I’m going to TRANSFORM him, and unleash the savage instincts that lie hidden within…
So this is another werewolf film, and a B horror film, that doesn’t end well. And to be perfectly honest that’s how I like them.
As depressing as that sounds, I like it when the werewolf story ends like that that because it’s closer to the original story. Here we have a good man, who has been turned into something he doesn’t want to be and can’t control. It’s sad and poetic at the same time.
So the big reason I watched this film was because it first of all was about a werewolf, which you all know I love. And it stars Michael Landon.
So the story is about Tony Rivers (Michael Landon) a boy who is known for losing his temper. His dad is constantly telling him he should get help for his anger problems, but Tony won’t listen. He doesn’t believe he has any issues at all. After a really bad fight on campus with a classmate, the police get involved. The Detective urges Tony to meet up with a psychologist. The thing that really pushes him to reform is his girlfriend Arlene (Yvonne Lime). She tells him he has too many issues and she can’t date a guy like that. At a party that night he attacks his friend when he surprises him, and that pushes him into seeking help from the acclaimed Dr. Alfred Brandon.
Now this is what makes the whole story so sad. He is earnestly trying to get help and fix his problems, but everything goes bad as he turns to the evil Doctor. I tell ya, I don’t trust doctors (unless they are Michael Rennie), as they always turn out evil. Dr. Hartz from The Lady Vanishes (1938), Dr. Hollingshead from The Secret Life of Walter Mitty (1947), Dr. Einstein from Arsenic and Old Lace (1944), Dr. Arthur Carrington from The Thing From Another World (1951), and that’s just to name a few.
Anyways, so the Dr. Brandon has no intention of helping Tony out. Instead he wants to experiment on him, testing out this serum he created to bring out people’s primitive instincts. His assistant tries to convince him not to, but Dr. Brandon won’t listen.
“Dr Hugo Wagner: But you’re sacrificing a human life!
Dr Alfred Brandon: Do you cry over a guinea pig? This boy is a free police case. We’re probably saving him from the gas chamber.
Dr Hugo Wagner: But the boy is so young, the transformation horrible –
Dr Alfred Brandon: And you call yourself a scientist! That’s why you’ve never been more than an assistant.”
That night the teens all go hangout at a party. One of the guys, Frank, is killed while he is walking home from the party.
The next day the police are studying the scene and trying to figure out what could have done this. The police station’s janitor, an emigrant from the Carpathian Mountains, looks at the photos and determines that it was a werewolf that did it. In his hometown “human beings possessed by wolves” are common, so he declares that nothing else could have killed the boy.
The next day, Tony goes back for a second session in which he tells the doctor that he feels like something is wrong with him. The doctor brushes it off and Tony continues on his way. That day his principal calls him into her office and tells him how happy she is with the improvement. She is going to recommend him entry to the State University.
I know this won’t end well
It really gets me because he is so hopeful and sweet, yet you know, you know nothing will end well.
So Tony is happy, now that he has a future and a ticket to be something. As he walks to class the bell rings, triggering his transformation.
And he attacks Theresa, his classmate, who is practicing nearby.
Tony flees for his life, and even though he looks wolfish, people recognize him and put out an APB. A reporter goes to his father and girlfriend to find out more about him and get a scoop. Meanwhile, the police follow Tony, siccing dogs after him, but Tony takes them down.
In the morning, Tony wakes up in his true form. He tries to talk to Arlene but can’t get anywhere with her as she is too freaked. He then runs down to Dr. Brandon’s office to get his help. Dr. Brandon lies to Tony, telling him he will help him but in reality injects him with the serum. Tony starts to transform when the phone rings and it causes Tony to go berserk, attacking the Dr. and assistant. Right then the police charge in and take Tony out (even though they don’t use silver bullets. Although they don’t need to as he isn’t a true werewolf but a manmade one). When they do so, Tony returns. But dead.
Doesn’t it just get you in the feels?
It’s just so sad. He wanted the help, he wanted to be better; but just went to the wrong person and everything in his life went downhill.
