Tag Archives: Kim Novak

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One Final Thing I Have to Do… and Then I’ll Be Free of the Past.: Vertigo (1958)

“One final thing I have to do… and then I’ll be free of the past.”

It’s time for our annual Alfred Hitchcock pick! I was actually planning on doing another film, but things happened, as they do, and I switched it out with this movie.

Now as you may know from previous posts, I love Alfred Hitchcock movies. I like that he has a variety of characters from all kinds of backgrounds and motivations, but typically they are just an average person who is caught up in an abnormal circumstance.

The use of lighting and shots is always amazing:

He also always knew how to pick a story-choosing one that is well done, mysterious, suspenseful, and adding his special macabre tendencies.

Now I love almost every film of his, there are only a few that I would watch once and that is good enough for me. And with those films, even though I don’t love them or feel a need to watch again and again I can still appreciate the direction he was going in. But there are two of his films that I hate: Vertigo and Marnie.

Both of those films have a man who is our protagonist and “hero”, who horribly mistreats and abuses the woman he “loves”. While Marnie has the interesting plot of why Marnie (Tippi Hedrun) does what she does, a twist that is leads to understanding her character; I still cannot stand Sean Connery’s character or the fact we are supposed to want them to be together when he not only blackmails Marnie into marrying him, but rapes her.

But we aren’t talking about that film today. We are talking about the other Alfred Hitchcock film I hate: Vertigo.

A lot of people claim this is Hitchcock’s best work but I wholeheartedly disagree as I think a lot of his other films could easily knock this film out as they have better pacing, a better storyline, and I think the actors and actresses did just as fine a job or better.

For me I really, really don’t like the storyline. How this film came to be was that Hitchcock really liked the book She Who Was No More, by the writing team of Boileau-Narcejac, but lost out to Henri-Georges Clouzet. When the book this film was based on, From Among the Dead, came out-he immediately went to bid for it. Im going to give a quick summary and then I will share what it is about this particular film that I cannot stand.

The film starts off with our main character John “Scottie” Ferguson (Jimmy Stewart), a cop who has left the police as he has severe fear of heights that caused him to let a criminal get away. His best friend, Midge (Barbara Bel Geddes), is in love with him but he doesn’t care for her and at time can be quite rude and cruel to her. He reveals that an old friend of theirs reached out o him, wanting to meet up.

Scotty goes to see his friend, Gavin Elster, who tells Scotty about his wife and how she is acting strange. He wants to pay Scotty to watch over her and find out what is going on. Scotty does, witnesses Madeleine (Kim Novak) doing a lot of strange things, falls in love with his he (even though it is his friend’s wife), but Madeline can’t be with him as she is possessed by her ancestor and has to kill herself.

Scotty you need to back off. This girl needs help-not a relationship.

Madeleine goes to the mission bell tower and throws herself off, Scotty is heartbroken at losing her (even though he has only known her for a very small, small, amount of time.

So the pacing of this film is extremely slow, especially as it is obvious that this is not a ghost story as Hitchcock never does that. I knew from the first time she tried to kill herself this isn’t the whole story. Either she faked her death, her husband got a body double so he could kill her, she got a body double to get her husband arrested or something, but no ghosts or demon possession.

I also can’t get behind a main character who is in love with another who is not in a clear state of mind. I mean it would be different if he loved her before, this was a traumatic event that caused this momentary break from reality, etc. But he just met this woman and he’s attracted to a person who believes they are possessed by their dead relative and keeps trying to kill themselves as something inside them wants to die. If you can’t handle a normal relationship with a mostly well adjusted person like Midge (she does paint herself like the dead woman so only mostly well adjusted), and instead your ideal type is unavailable, not in a good mental or emotional stare, and in a state of depression; you clearly need to see a counselor and figure out some things.

Scotty becomes depressed, has a breakdown ( I would argue he was already having one) and goes to a sanitarium. When he has “recovered” keeps thinking he sees Madeleine everywhere and runs into a woman that looks so much like her. The woman, Judy Barton (Kim Novak), starts dating him even though he makes it clear repeatedly that he is only interested in her because she looked like the girl he really loved. I’m like girl no! Run away! Run far away from this situation!

He then makes her change everything about her remaking the woman he really loves, although not really as he didn’t even “know” her, other than she was out of her mind and pretty. Everything about Judy must go until she is more and more like Madeleine. He even makes her dye her hair so she can be an exact replica.

Judy: If I let you change me, will that do it? If I do what you tell me, will you love me?

Scottie: Yes. Yes.

Judy: All right. All right then, I’ll do it. I don’t care anymore about me

Again so, so, so, so, so, many red flags. But does Judy leave? No, poor Judy continues to stay in this abuse and acquiesce to everything he asks because she loves him, and mistakenly believes he loves her too.

One of the worst parts for me is when he forces her to change her hair.

