For those of you who don’t know what that is, Hispanic/Latino Heritage Month is celebrated in the USA and starts on September 15th and ends on October 15th. Unlike most national months, these specific dates were chosen to honor the days that many Latin American countries received their independence; along with incorporating Día de la Raza which falls on October 12th.
I’ve been planning this post for a while and since telenovelas are a big part of Latino culture, I thought what better day to post it than today.
So every July for my Blogiversary I post questions in my Instagram stories and then I post the answers that people gave along with my own thoughts sprinkled in. One of my questions this year was “What is a Jane Austen Themed Tradition, Oddity, or Eccentricity You Have/Have in Your Family?” One of my answers was that I have given all the characters of Mansfield Park a Latin name. It all started as a joke, you see being Latina whenever I read Mansfield Park or talk about it I always pronounce Maria as the Spanish form (mah. – ree. – ah) instead of the English way (mah-rye-ah). Since she is Maria, I stated saying Tomás instead of Thomas, pronouncing Julia as the Spanish form (Hoo. – lyah), and even Fanny as Francesca sometimes. Most of the time I just say Edmund, but occasionally I call him Edmundo as well.
On Instagram rackelbaskcally commented that after reading that she now started looking at Mansfield Park as a telenovela. And that got me thinking, which Jane Austen novel would make the best telenovela?
Before I begin, I would like to say that I am not an expert on telenovelas, and this post is a reflection of my personal experiences in watching them and familial views. Back to the post!
Telenovelas are often described as Latin soap operas but are really much more. While soap operas are often not seen as “good TV” to a lot of people (most will call them a “guilty pleasure” rather than admit they are a major fan of a melodrama); telenovelas, on the other hand, watching them isn’t something to be ashamed of. Yes they can have outlandish plots, be extremely illogical, and have problematic themes (they aren’t perfect); they also combine comedy, drama, passion, and romance; along with commentary on serious issues such infidelity, betrayal, drug/alcohol abuse, discussions regarding education/the educational system, one’s struggle to find their place, etc. Most telenovelas revolve around a main character who is of lower economic status trying to improve themself and achieve job success; with of course along the way marrying a handsome and rich person.
And every telenovela that I have seen involve our main characters triumphing, and our villain getting their just desserts.
So now that we have had a little backstory on telenovelas (sorry for going overboard) which book would be the best to translate to a telenovela? I think you could make a case for all for all of them as the themes in Jane Austen’s books are easily relatable to the Latino community. A lot of the issues the women face, Latina women are going through today-just slightly different.
Now I know there is one telenovela based on Jane Austen; Orgulhoe Paixão (Pride and Passion) from Brasil. I haven’t watched it (I’m still trying to find where it’s available to stream), but which book is your pick?
First of all my top pick is Mansfield Park, as we have our heroine Fanny, the one from a lower economic status, being put in this wealthy world and having to navigate through her rude relatives. Not to mention we have issues of money in the Bertram family as Tom/Tomás is gambling away the fortune. To really up the drama in our telenovela adaption you could have that a person is pursposely trying to steal away Mansfield Park and cheating Tom/Tomás out of everything they have. If we wanted to modernize it, Mansfield Park could also be a company instead of just a home.
We also have the appearance of the Crawfords and the destruction/unmasking of the Bertrams they bring (as like Jane Austen’s work most telenovelas have characters that are not all good or all bad). With them we have Henry Crawford making a play for all three female cousins, Maria cheating on her husband, Fanny’s banishment when she wouldn’t marry Henry, and Tom/Tomás’ near death experience. This would make a great telenovela!
And if we further wanted to up the drama in our telenovela we could even have where Henry is trying to cheat them out of Mansfield Park, only to change his mind when he wants to marry Fanny; but alas by then it’s too late she has discovered his sinister plot and that he slept with her married cousin. ¡Ay, Dios mío! Oh the drama!
My second choice would be Sense and Sensibility, as it too has drama, passion, terrible relatives, losing your home and fortune, etc! We have our heroines, Elinor and Marianne, who have lost their fatjer and discovered with the will hardly anything has been left to them. Unbeknownst to them, thier brother John has promised to take care of them, but after their father died he and his villainous wife, Fanny, have decided to give them nothing. In true telenovela fashion there should be a second will that they destroy to keep the Dashwood sisters from inheriting anything.
Not to mention Fanny Dashwood would be the perfect telenovela villain, everything she does is beyond terrible. Keeping an inheritance from her sister-in-laws, saying they are not even family because they are half siblings, keeping Edward and Elinor apart, and even taking Lucy with them instead of John’s sisters. She’s perfect!
Willoughby and Colonel Brandon would be a great telenovela men, although in a telenovela Colonel Brandon’s ward would really be his illegitimate daughter or niece, not just the daughter of a friend of the family and he’s caring for her; only for it to be revealed that the woman Colonel Brandon loves has been dating the man who deserted his ward/illegitimate daughter/illegitimate niece.
And not to mention the plot line where Elinor is in love with Edward, Fanny tries to keep them apart, only for is to discover he’s been secretly engaged this whole time!!! ¡Ay, Dios mío! Oh the drama!
So what do you think? Which one would you pick? Comment below!
So I had to take a break from finishing my review of Modesto Jane Con, as we had Valentine’s Day posts and some other things, but now I am ready to finish reviewing Modesto Jane Con.
So if you have been following me on social media, you know I have been super excited about Modesto Jane Con. The past eight years I have seen pictures from different Jane Cons and festivals and wished I could go-but they were not possible for me to attend as it always came down to a problem of time, money, work, etc. Instead I had to be content with seeing pictures on social media.
But then Modesto Jane Con was created!
From January 10th-12th there were all kinds of workshops, activities, movies, an opera, and even a fashion show!
Your $30 ticket allowed you to attend the workshops (BOTH DAYS) and see one showing of Mansfield Park Opera (your choice of Saturday or Sunday).
That was it, I was going! And I convinced my book club + my sister to join me. I scrounged around for a costume (I’ll post on that later) and made sure to bring a notebook to take copious notes on the workshop and opera to-of course post on them later (as I am now).
So after Dressing the Regency Lady, we had about an hour and fifteen mins before the Mansfield Park Opera pre-show talk by Hillari DeSchane. We checked out a few things and had lunch, and then headed to the Opera.
The building was really cool as it was a classic theater showing old, foreign, & independent films that also hosts concerts & events. It has a snack bar that serves popcorn, wine, soft drinks, and espresso. I really wanted tea, but it didn’t serve any. Oh, well…
So quick review of the book, for those of you who might not have read it. Mansfield Park is the story of Fanny Price, a sweet kind girl-niece to the Bertram family, who was sent to stay with the Bertrams. Instead of being treated as family, she is seen as “lesser” because of the “bad blood” inherited from her father who her mother “married down” to.
She is particularly mistreated by her evil aunt, Mrs. Norris, and two cousins; all of which take pride in bossing her around and being as cruel as can be. Fanny is the essence of sweetness, taking this injustice in stride and trying to remain optimistic in a bad situation.
The life of the Bertrams are interrupted when a Mr. Henry Crawford and Miss Mary Crawford come to visit their half-sister Mrs. Grant. Mary is set on winning the eldest Bertram, but finds her interest captured by the younger brother, Edmund,-even though he is intent on being a minister and Mary finds religion hypocritical. Fanny has loved Edmund since she was young, but he has never thought of her in such a way and he is now completely captivated by Mary. Henry Crawford’s sole interest is to upset the apple cart by going after the Bertram sisters for sport, having no intent of being serious or facing any consequences. Will the Bertrams and Fanny survive this?
That is not good,
The Mansfield Park Opera was a part of the Story into Song Literacy Initiative and worked with a lot of literacy advocacy organizations, (such as the Becoming Jane Austen Book Club, Modesto Library, Modesto Friends of the Library, and more) and half of the cast are making their solo professional debuts. Pretty amazing!