We traced the call! It’s coming from inside the house! Do you hear me? It’s coming from inside the house! You need to get out!
So I love this movie so much! It came out during the period of remakes of 1970s horror films, you had Dracula 2000, The Exorcism of Emily Rose (2005), The Wicker Man (2006), The Texas Chainsaw Massacre (2003), Carrie (2002), The Omen (2006), The Hills Have Eyes (2006), Dawn of the Dead (2004), Halloween (2007), and Invasion (2007).
I thought it was a great remake, although I’ve never seen the original. And as the trailer revels the climatic ending I don’t feel bad about doing so either.
So the film starts off a police cleanup as a baby-sitter and the kids she had been watching were ripped to shreds.
Then we cut to out protagonist Jill who is practicing track. She is suffering from a supremo of bad days. Her times are all off and she needs to improve her speed. Part of the reason she is sucking so much is that she is distracted by her broken heart.
It turns out that her boyfriend and best friend hooked up! What jerks!
And she is grounded because she went over the mins on her phone. Remember, back in the day when every cellphone plan had min limits, and everyone was going over them all the time?
She really wants to go to the bonfire party, but the only place she is allowed to go is to babysit.
Yep, the money from the job is supposed to be enough to cover the cost of the phone bill. They must be paying her an awful lot of money.
To further her punishment, she can’t have her own car but has to be dropped off by her dad and then dropped off by the couple when they return from their night. Now this is a pretty sweet baby-sitting job. It is for a rich family, who lets you eat anything in the house, watch things on their massive TV, getting paid lots of money, and you don’t even have to look after the kiddos as they’re sick.
Only one problem, she is in the freakin’ middle of nowhere. But it is a beautiful house!
It has a so many glass windows and such, it also has an inside garden/aviary thing.
Now my home has a whole wall of windows, so when I first watched this with my friends we were all freaked out during the…well I’ll save that for later.
So Jill doesn’t have much to do as the kids are sick and knocked out upstairs. The maid is there, but will be leaving shortly after she finishes her rounds. The couple have an older son who attends college and he may or may not be coming back to visit, but if he does he’ll crash in the guest house in their backyard.
Seems easy enough
So Jill gets ready for a night o’ fun. She eats popsicles and tries on jewelry and clothes.
Everything is fun and games until Jill begins to receive anonymous and annoying phone calls.
Voice of the Stranger: Have you checked the children?
Jill Johnson: What
[Stranger hangs up. Jill runs and checks on the children. Comes back downstairs]
Jill Johnson: [phone rings] Hello?
Voice of the Stranger: [pauses] How were the children?
At this point in the film if you look hard enough you can actually see him watching her through the window while she is walking around and talking to her on the phone.
In between she gets some creepy calls from her ex’s friends. She gets even more calls, but then one turns out to be her ex-friend Tiffany. Tiff the big, bad, boyfriend stealer.
Tiff comes and tries to fix things between them, with Jill feeling lukewarm about the whole thing. She kicks Tiff out, who tries to leave but can’t as a tree blocks her path. A tree that wasn’t there earlier. That means only one thing, bye-bye Tiff.
The calls continue getting even creepier.
Jill Johnson: Tiffany, I know it’s you. I can see your name on Caller ID, genius.
Voice of the Stranger: This isn’t Tiffany.
Jill Johnson: Who is this?
Voice of the Stranger: [pause] Who is this?
Jill Johnson: Cody?
Voice of the Stranger: Who’s Cody?
Jill Johnson: You better cut this out!
[stranger hangs up]
Now for the most part Jill is pretty smart girl. She calls the police and tries to get them to trace the call and get rid of her stalker. She keeps the security system on at all times. When she sees a light go on in the guest house, she thinks it might be the son and tries to get him to come back with her to help.
She turns the security system off and runs down to the guest house to get the son. When she gets in there, she discovers that there is no one there.
Jill concludes that it must have been the maid, going over here to clean and then left after she completed the job. She runs back to the house, causing the security system to go off. She gets a call from the company, but tells them that it is only her. She must have only thought she turned the system off.
