So I know it is a little weird to talk about an Alfred Hitchcock film when we are counting down to Valentine’s Day, but hey, he manages to have some real romantic moments thrown in his films.
This film takes place in early 19th Century Australia. Australia has formerly been a place where England sent their criminals. After they served out their sentence they could remain or return home to England. Now however, more and more “good” citizens have found themselves emigrating to Australia and civilizing the towns. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare. Charles meets, Samson “Sam” Flusky, (Joseph Cotten) an ex-convict, former murderer, and prospering land owner.
Samson intrigues Charles in a business deal and brings Charles to his house, in which he meets Sam’s wife, Lady Henrietta (Ingrid Bergman), who turns out to be an old family friend.
Charles soon spends all his time at the house and finds something strange about Henrietta’s actions, as she is no longer the same woman he knew. As with all Alfred Hitchcock films, there is suspense, mystery, and an old secret’s truth is revealed.
Most Romantic Moment: I Will Suffer to Protect You
***Spoiler Warning***
Now if my little synopsis has encouraged you to watch the film, then stop reading. If you aren’t interested in watching the film, proceed.
So at first we think that maybe Samson is evil or cruel as all we see is a tough, gruff man. But in the end we realize that Samson has been through so much because he loves his wife.
From Under Capricorn
Sam was a stableboy and fell in love with the Lord’s daughter, Henrietta and the two eloped. Henrietta’s brother came to take her back and kill Sam, but Henrietta killed him instead.
Not wanting his wife to suffer, he chose to take the blame, picking Australia and going to jail for her sake.
He then does all he can to make money and a good life for Henrietta, not caring how people treat him, view him, or the names they call him. As long as he can protect his wife he is happy.
…Because I am mad, I hate you. Because I am mad, I have betrayed you. And because I’m mad, I’m rejoicing in my heart, without a shred of pity, without a shred of regret, watching you go with glory in my heart!
So last year I reviewed the Alfred Hitchcock film Under Capricorn. In the post, I mentioned how it wasn’t widely received or enjoyed by critics and audiences, one of the reasons being its similarity to this Gaslight (1944), and because it starred two of the same actors; Ingrid Bergman and Joseph Cotten. I personally like Under Capricorn better, but let’s take a look at this film.
So the movie is based on a play, and a remake of the film that came out four years prior to this one. It won an Oscar for best set design, best actress, and critical praise for all actors. This is a historical fiction film, taking place at the turn of the 20th century. The name of the film comes from the gaslights used in houses; back then lights in London houses had gas flames, and when you lit one light, it reduced the gas supply to the other lights in the house causing them to dim.
Renowned opera singer, Alice Alquist, is strangled to death in her London home, No. 9 Thornton Square. The thief is searching for her famed emeralds, but is interrupted and flees. Paula Alquist (Ingrid Bergman), Alice’s niece, has been living with her aunt ever since her parents died. She finds the body and becomes completely traumatized.
AAAAAAAAHHH!!!!!!!!!!!!!!!
Paula moves to Italy, where she studies music, following in the footsteps of her aunt.
Ten years later, Paula confesses to her voice teacher, Maestro Guardi, that she has finally been able to move past the traumatic event and has fallen in love.
Maestro doesn’t want to lose his most talented student, but he also wants Paula to be happy, and encourages her to follow her heart.
She does and accepts the proposal of the handsome Gregory Anton (Charles Boyer), a pianist she has only known two weeks.
During their honeymoon, Gregory tells Paula he has always dreamed of living in a fashionable London square. Anxious to please her hubby, she suggests that they move into her aunt’s old house that she inherited.
Something bad is going to go down. I can just feel it.
When they move in Paula begins to have nightmares about what she saw before.
Gregory tells her that it will help if they remove everything that belonged to her aunt up into the attic, sealing it up. But then strange things start happening.
The gaslight flames keep going down, although no other lights nearby are being used. Why are they dimming!!
Never a good sign.
And what is making that strange noise in the sealed attic. Gregory doesn’t hear anything at all, doesn’t notice any lights, and Paula begins thinking she might be going crazy!
One day Paula discovers a note to her aunt dated two days before her murder, from a Sergius Bauer. He begged to see Paula’s aunt, very intensely. She shows it to Gregory who becomes upset over the whole thing and quickly silences Paula.
It is clear there is more to this man than his charming, suave, and handsome personality.
Meanwhile, Paula continues to hear things even though Gregory and the servants say that they hear nothing. Paula starts questioning herself, and becomes more insecure every day.
To make matters worse, Gregory has hired a saucy, young, maid Nancy. She is played by Angela Lansbury in her first film role. This maid is rude and cruel to Paula, making her feel worse and even crazier. Nancy is also making a ploy for Gregory.
Nancy Oliver: Gonna work on your tunes again tonight, sir? You’re always working, aren’t you?
Gregory Anton: Yes. What are you doing with your evening out?
Nancy Oliver: Oh, I’m going to a music hall… [starts to sing ‘Up in a balloon’]
Gregory Anton: I’ve never been to an English music hall.
Nancy Oliver: Oh, you don’t know what you’ve missed, sir…
Gregory Anton: And whom are you going to the music hall with?
Nancy Oliver: A gentleman friend, sir.
Gregory Anton: Oh, now you know, Nancy, don’t you, that gentlemen friends are sometimes inclined to take liberties with young ladies.
Nancy Oliver: Oh no, sir, not with me. I can take care of myself – when I want to.
Gregory Anton: You know, Nancy, it strikes me that you’re not at all the kind of girl that your mistress should have for a housemaid.
Nancy Oliver: [flirtatiously] No, sir? She’s not the only one in the house – is she?
Paula’s life is quickly becoming worse and worse.
Three months later, Paula and Gregory are going to go to a Tower of London tour. Gregory gives her a brooch that once belonged to his grandmother. He warns her to be careful, as the clasp is broken, and not to lose it. Paula puts it in her purse, but while they are at the tour she starts to worry that she lost it. When she checks the purse, it is gone!
While looking at the crown jewels exhibit, she is approached by a Brian Cameron. In the original play and film, this character was stout and elderly. However, that didn’t suit Hollywood, so instead they made him the young and very attractive Joseph Cotten.
Brian greets her very warmly as he recognizes her, being a huge fan of her aunt. Gregory doesn’t like Brian and questions Paula about him, but she insists that she has never met him before.
That night Paula confesses about losing the brooch, and Gregory yells at her “forgetfulness” that is running rampant. It seems that Paula is always forgetting things and hearing things that aren’t there.