HillariDeSchane is a JASNA life member and a board member of Opera Modesto. Her pre-show opera talks have become audience favorites. DeSchane’s first Regency pet cozy: A Christmas Tail: A Regency Holiday Mystery received a Certificate of Merit from the Cat Writers Association hillarideschane.com
So the program gave a copy of the full talk, but I’m not going to write it word for word. I’ll just write my notes and paraphrase a bit.
So taking a book as long and complex as Mansfield Park and cutting it down to a two-hour opera is no easy feat. Mansfield Park is a “tapestry of human emotion and psychology.” (Deschane).
In the opera they strip the book down to the central theme and a small number of characters. The story is told as a chamber opera, more intimate-like a theater in the round. The opera itself is group centered, with no arias or being solo based.
The opera also focus on the theme of “The Fall of Man” and the “Expulsion from Eden.” Mansfield Park is Eden, a paradise, and each character is tempted by their own personal snakes, with many falling victim to their pleasures and “biting the apple”.
As seen with the recent TV show Sandition, there are many who think Austen needs to be sexier and steamier but truth is-they just need to remake Mansfield Park as it has it all: gambling, drinking, seduction, adultery-just full of thse vices without modern additions.
We really see the focus of this motiff in Scene 5: Chapter Five. In the Wilderness. Here they explore Mr. Rushworth’s home in Sotherton, where they walk a “serpentine path”. Henry offers to explore with Maria Bertram while her fiance is gone, tempting her with the two being alone together, even singing “how tempting those pathways that lie hidden-how much sweeter are the joys we are forbidden.” Edmund is given the choice to wait with Fanny while she rests from the walk, or to go off with Mary alone-and he walks off with Mary forgetting all about Fanny on her own.
The ending was changed to be more happily ever after for all, (in the novel people have to face the consequences of their actions), but I didn’t mind too much.
So the ten characters we have are:
Fanny Price (Alexandra Jernic)
Edmund Bertram (Andrew Pardini)
Mary Crawford (Angela Yam)- Professional Opera debut
Henry Crawford (Emmanuel Mercado)
Maria Bertram (Darby Schmidt)-Professional Opera debut
Julia Bertram (Brylan Finley)- Professional Opera debut
Mr. Rushworth (Luca Mitchell)- Professional Opera debut
Aunt Norris (Alison Collins)
Lady Bertram (Anakira Gabriella-Graça)
Sir Thomas Bertram (Brad Reed)- Professional Opera debut
From The Modesto Bee. Left to Right: Lady Bertram, Sir Thomas Bertram, Fanny Price, Henry Crawford, Mary Crawford, and Edmund Bertram.
There is no Tom, although he is mentioned, and sadly no William Price who I love. Oh, well.
So the opera was AMAZING! As I mentioned in an earlier post the group of us who came varied in our knowledge of Mansfield Park. One book club member had never read or seen a film version of Mansfield Park (or any Jane Austen beside The Darcy Monologues), one book club member had seen the 2007 film version, my sister had seen the 2007 version and the 1999 version years ago, and I had read the book and seen the 1999 film, 2007 film, & the 1983 miniseries. However, all were able to follow the storyline and completely comprehend and bcome fully involved in the story.
We all loved the music and found everyone to be entertaining, talented, amazing, and that they completely captured the characters they were portraying.
Fanny was perfect! She had an amazing voice; along with perfect facial expressions. I’m not a big opera fan (as in I don’t watch them all the time), and this was my first time attending one, but one thing I have noticed when I’ve seen the films or clips of Operas is that they don’t always focus on the acting-more on the singing. Alexandra Jernic was spot on. The way she looked at Edward when singing, as if they were the only ones in the room. The incredible sorrow when seeing Edward and Mary together and knowing his preference for Mary over Fanny. Or the ball scene when all are happy and excited for what the night will bring, but Fanny who all this is supposed to be for her, but she is sad and alone as her love is excited to dance with another.
Mrs. Norris was just as perfect. You hated her as immediately-every time she sang and the way she acted toward Fanny, I don’t know if there has been a better one.
Mr. Rushworth was wonderful. He was kind caring, goofy, hilarious. It amazed me that he was only 18 when he was so talented.
Another thing I really enjoyed about the performance is that each character had their own distinctive music, tone, and speed. For instance Mr. Rushworth’s was fast and quick, just like how his character spoke in the book and sang-while Henry’s music was slower, softer, more seductive.
We also loved seeing the costumes and how they looked on the performers, as in an earlier workshop we saw the swatches. We also kept an eye out for Kristine Doiel’s favorite dress of the production, the gray number that Mary Crawford wears in Scene 5: Chapter Five. In the Wilderness. It was originally worn by Anne de Bourgh in the Miss Bennet: Christmas at Pemberley. I tried to get a good picture, but this was all I got:
But the one who stole the show for me was Angela Yam, Mary Crawford.
Every time she entered the stage all my attention went to her. She had an amazing voice and was equally amazing in her acting. One of the best scenes was when she and Edward first see each other, the way she doesn’t sing anything other than hello, but her whole body language is changed. The rest of the scene continues in the way she acts and looks. It was fantastic. That continued throughout the whole Opera as she was able to convey sooo much in her tone, a look, a motion. I was surprised this was her debut as she just blew me away. I stopped taking notes as I just wanted to enjoy her performance.
We had to leave after the opera and head home, but we did all the way humming, singing, and talking about how much we enjoyed it.
It was a wonderful experience and I am so happy to have been able to watch it. If I could have, I would have stayed the next day and watched it again.
So Modesto Jane Con was this past weekend. From January 10th-12th there were all kinds of workshops, activities, movies, an opera, and even a fashion show!
I, unfortunately, could only go on Saturday, but I had so much fun and I can’t wait until the next one! If there is a next one…
So your $30 ticket allowed you to attend the workshops (BOTH DAYS) and see one showing of Mansfield Park Opera (your choice of Saturday or Sunday).
I dressed up for the event (I’ll post on that later) and brought a reticule my sister made. Reticules are tiny, so I couldn’t pack everything in my bag-just the essentials. Debit card, credit card, ID, fan, gloves, pens, glasses (as I was wearing contacts) and a handkerchief. I wasn’t too worried about the size of the reticule though, as I had planned on purchasing one of their cute tote bags.
I also brought my notebook, as I planned on taking notes and later posting them (as I am now).
Our group was traveling from 1.5-2 hours away (depending on that CA traffic) and left around seven and arrived a little after 8:30. We actually headed to the theater as I was looking at the wrong event. You know me and navigating, I always get lost!
I then redirected our group, and we went to the library. We easily checked in and finished just as they announced the first workshop: Gowns & Groans
So of course, we were excited about this workshop. We wanted to learn more about the Regency gowns and who can resist the chance to snark about costumes?
Let the snark begin!
This workshop was run by Kristine Doiel and Hillari DeSchane
“Costumes have a coded language all their own. They can transport us back to Austen’s time and speak volumes about the characters, or they can be a constant distraction and prevent us from losing ourselves in the unfolding drama. Join veteran costumer Kristine Doiel on a lively, and likely to be controversial, stroll through this Regency costume Hall of Fame and Shame.”
Kristine Doiel is a costume designer and theater educator with over 50 theater and dance productions to her credit. A lecturer at Fresno State since 2017, she has taught costume and theater classes and mentored student designers. Awards include the UC Davis Provost’s Fellowship in Arts, the Princess Grace Foundation Theater Grant and a Dramalogue Award for costume design for The Rivals in Santa Barbara.
HillariDeSchane is a JASNA life member and a board member of Opera Modesto. Her pre-show opera talks have become audience favorites. DeSchane’s first Regency pet cozy: A Christmas Tail: A Regency Holiday Mystery received a Certificate of Merit from the Cat Writers Association hillarideschane.com
Picture by Arnold Chavez
So Doiel started off the workshop talking about her background; moved onto the judging of the film depictions, finished with her experiences in costuming the Mansfield Park Opera, and concluded with a Q&A.
