So my friend was a huge fan of Buffy the Vampire Slayer and took me along for the ride. I loved it, especially Angel (David Boreanaz).
Why did he have to leave the show?
Anyways, he makes it so hard to pick just one romantic moment, darn you super romantic guy. But I think I settled on a moment that truly shows how much he cares for Buffy.
So this episode takes place during season three. The Mayor has been revealed as evil:
Faith accidentally killed a guy and has gone crazy, siding with the mayor and trying to destroy Buffy (Sarah Michelle Geller).
She is crazy!
They tried to take away Angel’s soul so that he is evil
He joins Faith, dating her now:
But it turns out to be a plot cooked up by Buffy and Angel to get info on the mayor.
However, having Angel going off and be with Faith like that has given Buffy lots of doubts and uncertainty about if Angel really cares about her and what really happened between them.
She fights a demon, but accidentally gets its blood on her. This gives her the power to read minds.
But soon this goes bad. The powers grow so strong that she can’t stop hearing voices, her mind hurts so bad, and she overheard that someone is trying to kill everyone in the school.
Buffy gets sent home to rest, while her watcher Giles searches for a cure, and the rest of the crew try to find out who is the possible murderer.
Most Romantic Moment: Angel Practically Gets Burned Alive to Save Buffy
So Buffy is going to go completely insane unless she can drink this antidote. The only problem? They need the other demon’s heart, but how can they get it without the Slayer?
That’s right, Angel goes out and spends all night and half the day searching for the demon, killing him and bringing back the heart. Now why is that romantic? Well Angel is a Vampire, and has risked his life and suffered in pain; burning in the sunlight. I mean he was literally smoking.
And he continues through this to track down the only thing he knows can save Buffy, because he loves her.
And if that’s not enough he then stays by her side watching her until he knows she is okay.
You forgot the first rule of remakes, Jill. Don’t f*** with the original!
If only Wes had followed his own advice.
I wish they hadn’t messed with the original. This movie sucked.
Just plain horrible. You see this all happened because everyone wanted to make another film after Scream 3. Wes told them he wouldn’t, unless the script was as good as the original film. Unfortunately, those dunderheads thought that meant they needed to do a horrible remake of the first amazing film.
For those of you just tuning in, this is the last of our Screamtastic Saturdays. Every Saturday this month I reviewed one of the Scream films. To read about them before you start this one, go to Scream, Scream 2, Scream 3.
Now as you can tell I didn’t enjoy this one. As I watched this film I took a lot of notes on my feelings, A LOT. I’m just going to write them verbatim.
So let’s get started on this travesty…
I don’t wanna
So the film starts out with two girls (Lucy Hale and Shenae Grimes) hanging out discussing horror films and stuff. One of them has a facebook stalker. It turns out to be ghostface who stabs and kills them both.
It turns out that its not real. It is the opening scene from the film Stab 6 that two girls are watching. (Anna Paquin and Kristen Bell).
So that’s the first problem of this film. It was so dripped in big name actors that it was impossible to get into. I mean the original had famous actors too, but this was tooooo jam packed. It’s too much, far too much.
So Anna Paquin talks too much during the movie that Kristen Bell kills her.
I know Kristen Bell? Whatever.
Yep, it’s just another fakeout. It’s Stab 7 that Julie from Friday Night Lights, I mean Jenny (Aimee Teagarden) and her friend Marnie are watching. After that Jenny goes upstairs to get something, and instead prank calls her friend. The “real” Ghostface comes in and kills Marnie, with Jenny right behind her.
Victim 4 & 5
And here we have another garage scene that is improbable. I’m telling you, any automatic garage door will not be able to kill someone. They design the mechanisms so that if there is something underneath them, it will cause them to be incapable of being squished.
And the other problem with this scene is the fact that having two fakeouts was too many. After the two psych-outs, I was not attached to the characters as I was just expecting them to die. It wasn’t scary, mysterious, funny, or good. It was just bad. Bad, bad, bad. Plain ol’ lazy writing. Come on Wes, you’re better than this. This is reverting back not evolving.
So this film, and the first scene, take place 10 years after “The Woodsboro Massacre” or the amazing phenomenon known as Scream. Deputy Dewey is now Sheriff and married to Gale Weathers. Gale has stopped reporting and turned to writing fiction. Sidney has written a book on her experiences and is on tour. In fact, she has just arrived in Woodsboro. And Randy is dead.
Still not over that.
We then see the horrible Emma Roberts getting picked up for school. I hate Emma Roberts. She has no talent whatsoever. She always seems as if she is acting, so I never believe that she is whatever “character” she is playing. She’s like a block of wood. I think she is secretly a robot as she never gives any emotion. None whatsoever. She’s proof that just because one family member has talent, doesn’t mean the rest do.
I bet she is the killer. She’s all I hate Sidney. Blah, blah blah…
Anyways, Jill (Emma Roberts) is being picked up by her friends Kirby (Hayden Panettiere) and Olivia (Marielle Jaffe). Now who are these girls trying to fool? There is no way these girls are in high school they look sooo OLD.
I mean Roberts could pass for 19 at the youngest, but Panettiere and Jaffe? They are clearly are late 20s heading for their thirties. I’m looking it up now…let’s see…Roberts was 20 at the time, Panettiere was 22, and Jaffee was also 22. Okay so they weren’t as old as I thought they were, although they look it. I mean it’s laughable how they think they could pass off people so old as high school students.
Jill and Olivia receive texts from Jenny and Marnie, even though they aren’t close friends or anything…and the two girls are dead (although no one has discovers it yet. Speaking of which where were the parents during all of this? Why weren’t they with their kid? How come it took someone so long to discover the body? Come on now!)