She continues to get more calls from “the Stranger”, telling her that he can see her.
Jill Johnson: He can see me!
Officer Burroughs: Sorry?
Jill Johnson: It’s Jill, the girl who called before about the man who keeps on calling.
Officer Burroughs: What’s going on?
Jill Johnson: He called me again.
Officer Burroughs: What did he say?
Jill Johnson: He’s out there, he’s outside, he’s watching me through the windows.
Officer Burroughs: Did you see him?
Jill Johnson: No, but I know he can see me, because I went upstairs…
Officer Burroughs: Okay, take a deep breath, where’s the house keeper?
Jill Johnson: I don’t know, I saw her purse and the keys but I can’t find her.
Officer Burroughs: The house locked up?
Jill Johnson: Yes.
Officer Burroughs: Alarm system?
Jill Johnson: It’s on.
Officer Burroughs: Okay, you’re safe inside that house. If he wanted to break in, he wouldn’t be calling.
Jill Johnson: But he must want something!
Officer Burroughs: Listen to me, Miss, it’s just some a****** trying to hassle you.
So when my friends and I were watching this film, we were in the living room which has a whole wall made entirely out of windows, similar to the house in the film. There is also a window behind the TV. As we were watching this part, something hit our window.
Our cat had jumped up on the fence outside and hit the window with her tail. We were just so into the film that we were creeped out.
So back to the film. So Jill keeps trying to talk to “the Stranger” so the police can trace the calls. It is so creepy, it was like when that crazy girl kept calling/texting me last spring.
Jill Johnson: [On phone] You really scared me, if that’s what you wanted. Is that what you wanted?
But what really makes this a spectacular film is that many of the modern myths of werewolves were originated in this film: such as a person becoming a werewolf through a bite; the only way to kill a werewolf is with a silver bullet; and changing into one during a full moon. These are all original concepts created by writer Curt Siodmak. Isn’t that amazing! Like The Mummy and The Creature from the Black Lagoon this film isn’t based on a book or any specific resource, which allowed the writers a lot of leeway in their work and creations.
So this isn’t the first werewolf film, as that was The Werewolf of London, which actually did rather poorly in theaters. This was the second werewolf horror film to be made and become the most famous. All the later depictions such as: The Howling, An American Werewolf in London, I Was a Teenage Werewolf, Van Helsing, The Wolfman (2010), etc.; looked to it in creating their stories.
So the film was originally written for Boris Karloff, but he turned it down. And although I love that man [read my The Mummy (1932), Frankenstein, or The Bride of Frankensteinpost]I can’t imagine this film being as amazing with him as the title role. Lon Chaney Jr. was just superb! Lon Chaney Jr, was the son of the famous Lon Chaney (who I talk about in my Phantom of the Opera post) and interestingly the set that was used to film this movie was the same used for The Hunchback of Notre Dame (1923) which starred Lon Chaney Jr.’s father, Lon Chaney.
Now I love this movie and story but it is soooo sad as well. Here is a wonderful man pure of heart, who has the unfortunate luck of being bitten by a werewolf and can’t do anything to stop it. Unlike modern movies where the person can control it, change at will, etc; in the original when the man transformed into a wolf he literally transformed into becoming a beast and losing all his humanistic thought, reasoning, etc.
So the film starts out with Lon Chaney Jr. as Lawrence Talbot returning home.
Look at this sweetheart
His older brother has died, and as he is the second son he will now inherit everything–money, title, family home, etc. More importantly, after the realization that his brother is no longer, Lawrence AKA Larry, is eager to rebuild his relationship with his father. They had previously parted on not the best terms (he wanted to be an engineer his father wanted him to be something else. He decided to run away to California, against his father’s wishes).
Larry reacquaints himself with the village, taking a deep interest in a particular shopkeeper, Gwen Conliffe, who is unfortunately engaged. However, she is equally interested and as Larry buys a silver-wolf handled cane the two make a date to meet up later that night and visit the gypsies that are camping nearby.
