the short film The Sitter, which was pretty much the first 20 mins of this film. After Halloween came out in 1978, the director decided to make a full length film based on what The Sitter was about.. So I was right. That middle section was so close to Halloween, because of Halloween.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to No Mere Mortal Can Resist the Evil of the Thriller: Thriller (1983)

For more on When a Stranger Calls, go to It’s Coming From Inside the House: When A Stranger Calls (2006)

For more psycho killers, go to The Butcher of Burtonsville High: The Death of the Queen Bee, Bones (2010)

For more films with anonymous phone calls, go to There are Thirteen Chairs at the Table…And That’s Unlucky: Mystery of the 13th Guest (1943)

For more slasher films, go to We All Go a Little Mad Sometimes: Psycho (1960)

The Mad Killer: Dial 1119 (1950)

Recently escaped from the hospital for the criminally insane…the Mad Killer, Gunther Wyckoff

So one of the librarians was processing a group of donated DVDs, and I just happened to spot Film Noir Classic Collection, Volume 5. It had eight films on it: Cornered (1945), Deadline at Dawn (1946), Desperate (1947), Armored Car Robbery (1950), Backfire (1950), Dial 1119 (1950), The Phenix City Story (1955), and Crime in the Streets (1956). 

After I mentioned it would be a good film to watch, they let me be the first one to check it out. Some of the films were good and some were okay. That happens in a collection.

Oh well

I thought this movie was really exceptional and all because of Marshall Thompson, who plays Gunther Wyckoff. He was phenomenal in playing his part. He was able to be cold, calculating, creepy; but then have moments of appearing almost innocent and a troubled boy. Not as good as Anthony Perkins in Psycho, but close.

I haven’t found a lot of pictures so this will mostly contain ones from other films and reviews. But I don’t let that stop me, let’s begin our review.

The film starts off with gruntled newspaperman, Harrison “Harry” D. Barnes. Harry is tired of being paid so little and working his whole life to only be in the exact same place as he started. He tells his pal that he is quitting and heads off to the Oasis bar to drink up his troubles. Because of his early departure, he misses an important announcement that Gunther Wyckoff has escaped from his institution.

Elsewhere in Terminal City, Helen is leaving to go on vacation with a friend of hers. She lives with her mother, taking care of her as she has a weak heart, but is sorely in need of a break. She heads out but instead of meeting up with a her girl friend, she instead is meeting Earl at the Oasis Bar. Earl is a married salesman and the two are planning to go away for the weekend.

Meanwhile, Gunther Wyckoff is headed to Terminal City. Three years ago he murdered a woman, was found to be insane, and instead of being executed, resided in the institution. But now he is out.

Next to him is a women traveling as well to Terminal City ands she notices that something is off about Wyckoff. Like most psychopaths he has no “normal” ways of interacting with other people.

Something about you just doesn’t seem right.

At the front of the bus, the driver has a gun for protection. They all take a five minute break to stretch and use the bathroom, and when they return to their traveling, the woman notices the gun is missing; and that the man next to her was the only one to remain on the bus during the break.

This is bad

They reach Terminal City, the woman stays as long as she can and warns the driver in their native tongue about what has happened. After she leaves the driver approaches Wyckoff, and tells him to return the gun and clip. Wyckoff shoots him.

Wyckoff is extremely creepy and scary as he is so emotionless, cold, and calculated. He doesn’t freak out, break a sweat, or worry; just demolishes what is in his way.

Wyckoff heads out to Dr. John E. Faron, police psychologist. When no one answers his knock, he decides to go to the nearby bar to wait. The Oasis Bar.

In the bar we have Harry, Helen, and Earl; as mentioned before. Also there is Chuckles the extremely pessimistic, sarcastic, and grumpy bartender/owner. His assistant/waiter Skip is the exact opposite, pleasant, kind, and optimistic. Today he is extremely worried and frantic as his wife is about to have a baby and he doesn’t want to miss a thing. In fact he didn’t even want to come to work, but his wife made him go as the baby won’t be coming for a while. She’s going to regret that decision.

There is also Freddy, a bar floozy who is drunk all day and night on anything she can get and hits on any young guy that moves.