That night Paula sees the gaslights dimming again, and also hears noises that sound like footprints.
Why is this happening to her? Why is she going losing her mind??!!
Two months later, Brian comes around Thornton Square. He is curious about Paula as he has never seen her at any parties or events, even though they run in the same social circles.
He goes to question Paula’s neighbor, when he notices Paula about to leave the house. Before she can go out, she is bullied by Nancy to stay in. It is clear who thinks they are the “real” mistress of the house.
It turns out that Brian is more than a music lover, he works for Scotland Yard.
He goes to the office and starts looking into the case file on Alice Alquist’s murder. Alice was given some amazing jewels from a secret admirer, all which are missing now. Did the thief manage to get them all? Or did Alice hide them very well?
Brian is convinced that Paula is in danger, and assigns a detective to watch over her house.
Meanwhile, Paula is convinced that the maid is trying to get rid of her. She tries to talk about this with Gregory, but he thinks she is just paranoid.
Brian poses as the neighbor’s nephew I order to explain him being around her neighborhood so often. He tries to see Paula, but Gregory refuses. Paula is shocked at his behavior, why is he being so rude?
Her mood quickly changes when Gregory tells her that he is taking her to the theater. However, before they leave Gregory accuses Paula of taking a painting down when Paula has no memory of doing any such thing.
Gregory finds the painting on the stairs, and tells her that this is the third time she has done it. She is getting worse.
Noooooooooo!!!!!!!
Paula shares about the noises she has been hearing and Gregory tells her she is too unwell to go out. Now Paula is stuck at home and scared that she might get sent away to a mental institution.
Gregory decided to leave for his music studio, while Paula is home alone and again hears the strange noises.
Why is this happening?!!
Brian is invited to a piano concert at Lord and Lady Dalroy hoping to run into Paula as he knows they were also invited. But Gregory refused, as he believes Paula is too sick. Paula is furious and tells him she wants to go and will go without him. Gregory doesn’t “trust” her on her own and decides to accompany her.
When they get to the concert, Gregory tells Paula that his watch is missing. Paula ends up finding it in her purse, even though she knows she never put it in there, and this causes a huge scene with Gregory deciding to take her home.
When they reach the house, Paula says that all her problems began when she found that letter to her Aunt from Sergius Bauer. Gregory tells her he has no idea what she is talking about as no such letter exists.
Is she crazy? Or is there someone trying to make her think she is crazy?
Gregory yells at Paula, telling her she is going as crazy as her mother. He informs her that as she is going insane, he has already arranged for two doctors to examine and treat her.
Noooooooooo!!!!!!!
Gregory leaves, and when he does Brian and another officer follow him, but lose him in the London fog.
Inside the townhouse, Paula hears the footsteps again and asks the cook if she hears anything. The cook says no, and this just reenforces to Paula that she is insane!
Back on the streets, Brian has been watching the house and figured out that when Gregory leaves, he doesn’t go to his music studio but into the deserted No. 5 townhouse and crosses the roof into the attic of No. 9.
The next night, Brian waits until Gregory has left the house, and then goes in to see Paula, trying to convince her she is sane.
Upstairs, Gregory is in the attic tearing everything apart as he is searching for something.
Downstairs, Brian forces Gregory’s desk opens and finds that Gregory’s gun is missing. Paula also finds the note that Gregory told her “didn’t exist.”
They compare the letter to Gregory’s writing, and Brian figures out that Gregory is Sergius Bauer, the man he suspected killed Paula’s aunt. Bauer/Gregory was searching for the jewels and couldn’t find them, having to leave that night, and resurfacing to marry Paula in order to gain access to the jewels.
Upstairs, Gregory has finally found the jewels in an opera costume. When the gaslights pick up, Brian knows it is time to get out of there. He takes off and then goes up through No. 5 to the attic.
Gregory comes downstairs and finds his desk broken. He yells at Paula, but is interrupted by Brian who has come through the attic with the destroyed costume.
Gregory Anton: I knew from the first moment I saw you that you were dangerous to me.
Brian Cameron: I knew from the first moment I saw you that you were dangerous to her.
Gregory rushes upstairs and the two fight. A gunshot rings out!
Paula runs upstairs to see what happened. There she finds Gregory tied up in a chair.
And we have what I think is the best scene in the movie.
Brian comes to take him away.
Gregory Anton: I don’t ask you to understand me. Between us all the time were those jewels, like a fire – a fire in my brain that separated us – those jewels which I wanted all my life. I don’t know why… Goodbye, Paula.
Brian consoles Paula, telling her he will always be around if she needs him.
He definitely went beyond his duty.
This film isn’t bad and Ingrid Bergman worked hard on her character; actually going to a mental hospital and studying people suffering from different issues. However, I feel her delivery in Under Capricorn was much stronger than this one.
Otherwise, it is not a bad film and a pretty good thriller. And in case you were wondering, the psychological term ”gaslight/gaslighting” does come from this story.
Now this is an Alfred Hitchcock film that is not as well known or talked about, for various reasons. A lot of people think the story is too melodramatic, and others don’t like it because certain elements resemble Rebecca and Gaslight.However, the reason why most people at the time hated it was it came out right after the news of Ingrid Bergman’s affair with Roberto Rossellini, the impeding divorce of her husband Dr. Petter Aron Lindström, and the birth of her twins by Rossellini. (To read more on that go here.) I on the other hand really liked this movie as I love:
Alfred Hitchcock
Ingrid Bergman
Joseph Cotten
Really now, how can you ever think this was horrible?
The title “Under Capricorn” references the Tropic of Capricorn, which bisects Australia. As you can tell now that I’ve explained the title, the film is set in Sydney, Australia during the 19th century.
So before we get into the film, we need to touch on the background history. In the 18th-19th century, England tried to discover a better way to deal with the mass amount of criminal activity and overcrowding jail cells. One thing that England did was hanging. However, people began to get upset about that. Some of the crimes were not really all that bad, but yet people were being given the death penalty. In order to have a harsh punishment, less-crowded jails, and less death-transportation became the way to go. Originally convicts were sent America, but with our revolution in 1776, that option was no longer possible. In the 1780s they started sending people to New South Wales, but with the Napoleonic wars, more labor was needed and they stopped the transportation.
After the war, problems arose again and they turned their attention to Australia. Between 1788-1868, they estimate about 165,000 people were sent Australia from a sentence that was usually 3 years to life (average was 7-14 years). Most people who were sent over were guilty of poaching, arson, robbery, and murder.