Wes also has a love affair in this film with fake jumps. It’s like every five seconds. Seriously, just stop.
At the station Sheriff Dewey gets called on the scene and I notice something here Wes. Yes…yes…it appears that Dewey no longer suffers from a limp. I see, I see. Dewey gets to be limp free WHILE RANDY IS DEAD??!!
Never letting that one go. Moving on.
So Sheriff Dewey is called on the scene and he knows, he just knows
RIP Randy! Love you forever!!!!!!!
So as Sheriff Dewey is looking around, one of his deputies calls him Sheriff Riley. And I was like Whaaaaaaat????? Dewey has a last name?
Sorry. Back to the film.
So then we zoom to the high school were we have Hollywood’s version of high school students. You know horribly unrealistic and clichéd to the farthest ranges of the imagination. Because in Hollywood:
Yep, enter super nerd who has a computer hooked up to his headphones so he can blog every moment of his life.
Really Wes? Have you been to a school and seen real nerds? They don’t dress like that or do that? I mean when Ned’s Declassified did the Nerd has camera/computer hooked up to their glasses they did it to spoof. They weren’t trying to portray the nerd/online/blogger culture. You fail. Big time.
So then we enter douche boy, Jill’s ex-boyfriend. I mean this is some serious deja vu as he ex is a total creep. I guess douche dating runs in the family.
So during homeroom, everyone’s cellphones buzz with the news. I’m just like, why wasn’t the school notified? When I was in high school we had two deaths. One was a car crash, the other an overdose and the teachers were all immediatey notified before the friends even found out. Same thing in college when a guy committed suicide, and another guy jumped off his balconey as he was high and had a bad trip. Although in college they sent emails and texts to the students, while in high school they told us.
At the bookstore, Sidney is reading an excerpt from her book when Sheriff Dewey comes marching in. He interrupts the signing as they are tracking the phone that placed the calls. They discover it in the back of Sidney’s rental, along with bloody handprints.
Back at the station, Sheriff Dewey s dealing with a lot. Gale comes down as her old investigative spirit is still alive. She encounters a huge prob though. Dewey’s deputy, Deputy Judy, has a mondo crush on Dewey. But Gale, she’s not having any of that.
I love that Gale is still kickin’ butt.
So Sheriff Dewey decides to put Sidney on 24-hour police protection, and all I can think is do you remember what happend last time? Yeah, it did not end well.
You know what almost everyone in this film has drunk the kool-aid. I know that Wes wanted to provide a wide range of “suspects” (totally obvious Jill and Culkin brother/crazy film nerd guy). But he makes everyone seem CRAZY!!! Jill’s ex, the deputy, and that’s not all. Let’s add Sidney’s publicist who delights in the murders because it will sell more books. She actually hopes more will occur. And then we have Sidney’s aunt Kate. “Nobody cares about the fact that it was MY sister that was killed or what I’VE been going through.
So at this point in the film I’m starting to wonder what happened to Patrick Dempsey? AKA Detective Mark Kincaid. I guess he was too busy being a doctor or maid of honor. Let’s see…Yes to doctor, no to maid of honor. He was trying to protect a bank teller and working with Decepticons. I wish they had given us a clue as why they didn’t stay together. I liked Mark.
Later that evening, Sidney goes to talk to Jill and you know what..how come we have never heard of this aunt and niece before? I mean they have lived in the town their whole life and not once was concerned with Sidney? Like why didn’t she stay with her aunt when he dad was out of town? This Wes, is why you do not try and remake a good thing. Just leave well enough alone.
So Sidney goes in to talk to Jill and sees her creep ex climbing in her window trying to talk to her. He’s extra creepy and weird calling himself “the ninja”. Who nicknames themselves? He is also a total control freak and won’t listen to “no”. What a jerk.
That night Kirby comes over and she and Jill are watching scary movies. Kirby gets a call from Ghostface that he’s hiding in the closet. She decides to be stupid and looks around, finding no one. Like this guy KILLED people. Maybe you should CALL THE POLICE!!!!
The voice says that he never stated which closet he was in.
Now the house next door is Olivia’s who is home alone (of course). The police offered to walk her to her home but she refused and like the stupid caricatures they are, they agreed. I just realized that policeman in the Scream films are pretty stupid. Dewey and Mark being the exception. I mean SHE RECIEVED A DEATH THREAT FROM GHOSTFACE EARLIER!!!! WHY IS NO ONE PROTECTING HER!!! So of course, Ghostface is in her closet and kills her.
And her friends just watch.
Seriously, they DO NOTHING BUT WATCH THEIR FRIEND GET SLICED APART. Scream! Call the police!!! Do something!!!!
Sid hears it and rushes over to help. Now Sid I love you, but couldn’t you have brought a weapon with you? How do you expect to save the girl if you have nothing. I mean come on, grab a bat, frying pan, knife, SOMETHING!!!
Sid does manage to take him down as she rules! But when the cops come he’s disappeared? Who is he Michael Myers? How does he move so fast? I mean they did the same thing in Scream 2.
Why weren’t the cops able to find him? WHY DOES EVERYONE SUCK??? THIS MOVIE IS HORRIBLE, HORRIBLE I TELL YOU!!! CRAVEN YOU HAVE DISAPPOINTED ME AGAIN! IT’S LIKE NIGHTMARE ON ELM STREET ALL FREAKIN’ OVER AGAIN!!!
Not happy, not happy at all
Gale seduces the two nerds to get them to help her. At first I thought it was funny, but the more I think about it, it’s creepy. I know on Cougar Townyou are always with younger men, but this is a 47 year old woman hitting on 17 year olds.