All are talking while Wyckoff waits. Freddy tries to hit on a big, strong, young man; but when he leaves She turns toward Skip. Skip keeps calling to see if the baby has come yet, but no luck. Helen is trying to justify what she is doing as she is lonely and unsure about if she really wants to go away with a married man. Earl is trying to get Helen drunk so she can “relax” and “settle down.” Harry gets the call about the dead bus driver, but as he has “quit” his job, he decides not to go. Too bad.

This is bad

Meanwhile as the newsmen and police are going crazy as they are worried about Wyckoff killing again and searching for him. They locate the woman who was sitting next to him to get confirmation, and when they do flash his picture on TV.

Chuckles is the only one who notices the TV news flash, and knows it is Wyckoff in his bar. He looks at his gun under the bar and heads down “cleaning” to grab it. But at the last minute he changes his mind and tells Skip to take over, while he “heads in the back to get Vermouth”. Big Mistake.

He goes to the phone, but doesn’t count on Wyckoff being paranoid and very suspicious. He follows Chuckles and shoots him.

Body count is at two already.

#2

Afterwards, he shuts down the bar and gets the rest of the people together, they are now his hostages.

This is bad

A couple of people walking by hear a scream from Helen, and tell the police. When an officer goes to investigate, Wyckoff shoots him in the leg.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Lieutenant “Whitey” Tallman heads out to handle the situation. They set up barriers on the street and try to figure a way in.

Wyckoff calls the police and tells them he wants Dr. Faron in 25 minutes or he will kill everyone in the bar.

Ahhh!

Lt. Whitey is very upset over all this. He was the arresting officer, he worked hard to get Wyckoff convicted for his crimes; and to have him sent to a hospital instead and be out in three years is extremely upsetting. He is furious with Dr. Faron who was the one who provided the evidence and testimony that sent him free to the hospital rather than prison and the death penalty. He has no intention in trying to get Dr. Faron involved, but in finding another way to free the hostages.

Dr. Faron is out walking when he comes upon the huge crowd of police, newspapermen, and bystanders. He finds out that he is needed ad goes to Lt. Whitey, but Whitey doesn’t want him involved at all.

Meanwhile the group inside is trying to figure out what to do. They recognize that the gun he has holds eight rounds, two of which have been used on killing Chuckles and shooting the policeman (the earlier third one hit the bus driver but they don’t know about it). They believe him to have six (really five) left; but then he pulls out another clip and puts it in. They discuss charging at him, but think that it is not a good idea and will get them all killed.

Outside the police have come up with an idea to sneak a smaller policeman into the air conditioning to shoot at Wyckoff. Which is a bit strange to go about it.

Dr. Faron wants to go in and speak to Wyckoff, as he believes that he won’t harm him ad that he will be able to shock him out of his delusions ad bring him into reality. The Lt. says no.

Inside the bar Harry tries to get Wyckoff to let him go, as this is the story of the year; just like his previous exploits were. Wyckoff says no and starts going on about how the government is to blame for making him this way. They gave him a gun and uniform, trained him to kill,and expected him to come back into society. He is a killing machine because of them.

While that is going on, the police work hard to get through the air conditioning. But unbeknownst to them, Wyckoff has been looking at it all night, and when it turns off suddenly he notices, and shoots at it;

killing the policeman.

#3

Freddy tries to seduce him, but no dice. Wyckoff sees right through her.

Wyckoff has them turn on the TV so that they can see what is happening outside. They see that the Dr is there but that the Lt. won’t let him in. Harry convinces him to let him call the newspaper, and that they will get the public going and force the police to let the doctor  in. Wyckoff lets him, but the newspaper ignores him, because of his earlier conversation, they think he is just drunk and going to mouth off.

really?

Wyckoff s extremely angry and trying to determine what to do next. Outside the Lt. has decided to blow open the bar and cut the lights. While they are planning, Dr. Fanroe goes in to speak with Wyckodff.

Dr. Fanroe tries to get Wyckoff to put down the gun down but he won’t listen. You see the only reason Wyckoff came to Terminal City was because he wants to kill Dr. Fanroe.

This is bad

Wyckoff makes everyone sit at the bar while he deals with Dr. Fanroe. Freddy notices Chuckles’ gun under the counter.

Hmm…

Dr. Fanrie tries to bring Wyckoff back to reality, and here Thompson shines in his acting. We discover that Wyckoff was not a soldier. He always dreamed of being one and wanted to, but they wouldn’t let him as he didn’t pass the psych evaluation. He went crazy upset and killed.

Wyckoff argues with Fanroe and kills him.