They were usually sent to extremely remote areas to prevent escape and discourage any attempt at returning. While it was allowed for people to return after they served their sentence, most people wouldn’t. More often than not they would create a better life in Australia. Typically, criminals would change their names, get land, farm, and create a brand new life for themselves.
This ended in the 1860s, although it had started to drop off by the 1830s. Most of the areas that were for “convicts”, began to become real towns and attracted better emigrants. (Most of this info came from the Victorian Crime and Punishment website, if you would like to check it out)
Now back to the story.
So it is 1831 in Sydney, Australia. Sydney is still a frontier with most of the population being ex-convicts. The new Governor, Sir Richard arrives, bringing along his foppish, indolent, “rich boy” nephew, Charles Adare (Michael Wilding).
It’s one of those guys!
So Charles is hoping that he will make a fortune out here in Australia. While there he meets the gruff Samson Flusky. Samson is a convict that had been transported from Ireland out to Australia to serve his time, for murder.
But now he is a successful buisnessman. He owns a lot of land and makes a lot of dough. He is highly respected in the community.
Anyways, so Samson has now reached the legal limit of land he can purchase and needs to look to new ways in order to expand his business. He wants Charles to purchase the land and sell it to Samson, guaranteeing a good profit.
Charles is intrigued by the prospect and agree to the invitation of dining at Samson’s house. While there, he has a pleasant surprise. He knows Samson’s wife, Lady Henrietta (Ingrid Bergman).
She was friends with Charles’ sister but now has encountered a lot of problems. She is an alcoholic and shunned by society as she is seen to be crazy.
Sam decides to invite Charles to visit as much as he wants, hoping it will help bring his wife out of her current depression.
Now Charles has always had a crush on Henrietta and is confused at her crazed behavior and decline. He asks his uncle about what happened to her. Lady Henrietta was the daughter of one of the fine Irish gentry. To the surprise of everyone, she ran off with one of the handsome stable boys, Samson, to elope in England. Lady Henrietta’s brother went after them and was killed by Samson. Instead of the noose, Samson decided to go to Australia.
Lady Henrietta followed him to Australia and waited seven years for the term to end. After Samson served his years, he was different. He wanted to be rich and to buy everything, but that was never enough. Henrietta was extremely unhappy and began drinking.
Now unbeknownst to all, Samson’s housekeeper Milly has a crush on him.
She has been running the house and secretly feeding Lady Henrietta alcohol. She is hoping that Henrietta will kill herself, leaving Samson all to Milly.
Charles decides to help try and restore Henrietta’s confidence. At Sam’s urging, he moves into their home. But that’s not all he’s interested in. He has always found Henrietta to be attractive, and now she is vulnerable and needy. He begins to pursue her.
Charles’ work has been going great. In fact, Henrietta gains enough courage to try and take the power back from Milly and put her in her proper place as housekeeper, not wife. Milly turns things around and Henrietta runs up to her room and locks herself in. Charles goes in to talk to her and Milly sees them. She tries to use it to her advantage, telling Sam all kinds of lies about their behavior. This angers Sam, who kicks her right out of the house. (Sam you rock! I always had a soft spot for Sam. I don’t know if it was because he was played by Joseph Cotten or because he just seems like a great guy who has been mistreated.)
Henrietta is doing much better, and improving more and more each day. In fact she is doing so well, that when she receives an invitation to the Governor’s Ball, she is eager to go. They all get ready, but Sam decides to not go after all. He had purchased a ruby necklace for her, but after overhearing how Henrietta and Charles don’t consider ruby to be the right accessory, he decides not to give it to her. You see Sam has enjoyed having Charles there as he has helped his wife, but at the same time it has been upsetting. With the two together, it makes him realize just how different he and Henrietta are. He thought it could be different in Australia, but sees that moving to a new place hasn’t really changed societal rules. Sam thinks the rest of the ball will be the same, and that he’ll be too out of his element or that he’ll embarrass himself. He decides to stay home.
Sad and lonely
At the ball, Henrietta stuns everyone as they all adore her. And more importantly, Henrietta has a great time.
Back at the house, Milly has returned.
Milly asks for forgiveness and her job back but also starts talking smack about Henrietta. She tells Samson exaggerated stories of what has been going on between Henrietta and Charles. The two had shared only one kiss, and everything had been instigated by Charles. Milly, on the other hand, insists that Henrietta is the one that has been carrying on and that it has gone much, much further. To further push the issue and him, she tells him that Henrietta is of a different class than her and Samson, and those people do things non-aristocrats could never get away with.
I mean seriously this girl is a major jerk.
You just need to understand that he loves his wife and back the heck away from him. You- you-
At first Samson shrugs it off. Charles is younger than Henrietta and more concerned about clothing than anything else. But that evil woman Milly keeps pushing him, and when she mentions the differation in classes, that’s where he snaps.
Sam goes to the ball, makes a scene, and humiliates Henrietta in front of everyone
She returns home, weeping and half-crazed.
Sad and lonely
Charles runs after her and tries to help her. He tells her to leave Sam, but Henrietta can’t. She tells Charles that she deeply loves her husband and is bound to him. You see, Sam didn’t shoot her brother, she did.
Yep, that’s right. Sam has never killed anyone. Henrietta fell in love with Sam as he was kind and handsome. Can you blame her? He’s one attractive man.
The two wanted to marry, but it was impossible as Samson was a much lower class than Henrietta. So the ran off to England, but her brother followed them. Her brother tried to kill Samson, but missed and the two struggled. Henrietta took the gun and shot her brother so he wouldn’t kill Samson. Samson took the blame as he didn’t want her to suffer in jail.
Unfortunately, that didm’t actually help. Henrietta couldn’t stay at home, and couldn’t leave Samson by himself so she followed him to Australia. Not only has she been dealing with the guilt of killing her brother, but the guilt of allowing Samson to rot in prison for her deeds. To further this, when Samson came out of prison he was a changed person. This lead to even greater guilt and drove Henrietta to the bottle. No wonder she’s been going crazy.
Now even though Henrietta admits this to him, Charles doesn’t really believe her. He thinks it is just her way of trying to protect the man she loves.
When Samson sees Charles in his house with Henrietta, he becomes incensed for the betrayal and kicks Charles out.
Charles steals Sam’s horse and takes off. While riding, the horse breaks its leg, causing Charles to have s a really bad fall. He reluctantly returns to the house and relays the news. Samson goes for his gun to “shoot the horse”, but Charles believes he is going to kill him, as he has “killed” before. The two struggle over the gun and during the conflict, Charles is shot.
