Monster Movie: Supernatural (2008)

“All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon’s” somebody.”

So I know that I have had quite a few TV episodes this October. I know that I went a little overboard, but I wanted to include this anyway. You see I have been wanting to review this episode for a while, but felt that I couldn’t do it until I had reviewed the original The Wolf Man film. As I finally did it this October, it allowed me to finally be able to talk about this episode. This is my all-time favorite episode because it has what I love! Monster Movies!!

Yep it parodies a series of Classic Horror Films: Dracula (1931), The Mummy (1932), Wolf Man (1941). In fact to further the homage to classic horror film, they even filmed the whole thing in black and white!

So Supernatural is a show that like Grimm, every episode could be done for Horrorfest. The show consists of two hunter brothers, Dean and Sam Winchester, who travel all over the U.S. hunting ghosts, demons, vampires, werewolves, etc. As the seasons progress they get more focused on the battle between angels and demons and stopping the end of the world. It’s an awesome show.

So this episode takes place in season 4. There have been a lot of angst and sadness

(I won’t go into detail in case you haven’t watched it and want to) and the two brothers have finally been reunited.

So Dean and San are driving into Pennsylvania on the trail of vampires. Sam is worried about the apocalypse, but Dean convinces him to stop off at an Oktoberfest to relax a bit. They find the Sheriff and introduce themselves as Agent Angus and Agent Young (homage to Angus Young of AC/DC).

There they are told to speak to the witness Ed Brewer, but the Sheriff doesn’t put much stock in his testimony. They run into the very beautiful waitress Jaimie, who points them toward Ed. There Ed describes the Vampire as being the one out of the 1931 Dracula film.

Yep, Dean and Sam are shocked, but Ed insists that it is true. The guy looked just like Bela Lugosi’s Dracula.

In fact the vampire even uses the Transylvanian accent.

Sam and Dean confer and determine that it is probably a twilight-esque fan and that it isn’t really strange enough for them to stick around.

The night however, things change.

A couple is making out in a car when a werewolf comes upon them and attacks.

The next day, Sam and Dean talk to the girl who survived the attack, Anne-Marie, and discover that the killer looked just like Lon Chaney Jr. in the 1941 Wolf Man film.

The sheriff also finds wolf hair on the dead body. Sam and Dean are confused as real werewolves don’t have wolf hair.

That night a guard discovered an Egyptian sarcophagus at the docks. As the guard is about to call to figure out what is going on, the mummy rises from its grave.

The Mummy attacks the guard, strangling him.

The Winchesters go down to investigate and try and figure out what is going on. There they discover the sarcophagus is actually a movie prop that has been laced with dry ice. Dean leaves Sam to figure out a theory, while he heads down to meet up with Jamie for their date.

Meanwhile, Jamie has been waiting for a while and decides that Dean is most likely standing her up. She starts to walk home, when she runs into Dracula.

Blood!

He calls her his reincarted love, and tries to kidnap her, but Jamie sprays him with pepper spray and then runs away…right into Dean. Dean gets a punch into Dracula

But then finds himself overpowered by the vampire

The vampire calls him “Harker” (reference to Jonathan Harker the fiancé of Mina [the woman Dracula tries to take]). Dracula tries to bite Dean, but he rips his ear off and a medallion. With his ear gone, Dracula runs away and jumps on his scooter.

Nope you heard my correctly

Back at the bar, Dean shows Sam the ear and medallion.

“Dean Winchester: I, uh, pulled it off during the fight. Look at the label on the ribbon.

Sam Winchester: It’s a costume rental.

Dean Winchester: All three monsters – the Dracula, Wolf Man, and the Mummy – all the same critter, which means we need to catch this freak before he “Creature from the Black Lagoon‘s” somebody.”

They determine that they are dealing with a shapeshifter obsessed with classic film. Now if you have been reading my posts posts, such as Phantom of the Megaplex, Scream, and An American Werewolf in London, you know probably realize another reason why I love this episode. Yep, I can relate to the shapeshifter. I love classic film (especially horror) and I can completely understand him.

Anyways, so Sam, being the scholar, recognizes the name Harker and figures that the shapeshifter is trying to recreate the 1931 film, Dean being Jonathan and Jamie being Mina. I guess that makes Sam, Van Helsing.

The two figure that it must be someone who knows Jamie and is obsessed with her. When they question her, Jamie can’t think of a person who is strange or crazy. Lucy, her best friend and coworker, mentions that Ed recentlly moved to town and is the projectionist for the old theater. Plus he has a crush on Jamie.