#4

Afterwards he looks at his hostages trying to determine who is next. While doing so the phone rings. Skip afraid that it might be his wife, rushes at Wyckoff to knock him off balance. Meanwhile the cops have set the charge blown up the door and cut the lights. Wyvkoff picks up his gun and intends to shoot them all when before he can, Freddy shoots him.

I have to admit I never saw that one coming. The drunk saving them all? Pretty cool ending as I never would have guessed that.

Oh geez

Afterwards the cops come in and the people all go their separate ways. Skip to the hospital to see his newly arrived eight pound baby. Helen goes home as she believes the whole thing was an intervention from God to keep her from sinning. Earl tries to pick up Freddy and she tuns him down flat, heading to a different bar. Harry calls the desk and starts to relate the story of all that occurred. The mad killer is dead.

To start Horrorfest V from the beginning, go to Who You Gonna Call?: Ghostbusters (1984)

For the previous post, go to How To Survive A Horror Film

For more film-noir, go to I Do Think You Are Confused Mrs. Bowman: Dangerous Crossing (1953)

For more “mad killers”, go to We All Go a Little Mad Sometimes: Psycho (1960)

Beast or Man: The Wolfman (2010)

There is no sin in killing a beast, only in killing a man. But where does one begin and the other end?

So this year I decided to do something very, very different. Now the in the past, all Horrorfests have ended on a film that takes place on Halloween. This wasn’t a credence that I set out to make, it just kind of happened along the way. With Horrorfest I had always planned on ending on Halloween (1978). I knew it was the best way to end the first year with a big bang. Besides, that year I had done the other slasher films that spanned numerous sequels and remakes (Friday the 13th & Nightmare on Elm Street). Horrorfest II I was trying to also end on a really great film that would produce the same kind of bang, and decided on Children of the Corn as that film was creepy. It also happened to take place on Halloween.

This year I was trying to decide what would be the best opener and closer. I was originally going to open with Metropolis as I had done a post in July referencing it. But after I wrote that post, it just didn’t speak to me as an opener. I started going through my drafts and that’s when I spotted The Wolf Man (1941). The Wolf Man has to be my favorite of the classic horror film monsters (along with The Phantom of the Opera). I hadn’t had a chance to review it yet, and since it was the last of the classics I decided it should be the opener.

Once I wrote that post, I was so excited. You see, I felt I really couldn’t to a post on any werewolf films until I had covered the first one. I thought it was only right to start with the original. With that done, I could move onto any other werewolf film I desired. The possibilities were endless.

With the beginning finished, I then set my sights on the end. What could I do that would really pop? As I started thinking and looking, I saw my draft for The Wolfman (2010). And that’s when it hit me.

I could end Horrorfest III with The Wolfman (2010). It could be like bookends!!!! In the beginning the original that started it all  and the end the newest rendition. !!! Yes!! It could work and it will. So here we are The Wolfman (2010).

So a little backstory before we begin the review. As you would have read in an older post, I love The Wolf Man (1941). It is one of my all-time favorite horror films. One day in my photography class, we were watching trailers of different films as we were looking at the cinematography and technique. My teacher was on a Mac which has Front Row, and shows you trailers of the past, present, and future films. One trailer I remember looking at was Nightmare on Elm Street (2010). I wasn’t planning on seeing it, as I hadn’t seen the original. But as we reached the end, I saw The Wolfman.

I screamed ay my teacher, stop!! I want to see that. So we watched the trailer.

AWESOME!!! RIGHT!!! So I knew there were going to be changes, I knew it was going to be nowhere near as good as the original, but I was soooo pumped!! So I watched the trailer in February 2009, and saw the film was slated for that October. I couldn’t wait!!!

I ticked off the months, but then in October I discovered it wasn’t out in theaters.

Yep, there had been some production problems, so they pushed it back to February. FEBRUARY!!! V-Day weekend. I was upset, but what could I do? I just had to wait it out.

But then February came and I decided that it would be my V-day present to myself. You see I have never had a boyfriend or date for V-day, so I always just buy myself whatever I want. It’s actually pretty nice as you don’t have to fight with anyone over where to go or what to see; and you are never, ever, ever, disappointed.

I asked a couple of friends who were also single and we bought tickets for opening night. I knew that I wouldn’t be 100% pleased, but I was looking forward to those improved transformation scenes.

So moving on to the review.