With Samson’s past, he is immediately thrown into prison, to either rot for good or be hanged. Henrietta tries to save him and tells the Attorney General the truth. That Samson has never killed anyone, she did it. This presents a serious problem for Samson. The only way he can get out of his predicament is if he corroborates Henrietta’s story, but then she will be sent back to Ireland to stand trial and imprisonment. If he says his wife is lying, then he will be killed. The Governor is really pushing a conviction as he wants someone to be punished for trying to harm his nephew. The AG gives Samson twenty-four hours to decide.
A no win situation
Back at the house the evil Milly sees the perfect oppurtunity to get Sam. She tries to poison Henrietta and plants a shrunken head on her bed to further scare her. Fortunately, she is discovered and ousted.
Good-bye
Meanwhile Charles has recovered from his wound and vouches for Samson, telling everyone that it was an accident.
Charles is put on a ship back to Ireland, and Samson and Henrietta are now happy. Henrietta has been freed from the poisonous Milly and finally from the guilt of what she did to her brother and Samson. Samson is better as he finally knows that Henrietta truly loves him and that he didn’t destroy her life.
All in all, this film really teaches you one thing:
You forgot the first rule of remakes, Jill. Don’t f*** with the original!
If only Wes had followed his own advice.
I wish they hadn’t messed with the original. This movie sucked.
Just plain horrible. You see this all happened because everyone wanted to make another film after Scream 3. Wes told them he wouldn’t, unless the script was as good as the original film. Unfortunately, those dunderheads thought that meant they needed to do a horrible remake of the first amazing film.
For those of you just tuning in, this is the last of our Screamtastic Saturdays. Every Saturday this month I reviewed one of the Scream films. To read about them before you start this one, go to Scream, Scream 2, Scream 3.
Now as you can tell I didn’t enjoy this one. As I watched this film I took a lot of notes on my feelings, A LOT. I’m just going to write them verbatim.
So let’s get started on this travesty…
I don’t wanna
So the film starts out with two girls (Lucy Hale and Shenae Grimes) hanging out discussing horror films and stuff. One of them has a facebook stalker. It turns out to be ghostface who stabs and kills them both.
Ghostface attacks!
Victims 1&2
But wait…
It turns out that its not real. It is the opening scene from the film Stab 6 that two girls are watching. (Anna Paquin and Kristen Bell).
So that’s the first problem of this film. It was so dripped in big name actors that it was impossible to get into. I mean the original had famous actors too, but this was tooooo jam packed. It’s too much, far too much.
So Anna Paquin talks too much during the movie that Kristen Bell kills her.
I know Kristen Bell? Whatever.
Body #3
Just kidding
Yep, it’s just another fakeout. It’s Stab 7 that Julie from Friday Night Lights, I mean Jenny (Aimee Teagarden) and her friend Marnie are watching. After that Jenny goes upstairs to get something, and instead prank calls her friend. The “real” Ghostface comes in and kills Marnie, with Jenny right behind her.
Victim 4 & 5
And here we have another garage scene that is improbable. I’m telling you, any automatic garage door will not be able to kill someone. They design the mechanisms so that if there is something underneath them, it will cause them to be incapable of being squished.
Duh!
And the other problem with this scene is the fact that having two fakeouts was too many. After the two psych-outs, I was not attached to the characters as I was just expecting them to die. It wasn’t scary, mysterious, funny, or good. It was just bad. Bad, bad, bad. Plain ol’ lazy writing. Come on Wes, you’re better than this. This is reverting back not evolving.
So this film, and the first scene, take place 10 years after “The Woodsboro Massacre” or the amazing phenomenon known as Scream. Deputy Dewey is now Sheriff and married to Gale Weathers. Gale has stopped reporting and turned to writing fiction. Sidney has written a book on her experiences and is on tour. In fact, she has just arrived in Woodsboro. And Randy is dead.
Noooooooooo!!!!!!!
Still not over that.
We then see the horrible Emma Roberts getting picked up for school. I hate Emma Roberts. She has no talent whatsoever. She always seems as if she is acting, so I never believe that she is whatever “character” she is playing. She’s like a block of wood. I think she is secretly a robot as she never gives any emotion. None whatsoever. She’s proof that just because one family member has talent, doesn’t mean the rest do.
I bet she is the killer. She’s all I hate Sidney. Blah, blah blah…
Anyways, Jill (Emma Roberts) is being picked up by her friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe). Now who are these girls trying to fool? There is no way these girls are in high school they look sooo OLD.
I mean Roberts could pass for 19 at the youngest, but Panettiere and Jaffe? They are clearly are late 20s heading for their thirties. I’m looking it up now…let’s see…Roberts was 20 at the time, Panettiere was 22, and Jaffee was also 22. Okay so they weren’t as old as I thought they were, although they look it. I mean it’s laughable how they think they could pass off people so old as high school students.
Jill and Olivia receive texts from Jenny and Marnie, even though they aren’t close friends or anything…and the two girls are dead (although no one has discovers it yet. Speaking of which where were the parents during all of this? Why weren’t they with their kid? How come it took someone so long to discover the body? Come on now!)
Wes also has a love affair in this film with fake jumps. It’s like every five seconds. Seriously, just stop.
At the station Sheriff Dewey gets called on the scene and I notice something here Wes. Yes…yes…it appears that Dewey no longer suffers from a limp. I see, I see. Dewey gets to be limp free WHILE RANDY IS DEAD??!!
Never letting that one go. Moving on.
So Sheriff Dewey is called on the scene and he knows, he just knows
RIP Randy! Love you forever!!!!!!!
So as Sheriff Dewey is looking around, one of his deputies calls him Sheriff Riley. And I was like Whaaaaaaat????? Dewey has a last name?
Sorry. Back to the film.
So then we zoom to the high school were we have Hollywood’s version of high school students. You know horribly unrealistic and clichéd to the farthest ranges of the imagination. Because in Hollywood:
Yep, enter super nerd who has a computer hooked up to his headphones so he can blog every moment of his life.
Really Wes? Have you been to a school and seen real nerds? They don’t dress like that or do that? I mean when Ned’s Declassified did the Nerd has camera/computer hooked up to their glasses they did it to spoof. They weren’t trying to portray the nerd/online/blogger culture. You fail. Big time.
Duh!