HIghly suspicious

Sam goes to investigate while Dean stays with Jamie. The two are drinking beer and having a deep conversation, when Lucy interrupts. She is on her way out the door, but Jamie invites her to stay and have a drink with them.

Back on the case, Sam has gone into the old theater and discovers Ed playing the pipe organ.

He pulls on Ed’s ear, but find it fast in place.

“Sam Winchester: [tries to tear out Ed’s ear] It’s supposed to come off.

Ed Brewer: No, it’s not!”

This means Ed is not the shapeshifter!!! But if he isn’t…who is?

Back at the bar, Dean and Jaimie are getting groggy and falling asleep. Dean punches Lucy in the face, and discovers that Lucy is not “Lucy” but the shapeshifter.

AAAAAAAAHHH!!!!!!!!!!!!!!!

And she has drugged the two of them. Dean tries to hold on, but faints.

Dean wakes up and finds himself in lederhosen.

Noooooooooo!!!!!!!

In a Frankenstein-esque dungeon.

Now I really like what Dracula has to say here. It’s so poetic. “Life is small, meager, messy. The movies are grand, simple, elegant. I have chosen elegance.”, it’s very Movie Mason from The Phantom of the Megaplex.

Anyways, Dracula is about to electrocute Dean and have a “movie” where the monster wins, when something interrupts him. The doorbell rings and the pizza delivery guy is there.

Pizza Delivery Guy: Uh, pizza delivery?

Dracula: Ah, you have brought a repast. Excellent. Continue to be of such service, and your life will be spared.

Pizza Delivery Guy: Uh-huh. That’ll be $15.50.

Dracula: Tell me…

Pizza Delivery Guy: Yeah?

Dracula: Is there garlic on this pizza?

Pizza Delivery Guy: I don’t know. Did you order garlic?

Dracula: No!

Pizza Delivery Guy: Then no. Look, mister, I’ve got four other deliveries to make. You want to just pay me the money so I can go?

Dracula: Of course. Yes. But I have a coupon.

And why not take a pizza break? Pizza is awesome.

I love Pizza

So now that Dracula has food for later, he prepares to finish Harker/Dean, but is interrupted by Jamie waking up.

Meanwhile back at the bar, Sam has figured out that with Jamie and Dean missing it must be Lucy. He sets out for her house.

Back in the dungeon, Dracula wants Jamie to dress in the gown he bought her and eat pizza with him.

Just like the Mummy, trying to dress his “reincarnated bride” in his old love’s clothes.

Jamie is really freaked out as she has been drugged, was betryed by her best friend (as Dracula was pretending to be “Lucy”) and is stuck with a killer. Dracula tries to apologize and tells Jamie his backstory. He was called a monster from the beginning of his life and beat by his father. He found solace in monster movies, and achieves strength and confidence when taking their form.

This part actually reminded me a lot of The Phantom of the Opera. Here is a man who is disfigured and mistreated because of it. He knows only how to hate as he has been so mistreated. It makes you wonder how things might have been different if one person had loved him.

While Dracula is reminiscing, unbeknownst to him Sam has slipped into the house and is skulking around the dungeon. Dracula knocks Jamie out and turns his attention to Sam and the freed Dean. They start fighting, with Sam being thrown through a fake door. Dean and Dracula are struggling to get the gun with silver bullets along with trying to knock the other out. Dean tries a groin attack and move for the gun, but Dracula throws him back. Before he can do anything else, Jamie, who has just woken up, grabs the gun and shoots him.

With Dracula conceding, that maybe this is how the “film” should end.

The next day Dean says good-bye to Jamie. The two brothers agree that’s it was nice doing some old-fashioned monster hunting, rather than the angels & demons stuff. They discuss what film they would want to live in as the episode ends.

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

For the previous post, go to Murder is My Favorite Crime

For more on Supernatural, go to Keep Clear of the Moor. Beware the Moon

For more on Dean Winchester, go to I’m Batman!

For more on Sam Winchester, go to You Can’t Have Just One!

For more horror parody, go to Who’s Afraid of Cory Wolf?

For more on Dracula, go to I Bid You Welcome

For more on The Mummy, go to Part X: The Movie List That Would Not Die

For more on The Wolf Man, go to Unleash the Savage Instincts that Lie Hidden Within

For more monster movies, go to What Is This Thing?

For more on Phantom of the Megaplex, go to Friday Night Fun

For more on recreating a scene, go to Carried Away

For more on pizza, go to Food, Food, Food

What is This Thing?: Phantoms (1998)

Just what is this thing? Chaos, chaos in the flesh.