That night Larry meets up with Gwen and her friend Jenny. The three make off to the gypsies passing some wolfsbane along the way. Both girls repeat the old gypsy folklore about wolfsbane:
“Even a man who is pure in heart
and says his prayers by night
may become a wolf when the wolfsbane blooms
and the autumn moon is bright“
Now what is really interesting about this old piece of folklore is that it isn’t that old. This quote has been thought to be an Eastern European folk saying, but Siodmak admits that he was the one who made it up. Even though that might be true, it went down in film history becoming a part of almost every future Werewolf film and recited in every future Universal film appearance of the Wolf Man. [It is quoted by Van Helsing, but one of the lines was changed to “The moon is shining bright” instead of “The autumn moon is bright“]
Meanwhile, in the gypsy camp one of them has a terrible secret. Bela, played by Bela Lugosi, is actually a werewolf and hiding it from everyone.
When the group gets to the gypsy camp and have their fortunes read, Bela sees the pentagram on Jenny’s hand and knows that she’s next for death.
Bela runs off and the trio start walking home. Soon Jenny is attacked by a wolf and Larry tries to save her. He wrestles with the wolf and kills it by braining it with his cane. (It being silver can kill it) Unfortunately, he couldn’t save Jenny and during the battle, he ended up getting bit…
Making him the next werewolf.
The next day the constable comes to visit, causing Larry to second guess himself as they found a dead Bela instead of a wolf!
They found Bela beat in the head, and Larry’s silver cane matches perfectly as the weapon.
Col. Paul Montford, chief constable: [showing Larry’s stick to him] Is this your walking stick?
Larry Talbot: Why, yes. That’s the stick I killed the wolf with.
[Sir John Talbot and Col. Montford look at Larry with great concern]
Sir John Talbot: Larry, Bela the gypsy was killed last night. Your walking stick was found next to the body.
Larry Talbot: You mean, Bela the fortune teller? But… I only saw a wolf.
Larry is completely confused as he knows that it was a wolf. And how does that explain the murder of Jenny? Which was done by a wolf? The constable tells him he is still investigating as he really doesn’t want to arrest the Lord’s son, especially since there are so many questions. He ultimately deems the incident an accident.
Larry on the other hand is extremely puzzled. Could he have killed Bela? But he saw a wolf he was bit by one. Except the mark can not be found!
Larry needs answers and decides he will go see the Gypsy woman and not only apologize for her son’s death but ask her what is going on! Gwen and her fiancé Frank go with him.
The gypsy woman, Maleva, reveals that he did kill a wolf–a werewolf. Her son Bela was a werewolf and the only thing that could kill him was silver, silver like the silver on his cane.
Maleva: You killed the wolf.
Larry Talbot: Well, there’s no crime in that is there?
Maleva: The wolf was Bela.
Larry Talbot: You think I don’t know the difference between a wolf and a man?
Maleva: Bela turned into a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife…[looks down at Larry’s walking stick]…or a stick with a silver handle.
Larry Talbot: You’re insane! I tell you, I killed a wolf! A PLAIN, ORDINARY WOLF!!!
Maleva: Whoever is bitten by a werewolf and lives becomes a werewolf himself.
Larry Talbot: Ah, don’t hand me that. You’re just wasting your time.
Maleva: The wolf bit you, didn’t he?
Larry Talbot: Yeah. Yeah he did!
Maleva: [Larry shows Maleva his chest wound concealed under his shirt] Go now – and heaven help you!”
Larry of course doesn’t believe her and leaves. That night he transforms into the WEREWOLF!!!!!!!!!!!!!!!!
Now the transformation was laborious. The makeup took six hours and was the design by Jack Pierce for Henry Hull in Werewolf of London. Hull had rejected it as he didn’t like how long the process would be to apply it. Chaney Jr. claimed he had to sit motionless for hours as the scenes were shot frame by frame. Pierce used grease paint, a rubber snout, wigs, and glued layers of yak hair to Chaney Jr.’s face. Larry’s dissolve transformation on screen only took seconds, while in actuality it took almost ten hours as they had to keep reapplying layers for the changing fur.