PR girl is the devil. I am sorry but the way she gushes about the killings, she needs help.
So after she leaves from visiting Sidney in the hospital (minor cut) she runs into Ghostface and is killed.
Now to be honest its her own fault as she really shouldn’t be walking around at night by herself with a killer on the loose. And what’s really stupid was that she was by her car. Just get in and drive away, run him over. Instead she tries to run. DUMB DUMB DUMB DUMB. I mean come on, you were sitting inside the car! Why would you ever take off?
You know what I just realized. so far the killer has only murdered women. What’s up with that? In the other films it was always equal. How come you’re just killing women Wes? Huh? Why? You know what else? In every film we have couples who are murdered first. Scream– Steve and Casey, Scream 2– Boyfriend and Jada Pinket-Smith, & Scream 3– Cotton’s girlfriend and Cotton. But in this one its only been girls. There’s a formula!
But now, we only have females murdered. What happened Wes, did you have a woman break your heart so now you are releasing your anger on females?
And you know what’s really depressing about this film is that it lost everything. It isn’t a horror parody and a horror film at the same time; It’s just sad and boring. You can tell from the beginning who the killers are (Jill & Charlie [Culkin brother super nerd]). It’s just a recycled plot. A poorly recycled one too.
I mean each previous Scream brought something new and fresh.
Parody of the Horror film Genre while still being a great horror film
Twist ending with two killers, and one being the boyfriend.
Obsession with horror films and trying to create their own
Revenge because his mother left.
Parody of sequel films and horror sequels
Debates issue if whether horror films turn people into killers
Twist ending where you think it is the boyfriend murdering, but really ex’s mom
Female serial killer
Parody of trilogy films
Twist ending with mother’s secret early life + half brother
Single killer this time
All the survivors end in a couple-Dewey & Gale, Mark & Sid
Pop culture of the day inserted but it feels more like an old man trying to be “hip” and failing than avant-garde.
They waited far too long to make this film. It should have come sooner.
So the next day Gale gets Sidney to come speak at the film club at the high school. In return for this, the two geek boys Charlie (the Culkin brother) and his friend blogger- headphones, Robbie, will help her out. Gale thinks the new Ghostface is copying the murders, but the nerd twins point out that it is a remake “as only remakes are being made these days.” Tru dat. In 2011 alone there was Silent House, Gnomeo & Juliet, The Green Hornet, The Roommate, The Mechanic, Just Go With It, Unknown, Jane Eyre, Winnie the Pooh, Arthur, X-Men: First Class, Rise of the Planet of the Apes, Fright Night, Conan the Barbarian, Real Steel, Straw Dogs, The Thing, Footloose, The Muppets, and The Sitter.
The kids tell Gale & Sidney that if the killer wants to make it intense and new he is going to record the murders. That’s not new, it’s been happening for quite so time now. Just another ripoff.
They decide the next place he will strike is the annual Stab-a-thon. Now you have a killer running about and you refuse to stop your party? Definteky Charlie. He’s the killer. I mean come on, any smart person would be like nope, let’s stop this so people don’t die.
So a bunch of the kids dress up in Ghostface masks which is incredibly stupid. I mean you have a KILLER IN THE GHOSTFACE MASK? Why is everyone so STUPID.
Gale goes there just like in the first film and hooks up some “secret cameras”. The cameras get covered up and Gale calls Dewey before she goes into take care of them. Now the smart thing would be to just wait as it is obvious that Ghostface is the one doing it, but whatever! I mean like even if you feel like you HAVE to go, why not be extra cautious and take a weapon! I mean, come on now people. She goes and is stabbed by the killer, however, she’s Gale so she just has to go to hospital. That’s cause Gale is awesome.
I just want this film to be over. It is that painful.
So I am liking nobody in this film. Like every character is crazy or stupid. The only exceptions are Gale, Sid, Dewey, and Aimee Teagarden’s character as she tried to run away. Even though I think Emma Roberts is the killer I want her to get stabbed so I won’t have to see her face again this film and hear her horrible acting voice.
So back at the house Sidney sees something outside. She goes to take a look at it instead of CALLING THE POLICE! Come on Sid, you’re better than that.
So the cops outside Kate/Jill/Sid’s residence are all comedic and talking about movie cops. They say that cops are what you never want to be as they are always “getting it” in films. Uh, not true! What about Dirty Harry? Ain’t nobody taking down Clint Eastwood. Or what about Patrick Dempsey in Scream 3, I mean Wes you freakin’ made that film. Witness? Harrison Ford always dominates! Sidney Poitier In the Heat of the Night or They Call Me, Mr. Tibbs! Mark Wahlberg in The Departed? Die Hard?
Besides why would the black cop be worried that since he is a cop he’s going to killed? He’s got bigger worries, he’s a minority. He’s going to get killed for that. The only horror films I’ve ever seen where the minority doesn’t get killed first and makes it to the end would be Night of the Living Dead and Aliens vs. Predator.
They both get killed.
Victim #8 & 9
I was actually happy about that as they were annoying.
So someone in this film finally wises up, as Sid grabs a knife to protect her. Ghostface comes and attacks. Yawn! Knew it was going to happen. There is NOTHING original in this film, NOTHING!!!! Wes you have failed, fAILED FAILED FAILED!!!!!!!!!!!
So Kate also gets killed, she was stabbed through a door.
Is it over yet? Is the film done yet? Boo. There’s still 30 mins left! UGH, UGH, BLEH! I would stop watching like a did with An American Werewolf in London, but I promised full reviews of every Scream film and I can’t go back on that.
So Sidney escapes. She starts to head next door to protect Jill.