Phantoms is a 1998 film that is based on the book by Dean Koontz. The story is very creepy, and I was surprised at how well the film was done. I thought it was going to be done in a very stupid, silly way; but it was the essence of creepiness. The only thing I didn’t care for was Liev Schreiber, I felt that he didn’t portray the character very well in the beginning. I wouldn’t have chosen Rose McGowan either, but she did surprisingly well. I loved Ben Affleck as the sexy Sheriff and love interest. I love Ben Affleck though, I mean who doesn’t? They changed the film from the book, as expected, but the changes do not destroy the film, thank goodness. If you’d like to watch the film go here. So the film starts out with Dr. Jennifer Pailey bringing her trouble-making sister Lisa to live with her. They are hoping the change of scenery will help straighten her out as she was involved with gang members in Los Angelas.

I want to go back to LA

When they reach the town, it is empty. Like really empty. There is no one out and about even though they are in a ski town, in the middle of winter with great snow.

They continue on home. When Jennifer gets there she finds her housekeeper dead. All the life had been sucked out of her and she looks burned.

[Note: Pic from The Giant Behemoth not Phantoms]

The girls are widely freaked and decided to head to the sheriff’s. But there is one problem, their car won’t work.

Oh no!

The girls hurry on to the sheriff’s office where they find a deputy, burned and blackened. He appears to have shot his gun at something, but they don’t find any traces of it, except shells. Dr. Jennifer grabs a gun and the two run off to the bakery, as it is getting dark and they are really freaked out. They head to the baker’s, running quickly as they hear sounds as if someone is following them. When they get there the oven goes off revealing severed heads!

AAAAAAAAAAAAAHHHHH!!!!!!

The girls are completely grossed out and confused when the Sheriff (who ex-FBI) finds them.

Hello Sexy!

With him are his two deputies Steve Shanning (Nicky Katt) and Stuart Wargle (Liev Shreiber) have come to investigate. They decide the best thing to do is go to the sheriff’s department, and just when they do every single horn, siren, whistle, bell, etc. goes off and then suddenly stops. The only lights left on are down on the Candleglow Inn up the street.

They check it out and see that only four guests are registered. The Sheriff and Stu go upstairs, while the girls stay behind with deputy Steve.

While the sheriff is upstairs he goes into a room and starts looking through an opening in a closet. When he does he sees a vision of a young boy with a gun, which disappers. You see when the Sheriff was FBI he accidentally shot a boy, which made him quit and turn to small town life.

Aw! Look at his face. 😦

Stu goes in the other room and finds a beautiful, dead woman. He sits next to her and puts his hand up her leg…

What a perv!

Then the Sheriff walks in. He lets it go, even though he is severely grossed out as he knows what Stu was doing, but he needs every man he can get as he has no idea what the situation is.

The Sheriff has Stu watch the hall as he continues checking things out. Stu comes on to Lisa who tells him flat out no, she is not digging that.

Dr. Jennifer joins the Sheriff and they discover that a bathroom locked from the inside (that has no other windows or doors) is empty, with something written on the mirror in lipstick. The writing says “Dr. Timothy Flyte–The Ancient Enemy“.

 

The two have no idea who Dr. Flyte is but intend on finding out.  In another empty room they find a bunch of metal objects like jewelry, buttons, watches, gold teeth, a pacemaker, etc.; concluding that this thing, whatever it is strips a person completely of everything, if it chooses.

EW!

They go back into the lobby to regroup and figure out their next step. But then they suddenly hear a woman crying out “Help me!” and Deputy Steve rushes out to save her. The Sheriff follows him, but when he gets outside all that is left of Steve is his shoes and a gun.

They head back to the Sheriff’s office and put the dead deputy in a body bag. They then call for help–military, Dr. Flyte, anybody, but the line was so bad they don’t know whether or not it went through.

AAAAAAAAAHHHH!!!! [Note: from When a Stranger Calls not Phantoms]

Bryce and Stu go through the dept. and pull out all their ammunition getting ready for–whatever the thing is that is trying to attack them. The lights go out and the creature takes on a Alien/The Thing (1982) feel. The next thing you know, Stu is dead.

Too be honest, good riddance. He was a creep and I didn’t like him.

They also put Stu in a body bag and wait out the night.

We then switch to another part of the country- Dr. Flyte. Dr. Flyte (Peter O’Toole) is a tabloid worker in New York City. He used to a professor at Oxford, but they let him go as they felt his writings were “too silly”.