So then we enter douche boy, Jill’s ex-boyfriend. I mean this is some serious deja vu as he ex is a total creep. I guess douche dating runs in the family.
So during homeroom, everyone’s cellphones buzz with the news. I’m just like, why wasn’t the school notified? When I was in high school we had two deaths. One was a car crash, the other an overdose and the teachers were all immediatey notified before the friends even found out. Same thing in college when a guy committed suicide, and another guy jumped off his balconey as he was high and had a bad trip. Although in college they sent emails and texts to the students, while in high school they told us.
At the bookstore, Sidney is reading an excerpt from her book when Sheriff Dewey comes marching in. He interrupts the signing as they are tracking the phone that placed the calls. They discover it in the back of Sidney’s rental, along with bloody handprints.
Back at the station, Sheriff Dewey s dealing with a lot. Gale comes down as her old investigative spirit is still alive. She encounters a huge prob though. Dewey’s deputy, Deputy Judy, has a mondo crush on Dewey. But Gale, she’s not having any of that.
I love that Gale is still kickin’ butt.
So Sheriff Dewey decides to put Sidney on 24-hour police protection, and all I can think is do you remember what happend last time? Yeah, it did not end well.
You know what almost everyone in this film has drunk the kool-aid. I know that Wes wanted to provide a wide range of “suspects” (totally obvious Jill and Culkin brother/crazy film nerd guy). But he makes everyone seem CRAZY!!! Jill’s ex, the deputy, and that’s not all. Let’s add Sidney’s publicist who delights in the murders because it will sell more books. She actually hopes more will occur. And then we have Sidney’s aunt Kate. “Nobody cares about the fact that it was MY sister that was killed or what I’VE been going through.
So at this point in the film I’m starting to wonder what happened to Patrick Dempsey? AKA Detective Mark Kincaid. I guess he was too busy being a doctor or maid of honor. Let’s see…Yes to doctor, no to maid of honor. He was trying to protect a bank teller and working with Decepticons. I wish they had given us a clue as why they didn’t stay together. I liked Mark.
Later that evening, Sidney goes to talk to Jill and you know what..how come we have never heard of this aunt and niece before? I mean they have lived in the town their whole life and not once was concerned with Sidney? Like why didn’t she stay with her aunt when he dad was out of town? This Wes, is why you do not try and remake a good thing. Just leave well enough alone.
So Sidney goes in to talk to Jill and sees her creep ex climbing in her window trying to talk to her. He’s extra creepy and weird calling himself “the ninja”. Who nicknames themselves? He is also a total control freak and won’t listen to “no”. What a jerk.
That night Kirby comes over and she and Jill are watching scary movies. Kirby gets a call from Ghostface that he’s hiding in the closet. She decides to be stupid and looks around, finding no one. Like this guy KILLED people. Maybe you should CALL THE POLICE!!!!
The voice says that he never stated which closet he was in.
Now the house next door is Olivia’s who is home alone (of course). The police offered to walk her to her home but she refused and like the stupid caricatures they are, they agreed. I just realized that policeman in the Scream films are pretty stupid. Dewey and Mark being the exception. I mean SHE RECIEVED A DEATH THREAT FROM GHOSTFACE EARLIER!!!! WHY IS NO ONE PROTECTING HER!!! So of course, Ghostface is in her closet and kills her.
Victim 6
And her friends just watch.
Seriously, they DO NOTHING BUT WATCH THEIR FRIEND GET SLICED APART. Scream! Call the police!!! Do something!!!!
Sid hears it and rushes over to help. Now Sid I love you, but couldn’t you have brought a weapon with you? How do you expect to save the girl if you have nothing. I mean come on, grab a bat, frying pan, knife, SOMETHING!!!
Sid does manage to take him down as she rules! But when the cops come he’s disappeared? Who is he Michael Myers? How does he move so fast? I mean they did the same thing in Scream 2.
Why weren’t the cops able to find him? WHY DOES EVERYONE SUCK??? THIS MOVIE IS HORRIBLE, HORRIBLE I TELL YOU!!! CRAVEN YOU HAVE DISAPPOINTED ME AGAIN! IT’S LIKE NIGHTMARE ON ELM STREET ALL FREAKIN’ OVER AGAIN!!!
Not happy, not happy at all
Gale seduces the two nerds to get them to help her. At first I thought it was funny, but the more I think about it, it’s creepy. I know on Cougar Townyou are always with younger men, but this is a 47 year old woman hitting on 17 year olds.
PR girl is the devil. I am sorry but the way she gushes about the killings, she needs help.
So after she leaves from visiting Sidney in the hospital (minor cut) she runs into Ghostface and is killed.
Victim #7
Now to be honest its her own fault as she really shouldn’t be walking around at night by herself with a killer on the loose. And what’s really stupid was that she was by her car. Just get in and drive away, run him over. Instead she tries to run. DUMB DUMB DUMB DUMB. I mean come on, you were sitting inside the car! Why would you ever take off?
You know what I just realized. so far the killer has only murdered women. What’s up with that? In the other films it was always equal. How come you’re just killing women Wes? Huh? Why? You know what else? In every film we have couples who are murdered first. Scream– Steve and Casey, Scream 2– Boyfriend and Jada Pinket-Smith, & Scream 3– Cotton’s girlfriend and Cotton. But in this one its only been girls. There’s a formula!
But now, we only have females murdered. What happened Wes, did you have a woman break your heart so now you are releasing your anger on females?
And you know what’s really depressing about this film is that it lost everything. It isn’t a horror parody and a horror film at the same time; It’s just sad and boring. You can tell from the beginning who the killers are (Jill & Charlie [Culkin brother super nerd]). It’s just a recycled plot. A poorly recycled one too.
I mean each previous Scream brought something new and fresh.
Scream
Parody of the Horror film Genre while still being a great horror film
Twist ending with two killers, and one being the boyfriend.
Obsession with horror films and trying to create their own
Revenge because his mother left.
Scream 2
Parody of sequel films and horror sequels
Debates issue if whether horror films turn people into killers
Twist ending where you think it is the boyfriend murdering, but really ex’s mom
Female serial killer
Scream 3
Parody of trilogy films
Twist ending with mother’s secret early life + half brother
Single killer this time
All the survivors end in a couple-Dewey & Gale, Mark & Sid
Scre4m
Recycled plot
Pop culture of the day inserted but it feels more like an old man trying to be “hip” and failing than avant-garde.
They waited far too long to make this film. It should have come sooner.