Judy: Couldn’t you like me, just me the way I am? When we first started out, it was so good; w-we had fun. And… and then you started in on the clothes. Well, I’ll wear the darn clothes if you want me to, if, if you’ll just, just like me.

Scottie: Judy, please, it can’t matter to you.

Judy: Oh, no!

Scottie: The color of your hair…

I hate this scene with the fury of a thousand suns as not only is completely wiping out her identity to become his perfect woman, but he went for the hair. A girl’s hair is more than hair, it is a part of their identity, a mark of their femininity, a connection to their culture and family, etc. I have never met a woman who did not care about her hair, it might not be her sole focus, they make cut it short or shave their head, but there is no way they don’t “care”.

It turns out that Judy and the Madeleine he met are actually the same person. His friend Gavin wanted to kill his wife for the insurance money and hired a double to make everyone think she was crazy and wanting to kill herself. He then hire Scotty to follow her as he needed a witness of her behavior and mental state; along with choosing Scotty as he knew with his fear of heights he won’t be able to follow her up the bell tower to stop her. Judy wants to tell him the truth, but doesn’t know how. He eventually figures it out when he sees the necklace Madeleine wore, the one that belonged to the relative possessing her. Judy spills and Scotty decides they must go back to the tower to right this wrong.

They do and Scotty throws her off the bell tower, killing her.

Critic and film analyst call this film a “story of a man who develops a romantic obsession with the image of an enigmatic woman…” but that is not what this is. It is a story of a man who is NOT romantic, and is obsessive, controlling, and abusing a woman. He insists he loves her, but he doesn’t love either woman, he just wants to control them. He actually follows the cycle below with Judy.

I also believe Hitchcock was really working through some feelings when making this film. Alfred Hitchcock married and stayed married to his wife, but he became in “love” with Ingrid Bergman after working with her. He used to make passes at her, was extremely coarse and sexually harassing her. He even spread a story that she got him into a bedroom at a party and demanded he have sex with her, but she always insisted it wasn’t true (and I believe her). But Ingrid was unattainable, at least until she divorced her husband for another man, and not just any man another director! And one she had a child with. I think Madeline represents Ingrid Bergman, a married woman he wanted and believed wanted him but couldn’t be together. That line Madeline says about how they can’t be together because someone within her won’t allow it, I think that is supposed to represent Ingrid Bergman’s pregnancy. Madeleine dies, and in a way Ingrid Bergman died as she left Hollywood.

After Bergman he turned his obsession to Grace Kelly, treating her the same way he treated Bergman. But she left him too, in 1956 she married the prince of Monaco and too left Hollywood. The the year before this film came out, in 1958, Ingrid Bergman left her husband and married another director, but that director was not Alfred Hitchcock. I think he had a lot of anger as these women he “obsessed over” but couldn’t have. Grace Kelly being Judy, a creation that betrayed him (marrying and leaving Hollywood) and too had to die in order for him to start again.

Which he does as Alfred Hitchcock then truly became Scotty as he found a new girl, another “Judy”, as he was obsessed with Tippi Hedren and controlled everything about her. He wouldn’t let anyone talk to her-unless they were filming, and abused her. She tried to talk to the studio heads but he was such a money maker they refused to do anything. And when she refused him, he blackballed her. Too bad she wasn’t able to have justice. If you would like to know more I really recommend reading Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies by Donald Spoto. Just like the horrible way Scotty treats Judy trying to make her his picture of a perfect woman, until he has no need of her, so Hitchcock treated Hedrun.

So I think this falling for a woman that can’t be with you and trying to recreate that creation only to have it not be with you again-plus the fact that the lead murders her something not seen in his previous films, most of the male leads are wrongly accused, or in Rebecca have a moral loophole. I think he was acting out his anger and passion that he felt toward the rejection/losing these women.

I think Midge is Alma, the woman that puts up with witnessing this destructive behavior and is their for the person, even though they don’t really deserve it.

And before you start thinking I’m too conspiracy with this thought one of people credited with the screenplay is Samuel A. Taylor who never read the original novel, but only was given Hitchcock’s outline of the story. So the plot we have comes solely from what Hitchcock wanted it to say.

Hmmm…

I also don’t like that our lead murders someone, this is something not seen in his previous films, as most of the male leads are wrongly accused, or as in Rebecca have a moral loophole. I think Hitchcock was acting out his anger and passion that he felt toward the rejection/losing these women.

With the content of this film, I will end on this:

I Am a Survivor of Domestic Violence and I Know Help is Out There:

Are you being abused?