Next door we have Jill, Kirby, Robbie, & Charlie watching horror films.
So why don’t any of these kids feel remorse for the murdered people? I mean in Scream the main characters weren’t close to Steve and Casey (except Stu) so I could see where it didn’t make the biggest impact. But Sid started feeling when it was Tatum, Dewey, Gale, etc. In Scream 2, the girl in the film class was sad about her friend that was murdered in the movie theater and everyone is heartbroken over Randy.
Then in Scream 3 Cotton’s death, and while the characters didn’t know the movie stars, they were still sad to see them killed. I mean Olivia was their friend as she was MURDERED!!! And you know how they react? Jill in her monotone voice is fine and doesn’t say anything. Kirby goes to the Stab-a-thon in sa freakin’ ghostface mask. A GHOSTFACE MASK! I mean your friend was MURDERED, MUREDERED! And you are wearing the thing that killer wore to murder to your friend. Something is wrong with you all.
And you know what, that is the problem with this film. In the other versions you believed the actors were the characters. You believed them. In this film every character except for the 3 survivors are so fake. They have any real emotions. They don’t have any real reactions. They are like robots or something.
Why is everyone dumb in this movie? This movie is horrible and stupid! Dumb, dumb, dumb, dumb! OMG! it’s LIKE HE WANTS TO MAKE A SUCKY VERSION OF AN AMAZING FILM! WHY WOULD HE DO THAT? WHY? WHY? WHO GAVE HIM THE MONEY. You all should be held accountable for this!!!!
Is this too crazy?
This is film is a HUGE DISAPPOINTMENT! BIG MISTAKE!!!!!!!!!!!!!!!!!!
So the group is hanging out. Trevor comes over as he says Jill invited him. She tells them that is impossible as her phone has been missing. Jill goes upstairs and Trevor follows her. While he is gone, Robbie gets drunk and heads outside for another blog post. When he does this we have the only real scare in the film. He runs into a plant. That’s it folks, so far the plant has been the most scariest and original thing in this travesty. And that’s not even that original.
Back inside, Kirby is trying to seduce Charlie in the most horrible and painful way. It hurt to watch this scene. It was awkward, it was stupid, and it would never happen that way in real life.
You know what I’m wondering now? Where are the parents? Come on now, is Jill the only one in town with a parent? They are completely absent! At least in Scream they explaned it. Casey’s parents were out having dinner. Mr. Prescott was going out of town. Mrs. Riley (Dewey & Tatum’s mom) is a single parent. Stu’s parents don’t care and are out of town all the time. Mr. Loomis works late hours and has recently become a single parent. I get that, although they should have done a better job. Scream 2, in college parents aren’t there., although I’m really surprised not one of them came down to check on their kids. Scream 3 all are adults. But these kids have no parents anywhere, nor do they give an explanation except for Olivia She mentions that her mom works late. Its like this whole film is in an alternate dimension where reality plays no part at all. I mean I know its a movie, but explain! Movie EXPLAIN!!!
So this film is far too predictable. You know Robbie who is hanging outside is going to be killed first, then Kirby, then Trevor, and then Charlie. It is soooo obvious.
This is horrible. Why am I watching this? Why?
So Robbie of course is killed, and too his shock as he thinks being gay will save him. I thought that was a weird thing to say. I mean, I can’t think of horror films where a gay person always survive. I mean technically he’s in the minority category and we all know that minorities hardly ever make it to the end of a horror film.
Before Kirby and Charlie could get it on, Trevor comes downstairs. He couldn’t find Jill upstairs. He and Charlie head to the kitchen, leaving Kirby alone in the living room. Jill comes from downstairs, now how the heck was she there? (I mean obvs to me she’s the killer, but why doesn’t anyone else think that weird?) Sidney runs into the house to warn everyone. IT WOULD HAVE BEEN NICE IF YOU HAD CALLED THE POLICE FOR BACKUP. Kirby goes down to the basement, while Jill and Sidney go upstairs. Jill hides under the bed.
That is the worse place to hide. Beds and closets are always checked first.
Sidney comes down to the basement with Kirby and they see Charlie. He wants them to let him in, but Kirby is unsure whether or not she can trust him. Ghostface grabs him and ties him to a chair. Ghostface then calls Kirby.
The two are going to play a game. Kirby wins, Charlie is free.
The Voice: I hear you like horror movies, Kirby. But do you like them as much as him? Forget watching Stab, instead you get to live it.
Kirby Reed: No. No, no, no, no. He’s the expert. It’s not me.
The Voice: Warm up question: Jason’s weapon?
Kirby Reed: Uh,it’s a machete.
The Voice: There. You see? You do know the genre. Michael Myers?
Kirby Reed: Uh, butcher knife.
The Voice: Leatherface?
Kirby Reed: [crying] Chainsaw! Please!
The Voice: Just ask Sidney if you need some help. Freddy Krueger?
Kirby Reed: Razor-hands.
The Voice: Name the movie that started the slasher craze: Halloween, Texas Chainsaw Massacre, Last House on the Left or Psycho?
Kirby Reed: Psycho.
The Voice: None of the above! Peeping Tom, 1960, directed by Michael Powell. First movie to ever put the audience in the killer’s POV.
Kirby Reed: Wait. No, no, no. Please, just ask me one more question. Just one more.
The Voice: Alright, Kirby, then it’s time for your last chance. Name the remake of the groundbreaking horror movie in which the vill…
Kirby Reed: Halloween, uh, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, uh, Last House on the Left, Friday the 13th, A Nightmare On Elm Street, My Bloody Valentine, When A Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right? Right?