So the next day Gale gets Sidney to come speak at the film club at the high school. In return for this, the two geek boys Charlie (the Culkin brother) and his friend blogger- headphones, Robbie, will help her out. Gale thinks the new Ghostface is copying the murders, but the nerd twins point out that it is a remake “as only remakes are being made these days.” Tru dat. In 2011 alone there was Silent House, Gnomeo & Juliet, The Green Hornet, The Roommate, The Mechanic, Just Go With It, Unknown, Jane Eyre, Winnie the Pooh, Arthur, X-Men: First Class, Rise of the Planet of the Apes, Fright Night, Conan the Barbarian, Real Steel, Straw Dogs, The Thing, Footloose, The Muppets, and The Sitter.
The kids tell Gale & Sidney that if the killer wants to make it intense and new he is going to record the murders. That’s not new, it’s been happening for quite so time now. Just another ripoff.
They decide the next place he will strike is the annual Stab-a-thon. Now you have a killer running about and you refuse to stop your party? Definteky Charlie. He’s the killer. I mean come on, any smart person would be like nope, let’s stop this so people don’t die.
So a bunch of the kids dress up in Ghostface masks which is incredibly stupid. I mean you have a KILLER IN THE GHOSTFACE MASK? Why is everyone so STUPID.
Ugh
Gale goes there just like in the first film and hooks up some “secret cameras”. The cameras get covered up and Gale calls Dewey before she goes into take care of them. Now the smart thing would be to just wait as it is obvious that Ghostface is the one doing it, but whatever! I mean like even if you feel like you HAVE to go, why not be extra cautious and take a weapon! I mean, come on now people. She goes and is stabbed by the killer, however, she’s Gale so she just has to go to hospital. That’s cause Gale is awesome.
I just want this film to be over. It is that painful.
So I am liking nobody in this film. Like every character is crazy or stupid. The only exceptions are Gale, Sid, Dewey, and Aimee Teagarden’s character as she tried to run away. Even though I think Emma Roberts is the killer I want her to get stabbed so I won’t have to see her face again this film and hear her horrible acting voice.
Duh!
So back at the house Sidney sees something outside. She goes to take a look at it instead of CALLING THE POLICE! Come on Sid, you’re better than that.
So the cops outside Kate/Jill/Sid’s residence are all comedic and talking about movie cops. They say that cops are what you never want to be as they are always “getting it” in films. Uh, not true! What about Dirty Harry? Ain’t nobody taking down Clint Eastwood. Or what about Patrick Dempsey in Scream 3, I mean Wes you freakin’ made that film. Witness? Harrison Ford always dominates! Sidney Poitier In the Heat of the Night or They Call Me, Mr. Tibbs! Mark Wahlberg in The Departed? Die Hard?
Besides why would the black cop be worried that since he is a cop he’s going to killed? He’s got bigger worries, he’s a minority. He’s going to get killed for that. The only horror films I’ve ever seen where the minority doesn’t get killed first and makes it to the end would be Night of the Living Dead and Aliens vs. Predator.
They both get killed.
Victim #8 & 9
I was actually happy about that as they were annoying.
So someone in this film finally wises up, as Sid grabs a knife to protect her. Ghostface comes and attacks. Yawn! Knew it was going to happen. There is NOTHING original in this film, NOTHING!!!! Wes you have failed, fAILED FAILED FAILED!!!!!!!!!!!
So Kate also gets killed, she was stabbed through a door.
Is it over yet? Is the film done yet? Boo. There’s still 30 mins left! UGH, UGH, BLEH! I would stop watching like a did with An American Werewolf in London, but I promised full reviews of every Scream film and I can’t go back on that.
So Sidney escapes. She starts to head next door to protect Jill.
Next door we have Jill, Kirby, Robbie, & Charlie watching horror films.
So why don’t any of these kids feel remorse for the murdered people? I mean in Scream the main characters weren’t close to Steve and Casey (except Stu) so I could see where it didn’t make the biggest impact. But Sid started feeling when it was Tatum, Dewey, Gale, etc. In Scream 2, the girl in the film class was sad about her friend that was murdered in the movie theater and everyone is heartbroken over Randy.
Noooooooooo!!!!!!!
Then in Scream 3 Cotton’s death, and while the characters didn’t know the movie stars, they were still sad to see them killed. I mean Olivia was their friend as she was MURDERED!!! And you know how they react? Jill in her monotone voice is fine and doesn’t say anything. Kirby goes to the Stab-a-thon in sa freakin’ ghostface mask. A GHOSTFACE MASK! I mean your friend was MURDERED, MUREDERED! And you are wearing the thing that killer wore to murder to your friend. Something is wrong with you all.
And you know what, that is the problem with this film. In the other versions you believed the actors were the characters. You believed them. In this film every character except for the 3 survivors are so fake. They have any real emotions. They don’t have any real reactions. They are like robots or something.
Why is everyone dumb in this movie? This movie is horrible and stupid! Dumb, dumb, dumb, dumb! OMG! it’s LIKE HE WANTS TO MAKE A SUCKY VERSION OF AN AMAZING FILM! WHY WOULD HE DO THAT? WHY? WHY? WHO GAVE HIM THE MONEY. You all should be held accountable for this!!!!
Is this too crazy?
This is film is a HUGE DISAPPOINTMENT! BIG MISTAKE!!!!!!!!!!!!!!!!!!
So the group is hanging out. Trevor comes over as he says Jill invited him. She tells them that is impossible as her phone has been missing. Jill goes upstairs and Trevor follows her. While he is gone, Robbie gets drunk and heads outside for another blog post. When he does this we have the only real scare in the film. He runs into a plant. That’s it folks, so far the plant has been the most scariest and original thing in this travesty. And that’s not even that original.
Back inside, Kirby is trying to seduce Charlie in the most horrible and painful way. It hurt to watch this scene. It was awkward, it was stupid, and it would never happen that way in real life.
You know what I’m wondering now? Where are the parents? Come on now, is Jill the only one in town with a parent? They are completely absent! At least in Scream they explaned it. Casey’s parents were out having dinner. Mr. Prescott was going out of town. Mrs. Riley (Dewey & Tatum’s mom) is a single parent. Stu’s parents don’t care and are out of town all the time. Mr. Loomis works late hours and has recently become a single parent. I get that, although they should have done a better job. Scream 2, in college parents aren’t there., although I’m really surprised not one of them came down to check on their kids. Scream 3 all are adults. But these kids have no parents anywhere, nor do they give an explanation except for Olivia She mentions that her mom works late. Its like this whole film is in an alternate dimension where reality plays no part at all. I mean I know its a movie, but explain! Movie EXPLAIN!!!