Part I: Doiel’s Background
Doiel shared that didn’t have a background in Regency wear, and had to do research on it-being an archeologist, literary analyst, and art historian all in one. I enjoyed this aspect of her talk as you don’t really think about that when watching a film or performance, that not only do the clothes have to be accurate-but they have to reflect the action of the scene, the context of the characters, and the literature of the piece.
That’s a lot
It reminded me of when I studied art history and how you looked at the art and what it was saying, but at the same time also looked into what was happening at the time and how that influenced it. There are many layers you have to work through-such as a self portrait of an artist wearing red, blue, and white takes on a different meaning when it was created post-French revolution, such as to show liberty, fraternity, that is one of the new citizens, etc.
Part II: Gowns & Groans
The next part of the discussion was Doiel reviewing the clothing choices in Mansfield Park (1999), Mansfield Park (2007), and Pride and Prejudice (1940).
So to start with, I do not like Mainsfield Park (1999).
Not for me..
Eventually I will review it, but as for now-we will get back to the clothes.
Doiel felt that quite a bit of the costumes in here were accurate. Lady Bertram wore flimsy, lacy gowns that looked like something the wealthy class would wear, but older-late 1700s and post-French Revolution. It fits as Lady Bertram wouldn’t be at the height of fashion, but wearing something more her time. Maria, Julia, and the men were all accurate.
So here is the good part, let’s start talking trash! J/K, Doiel was very kind in her remarks, trying to not be too judgmental and try to reason why a certain outfit would have been picked.
The first offender: Fanny Price played by Frances O’Conner
So in this Fanny wears a lot of what looks like a jumper or vest over a shirt. This is not accurate at all. Instead the film, which is one reason why I can’t stand it, doesn’t follow the book at all when it comes to Fanny’s character. Instead, they turn Fanny into Jane Austen, and emphasize the writing aspect, dressing her in this more masculine, “writing type” outfit. I call it a “writing type” outfit as when I saw this the first time it made me think of Jo in the 1933 version and she was a writer. It also is similar to what Jo wears in the 2019 version of Little Women.
The other offender: Mary Crawford.
All of Mary’s clothes were too contemporary. I mean look at the dress above, it is something that we were wearing at the start of the millennium, rather than 185 years earlier. I remember wearing sleeves like that on my clothes.
She also has an outfit with a giant collar, that is just what? Doiel pointed out that the person in charge of wardrobe would have the resources and done the research on what was accurate and somebody (whether them, the studio, actor, or the director) picked this for a purpose. Doiel didn’t know why, but guessed that either the director or actor wanted something more modern to relate to audiences.
Mary’s outfits definitely were the worst.
So Mansfield Park (2007) is not the most accurate of films, as they cut a lot out to keep it at standard movie time length-however I am apparently one of the few that actually enjoys it.
She didn’t talk about any she liked as it was time to move onto the next section.
The offender here was Billie Piper as Fanny Price.
So Doil noticed that Piper wore a wide range of styles and thought maybe it was so varied as the production wanted her to be wearing hand-me-down gowns. There is a diamond dress that she wears that is completely inaccurate to the time period. Also her hair is one hundred percent wrong, as it is too modern, and she would have had it pinned up as she isn’t a young child. I think that is an interesting comment in light of the EmmaVogue photo shoot.
The other outfit that Doiel pointed out as wrong was the white wedding dress Fanny wears at the end of the film. White wedding dresses only became popular after Queen Victoria, prior to that they were colored dresses. I disagreed with this as I thought the white dress was more a comment on Fanny’s innocence, sweetness, and morality versus being white to be in with what is in fashion today. I mean, after all this takes place after an affair, a love proved false, and all the manipulations by the Crawfords. Plus, it is a foil to Maria’s dress who had opulence (check out that hat) and color, Fanny’s being plain not because of what she was forced to wear (as I am sure Sir Thomas would have bought her a different dress), but a testament to her character. But that’s just my thoughts…
The last one we looked at was Pride and Prejudice (1940) a film I love, but apparently a lot do not.
Nothing was accurate.
The film was set in the 1830s instead of the Regency period and no one quite knows why. Some say it was because Gone With the Wind was so popular and they wanted to use costumes like that. Others say it was because the Regency gowns seemed too plain. Others believe it was more cost effective to use these gowns than create new ones. Doiel thought that they might have picked such extravagant costumes as England was having to o with sparse materials, “mend and make do” as the slogan goes, and seeing such fun fabric and opulence would raise spirits. I don’t know if we will ever know…
Doiel said that she felt that this style works for Mrs. Bennet, Kitty, and Lydia as it is extravagant, frivolous, oversized, and fits their characters.
However, with Elizabeth, it works against her.
*Sigh* Laurence Olivier looks great, but he is wearing pants instead of breeches (as are the other men (see below on the view of pants) and Colonel Fitzwilliam wears a kilt (?).
That’s where we ended, although I wished they had discussed Mansfield Park (1983) as that one has some doozies in choices. I mean look at their hair.
From left to right: Edmund Bertram, Mary Crawford, and Mr. Yates
Part III: Costuming Mansfield Park, the Opera
So Doiel said that when costuming something that takes place in the past, buying the right type of fabric can be a problem. You need something that looks right on stage, fits together as a whole (in color and style), and needs to be accurate as to something they would wear.
Doiel did say that she was fortunate in this Opera to be able to reuse costumes from an earlier production, Miss Bennet: Christmas at Pemberley that had been done in December 2019.
She brought swatches in of the different fabrics for each characters costumes, and me and my group really liked that. We all enjoyed the closeup look and when we watched the performance later in the day, looked at the costumes and remembered what we had seen earlier in the workshop. We also loved that her mom, who helped her sew and cut things out, was there. It was so sweet how she helped hand out the swatches and supported her. I had tried to take a picture of the one for Fanny, but the people in my row wanted me to pass it along and the pic came out blurry.
But Lynne Marcus, one of the organizers from Modesto Jane Con, sent me a pic a friend of hers took.
Doiel’s favorite dress of the production was the gray number that Mary Crawford wears in Scene 5: Chapter Five. In the Wilderness. It was originally worn by Anne de Bourgh in the Miss Bennet: Christmas at Pemberley. I tried to get a good picture, but this was all I got.
She also loved the Navy suit that Edmund wears as she made it.
Part IV: Q & A
Doiel ended the session by answering questions and talking about Regency wear. Breeches were standard menswear. Pants, or pantaloons as they were called, were not to be worn by the upperclass. They were said to cause a scandal because they showed everything too well-even though in reality breeches showed more. But you know how I feel about that!
This should say breeches instead of pants, but I didn’t write this so it gets a pass. It was an instagram answer from a question I asked my followers.
She said that pants were worn only by the lower class workers, so wearing them was seen as trashy.
Someone asked about the muslin we have today versus then, and she said it is different. The muslin sold in stores today is mostly white and work wear, instead of dress wear. Back in the Regency period it would be block printed, decorated, different colors, and came from India. The muslin was semi-sheer and lightweight, like cotton. Of course whenever I think of Muslin I think of:
India greatly influenced what people wore-in colors, patterns, and of course ladies adopting the use of a pashmina. I had noticed that when I was trying to find something to wear to Jane Con.
From Emma (1996)
Women and men always wore gloves when going out of the house. Doiel mentioned how they weren’t doing that in the Opera as it was too difficult with all the clothing changes. That means that that hand clench scene in the 2005 Pride and Prejudice never should have happened as both Darcy and Elizabeth should have been wearing gloves.
One woman asked about lace, and lace was very in fashion. It came from India or France (probably not as much from France at this time as England and France had been fighting) and was used on hemlines and sleeves.