Kirby Reed: I got it right. I was fucking right. [goes outside; unties Charlie] Don’t worry, Charlie. I f****** won. I won. He tried to beat me but I f****** won.
Charlie Walker:[holding knife] Kirby? This is is making a move! [stabs her] Four years of class together and you notice me now? You stupid b****! It’s too late! Shhh, I know. It doesn’t happen as fast as it does in the movies, I know.
[finishes stabbing her and drops her; runs away]
Yep Kirby is dead.
And Charlie was the killer. Totally obvious.
So deputy Judy comes into play as she discovers Kate’s body and the dead cops. She heads over to Kirby’s house to check on everyone. I still want to punch her crazy-obsessed with Dewey face.
Does that make me a bad person?
So Sidney is being chased by Charlie and manages to escape him heading for the door. But Sid, don’t forget, except for Scream 3 there are always two killers. And as she heads for the door…boom Jill stabs her.
Now if Wes wanted to make this really unique. He should have down a group of female killers. It is rare, but does happen. Olivia, Kirby, and Jill. Or deputy Judy. She could be doing all these murders just so she could kill Gale and get Sheriff Dewey. Or he could have not tried making a remake. That would have been fantastic!.
So the two totally obvious killers start revealing the reasoning behind it. Jill was always jealous of her cousin’s fame. And as Emma Roberts…I mean Jill has no talent, she figures this is the quickest way to make her famous.
Jill Roberts: My friends? What world are you living in? I don’t need friends. I need fans. Don’t you get it? This has never been about killing you? It’s about becoming you. I mean, for f***’s sake, my own mother had to die, no great loss there, so I could stay true to the original. That’s sick, right? Well, sick is the new sane. You had your 15 minutes, now I want mine! I mean, what am I supposed to do? Go to college? Grad school? Work? Look around. We all live in public now, we’re all on the Internet. How do you think people become famous any more? You don’t have to achieve anything. You just gotta have f***** up-s*** happen to you. So you have to die, Sid. Those are the rules. New movie, new franchise. There’s only room for one lead, and let’s face it, your ingenue days, they’re over.
Charlie was her new boyfriend that was helping her do this. They plan to have Trevor take the fall for it, stabbing themselves, but shooting him to make it look like “self-defense”. Charlie is happy that the “geek will get the girl”, but Jill tells him sorry and kills him.
You know what I just realized. They never clean the knife. Ever. With all those kids having sex and the amount of diseases that abound, now all I can think is how they’ve been spreading so much to people. They’ve all probably got Chlamydia or something.
Also WHERE ARE THE POLICE!!!??? I mean deputy Judy was right next door!!!
So then Jill kills Trevor and Sidney.
Victim #14 &15
After that she starts taking care of the evidence. Planting the knife/gun. Beating /mutilating herself. Even ripping hair out and putting it in Trevor’s hand.
When the police finally come, they discover her and name her the sole survivor. They cart her off to the hospital. In the hospital Dewey visit Jill, who is all smiles. I have to say nobody is freaked out by the fact she doesn’t care that her best friends, mother, and cousin have all been brutally murdered???!!! Someone ship her off to the psycho ward. That girl is crazy!
Jill tells Dewey that maybe she and Gale can write about the murders as they have matching wounds. Dewey tells her that Sidney might be able to also help, as she is going to recover.
Yep, looks like we have Dial “M” for Murder all over again.
“Margot Mary Wendice: Do you really believe in the perfect murder?
Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out.
Tony Wendice: Oh? Why not?
Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don’t… always.”
You can’t plan everything sweetheart.
So Jill gets out of her bed and charges down to ICU to get to Sidney.
That is impossible. There is no way she would be able to get across the hospital as they are jam packed with people. Especially ICU. Most ICU units actually are protected by some kind of card swipe or button so that only certain people can go in. There’s no way she’d be able to get to Sidney.
Dewey goes to see Gale, and as he mentions Jill’s comments they both realize that the information about her stabs were not released to the public. There is no way she could have known where Gale was stabbed, unless she had done it herself.
Dewey runs down to get to Sidney, and sees Jill trying to kill her. Sidney is doing a great job as she is Awesome! Sid you rule! Jill does have an upper hand as she tries to hurt Sidney in her stab wounds. Dewey is trying to help, but gets knocked out by a bedpan. Gale and Deputy Judy also come in, but Jill stole Dewey’s gun and threatens killing Dewey to get Deputy Judy’s gun. After the gun is passed, she shoots Deputy Judy in the chest.
Jill is threatening all and planning on killing them but this is very stupid. She already framed Trevor and gave a statement. How is she going to explain the other dead bodies? Who can she pin the murder of Sidney, Gale, Deputy Judy, and Sheriff Dewey on. Not going to work.
Jill plans in killing Gale next, as Sidney’s wounds have reopened and she seems to be the lesser threat. She is about to when Sidney shocks her with the defibrillator.
“You think you know something, don’t you? You think you’re the clever little girl who knows something. There’s so much you don’t know, so much. What do you know, really? You’re just an ordinary little girl, living in an ordinary little town. You wake up every morning of your life and you know perfectly well that there’s nothing in the world to trouble you. You go through your ordinary little day, and at night you sleep your untroubled ordinary little sleep, filled with peaceful stupid dreams. And I brought you nightmares.”
So for my first Alfred Hitchcock film, I am going to review Shadow of a Doubt. This really surprised me as I never thought this would have been the first, (I was sure it would be Psycho). But I had such an urge to talk about it, that I had to follow it. Now this has never been considered one of Hitchcock’s greats, in fact it bombed at the office, but it was both Alfred Hitchcock’s and Teresa Wright’s favorite film.