So this film is far too predictable. You know Robbie who is hanging outside is going to be killed first, then Kirby, then Trevor, and then Charlie. It is soooo obvious.
This is horrible. Why am I watching this? Why?
So Robbie of course is killed, and too his shock as he thinks being gay will save him. I thought that was a weird thing to say. I mean, I can’t think of horror films where a gay person always survive. I mean technically he’s in the minority category and we all know that minorities hardly ever make it to the end of a horror film.
Victim #11
Before Kirby and Charlie could get it on, Trevor comes downstairs. He couldn’t find Jill upstairs. He and Charlie head to the kitchen, leaving Kirby alone in the living room. Jill comes from downstairs, now how the heck was she there? (I mean obvs to me she’s the killer, but why doesn’t anyone else think that weird?) Sidney runs into the house to warn everyone. IT WOULD HAVE BEEN NICE IF YOU HAD CALLED THE POLICE FOR BACKUP. Kirby goes down to the basement, while Jill and Sidney go upstairs. Jill hides under the bed.
That is the worse place to hide. Beds and closets are always checked first.
Sidney comes down to the basement with Kirby and they see Charlie. He wants them to let him in, but Kirby is unsure whether or not she can trust him. Ghostface grabs him and ties him to a chair. Ghostface then calls Kirby.
The two are going to play a game. Kirby wins, Charlie is free.
The Voice: I hear you like horror movies, Kirby. But do you like them as much as him? Forget watching Stab, instead you get to live it.
Kirby Reed: No. No, no, no, no. He’s the expert. It’s not me.
The Voice: Warm up question: Jason’s weapon?
Kirby Reed: Uh,it’s a machete.
The Voice: There. You see? You do know the genre. Michael Myers?
Kirby Reed: Uh, butcher knife.
The Voice: Leatherface?
Kirby Reed: [crying] Chainsaw! Please!
The Voice: Just ask Sidney if you need some help. Freddy Krueger?
Kirby Reed: Razor-hands.
The Voice: Name the movie that started the slasher craze: Halloween, Texas Chainsaw Massacre, Last House on the Left or Psycho?
Kirby Reed: Psycho.
The Voice: None of the above! Peeping Tom, 1960, directed by Michael Powell. First movie to ever put the audience in the killer’s POV.
Kirby Reed: Wait. No, no, no. Please, just ask me one more question. Just one more.
The Voice: Alright, Kirby, then it’s time for your last chance. Name the remake of the groundbreaking horror movie in which the vill…
Kirby Reed: Halloween, uh, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, uh, Last House on the Left, Friday the 13th, A Nightmare On Elm Street, My Bloody Valentine, When A Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right? Right?
[silence]
Kirby Reed: I got it right. I was fucking right. [goes outside; unties Charlie] Don’t worry, Charlie. I f****** won. I won. He tried to beat me but I f****** won.
Charlie Walker:[holding knife] Kirby? This is is making a move! [stabs her] Four years of class together and you notice me now? You stupid b****! It’s too late! Shhh, I know. It doesn’t happen as fast as it does in the movies, I know.
[finishes stabbing her and drops her; runs away]
Yep Kirby is dead.
Victim #12
And Charlie was the killer. Totally obvious.
Duh!
So deputy Judy comes into play as she discovers Kate’s body and the dead cops. She heads over to Kirby’s house to check on everyone. I still want to punch her crazy-obsessed with Dewey face.
Does that make me a bad person?
So Sidney is being chased by Charlie and manages to escape him heading for the door. But Sid, don’t forget, except for Scream 3 there are always two killers. And as she heads for the door…boom Jill stabs her.
Now if Wes wanted to make this really unique. He should have down a group of female killers. It is rare, but does happen. Olivia, Kirby, and Jill. Or deputy Judy. She could be doing all these murders just so she could kill Gale and get Sheriff Dewey. Or he could have not tried making a remake. That would have been fantastic!.
So the two totally obvious killers start revealing the reasoning behind it. Jill was always jealous of her cousin’s fame. And as Emma Roberts…I mean Jill has no talent, she figures this is the quickest way to make her famous.
Jill Roberts: My friends? What world are you living in? I don’t need friends. I need fans. Don’t you get it? This has never been about killing you? It’s about becoming you. I mean, for f***’s sake, my own mother had to die, no great loss there, so I could stay true to the original. That’s sick, right? Well, sick is the new sane. You had your 15 minutes, now I want mine! I mean, what am I supposed to do? Go to college? Grad school? Work? Look around. We all live in public now, we’re all on the Internet. How do you think people become famous any more? You don’t have to achieve anything. You just gotta have f***** up-s*** happen to you. So you have to die, Sid. Those are the rules. New movie, new franchise. There’s only room for one lead, and let’s face it, your ingenue days, they’re over.
Charlie was her new boyfriend that was helping her do this. They plan to have Trevor take the fall for it, stabbing themselves, but shooting him to make it look like “self-defense”. Charlie is happy that the “geek will get the girl”, but Jill tells him sorry and kills him.
Victim #13
You know what I just realized. They never clean the knife. Ever. With all those kids having sex and the amount of diseases that abound, now all I can think is how they’ve been spreading so much to people. They’ve all probably got Chlamydia or something.
Also WHERE ARE THE POLICE!!!??? I mean deputy Judy was right next door!!!
So then Jill kills Trevor and Sidney.
Victim #14 &15
After that she starts taking care of the evidence. Planting the knife/gun. Beating /mutilating herself. Even ripping hair out and putting it in Trevor’s hand.
When the police finally come, they discover her and name her the sole survivor. They cart her off to the hospital. In the hospital Dewey visit Jill, who is all smiles. I have to say nobody is freaked out by the fact she doesn’t care that her best friends, mother, and cousin have all been brutally murdered???!!! Someone ship her off to the psycho ward. That girl is crazy!
Jill tells Dewey that maybe she and Gale can write about the murders as they have matching wounds. Dewey tells her that Sidney might be able to also help, as she is going to recover.
Yep, looks like we have Dial “M” for Murder all over again.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
You can’t plan everything sweetheart.
So Jill gets out of her bed and charges down to ICU to get to Sidney.
That is impossible. There is no way she would be able to get across the hospital as they are jam packed with people. Especially ICU. Most ICU units actually are protected by some kind of card swipe or button so that only certain people can go in. There’s no way she’d be able to get to Sidney.