My book club + sister really enjoyed this discussion. We wished that Doiel had judged the costumes a bit more, (as who doesn’t like a good rip ?), but understood that she was trying to be fair.
We loved that she stayed on topic-discussing only the clothes instead of the actual films. We would have liked to hear her thoughts on more films or more on costuming the show, but understood we only had an hour and had to be a bit limited to have enough time to cover everything.
DeSchane did a great job moderating the workshop, with her interesting questions and keeping an eye on how much time we had.
We loved it and learned a lot. In fact, later we watched the 1983 Mansfield Park and discussed what we learned in this when we looked at the costumes.
So I was trying to figure out how to review the beginning of Mansfield Park as it is a little different from her other books. It is more like Sense and Sensibility with a bit of a backstory on the three sisters, Fanny’s mom and aunts.
The more I thought of it, the more it made me think of a fairy tale opening, I mean you have three sisters that only one marries well-it kind of made me think of the folktale The Three Sisters, Cinderella, One Eyes, Two Eyes, and Three Eyes, etc. So that is how I am going to treat this-like a fairy tale.
Our story starts many years ago (thirty to be exact): Once upon a time there were three beautiful girls: a Miss Ward, a Miss Maria Ward, and a Miss Frances Ward. These ladies were lovely, but unfortunately:
The second sister married first, and had the extreme luck to catch the eye of a Baronet, Sir Thomas Bertram, of Mansfield Park. The two married and she became Lady Maria Bertram.
Lady Bertram exalted in her success, a lady! Such an elevated status was a beautiful thing to behold!
Her family were in sweet felicitations over the event as well, especially her older and younger sister who hoped that such a marriage would also give them their own happily ever after. Unfortunately, this is not that type of story.
The other two of these sisters were so unlucky that nothing ever succeeded with them, the eldest, Miss Ward, after six years was finally able to win a husband, a Reverend Norris. He was friend of her brother-in-law, Sir Thomas Bertram, and having no fortune, Sir Thomas kindly bestowed the living and parsonage of Mansfield-so that this sister was cared for all her life.
The youngest sister, no less pretty, had the worse luck of all. She married a “lieutenant of marines, without education, fortune, or connexions[sic],” and became Mrs. Price.
Sir Thomas would have easily done all he could to have helped his brother-in-law (as pride made him wish all in connection to him were of an upstanding position), although his profession was something that he had no easy hand involved in.
But alas, before any such things could have been put into motion, a terrible and destructive row was set up betwixt the sisters. The eldest sister had a thorny heart and her temper was not easily assuaged. She immediately sent forth the most powerful soldier in her arsenal-an angry letter. Lady Bertram thought no longer of her sister-out of sight out of mind-except that Mrs. Price was spurned on by the missile and fired off one of her own.
And as it goes, the sisters were locked in bitterness and the bonds broken betwixt them.
Eleven years passed by and the Prices went further and further into poverty. The Prices had fallen into such poverty that Mrs. Price was faced with the decision of whether to swallow her pride or continue the separation.
Mrs. Price had lived a disheartening and dark life. “A large and still increasing family, an[sic] husband disabled for active service, but not the less equal to company and good liquor, and a very small income to supply their wants…” With every passing day she grew more unsure what to do next, how to survive.
She became pregnant with her ninth child, and with this child was born a renewed hope, and she sent a missive to Sir Thomas and Lady Bertram, full of “contrition and despondence, such a superfluity of children, and such a want of almost everything else, as could not but dispose them all to a reconciliation.”
Mrs. Price hoped and prayed they would take one of her sons, any of them and raise them in a wonderful fashion. But instead the choose the eldest girl?
The eldest girl, Fanny, was a lovely and sweet-natured girl. Kind, humble, quiet. Mrs. Price was puzzled at first as why they choose her, but eagerly sent the child on her way.
The new child was quiet, scared, unsure. She would often tuck herself away in the chimney corner to sit quietly.
Her two eldest cousins, Tom and Edmund, were seventeen and sixteen. Tom, the eldest, ignored her, while Edmund looked upon her kindly as any sixteen year-old would look upon a ten year old. The two younger, female cousins were a different story. Maria, thirteen, and Julia, twelve, did everything that they could to make her unhappy. The poor girl, Fanny, bore everything patiently and dared not complain to any.
So one day I was thinking about Disney and thinking of Jane Austen, when it hit me. If the Austen characters were Disney characters who would they be?
So I thought and thought and thought some more. And below is my list of the perfect Disney/Austen crossover.
A Prideful Beauty & the Prejudiced Beast
(Beauty & the Beast meets Pride & Prejudice: scenario one)
So Beauty and the Beast was the natural choice for the Darcy/Elizabeth storyline. In Pride & Prejudice Elizabeth becomes angry at Darcy, hurt by his comments on her looks, therefore fueling her dislike of him. Darcy, on the other hand, realizes he was wrong and falls for Elizabeth, slowly having to show her he is a good man, despite his bad first impression.
Just like in Pride & Prejudice, Belle has to work through her own misgivings of the Beast, his looks and her anger at him imprisoning her father. The Beast, first rude to her, realizes his mistakes and works on showing her his true heart and soul under the ugly exterior. Just like in P&P Darcy is seen as “a beast”, rude and cruel; but by the end of the book, and Disney film, we are loving both men.
Elizabeth Bennet = Belle
Both Belle and Elizabeth Bennet are avid readers, close to their fathers, and not afraid to speak their minds. They both come from middle class family, as they have land (and farm but not for necessity). The Bennets have the estate of Longbourn, and Belle’s father Maurice have their country land. Maurice must have some money from his family as his inventions don’t work very well enough to bring money in.
As mentioned before, both characters create judgements on Mr. Darcy and the Beast based on their initial view of looks (Darcy’s scowl & Beast’s beastiel form) along with their behavior. However, over time this opinion is changed as their heroes save them (Elizabeth’s family saved when Wickham marries Lydia, and Belle is saved from wolves); along with both realizing there is much more to the man than their prickly personality.
Mr. Darcy = The Beast/Prince Adam
Like Beast, Darcy is the only son raised in a wealthy family with a lot of power and expectations of him. Darcy also has a temper, but it is more controlled than the Beast’s. Both have to learn a lesson on character, the Beast’s inability to see more than the outer shell of a person, while Darcy’s is more of getting past a preconceived notion.
While they initially are prickly characters they change themselves in order to win the woman they love. Both also are willing to do things for the woman they love with no expectations. For Darcy he saves Elizabeth’s family for Elizabeth, and while he still cares for her, he doesn’t use that as a bargaining chip for marriage, allowing her to act on her own feelings. The Beast lets Belle out of the deal they made and allows her to leave, even though it breaks his heart. He doesn’t try to use their contract or the fact that he saved her life to try and manipulate her to stay.
Mr. Wickham = Gaston
Although in the Disney film Gaston doesn’t play as much a love interest to Belle as Wickham was to Elizabeth; he is instrumental in painting an ugly picture of the Beast and getting the town riled up to destroy him. Yep, just like Wickham does. In fact I think this is one of the best Disney pairings. Both men are arrogant, care only about their outside appearance and women who will provide something for them. For Wickham he uses Elizabeth to spread lies about Darcy, and then tries to go after the very wealthy Miss King to have a poke at her money. For Gaston, he wants Belle to gain the ultimate trophy and to have children as good looking as him. Both care only for themselves, and use others achieve whatever they want.
(Pride & Prejudice meets The Little Mermaid: scenario two)
Now you may wonder why I included this as another avenue for Pride & Prejudice. While I don’t see Jane as much of a main character in the novel, her role is important and I felt that Beauty and the Beast didn’t capture the whole of Pride & Prejudice, specifically her part.
So both The Little Mermaid and Pride & Prejudice address people of two different worlds falling for each other and others trying to keep them apart.