It’s abuse when someone who should care about you does or says things that hurt you or make you feel afraid, helpless or worthless. Here are only a few examples:

  • Slapping, hitting, punching, choking, grabbing, shoving, kicking you or your kids, your pets
  • Threatening you, your kids, friends, family or pets
  • Hitting, kicking, slamming walls, doors, furniture, possessions
  • Forcing you to have sex
  • Calling you names, swearing at you, yelling
  • Controlling all the money, even money you earn
  • Blaming you or your kids for everything
  • Putting you down, making you feel like nothing you do is ever good enough
  • Treating you like a servant or slave
  • Controlling where you go, what you do, what you wear
  • Controlling who you see, who you talk to
  • Humiliating you in front of other people
  • Refusing to let you leave the relationship

It can also look like the below cycle

If you are in danger call 911, a local hotline, or the U.S. National Domestic Violence Hotline at 1-800-799-7233 and TTY 1-800-787-3224.

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I Have a Dubious Reputation: The Notorious Landlady (1962)

I have a dubious reputation.

So my mom and I were looking on Amazon for something to watch and stumbled upon this. Neither of us had ever heard of it, and we both think Jack Lemmon is hilarious.

So the film starts off in London with a man being killed, we only see his feet as he is dragged away in a car. Neighbors hear the ruckus, but don’t actually see who is causing it.

Hmm, …

Fast forward some months and  William ‘Bill’ Gridley, (Jack Lemmon), American diplomat, has returned from the Middle East. He is happy to be out of the desert and happy to be closer to America. His first duty is to find a place to live. 

Hmm…

Meanwhile, Mrs. Carlyle Hardwicke, (Kim Novak), has been in the paper and everyone looks down on her. She needs money, but can’t work because she is married. You know how it was back in the day, this quote is from Mr. & Mrs. Smith (1949)

Store Manager: Miss Krausheimer, we understood you were a single woman. As an aid to to the unemployment crisis, it is our policy not to employ married women.

So Mrs. Hardwicke needs money and with her husband MIA she is trying to rent out half her house. No one will take it as they don’t want to rent to a murderess, which all believe her to be.

But of course, newly arrived Bill Gridley has no knowledge of this. He sees the house as perfect location, great rent and wants it.

Mrs. Hardwicke doesn’t want to rent to him as she is already talked about, imagine how it would increase if she has a male boarder! She tries to dissuade him, pretending to be the housekeeper, but Bill sees right through that and insists.

Mrs. Carlyle Hardwicke: To put it plainly, Mr. Gridley, I have a dubious reputation.

William ‘Bill’ Gridley: You DO? I’ll pay you 45 pounds a month.

He gives her the money and the deposit and when he hears she and her husband are not together, asks the beautiful Mrs. Hardwicke out to dinner.

He then goes to work for his boss Franklyn Ambruster (Fred Astaire) who is all about propriety and staying out off the radar. If Bill messes up, Ambruster’s career is on the line.

Franklyn Ambruster: I want you to know that I have no intention of watching you go down the drain and using my career as a raft.

That night he takes the beautiful Mrs. Hardwicke out to dinner and they have a lovely night, except everyone watches and stares at her. All talk, gossip, etc.

Bill sees none of it, just Carly, and falls head over heels in love for her. But before anything could happen, he gets interrupted by a phone call from his boss to come in early the next day. Moment ruined.

That night a man watching Mrs. Hardwicke’s house makes a call. The next day Inspector Oliphant comes to the embassy to speak to Ambruster and Bill. He lets them know all about the case and how they would put him on trial except that there is no body so technically no crime. 

Bill is sure of her innoncence, but the inspector and his boss both want him to spy on her.

Franklyn Ambruster: If you foul up, Gridley, I’ll have you back in the Sahara so fast you’ll think London was a mirage.

William ‘Bill’ Gridley: In other words, if she knows I know, I go.

Franklyn Ambruster: That’s exactly right. And I hope you haven’t taken to talking in rhyme.

Bill sneaks into the house when Mrs. Hardwicke has left to try and get into the closet that she said he was never to use. There’s nothing in there but her husband’s clothes. He starts going through her room and finds a gun!

Ahhh!

But she is a single woman living alone. He puts it in a different place (as soon as I saw that I knew important!!!) and starts to search more But she comes back early!!!

Unfortunately, there aren’t a whole lot of clips of this film, but it is hilarious. Jack Lemmon is great at comedy-physical, verbal, and the faces he makes.

So he doesn’t find anything incrimminating, which is great. But the words that the inspector said to him is really starting to get to him. Carly plans a surprise for him, but all he can imagine is her killing him.

He doesn’t pay attention at the BBQ grill and puts in too much lighter fluid, the fire department is called and his face is landed in every paper.

That’s not good.

Ambuster is furious as this goes against everything he told him he wanted. He doesn’t care that Bill is helping the police, he is sending him back to the Sahara or Iran or as far away from him as he can.

Franklyn Ambruster: Then tell me one good thing about this morning, except that it’s your last one in London.