I actually have a personal connection to this film myself. I used to go to college near Santa Rosa and one day for film class we were going to watch a psychological film. The one we chose wouldn’t work and I suggested that we had to watch an Alfred Hitchcock film, specifically Shadow of a Doubt. I had this urge and was pushing the film so hard, even though it is not one of my favorite Hitchcock films. It was only when we watched it, that I remembered that it was set and filmed in Santa Rosa. In fact, I have been to all the areas the film was set in.
So the film is supposed to be about a happy town, full of normal American people, but underneath this lies something horrible. This kind of thing was what David Lynch ended up doing and becoming famous for in his film Blue Velvet and TV series Twin Peaks.
So the film starts off with the extremely handsome Joseph Cotten, lying on a bed. His name is Charlie Oakley.
His landlady knocks on the door and tells him that there are two men looking for him. Charlie quickly packs some things up, gathers his money, and takes off. He makes plans to get out of the East coast, going heading to California to visit his sister Emma in Santa Rosa.
In Santa Rosa, we meet Charlie 2 (Teresa Wright), named after her Uncle Charlie. (From now on I’m going to say Charlie for Teresa Wright and Uncle Charlie for Joseph Cotten as otherwise it will be too confusing.) Anyways, Charlie has been complaining that life is boring. Nothing interesting ever happens in life.
She finds out that her Uncle Charlie is coming and is ecstatic. The two of them have always shared a special bond. Out of everyone in their family, she feels that Charlie is the only one who really gets her.
Uncle Charlie greets the family and not only bring life into the house but gifts. Charlie gets the most special gift of all, an emerald ring. Charlie notices an engraving of initials on the inside and asks Uncle Charlie what they stand for. He doesn’t know and blames the jeweler for selling him an old ring instead of a new one.
He keeps trying to push Charlie to let him get it re-engraved, but she refuses. At dinner, Emma is humming this song. It has been stuck in her head all day and she can’t remember what it is called. She asks around to everyone else, and her husband Joseph says that it is The Merry Widow Waltz. When Uncle Charlie hears this, he is startled and spills his wine.
After dinner, Joseph’s friend comes over. Now this is an interesting subplot. The two of them are huge mystery fans and are constantly trying to create the perfect murder. This subplot always makes me laugh and it reminds me of a friend and I. We are always talking about the best way to kill someone and get away with it. I always go with the Secret Window way.
“Joseph Newton: We’re not talking about killing people. Herb’s talking about killing me and I’m talking about killing him.”
In fact, they remind me of Randy from Scream except with actual murders, than horror films.
They determine one of the best ways to kill someone is to disguise the murder as a suicide.
The next day, Uncle Charlie is reading the paper, when he sees a story that upsets him. He rips the page with the story on it, and turns it into a house for the kids, hiding the ripped story in his pocket. Ann and Roger think it’s are cool, but they have to dismantle it as their father hasn’t had a chance to look at the paper.
Charlie saw him hiding the torn pages and starts teasing her Uncle. She grabs them out of his pocket and tries to put them together. But before she can, Uncle Charlie gets angry and pushes her away. She becomes frightened, but Uncle Charlie consoles her, telling her that it was a bad story about a friend.
Soon after, two men approach the family and let them know they have been chosen to be the feature family for a census agency on “typical American family-ness”. They will be coming to interview them and photograph their average lives.
Emma is really excited as Uncle Charlie will now be a part of the featured story. She tells Charlie about how she only has one photo of him. It was when he was a little boy, before he got in a horrible accident. After he recovered from the accident he never was the same again. Often getting into trouble.
Uncle Charlie says he will be staying in town for a while, and then begins acting strangely. At the bank he deposits forty thousand dollars in cash and makes all these jokes about the bank and Joseph (Charlie’s dad) embezzling funds. He also extremely avoids the census takers. He thinks they are up to something. Whenever they come to the house, he always leaves and won’t answer any questions.
When his picture gets taken, he becomes extremely angry and demands for the negative roll.
The younger of the two census workers, (Macdonald Carey), asks Charlie to be his guide of the town, and she agrees only to please her mother. When he gets her alone he tells her that he isn’t a census taker, but that instead he is Detective Jack Graham and that he is with the FBI. They are investigating “The Merry Widow Murderer”, a man who romances widows and murders them taking their money. He tells her that that they have two suspects. One of which is her Uncle Charlie.
The next day Charlie is still reeling from the news and sleeps all day. She doesn’t want to believe her Uncle Charlie is capable of murder. However, she can’t help thinking about his suspicious behavior.
Charlie gets even more freaked out when Uncle Charlie gives a rant on widows.
“Uncle Charlie: The cities are full of women, middle-aged widows, husbands, dead, husbands who’ve spent their lives making fortunes, working and working. And then they die and leave their money to their wives, their silly wives. And what do the wives do, these useless women? You see them in the hotels, the best hotels, every day by the thousands, drinking the money, eating the money, losing the money at bridge, playing all day and all night, smelling of money, proud of their jewelry but of nothing else, horrible, faded, fat, greedy women… Are they human or are they fat, wheezing animals, hmm? And what happens to animals when they get too fat and too old?”
Charlie suffers a breakdown as she can’t handle the thought that her Uncle is a murderer. That coupled with her father and Herb’s constant murder talk, ugh she just needs to get away. Uncle Charlie follows her and takes her to a bar to talk.
At the bar, he confronts her suspicions and tells her that he is considered for “The Merry Widow Murderer”, but it isn’t him. It is just a coincidence.
Yes I am
Charlie listens, but something doesn’t sit right with her. She still feels suspicious. She sneaks into Uncle Charlie’s room to try and figure out what article he had ripped up.