So let’s go back in time. The year is 1891 and we are in England. Lawrence Talbot (Benicio del Toro) is the second son of Sir John Talbot (Anthony Hopkins). He and his dad had a lot of issues and problems so he left as soon as he could. Since then he has been a renowned Shakespearean actor, famous throughout all England for his Hamlet and Macbeth.

He recieves a letter from a Gwen Conliffe (Emily Blunt). She was engaged to his older brother Ben, but he has been murdered. Not only was he murdered, but horribly mangled by something. When Lawrence gets the news, he immediately returns home for the funeral.

When he gets there he sees his father and the two have a harsh welcome. Unlike The Wolf Man (1941), where father and son were trying to work on repairing their relationship, Sir John doesn’t care. He still has huge issues with his son not being what he wants him to be. The way that Sir John treats him, causes Lawrence to want to leave, and go far away…but he can’t. He has to properly say good-bye to his brother.

Lawerence does try to get away from his father as he knows staying near him will just cause more fights. He also really wants to see his brother. So he heads down to the local slaughterhouse where the body is kept before burial.

I know but you have to remember this is a small village in 19th century England. They didn’t have a mortuary to hold the body until burial. They also didn’t understand how diseases spread and that it is not a good idea to have a dead body near your food.

There at the slaughterhouse, the butcher gives Laurence his brother’s items, that is everything found on him at the time of his death.

Later that night he heads over to the local pub for a drink and overhears the gossip on the murder. Most of the villagers blame a band of gypsies. Not long after they moved into the area, Ben was murdered. In fact, someone remembers a case occuring years earlier of gypsies moving into the area and dead bodies surfacing. As they discuss this, Laurence remembers that Ben had had a gypsy medallion on him.

This is the first time that Laurence has ever met his brother’s fiance Gwen. Now for you Wolf Man fans, you should recognize that it is the same name given to Laurence’s love interest in the original film. Except in that film she was to marry the hunter/groundsman of the Talbot estates. Anyways, Laurence meets her and can instantly see why his brother fell for her, as he himself is attracted to her.

Of course Lawrence is the most amazing, gentleman/good guy that he would never ever think of putting the moves on her. He does thank her for trying to be there for his father and for everything. He also let’s her know that if she ever needs him, he’ll be there for him.

Gwen is also attracted to him, and you really can’t blame her. If Benecio is in his early 40s, that means her husband to-be was hecka old. Also Benecio/Lawrence has this adorable hurt puppy dog look that makes you just want to show him he is special, and that you care for him. He looks so sad that it makes you just want to take him, and take care of him. Making sure is life is bright and never unhappy again. That look is killer on any girl as it flies through their best defenses. Major chink in the armor.

Sorry, digressing….So with Lawrence back, and the funeral over, Gwen decides to return to London. Laurence would like to leave too, but wth his brother’s death, he now is sole heir to the estate and the first son. When his father dies he will become Sir Lawrence and be expected to uphold all those duties (House of Lords most likely). This isn’t the life that Laurence wants, but at this moment he is too loaded with grief and confusion over his brother’s death that he doesn’t question or try to rebel.

So with Gwen gone, and his father an emotionless robot who only cares about himself; Lawrence takes it upon himself to try and figure out what happened to his loving brother. Now Lawrence is putting on the black cowl and trying to become a vigilante or anything, he just wants some closure about his brother’s death. He heads down to the gypsy camp to try to get some answers.

Where were you the night in question?

That night is a full moon

Which as you’ve guessed it means trouble is going to be roaming about. Lawrence meets up with the gypsy woman Maleva, who tells him that something truly evil has attacked his brother.

But before he can get anything more, the townspeople attack the village. They try to drive the gypsies from the area, and kill a dancing bear they believe to be the beast that killed Ben Talbot.

Grab your torches and sharpen your pitchforks!

As they are attacking, a superhuman, wolfish creature descends upon the area and starts slaughtering people.

And I’m not talking about just a few people, this is like a Scream sequel. The body count by the end of this film is in the double digits.

Hey, my generation is the Millennials. They aren’t as classy, they need lots more blood and guts.

Anyways, the werewolf is attacking everyone, and Lawrence spots a young boy running into the woods. At the same time the werewolf spots the boy, causing Lawrence to put himself in the way in order to protect the child. As he does so, the wolf attacks him.

And he gets bitten.