 

Two FBI agents ask him to go to the small, winter, town of Snowfield to help solve what the “thing” is.

Back in Snowfield the three survivors are trying to figure out what to do next. Lisa tries to take a nap while the Sheriff tells Dr. Jen about how the monster called up the incident with the young boy. The two are interrupted when Lisa asks the Sherif to walk with her to the bathroom. He checks it and finds it clear. Lisa begins to smoke when she hears a squealing noise coming out of the drain.

She checks out the bathroom stalls (much like Scream) and finds the Deputy Stu there!

 

In the book the “Phantom thing” was more like the Blob from The Blob (1958); although it could take on the shape of other things, or create small phantom pieces of itself. In the film, however, the “Phantom” embodies the form of Stu, which is understandable from a filmmaker point of view. It doesn’t copying The Blob at all, as I mentioned earlier copying The Thing. Just like The Thing, the “phantom” takes on the appearance of something. This wasn’t a horrible decision as I bet it was easier to film. They also did a lot of blackout or limited lighting when the creature was in its true form, which allowed it to remain creepy as your imagination creates it. The director of It (1990)  should have used the same technique, it would have been a better film.

I didn’t really care for Liev Schreiber, and thought he could have been much creepier. Instead he just comes off as a pervert. This film has actually ruined him for me in all other films. When I watch Kate & Leopold, Scream, Scream 2, Scream 3, Lee Daniel’s the Butler, or X-Men Origins: Wolverine; I keep expecting him to do something perverted to all the women.

Yes I am

Anyways, back to the story. So the Sheriff goes into the bathroom and can’t find anything. They go down to check the body bags, but both are empty.

AAAAAAAAHHH!!!!!!!!!!!!!!!

Meanwhile Dr. Flyte is on route to Snowfield with military General Leland Copperfield, some mobile labs, an armored strike van, etc–all ready to take on whatever the “thing” is. They ask Dr. Flyte about “the Ancient Enemy”. Dr. Flyte explains that there were creatures, he calls “Ancient Enemy” who are amoeboid shapeshifters. This Ancient Enemy rarely feeds, but when it does, the effects are devastating and it was theorized that the Enemy either caused or aided in the extinction of the dinosaurs, the destruction of the Mayan civilization, Roanoke disappearance, the missing army of Nanking, China in 1939, etc. And the town appears to have been built on the home of one of these “Ancient Enemies”.

The group arrives to Snowfield and the three survivors come to meet the army. The next thing you know, “the thing” has taken out almost the whole team using its shape-shifting qualities and the pipes/sewers. Now these scenes are pretty intense. I was watching them and screaming and my roommates were all, are you ok? I highly recommend watching this film.

General Copperfield is last of the military to be killed; as a pair of oily black tentacles seeps up through the pavement, penetrates his hazmat suit, and smothers him.

[Note: From The Mist]

This leaves Dr. Flyte, Sheriff Bryce, Jenny, and Lisa as the remaining survivors..

He’s dead but the “Phantom” uses his body as a mouthpiece and begins speaking to the crowd.

 “My Flesh. Study it. Write the gospel. But do not try to leave. Witnesses to the Miracle.”

The body then falls to the ground and an oily black substance comes out along with a gecko, of which the group is supposed to get a sample of. Dr. Flyte begins to analyze the sample, coming to the conclusion it has lived in the depths of the earth for eons, growing to immense size, and absorbing knowledge from its prey. It can separate off parts of Itself to send as drones, warriors, phantoms, etc.–having them assume the shapes of anything or anyone It has absorbed; even of people or monsters from memories and dreams.With these, It has manipulated Bryce, Jenny, and Lisa into bringing Dr. Flyte here, to be Its prophet, and to write Its gospel. For It has begun to think of Itself as God–or the Devil. Indestructible. All-Powerful. Immortal. Unstoppable.

This is bad. Very bad.

Dr. Flyte’s analysis reveals that It is similar to oil and if they are able to make the same kind of bacteria that eats away at oil spills, they may just have a chance at stopping it. They create cultures and prepare for the final battle.

Dr. Flyte goes out and calls to the creature.

He tells It that he needs to see all of it in order to write Its “gospel”. He says that the others are creating a weapon against It, that they don’t believe in It like he does. It appears first as a single person, but then becomes all 400 residents of the town, merging and melding into one swirling mass, which resolves Itself into an immense, hideous, upright millipede.