Dewey goes to see Gale, and as he mentions Jill’s comments they both realize that the information about her stabs were not released to the public. There is no way she could have known where Gale was stabbed, unless she had done it herself.
Dewey runs down to get to Sidney, and sees Jill trying to kill her. Sidney is doing a great job as she is Awesome! Sid you rule! Jill does have an upper hand as she tries to hurt Sidney in her stab wounds. Dewey is trying to help, but gets knocked out by a bedpan. Gale and Deputy Judy also come in, but Jill stole Dewey’s gun and threatens killing Dewey to get Deputy Judy’s gun. After the gun is passed, she shoots Deputy Judy in the chest.
Victim #15
Jill is threatening all and planning on killing them but this is very stupid. She already framed Trevor and gave a statement. How is she going to explain the other dead bodies? Who can she pin the murder of Sidney, Gale, Deputy Judy, and Sheriff Dewey on. Not going to work.
Jill plans in killing Gale next, as Sidney’s wounds have reopened and she seems to be the lesser threat. She is about to when Sidney shocks her with the defibrillator.
So I strongly contemplated whether or not I wanted to include this in my Horrorfest. It isn’t really a horror film but more of a mystery thriller, even better defined as a film-noir. I really wanted to include it but, since it wasn’t a real “horror film” I wasn’t sure if I should. But then I had a moment of clarity.
This is my blog. I can do whatever I want!
So I decided I would.
So this actually started out as a play and then was turned into a novel. Otto Preminger saw it as the perfect thing to turn into a film. It is known to be one of the best Film-Noir films along with one of the best mystery-thriller films of all time. AFI ranked it #4 on their list of the 10 greatest mystery films.
This film is also famous for Gene Tierney’s portrayal of Laura. This helped give her title of “Film-Noir Queen”.
So anyways, on to the film.
So it starts off with New York City police Detective Mark McPherson (Dana Andrews).
He is investigating the death of the beautiful, successful, advertising executive Laura Hunt. Laura was murdered by a shotgun blast to the face.
Det. McPherson starts investigating and finds himself with multiple murder suspects and motives.
1) Waldo Lybecker
Waldo (Clifton Webb) is a famous columnist and he was the one who actually discovered Laura. She tried to get him to advertise something for him, and faster than you could say Pygmalion, he takes her under his wing and tries to change her and “improve” her.
“Waldo Lydecker: She was quick to seize upon anything that would improve her mind or her appearance. Laura had innate breeding, but she deferred to my judgment and taste. I selected a more attractive hairdress for her. I taught her what clothes were more becoming to her. Through me, she met everyone: The famous and the infamous. Her youth and beauty, her poise and charm of manner captivated them all. She had warmth, vitality. She had authentic magnetism. Wherever we went, she stood out. Men admired her; women envied her. She became as famous as Waldo Lydecker’s walking stick and his white carnation.”
But it goes a little more than that. Waldo becomes obsessed with Laura.
Yep. He is in love with her and wants to be the only man. Every time some other guy came around he would find a way to criticize them and demean them. The two broke it off, but Laura was very upset with him.
Laura started dating another guy, Shelby Carpenter. No matter what Waldo said, Laura wouldn’t listen to him. In fact she decided to marry him.
Noooooooooo!!!!!!!
Yep he was angry. Extremely upset about losing Laura to someone he thought was so unworthy? Angry enough to kill?
Hmm…
2) Shelby Carpenter
Shelby (played by Vincent Price) comes from great stock, has expensive tastes, and loves the high life. Only one problem, he has no money. None at all. Instead he has to use to his charms to court rich, older women and have them pay for his expenses. In fact he had found a real great giver in Ann Treadwell (Judith Anderson). That is until he met the very charismatic Laura. Not only is she the perfect cash cow to support him, but young and beautiful. Who could ask for anything more?
“Shelby Carpenter: I knew there was something on my mind. Ah yes, will you dine with me tomorrow night?
Laura Hunt: Yes.
Shelby Carpenter: No, it’s not that – it’s the next night. And what about three weeks from tonight? And all the nights in between?
Laura Hunt: Shelby, you talk as if I had no other engagements!
Shelby Carpenter: And two months from now? And the month after that?
Laura Hunt: What about next year?
Shelby Carpenter: Oh, that’s all settled. What about breakfast?
Laura Hunt: What about dancing?
Shelby Carpenter: What about lunch? Beautiful lunches, day after day after day?”
The two starting dating and she gave him a job, one of which he didn’t have to do too much work. The two become engaged and all is well.
Or is it?
It turns out that Laura wasn’t the only person Shelby was seeing. He was going around with a lot of poor models. Rumor has it that Laura found out and was not happy…could he have killed her? If she was about to leave him high and dry, he might have become incensed and murdered her?
3) Ann Treadwell
Ann Treadwell is the rich older aunt of Laura. She and Shelby had been in a relationship for a long time. She knew what he was, but that was what she wanted.
When he left her for Laura, she was furious that her niece stole him away. Furious enough to kill?
Sound suspicious
As Det. McPherson continues to delve into the clues and motives…he learns more and more about Laura. As he learns more and more he starts falling for Laura as well.
One night Det. McPherson is at Laura’s apartment looking at her painting and trying to figure out the mystery, along with Laura. Why does she draw him to her?
When suddenly somebody comes crashing through.
It’s Laura!!!
But wait…
But if that’s Laura? Who is…?
Who is the dead body?
They find out that the murdered girl is one of the models, Diane Redfern. The same model that Shelby was involved with.
Yep this leads Mark with another suspect…Laura
4) Laura Hunt
So we’ve heard how Laura rose from nothing to being the top girl. She was beautiful, smart, classy, etc. All women envined her and all men wanted her.
But then the guy she loves and is supposed to marry is running around with a model!!! Cheating on her!!!!
She knew Diane was in love with Shelby, and she knew Shelby only cared about her money. She knew Shelby was taking models to her house and she could have gone after them and shot her for trying to mess with her man.
Or she could be so angry at Shelby for cheating on him that she prepared a way to take care of him.
Instead of killing him, she could have killed Diane to make it look like Shelby and make him pay!
Does it seem too far-fetched? Well she wasn’t at the cabin when the cops looked that weekend. Her response “I was talking a walk.” She didn’t see the newspapers and come back saying she was alive? Or hear it on the radio? Her response: I don’t get a newspaper and my radio is broken.” Did anyone see you there? “Nobody”.
janeaustenrunsmylife 