Malvea find him and cares for him, despite the community telling her that it is better for all if they let him die. But Malvea can’t, she says he still is a man and deserves to be treated as such. She also states that only a loved one can kill him.

Malvea honey, I don’t think so. Anyone can kill a werewolf as long as they have some kind of silver object. Nowhere is that in the original film, as if you read my post you would know that film revolutionized werewolf mythology. Click here to check it out now.

And besides that, is there nothing you can do for him? You are a cinematic gypsy in a horror film! You’re supposed to have a potion or herb or special thing that can protect you from turning. Now if you have read my Dracula, The Mummy, The Wolf Man, or Scream 2 posts, you know I make fun of the films when the guy is given a special charm to protect him but then stupidly turns it over to the girl he loves, EVEN THOUGH IT WILL NOT WORK FOR HER.

Every time!

But I really enjoy that part of the film, as it humanizes the character and makes you adore them. I mean its sweet how much they love the girl in their life that if there is anything that can do to ward of the monster, they prefer them to have it. Even though by doing so they make things worse, hey it’s the thought that counts.

I also hate how gypsies have been giving “B” standing in modern horror films. I mean without their supreme wisdom and knowledge in the supernatural, they are just nomadic people. In real life they are still awesome, in a  horror film? That’s just boring.

But I guess that’s just they way it is these days.

So where was I? Oh yeah, Lawrence has been bitten by the werewolf. He is moved back to Talbot Manor, and Gwen returns from London to nurse him back to health. While recovering he has really strange dreams. Lots of blood, murder, and even his mother appears. You see his mother died when he was very, very young and her death severely traumatized her as he discovered her dead body. But why would that death be haunting him now? Is it because of Ben? The slaughtered people seen in the gypsy camp? Or is it something else?

Lawrence actually heals pretty quickly, which he finds kind of odd. And that’s not the only thing that’s odd in the Talbot homestead. One day his father’s manservant, Singh (Art Malik), shows him a case of silver bullets and hints that something monstrous is walking through the woods.

Weird

He’s not the only one concerned. Inspector Abberline (Hugo Weaving) comes to town. Yes, yes I’m going to admit it. Any film with Hugo Weaving gets an 10x increase in awesome. I mean this guy is truly one of the most talented actors alive. When he ecomes a role you totally forget that he is Hugo Weaving and just think of him as that character. For me I’m always going, Hugo Weaving was in that film? Oh that’s who was that amazing character. I totally forgot that character was being played by an actor. I mean he is that  good. You have Agent Smith in The Matrix, Elrond in The Lord of the Rings trilogy, V in V for Vendetta, the Red Skull in Captain America: The First Avenger, and that’s just to name a few.

Anyways, Inspector Abberline comes to town to investigate. He already believes he knows who the killer is…Lawrence.

Seriously? Lawrence? A Murderer? Come on, this guy wouldn’t hurt a fly. I mean look at him, really look at him. There isn’t a murderous bone in his body! Besides, he just arrived in town so there is no way he could have murdered his brother. Dude, you’re dumb.

But it isn’t completely ungrounded. You see, Lawrence has a history of “mental problems.” You see, I didn’t want to give you the full story so early, but Lawrence’s mother’s death really did a number on him. Now today, we would really try to help the child as we understand such events as those are highly traumatic and can cause serious issues. Then not so much. Lawrence discovered the body and was very upset. He was afraid and kept mentioning a monster had hurt her. Instead of trying to help his kid, Sir John sent him to an insane asylum, where he was tortured. And I mean torture. Many methods to improve these patients were electrotherapy, iron cuffs/collars, bloodletting, dipping the patient in hot or ice-cold water, and a gyrating chair “to shake up the blood and tissues of the body to restore equilibrium”. By the 1900s, many hospitals had added lobotomies to their lists of “cures”.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Yeah not fun. So Aberline thinks he is the perfect suspect. Laurence though, is having none of that.

Lawrence Talbot: I get your implication, and resent it. You’re clearly aware of my personal history, as I believe I’m aware of yours. Weren’t you in charge of the ripper case a couple of years back?

Det. Aberline: You’re a direct man. So I’ll be equally direct with you. I am not your enemy, Mr. Talbot. You’ve been seen as Hamlet, Macbeth, Richard III, all with that same face. A prudent man would ask who else might be living inside that head of yours?