The Sheriff, Jenny and Lisa run and fire the guns loaded with the bacteria culture  into It. This causes It to scream.  Jenny and Lisa run for shelter into the nearby deputy’s office, to reload their guns but are pursued by a drone of Deputy Stu.

Deputy Wargle: Oh, you’ve got some guns, ladies, you wouldn’t shoot an unarmed man, would you? [both women cock shotguns and point them at him] That’s a dumb question.

They empty their shotguns into him, knocking him down, and blowing away huge chunks of his legs and arms. Tentacles shoot out of his arm and leg stumps. The girls run away and and he follows, but is killed by Dr. Jen as she shoots him with the last of the culture.

The bigger entity is falling apart and the Sheriff follows the last of It down into the sewer, finding him face to face with the boy that he killed. He hesitates, and while he does so, a tentacle shoots out of the boy’s mouth, and knocks him down. His gun with the culture is stolen by It. It pulls the vials out and starts taunting the Sheriff. In response to It’s mockings the Sheriff pulls out his gun and shoots the vials, causing the bacteria to spread all over.

With one final ear-shattering scream It is gone, and Bryce makes his way back to the others. As a helicopter arrives to rescue them, Dr. Flyte announces to the others that the Entity has won after all: It wanted him to tell the world, and that’s just what he’s going to do. Everything seems to end well, or well enough. Dr. Flyte has his story and will win back his prestige; Sheriff Bryce  is no longer traumatized about killing the boy; Dr. Jen and Sheriff Bryce have found each other; and Lisa and Dr. Jen have bonded. Sounds as perfect an ending you can get for a horror film.

Uh, uh uh. Not quite yet!

We switch to a scene in a bar where Dr. Flyte is in TV talking about It and how it may still be out there waiting. One of the guys in the bar turns to his companion and says its a lot of hooey. A strange laugh is heard and at the end of the bar is Deputy Stu Wrangle, showing that It is still alive.

So it really was a good film, and I’m telling you the scenes with the creature are super creepy!!! You’ll love them if you love scary movies!

So unlike the other facebook cover pages I have made (and you should have guessed by now that practically every post has one) I made two for this one as the first one wasn’t working out right. Here’s the second one for those of you interested.

Comment below which you think is better!

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to Unleash the Savage Instincts That Lie Hidden Within

For more monster movies, go to Let Them Fight

For more films based on books, go to A Bit Pottery About Jane Austen

For more on Rose McGowan, go to What’s Your Favorite Scary Movie?

For more on Ben Affleck, go to Pot o’ Gold

In Their Proper Place: Metropolis (1927)

“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?

In their proper place, the depths.”

So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.

So this film takes place in a future far away [2026]. In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.

Sounds familiar? That’s because stupid Matt Damon ripped it off for his Elysium film. Go here to read why I don’t like Matt Damon (hint: you have to scroll down to #5).

Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?

Why yes, yes I do think so.

Well I don’t care.

So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?

Spongebob would be disappointed in you.

When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.

I like it!

Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.

They got lots of pleasures, alright.

Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.

Maria, leader of the Rebellion

He then follows her down to the workers’ realm.

Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.

AAAAAAAHHH!!!!!!!!!!!

He runs to report to his father:

Sorry had to do it

Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.

On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.

Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)

Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).

Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]

Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch. 

Its a pretty freaky scene, and totally creeps Frederson out.

Understandable, as it would freak me out too. It did. It still does.

Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.

Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.

Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.

The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.

Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!

So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.

from The Cabinet of Dr. Caligari

Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.

Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.

I’m sure you all knew I was going to make this connection.

Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.

I mean seriously, what were you thinking?

Freder freaks out and drops into a delirious state of mind.

 

Poor guy!

False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.

Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.

The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.

Grab your torches and sharpen your pitchforks!

The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!

Noooooooooo!!!!!!!

Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.

Grab your torches and sharpen your pitchforks!

They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.

Noooooooooo!!!!!!!

But then when she burns away, she is revealed to be the robot.

Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.

This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.  

To start Horrorfest III from the beginning, go to Even a Man Pure of Heart

To go to the previous post, go to It’s Coming From Inside the House

For more on Metropolis (1927), go to Viva La Révolution

For more on dystopian futures, go to Na-Na-Na (Na Na Na Na Na Na Na Na Na)

For more on mad scientists, go to A Halloween Hello From the Austen Men

For more on creating a monster, go to I Want Friend Like Me

For more on Harry Potter, go to Fashionably Postworthy

For more of my favorite quotes, go to Horrorfest III: The Revenge