That night the Wolf Man attacks a grave-digger, Richardson.
The constable and the Doctor finds his ravaged body and wolf tracks.
Meanwhile, Larry finds himself in bed with wolf tracks all around and has finally decided that the gypsy women must be telling him the truth. He talks to his father who just thinks that he is in shock and doesn’t take any of the “werewolf nonsense” seriously. He even calls the doctor who deems it just a mild form of hysteria.
The Constable and doctor prepare the woods to catch the wolf so that it doesn’t kill another person. The night Larry as the Wolf Man steps in one of the traps and gets caught. Luckily the Gypsy woman frees him, as she had felt sorry for his predicament.
Larry transforms back into a human and asks the Gypsy woman and for help. She gives him a charm that will protect him from turning into a werewolf and warns him not to give the charm to ANYONE ELSE AS IT WON’T WORK FOR ANYONE ELSE!
He then runs off to see Gwen to tell her that he is leaving. He knows he has killed the others and doesn’t want to hurt anyone else.
“Larry Talbot: You wouldn’t wanna run away with a murderer wouldja?
Gwen Conliffe: Oh Larry, you’re not. You know you’re not.
Larry Talbot: I killed Bela. I killed Richardson. If I stay here any longer, you can’t tell who’ll be next.”
Gwen tries to get him to take her with him as she loves him, but Larry sees the mark of the pentagram on her hand and tells her he can’t. Instead he gives her the charm. YES THE CHARM THAT IS ONLY SUPPOSED TO PROTECT HIM! Really Larry? REALLY??????!!!!!!
YOU ARE MAKING THE SAME FREAKIN’ MISTAKE THAT EVERY OTHER MONSTER FILM HERO DOES!
DID YOU NOT HEAR THE WOMAN EARLIER? SHE SAID IT WILL WORK ONLY FOR YOU! ONLY FOR YOU!! ONLY YOU!!! YOU KEEP IT! What’s the point of going to a gypsy for help if you ARE NOT GOING TO LISTEN????!!!!!!! I mean this is such a classic mistake made by these men in these horror films. In Dracula, he gives the girl the cross charm that is supposed to protect only him, and then gets knocked out and is unable to keep her from being kidnapped. In The Mummy, he gives the girl the charm that is only supposed to protect him, and it doesn’t work for her. Instead Imohtep knocks him out and takes the girl anyway. MORAL OF THESE STORIES, KEEP THE DANG CHARM!!!DON’T GIVE IT AWAY!!! Alright! So if any of you are given a protective charm you freakin’ keep it!!! YOU HEAR ME????!!!!
And now that I got that little rant out of my system, let’s get back to the story.
So Larry goes to see his father and asks him to lock him up; tie him up in a chair, lock the door, etc and to go far, far, away as he doesn’t want him to be hurt. He also gives his father his silver cane as he knows that it will protect him.
Now this is why I hate modern interpretations of werewolves, except for The Wolfman (2010), as they never capture this aspect of the story. Here is a good man who has become evil, but he doesn’t want to be evil. It wasn’t like Dr. Jekyll and Mr. Hyde in which Dr. Jekyll made a choice, or even The Phantom of the Operawhere he suffered such horrible things and had a complete snap and broke down. This was a good man who wanted to fix bad things in his life but the timing was off and he too is caught up in the evil. Modern interpretations also never cover the heartbreaking scene as this with his dad. He knows he can’t control the evil and the last thing he does is try to protect the ones he loves, first Gwen and then his father. The most emotional is the scene with his father, as here is a man he has been fighting with, had a horrible relationship, but you see in this moment how much love he has for his father. He gives him the cane as he wants his father to be safe, no matter what. And you see how much his father loves him by taking the cane, even though he thinks Larry is delusional.
Gwen is worried about Larry and goes looking for him, running into the woods even though the Gypsy warns her not to. I mean seriously, why don’t we listen to the Gypsies? They are gypsies, they know stuff.