Laurence doesn’t quite know what is going on and asks Gwen to leave as he’s worried something might happen to her. That night he follows his father, and watches him go down to the family crypt, to the area where his dead mother resides. There he finds a chair with restranints. His father locks the door and stays in the crypt, leaving a confused Laurence.

Weird

As Laurence turns to go inside, he becomes…The Wolfman!

Now this was worth the price of admission. These transformation scenes are awesome!!!

Freakin’ sweet!

So now that he is a wolfman, he does what they all do. Ravage the countryside.

The next day the Inspector comes for him and has him arrested to be sent back to the “mental hospital”

Noooooooooo!!!!!!!

How horrible is that. I mean this has to be Laurence’s biggest fear, to be sent back to that horrible place. Poor guy. And I was doing some research last night, not only were insane asylums awful, but the one he has to go to, Bedlam, was one of the worst.

Dr. Hoennegar, the leading physician, takes Laurence under his wing and subjects him to ice treatments, that is to be consistently dunked into ice water and left there for long periods of time.

Can you imagine?

And oh joy, he also gets electroshock therapy.

While he is incarcerated, Sir John comes to visit and tells him a story. You see Sir John is the cause of all this.

Back in the day when he was younger and hunting in India, he heard this rumor about an unusual predator. He travels to the remote cave that the predator calls his home and while there was bit by a feral boy and became a victim of lycanthropy.

Except, it was more than “imagining” he actually became a werewolf and began attacking things.

That’s when Laurence realizes everything about his mother’s death makes total sense. He did see a beast kill her, but it was his father! His father killed his mother and then sent him to a mental institution!!! What a truly, truly evil man to allow his son to be tortured. And now for a second time!!!

Now this was my biggest issue with the film. Every other part of the movie was actually pretty great. It was an amazing homage to the orginal film. Benecio del Toro was actually a huge fan of the original and tried to bring a lot of Lon Chaney Jr. into his acting. But the thing I absolutely hate was the changed relationship with his father.

It just didn’t work in my opinion. I mean that is what truly made the original fantastic, was that everything in his life was going great, he was a great man; and this tragedy strikes that ruins everything. He and his father were finally, finally becoming close and working out all their issues. He had met a nice girl, even though she was engaged, and had hope for that relationship. He loved England and was getting back into the groove of it. But then this horrible thing happens and he has to say good-bye to it all. He knows he is going to die, but what does he do? He goes to his dad and makes sure that he has something to protect him. Because even though he has spent years hating and being angry at his father, he truly loves him. It’s just so wonderful and sad all at the same time

But having the dad the evil guy, I don’t know…it just makes the film feel as if it is missing a huge part of it. It doesn’t hit in the heart like the orginal.

But moving on, so his father murdered his mother and then sent the only witness to a torture chamber (mental hospital) to ensure that those memoris would never come to light as they are only crazy “child fantasies”.

Since then, Sir John has had his manservant Singh has been locking him up so he doesn’t wreck havoc anymore. However, Ben was planning to leave with Gwen once they were married and this enraged Sir John. He wasn’t locked up that night and killed him to keep him from going away. He became so incensed with the power that he ran wild later, killing all in the gypsies camp and biting Laurence purposely.

Omg what a–

He did it on purpose because he wanted a fall guy. He wants to roam free as a werewolf and he allows his son to be caught and tortured. Argh!!! Urhg! this man! I;m so angry I can’t spell right. He needs a good sock in the face.

After he finishes his story he leaves, intent on never returning.

He deserves another punch.

That night Laurence is taken to the observation room, where the good doctor presents him as a curio to his collegues. Unbeknowest to him, moonlight is coming through the window and landing on Laurence. This causes him to turn into….the Wolfman!

This is one of the coolest scenes, but unfortunately I could only find it in Italian. Sorry! But you don’t really need to understand what they are saying to enjoy the effects/makeup.

Dr. Hoenneger: Ah, Mr. Talbot. We are here tonight to illustrate conclusively that Mr. Talbot’s fears are quite irrational. So, we will remain in this room together, and once Mr. Talbot has witnessed that the full moon holds no sway over him, that he remains a perfectly ordinary human being, he will have taken his first small step down the long road to mental recovery. We are all aware that Mr. Talbot has suffered quite traumatic personal experiences. He witnessed his mother’s self mutilations. His young mind, unable to accept it, created a fantastical truth, that his father is to blame. That is father is literally a monster. But, your father is not a werewolf. You were not bitten by a werewolf. You will not become a werewolf, any more than I will sprout wings and fly out of that window.