Jane Bennet = Ariel
Out of all the Disney characters I see Jane as Ariel. Both are kind, naive, the prettiest of the family, and don’t always understand other’s views of them. For instance Grimsby heavily disapproves of Eric spending so much time with this unknown girl, of which Ariel blindly does not see. She also can’t tell that Ursula is EVIL. Mr. Bingley’s sisters despise Jane’s family and are rather cruel to her, but Jane too cannot see this, instead always giving them the benefit of the doubt. Both Jane and Ariel fall for a man out of their league: in Ariel’s case a human, while for Jane a much wealthier man; however that doesn’t stop them as they go after what their heart desires. Both also have issues with a parent: Ariel her controlling father and Jane her controlling mother. But in the end they are able to get win their man and happiness.
Charles Bingley = Prince Eric
Prince Eric is a sweet, kind character, who follows his own ideas but is still susceptible to what others advise; just like Bingley. While Eric cares for Ariel and is set on making the girl who saved him his wife, he still listens to Grimsby’s cautions and of course is completely controlled by the Sea Witch’s hypnosis. Bingley tolerates all the negative things his sisters have to say, planning on persuing Jane, but he finally gives way to Darcy’s powerful persuasion. But both men when they realize they have made the wrong choice, go back and do all they can to win the woman of their dreams. Both marry girls that are below them (Jane financially, Ariel literally as in under the sea), but yet their equal (Jane and Bingley same personalities, Eric and Ariel are both royalty).
Caroline Bingley = Grimsby
Caroline and Grimsby are very similar. As a sister to Charles, Caroline is constantly giving her opinion on matters. She is the one that criticizes Jane (and her family), along with pointing out what is improper. Grimsby is an advisor to Prince Eric, doing the same thing. Both aren’t listened to, as Charles and Eric ignore their rules and suggestions to follow their heart and own ideas.
Both Grimsby and Caroline also disapprove in the matters of the heart. Caroline sees Jane as too far below their family, along with carrying the extra baggage of her mother and embarrassing sisters. Grimsby also doesn’t approve of Ariel as they know nothing about her, and she can’t talk. Grimsby wants Eric to settle down, but with a more suitable person, liking Vanessa (secretly Ursula), just as Caroline wants someone better than Jane for her brother, Georgina Darcy. In aligning the two, she hopes that she and Darcy will grow much closer.
Mr. Darcy = Ursula
I know, I know you are probably thinking what? Yes in this scenario of Jane Austen/Disney, Darcy doesn’t get a favorable character. Then again it is fitting that he is paired up with the villianess as if we were to look at Pride & Prejudice from Jane’s view, he is kinda the villain of the story.
Now the two aren’t exactly similar, Darcy has his best friend’s interest at heart while Ursula is after global domination. However, both are similar in the fact that they don’t want the romantic leads together. Darcy feels that Jane has a lot of baggage (mother + sisters) but that she also doesn’t really seem to care strongly for Charles. In The Little Mermaid, Ursula wants Ariel to fail to get Eric’s kiss and heart so that she can have her as a slave and exchange her life for Ariel’s father’s powers.
Now here is where the real similarity comes into play. These two are the only ones capable of true persuasion. In Pride & Prejudice, Caroline and Bingley’s other sister have done everything they can to point out why marrying Jane would be a bad idea. They constantly criticize, point out every faux pas, etc; but Charles will not listen. He’s in love. That is until Darcy advises him. Charles clearly relies more heavily on Darcy than his own intuition, and leaves Netherfield for London. In The Little Mermaid, Eric isn’t set on marrying Ariel, but he definitely starts thinking about her as more than a friend. He won’t listen to Grimsby, who keeps saying that it is a bad idea to get involved with a girl you know nothing about. The only thing that steers him away from Ariel, is Ursula’s transformation into Vanessa.
So I am pretty sure you saw this one coming, after all how many Disney films have two very close sisters (in relationship and age)? I couldn’t think of that many. Both Frozen and Sense & Sensibility revolve around sisters, one who’s feelings are heavily regulated (sense) while the other is more out and sharing whatever comes to mind (sensibility). A parent’s death strongly affects the family and shifts everything about them. One sister falls for a horrible guy, but luckily for her the real deal is waiting nearby. There also is a real comedy about a couple trying to match two off.
Elinor = Elsa
Other than the ice powers, Elinor and Elsa are very similar. Both are the eldest in their families and trying to keep everything together in their home after a parental death (Elinor her father, Elsa both parents). While their younger sister is allowed to be more freewheeling, Elinor and Elsa do not share the same luxury. They control their emotions because if they didn’t either the family would fall apart (as in Elinor’s case she is the one taking control of everything) or there could be a lot of destruction (Elsa’s ice). Both experience moments of total release that shock all closest to them, Elinor when she reveals the pain she has experienced of her love for Edward, and Elsa’s finally “letting go”. In the end both stop keeping such a harsh rein on their emotions and allow themselves to open up and love.
Both also care deeply about their sisters, especially in the love department. Elinor is the only one who doesn’t trust the relationship with Willoughby, as she thinks Marianne is moving way too fast with a boy she just met. Elsa is the same way, refusing her blessing on Anna marrying a guy she just met and only knows a few things about. Besides that, both girls care deeply for their sisters.
And let’s not forget a similarity in names. (Just saying!)
Marianne = Ana
Both are romantics who don’t believe in reigning in their feelings but expressing everything. As feelings guide them, they tend to rush into things not clearly thinking them through and acting on their heart. Marianne gets involved with a man she hardly knows anything about, and later when brokenhearted tries to go to after him in a storm, nearly killing herself. Anna also gets involved with a man she hardly knows anything about, along with trekking after her sister in a storm, whilst wearing summer clothing.
While both have bond with their sister they also are very distanced. Marianne doesn’t understand Elinor’s sense and feels she cannot express all her thoughts with her. She also knows her sister would disapprove of much she does. Ana has a more physical separation, as her sister avoids her, but also shares that sense of not understanding Elsa’s actions, along with being afraid of what she might think of her (check out that awkward ballroom scene where they run into each other).
Now let’s move back to their love interests. At first Marianne falls for a handsome, romantic hero guy she has just met, only to find out that he is only interested in one thing: money. As Marianne doesn’t have it, he leaves her. At first she is broken hearted, but she later realizes that she is better off without him and instead ends up with the guy who started out as just a friend, but turned out to be the grand prize. Ana follows a similar route as her “first love” turns to be false as he is only after her kingdom, dumping her when realizes he can get it another way. She too is hurt initially, but quickly realizes that her friend who liked her all along, is the real deal and perfect for her
They too share similar names. I’m sensing a theme here Disney.
Willoughby = Hans
First of all sideburns. Seriously did Disney decide that Austen made better source material than the original fairy tale Hans Christian Anderson wrote?
Moving past that, both are men who are after a good time and searching for the women who will net their fortune. For Willoughby, he loves Marianne, but he loves his money much more. After spending all his time with her and making her believe he loved her (which some argue he did have strong feelings for her, his love of money just overpowered it) he ends up leaving her, trading her in for a model that could support his expensive habits. He also proves to be a true scoundrel, sleeping with other women and abandoning them with a ruined reputation and no hope of marriage or a happy future.
For Hans he too is lacking the wealth, being the 13th son, and is setting his eyes on a woman who will provide the lifestyle he wishes. While originally planning on marrying Ana, when an opportunity comes where he can have everything without her, he quickly dumps her for his second plan. His character is darker than Willoughby’s though, as he actually plans to murder both sisters to achieve his means.
Colonel Brandon = Kristoff
While they may different financially (Colonel Brandon with his manor house and wealth while Kristoff is an ice cutter) everything else about them is very similar.
Both share sad backstories: Colonel Brandon losing the girl he loved, and after her death caring for her child from another man; and Kristoff being orphaned and on his own with a reindeer (although later adopted by trolls).