She can’t put the pieces back together, and instead heads to the library. She convinces the librarian to let her search the papers and discovers that “The Merry Widow Murderer” killed a famous entertainer. She notices that the initials of the woman match the ring Uncle Charlie gave her.
She goes to her uncle to confront him, and he asks her not to say anything. She agrees to wait as she knows it will hurt her mother.
Meanwhile, Jack is pushing Charlie to give him info on her Uncle, but she won’t say a thing. They sent the photo of Uncle Charlie back East but haven’t heard whether or not he is the guy the are actually after. The other suspect they were considering was killed fleeing from the police and many believe he is the murderer.
After this news, Jack goes to Charlie and tells her that he likes her. And that he would like to date her, maybe even marry her one day.
I know. He has been nice, but he never even seemed to show that he was that interested in her. He totally pulls a Mr. Darcy, completely dropping that bomb out of the blue.
Uncle Charlie is all smiles and it seems like everything is fine, but Charlie can’t shake an uneasy feeling.
This doesn’t feel right.
Soon Charlie suffers from an accident. As she is coming down the stairs one of the steps falls through causing her to fall. She checks later but can’t tell of any tampering.
Oh what a horrible accident.
Now these are some of the best scenes in the film. In the beginning you aren’t sure if Uncle Charlie is doing anything, whether they are accidents or not. I mean could he really be so cold-blooded as to kill his own niece?
Uncle Charlie is asked to give a public lecture and the whole family is going to go hear him speak. There isn’t enough room for them to go in one car, so they decide to send most in a taxi, with the Charlies going in the car. Charlie gets trapped in her garage with the car going. She calls for help, but the music Uncle Charlie is playing overpowers her screams.
Luckily, Herb is coming by as he does everyday and hears her, freeing her.
The next day, Uncle Charlie decides that he is leaving. Everyone but Charlie is sad to see him go. As he gets on the train we see that he won’t be traveling alone, but a rich widow from the town. Every one comes on board to check out the train, with Uncle Charlie gets Charlie to stay longer to talk. The train starts going while she is on it. She tries to run off, but Uncle Charlie tries to push her off the train onto the track of an oncoming one.
The two struggle and Charlie manages to overpower him, knocking him off the train.
There is a funeral for Uncle Charlie and Jack comes back. Charlie tells him the truth and why she kept it hidden from him. Together they resolve to keep Uncle Charlie’s crimes a secret.
You have to see this film. The story is great, the acting amazing, and the cinematography is just beautiful.
“It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
In their proper place, the depths.”
So back in July I did a post on trying to start a revolution and I mentioned this film. Now this film is not mainly a horror film but a mix of a Dystopian Drama, Sci-fi and Horror, a Dystfiror. This film also reminds me A LOT of Atlas Shrugged, so I chose this poster instead of the other one that has the robot on it. Robot, you may ask? But that’s getting ahead of ourselves.
So this film takes place in a future far away . In this land the people have been split into two groups, the workers and the rulers. High above is the city Metropolis with its pleasure garden, as the wealthy lounge about doing nothing and anything they want. Below the city lies the workers, who are constantly going to support the city and all of the upper-dwellers’ desires.
Anyways, the ruler of Metropolis is Jon Frederson, who’s only compassion and love is aimed at his son, the rest of the world and people be d*****. His son Freder…Now I know what you’re thinking because I thought of it too. Really, Freder Frederson? Really now? That’s you’re name?
Why yes, yes I do think so.
Well I don’t care.
So anyways I’m like that’s really all you can come up with? With all the names there are that is the only one you can think of? Freder Frederson?
Spongebob would be disappointed in you.
When I watched it I renamed him Alan, as Alan Frederson was way better than Freder Frederson.
I like it!
Anyways, I digress so Freder is chillin’ in the pleasure garden (everytime I hear pleasure garden I think of Bosch’s Garden of Earthly Delights), just enjoying being rich and worry-free.
They got lots of pleasures, alright.
Maria brings some children to see the Garden, and Freder sees her and falls for her, completely taken with her.
Maria, leader of the Rebellion
He then follows her down to the workers’ realm.
Freder journeys down into the machine rooms and sees it explode, injuring and killing the workers.
He runs to report to his father:
Sorry had to do it
Frederson is upset at having gotten the news from Freder instead of his foreman. (Everytime I read that sentence all I can thik of Señor Senior Sr and Señor Senior Jr. from Kim Possible). Sorry! I’m moving on, I swear! So the assistant Josaphat is fired for his failure. Jo knows that now that he no longer holds such a high position, he will be sent to the worker’s underground and forced to be in the factories, getting the same harm inflicted on him that he did to others. He decides to kill himself, but is stopped by Freder. Frederson is confused by the way his son is starting to act and sends his henchman the Thin Man.
On a side note, evil, businessman and father Frederson, has some secret plans in the mix. They were found on the dead factory workers’ bodies, which angered him extremely, as he doesn’t want it revealed yet.
Upon Freder’s return, he finds a worker and takes his place as the worker is too old and sick to continue. They trade clothes, in which the worker, Georgy, is supposed to come back later for them. However, Georgy enjoys his taste of the high life and spends the night at a club, forgetting all about Freder. (You might recognize pieces of this film as parts were used in Queen‘s Music Video for “Radio Ga Ga“.)
Freder on the other hand finds a map in his pocket and hears about a secret meeting. (There is also this weird scene where he hallucinates from exhaustion, but let’s skip it).
Meanwhile up above evil dad Frederson has discovered copies of the map and decides he will do something about this little insurrection. He goes to see his minion, Rotwang, in order to figure out what to do about it. [Check out the name Rotwang. It just screams evil!]