Freakin’ AWESOME

Totally fangirl over that.

Laurence runs away, being chased by the Inspector, and also wreaking havoc. There are some truly amazing shots of him by the bridge, on statues. Just plain awesome!

The next day he visits Gwen in her antique shop. They realize they have fallen in love, but Laurence knows nothing can come of it. He has to kill his father and himself in order to protect others.

Inspector Abberline comes to see if Lawrence is there, but he is too late. Lawrence has already left for Talbot estate.

Gwen refuses to believe that they can’t be together. She starts studying lycanthropy and tracks down Maleva the gypsy for more advice. Maleva cannot help her, as there is no cure for werewolf.

Noo!

Meanwhile, the Inspector has also headed back to the village and this time armed with silver bullets. That show in the Observation room must have finally convinced him that werewolves are real. Gwen also heads toward Talbot Hall.

Lawrence is the first to arrive and discovers a murdered Singh. He takes his gun loaded with the silver bullets and starts hunting his father.

Sir John Talbot: You have me at a disadvantage. It makes me happy.

Lawrence Talbot: What does?

Sir John Talbot: Well, seeing you here like this. My son returned. It is glorious, isn’t it?

Lawrence Talbot: No, it’s hell.

Sir John is a freak. He needs help. Serious help.

Anyways, it turns out there are no bullets in Singh’s gun, but blanks. Sir John did that on purpose as he will not be destroyed. Sir John attacks his son and the two begin fighting. The full moon comes up and transfroms them into werewolves. And yes, yes we have a werewolf fight. I personally thought it was a little cheesy (and dumb) but this is the millenal generation. And it is something the people want.

So after Laurence burns and decapiitates his father, Gwen walks into the house.

AAAAAAAAHHH!!!!!!!!!!!!!!!

NOOOOOOOOOOOOOOOOOO GWEN!!!!!!!!!!!!!!!!!!!!!!!

The wolfman, Lawrence, attacks her. Luckily, the inspector had also just arrived on the scene. He tries to use his gun, but misses allowing him to be bit by the werewolf. Gwen steals the gun and takes off, being pursued by the wolfman.

He chases her to a waterfall. With nowhere left to go, Gwen starts begging and pleading with the wolfman, hoping to get to Lawrence. Lawrence reason faintly returns to the beast, who hesitates. He then hears the sound of a posse coming to attack him.

Grab your torches and sharpen your pitchforks!

While he is concentrated on them, Gwen shoots him through the heart.

Noo!

Laurence changes back to his human form, and before he dies thanks Gwen for saving him.

Lawrence Talbot: [his eyes open after being shot by a silver bullet and transforming back into a human] Gwen?

Gwen Conliffe: [crying] I’m sorry…

Lawrence Talbot: It had to be this way.

Gwen Conliffe: I’m sorry.

Lawrence Talbot: [he holds her hand] Thank you. [Dies]

The posse and an injured inspector arrive just as Laurence dies.

So that is The Wolfman. Now do I think it is as good as the original? HECK NO! But that does not mean it isn’t an awesome film. Besides that one thing that majorly irks me, I really enjoyed it. I thought it was a pretty awesome film. The cinematography is beautiful, the acting incredible, and those transformation scenes? Freakin’ awesome! And I did like how they moved the story to show how harshly “mental disabled” people were treated. And you know what? Most of the people who were in those didn’tr even have serious problems. They would throw in the homeless, those with learning disabilities, women of large fortune who had husands that wanted the money but not the girl, etc. It was horrible. Horrible.

But back to the film, I think it is a worthwile view. It may not be exactly how I imagined it, but you do have some great werewolves in this, and no Jacob ones. Real werewolves.

And so ends another Horrorfest. I am so pleased with this years as I was able to redeem myself from last year’s only half the month’s posts. 31 days of terror and woe once again. I hope you all enjoyed it. I wish you all a very happy, and safe, Halloween. May it be everything you wish it to be.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to The Perfect Murder

For more on werewolves, go to Werewolves Roam Among Us

For more monster movies, go to There’s Nothing Out There. Nothing in the Mist

For more on 19th century England, go to The Past of a Man

For more on insane asylum, go to I Bid You Welcome

For more remakes, go to Don’t F*** With the Original