Entry into Jerusalem

So the first image we are going to look at is the depiction of Jesus Christ entering Jerusalem for Passover, this day now known as Palm Sunday

“As they approached Jerusalem and came to Bethphage and Bethany at the Mount of Olives, Jesus sent two of his disciples, saying to them, “Go to the village ahead of you, and just as you enter it, you will find a colt tied there, which no one has ever ridden. Untie it and bring it here. If anyone asks you, ‘Why are you doing this?’ say, ‘The Lord needs it and will send it back here shortly.’

 They went and found a colt outside in the street, tied at a doorway. As they untied it, some people standing there asked, ‘What are you doing, untying that colt?’ They answered as Jesus had told them to, and the people let them go. When they brought the colt to Jesus and threw their cloaks over it, he sat on it. Many people spread their cloaks on the road, while others spread branches they had cut in the fields.  Those who went ahead and those who followed shouted,

‘Hosanna!^[a]’

‘Blessed is he who comes in the name of the Lord!’^[b]

‘Blessed is the coming kingdom of our father David!’

‘Hosanna in the highest heaven!’ –Mark 11:1-10

Now Duccio di Buoninsegna or Duccio was a very popular painter. This is his painting Entry into Jerusalem.

This is one of the 26 images painted on the back of the Maestà altarpiece. Duccio’s work was closer to the flat Byzantine style, that occurred before this period. His work tends to have no perspective, as in the spacing to create realistic distances, and is usually very staged.

Like most artists of the time, Duccio was more focused on showing all the people and the action, rather than depicting a realistic scene. For instance having all the disciples grouped together to the left, overlapping bodies to show faces clearly, rather than having some completely overpass the others as they would look in a real crowd.

The crowd on the left is interesting, as the children look more like miniature adults. The people too are arranged as steps in a staircase in order to see all of their faces rather than depict them as one would see people grouped together.

Duccio played very close attention to the text and tries to represent every aspect of the story in his artwork. He makes sure the all the players: from disciples to palms to the donkeys to the crowd-have a place in the painting.

Something that is very unique about this particular painting of Duccio’s is that he choose to create a type of perspective in this piece as you can see with the building in the background and the men in the trees, although the men are not quite proportionate.

In the foreground we also see that Duccio has created a strong landscape with rocks and trees. The tree directly behind Jesus’ head is supposed to represent the fig tree that Jesus withers in a later verse, Mark 11:12-26.

For more on Duccio, go to The Betrayer’s Kiss

For more depictions of Jesus’ entry, go to The Triumphal Entry

The Triumphal Entry

Hey, Happy Palm Sunday everyone!

Now I know that not all of you are Christian and celebrate it, but way back I told you all I was a Christian and it is a holiday I always celebrate. So the past two years I have picked different famous pieces of art depicting Jesus, but only starting with a portrayal of The Last Supper. This year I decided to be different and am starting with The Triumphal Entry, then doing The Last Supper, Betrayal of Christ, and ending on a depiction of Good Friday.

So we are starting this year with a work from Giotto, Jesus Enters Jerusalem. Giotto was one of the pioneers of Renaissance, looking toward depicting art in a more natural sense, much different from the flat Byzantine style that his contemporaries like Duccio were doing.

In this image the viewer is given “a window onto a world”; that is we are seeing the scene as we would in real life. People overlap each other, there is movement, emotions, etc. Giotto was the pioneer of creating these emotional realistic scenes, that later artists eventually copy.

So we have Jesus coming into town on a donkey, having chosen this animal as he has a message of peace, rather than war (a horse). You can also clearly see the excitement of the townspeople as their faces not only depict those emotions, but accurately shows the throwing of the robes on the ground, preparing the way for Jesus.

To help further the realistic image, we have the two trees creating a background. We also have people climbing those trees, picking palms to lay on the road, who are smaller than the people in the crowd. Now to those of you who are artist, you might think, no duh; but this was revolutionary. In fact, a lot of people didn’t like it at the time, but it eventually started a revolution in art.

“As they approached Jerusalem and came to Bethphage on the Mount of Olives, Jesus sent two disciples, saying to them, ‘Go to the village ahead of you, and at once you will find a donkey tied there, with her colt by her. Untie them and bring them to me.  If anyone says anything to you, say that the Lord needs them, and he will send them right away.’

This took place to fulfill what was spoken through the prophet:

‘Say to Daughter Zion,
‘See, your king comes to you,
gentle and riding on a donkey,
and on a colt, the foal of a donkey.’

The disciples went and did as Jesus had instructed them. They brought the donkey and the colt and placed their cloaks on them for Jesus to sit on.  A very large crowd spread their cloaks on the road, while others cut branches from the trees and spread them on the road. The crowds that went ahead of him and those that followed shouted,

‘Hosanna to the Son of David!’

‘Blessed is he who comes in the name of the Lord!’

‘Hosanna in the highest heaven!”

Matthew 21:1-9

For more on Palm Sunday, go to Path of Palms

For more of Giotto’s work, go to The Betrayal of Christ