So Gwen runs out and into Larry, who has escaped from his room. But instead of the sweet, adorable, loving Larry we are confronted by the horrible beast.
But before the werewolf can do anything, Sir John comes and hits him with the cane, killing him.
The constable and doctor presume that Larry was killed trying to save Gwen, but Sir John knows the truth and now is left alone and has to bury his other son.
“Maleva: The way you walked was thorny though no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Now you will have peace for eternity.”
Yep. I have to say that this is one of my all-time favorite horror films. Although it makes me want to cry every time.
So that was our kick-off piece. Stay tuned for many more wonderful pieces to come!
So I decided to do this post in honor of Bastille Day! Yay! You know I find the French Revolution so fascinating on how things got so ugly, so quickly. Also the complete irony on how they tried to change everything about France and erase all shreds they were ever ruled by a monarchy, but yet at the same time, find themselves being ruled by a king in about 10 years. By the way this is Liberty Leading the People by Eugène Delacroix (1830) about the July Revolution of 1830 (the 26-29), which ousted King Charles X of France. For those of you wondering, this took place two years before the June Uprising depicted in Les Miserables. So in this image we have liberty, represented as a woman (as usual) leading the people onward. This painting helped end the Enlightenment period and made way for Romanticism, the style that revolved around political events and current issues to try and evoke emotion out of the viewer. The people in the image following liberty and the French flag, are a wide range of people from different classes. To the far left is a poor peasant, and next to him a member of the bourgeois in a top hat, and to the right of liberty a member of the military.
Anyways, this post is also a response to Girl on Fire, my post on The Hunger Games quiz result I got. I mentioned how I would start a revolution as I have tried before at an Oxfam banquet.
So at my school we do an Oxfam banquet every year that raised awareness of hunger and homelessness in the world, U.S. and city that we live in. Each person who visits picks a name/occupation out of a bowl and it determines where you will be placed, and what your economic status is. Those who are lower class are the majority, sit on the floor, are treated rudely, have to drink water with coffee grounds in it, share a thing of rice, and eat last. Those who are middle class are seated at tables and get clean water, beans, and rice. Those who are upper class get bread rolls, salad, clean water in glasses, eat off glass plates instead of paper, cookies, and some kind of meat dish. They get the most attention and there are only like five of them, but yet they have more tables set out with food that remain empty. Throughout the night they have speakers and do a discussion of how we felt about the activity.
Now the first year I worked the bowl, holding it and making sure no one cheated, and all went to their right place. At the end of the shift, I pulled out a name and ended up getting upper class. Unfortunately, the waitstaff forgot to serve us the main dish so we only had salad and bread.
The next year they didn’t need volunteers so I just went with my friends. This year I got middle class (pooh) and in order to eat we had to do “chores”. They gave us a bag with holes in it and we had to clean up the newspaper pieces they had ripped and thrown about. The poorer class had it worse as they didn’t have a bag and the people get throwing more and more paper at them.
So I came up with the idea to tie the holes up as otherwise, we were going nowhere. After we finished we got our nasty food (it was horribly done as our caf sucks). Then we sat there. Now we had plenty of food left over, and I tried to give it to the other group but they just wouldn’t take it. They felt that it was their role so they were going to accept that. Well I wasn’t. I saw all those tables with empty people and I was hungry. So I told my friends, let’s start a revolution! Look at all the uneaten food that is going to be thrown away afterwards. Let’s go get it. Come on, there is plenty for us. We won’t have to take anybody’s stuff, we won’t force them to do anything. We’ll just rise up and take the stuff we need. I was very much Maria from Metropolis.
Maria, leader of the Rebellion
Come on everyone! Let’s do this!
But sadly, none of my friends wanted to as they “thought they would get in trouble”.
But I was like
And went and took the food.
A few people followed my lead, but mostly everyone was too complacent to stand up for their rights or scared they would get kicked out. So what if we do? Then we do. That’s the problem with revolutions or fighting for a cause. You need others to fight with you, but sometimes you just can’t convince them to take that chance. 😦
According to Buzzfeed I’m a real revolutionary and belong during this time period