Bill gets ready to pack up and heads to his office, Armbuster is going to go on with his usual things but is interrupted by Mrs. Hardwicke coming to the office. He is won over by her beauty and charm and has officially joined team Hardwicke.

Franklyn Ambruster: …she couldn’t possibly have done it.

William ‘Bill’ Gridley: [Pointing at himself excitedly and nodding his head] That’s your discovery?

Franklyn Ambruster: With you, it was an opinion. With me, it’s a conviction.

Carly wants Bill out of the house but Bill doesn’t want to leave. She starts acting weird and two men come to “pick up a package”. She tells them to come back the next day and then plays the organ at night.

Even weirder, she’s surprised that Bill heard her playing. Uh….???!!! You weren’t that quiet about it…

She also acts strange about her organ when talking about it.

Hmm…

All embassy business has been thriwn out the window. Bill and Ambuster are on the case. That night they see the man come to the house again to speak to Carly, and she leaves with a package. Armbuster follows her while Bill goes after the man. This is a hilarious chase scene through foggy London.

Bill ends up at a church, where he discovers that Carly sold her beloved organ to get money. That’s why she was being so creepy and weird about it. It was her last time to play her beloved instrument.

Carly gives Ambruster the slip, he ending up in a grave that is being dug. Carly goes to a pawn shop, pawning a silver candelabra.

That night Bill calls Armbuster to find out what he knows and Carly picks up a line and overhears the conversation, ah landlines. She’s furious and refuses to speak to Bill again, wanting him OUT!

That night she is getting ready for bed, when a man is in her room!!!

It’s her husband!!!!!! He wants the money he stole. He killed the man sent to assassinate him and took off to hide out. He struggles with her and she goes for her gun, but it’s not THERE!!!  Darn you Bill. 

Meanwhile, Bill is downstairs calling the inspector and telling him that he will no longer be a spy, he’s done as he is in love with Carly. The inspector has just woken up from the call and is unsure what they are taking about.

Wha??

Bill hears the noises from upstairs in Carly’s room and throws the phone down to help. The inspector hearing Bill being worried, sends the police over.

When Bill gets there he finds Carly standing over her dead husband and the next scene she is on trial.

Now here is the part of the film I don’t get. They put her on trial for killing her husband and there is no acknowledgement of what they did earlier-all those months blaming her for the murder when he was alive! And knowing that she killed him in self-defense they try to make it out to be murder?

Man a good lawyer would rip them to shreds!!!! You know it!!!

So Carly acts kind of weird and doesn’t seem to defend her self.

Now when Bill tries to defend her, the prosecutor really turns his words inside out and sideways.

Huh?

All seems lost until the next door neighbor’s nurse, Agatha Brown, steps in and testifies that Carly was just defending herself. The trial is declared a mistrial and all is good.

Except that Carly doesn’t seem very happy. Bill tries to talk to her but she wants nothing to do with him.

She goes home, Agatha giving her a ride and it appears the nurse is blackmailing Carly. When Bill comes home, the nurse is leaving with a paper, talking about her new room.

Huh?

BIll questions Carly, but she just tells him to leave, going upstairs distraught. She goes into the bathroom with Bill trailing behind and talking to her. He hears the water stop and then nothing.

He calls out his name over and over, but nothing.

That’s not good.

Fearing she might hurt herself, sure, he knocks the door down, but it turns out she is just taking a bath.

Seriously

He questions her and she reveals what happened was that her husband attacked her and wanted the candelabra she had pawned. They fought and she killed him in self-defense. She looks out the window and realizes that Agatha couldn’t have seen anything because she spotted her walking up to the house that night, hoping to get her attention.

So if she didn’t see her than who did…Lady Fallott must have! That means she must know about the candelabra! Agatha isn’t likely to share it so they rush down to the pawn shop to see if the candelabra is still there.

Instead of the candelabra, they find the dead pawn shop owner. They know Lady Fallot must be next and go looking for her.

Invasion of the Body Snatchers (1958)

Meanwhile, a bobby notices them running off and goes in the pawn shop.

That’s not good.

Carly and Bill go next door and question if they know where Lady Fallott is. While they are doing that, Ambruster stops at the flat to pick up Bill. The two run into a car to the station, heading to Penzance while the police show up.

In Penzance the two search for Lady Fallot, while Agatha is intent on murdering her. As they are scrambling and chasing, the police and Ambruster follow behind. This is a HILARIOUS chase scene all to the theme of The Pirates of Penzance  

I wish I had a clip to share with you all. In the end all is right and Bill and Carly end up together.

To start Horrorfest VIII from the beginning, go to Count Dracula the Propagator of This Unspeakable Evil Has Disappeared. He Must Be Found and Destroyed!: Horror of Dracula (1958)

For more Fred Astaire, go to I Won’t Let You Get Away: Holiday Inn (1942)