Both men are rugged outdoorsmen: Colonel Brandon does fencing, horseback riding, a falconer, a soldier, etc. Kristoff is an ice cutter, sledder, etc. They match brain with brawn, a winning combination. Both are also loyal, intelligent, appreciative of beauty and fine craftsmanship.
Unfortunately for them, they also are surrounded by well-meaning people that actual harm their chances rather than help them. For Colonel Brandon, he and Marianne were becoming friends and getting along very well…that is until Sir John and Lady Middleton try to push them together; upsetting Marianne and making her not want to consider Colonel Brandon out of spite. For Kristoff, the trolls don’t damage his chances as much, but they certainly do not win him any consideration from Ana in the moment they attempt to wed them off.
But how they are the most similar is the way in which they love so whole-heartedly that they are willing to do anything to ensure that the woman they love has her happiness. For Colonel Brandon, he loves Marianne but when he realizes that she cares for Willoughby he steps aside. He knows tons of damaging things about him, has enough money to pay him off, could do countless things to get rid of him; but if he makes Marianne happy that is all he cares about. He later does challenge Willoughby to a duel when he breaks Marianne’s heart, and of course does all he can to help her; never pushing or manipulating, but allowing her to make the decision of whether to pursue a relationship or not. With Kristoff he loves Ana, but as he knows she is engaged does nothing to truly hinder the relationship. He helps her get to Hans, as he wants only her happiness. But just like Colonel Brandon, when his lady is in trouble he is there to help her, coming to her rescue.
Both characters also have a scene where they are carrying the women they love through a storm as she grows sicker and sicker. Wow these are some serious parallels.
Sir John and Lady Middleton = Trolls
These guys are like carbon copies of each other I swear! Sir John and Lady Middleton are sweet people, who heavily assist the downtrodden and financially insecure Dashwoods. They provide the family with a place to live, food they cannot afford, trips they would be unable to take etc. The only downside? They are busybodies and enjoy actively taking a role into marrying Marianne off, something that backfires as their involvement makes her lose any desire to even be friends with Colonel Brandon.
The trolls also take in some downtrodden, lost souls: Kristoff and Sven; adopting them and giving them a family, food, and a place to live. They also like to meddle, trying to marry Ana and Kristoff off, backfiring as their weirdness makes Ana say no way.
So Cinderella is a story we all have heard of. A sweet kind girl is forced to slave away for her family. Those that bring her particular pain are her evil stepmother and two evil stepsisters. She manages to escape her dreary life for a ball, where she meets the man of her dreams. But unfortunately there are others with a darker intentions making the same play for him.
Mansfield Park may be a story you have never heard of before, but it make shock you with the similarities it has. A sweet kind girl is forced to slave away for her richer family. Those that bring her particular pain are her evil aunt and two evil cousins. She falls in love with the man of her dreams, but unfortunately there is another with a darker heart making the same play.
Fanny = Cinderella
This is the most obvious choice for this novel. Fanny Price is the niece to the Betram family, and was sent to stay with them. Instead of being treated as family, she takes on the duties of a servant because of her “bad blood” inherited from the low class, wastral father her mother married down to. She is particularly mistreated by her evil aunt and two cousins; all of which take pride in bossing her around and being as cruel as can be. Cinderella is the stepdaughter, and technically rightful heir, but instead of being treated as a part of the family, she too is treated like a servant to her evil stepmother and two stepsisters. Like Fanny, Cinderella is the essence of swetness, taking this injustice in stride and trying to remain optimistic in a bad situation. Both know that any kind of rebellion could spell disaster for them; with Fanny being sent back to the hovel she escaped and Cinderella being sold, institutionalized, or worse.
Both have absentee fathers: Fanny’s father is a drunkard while Cinderella’s is dead; who’s decisions ultimately caused their predicament. With Fanny her father being one of so low behavior and drinking all his money away; causes her family to have to send her somewhere else as they cannot care for her. This behavior causes those in the “richer” family to believe they have the right to treat her like garbage. For Cinderella, her father married evil incarnate who makes her life horrible.
Both fall in love with a man out of their league: Fanny with her cousin Edmund and Cinderella with the Prince. While initially their love interest is waylaid by other women; for Edmund the enigmatic and manipulative Mary Crawford, and the Prince with the other woman who claim to be the girl he fell for; those turn out to be false and the girls get their dream guy. And in true poetic justice, those that tried to hurt them end up getting their just desserts for their evil ways and bad decisions.
Mrs. Norris = Lady Tremaine
In Mansfield Park Mrs. Norris is Fanny’s aunt and a horribly cruel woman. She loves her nieces Maria and Julia, treating them far better than Fanny; along with encouraging and rewarding their cruel ways, especially those aimed at Fanny. Lady Tremaine also encourages her daughter’s cruelty: from horrible nicknames, cruel jokes, and even assault. Watch that scene where they rip Cinderella’s dress, that was pretty psychologically and physically damaging.
Mrs. Norris enjoys bossing Fanny around and often asks her to do more than then her frail system can take. Lady Tremaine is the same way, asking impossible tasks as she takes true delight in seeing Cinderella suffer.
Both also are trying to ensure that their girls marry well, have a good fortune, and anything else that pleases them. Mrs. Norris encourages Maria’s choice in the wealthy, but dim, Mr. Rushworth and later her infidelity with Henry Crawford. Lady Tremaine is intent on marrying her daughters off to a prince, stooping to locking Cinderella up, breaking the glass slipper, and almost destroying her daughters feet.
Drizzella = Maria Bertram
It was difficult to determine which evil cousin went with which evil stepsister, but I think I found the match that worked best.
Both Julia and Drizzella are favored by their aunt and mother. Both also are intense in going after what they want; Maria a rich husband and later a hot lover; Drizzella having no qualms about stuffing her foot into a strange shoe and pretending to be a women she isn’t in order to bag a prince.
Both are especially cruel to the heroine, being the bigger bully between them and their sister. Both also have restrained relationships with their sister, always in competition with them and trying to prove they are prettier, better, etc.
In the end, both lead unhappy lives, having to deal with the decisions they made. Maria losing her lover and husband, sent away to live in exile; while Drizzella has to live with her mother and probably has to take on chores as Cinderella leaves them behind with her prince.
Anastasia = Julia Bertram
Julia and Anastasia are always being compared to their older sister and feeling they are lacking. Both try to compensate by trying their hardest to outshine their sibling, or at certain times out cruel them. Both are also not the favorite and have more insecurities about who they are and how they look.
Now one of the reasons why I felt these two were a good fit, is that both fall for someone their parents strongly disapprove of. For Julia, she runs off with her brother’s actor friend, eloping in Ireland. Her parents hate this, disowning her and wondering where they could have gone wrong. In Cinderella II: Dreams Come True, Anastasia falls for the baker, a man her mother strongly disapproves of. She doesn’t run off and marry him; but does go behind her mother’s back to get a makeover and go to a ball with him.
Edmund = Prince Charming
Edmund is my least favorite of the Austen heroes and Prince Charming my least favorite Disney prince. It is only right that they are the two that match up.
While my dislike for Prince Charming comes more from a lack of character, my dislike for Edmund comes from his stupidity, easy manipulated spirit, and love of a fantasy that doesn’t exist. When the girl has told you time and time again that she could never marry a minister and wants someone with money, don’t think that “your love” can “change” her. Forget her and move on.
Sorry this was supposed to be a comparison. Both Edmund and Prince Charming were born into wealthy families with controlling fathers. For Edmund, his father does not want him to be a minister but chose the vocation he had picked out, and for Prince Charming his father wants him married and making grandchildren. Both men want to live the lives they have desired, with Edmund choosing to go into the church and the Prince waiting, and later choosing an unconventional bride.