Rotwang is an inventor and he had been in love with Frederson’s wife, who died in childbirth. Rotwang has been unable to let go of her memory and created his own version of the perfect woman Maschinenmensch.
Its a pretty freaky scene, and totally creeps Frederson out.
Understandable, as it would freak me out too. It did. It still does.
Rotwang deciphers the map, and sees that it shows a system of catacombs that lie beneath Metropolis. They go down to investigate what’s going on.
Downstairs, there is a large gathering of the workers. Freder is there too, trying to find out what’s up. Maria is at the head of the group as she is the leader. She tries to rally the people to arms and to fight against their oppressors. She tells them that they must be patient until they can find a mediator between the two worlds.
Freder believes that he is the one to fill that role. He also realizes that he is in love with Maria and declares his love for her. She returns it.
The two make plans to meet up the next day, but unbeknowest to them they are being watched by Freder’s father and lackey. Freder’s father asks Rotwang to make the robot look like Maria so they can turn all the workers against her. Rotwang agrees, but has a secret agenda. He plans on killing Freder for causing the death of his mother.
Like what a jerk! He couldn’t do anything, he was just a baby. And Rotwang is a MAJOR creepo!!!
So Rotwang follows Maria and kidnaps her, hiding her away to complete his evil plan.
Georgy gets caught and sent back down to the worker’s area. They think that Freder’s friend Josaphat is involved, as that is where Georgy was supposed to spend the night, and Josaphat has to flee to the worker’s city. Freder goes to meet with Georgy, but can’t find him. He goes over to the Cathedral where the two were supposed to meet but can’t find Maria.He does overhear monks talking about the apocalypse, and the Whore of Babylon wrecking havoc through the world. He begs them not to harm Maria and goes searching for her.
Meanwhile Maria is trapped while the mad scientist Rotwang completes his robot’s likeness.
I’m sure you all knew I was going to make this connection.
Rotwang complete his robot and sends it off to Father Frederson. This version of Maria is wanton and lustful. Freder goes to see his father and finds the two in an embrace.
I mean seriously, what were you thinking?
Freder freaks out and drops into a delirious state of mind.
False Maria begins to unleash chaos throughout the land as she causes men to murder and fight each other.
Freder recovers and finds his friend Josaphat. Meanwhile, Maria manages to escape their grasp. Freder and Josaphat try to stop the false Maria from urging the workers to destroy the city, but everyone tries to attack him as they recognize him as Frederson’s son. He is luckily saved by Josaphat. Upstairs, Frederson wants the workers to fight, allowing him to use his army against them.
The workers are extremely riled up and rush to the machine rooms destroying the Heart Machine that powers the city.
Grab your torches and sharpen your pitchforks!
The system’s below start to fail and the worker’s area began to flood. But the workers have forgotten one thing. They left their children behind!
Maria has managed to escape and runs downstairs to help save the children. [Side Note: Unemployment and inflation were so bad in Germany at the time that the producers had no trouble finding 500 malnourished children to film these flooding sequences.] Maria and Josaphat work together to get them out okay. In the machine room, Grot begins to yell at the workers. He reprimends them for letting their emotions get the best of them and killing their children. The parents freak out and march after the false Maria.
Grab your torches and sharpen your pitchforks!
They take False Maria and burn her at the stake. Freder is heartbroken, thinking he lost her.
But then when she burns away, she is revealed to be the robot.
Rotwang chases the real Maria to the roof pursued by Freder. Fredersen and the workers watch from the ground. Rotwang falls to his death and Freder is able to unite the two. He [heart] ends by linking the hands of Fredersen (head) and Grot (hands) to bring them together.
This movie was actually supposed to be against facism and Hitler, but unfortunately Adolph Hitler and Joseph Goebbels really liked this film. Fritz Lang, the director, was Jewish, but Hitler told him that in spite of his background they would make him a honorary Aryan. Lang left Germany immediately after that night.
But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.
So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.; looked to it in creating their stories.
So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankenstein, or The Bride of Frankensteinpost]I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb! Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s father, Lon Chaney.
Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.
So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.
Look at this sweetheart
His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).
Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.
That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:
“Even a man who is pure in heart
and says his prayers by night
may become a wolf when the wolfsbane blooms
and the autumn moon is bright“
Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]
Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.
When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.
Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…
Making him the next werewolf.
The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!
They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.
Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?
Larry Talbot: Why, yes. That’s the stick I killed the wolf with.
[Sir John Talbot and Col. Montford look at Larry with great concern]
Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.
Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.
Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.
Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!
Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.
The gypsy woman, Maleva, reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.
Maleva: You killed the wolf.
Larry Talbot: Well, there’s no crime in that is there?
Maleva: The wolf was Bela.
Larry Talbot: You think I don’t know the difference between a wolf and a man?
Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.
Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!
Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.
Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.
Maleva: The wolf bit you, didn’t he?
Larry Talbot: Yeah. Yeah he did!
Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”
Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!
Now the transformation was laborious. The makeup took six hours and was the design by Jack Pierce for Henry Hull in Werewolf of London. Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.
That night the Wolf Man attacks a grave-digger, Richardson.
The constable and the Doctor finds his ravaged body and wolf tracks.
Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.
The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The night Larry as the Wolf Man steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had felt sorry for his predicament.
Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!
He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.
“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?
Gwen Conliffe: Oh Larry, you’re not. You know you’re not.
Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”
Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!
YOU ARE MAKING THE SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!
DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!!DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!
And now that I got that little rant out of my system, let’s get back to the story.
So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.
Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Operawhere he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.
Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.
So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.
But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.
The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.
“Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”
Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time.
So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!