Both men are stubborn, tenacious, and when they set their mind to something they will not be persuaded out of it. For Edmund it is the church, and later wooing Mary Crawford. For the Prince, he wants the women who fits the slipper even if they have to search every corner and crevice of the kingdom for her.
Both marry women that are kind, sweet, and of not completely low standing, but not quite on par with them. And both marriages turn out great for them, much better than their siblings’ (Edmund’s & Cinderllas’s).
I know that this pairing isn’t perfect but it is the only one I could find that correlated well together. None of the other Disney characters were even remotely like Emma or had the close relationship she had with her father.
Emma is a wealthy woman and the apple of her father’s eye. She often does as she pleases, believing that her ways and knowledge are right. She sets her mind to tasks at hand and does all she can to achieve them, not always thinking things through or realizing that she cannot control every person’s actions.
Jane isn’t as wealthy but does come from a well to do family. She is also the apple of her father’s eye as they too share a great bond. When they are searching for the gorillas, she too exhibits some of the I’ll do what I think is best and doesn’t always make the best decisions. With Emma it was pairing up two people, with Jane threatening a baby baboon.
Both of these girls try to remold someone into what is the highest level of society, but it doesn’t quite go according to plan.
They also try to prove that they now better with their planning and scheming, but end up being proved wrong by someone who knows better; for Emma it is Mr. Knightley, and for Jane Tarzan.
Both girls have these amazing guys in love with them, but at first don’t realize and then secondly don’t really want it. Emma doesn’t realize for the longest time that Mr. Knightley is head over heels for her; and when she does she is at first ecstatic, but then doesn’t want it as she is worried about what her poor father will do without her. Knightley of course comes up with the perfect solution and the two live happily ever after. Jane also takes a long time to realize how much Tarzan cares for her and is then worried about how it will work out. Can he really handle English society? Could she survive in Africa? What about her father? In the end all works out.
Like I said not a perfect match, but the closest I could get.
Mr. Woodhouse = Professor Archimedes Q. Porter
Both Mr. Woodhouse and Prof. Porter are single dad’s, having lost their wives to an illness. While this made Mr. Woodhouse shrink from fear and Prof. Porter live more dangerously; one thing is the same with both. It made them concentrate and rely more heavily on their daughter.
For Mr. Woodhouse he would have died from depression, if not for his two girls; particularly Emma. She remains by his side constantly, tending to his ever fear and worry; enveloping him with love and care.
For Prof. Porter, why do you think he has Jane as an assistant and not a man? Sure he could have done it because she was intelligent enough to handle it, but I think it goes deeper than that. I believe that like Mr. Woodhouse, he became so concentrated on his daughter after the death of his wife that he wanted her always with him. Training her in his field (whether society approved or not) and having her always journey with him. In fact that is why he decides to give up the modern world and remain with his daughter. He couldn’t stand being apart from her.
Mr. Knightly = Tarzan
Some of you are thinking maybe Tarzan should be Harriet as both Emma and Jane take on pet projects in improving someone, but I think the Mr. Knightley/Tarzan comparison works too.
So both men are from wealthy English families, the ones to inherit all the land, manors, and titles. (Read Tarzan the book.)
Both sometimes give the appearance they don’t know what is going on; Mr. Knightley being older and as Emma believes uneducated in matters of the heart; while Tarzan seems too “stupid” by the animals to be a true ape and too “beastlike” by the humans to ever master English society. However they have a whole more going on that the other characters expect. First Knightley is spot on about everybody; Emma, Jane & Frank, Harriet & Robert, Mr. Elton; proving to Emma time and time again that he knows what’a what.
Tarzan too proves to everyone that not only is he capable of being King of the jungle, but mastering every aspect of human society (except sarcasm and lying). Jane may believe at first that she knows more, but quickly realizes the knowledge that Tarzan has is something much deeper than what she knows.
Both fall for the girls, Knightley for Emma and Tarzan for Jane; of which the women take forever to realize. Both men do their best to cultivate the relationship, but not push too hard that they may lose them. In the end all works out with them both gaining a father-in-law as well.
Frank Churchill= Clayton
So while Clayton is much more evil being a poacher; both men are liars, betrayers of trust, manipulators, only care about themselves and what they need, etc. Ugh horrible men.
Frank Churchill is the son of Mr. Weston but was sent to live with his mother’s family after she died and adopted by them. He never cares to come see his father or spend anytime, being far too busy with his own things. The only reason he does come visit his father is that he is secretly engaged to a member of the community. But instead of letting people know of his involvements, he pretends to court another girl, Emma, playing with her heart and stabbing a knife through his “beloved’s”. He not only lies about that that his actions, but manipulates the whole community, just to protect his secret. What a jerk!
With Clayton he too comes along on the expedition to “help” the Porters and “protect” them from any attacks; but in reality that is all a lie. He too has a secret engagement, and engagement to trap as many gorillas as possible. Not only is he playing the Porters, but also tries to manipulate Tarzan to achieve his means; not caring what happens to anyone else. What a jerk!
So as I was thinking about what Disney films the characters of Austen matched up to, one of the firsts that popped up in my head was Northanger Abbey and Sleeping Beauty. I believe I might have mentioned some of their similarities in the past, but here we go with a full on comparison.
Catherine = Aurora
Catherine Morland is a dreamer. While she spent her earlier years as a tomboy, participating in games with her brothers, running all around; as she grew she began to devour literature and began dreaming of the perfect man and adventure.
Aurora or Briar Rose, is the same. While her early days are more dramatic with a bethrol, curse, and having to be sent away; she grew up in the forest and don’t tell me she wasn’t a tomboy playing with the animals; running, climbing trees; etc. because I am 100% sure she was. As she grew older, she also began to dream; dream more than just the cottage hideaway and dream of her perfect match.
Catherine and Aurora are also kind, sweet, and adorable people. The type you love to have in your life.
Both Catherine and Aurora have “storybook” romances, as Catherine meets this tall, handsome stranger, with a great personality (Mr. Tilney) that no one really knows that much about but something about him seems to pull at her. For Aurora she meets a tall, handsome stranger in the forest, who has a great personality, (Prince Phillip) and is at first a little unsure as she doesn’t know him but something about him seems to pull at her heart.
Of course the road to love is never easy as John Thorpe has his eyes on Catherine, and Mr. Tilney’s father doesn’t approve of her as he thinks she isn’t wealthy enough for his son. For Aurora she has Maleficent who is trying to kill her and Prince Phillip’s father who thinks she is just some peasant girl.
Of course true love conquers all and all is set right in the end.
Mr. Tilney = Prince Phillip
Mr. Tilney is Prince Phillip, no if, ands, or buts.
Both are sons to controlling fathers who want to dictate their lives to how they want it. General Tilney wants his son to not be a minister but to marry a very wealthy woman who will increase the family fortune. Prince Phillip’s father the King is set on Phillip marrying King Stefan’s daughter as it will not only unite the kingdom, but increase land and wealth. However, both of these sons have their own ideas. They don’t directly oppose their father in the beginning; as Mr. Tilney agrees to find a woman with wealth, and Philip does go through the betrothal ceremony; but when they find something they love and want they say good-bye dad.
In fact both of these men are willing to go to the end for who they care about. For Mr. Tilney, when his father discovers that Catherine isn’t as rich as he thought she was he sent her packing back home (she was visiting Miss Tilney). When Mr. Tilney returns from out of town he lets his father know that he is in love with Catherine, and that he will say good-bye to all his family money as he is in love and will marry her. Prince Phillip is the same way, willing to give up the throne for his lady love.
John Thorpe = Malificent
While John Thorpe is a man with an agenda. He sees Catherine and assumes she is wealthier than she is, doing everything he can (and aided by his sister) to try and bag her. He is manipulative, a liar, and causes her pain in order to get what he wants. One of his most underhanded ways was to first get his sister to “become friends” with Catherine, gaining an inn; and second to try and make sure she made no other connections with anyone.
Malifcent also has her own agenda. She wants to hurt the royal family and curses a little baby to death. When it appears the fairies may have outsmarted her with sleep instead of death, she manipulates the game by pretending to be Aurora and capturing Prince Phillip, to keep him from freeing Aurora.
General Tilney = King Hubert
General Tilney married for money rather than love and he has made that top priority for his own children. He wants them to increase the family coffers or else they get nothing! When he finds out that Catherine isn’t an heiress, he tosses her out of the house.
The King isn’t as cruel, but he too has definite ideas about matrimony. Marriage is a business deal and he wants his daughter-in-law to be Aurora who will bring peace, land, and money. He is most unhappy when his son wants to marry a peasant girl instead, but unlike Colonel Tilney he agrees to his son’s wishes. In fact he was planning on breaking the engagement, but the fairies sleeping spell took over before he could tell King Stefan.
So this one is probably something you never saw coming, but it just seemed to fit so right I had to include it as well.
Catherine = Aladdin
Catherine is a girl from an okay family, but dreams of something more, some adventure. She is kind, sweet, and real gem. She is given the trip of a lifetime, when wealthy family friends include her on their trip to bath. There people assume she is richer than she is and she manages to catch the eye of the wealthier Mr. Tilney.
Aladdin is not as well off as Catherine, being an orphan living on the streets. He too wishes of better things; living in the palace, food, etc. Like Catherine he sort of is blessed with wealth, when he becomes master to a Genie. For both of these characters the wealth is only temporary; Catherine her trip and Aladdin his three wishes. With this new “life” Aladdin is able to recapture the eye of the princess.
Both have someone plotting against them and their happiness (for Catherine she has throne who is trying to get her for himself, while Aladdin has Jafar trying to remove him so that he can get the throne.)
Both have things turn sour when the real truth is revealed about them; although in Catherine’s defense she never lied about anything. Others lied about her. Anyways, that doesn’t stop General Tilney from removing her from the family homestead. In Aladdin’s case; his lies are revealed and when all find out he isn’t a prince, he too is sent packing by Jafar.
In the end they are able to overcome those trying to stop them and win the person of their dreams. Both fathers later relenting from their harsh stands.
Mr. Allen = Genie
While Mr. Allan doesn’t play as large a role in the story as the Genie; both are instrumental in the changes they bring about in the main characters lives.
Mr. Allan not only finances the trip to Bath, but he and his wife also purchase some things for Catherine. He is the one who brings her into the world she would have been unable to visit; catching the attention of good and bad.
For the Genie he is more than a window dresser, he becomes Aladdin’s best bud. But like Mr. Allan he is the one changes the appearance and introduces the character to the world he had only previously dreamed of.
Mr. Tilney = Jasmine
Both Mr. Tilney and Jasmine are headstrong people. Both have father’s who have a plan for their lives, but they are still allowed some wiggle room. For Mr. Tilney he must marry wealthy, but gets to choose whom. For Jasmine she has the stipulation that her man must be a prince, but her father has allowed her to pick which prince she wants to marry.
When both are faced with the challenge of falling in love with someone who does not fit the parameters set out by their fathers, they choose to ignore it. With Mr. Tilney, he risks disinheritance; while Jasmine chooses Aladdin anyway, causing her father to repeal his law.
General Tilney = Sultan
As stated previously, both are men who are used to being in control. General Tilney first and foremost of his troops, and also his family having parameters they must follow. The Sultan has a whole country, along with his daughter.
Both desire their children to marry wealthy and titled, and are less then pleased when they pick someone below that. Both get very upset and threaten; but in the end change their minds. General Tilney allows Mr. Tilney to keep his inheritance after his marriage and the Sultan changes the law so that Jasmine can marry whomever she wishes.
Mr. Thorpe = Jafar
This is probably one of the best comparisons as these men are very similar. Both are ambitious and want things out of their reach. For Thorpe he wants to marry way up, to a women who will take care of him with her inheritance; and Jafar wishes to be Sultan.
To get their ways both men do every underhanded thing they can think of. Mr. Thorpe talks Mr. Tilney down, saying how his family is strange, keeps Catherine away from the Tilneys, uses his sister to promote him; etc. Jafar also uses manipulation, hypnotism, thievery, and even plans to marry Jasmine (and then kill her) to achieve his means.
Both only care about themselves and achieving their own interests.
These have similar parts of the story. Both involve sweethearts being unable to marry because of a war. Both have a story about a reversal of fortune after the war, changing their lives dramatically. Both also invove dim relations, and a power play with marriages.
Anne = Maid Marion
Ann and Maid Marian are very similar. Both feel in love at an early age, but forgo marrying because a war was separating them. Even though they were apart from their sweetheart, they never stopped loving him or dreaming that he would come back.
Both are related to not the brightest or smartest of men. With Anne her father Walter is a horrible manager of money and only cares about his looks, for Maid Marian her cousin Prince John is the same.
They both find their relations trying to manuever marriages and relationships they do not desire. Sir Walter thinks that Mr. Elliot would be a good match, Anne however only has eyes for one man. For Maid Marian, Prince John pushes her at the Sheriff, but he cuts rather a lackluster picture next to Robin Hood.
Frederick Wentworth = Robin Hood
These two’s characters don’t exactly match up perfectly, but are pretty close. While Fredrick starts off poor, but comes back from the war wealthy; Robin Hood is the opposite, being wealthy and coming home from the crusades with his home having been given away.
However, both has childhood sweethearts they wanted to marry, Frederick & Anne and Robin Hood & Maid Marian. They leave for war which prevents them from getting married and when they return they consider starting the relationship up again, but have some obstacles. For Fredrick, he has his pride and hurt over being rejected; for Robin he is now an outlaw which is no life for a Lady. Even with these issues, both continue to love from afar and once again, proving that in their case, absence allows the heart to grow fonder.
Mr. Elliot = Sheriff of Nottingham
Mr. Elliot is the long estranged cousin and next in line for Sir Walter’s title, unless Sir Walter remarries and has a son. Mr. Elliot is all about himself and how he can advance, romancing three women to ensure his future. The Sheriff is another man that cares about titles and advancement. He commits some horrible acts in order to keep the job of Sheriff and stay on the good side of Prince John, where the money is currently coming from. Like Mr. Elliot, he isn’t below some bad acts; such as taking money from an injured man, hanging a priest, and cheating at a tournament.
Both characters also try to be a love interest to the main character, Mr. Elliot with Anne and the Sheriff with Maid Marian. They do this because of the advancements that it could bring them, for Mr. Elliot, Sir Walter may not care about siring a son, allowing his daughter to gain her mother’s title and Mr. Elliot Sir Walter’s title. And for Sheriff Nottingham, marrying the cousin of the King and Prince, that will only raise him up.
Sir Walter Elliot = Prince John
So Sir Walter and Prince John are very, very similar. Both are pompous jerks that think they are more special than they are. And both have an affection for mirrors and their apperance. All Sir Elliot can do is look at himself, spending tons of money on mirrors and lotions. Prince John cares only about he how he looks as well, physically and with the public.
Both also have a bad sense of money, burning through it rapidly. Sir Walter loses so much money he has to move to Bath and rent out the family home. Prince John runs through so much money, he taxes the stuffing out of his people.
Both men also don’t care very much about their family, Sir Walter trying to keep all his children away, except his eldest who has taken on the “Lady’s” household duties; and Prince John who wants his brother to continue to be captured as he wants to stay in command.
So today’s Christmas Carol is one that I love and one has been around for quite some time, Oh Come All Ye Faithful.
This song was written in the 17th century, actual author unknown. Three claim to have written it: King John IV of Portugal, John Reading, and John Francis Wade. It was originally written in Latin and then later translated into English.
It is a great song, uplifting and serene. I really enjoy the version by Celtic Woman.